#thanks for liking and reblogging my stuff

[muletia]

[tfp] optimus prime x human!reader

summary: you had to go on a business trip. optimus doesn't take it too well

cw: obsessed!optimus, hardcore pinning, angst, i wanted to practice writing dialogues and it shows lmao

word count: 1800

an: i want you guys to know that i am reading EVERY reblog and comment from you swirling my hair and kicking my legs like a schoolgirl

you are so real for that anon

When you, out of your own free will, expressed the desire to join him on patrol, Optimus was overjoyed. You rarely got the chance to be together, just the two of you, always consumed by work or saving the world. And although Optimus wouldn’t dare ask you outright to accompany him on patrols (because the last thing he wanted was to make you feel uncomfortable), he deeply longed to spend more time with you alone. He knew he was feeding only his own illusions, fueling the machinery of madness, but by this point, he couldn’t stop. Not when you sat comfortably on his seat, gazing at the views outside the window, visibly content with your outing together.

He wanted so badly for this to be your everyday reality. Maybe then he could finally find some relief from his fixation, maybe you would even save him.

"Hey," you started, and his entire attention focused on you. "Actually, I’ve been meaning to tell you this for a while."

Oh.

Did your feelings match his? Did you feel affection for him as well? Had you noticed his suffering? Or maybe you wanted to reject him, once and for all, to make him understand that his passion was an illusion, that no matter how much he wanted it, the two of you could never be together — too incompatible, too different. That he had developed this coping mechanism, exhausted by the war.

But before Optimus could spiral further, you crushed his hopes.

"The company I work for is sending me on a business trip," you sighed, clearly dissatisfied with the news. "It’s supposed to take two weeks, but you never really know with these trips, especially since they’re sending me across the continent."

"I understand," he replied, his tone not betraying the turmoil within. "What does this business trip involve?"

"Oh, shoot, sorry! I should have explained that right away," you laughed casually as if you hadn’t just delivered news that shattered his spark. "Business trip is assigned by an employer for training sessions, conferences, exhibitions, and other boring stuff. Kind of like a mission, but without explosions, action, or danger."

It was good to hear that you’d be safe, though you would truly be safest only at the base, under his watchful optics.

Pessimistic, ugly thoughts churned in his processor. Of all the things he expected to hear from you, this wasn’t one of them. Suddenly, he feared being alone, feared his own dreams. Because he knew you wouldn’t be there to comfort him after a nightmare, and nothing else could bring him peace.

"I am sorry to hear we will not see each other for two weeks," he said, "but I am confident you will do exceptionally well on this assignment. You are dependable, unyielding. You can handle anything."

"Oh, thank you," you answered, a bit flustered. You hadn’t expected a compliment. "It just makes me sad to leave Jasper. I don’t say it often enough, but I have a wonderful time with all of you. With you."

"Likewise, [Name]. When are you leaving?"

"The day after tomorrow. Tomorrow after work, I’ll say goodbye to everyone else."

So soon. Too soon. He’d hoped you wouldn’t leave until next week, to at least give him time to mentally prepare for the separation, but you denied him that luxury. Not that any amount of time would have prepared him for this.

Slowly, subtly enough that you wouldn’t notice the change, he reduced his speed, prolonging your shared drive.

"I’m not sure I’ll have time to write," you warned. "Unfortunately, they’ve given me a really tight schedule. But! If I can, I’ll write to the kids. Oh, and expect some souvenirs — I’ll bring something back for you all."

"You do not need to spend your valuable time searching for trinkets. But if you insist, I will cherish anything you bring me."

"Aw, don’t worry—it’ll be no trouble." You waved your hand dismissively. "You do so much for me, for the kids, for the whole Earth without asking for anything in return. You deserve something nice."

"I do not protect your planet for glory or offerings."

"I know, I know. That’s very noble. And amazing. So many years, sticking firmly to your values."

He eagerly soaked up your praise, allowing himself, if only for a brief moment, to forget the world around him, to forget his duties, unfulfilled promises, fallen brothers and sisters. He’d never describe himself as 'amazing', nor did he believe the praise his own kind gave him about his greatness. But for you, he could believe it. If only for a moment, a few seconds, so that you’d leave on your mission thinking warmly of your time together and of him.

"Thank you, [Name]. Please know that I value your words tremendously."

"Oh," you blushed, "that’s nice to hear."

Embarrassed, you quickly changed the subject, unaware that Optimus was watching you closely, curious about your reaction. For now, he pushed thoughts of your departure to the back of his processor, wanting to fully enjoy your presence. You recommended songs from the country genre, one of his favorite discoveries on Earth, which he promised to listen to later. He knew well that this would lead to more daydreaming, imagining a future that would never be. Because no matter how hard he tried, his tomorrow would not be entwined with yours. His desires would forever remain mere fantasies born out of desperation, longing, and sorrow.

