#that I don't have in the original for various reasons.

[raconteur-wanpi]

By the way I think with the reveal of the "Earth God" and "Sea God" in 1138, Oda has been pushing the Sky-Earth-Sea triad thematically more than ever. I'm not sure what it means exactly, but it is a pattern that's so often evoked in One Piece.

We have these three gods now, Nika being the Sky in this case. But also there's the ancient weapons themselves: Pluton (god of the Underworld), Poseidon (god of the Sea) and Uranus (god of the Sky).

And then there's even the New Monster Trio underneath Luffy (Zoro, Sanji, Jinbe), who are the "Son of the Earth" (Zoro is the son of Terra [Earth], has allusions to Hell, Asura and Enma etc, Three-Sword-Style can even evoke Cerberus to an extent), the "Son of the Sky" (Sanji is the son of Sora [Sky], mastered Sky-Walk, and can even use flames similarly to the Lunarians, beings who can fly in the sky) and of course Jinbe, whose title is literally "First Son of the Sea" (who can, by the way, despite being a fishman and not a merfolk, speak to sea animals such as his whale sharks. Which is noted as strange by others even in-universe, and kinda reflects Shirahoshi's ability). Others have pointed this out already, of course, but I do think it goes beyond just family names and earned titles.

I don't think this means that these three Strawhats are tied to the Ancient Weapons or those three gods, by the way! I just think they're another example of the appearance of this Triad; a way to enforce it's existence as a pattern. After all, you could say that if anything, the person from the crew with the strongest ties to Pluton, is Franky. Especially considering like, his whole introduction in Water 7, and him being a shipwright and everything. He memorized and burned the blueprints right in front of our eyes. And then there's Robin with her interest in the Void Century, Luffy being the Sun God and having many of those ties himself etc etc.

I just think it's interesting that this pattern seems to be reflected in those three Strawhats in more ways than just like, their mothers' names or titles or whatever. If "Sky" is the Sun, is the Flames, then Sanji can use flames. If "Earth" is also Hell and the Underworld, Zoro will often evoke that imagery. If "Sea" includes the creatures of the depths, then Jinbe can communicate with some of them.

And then, of course, there's the Ancient Weapons themselves; Uranus is seemingly powered by the Mother Flame, Poseidon can command sea kings, and Pluton... well Pluton is still kind of a mystery, but we do know that it seems to be a kind of Warship. I'd assume probably one that's powerful enough to cause a global Buster-Call esque destruction. I'd say that it's interesting that it's buried within Wano's underground though, a sort of metaphorical underworld, perhaps? So that's something there. Funnily enough Zoro has origins from Wano, doesn't he? That one could just be a coincidence though. Though both Poseidon and Jinbe are from Ryuugu Kingdom, but that one's expected for obvious reasons.

Anyway, I think where I'm getting at with this, is that "Sky", "Earth" and "Sea" are these Broad Thematic Circles that encompass various other specific concepts within them, rather than just the straightforward elements of nature. I have no idea what this will lead to, though!

[izavella21]

This book. This book right here. I love it. I love it a lot. Here are some reasons why:

The narration style. I remember when I first read this book, there were so many moments where I'd read a line and think "so relatable". Tori, why are you so relatable?

Tori and Charlie's relationship. I think it's not that common to see a wholesome sibling relationship, so I'm glad that was included in this book. (Also, I don't know if it's just me, but I feel that we don't really see that a lot in Heartstopper)

Tori and Charlie both saw the signs of each other's decline in mental health, and regret never doing anything about it. And they both assure each other that despite the mental health struggles, and despite not doing anything about each other's mental health struggles, they still love each other and care about each other.

There's a scene where Lucas gives Tori a can of Sprite, and Tori mentally notes that it isn’t the drink she likes. Later in the book, Micheal gives Tori diet lemonade, which is the drink she likes. And the beats of these two scenes are very similar.

Also, after Lucas gives Tori the sprite, she asks him about the books he has, and one of them is The Great Gatsby. When Tori asks him what’s it about, he answers “It’s about someone who's in love with a dream." You don't say...

(Basically, I think those two scenes are meant to show that Lucas is in love with idea of Tori, while Michael loves Tori as she is. Lucas goes about his relationship with Tori in the "wrong" way, while Michael goes about it in the "right" way)

The way Tori’s depression was handled felt so…candid for lack of a better term. I feel that depression and suicidal thoughts/ideation is something that is tricky to get right. I think Solitaire is a good depiction of depression. A believable one at least. One where you're able to empathize with the character.

Michael Holden. Just, Michael Holden.

I don't know about others, but I've always read Tori and Micheal's relationship as queerplatonic. You never see that in fiction, so I appreciate it.

The story takes place in winter, and there are so many moments when Micheal shows up in a t-shirt, or otherwise light clothing, and Tori wonders at various points if he’s a human furnace.

Meanwhile, there are multiple lines where Tori is described as a “ghost” or as “cold”.

Nick Nelson beating up Ben Hope. Do I condone violence? No. Do I condone violence towards Ben Hope by Nick Nelson? Absolutely.

The scene where Tori's not having a good day, and Michael comes over to her house to spend time with her so that she isn't alone. In their phone conversation before that, Michael says that Tori reminds him of "an old person who lives alone, like, with cats and daytime television." Michael also seems like the type of person who would keep old people company.

The scene where Tori realizes Michael wanted to invite her to one of his races, a really important one at that, and the minute she realizes this, she instantly books it to the rink. She wasn't planning on doing anything that day, but the minute she learned that Michael had something important going on, she dropped everything to be there.

I think every scene focused on Tori and Micheal is amazing.

To this day, it amazes me that Alice Oseman wrote and published this book at the age of SEVENTEEN!

