#that impact the story and is undeniably canon to it

[godisasimp]

I had a mental breakdowns at around 2am because of the honkai story :

Ai Hyperion being present as well as the player being canon just fucks everything up.

See, in the event that came with her release, Ai Hyperion told us to set a "key" a password of sort, that she later used to defeat the virus, it was already known that she would appear in the main story chapter due to a CG being spoiled/leaked, this wasn't an issue at the time because she was just there to explain some things to Ai-chan, and she seemed to be a different Ai Hyperion than the one we met in the event.

But then came along chapter 35 and, lô and behold, the "key" we set up in the event, months ago, is used and the player appears. Now we have an issue.

Because in the event's universe, Honkai Impact 3rd is a game and Ai Hyperion is fully self aware of it all, BUT, in the main story it was never even hinted at.

So now, we have this Ai Hyperion as well as the player in the main story.

What do we do ?

Is the main story happening in the same universe as the Ai Hyperion event universe ?

- If yes : it would mean that we were always playing a game from the beginning, the characters in universe aren't real, the story isn't, and basically nothing is because we were always playing a game and not watching a story, the player was always canon it was just never shown or hinted at.

- If no : it would mean that Ai Hyperion somehow brought the player along with her, accidentally or not, in the main story which isn't a game, and it would get so much worse to explain because, the player is a being that technically doesn't exist in the main story universe and yet they're here, they had the ability to talk to AI Hyperion during chapter 35 and knew things she didn't (such as the correct directions) and could just talk to her like that, so the player has extra knowledge isn't physically present and can still influence the story, TL;DR : the player is basically an omnipotent GOD. Also the player technically exist outside of the fucking universe and can still interact with it DO YOU UNDERSTAND HOW FUCKING COMPLICATED THAT SHIT IS ???? DO YOU UNDERSTAND MY MENTAL BREAKDOWN ???? MIHOYO FOR THE LOVE OF GOD WHY DID YOU MADE THE PLAYER CANON ???

[moowithmidnight]

The thing that’s so special to me about Emily Prentiss being lesbian is that she’d be a specific type of lesbian the media is sorely missing.

This is a very middle-aged woman with multiple sexual experiences with men that significantly impact who she is as a character (pregnant at 15, seducing Ian). Like they are canon, and undeniably formative experiences for her personality and how she interacts with other people/the team.

Having her realize her sexuality now would not only be such an incredibly story arc, it would also be representing so many lesbians who don’t get that type of representation.

[codenamesazanka]

Story really should've forced Aizawa and Mic to grapple with the fact that Kurogiri/Shirakumo seemed to have genuinely cared about Shigaraki Tomura. Not just 'oh, that's just Shirakumo's caring nature' and dismiss it as a general benevolence that was manipulated to babysit some kid, but really have them consider that Kurogiri/Shirakumo likely developed a special relationship with Shigaraki and that the well-being of the kid Kurogiri/Shirakumo watched over and nurtured for years mattered to him.

Like, Aizawa and Mic are teachers. They would understand feeling responsibility and care towards children - even if not their own, even if complete brats, even if they personally dislike a kid - feeling the duty to protect them and guide them toward adulthood. That's what Kurogiri/Shirakumo did as well - was given the job of guiding a spoiled 'knows nothing but the impulse to destroy' kid into someone more mature and thoughtful, a future leader.

But more than that - and albeit this is implied in canon and only shown in semi-canon things like the Ultra Impact game - Kurogiri/Shirakumo was partly raising Shigaraki. Making him meals, tending to his injuries, helping him train, etc. Also something Aizawa would understand well, since he's all but adopted Eri as his own. Aizawa started off only taking care of Eri as a charity case for UA, but before long, he was basically considering her like his own kid. Yeah, Kurogiri/Shirakumo's situation was much more complicated and shady than that, but you can't tell me he wouldn't have developed some real care towards his charge, especially since such a big deal was made of his Shirakumo core.

If Aizawa and Mic considered Kurogiri/Shirakumo still their friend - a ghost of one, and only partly there, but undeniably their friend - then they at least have to consider Kurogiri/Shirakumo's wants and needs as real in some way, even if they disagree or question them, and respect that. And if that includes real care for Shigaraki Tomura, to the point that Kurogiri's last act was making sure Shigaraki Tomura can be happy with his friends, Aizawa and Mic would've had to acknowledge Shigaraki as well. See what Kurogiri/Shirakumo sees in Shigaraki that's worth protecting. At the very least, they can't just help kill off the guy without hurting Kurogiri/Shirakumo.

But it feels that Shigaraki Tomura had to have stayed a unknowable, scary villain to everyone but Deku (and even Deku seemed to have considered Shigaraki and The Crying Child as separate entities for the most part). Rather, it's weird that a story about saving Villains ended up largely avoiding having anyone other than the designated Saving Hero consider a villain a person. Made sure that only one Hero can claim the majority of the effort and the victory. Essentially - did not consider Heroes having a collective responsibility toward the idea of saving in this aspect.

I think obviously, storytelling-wise, it's about chronicling the particular Hero's journey and development, celebrating their success, and it's more effective if the focus is centered on them. But theme-wise, in-universe-wise, imo, it ends up kinda saying that only one special Hero could've saved the Villain, and thank goodness that special Hero was there. Otherwise, no one would've helped. Otherwise, no one else - no other Hero, even - wanted to help. Which is bleak.

[theflashjaygarrick]

One thing I keep thinking about is because superhero comics are simultaneously niche and cultural icons, the general public understanding of characters can be starkly different to the actual medium. Often this is harmless fun but it can be a problem considering arcs about female and minority characters often suffer in the realm of reprints and adaptations, and therefore never have the same impact on the public consciousness. And I think this explains the erasure of Oracle.

Yes, Killing Joke was misogynistic as hell and as a massive Barbara fan I have serious issues with it. But then what Kim Yale and John Ostrander did with Oracle in year one was moving, beautiful and undeniably feminist. I'm not disabled but I got serious chills reading the story and it is honestly one of my favourite comics. From there she grew to become a staple in the DC universe and helped launch the wildly successful Birds of Prey superhero team.

And she was a disabled hero who was psychologically complex and kickass in a fight. She also was seen as an attractive woman who had love interests like Dick Grayson. She got to train the next generation of Batgirls. As Oracle Babs thrived.

Not to mention according to Scott Peterson's article on DC women kicking ass, the creative team at the time were seeing an overwhelming positive response to Oracle from people who saw themselves on the pages of a superhero comic for the first time thanks to Babs:

"we were the ones getting the mail from disabled fans. We were the ones reading letters about how much Oracle meant to them, how much it meant to see someone in a situation so much like their own, someone who by then had been come such an important part of the DCU, treated with respect and admiration by not only Superman and Black Canary, but by the Batman, a guy who treated pretty much no one with respect." (Scott Peterson, 2011)

But if you look at the mainstream perception, her success is less obvious.

Batgirl has always struggled in adaptations, and Oracle even more so. The versions of Oracle that have been translated onto film and TV haven't caught in public imagination in the same way, to the point she was straight up cut out of the recent Birds of Prey film.

Not to mention Killing Joke is one of the most iconic Batman stories of all time that not only has been reprinted countless times but was one of the select few comic arcs to be adapted into animation. Contrarily, Oracle Year One was reprinted in English once after the original date: the Batgirl 50 years celebration. This collection is expensive and not something you would buy without considerable investment in the Batgirls. It certainly isn't one that would show up if you google 'best batman comics'.

If you see this you understand why people marginally invested in DC mythos considered her return to batgirl was seen by some as a feminist move, rather than an ableist one. Gone were her years of development, one of the most powerful information brokers in DC, and two other beloved Batgirls. And the real insult: killing joke was still canon. Yes, they kept the misogynistic violence and ditched the disability rep and the character growth. And that is despite the fact Killing Joke was made to be part of an else world, not main continuity.