A week had passed since you left. In the lives of the Autobots, not much had changed because of your absence; they went on with their chaotic schedule. The kids, however, missed you. No more evenings spent helping them with their homework, working on your reports, playing games, or simply chatting. The worst part was that no one really knew what was going on with you. You rarely messaged, didn’t have time to talk, and when you did, it was just to say, "I’m alive, it’s boring, I’ll message you on Thursday." Life continued, despite how much Miko wished she could play games with you instead of doing her homework.

Everyone managed to adapt to your absence.

With one exception.

At first glance, it seemed like Optimus, the bot with whom you shared the closest bond, hadn’t been affected by such a drastic change. Nothing in his behavior indicated any longing. He didn’t express his opinion on the matter, didn’t ask, didn’t demand. As always, he buried his feelings deep within, playing the role of a diligent leader, hiding from everyone the nightmares running through his processor, now even more intense because of your absence.

He was withering, quietly and alone.

Until now, he had been content simply watching you. He had established a routine, unhealthy as it was, that kept him going. He knew that most of the time when he returned from patrol or a mission, you would be at the base. Even if you came every other or every third day, Optimus knew that eventually, you would show up. It gave him a sense of stability amidst the chaos surrounding him. But now? Maybe two weeks wasn’t a big challenge for you, but he was done after one.

Now, he wanted to be more than a passive observer. He craved physical contact, to hold you close, to feel your heartbeat against his metal. He wanted to know you were alive, to feel your pulse under his digit, to listen to its rhythm, to understand how your chest moved against his metal. He wanted to feel, taste, touch, enter.

He kept glancing at the spot on the couch where you usually sat with your laptop on your lap or spent time with the kids as if hoping that if he looked just one more time, you would materialize there. That everything would return to normal, that he wouldn’t suffer so much, that you would give him the daily dose of antidote he needed to function without plunging deeper into despair. But no matter how many times he looked, you weren’t there, and wouldn’t be for another week.

At some point, however, someone noticed their leader’s miserable mood.

"I can’t quite figure out what kind of bond you have with that woman," Ratchet said, pausing his work to look at Optimus. Before his friend could answer, he continued, "But she’ll be back soon. And whatever she’s doing, she’ll do it well. She’s tough."

"Thank you, old friend. I have no doubt in her abilities. But I would feel better if she were stationed closer to the base in case of a Decepticon attack."

"Mm-hmm," the medic scoffed. "Sure, that’s all it’s about."

Optimus had no response to that. He wasn’t surprised that Ratchet noticed his infatuation, but he would prefer that his friend not delve into the details of their relationship. At least, not yet. Not while Optimus himself was a wreck.

"Hey, hey! [Name] messaged!" Miko yelled.

The Autobot leader immediately approached the platform, finally abandoning his conversation with Ratchet, aware that it would only spark more suspicions. But he didn’t care anymore, not in such an important moment.

He stood directly behind Miko, with Bumblebee and Bulkhead beside him, equally curious to know what you had been up to over the past week.

"She sent photos, too! Look!"

Miko turned to show the messages to the others but paused when she noticed Optimus’s helm close to her.

“Whoa,” she whispered, surprised that out of all the bots, he was the one standing the closest. She swallowed, but her confidence quickly returned.

Holding her phone firmly, she displayed a close-up selfie of you. You were smiling, though the bags under your eyes betrayed that you were sleep-deprived, probably exhausted.

Optimus felt the accumulated stress, pain, and longing of the past week slowly dissipate. Everything was fine with you. You were alive, pushing forward with a smile on your face, happy to simply exist. Admiring your photo didn’t compare to seeing you in person, but it let him vent a little easier, granting him a brief respite from worry, gnawing at him from within. It was enough. For now. For a moment.

“She sends her regards to everyone,” Miko went on, “Oh, and she also asked Ratchet to take a break and mentioned she already bought a gift for Optimus and can’t wait to come back. Hey, I want a present, too!”

Optimus couldn't be certain if another week apart wouldn’t inflict even more damage on his processor and spark, or if longing would eventually consume him entirely. But he knew he was already lost, that you held sway over every aspect of his life. He was wrapped around your finger, tethered by a leash you didn’t even realize existed. And he didn’t mind one bit.

[nostalgebraist]

Interesting stuff. Some reactions:

I don't disagree with any of the points above. Yes, the mere fact that a source text is old does not, in itself, justify the use of archaism in the target language.

And yes, cross-cultural categories like "epic" are lossy abstractions over more specific, non-identical literary forms belonging to specific cultural and linguistic traditions.