There was the right balance between dark and mature elements and more wholesome ones. I'd say that's the case for all of Alice Oseman's work, but especially Solitaire, which is considered the darkest. I feel that's a tricky balance to strike, and I felt that Solitaire, even the original iteration, strikes that balance well.

This book has short chapters, and I think that makes it easy to read.

I love the audiobook. I mean the old audiobook narrated by Jayne Entwistle. I've listened to the new one narrated Jenny Walser, and it's good, but I think I prefer the old one. It's so pleasant to the ears. I love her voice.

Thank you for reading!

[yamisnuffles]

DATV negative under the cut. Shouldn't need to be said but all very much my opinion and tastes, etc etc etc

At the end of the day, my biggest problem with Veilguard is that it lacks real replayability for me. But Claire, you might say, you've played four Rooks. And, fair, but that has been putting it on the easiest difficulty (which is turn off your brain easy) and skipping at least 75% of the dialogue each replay.

But that actually brings me back to my main complaint. I might have made four Rooks but it feels, at best, like two and only with very heavy headcanon at that. I made the opposite choices my second playthrough for everything, big and small. On paper, those two characters should have felt significantly different. One was a snarky human mage from Tevinter and the other was a straight forward, serious elven warrior. But, aside from different faction flavor dialogue and other minor changes (a bit of mage stuff for one and elven for the other), they fundamentally felt like the same person. There are a few reasons for that.

Each prior game gave ways to make the protagonist feel like an individual each time. The origins in Origin have a strong staying place to conceptualize who your Warden would be. Although the game was, imo, not terribly reactive to that after, you at least had lots of personal dialogue choices and you could make very different choices through the story. Then, in DA2, you were always Hawke but who Hawke was could feel substantially different. The game had a still unmatched personality system that would even change your ambient dialogue based on that personality. As such, a red Hawke spoke and reacted very differently from a purple Hawke and you even had different opportunities to get through some quests depending on that. Then in DAI, your background opened up different dialogue choices and the world would react to you in different ways. A non mage human noble would have a much easier time in the Winter Palace than, say, a mage qunari.

The second point, which is true for every prior game, is that your relationships with your companions could be very different. On DAO you could kill your companions or they could try to kill you if they disagreed strongly enough. I personally don't like the option to kill companions for various reasons but my point is that your relationship could range from besties/lovers to outright murderous contempt. DA2 has the friendship/rivalry system which, while it had its flaws, resulted in very different paths with companions. The companions also started to ask after you more and you might even be integrated into some banter. DAI was less extreme than the prior two but you could still get different paths with companions based on how much they liked you. Cassandra might get drunk after you're named Inquisitor, you could punch Solas and Dorian, and so on. The companions also reacted a lot to things you went through in the story and even to your specialization.

Finally, every class feels kind of the same. They're all relatively enjoyable but it doesn't really feel substantially different to play a mage, rogue, or warrior. Each class has very limited amount of abilities and they've all been made to feel a bit magical. This isn't quite as big from an RP standpoint (though it is still a thing for me) but it does hurt replay since a fair part of the game is fighting.

How much any of these things worked for players sort of boiled down to personal preferences but they were at least there. Romances wouldn't trigger or might even be broken under certain circumstances in other games, while the only thing that matters in DATV is that you flirt with them. Approval is meaningless. The only major difference in how you interact with them is pretty much just whether or not you talk to them at all/do their side quests. Otherwise you're always on good terms with them and they with you. Also, aside from the choice between Minrathous and Treviso, there simply aren't big choices that can be played differently and the small choices don't much matter. Most of the companion choices have superficial changes at best for them, with the exception of Emmrich.

What was the only thing that made the game feel different? Very, very thorough headcanon. Playing as Kieran felt different not because of anything the game did but because of work I put into it. Which, if that's all you ever want, that's fine. For me, the only thing that kept me making other Rooks was a desire to see certain romances. When I replayed the other games, I never skipped dialogue but this time it all feels so samey that it feels like there's no point in playing through it.

At the end of the day, I feel like Veilguard works best if you're a one PC kind of person. I've liked all my Rooks but that's bc I like the general person Rook is. I like the character creator, which is also enough to get me making new characters. I still don't think it's a bad game but it found new ways to disappoint me in ways I didn't expect for a BW game. I very much understand there are reasons it is the way it is but it's still a bummer when it's very, very likely there will never be another DA game.

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[pyrepostings]