[itsclydebitches]

IT'S BEEN A DOOZY OF A DAY, FOLKS

Yeah I've got a couple asks about it lol. (Always a terrifying experience when you log onto tumblr and immediately wonder why your inbox blew up...)

Man, I don't even know how I'm feeling right now. We've spent so many months working on the semi-confident assumption that RWBY would be cancelled that on the one hand I can't feel very shocked about this. On the other hand there's definitely a wide-eyed part of my brain going, "Holy shit the 'RT is failing' theories finally came true O_O" I'm kinda devastated that a company that's been a part of my life for almost a decade (and for other fans far longer) is just up and gone, but simultaneously I don't care because what I loved about RT hasn't existed for some time now. We've already been dealing with that nostlgia for years, we just got a hell of a concentrated dose of it today. There's admittedly some level of vindication regarding those who've been pulling shit in the company for so long and empathy for those who were just getting by and are now suddenly out of a job. There's regret that (despite my tendency to fall VERY behind on projects. RIP I owe everyone in this fandom a massive apology) I'll probably never have an official end to my RWBY Recaps. And there's worry about how this will impact the fandom...

Yeah, not to jump on the pessimism train, but I feel like this is going to catapult some fans' misreadings into new territory. RWBY is now forever the show that was canonically unfinished and thus its perfection is assured. Think there are major issues in Volume 9 and earlier? Nah, that's setup for Volumes we just never got. Catch a contradition or other mistake? They would have explained that if they could. Any possible issues with the show if it gets picked up by someone else? Well, of course there are issues, RT isn't writing it! This was already a fandom where having accurate, nuanced discussions about the text was hard as hell... but it just got so much worse.

Honestly, I say let it go. If they're going to do anything I'd prefer a complete reboot/reworking so that this story might stand a chance. Airing new RWBY Volumes was already beating a dead horse. Resurrecting the horse to start beating it anew just feels ridiculous. Yes, I'm sad for those fans who wanted an official ending, but we've spent so much time waiting on RWBY, being worried about RWBY's future, and I personally have encounted so many shows lately whose finales soured my enjoyment that there's something reassuring in the combination of definitive ambuguity here: you know you're not getting an ending by RT, so just have fun imagining your own.

Overall, I feel like I've got to sit with this for a while, you know? I totally get why so many fans (partiuclarly RWDE fans) are celebrating and/or releasing a sigh of relief right now. I'm honestly surprised I haven't seen any crabs yet lol. But maybe it's just because I'm "old" my tumblr's standards, but there's something undeniably sad about losing that part of your fandom life. Or at least, losing what led to/represents that life. Getting introduced to RWBY by a friend, binging it for the first time, pulling new people in, finding like-minded friends here on tumblr, analyzing it for thousands of words, tracing its history and watching how radically it has changed... that's gone now. Not actually because RWBY still exists, as do my friends, and there's nothing stopping me from writing as much fic/meta as I want, but it still feels like someone closed a door on that part of my life. That's not wholly a bad thing given what RT has been lately, but I do think it'll take more than one post for me to unpack it all.

[vocalcalibration]

Silver and Blaze need their own game.

This is a topic I, like many Sonic fans, have given a lot of thought. Ignoring for a moment that these two haven't been playable in an official capacity outside of mobile games and spinoffs since... Black Knight? Does that count? The potential for story and gameplay with these two in particular is massive!

Story:

Frankly the plot pretty much writes itself. But let me explain what I specifically had in mind. The story would start with Silver in a burning city he does not recognize. Crisis city would serve as the opening level to the game. At the end of it Silver would be surrounded by monsters and attacked by Iblis before waking up in his home, this is a nightmare he's been having for weeks now. We would then transition to Silver's second level where he runs and glides through the floating islands of his current future. Why floating islands? Because floating islands are cool. We'd meet some new characters who, establish him a little bit of his own supporting cast, that is until a portal opens up and a shadowy individual pulls Silver throufh it.

From here we cut to Blaze who is rather unenthusiastically attending to paper work before someone comes in and informs her someone fell from a portal in the sky. This would star Blaze's first level with her navigating the jungles and beaches of her home island, before coming across an unconcious Silver whom she brings back to the castle. While he's resting the same shadowy figure emerges in the city unleashing monsters onto the townsfolk which Blaze then deals with for her second level in her capital city. After this Silver wakes up and the two exchange notes, with Silver agreeing to stick around so they can figure out what's happening.

From here we can spend time both experiencing visions of 06's future, chasing the new villain through both the sol dimension and Silver's future, and realizing the bizarre connection the two of them seem to share might be more than just weirdly good chemistry.

For some further explanation on my choices here.

I'm building the story as a followup to 06 for a number of reasons. For one it's the game that established them as a duo so if we have a game with the two of them naturally we're going to pull from it.

The series keeps alluding to their 06 partner ship as well. The above is a Colors DS screenshot in which they directly reference their time in 06. Sonic generations has the two both found in the crisis city portion of the hub and has them standing next to each other whenever they're in a cutscene. And they're often paired together in the IDW comic books.

Which is in no way a coincidence. Most of all however is that Blaze's place in 06 is, to this day, one of the biggest unexplained questions in Sonic's lore. Why was she in original timelines future? Why was she so okay with killing Sonic if she was Rush Blaze? If she's not Rush Blaze why does she have such nice clothes in the apocolypse? All questions we've never gotten a proper explanation for.

There's also the fact that I think finally tackling 06 head on would be healthy for the series future. The games impacts on the franchise are undeniable and can be felt to this day. For a while they seemed to live in permanent fear of the game, like it would come back and haunt if they said it's name too many times. Then we had the self flogging era where they "got in" on the joke. Nowadays they seem more comfortable referencing the game in a more matter of fact way, but finally ripping off the bandaid and just acknowledging the game outright in canon may be how they finally put it to rest. In service to that the ending could have Silver and Blaze choosing not to allow whatever past life they had define them, instead focusing on the now and what they can do for it.

Some character stuff you could do could be maybe Silver, due to the events of 06 is cut off from the time line. Everytime he visitis Sonic and co in the past his future is slightly different, the people he does and doesn't know change, but he remains the same. His memories aren't altered to match the current future and so he finds himself in a world of strangers, part of why he spends so much time in the past as Sonic and the others recognize him and he feels like he actually has a place there, but feels as though it's selfish on his part to stay and alter the timeline even more. Meanwhile Blaze could find herself worn out due to her responsibilities as princess, the expectations that weigh on her and finds herself longing for the excitement and adventure she felt with Sonic during their time together. Or something like that, I'm just spitballing here.

We could also reintroduce Marine as a proper "Tails" to Blaze's "Sonic", taking a page (heh) out of the IDW books by having her be much more mature and concientious of her duties in a squire-esk position.

Granted IDW might have over done it JUST little, at least with the tiny bit we see her, so maybe have her keep a bit of that energetic and cocky attitude from Rush Adventure, just toned down a little. You could show her more developed as mechanic, having pick up things from Tails and due to her own practice and training. Also make all her Australian slang incomprehensible to Silver because that would be funny.

Gameplay:

Right out the gate I want the game to be based on the open zone formula of Frontiers, it's the direction I want the series to stick going forward, no more pulling a Sonic Team and jumping ship to a radically different gameplay style for seemingly no reason again. With that said I think I'd like to see it refined a fair bit. Instead of several open zones we have two much larger open areas featuring multiple biomes through which you access the various levels. The Sol dimension would be the first open zone, with the main island and various smaller island surrounding it. Water vehicles from rush adventure could return and exploring would have a bit of a wind waker vibe, sailing from place to place. It wouldn't be as intrusive as Rush Adventure, instead of being their own segments it'd be real time vehicles you can get in and out of whenever and all the major islands would have fast travel points once discovered.

The other open zone would be the same structure, albeit with two main islands connected via bridges surrounded by smaller ones, except they'd, again, be floating in the air and you'd travel via air vehicles. I guess like Skywar Sword... huh.