There are established conventions for "epics in English." (Whether translated or original, with influence running in both directions between "what the most celebrated English-original epics are like" and "what the most celebrated English translations of Homer et al are like.") But we shouldn't demand that every translation of a so-called "epic" follow these conventions.

----

Still, I stand by my claim in OP (even if it was imprecisely expressed), that there's an appropriately epic quality to the Warner&Warner translation that is lacking in Davis.

This isn't about the (now-)archaic features of Warner&Warner. You could modernize their diction – and untangle their sometimes convoluted, old-timey syntax – without destroying the quality I'm talking about.

The quality is something more like... I want to call it an "elevated tone."

Not "elevated" as in "high-flown and erudite," but as in "setting the material apart from mundane present-day life." As in "creating an atmosphere of uncommon greatness (in every sense of the word)."

Evincing an appropriate reverence for your material, when it's the kind of thing that is written about because it's revered.

Handling that weighty material with appropriate care. Appreciating its heft, and its significance. Not speaking too lightly of it, or too casually, as through the first king who ever ruled were just some guy like you and me, and nothing more.

----

What I find remarkable about Davis is that he not only lacks this quality, but seems to be striving for its opposite.

His prose is "less elevated" than I'd expect for epic poetry, but that understates the situation. Even by the standards of ordinary prose narration in English, it's oddly pedestrian, flat, tuneless.

@argumate said in another reblog that it feels like a plot summary, and indeed that is a thought I had many times while reading Davis' Shahnameh. It's a shapeless collection of facts, related in a bored-sounding tone and piled up into long mind-numbing paragraphs. Nothing feels singled out as significant; there is no build-up and release of tension; there is just the one fact and then the next.

Consider for instance:

It was he who first taught men about the preparation of food and clothing, which were new in the world at that time.

The meaning here is basically the same as in Warner&Warner, who have this as:

And under him the arts of life began, For food and dress were in their infancy.

But the tone is worlds apart.

This is the beginning of the world, when even the things you and I take for granted did not fully exist yet. Warner&Warner's language drives home the weird extremity of this gap. Even such basic things are "food and dress" were new, then; the "arts of life" really had not existed, before, and were only now being established from scratch. Whoa!

Davis' version evokes none of this eerie distance. He conveys the same information, but he doesn't do anything with it. It just sits there.

Among other things, this leads Davis into an awkward redundancy here: if you've already told me that "it was he who first taught men about the preparation of food and clothing," you really don't need to explain that these "were new in the world at that time." Like, thanks, man, but I could have figured that out myself – it's a direct logical implication of what you've already said!

Davis might have rendered this bit non-superfluous by giving it something to do in the passage, in a literary sense if not an expository one. But, since exposition is the only thing Davis' prose ever does, any element without a unique expository purpose of its own is just left sitting there, seeming pointless.

In this case – as often with Davis – it dangles awkwardly at the end of a sentence, bringing that sentence to a limp and underwhelming conclusion. And, as he often does, Davis expresses it in a specific, inappropriately casual register that has a weird sort of "edutainment" vibe. Like this is a "fun fact," a "did-you-know?", a random piece of trivia.

While I'm slagging off Davis' style, I also want to take a moment to gripe about his choice of the phrase "world sovereignty" in the very first sentence. It feels like a microcosm of Davis's problems.

This is not merely modern-sounding language – it's language that specifically evokes (to me, anyway) a modern understanding of rulers and politics. It sounds like something you'd expect to find in an academic poli-sci paper, like some specialized and precise term invented to draw fine distinctions between all the different sorts of power and kingship that are conceivable. This fine-grained way of thinking is exactly wrong for the primeval period being narrated, when even food and drink were in their infancy, and there was no need to draw careful distinctions between different sorts of rule because rule itself was only just now coming into being.

Again, the literal meaning is not too far from W&W, who in this case write "power among mankind." But "power among mankind" lacks the spurious precision of "world sovereignty." It's broad, primal, simple, direct; it is a phrase one can imagine people really using in the very first days of civilization. Kingship, "sovereignty": these were new, and still unfamiliar. But power is a more basic idea, with much older roots.

----

What is Ferdowsi's style like, in the original?

Obviously I can't say firsthand. But here are some typical characterizations (my emphasis):

Ferdowsī’s poetic genius in creating a lofty, dynamic epic language that is brief but to the point and free from complexity greatly contributes to the strength of his style. (Encyclopaedia Iranica)

[Describing some early translations and their constrast w/ the original] The verse in iambic pentameter [in Champion's trans.] is heavy and laden with archaic diction. Reasonably accurate, it lacks the quick pace, vivacity or pathos, as well as the simplicity, of the original Persian. [...] Atkinson’s translation, like the earlier one by Champion, lacks the epic thrust of the original. (Encyclopaedia Iranica)

Direct, unadorned, rapid, full of life and emotion, simultaneously "lofty" and "free from complexity."