Free Birds And Fiddlers: Dragon Au

Cw: aftermath of implied self harm, magical brands, noncon body alteration, forced to perform, mildly unreliable narrator (applies to maybe one line)

~~~

Kevin was left in the master bedroom, with a thick bandage on his throat underneath the golden collar, and his wrists bound together and tied to the headboard. He couldn't even move enough to lay down, rather he was forced to sit amongst the pillows.

He knew there was a guard on the other side of the door, listening for any sounds of renewed efforts of rebellion. But there wasn't much he could do like this.

The door opened, and he made a conscious effort not to acknowledge it. He kept his gaze firmly in front of him, towards the curtained window. He wouldn't give Aloskos an inch, now that he's taken so much.

But it wasn't Aloskos who entered, but one of his guards, and Julian, who crossed the room to sit on the bed near him but definitively not close enough to touch.

"Hey, Kevin. I- I heard what happened. How are you feeling?" His voice was tentative, slow.

Kevin wished he could explain everything that just happened, but he was too scared of what might come out if he opened his mouth, or made any sound at all.

"May I touch you?"

The request sounded fuzzy, as if muffled under too many layers of sand in an hourglass. With a nod, he scooped himself to a moment in the past.

Julian sat beside him, closer now. With the sleeve of his own robe, he dabbed at the tears Kevin didn't even realize were falling.

"May I ask technical questions?"

That same voice, the same tone, as those years ago. Julian was one of the few people in the entire world, and the only one in this castle, who could ask him technical questions now, and always. He nodded.

"I'm not asking you to prove it, but do you think you're still able to physically speak?" And when Kevin remained still, he continued, "You don't have to answer that. I'm just trying to assess damage."

Kevin shifted, straining against his bonds to do so. He lowered his head towards Julian in hopes he understood, and he did, sliding up beside Kevin in kind. Kevin nudged his face into the space between Julian's chin and shoulder, right up against the silver collar, and let out a shaky breath when a gentle hand found his hair. It was quite possibly the first breath he took since being tied to the bed that morning.

"I can speak," He said, hoarsely quiet both to prevent the guard from hearing, but also due to damage done. The spell last night and his begging for it to stop had both done a number on his voice.

"That's good," Julian said, dropping his own voice even lower in volume. Kevin could tell he didn't fully think so. "I won't force you to."

I know, he almost replied. I know and I do want to talk to you but I just can't bring myself to say anything more at all.

"I was told, he branded you again. That this one was worse. That he could force you- Kev, I know how much your music means to you. Genuinely, are you alright?"

How will I ever be alright, when I can't even hold that one thing for myself? He shook his head.

"Is there anything at all I can do to help?"

He nodded. Probably not, but please stay with me anyway. He hooked an ankle around Julian's, hoping that said everything he needed to. It seemed to land.

"Alright. I'll stay for as long as I can."

[firestorm09890]

put my fuckin guy in the combination persona 4 dungeon twewy plot dnd roleplay thing and it's awesome. mandatory persona 4 glasses made him pull his hair out of his face and it is regrettably very cute. he's trying so hard to keep the party from going off the rails. he's on the verge of sensory meltdown himself. he's a genius whose input is valuable. he's projecting and probably shouldn’t be here. he's so cool. he's visibly uncomfortable being around everyone else. he cast the level 3 spell Fear on a Shark Noise. yeah the one from week 1 day 4 that killed Rhyme. it didn't kill Rhyme this time, heh [puts on my sunglasses

[arolesbianism]

Y'know the fun thing abt how I've set up the society that the main stalien cast comes from is that even the most broad general trends across stalien societies tend to not apply to them. So everytime I yap about how most herds form and the general trends in their societies I just get to remember mid yapping that basically none of this will ever be evident or even come up in the main story. Damn isolated motherfuckers

[phoenixiancrystallist]

Month 4, day 28, made some slight adjustments to Keen's gauntlets and gave his wings more life instead of just copy/pasting the same wing three times :D

[unproduciblesmackdown]

yeah speaking of the most personal instrument of death / brutal vengeful catharsis gay sex foil confrontation. the musician gets got by lo cocodrilo? respectively, give him a kiss

[yamujiburo]

A few months ago, some of you might know if you keep up with this blog, I went to Collect-A-Con LA. It was truly on a whim. Literally the day before my girlfriend and I had just come back from our Europe trip. Normally I'd be so tired and jetlagged but for some reason I was feeling really antsy and energized and just needed to go somewhere and get out of the house.

I found out that Collect-A-Con LA was happening the following day and that a lot of the original Pokemon voice cast would be there. So I bought a ticket, drew/printed up a picture that I wanted to get signed and got up early to drive to the convention center (you have to understand that I hate driving in town and also very much never wake up early). I don't know what possessed me to do this but I'm so glad I did.

I ended up having the privilege of meeting Eric Stuart, Veronica Taylor and of course, Rachael Lillis.

She was masked up, looked tired, and a bit sick. And at the time, I assumed she might've caught a cold over the weekend of the con. I went to her table and she still smiled and gave me all of her attention and time. I paid her assistant for an autograph, gave Rachael the drawing I'd done and she got to signing it. Her assistant said the print I had was cute and asked where I got it. I told her that I drew it myself and that I spent a LOT of my time drawing Team Rocket and other various Pokemon fanart. When I said that, Rachel stopped mid-sign and looked up and squinted at me and asked "are you Kiana Mai"? My heart skipped. I had no idea she knew who I was and was surprised that, given how many Pokemon fanartists there are in the world, she was able to pick me out. I left that interaction so happy and felt so seen. Soon after, I went to get my print signed by Veronica Taylor and while in her line, noticed Rachael had left her table; presumably not feeling well and had to leave the con early. I remember thinking how lucky I was to catch her before she left.

A couple months later, I saw the gofundme that her sister posted, detailing what Rachel was going through for the past few years and her battle with cancer. It put that convention day in such a different perspective for me.

All I could think about was how much she cared about her fans and how in touch with her community she was to go to a convention while being in so much pain and suffering in silence. I obviously don't know her personally, but based on how other fans who've met her, as well as her colleagues have spoken about her, I got the impression that she was an amazing, thoughtful person who cared about the people around her. That was only solidified for me based on this singular interaction a few months ago.