Blaze would serve as a more traditional Sonic gameplay experience, high speed platforming and action. Specifically base her moveset on 06 Blaze, which featured a double jump, homing attack and grounded fire tornado attack, while also adding in her fire spindash and hover from Rush. Her combat would resemble Sonic's frontiers combat in the open zone, of course with a focus on her pyro-kinesis for her abilities. To put in fighting game terms, she's be a true rush down character with some light projectile stuff.

Silver would be slower. Now let me be clear, Not slow, slower. He'd still move at a good clip but would be outpaced by Blaze easily. In place of that his levels would be more platforming and puzzle focussed. Silver wouldn't ball jump or homing attack, like 06, but he'd have hover, a high jump and a psycho slash move which kept his momentum so as to not slow him down. Also while Blaze would have something closer to the Unleashed-Forces boost, which damages enemies, Silver would have the non-damaging frontiers boost. His combat would be much more projectile heavy, with psycho-kinetic blasts and slashes and aoe attacks. Maybe also some kind of psycho mine that when activated holds ebemies in place? I think it'd be cool. Again in fighting game terms, a zoner/trap character with some light melee and grappling options.

In the open zones you could switch between the two freely, including mid-combo, to tackle the various combat and platforming challenges and puzzles. For levels there are a few options. You could have dedicated levels for both character, the advantage there being that you can taylor each level to their specific abilities. Maybe even take something from Forces Sonic/Avatar stages with select levels using both of them. Alternatively you could have every level accessible by both but with different paths they can take based on abilities. Or you could have it so you can swap freely mid level, kinda' like Sonic Heroes. They all have benefits and drawbacks and I can't really say which one is definitively the best choice.

But now we reach the end of my essay... thing. Thanks for reading. Also all art were taken from official sources including Sega and IDW. Ttfn. Tuh tuh for now.

[saintsenara]

sirius black/severus snape explicit read from the beginning here masterpost | chapter summary | moodboard

chapter one: enif

in this chapter, despite everything in his body telling him that he should, sirius black does not go to the department of mysteries.

this decision will, unsurprisingly, have consequences.

more notes under the cut

i was asked by @ashesandhackles about all the blood in this chapter, so that seems like a very good place to start.

blood is - on the one hand - a metaphor for the social context sirius has always existed in. the wizarding world is obsessed with class, heredity, and lineage; sirius spent his youth trying to escape those forces but now finds himself shoved back into his childhood home, made to confront the fact that half of his blood relatives are on the opposing side and compelled to endure his mother’s portrait constantly reminding him that she considers his decision to turn his back on her and his father’s blood-supremacy to be an aberration against nature.

but the blood also serves a more literal role in this story - it shows that sirius’ body is a wreck.

both the canon text and many fan-fiction portrayals of sirius deal sensitively with his mental state during order of the phoenix - with his obvious depression, with his alcohol abuse, with the trauma he carries from azkaban, and so on - but it seems, in my experience, that far less space has been given to thinking about the ruinous physical trauma he must live with after twelve years in prison. all too often, sirius is written as someone who's struggling profoundly mentally, but is still healthy [and really, really hot] while he does it.

partially, i think this can be explained by the fact that the series generally doesn’t care very much about physical illness or disability - all injuries are easily healed; all damage or disability is rendered obsolete by magic. it prefers to focus on the impact of injury or illness on cognitive function - which it understands to connect to magical ability - and it sets up azkaban as something which primarily impacts the cognitive state of its inmates, rendering them unable to exist as functioning witches and wizards because their thoughts are so disturbed, as sirius himself tells us in goblet of fire:

‘He was screaming for his mother by nightfall. He went quiet after a few days, though… they all went quiet in the end… except when they shrieked in their sleep.’

but the prison is also located in the middle of a freezing ocean and canonically poorly maintained. the prisoners are clearly starved - both sirius and bellatrix are described as “gaunt” after their escape - and can be presumed to be sleep-deprived, denied access to healthcare, and plausibly subject to violence and mistreatment at the hands of the prison’s staff [both dementor and human]. these experiences have an undeniable impact on the mental state, but they also have a physical one - and the fact that sirius can be meaningfully described as chronically ill following his captivity [and how much he loathes being thought of as an invalid and why] is one of the key themes of this story.

although what, exactly, is wrong with his leg remains to be seen…

thinking about sirius’ body leads into another theme which will be important throughout the war of the roses: the twin states of beauty and disgust. sirius’ internal voice in this chapter focuses a lot on the aspects of embodiment which many people consider distasteful - shit, piss, blood, sweat - and which he connects mentally with the loss of the great physical beauty which made life so easy for him in his youth [something which even harry, who’s otherwise ready to go with a powerpoint presentation on how fit sirius is at any given moment, concedes during the series].

this symbiotic loss is present in other aspects of his life - grimmauld place is now filthy, bloody, and decaying, where it was once opulent - but one thing which i really wanted to draw out when writing this chapter was the fact that sirius becoming less physically beautiful transforms his relationship with snape. i see a lot in fan-fiction portrayals of snape the idea that he isn’t actually anywhere near as ugly as harry canonically claims - and i think that’s completely plausible; harry’s a bitchy teen boy after all - but i wanted to play with reversing this trope: snape’s just as ugly as harry thinks he is, but sirius is ugly too...

and so to our main lads, our central pairing - sirius and snape. this opening chapter was a great chance for me to indulge one of my favourite things about snape and sirius’ canon characterisation: that they’re absolutely fucking obsessed with each other. their mutual childish sniping throughout order of the phoenix [snape going out of his way to mock sirius about cleaning the house! literally everything which happens in that occlumency scene!] gives me energy, and clearly reflects the continuation of a dynamic they’ve had since childhood [sirius seems to do an awful lot of noticing snape in the flashbacks we see of them as teens].

i know that many fans have strong feelings - in either direction - when it comes to how snape’s treatment at the marauders’ hands should be understood. but something i think is worth noting is that snape canonically appears to be considerably less distressed by the memory of his teenage relationship with sirius than he does with the memory of either lupin or james. indeed, while he seems to be genuinely afraid of lupin - and to do as much as he can to avoid being alone with him - snape goes out of his way to antagonise sirius, in ways which suggest that he derives some sort of satisfaction out of getting his attention, even if that attention is negative.

no wonder, then, that the two of them fighting is so sexually charged…

i also wanted to set out another theme which will play a big part in how sirius and snape’s relationship will be written in this story: that the two of them are willing to speak the truth about each other.

when i re-read order of the phoenix in advance of writing this story, i was really struck by sirius complaining to harry that snape needles him about being under house arrest:

‘Oh yeah,’ said Sirius sarcastically. ‘Listening to Snape’s reports, having to take all his snide hints that he’s out there risking his life while I’m sat on my backside here having a nice comfortable time… asking me how the cleaning’s going -’

which harry later uses as a way to blame snape for sirius’ death when shouting at dumbledore.

but the thing that stands out to me is that snape… is right. sirius is useless to the reformed order [in fact, his membership of the group does nothing but make kingsley’s high-value position as a ministry-based spy all the more dangerous - although i love him misleading the investigation into sirius’ whereabouts in transparently ridiculous ways], but snape - and fred weasley - are the only people who are willing to confront that reality [dumbledore’s refusal to acknowledge sirius’ feelings of redundancy is something we will get into]. while neither of them are capable of communicating this effectively [yet!], i do think it’s important that snape’s refusal to pretend that sirius is doing something significant for the order is something sirius respects. deep down at least.

and i also think it’s important that snape is one of the only people - apart from harry and, it seems, voldemort - who understands that sirius’ sense of uselessness has the potential to boil over into pure recklessness [voldemort must select sirius as the star of his false vision not only because he knows that harry would risk everything to get him to safety, but because he also knows that harry would see sirius tied up in the department of mysteries and think ‘yep. he’s left the house and been captured. that’s plausible.’]. i wanted snape to be genuinely surprised to arrive in grimmauld place and discover that sirius hasn’t gone to the ministry, and for this to be the trigger for him snapping when sirius does try to run into battle with the rest of the order and telling him to stay put for harry’s own good.

