#that has none and i just realized

[bylrndgm]

MIKE WHEELER IN EVERY EPISODE [15/42] 2.07 The Lost Sister

[batsyheere]

"So, handling your archnemesis," Danny starts. The room falls quiet, heads slowly turning to look at the man as he writes the words on the chalkboard. When finished, the characters somehow both messy and neat at once, Danny places the chalk back down and claps his hands.

"I typically call them fruitloops. Often they're in a better position than you are- older, richer, more powerful. They may have some sort of status that protects them when facing the public."

Tim wondered where Dick was right now, and if he was laughing. His brain was lagging like a computer as he tried to process what Danny was saying, and how seriously a few of his fellow teen vigilantes were taking this.

"Some of their more common tactics are-" the chalk was picked back up, and Danny writes as he speaks.

"Manipulation, isolation, conditioning, and empathy."

MICE.

Tim stares at the board, and quietly slips put his phone.

-What have I done to deserve this.

Enjoy your lessons Tim-

His head thumps against the desk. Conner leans over, gives him a pat on the shoulder but returns to taking notes as Danny goes on to explain the conditioning tactic.

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[sadlittlecountess]

all that pain, and humiliation was for nothing. trying to find emotional relief through her faith, and yet she is still hurting. Losing herself through her “harsh” actions (as a mother would!) for the sake of the safety of her children … will be and always was for nothing. The bubble of dissociation and denial popped by the one person she wanted for herself from the beginning. Doomed by the narrative, no matter how hard she tried to change it. :(

[fluentisonus]

working in a factory has you thinking so much about the insane chain of labor & transport that goes into making literally anything

[grandapplewit]

Harem AU where Shen Yuan transmigrates into one of Bingge’s wives shortly after he returns from the other world. After a brief (and frantic) realization that’s she’s a woman (and always has been, but we’re not getting into that right now), she delves deep into this harem drama she’s been thrust into. It’s not until she comes face to face with Luo Bingge that she realizes just WHICH harem drama she’s living, and immediately sets about making his life as good as she can manage. Oh, harem infighting is causing strain on his containers? Simply nudge Liu Mingyan and Sha Hualing into working together to manage the harem. The Northern Desert is hinging on disaster because of clerical neglect? One of her harem sisters has a brother who’s in need of a job, no stress. Luo Binghe’s kids are unruly and there’s no clear successor? She has a college degree and a little sister, teaching a dozen or so demonic children is a breeze! All in the name of giving Luo Binghe the time to find a new wife, of course, one who will disperse with the need for this sprawling harem, and once that happens she’s free to travel and document monsters to her hearts content.

[turtleblogatlast]

Big Mama must have lost some serious standing in the yokai underworld because it’s gotten apparent that she keeps being beaten by a small group of teenagers and the occasional rat man, and when it’s not them then she’s taking L’s from her own schemes working against her.

And in the ensuing power vacuum, the Hamatos accidentally become the most feared crime family known to all the big bads of the Hidden City.

After all, they’ve publicly outplayed Big Mama multiple times, a couple of them have taken out the heads of two of the most well known criminal organizations, one took out Heinous Green, two are responsible for the destruction of Witch Town, they have ties to both the infamous Baron Draxum and Captain Piel, they won the Doom Dome death race, they’re Battle Nexus Champions, they’ve displayed insane feats of power and defeated impossibly strong enemies, most of them have been to jail, and they regularly mingle with humans.

You can just imagine the notoriety they’d accumulate from word of mouth alone.

[starry-bi-sky]

more clone^2

snippet 21: Danny is Bruce Wayne's Clone and--

Star, with the rest of the A-List girls: alright ladies! it's time for our quarterly 'cutest boys' list! Now I'll get straight to the point, in our number one spot is--

All girls, in unison: Danny Fenton

Star, writing it down on a whiteboard: and for our number two spot--

---------- Snippet 22: clone meet clone

Ellie, dramatically: Danny!

Danny, equally dramatic: Ellie!

Ellie, pushing past him and looking around: where is he! i wanna see the little guy!

Damian, with a sword, brandishing it dangerously: *in arabic* don't come any closer, stay back!

Danny, wrapping an arm around Ellie's waist and pulling her back: woah, woah - he's still adjusting to everything

Danny, turning towards Damian with his google translate open: [please don't stab her. this is Ellie my clone.]

Damian, lowering his sword in disbelief: 'there's MORE of you?

-------------- Snippet 23: Ellie has the same epiphany as Danny

Ellie:...hey Danny

Danny, pouring over his arabic book: hm

Ellie: since I'm your clone, and you're a clone of Bruce Wayne, and Damian is a clone of Damian Wayne, does that technically mean I'm his mom - uh. dad-mom?

Danny:

Ellie:...its a fair question

Danny: .....*deep sigh* you're his cousin until further notice.

------------ Snippet 24: wait for me ii (hadestown, live vers.)