Rest in Peace Rachael Lillis. You've touched so many lives with your voice and so much of us grew up listening you. Thank you for everything!

[dilfosaur]

well i haven't spilled my guts on tumblr since i was in college but it's the platform that's felt The Most Mine thru the years, so

let's talk!

i've had a huge chip on my shoulder that i wanted off before the year ends. very bad professional experience to follow

so firstly to get ahead of the speculating, i'm not naming names or anything. some of you will puzzle out who i'm talking about, but please don't bother anyone especially not on my behalf. i've worked hard to distance myself from them the past few months. shit happens, especially when you're a dumb bitch (that's me!)

but also this person was someone i considered a close friend and it makes me uneasy to possibly direct backlash at them. "then why post about it" bc i did intermittent work for them for over a year. this is just about that. so hear me out

basically it started off fine. i initially did some commission work for good pay, then was invited to become more involved with their team. unfortunately as i became more involved with their operation it became more disorganized over time. projects started then forgotten, constantly shifting schedules, lapsing communication between roles, confusing financials, and often inconsistent if not late payments. during mid 2023 i was doing colorist work, sometimes on a one day turnaround (all while also preparing drawfee's summer merch launch). the payroll wasn't set up correctly so i wasn't paid for that work for over a year (more on that later), tho to be fair that was largely my own fault at first as i just didnt realize the payments didn't go thru lol

i always consider myself decently capable of separating friendship and coworker-ship; i run a company with 4 wonderful friends, going strong for almost 5 years. that didn't really work out in this case. by early this year our friendship was on the rocks; work issues fed into personal issues and vice versa. so as the rest of this shit plays out, we had just had our first "big fight" which i felt very bad about and added to all the upcoming tension

a huge point of friction was the fact that i really wanted to work with them to make a music video for one of their songs. i've always wanted a chance to make a music video, was confident in a concept i came up with, and even did some concept art for the idea. everyone insisted they loved the concept and that we should do it, but we kept pushing it back for various reasons. it ended up becoming a huge sticking point for my frustrations, which i tried to express productively. TLDR, we eventually got around to discussing it seriously around april.

i planned to ask for $4000 with negotiable add-on for the whole project, which was my Friend Discount price. i was offered a contract for $1000 flat rate, as they insisted that was the only budget they had for it.

don't ask me why i signed it lol. i didn't even counter offer

there was some girlmath to it: i wanted an extra 1k for a student scholarship i provide every spring and well, there it was. but if i had to guess, i saw it as something i just couldn't back down from any more. i caused these folks- my friends- a lot of problems bc i dug my heels in so deep to chase this project, so fuck it we ball

i had about 4 months to solo a 3 minute music video. they wanted it done in august so they could release it before summer ended, bc "it was a summer song". to be fair i was asked if i needed them to pay for anything extra like assistants (which i would have to find and manage) but i was so immediately overwhelmed that i didn't wanna slow down to wait on that process lol. there was very minimal communication other than brief progress check-ins every few weeks. i did everything for that project myself: the original concept, character designs, storyboards, layouts, backgrounds. i even did the editing/compositing for the final cut of the MV. the only favor i did myself was limiting the amount of it that was actually animated to simple loops and motions. hardly my best work but it was work still done

i did it all in between my full time job. i ended up having to take nearly a month away from most of my drawfee duties (with the support of the others) to make the august deadline. i only ever asked for a 3 day extension (notice given about a week in advance, around the same time i was given the final song file lol). i finished the music video at 6am on the final deadline and recorded drawfee the next day on 2 hours of sleep

but it was done, coolies. the team was very happy with the final product. honestly, without getting into it, those were a very emotionally taxing 4 months. on the professional side, i regretted agreeing to the project and especially for the dogshit rate they offered. i felt like a hypocrite- as someone who always wanted to advocate for younger artists demanding their worth in a world that's getting increasingly hostile toward creatives, i failed myself

so when i met with the manager to discuss the release plan, i told them to do whatever worked best for them as i only had one request: i wanted my credit removed from the project

tbh... like... lmao this dramatic bitch right!! but really, i decided that bad practices only breed worse business. friends or not, it was unprofessional of me to accept such a low paying job so i just didn't want my name used in association. everything felt so muddled to me and i was just really tired at this point

the manager was very understanding and then offered that i could be paid more. they said that their team "was surprised" i accepted their low rate and they would be happy to up the amount. this confused me as the initial budget seemed pretty set and at no point between april and august was i offered a better rate. i knew these guys weren't made of money. so, i declined. i didn't want to put anyone out of their means over work that was already done and agreed upon. but more importantly, i was over the whole thing and didn't want to prolong the project with a contract renegotiation. i just insisted my name be removed

they decided to use a pseudonym (which i was fine with) so they could create a story about a character who made the MV (this sounds really convoluted but i don't know how better to put it without getting specific, sorry). that way if people asked about the credit, they could speak comfortably about it without signaling that something went wrong behind the scenes. ok, kind of a silly narrative imo but whatevs. and maybe this is where i finally went truly wrong but. yolo i guess

i gave the name "D. Smithee", D as in dilfosaur and Smithee as in Alan Smithee. look it up for fun film trivia ig! was it passive aggressive of me to reference that in this context? yeah, honestly. but i thought it was kinda funny and really not that deep. if it was a problem, i have other real, non-cheeky pseudonyms i regularly use. the manager accepted it and all i had to do was wait for them to post the video and i could leave the whole experience behind me

a week later i received a message from the manager that my pseudonym had been denied by the rest of the team bc one of them got the reference. fair enough lol. however, they decided that rather than ask for a different name, the were going to make one up for me that they liked and would "fit the [story]", without asking me