this is the part of this author’s note where i reveal that this is not going to be a story which accepts uncritically that sirius is a good godfather to harry. i completely understand why the trope of sirius being the model of a father-figure is compelling to fans - and i have no interest at all in the nIcE oNe JaMeS manchild characterisation of sirius in the films [although i do of course think that sirius fails to appreciate that harry is rather less bullish about what he’s facing than james] - but i think that writing sirius as someone who’s fanatically devoted to harry’s welfare, always makes the most parenting-expert-approved decision in any situation, and is demonstrably the adult in their interactions is… kind of uninteresting.

after all, even though he suggests that maybe they should, sirius doesn’t actually tell harry about the prophecy once his fellow order members overrule him. sirius clearly accepts dumbledore’s explanation for why harry needs to stay at the dursleys’, and recognises that harry miserable experience there - particularly the summer after voldemort’s return, when he’s subjected to an information blackout by the order - is [if you’ll pardon the expression] for the greater good. sirius is remarkably dismissive of harry’s fear that he’s being possessed by voldemort after he witnesses nagini attack arthur weasley. and sirius clearly regards harry’s attempts to protect him as patronising, rather than recognising that his godson would prefer him to remain alive rather than get up to hijinks.

in fact, it’s very striking in canon that sirius’ clear self-destructive streak is a major barrier to his relationship with harry, especially in order of the phoenix. this is the cause of the belief he expresses in this chapter that his purpose as an order member is to die for harry - and, indeed, that this is something explicitly requested of him by james. one of the lines which i think about all the time - a line which will become a key theme in this story - is sirius to wormtail in prisoner of azkaban:

‘Then you should have died! ... Died rather than betray your friends, as we would have done for you!’

because, on the one hand, sirius is completely right. but, on the other, there is a rigidity to him - a belief that dying nobly for a cause is the only reasonable course of action. snape says the quiet part out loud in this chapter - that sirius cannot simultaneously believe that his only concern is protecting harry and refuse to recognise that protecting harry means getting this reckless streak under control; and that sirius has seen before that acting first and asking questions later results in a potter he loves dying.

although, this being said, snape also just wanted to have a fight, partially because it’s hot to punch your rival in the face, but also because his defaulting to physical violence is another manifestation of the fundamental honesty which defines his character. in canon, magical violence is notable for how hands-off it largely is - it requires emotional heft, but no apparent physical power; the vast majority of curses we meet appear to leave no physical traces - and for how it therefore allows the perpetrator to distance themselves from the reality of their violence. there are some exceptions - above all sectumsempra, which clearly requires the perpetrator to feel profound rage [for enemies] but which actually registers that rage on the body.

the same effect can be achieved by snape decking sirius.

alongside the humans of this story, in this chapter we meet a bricks-and-mortar character who will play a big role as the war of the roses continues: number twelve grimmauld place. canonically, this is ten different gothic literature tropes in a trenchcoat, but one which has a huge fanon presence is the idea that the house is literally sentient. i don’t love this - mostly because it’s usually accompanied by lots of pro-aristocracy nonsense - but i do like the house being perceived as sentient by sirius' disturbed mind.

i also like the canonical portrayal of grimmauld place as a metaphor for azkaban - untouched by the happiness of the muggles in the outside world, freezing despite the hot weather; a place in which - as harry says - sirius is literally locked up against his will.

but i also like the fact that, canonically, grimmauld place is a domestic space as well. the order live and eat and hang out together in a quasi-familial way, and the contrast between sirius’ experience of this rag-tag found family and his experience of eating with his actual family will come up again…

this chapter also hints at some of the relationships which will be explored in more detail as this story continues. some of these are from sirius’ past - his relationship with his parents, with regulus, with bellatrix, with kreacher, with the malfoys and lestranges - and some are from his present - his relationship with lupin; his relationship with wormtail, who has escaped him; his relationship with moody, with kingsley, with tonks, with the weasleys, with ron and hermione, and so on.

but one relationship i want to mention now is sirius and buckbeak - i just love these two comrades-in-arms! i love in canon that buckbeak is the first creature harry feels able to uncomplicatedly confess to missing sirius to! i love that sirius’ care for buckbeak contributes to his death in canon, and to his survival here! i love how he spends so much time with buckbeak in order of the phoenix, as his depression worsens, and clearly finds comfort with him; and i like the idea that buckbeak would shed his wildness and dangerousness when around sirius in recognition of sirius’ love for him.

my heart!

[anonzentimes]

As a fellow Nagito analyst, I just wanted to say that Nagito's sexuality isn't confirmed and it's best to not say he's gay since there isn't any proofs proving that statement. Sure he might like Hajime, but that's not much of a clue to come to that conclusion.

The definition of gay is being attracted to the same gender and not to the opposite gender. Which means unless he outrightly states that he doesn't like women like he does with men, or he *only* likes men, then he's not confirmed gay. Just because you see he doesn't interact with women much doesn't make him nonchalant about women.

I get that's it's your personal blog and Nagito being gay may be one of your headcanonss about him but him being gay is an unsubstantiated claim. If you want people not to misunderstand Nagito on your blog, don't spread any false information about him. Thank you.

Oh of course! I never said he was canonically gay I said I believe he is gay and that it's my interpretation. I have reasons to believe this and I just skimmed over one of them just in case I sounded biased, that way if the person dislikes my statement they have context as to where it's coming from. I was saying that I don't really agree shipping wise because of my interpretation and that I personally think that interpretation makes his story more impactful. I appreciate your concern, and I apologize it wasn't clear enough despite my attempts to make it that way. I'm sorry you think I spread false information, I think anyone who glances at my accounts would know that's never my intention with him. If you have any advice on how I could have made it even clearer I would love to hear it!

I'll probably do a post eventually on the weird state of canon when it comes to relationships and sexualities with the Danganronpa games, as well as maybe some more posts on Nagito's weird state of sexuality. We've seen him be interested in Hajime and Izuru in ways that imply romantic feelings or straight up are that way, It is undeniable he has interest in men but there's no confirmation about what he feels about other genders or any other details. I certainly wouldn't go as far as to say it's an unsubstantiated claim though? He shows attraction to men, regardless of the intricacies he falls under the usage of gay can be an umbrella term. I'm bi and I can say I'm gay and it still is accurate. But again, it is my interpretation and I don't think I said it was anything beyond that.

Nagito avoids the question of sexuality altogether in Ultra Despair Girls and Q&as and I think it's sort of vague on purpose. Most of the mainline games are vague and, this may just be me, but I think Kodaka makes it vague on purpose so people can have their own interpretations. On his account he posts his own interpretations and they aren't really canon despite it coming from him, so I really think most of the vagueness is for the viewers to have fun with. Danganronpa 3 is an exception to many of the typical rules of the franchise. I'd say having vague relationship statuses and sexualities is a pattern with the series just like how they use pink blood. Once I'm able to I definitely want to dedicate posts to these topics!