(i'm not sure of the context, but i've been thinking of Danny saying this to Damian during a serious moment for days. the snippet title is the song that the dialogue below is from)

Danny, fixing up Damian's wraith suit: the meanest dog you'll ever meet

Danny, zipping up damian's jacket: it ain't the hound dog in the street. he bares some teeth and tears some skin, but brother,

Danny, adjusting Damian's gloves, pausing to look him in the eye: that's the worst of him.

Danny, he holds a finger up to Damian's eyes and points it at him: the dog you really got to dread, is the one that howls inside your head

Danny, grabbing damian's mask and smoothing it over his eyes: it's him whose howling drives men mad, and a mind to its undoing

------------ Snippet 25: Danny is Bruce Wayne's clone-- (Battinson Vers*)

Ember, in the middle of a fight with Phantom + Wraith:

Ember, knocks off Phantom's mask for the first time: lets see what ugly mug you're really hiding under there, Phantom--

Phantom: *the wettest, most pathetic looking pretty boy on the planet*

Ember:

Phantom, dryly: what, did your mic die out or something? all that caterwauling finally make you lose your voice

Wraith, unsheathing his sword: *vibrating with baby brother rage bc he knows EXACTLy why Ember is silent*

----------- Snippet 26: Damian is finally starting to play nice :)

Dany: hey... guys.... whatcha doing

Damian, hanging out with Sam: Me and Manson are plotting ways to crush the Mayor's plan to cut budget funding for the city parks and cut down the native trees

Danny: oh, i see.... is this safe?

Sam: probably

Danny: hm.

------------- Snippet 27: digging up cold case

Danny: ....if Damian is out with Sam tonight with their plot against the mayor....

Danny, turning towards his desk: then that means I can work some more on Mrs. Witherbury's murder case that she asked me to solve without Dames guilt-tripping me into bed :)

Danny, settling down at his desk with a thermos full of coffee: i'm glad sam and damian are finally getting along

--------- Snippet 28: sparring

Damian, frowning: your reflexes are incredible but your combat is downright awful, brother. it's truly a miracle i didn't skewer you upon our first meeting

Danny, got his ass kicked by his 7yo brother: *groaning in pain* not everyone has super secret assassin training, Damian. And I don't really have time to actually practice anything.

Damian: Mrs. Fenton knows martial arts and her form is proficient enough, I'm sure she would be delighted to teach you if you asked. I will join since I need to keep my skills sharp and my training was unfinished when I arrived here.

-------- Snippet 29: daytime surprise

Phantom, fighting Skulker in broad daylight: *under his breath* at least Lancer's english test will get canceled for this...

Phantom, dodging a blast from Skulker: *in ASL, furious* don't you have anything better to do, you fuck!?

Skulker: foolish ghost child, speak! I know you're capable of it - speak before you lose the ability to

Phantom: *flips him off instead*

Wraith, sending back a ecto-blast with his sword: please pay attention, phantom

Phantom, doubletaking: *in a hissed whisper* what are you doing here!? it's a school day, you should be at school!

Wraith: Tt. If the boot fits.

------------ Snippet 30: guilt

Danny with his head on his desk, his elbows propped up as he massages his hands: hn

Damian, lurking to the side with a guilty look on his face:

Damian: can i....

Danny, silently holding his hand out to Damian: hrm

Damian, immediately taking it and doing the massages + finger exercises: ...im sorry

Danny: hm... I forgive you

[stealingyourbones]

recently watched a handful of episodes of Supernatural and im kinda impressed with Dean's steadfast belief that all monsters are monsters and can't be redeemed.

With that in mind... there could be some VERY angsty Danny Phantom crossovers with that as the main premise

[brainrot-jikan]

im not the biggest alhaitham/kaveh shipper (because im a rare pair ho) but it seems to me that in alhaitham/kaveh getting-together fics tend to be... unequal.

the beautiful thing about alhaitham and kaveh is that they're both equally right and equally wrong and equally dicks about it. but the writers for alhaitham/kaveh much more frequently seem to give alhaitham the burden change (the burden of the character flaw) instead of kaveh.

in any good character arc, the main character has a fatal flaw or misconception, and by the end of that arc they have addressed that flaw in some definitive way. scrooge was a scrooge and learned that being that way was detrimental; merlin from finding nemo was overprotective to a fault and had to learn that he couldn't (and shouldn't) control everything and to let go; the wolf from little red riding hood learns that you should stop while you're ahead.

stories centering around romance tend to lean heavily on character arcs, which makes sense. and since romance generally requires two individuals to be vulnerable and open and emotional with each other, it makes double sense that alhaitham/kaveh authors zoom straight into alhaitham's lack of emotional vulnerability.

this bothers me.

in society, individuals are expected to experience and present emotions in a specific way. if someone dies, you cry. if someone smiles at you, you smile back. if you're at a party, you're supposed to be having fun. if you don't do these things, you're seen as impolite at best and a inhuman freak at worst. when these behaviors are frequent it's often viewed as emotional immaturity, or a lack of ability to feel at all. the inability or lack of willingness to conform to societies emotional expectations of you is seen as a flaw and a reason for exclusion.