and that! is when i finally snapped!

i was so tired of giving them concessions at this point and having a credit made up for me without any input from me felt genuinely violating and unethical. i started to Panic bc of how stressed i was, and asked for my overdue payments (aka the $500 still owed on the MV, and the colorist rate from a year prior that was never paid even tho i reported it in january) to be scheduled ASAP as i was leaving the work discord immediately

i finally told them off for exploiting me throughout the months while i kept trying to just be nice and finish my contact cleanly. in return i was told that it was unfair to say that as i agreed to everything- i accepted their cheap rate and denied further payment so that was all settled, and it was ok to change my credit without my consent bc i "said they could do whatever with the release". i called bullshit, ended the convo as kindly as i could, and cried lol. they agreed to ditch the pseudonym and just give no credit. that night was the last i heard from anyone on that team

and the real kicker?

august came and went. then september, october... and they never released the music video

and i don't know why, because i was never contacted about it. i've been removed from the picture entirely i guess. 4 months and boatloads of stress. just. up in smoke. i don't know what i expected honestly

it's hard to not take everything that happened personally and as done in bad faith. i really do, honestly. i've had plenty of shitty deals in my almost 10 year art career, but it hits different from people you saw as friends. but to the point of "why not keep it private", i have never felt so disrespected as a professional as i did this past year. i can toy with money and credits and other formalities all i want, but my work- my ideas, my labor, my effort- is still so important to me. i felt like the biggest idiot for doing so much work, pouring so much of myself into a piece for someone's use, for what has amounted to nothing

but more importantly i hated myself for undervaluing my work, even if initially i thought this person was a trusted friend. money is not really an issue for me- drawfee is my main job and i am fine and comfortable. it's so important to pay artists appropriately but i often undersell my own work bc i value the collaboration and passion between creatives more than the reward. i think a lot of artists tend to feel the same, and it often makes us easy to take advantage of. it's so difficult to find the balance between passion and making a fair living, and i think there's some shame within ourselves when artists choose to prioritize that passion

i wanted to finally get all this off my chest bc i was ashamed of every choice i made. things like this happen all the time i'm sure and hiding these mistakes only make it easier for it to happen to other people

tldr always value your work and protect your passion from people who just see it as a product. and don't give cheeky pseudonyms i guess lol

(and again pls don't bother anyone involved about this. a lot of chaos has left my life as i moved past all this, and this is me closing a door without opening new ones hopefully lol)

this shit was truly

so ass.

but i'm moving past it now

but on a nicer note. outside of all of this nonsense, i made lots of good memories this year. i'm truly so grateful to the many wonderful people in my life who keep me going even when i fuck up big time!

and thank you to all of you strangers who, despite everything, give me the time of day. especially if you read this whole thing. you're a real one :')

happy new year!

[dcxdpdabbles]

can you write the batfam going to amity due to *reasons* and alls well until Jason feels like he SHOULDNT go near since it’s Danny’s Haunt? Like how Crime Alley is ‘his’ Haunt? And batfam thinks he’s just being dramatic but uh, yeah he isn’t.

"I'm not going in there," Jason repeated, standing on the side of the highway, arms crossed over his chest and a stubborn scowl on his face.

"Jay, please get back in the van," Bruce sighed while the rest of the Waynes stared from their seats. They had originally all gotten off, but when the second eldest had started yelling, Bruce herded everyone back inside, including Dick.

No one knows why Jason was acting like this.

A few minutes earlier, he had napped comfortably in the far back of the large van Bruce had rented. The family had been on a cross-country road trip, where they all piled in together and let the GPA lead them to their final destination- Wayne Mountain Hotsprings. Alfred had the idea to practically kick everyone out of the manor to bond.

Members of their various teams would watch Gotham for the three weeks they would be gone. This week, Kon and Bart texted Tim updates. At first, the Waynes were not entirely up for the trip, but after a few hours of driving, they all enjoyed singing random songs and researching their vacation pick.

They each got to pick one random spot they wanted to stop at one the way- tourist trap or not- and Damian had been excited to go to "America's most haunted town." He had even been able to contact local ghost hunters who were excited to give them a tour. The Waynes would spend the night at the only hotel in the city and leave tomorrow morning.

That was the plan until Jason woke up screaming at the top of his lungs, "Pull over! Pull over! I can't go in there!"

It gave everyone a heart attack. Bruce had nearly driven into the other lane as Jason had been attempting to unbuckle himself and- were it not for Cass's quick reflection- fling himself from the moving vehicle. As soon as they found a safe spot to pull over, Jason leaped from the van and placed himself in front of the Welcome to Amity Park sign

A little up the road, they could see the city's outskirts. The Fentons, the acclaimed ghost hunters, were expecting them in twenty minutes. Damian was getting angsty.

"Can you explain why you can't go into Amity Park?" Bruce questions, stepping closer. "I won't make you go in there. I just need to know what's going on."

"Don't you feel that?" Jason asks, gesturing to the air around them. "It feels unsafe."

"What does?"

"The vibes," Jason said straightly, and Bruce's left eyebrow was spammed. "The vibes are choking."

Bruce takes another step closer, voice lowering into the familiar tone of comforting a scared civilian. "Jay what do you mean by that."

Jason opened his mouth only to snap his head upwards with a scream. "He's here!"

Everyone looked up—or at least those in the van by a window—only to see nothing. There was nothing there that could have freaked out Jason so much. The sun, maybe? Gotham wasn't known for its sunlight, and perhaps the fact that he grew up without it made it extra terrifying to the Gothamite.

Jason leaped behind Bruce, hiding like he did as a child. Now that Jay was taller than his father and buckler, it was a strange sight. "I'm sorry! I swear I wasn't going in!"

"Jaylad, what-"

"Ghost detected." The robotic voice of Damian's official ghost-hunting equipment made everyone freeze. The boy had opened the door of the van, escaping Duke's attempted grasp, but whatever he was going to say was cut off by the little machine in his hand.