Thank you for your ask, I really would love it if you reread what I said and could tell me how I could make it more clear because I can't think of how I could change it to be not misinterpreted! Spreading false information about Nagito Komaeda is never my intention and I hope you know that <3

[whitmore]

i think the genuine issue with the semi-canonity of purgatory 2 is this lack of consistency�� it’s undeniable that the lore is one of the most treasured parts of the server, it tends to generate the most buzz socially and spikes the most interest in viewers. the qsmp channel itself is a good indicator of the weight lore takes too; it wouldn’t exist or certainly wouldn’t be as lore-oriented if that wasn’t what both the viewers and admins highlighted as priorities for the qsmp experience. true the server is not entirely lore-based, but it impacts enough of the server that the story and narrative takes consideration when making server-wide decisions.

so when you have four of your heavy-hitter storytellers seemingly locked in purgatory as part of their lore, two of which were explicitly told to not log-in to the main server in preparation for lore, and then you have this new purgatory event which takes place on the same purgatory island where that lore happened / technically is currently happening and islanders freely roaming back and forth between islands with wildly differing and borderline nonsensical reasons of why they can do that, it’s understandable why people who are fans of the lore side of the server are frustrated! i won’t even say they shouldn’t be on the main server point blank, even if i do think that commitment to the bit would make the plot stronger— but if we’re acknowledging that purgatory 2 exists on the main server in the first place, then there could be some storyline salve that at least attempts to make sense of the whole ordeal equally amongst characters and players without it feeling like the lore is being completely disregarded and pushed aside. there’s gaping narrative inconsistencies that are unlikely to get resolved in any kind of satisfying way because these kinds of loose ends are generally specifically brushed off.

not everybody is a fan of the plot or the overarching story and they don’t have to be, and the streamers certainly aren’t obligated to participate in it. on the other hand, when it’s such a big part of the server it deserves more attention and care than it’s getting right now. the reason purgatory 2 islanders can travel back and forth and the others can’t could be consistent and clarified in some way, but it won’t be, and it’ll be another note added to a long list of unanswered questions that could have been easily resolved with a group discord and some forethought

[crisiscutie]

People just don't get that redemption isn't for everyone

Yes people can do it but sometimes it's best to say it's irredeemable

Sephiroth has been through so many tragedies to the point,it feels like redemption is one big joke to him,cuz he already reached the point of no return

Personally I feel like the trope of "everything is forgivable" is overused or overlooked way too often,there are things in the world that can't forgive and sometimes punishment is better than forgiveness

In Sephiroth's case, I don't think forgiveness will change anything,rather it's impossible,no one who knows him is willing to forgive him,hence some may say he has no faults at all like Hojo cuz that guy is messed up AF

Take it like this: If a guy who commits an unforgivable crime and someone says he should be forgiven based only on the fact that he was abused or insane or he went through some traumatic shit etc,it would not only feel ridiculous, it's outright selfish

Should Sephiroth be forgiven for the Nibelheim Incident just bcuz it was a crime of passion or he was mentally unstable and should get off free of guilt? No,cuz he did something terrible to others and that should be accepted

I've seen too many cases of normalisation or glorification or defence of characters' faults and apparently "you're a bitch for pointing out others' faults" these days and "it's not nice to have criticisms"

I saw some deep toxic shit about normalised toxicity in fiction lately

I mean I love Seph,but god I'm heavily aware he's evil as hell

-🌹

Yup. Sephiroth's path is set in his mind. For what reason would he deviate from his path? He decided to continue the cycle of pain. And Cloud could've continued that cycle after him if it wasn't for Tifa.

I want to state this: I'm against Sephiroth being redeemed. One reason is that no character ever deserves redemption. Redemption is a complex, grueling process that involves self-reflection, remorse, and a genuine desire to change. It requires a willingness to confront your actions and the consequences you inflicted upon others. Sephiroth, so far, has done none of this. He felt justified in his actions. And the few times when he does acknowledge what he has done? He rubs it in Cloud's face, for goodness' sake. He did this in Advent Children, 7R and even the original FF7, especially during that one iconic scene that shall not be named. Sephiroth has displayed constant cruelty to Cloud, his party and the planet. What on Gaia justifies him deserving redemption? Because of his awful and traumatic past?

Let me say this: the events leading up to and following Sephiroth's birth and childhood were undeniably tragic, and he cannot be blamed for them in any way. However, as an adult with the ability to choose his own path, he made the decision to inflict harm upon others, especially those who ZERO involvement in his suffering.

And like I said before, introducing a potential redemption arc for Sephiroth would actually undermine Cloud's own arc and diminish its impact. Sephiroth serves as a warning to Cloud. He is his dark mirror and representing of what a "hero" could become.

I would also like to mention Aerith, who, like Cloud, serves as another mirror to Sephiroth and had a deeply traumatic past. However, instead of succumbing to darkness like Sephiroth, she remained kind and hopeful. Sephiroth's redemption may also conflict with her story and role as well.

To sum it up, redemption would require Sephiroth to question his beliefs and recognize the pain and suffering he has caused. He's not going to do that. He believes himself to be in the right, and the pain he caused to be "justice" in his mind.

And as you mentioned, it's clear that forgiveness is out of the question for him now. Cloud and Tifa, in particular, hold a deep hatred towards him and are determined to put an end to him. It sucks how Tifa's grudge with Sephiroth has been largely overlooked, both by the fandom and CANON (seriously, what were the writers thinking...). Let's not forget the sheer terror poor Tifa had in 7R when she saw Sephiroth in front of Jenova's pod.

Both she and Cloud had been scarred (literally and figuratively) by this man for the rest of their LIVES. They deserve every blow they can get on Sephiroth...

Anyways, rant over. Please stop trying to make Sephiroth "work". He was a sweet baby that became an evil bastard. Let's appreciate the good and bad of the Crisis Cutie!

(Opinion piece if it isn't obvious)

[muchanmocha]

Hello!! I’m here to give u an alnst character!!! Please do Ivan 🙏🙏😮‍💨😮‍💨

Thanks for sending this in anon! It's really nice to have a chance to unpack some of my thoughts on him

1. Why I like them

Man where do I even begin to start?

Relatibility isn't something that typically factors into how much I like a character—rarely so actually. But the more I saw of him the more I felt a kinship in how a large chunk of his life is defined by "observing" and the fascination he has with figuring something (someone) out.

Then there's the fact that he himself is the puzzle, and if it isn't already apparent by my entire blog, I adore puzzles. I'll never tire of trying to figure him out. Yet strangely enough, I'm also okay with never figuring him out because that would be just like him to have depths so deep I won't ever be able to conceive him fully.

Even if it's a mask, one constructed through a lot of painful effort on his part, I love his smile. But further than that, I love the moments his bright sunny mask contrasts with the deep darkness he shelters — the same one he shares with Sua. The duality,,,, honestly peak.

Ivan is complex and self-contradictory, controversial and even problematic by a lot of standards, and I love him all the more for it.

2. Why I don't

Ok ngl I spent a solid hour doing laundry trying to come up with something I don't like about Ivan. I flat-out failed if you haven't guessed.

I think the only real answer I can point to is... Ivan is such a compelling character he ended up having an undeniably significant impact in shaping the fandom landscape.

To the extent that I've noticed if you don't actively love Ivan (/Ivantill), the Alnst fandom space can be... difficult to be in in certain ways.

There's not much that can be done about it precisely because it's not a situation brought about intentionally by anyone nor is it anyone's fault. When the problem is a character is too well done, is it really a problem? On a personal level, as someone who values quality in characters and writing above all, no, executing a character or story too well is never wrong in my books.

The phenomenon isn't even specific to Ivan; in the end it's just an unfortunate something that comes with the territory of being overwhelmingly popular in a fandom.

3. Favorite lyrics

'Even if your cold words'

'Carve scars beneath my eye'

'May they linger on your tongue'

'You can break me apart'

4. Favorite frame/screenshot

I think part of the reason why it tops my charts rn is the fact that it's new and still fresh off the press (powered by our pain)

But send Ivan for the ask game again and I'll give you a different answer

5. Favorite outfit

R3 ofc!!!! Long coat?????? Turtleneck????? Black boots??? Gloved hands????? Are you kidding me??????

6. Favorite official art

Seeing this one is actually how I got into Alnst and it hasn't lost its potency since (I love it even more now that I have context) it truly has a special place with me

7. Favorite canon fact

R6 commentary stated that what went on in Ivan's head during those last moments isn't supposed to be clear and fully understandable. "After all, he's the only one who will ever know how he truly feels."

I love that. So much.

Wdym this character is so unfathomable, that moment so complex you can watch it dozens of times and still find new things to notice and yet be no closer to the answer that isn't meant for us—

8. Favorite straight-up-not-canon headcanon

My Mizi Ivan besties delulus

Bc despite the canonical friendship they did share, I don't think they were best friends per se.