alhaitham is canonically disliked and avoided for being the way he is. he prefers it this way, but that doesn't mean the people perpetuating this avoidance are in the right. they are the societal pressure to conform that alhaitham blows off. alhaitham could be the way he is for a lot of reasons: avoidant attachment style, trauma, following someone else's example (eg. his grandmother), or just his base personality. it doesn't MATTER. he is the way he is. kaveh having to accept that should be part of the story.

putting the burden of the fatal flaw on alhaitham, making the way alhaitham treats kaveh and the people around him the problem, feels invalidating. it implies heavily that alhaitham's way of interfacing with the world, alhaitham's very SELF, is incorrect. my suggestion is to flip a larger portion of that burden onto kaveh. kaveh 👏 character 👏 arcs 👏

some examples/recommendations:

- make kaveh project his insecurities onto other people but especially onto alhaitham; he's overly reliant on other people for his own self worth, and he perceives alhaitham's lack of positive feedback as a direct reflection of how alhaitham feels about him. but learns along the way that alhaitham doesn't hate him, kaveh's actual struggle is with hating himself and being unable to his own self as worthy of love. maybe throw in how you are responsible for your own recovery, other people can help but you can't rely on them to carry you through self actualization.

- or, kaveh tries to make alhaitham behave more like a "normal" person, to be more pleasant and emotive and forthcoming, and then realizes he's in the wrong for trying to make alhaitham into something he's not, possibly for all the wrong reasons (not because he likes alhaitham better like that, but bc society says that's healthier and a better/more conforming way to be)

- or you could go ahead make alhaitham's issues the main problem but they're too complicated to overcome in a short period of time, so kaveh has to accept alhaitham is doing his best in his own way and not push for unrealistic and unhealthy changes. he could alter his own behavior to give alhaitham space and time and a safe place to land.

that got sappy so it's past time for me to dip out. go forth and ship things; but maybe consider letting alhaitham be a rude stone-faced bastard if he wants to be.

[muttsterion]

Seriously what's it take to get a Mysterion plushie around here?

Like I'm happy and love all the figurines and such but we need a squishy plushie maybe something like the Kidrobot Phunny Kenny plushie or a YooTooz maybe? Something. I'm just surprised and sad we don't have an official Mysterion plushie to hold and hug by now. Like why? They would sell I'd def buy one if they existed. Someone get on this plz? XD

[bookshelf-in-progress]

No matter how many times it happens, I'm always shocked by how reliably all my problems with any given story are solved by making it shorter. If I go into a story with the idea that it'll be long, that I should use as much detail as I want to craft a full-length and fully-fleshed-out story instead of a short one, it always turns into this rambling, meandering, soulless thing that's no fun to read, and I get tangled up in so many flimsy, sprawling layers of character and worldbuilding that the plot becomes unworkable.

The minute I tell myself, "Let's make this as short as possible," the problems fall away, I find the heart of the story again, the pacing is brisk, scenes get multiple purposes, the world feels deeper because I'm implying things that spark the reader's imagination rather than trying to put every threadbare, boring detail on the page. Every time. You'd think I'd have learned by now.

[nei-ning]

A surprise which didn't go as planned :'D

This idea has been in my mind probably a month now - if not longer - and finally got myself to do this.

Characters, Grimm and Pearl, are from @niuniente's comic Dead-Head's Deal (DHD). You can find pinned post on her Tumblr of where you can read DHD :3 Once more I remind you all that DHD IS mature themed comic with DARK TOPICS and therefor it is NOT suitable for everyone!

[nebulathunderwave-art]

Birthday wishes to Zewu-jun from Lanling

(Birthday wishes to Er-Ge from A-Yao)

8.10.2024 | Happy birthday Lan Xichen! 💙☁️

[tacagen]

one of the things that fascinate me about thawne: yes, he CAN be normal with kids! surprisingly normal!

((not at all times, though. his mental illness still spills through and as usual he, in trying to manipulate or hurt others, spits out at them the exact stuff that would hurt him (or have in his childhood/barry's rejection interpretation) the most in the first place lmao))

but at the same time. his like second instinct when doing his bullshit is FUCK THEM (as) KIDS

(and, well. whatever this classifies as)

[tj-crochets]

Hey y'all! It's winter again which means my annual search for lotion I am not allergic to is back on (aka my hands are dry and I want to find better lotion lol) Currently, I use Aveeno, the one with oats I can never remember the name of. I am not allergic to it but it's not super effective for me, so I'm once again looking for a different lotion option - I am allergic to coconut, macadamia nut, almond, and cinnamon (and vinegar but I doubt that would be in lotion) - I am not allergic to but my asthma is triggered by mint, any menthol-adjacent anything, cedar, sandalwood...basically any "wood" smells or fake musk smells, and most essential oils. Also fake "sweet" smells - I can usually handle citrus scents better than other scents in things like lotions and soaps without wheezing, but any strong enough scent can be an issue

If you happen to have a lotion, especially a hand lotion, that you think would work for me please let me know! I know it's a long shot but I thought it was worth asking