It came from the Fentons' online store, and although it didn't work, Damian enjoyed walking around with it, searching for the paranormal. The rest of the family saw it as an age-appropriate make-believe, sighing in relief when he waved his little box around before deeming the area safe.

As it were, Damian waved the box again, letting the machine hum and bling as it landed on a particular spot in the sky. "Ghost detected. Ghost detected. Ghost located. Ghost is ten feet before you."

"Oh wow," An unknown voice said over the sound of rushing cars on the highway. Damian's eyes widen. "Haven't seen that design of the Fenton Finder in years. First edition, isn't it?"

Damian eyes are practilly sparkling as he puffs out his chest "It is! Are you a ghost?"

"Yeah." Suddently a glowing flouting transparent boy pops into thin air. No sound, no portal, not rush of air. Just one second he's there. He offers Damian a wide warm smile, that somehow makes his glowing green eyes menecing. "I'm Danny Phantom."

He turns his eyes back to Jason as Damian gapes at him. The boy had thought Phantom was a local urban legend. He has been decorating his room with "captured" images of Phantom for years. He turns to Tim, hissing for a pen and his photo binder.

"You." Phantom points at the cowering man. "Feel strange. You're overshadowed, but at the same time, there is no foreign soul in your body. What are you?"

"Um, I'm just here on vacation with my family-oh!" Jason words are cut off as Phantom flings himself at the pair. Before Bruce or Jason can react the ghost has his hands inside of Jason chest, ramaging around like it's a bag. Oddly enough, this makes Jason blush.

"Hmm. Yeah, there is no other ghost here. Are you haunting your own corpse?" Phantom floats upwards to stare into Jason's eyes. "Or are you a Halfa?"

"My own corpse," Jason gasps, but Bruce decides he's not about to let whoever this bothers his son, pushing Phantom back. Only somewhat surprised by the fact he made contact the hero's grunts

"Kindly keep your hands to yourself."

"Sorry," Phantom mutters, flouting back. He fidgets with his glowing white hair while shifting his feet. "I just wanted to be sure he was safe. You may enter."

And with another pop, he's gone.

Damian makes a sad whine in the back of his throat, holding a picture of a blurred image of Phantom and a pen. He flipped through the binder, attempting to find the clearest one while the ghost chatted with his father and brother. "I didn't get an autograph."

"There's always next time," Tim offered, patting the boy back as he led him towards his seat in the van again. You should keep that on your person so if you run into him again, we can get it signed for you quickly."

"Okay"

"Phew," Jason breathed, wiping the cold sweat from his forehead. "That was terrifying. Anyway, we should get going, I don't want to be late for the Fentons."

He ignored Bruce's look, walking back as if he hadn't held them up for nearly forty minutes because the vibes were bad.

Bruce stared as Jason skipped back to the van, feeling very old and single. Maybe he should try calling the blind date Alfred had attempted to set up for him. He needs some support in raising his children. He has too many white hairs as it were.

[rabbitrah]

A continuation on my post about unloved foods, specifically this is my in-depth defense of root beer.

Root Beer isn't inherently gross, it's just one of those weird local flavors that's off-putting to people who didn't grow up with it. We all like different things and also we all tend to like flavors that are similar to what we grew up with. That's okay! But honestly root beer is pretty unique and, in my opinion, delicious.

One of the main complaints against root beer is that it tastes like medicine. Funnily enough, it was originally marketed as medicinal! This is true for most OG sodas actually. Pretty much as soon as carbonated water was invented, people were drinking it to soothe various ailments. A lot of the original soft drinks were actually invented by pharmacists. I just think that root beer is especially cool because the main flavor came from the root bark of sassafras, a common North American shrub. Because it's so widespread and aromatic, all parts of the sassafras plant have been used in food and medicine by many different Native American tribes throughout history and was subsequently picked up and used by European colonists. In the 1960s, some studies indicated that that safrole oil, which is produced by the plant, can cause liver damage. Whether or not this would actually remain true after it had been boiled and added to root beer is unclear, but it was really easy to replicate the flavor, so the sassafras in commercial root beer these days is artificial. Another fun fact about safrole is that it's a precursor in the synthesis of MDMA. None of this information has stopped my childhood habit of eating sassfras leaves right off the shrub whenever I walk past it on a hike. I'm like 85% sure it's safe and also mmmm yummy leafs go crunch.

Another root beer complaint is that it tastes like toothpaste. I think this is probably because another key flavor in most root beer recipes is wintergreen. I'm assuming that the people who think this are the same people who think mint chocolate chip ice cream tastes like toothpaste. I can understand and even respect that some people don't like mint and associate it only with brushing their teeth, but like. Mint is a pretty common flavor. I mean I think it's safe to say that humans have been eating mint flavored stuff for longer than toothpaste has existed... anyway!

Other common flavors in root beer (real or artificial) are caramel, vanilla, black cherry bark, sarsaparilla root, ginger, and many more! There's not one official recipe, and root beer enthusiasts often have strong opinions about different brands. Some root beer is sharper, with more strong aromatic flavors, and others are mild and creamier.

Another thing I think is cool about root beer is that it's foamier than most sodas. This was originally because sassafras is a natural surfactant (and why sassafras is also a common thickening agent in Louisiana Creole cooking.) These days, other plant starches or similar ingredients are added to keep the distinctive foam. Root beer foam > all other soft drink foams. That's why root beer floats kick more ass than like, coke floats.

If you've never had root beer before, imagine if a sweetened herbal tea was turned into a soda, because that's basically what it is. If your first response to that is a cringe, fair enough. That's why lots of people don't like it. If your first response to that is "interesting... I might actually like it, though" then I encourage you to track down a can of root beer today, hard as that might be outside the US and Canada. Next time you see an "ew, root beer tastes like medicine/tooth paste" take, know that there's a reason for that, but also the same could be said for literally any herbal or minty food/drink.

My final take on root beer is that it would be the soda of choice for gnomes. Thank you and good night.

[corkinavoid]

DPxDC John Constantine's How To: Ghost Kids (pt.2)

[<- part 1]

"Oh, yeah," John jerks his head up like he just remembered the fact people are supposed to have names at all. He gestures to the kids, pointing to each of them as he introduces, "Daniel, Daniel, and Danielle."