To me, best friends implies someone you mutually connect with and... that person doesn't seem to exist for Ivan.

He spends his entire life trying to speak everyone else's language — What's strange? What's normal? How should he act to be accepted? He builds the perfect mask, which in turn reflects the way he cannot truly connect with others.

Sua is the closest thing he has to a person he thought he understood and who understood him. But the key word in that "best friend" definition is "mutually." Sua doesn't feel the same and actively rejects his presence.

Till isn't his best friend either. Till is the object of his fascination, his obsession, his emotions. One of the core aspects of his relationship with Till is their inability to understand each other. They were never on the same page, never tuned to the same wavelength.

Sua is someone Ivan wants to connect with while Till is someone who brings out the rawest aspects of him. With both, Ivan has shown to have let down his mask just a little bit on certain occasions.

But Mizi? Mizi is just Mizi. And honestly that's the best part imo. She's simultaneously the #1 person he has no real reason to let his mask down around, and the #1 person with whom whether it was down or not doesn't matter and I think there can be a sort of comfort that comes with that.

I'll always feed my headcanons of Mizi being a friend Ivan can feel comfy with mask or no mask ♡

9. Favorite song/cover

Black Sorrow

I've woken up in the morning with it playing in my head on repeat more times than I can count

10. Song I want them to cover

Forever mourning ROMH Ivan

[indndwnshead]

Soulful Strangers: Part III - ...friends

Pairing: Min Yoongi x (f) Reader

Genre/tags: Actors AU, Somewhat Canon Compliant, Stranger to Friends to Lovers, Slow(ish) Burn

Series summary:

It wasn't during your first encounter, nor the second or third. You've lost count of how many times your paths crossed before you truly got to know him. He was a rare soul, hiding his kindness and true emotions, revealing them only through his actions

In this (maybe low-key soulmate AU) story, follow Actress!Reader and Idol!Min Yoongi as their chance encounters gradually blossom into a deep and lasting connection. This is a slowish-burn journey from strangers to friends to lovers, as they bond over shared passions and kindness.

Warning: this chapter: - is basically me worshipping Yoongi's music - contains assumptions about the social service agent system. I took the liberty of assuming this chapter scenario is possible - all concert-related are purely based on what I've seen online, apologise if there are details I missed!

A/N: Tell me what you think, please! I'm devastated that I can't watch the D-Day show since I joined this bandwagon far too late :( Let's be friends and stan Yoongi together on twitter @itsdndwn 💜💜

---

Masterlist. Previous Chapter. Next Chapter.

Also read on: AO3

---

2023

You were scrolling through your phone on a lazy Sunday in April when a headline caught your eye. Min Yoongi was going to release his debut solo album 'D-DAY' as Agust D on April 21. It was your first encounter with his alter ego, Agust D, and curiosity got the best of you. With nothing else demanding your attention, you decided to explore his solo music. As you delved into his solo discography, you found out that “D-DAY" wouldn't be his only venture as Agust D; you uncovered two other mixtapes in his repertoire.

Your first choice was "Daechwita," undeniably his most renowned track. As you slipped on your headphones, the song burst forth, engulfing your senses with its infectious beats and potent delivery, sending electrifying shivers down your spine. It was an auditory masterpiece that left you utterly captivated.

The sheer impact of "Daechwita" left you craving more, prompting you to embark on a journey through the entirety of "D-2." With each passing track, your admiration for Agust D's musical prowess continued to swell. One aspect that particularly struck you was his remarkable versatility, effortlessly transitioning to smooth vocals on the slower beats of some songs. This seamless shift provided a delightful contrast to his usual rapid-fire rap style, showcasing his multifaceted talent and leaving you in awe of his artistry.

Intrigued by this newfound dimension of his solo work, you decided to journey back to his first mixtape. While you readily acknowledged his exceptional technical skills, you couldn't overlook the distinct emotional tone that permeated these songs. They carried an undercurrent of anger and frustration, with Agust D fearlessly expressing the sensation of being trapped within a predetermined image. His lyrics exposed his struggles with depression, obsession, and self-loathing, granting you a poignant glimpse into his vulnerability on the arduous path to success. He delved into the intricate dynamics of achieving fame while contending with the relentless judgment and scrutiny of others, revealing the duality of his existence as both an artist and a human being.

Agust D's music soon became an inseparable companion in your daily life, accompanying you on your journeys and offering solace during quiet moments. Each track felt like a window into the depths of his soul, forging a profound connection to the artist behind the idol.

Then came the night when you discovered that he would embark on his first solo tour later that month. You were elated, but your excitement was tempered by the realization that tickets to his shows were already sold out. A hint of disappointment washed over you, but for the time being, you found contentment in listening to his digital records.

As the days ticked by and the release date of "D-DAY" drew nearer, your anticipation for Agust D's new music grew stronger.

Finally, the much-anticipated day arrived, and you eagerly played the first song, the title track. His lyrics exuded contentment, revealing a newfound sense of liberation from the past. It was a self-reassurance delivered with an intense trap flow, leaving you nodding in agreement. In "Haegeum," he once again showcased his skilful fusion of hip-hop with the traditional Korean instrument. Through his lyrics, Agust D prompted you to ponder the concept of liberation.

However, it was "Amygdala" that etched the deepest impression. The haunting melody, coupled with Agust D's raw and raspy vocals, transported you to a realm of profound emotion. His lyrics delved into painful moments from his life, from his mother's heart surgery to his father's battle with liver cancer. It was a song that laid bare his soul, and you couldn't help but be deeply moved by it.

The entire album felt like a transformative journey—a raw, unfiltered, and deeply personal one. You couldn't shake off a tinge of sadness when you learned that this would be his last album under Agust D for the time being.

Days passed, with his songs weaved into your cherished playlist.

Then, on one unsuspecting day, a friend randomly sent you a screenshot that appeared to be a ticket purchase confirmation. This friend was among the few you had confided in about your recent musical infatuation with Yoongi, or rather Agust D. You had intentionally omitted the fact that you actually knew the artist personally. On that unexpected July night, that one friend quickly became your favourite. He surprised you with an early birthday gift— tickets to one of Agust D's additional shows, on August 6th.

You eagerly anticipated the day you would see Agust D perform live for the first time.

On the night of the concert, excitement filled the air as fans from all over gathered for this momentous event. From the very beginning, the night promised to be unforgettable as Agust D delivered one powerful song after another, leaving you in sheer awe. His exceptional rap skills and stage charisma created an atmosphere reminiscent of a noir musical, complete with dramatic thunder, lightning, and a purple haze that added an air of mystique.

The excitement in the crowd reached a fever pitch when Agust D brought out RM for a captivating joint segment. The deafening screams and cheers from the crowd echoed throughout the venue. As Agust D and RM performed together, their synergy was palpable and it was evident that they were feeding off the energy of the audience.

As the concert neared its conclusion, a sense of melancholy began to settle in. The realization that this might be Agust D's last in-person performance for years due to his impending mandatory military service cast a bittersweet shadow over the event. The impending farewell made the night all the more poignant for you and the entire audience.

Your floodgates of emotion finally opened during the performance of 'Snooze'. This song has been your source of comfort and inspiration lately, reminding you that dreams are worth chasing, no matter how difficult the path might be. As a struggling actress, you related to the lyrics on a profound level. As tears welled up in your eyes, you couldn't help but shed a few tears. It was as though Yoongi had reached into your heart and put your feelings into the song. And in that performance, despite his best efforts to hold back tears, Yoongi couldn't help but choke up too.

However, it was during his performance of "Dear My Friend" that the concert reached its emotional zenith. You were acutely aware of the significance of this song, delving into themes of friendship, addiction, and personal struggle. As the haunting melody filled the venue, you witnessed the raw, unfiltered emotions that Yoongi poured into his performance. You, and the entire audience, were moved by his heart-wrenching and beautiful rendition.