This time, all three kids flip him off simultaneously. Bruce clears his throat, trying to figure out if Constantine is messing with him and, if so, in which parts. Since, so far, everything the man has said sounds like a poor attempt at pulling his leg.

"I don't think they like those," he cautiously says, and the kids whip their heads at him, nodding furiously. Bruce can't help but be just a little enamored with the way they behave.

"Of, sod off, at this point I don't care what they like," John straightens up with a dismissive, albeit weak, wave of his hands, and rubs his face, "They are menaces. Sometimes by accident, but mostly on purpose. Their grandfather thought it would be easier to handle them if they were not teenagers, and while I agreed with his reasoning at the time, I-" he glances at the kids, who all have displeased grimaces of various levels on their faces, "I have been made to reconsider. I swear that ancient bitch is laughing his ass off wherever he is now."

The kids suddenly grin. They are not very friendly, nor polite smiles - if anything, they look a bit nightmarish. An old grandfather's clock in his study makes a very loud ticking noise.

"See?" John whips his head to look at said clock, the expression on his face bordering on insane. His eye twitches.

If Bruce doesn't do anything now, he might become one of the very few people who managed to witness John Constantine, the Laughing Magician, have a meltdown. So he sighs and decides to solve the problems one at a time.

Which means that no matter how alarmed or suspicious he is, his first move would not be to interrogate either the man or the kids.

"You can sleep in one of the guest rooms, I trust you can find it on your own," he tells John, almost softly, as he catches the girl from slipping away from his lap, "Is there anything I need to know about children before you fall unconscious?"

John slumps with relief, so obviously that Bruce almost smiles. Hardships of raising - or, watching, for that matter - kids, he understands.

"Yes," he breathes out with an air of exhilaration and turns to the kids again, pointing to the middle child, "Danny is the original. He is from this dimension and timeline, that is. Dan," he turns his finger to the older boy, "is in the wrong timeline, he's Danny's future evil self redeemed into older bratty brother. Dani," he switches to the girl, "is Danny's clone, made by his arch-nemesis of a godfather. If she starts melting at any point, wake me up immediately. If any of them start floating, sprouting tentacles, speaking to walls in static, or glowing, don't."

Bruce looks down to the kids. So, definitely metas, that would explain the government trying to get them... Or, no, it wouldn't because he is fairly certain no government is going to blatantly ignore the Meta Protection Acts.

"Don't let them raise the dead, and if you give them food, make sure it doesn't have a face. If you find more than three of them, it means one of them has duplicated, don't worry, they will absorb it back later. Absolutely don't let them touch any guns," Constantine is backing down to the door as he speaks, his gaze flickering from the kids to Bruce and back every second. Like he is leaving a ticking bomb in Bruce's lap, and not three children. "Danny is, comparatively, the most responsible one, the other two are up for any dubious trouble they can get to at any moment. Oh, and their memories are wonky because of de-aging, they remember some things but not others, so if they say something particularly disturbing, it's most likely some random piece of knowledge they managed to keep."

Bruce raises an eyebrow. He did get the part about the kids being, well, abnormal in the matters of their origins, but the disjointed set of rules and advices doesn't help as much as Constantine probably thinks it does.

"Allergies, preferences, ages they were before?" He tries to get at least some more info down before John disappears through the door. Actually, maybe he should send someone to handcuff the man to the bed lest he disappears completely.

"None, but don't let them eat cutlery. Danny likes space, Dani has a thing for exploring, and Dan likes violence." The older kid stirs in Bruce's lap and says something in the direction of Constantine. No sound comes out, but the man seems to get what he's trying to say anyway, "Okay, yes, that was rude of me, sorry. Dan likes... exercise," he ends up with, and that placate the boy enough to slump down and cross his arms. John sighs, "They were seventeen, fourteen, and twenty respectively. Now," he snaps his fingers, and suddenly Bruce can hear the girl - Dani - humming a tune under her breath. So, he lifted the silence spell, it seems.

"Good fucking luck," John wishes to Bruce, earnestly, and all but vanishes away.

Bruce sighs and looks down to the kids.

"Are you hungry?" He tries, and all eyes are on him at once, attentive and unblinking.

"Fruitloops," Danny says, and while Bruce is positive that's the name for a cereal, he gets a feeling that's not what the kid meant.

[nobodysuspectsthebutterfly]

FYI artists and writers: some info regarding tumblr's new "third-party sharing" (aka selling your content to OpenAI and Midjourney)

You may have already seen the post by @staff regarding third-party sharing and how to opt out. You may have also already seen various news articles discussing the matter.

But here's a little further clarity re some questions I had, and you may too. Caveat: Not all of this is on official tumblr pages, so it's possible things may change.

(1) "I heard they already have access to my data and it doesn't really matter if I opt out"

From the 404 article:

A new FAQ section we reviewed is titled “What happens when you opt out?” states “If you opt out from the start, we will block crawlers from accessing your content by adding your site on a disallowed list. If you change your mind later, we also plan to update any partners about people who newly opt-out and ask that their content be removed from past sources and future training.”

So please, go click that opt-out button.

(2) Some future user: "I've been away from tumblr for months, and I just heard about all this. I didn't opt out before, so does it make a difference anymore?"

Another internal document shows that, on February 23, an employee asked in a staff-only thread, “Do we have assurances that if a user opts out of their data being shared with third parties that our existing data partners will be notified of such a change and remove their data?” Andrew Spittle, Automattic’s head of AI replied: “We will notify existing partners on a regular basis about anyone who's opted out since the last time we provided a list. I want this to be an ongoing process where we regularly advocate for past content to be excluded based on current preferences. We will ask that content be deleted and removed from any future training runs. I believe partners will honor this based on our conversations with them to this point. I don't think they gain much overall by retaining it.”

It should make a difference! Go click that button.

(3) "I opted out, but my art posts have been reblogged by so many people, and I don't know if they all opted out. What does that mean for my stuff?"

This answer is actually on the support page for the toggle:

This option will prevent your blog's content, even when reblogged, from being shared with our licensed network of content and research partners, including those that train AI models.

And some further clarification by the COO and a product manager:

zingring: A couple people from work have reached out to let me know that yes, it applies to reblogs of "don't scrape" content. If you opt out, your content is opted out, even in reblog form. cyle: yep, for reblogs, we're taking it so far as "if anybody in the reblog trail has opted out, all of the content in that reblog will be opted out", when a reblog could be scraped/shared.

So not only your reblogged posts, but anyone who contributed in a reblog (such as posts where someone has been inspired to draw fanart of the OP) will presumably be protected by your opt-out. (A good reason to opt out even if you yourself are not a creator.)

Furthermore, if you the OP were offline and didn't know about the opt-out, if someone contributed to a reblog and they are opted out, then your original work is also protected. (Which makes it very tempting to contribute "scrapeable content" now whenever I reblog from an abandoned/disused blog...)

(4) "What about deleted blogs? They can't opt out!"

I was told by someone (not official) that he read "deleted blogs are all opted-out by default". However, he didn't recall the source, and I can't find it, so I can't guarantee that info. If I get more details - like if/when tumblr puts up that FAQ as reported in the 404 article - I will add it here as soon as I can.

Edit, tumblr has updated their help page for the option to opt-out of third-party sharing! It now states:

The content which will not be shared with our licensed network of content and research partners, including those that train AI models, includes: • Posts and reblogs of posts from blogs who have enabled the "Prevent third-party sharing" option. • Posts and reblogs of posts from deleted blogs. • Posts and reblogs of posts from password-protected blogs. • Posts and reblogs of posts from explicit blogs. • Posts and reblogs of posts from suspended/deactivated blogs. • Private posts. • Drafts. • Messages. • Asks and submissions which have not been publicly posted. • Post+ subscriber-only posts. • Explicit posts.

So no need to worry about your old deleted blogs that still have reblogs floating around. *\o/*

But for your existing blogs, please use the opt out option. And a reminder of how to opt out, under the cut:

The opt-out toggle is in Blog Settings, and please note you need to do it for each one of your blogs / sideblogs.

On dashboard, the toggle is at https://www.tumblr.com/settings/blog/blogname [replace "blogname" as applicable] down by Visibility:

For mobile, you need the most recent update of the app. (Android version 33.4.1.100, iOs version 33.4.) Then go to your blog tab (the little person icon), and then the gear icon for Settings, then click Visibility.

Again, if you have a sideblog, go back to the blog tab, switch to it, and go to settings again. Repeat as necessary.

If you do not have access to the newest version of the app for whatever reason, you can also log into tumblr in your mobile browser. Same URL as per desktop above, same location.

Note you do not need to change settings in both desktop and the app, just one is fine.

I hope this helps!

[oakgreenoak]

Something I've always found kinda interesting about Red and Green in gameverse is how they turn some of the Stock Shōnen Protagonist/Rival tropes on their heads.

This is really long character analysis of these two and various media counterparts of theirs, so I'm gonna stick it under a cut.

In some ways they fit their roles quite well - aside from the obvious colour associations, you have Red as the hero whose sense of justice is stronger than his sense of self-preservation, and you have Green as the privileged rival who cares about beating Red above all else.

But, if you look at it another way - Green's got the light spiky hair, the hot-headed and boisterous personality, the drive to Get Better And Win. He's designed to read as really open and chipper, yet snarky. Sure, he isn't dumb, but he's arrogant, and he's got something of a one-track mind; the guy finds himself in the middle of a hostage situation because he's just that hellbent on fighting his rival, and does not seem to be thinking about anything else. He's also got a motivation - given how the Professor talks to him in the championship room and supplementary material like his Generations appearance, it's not a stretch to think the reason he's so driven to Get Better And Win is to prove himself to his grandfather. It's shown in later games and supplementary works that he's become somewhat of a mentor as he got older and wiser.

Red, on the other hand, is a quiet loner whose only motivation seems to be to get stronger for the sake of getting stronger. He's level-headed and dark haired, his cap rounding off his edges and obscuring his face. He's heroic, but not really sociable, as evidenced by the fact he spends the Johto games alone on a mountain without having told anyone where he went. He seems isolated in a way that later games' protagonists really don't. He may have always been a step behind Green, but he's always better.

Equally fascinating to me is how other adaptations have changed the base designs around and rewritten personalities to suit different purposes, while still being visually recognisable as counterparts to their game-selves.

For example: Red and Green's counterparts in Special slot WAY more neatly into their stock shōnen roles, with Red as the boisterous hero and Green as the broody rival, and it's reflected in their new designs.

Red's hair becomes spiky to reflect his more excitable nature. His hat, in turn, never obscures his face; it's always either tilted back to accommodate his fringe or turned backwards. Green's hair, on the other hand, is not quite as spiked upwards and instead falls into his face, frequently obscuring his far eye in the same way game!Red's hat does.

And then, of course, the anime balanced them in a totally different direction.

Instead of scrapping Green's personality wholecloth, it's become exaggerated in Gary. He's not the broody antihero rival, he's the arrogant, privileged, better-than-you rival. He's always ten steps ahead of Ash, always pisses him off, and is ALWAYS better until the end of his run. The anime also emphasises his intelligence far more, with him doing things like rattling off dex info and the speed of light in mph off the top of his head, to further contrast him with Ash.

Ash, who is of course THE shōnen protagonist. He's dumb, but determined, and always ready to help people in need. Unlike game!Red, the power of friendship (with more than just pokémon) is central to him; any given season of the show is defined as much if not moreso by his travelling companions and interpersonal relationships as it is by whatever he's actually doing.

It's funny to me, though, how most adaptations seem to find the fact that gameverse Red and Green have swapped some stock roles as something to fix. Even Origins, which is probably the closest a high-profile adaption has come to game-accurate, made its version of Red louder and more standard-hero-esque.

I'm not knocking any of these things, of course, just observing. I adore both Special and anipoke. I just think that the way the game characters are written could lead to some interesting dynamics were it to be explored more.