The defining moment of the night, etching itself into your memory, came at the end of the concert when Yoongi exited the stage. The symbolic significance of that exit wasn't lost on you. It was as if he was closing the door on this chapter of his career and life, healing himself from his past trauma.

---

Your paths unexpectedly converged once again later that year at an animal shelter in a calmer neighborhood, somewhere in Seoul. Your little sanctuary away from the bustling city.

The news of Yoongi's enlistment had made headlines, with thousands, if not millions, of his fans, expressing their sadness at his temporary departure. Despite your obvious appreciation for Yoongi’s music, you had always been one to avoid gossip and celebrity news, so you weren't aware of his social service agent assignment.

As animal lovers, you occasionally volunteered at that particular animal shelter. But recently, your career has demanded more of your time and you haven't been able to dedicate any time there. But on this particular afternoon, you found yourself back at the animal shelter, ready to spend quality time with the animals that had become a significant part of your life.

Although the shelter provided sanctuary for various animals, it was often brimming with dogs, and occasionally cats. So, as you entered the shelter, you were met with wagging tails, excited barks, and the overwhelming joy that only dogs could offer. As a regular volunteer, you were known among the shelter staff for having a special way with the dogs, calming even the most anxious pups with your gentle demeanour.

And then, you heard a familiar voice. "Hey."

Turning around, you were met with a sight that both surprised and warmed your heart. There stood Min Yoongi, with the same genuine smile that had captured your attention when he greeted Holly on the last day you saw him at the daycare, almost two years ago. It was a smile that spoke of warmth and kindness, a smile that seemed to say, "I'm glad to see you," without him ever uttering a word.

The jarring difference between the last time you saw him at his Agust D concert, clad in his performing outfit amidst the glamour of the stage, and here, in the animal shelter, wearing a simple but neat shirt and slacks, like the other staff, shocked you. You hadn't expect to encounter him here, in a quiet haven for dogs and other abandoned animals alike.

You were embarrassed to admit that it took you a few seconds to greet him back. "Hey! It's been a while." Surprise and genuine warmth coloured your tone.

Yoongi nodded, his eyes reflecting the sincerity of his greeting. "Yeah, it has."

---

From that day on, your friendship blossomed. It started with quiet moments spent walking the shelter dogs, sorting out inventory, preparing food for the animals, and offering gentle words of comfort to the furry residents whenever you didn’t have any casting calls or campaigns to shoot. Every encounter deepened your bond.

Slowly, he learned about your fears and aspirations in the acting industry, your desire to be recognized for more than just your pretty face, and the challenges you faced in securing meaningful roles. You confided in him about your determination to prove yourself as a talented actress.

In turn, Yoongi opened up about his journey to achieving his dreams as a musician. He shared the challenges he faced in the music industry, including the compromises he had to make. He revealed that fame and awkward public appearances were part of the package, things he didn't always enjoy but accepted as part of his career. He also spoke passionately about his love for producing music, the creative outlet that allowed him to express himself beyond the glitz and glamour of the idol world.

The time spent volunteering at the animal shelter and bonding with Yoongi became a pivotal chapter in both your lives. As your friendship continued to deepen, life carried on its course. And nearing the end of Yoongi's service at the animal shelter, your commitment to drama shooting often took you away. 

Then, on one chilly early spring afternoon, while you were engrossed in a challenging scene on set, your phone rang. Panic washed over you as you glanced at the caller ID – it was from the pet daycare. Bagel, your beloved dog, had once again become a regular at the pet daycare center as you began shooting for this new drama. Something was wrong with Bagel.

After ending the call, confusion and the threat of tears clouding your judgment, you hastily dialled Yoongi's number. You knew he was well-acquainted with the daycare, and Bagel had grown fond of him during their shared experiences.

"Yoongi," you blurted out, your voice trembling with worry, "it's Bagel. They say he's sick. Can you please check on him if you're free?"

Without a moment's hesitation, Yoongi agreed to help, his concern palpable in his voice. He assured you he'd immediately head to the daycare and investigate what was ailing Bagel.

Minutes dragged on like hours as you anxiously awaited Yoongi's updates, stolen moments in between shooting your scenes. When the message finally arrived, your heart sank. Bagel required urgent veterinary attention. The situation was dire, and your thoughts swirled in a whirlwind of fear and anxiety. His next text messages was a lifeline amidst the chaos.

Yoongi: Bagel needs surgery

Yoongi: Don't worry, I'll take care of him

Yoongi: You focus on your acting

Yoongi: We'll get through this

You couldn't help but dial his number once more, desperately needing to hear his reassuring voice. He answered promptly, and his words were like a warm embrace. He talked you through the situation, his voice steady and soothing, effectively calming your racing heart. Yoongi promised to care for Bagel as if he were his own dog, and through his reassuring words, you gradually regained your composure. Your trust in Yoongi was unwavering.

Finally, after what felt like an eternity, you managed to leave the set and rush to the vet clinic. Yoongi was already there, waiting for you with a gentle smile that eased the last remnants of your worry.

He stayed with you the entire night as you watched over Bagel at your apartment. Throughout that night, as you both watched over Bagel at your apartment, a deep bond formed between you, strengthened by your shared love for a furry friend and Yoongi's unwavering support. You were eternally grateful for his reassuring presence.

---

When the day of his farewell at the shelter arrived, it was a poignant moment. He was leaving to resume his life as a worldwide famous idol, and you were continuing your journey as an actress. Yet, the bond you had forged over dogs and dreams remained unbreakable.

Despite your busy filming schedule, you made time to attend his farewell. As you stood amidst wagging tails and furry faces, you both understood that your connection was something truly special. It was a testament to the power of shared passions, the ability to find kindred spirits in unexpected places, and the determination to pursue your dreams, no matter the challenges that lay ahead.

Even though your paths diverged once more, the memories of your meaningful interactions, your love for dogs, and your shared artistic aspirations remained etched in your hearts.

[secretoreimo]

Hello I can't resist the obnoxious urge to blabber about my feelings so long analysis under the cut!? JHSDHJKJS

Okay, so. Indeed, while I understand that the game couldn't keep them blood-related for censorship reasons and such, I do think it killed the impact of them getting together a good bit.

My suspension of disbelief kind of tanked when Kirino asked Kyousuke to be her boyfriend right after he poured his heart out, expressing his insecurities that something might change between them. The game really does treat it like it's not only a non-issue but also a logical step to take, now, and I honestly have the capacity to ignore that for what I'm here for (them interacting, period), but it was definitely jarring.

I will say though, I did like that this began because they sat down to have a genuine talk about it. That felt much more organic and in-character than the nonsense we got in season 2, with the screaming in public and whatnot. And it did a lot more to stress the lengths they've changed since the beginning of the series, letting them sit down and confess to each other nervously. Well, I'd have liked if it were significantly more nervous, personally.

The thing about their relationship is it is inherently fucked up, like. It is at the center of all of their problems. Kirino has a crippling obsession with "imouto eroge" and this stemmed from the fact that, from a VERY young age, she believed herself to be a freak who had improper and disgusting feelings for her older brother, and eroge was something she latched onto as an escape from that reality. Sure, it did end up just being plain her favorite thing, but it came from that place.

I think if there's one thing I'd credit the anime for, it's that she didn't admit to her feelings ever, not until the very end when it was absolutely undeniable that they were reciprocated. She was repressed for so long I truly don't believe there'd be a reality where she'd say it first. Kyousuke has his own daddy issues, but there's something to be said regardless of a guy who is otherwise pretty normal, but finds himself falling in love with his little sister, however estranged. He's pretty fucked up, himself. Although I wish he hadn't screamed it in the center of the street at the top of his lungs in the most soulless loss for his character ever, I think the only way for them to actually move forward in a relationship would be for him to come to terms with it and say something first, however long a process that may or may not be.

I love the scenario the game poses where their relationship starts to take a "maybe I'll invite her out, just the two of us" turn, and she actually agrees instead of being flat out disgusted and disparaging. Sure, the beach was a little random and the game could have picked a better excuse than "idk why im inviting her to the beach it's almost like i got her route in a video game", but like. Idk, I like it when they interact, it feels natural for the most part. The game feels really good when you scoop out those little moments of "we're not siblings actually we're just a boy and a girl and it's natural".

Even just this scene post-confession, if I were to pretend that part had happened a different way, the banter over how they're gonna continue as a couple is pretty cute and in character.

I'm rambling about all of this not like to bitch I just have so many feelings and things I like and don't like and there are parts that I'd mix and match between anime canon and game canon and things... it's kind of fun. All in all I'd say this feels like an extremely well-written (and well-voiced) fanfiction. I'd accept these things in a fanfiction and move on, just as I'm gonna do for the game, but since it's official I get to be a freak on the internet and write paragraphs about it jhfhjsg

I am ultimately of the opinion that them being blood-related is the better story, it says more about their flaws and their personalities, and tbh I'm a sucker for characters who shouldn't be in love falling in love. Especially when they're as lovingly crafted as the characters in oreimo are. This series really is something special, I think, and it's kind of impossible to describe that to someone who hasn't seen it and just knows it for its reputation as "the anime where the brother and sister get married and kiss on the mouth at the end", which I guess is all anyone was gonna get from season 2

I rambled so long that I don't even have time to continue playing past their confession!! Now I have to go to sleep, but continue I shall soon, because... I love them...

[decepti-thots]

so I'm turning over a lot of thoughts atm about a thing I want to write regarding the way MTMTE is viewed in fandom through the lens of 'ascended fanon' and its perceived proximity to a nebulous idea of 'fanfiction', and where that comes from. how it impacts fandom reception. all that stuff. I've talked about this in scattershot ways before and I'm trying to nail down some coherent thoughts about it.

anyway, one thing I've mentioned before in passing is how the development of the CDRW relationship in the early comic highlights extremely well the limitations of understanding MTMTE through that lens. in the sense that the way official media is produced- the nitty gritty of it behind the scenes- inherently shapes how storytelling occurs in franchises like Transformers, even in situations that are superficially closer to a conventional 'auteur' model. you know, a single author who has relatively broad control over the content of a story. how CDRW is developed the way it is in part- in very large part- because of the tension between what is being written and what is permitted by the entities that have veto power over it. (hasbro, IDW, even individual editors acting as mediators working from their constructed ideas of what those entities 'want'.) to make blatant the subtext here: because it is influenced by The Gay Question, and ideas of 'permissable' content in a franchise like TF.

this dovetailed into thinking about how Shadowplay was an editorial demand. and I realised that one very obvious possibility to think of in terms of 'how does this bring canon alter the shape of the narrative' is that I don’t think an unrestrained MTMTE would have made prowl and chromedome exes.

obviously there's the fact Shadowplay would just not be in there, but even beyond that, the question of why that otherwise mostly unexplored interjection is present has confused some people over the years. in fact, it's literally been pointed to as an example of proximity to modes of storytelling associated with fanfic; the arbitrary inclusion of interpersonal (specifically romantic) relationships that do not seem to shoulder any broader narrative responsibilities.

but in the very specific context of MTMTE at the point in its publication Shadowplay sits at, it does carry a possible narrative responsibility. it facilitates CDRW pulling double duty as both canon and ambiguous. the scene that implies (but never states) chromedome and prowl were involved exists so rewind can act in a way that only makes sense if he is married to chromedome. (jealous, upset chromedome is seemingly talking fondly of a relationship with his ex.) but it never requires any actual statement that the relationships involved are monogamous romantic ones. it is a way to incorporate the dynamic in a way that is functionally undeniable if read in good faith but still unlikely to be shot down if The Gay Question receives a negative answer.

this is both interesting in how it shows that narrative elements can be influenced in unexpected ways by the nature of the comic as a pre-existing intellectual property, and also very funny because it means prowl's divorced energy really DOES just exist to reinforce rewind being married by comparison.

[brandycranby]

AU ask...soulmate + Andy Barber?

hmm ok so regardless of any other au setting like modern, period, fantasy, etc. i think soulmate au with andy will always include:

divorced!andy 😈 i do love me a divorced dilf andy with some angsty undertones. whether he divorced laurie because of incompatibility, canon events, or because he found you, i have no clue!! maybe the story even starts off with married!andy -> divorced!andy 😏 leading to intense angst and guilt and hurt/comfort

homemaking!! so much homemaking!! 🥺 themes of you taking over his home, your own personal touch being added to make it yours. trips to target ✅ trips to macys ✅ trips to jc penney ✅ we are USING his lawyer salary besties 💅🏻

slight soft dark undertones; are soulmates a good thing? what about the way they impact people's established lives? what happens when it drives soulmates to do anything to be with each other? andy's possessiveness is ramped up to 100, he needs you, he has to have you like he has to have air. vice versa, you know he's not the guy with the cleanest past or an uncomplicated life, but the call to be with him is undeniable 😔

unhinged scent and sensation play - your soulmate is just more, their natural scent, their touch, their breath feels different compared to others. i'm talking filthy messy smut that's borderline too rough; biting scratching ahem cumplay 👀

breeding kink because this is andrew fecking barber, he's clawed himself into a good position in life, gone through his trials, and now he wants his happy ending - wife, house, and as many babies as you're wiling to have with him. is it fully soft dark? no, honestly, you have your own vices and shoulder devils, you have your own desires to satisfy and it's a good thing mr. barber won't let go of you no matter how much you get on his nerves

---

send me a potential au & i tell you 5 things about it

[crusherthedoctor]

🦋 😎 🚦 💌

🦋 Which character is your favorite to write?

To the shock of no one, Eggman and Trudy. Eggman is my favourite character, and Trudy is my character, so naturally I tend to get especially into it when I'm writing for them.

I'm not ashamed to admit that, because unlike some writers with their own characters (hint hint), I always make sure it never comes at the expense of the other characters' respect and dignity.

😎 What fics do you prefer on a scale of canon compliant to wildly original?

Canon all the way. Years of fics and adaptations where the characters barely resemble who they're meant to be will do that to you.

I also consider it an engaging challenge to take concepts that would never happen officially, and try to tackle them in a way that would hopefully make sense in its execution if it were done officially.

🚦 What sort of endings do you prefer to write: ambiguous, bad, happily ever after, etc.?

Happy endings with a hint of bittersweet.

It hits the sweet spot for me, in that the villain leaves a undeniable impression, whose impact can't be swept under the rug so easily, but the heroes are still able to ultimately triumph after a lot of hard work.

💌 Is there a favorite trope you like to write?

This ain't all of them by any stretch, but here are some examples that come immediately to mind:

Villains who are both hilarious and genuinely ruthless. (Hi Eggman.)

Villainous breakdowns.

Characters getting to see the world for the first time.

A new setting for the hero(es) to explore, with its own history and atmosphere.

Cool environments with eye-catching aesthetics.

Fun and creative designs for antagonists/bosses/etc.

Building up to a mystery that seems to have an obvious answer on one hand, but remains mysterious in spite of that because of additional factors.

Gradually building up to darker elements as the plot goes on, with the optional bonus of said elements in question being not what you'd expect in terms of tragedy or creepiness. (Don't worry though, it'll never go into misery porn shenanigans, that's not my thing.)

Shy characters gradually building up their courage over the course of the story, without becoming a radically different person by the end of it.

Callbacks and continuity references, but only if they're used in moderation and feel organic.

Contrast. This can apply to anything, be they characters, creatures, plot beats, or even locations.

Writing Trudy's dialogue for so long has given me a very specific one: subverting the "sesquipedalian characters are always high and mighty" cliche. I dunno, it's just unexpectedly fun writing a character who is humble and down-to-earth, and juxtaposing that with her occasionally verbose language. (She doesn't use big words 24/7, just on the rare occasion, as I thought it'd be a nice little quirk for her that makes her dialogue that extra bit memorable and - hopefully - endearing.)