This doesn't much like either Davis or W&W, frankly.

But W&W, for all their fustiness, at least capture some of the "loftiness" and the human intensity suggested by these descriptions. Davis doesn't manage that, and in fact does not manage to do right by any single one of the qualities indicated above. He's got all the "quick pace" and "vivacity" of a templated regulatory compliance report.

----

A last complicating factor re: archaism.

According to Brittanica:

The Persians regard Ferdowsī as the greatest of their poets. Down through the centuries they have continued to read and to listen to recitations from his masterwork, the Shāh-nāmeh. Though written some 1,000 years ago, this work is as intelligible to the average modern Iranian as the King James Version of the Bible is to a modern English speaker.

So, even if the language wasn't archaic at the time of composition, there is a whole tradition of later and later readers encountering it in the original, and experiencing it as archaic – and perhaps interestingly and beautifully archaic, like the KJV is for many English speakers today.

The KJV – or indeed Shakespeare, with whom Ferdowsi has some things in common.

Like Shakespeare, Ferdowsi is renowned not just as a great writer, but as a great shaper of the very language in which he wrote.

Wikipedia claims (though annoyingly without attribution) that

Some experts [who?] believe the main reason the Modern Persian language today is more or less the same language as that of Ferdowsi's time over 1000 years ago is due to the very existence of works like the Shahnameh, which have had lasting and profound cultural and linguistic influence. In other words, the Shahnameh itself has become one of the main pillars of the modern Persian language. Studying Ferdowsi's masterpiece also became a requirement for achieving mastery of the Persian language by subsequent Persian poets, as evidenced by numerous references to the Shahnameh in their works.

which strongly resembles the way people often talk about Shakespeare's influence on the evolution of English: a single genius creates a celebrated exemplar of literature in his language, exerting a dramatic influence on all later literary culture in that language; meanwhile the undimmed cultural prominence of his work across multiple centuries exerts a kind of frictional drag on the evolution of the language itself.

Which is to say: not every English translation of this guy needs to feel archaic in a KJV/Shakespeare kind of way. But if there were no such translations, we would be missing something real about the work in its cultural context.

I feel like I've had the same experience several times now: someone does a new translation of a non-English literary classic, and all the critics praise it to the moon, so I go and try to read it, and it's turns out it's just . . . bad? Like, really bad? And weirdly bad?

A while back, I wrote about the case of Pevear and Volokhonsky. Here's another example, which I encountered while doing background research for my novel Almost Nowhere.

----

One of my novel's major characters is a literary translator, famous for his rendition of the Persian epic poem Shahnameh ("Book of Kings").

To help me write this character, I tried to read the Shahnameh myself. I started out – where else? – with the translation that seemed to be the gold standard, and which was certainly the most critically lauded.

Namely, the 2006 translation by Dick Davis, in prose with occasional shifts into verse.

Here's how the Shahnameh begins, in Davis' translation:

What does the Persian poet say about the first man to seek the crown of world sovereignty? No one has any knowledge of those first days, unless he has heard tales passed down from father to son. This is what those tales tell: The first man to be king, and to establish the ceremonies associated with the crown and throne, was Kayumars. When he became lord of the world, he lived first in the mountains, where he established his throne, and he and his people dressed in leopard skins. It was he who first taught men about the preparation of food and clothing, which were new in the world at that time. Seated on his throne, as splendid as the sun, he reigned for thirty years. He was like a tall cypress tree topped by the full moon, and the royal farr shone from him. All the animals of the world, wild and tame alike, reverently paid homage to him, bowing down before his throne, and their obedience increased his glory and good fortune.

And here is the same opening, in the 1905 translation by Arthur and Edmond Warner (which I only discovered much later in the process of writing Almost Nowhere):

What saith the rustic bard? Who first designed To gain the crown of power among mankind? Who placed the diadem upon his brow? The record of those days hath perished now Unless one, having borne in memory Tales told by sire to son, declare to thee Who was the first to use the royal style And stood the head of all the mighty file. He who compiled the ancient legendary, And tales of paladins, saith Gaiúmart Invented crown and throne, and was a Sháh. This order, Grace, and lustre came to earth When Sol was dominant in Aries And shone so brightly that the world grew young. Its lord was Gaiúmart, who dwelt at first Upon a mountain; thence his throne and fortune Rose. He and all his troop wore leopard-skins, And under him the arts of life began, For food and dress were in their infancy. He reigned o'er all the earth for thirty years, In goodness like a sun upon the throne, And as a full moon o'er a lofty cypress So shone he from the seat of king of kings. The cattle and the divers beasts of prey Grew tame before him; men stood not erect Before his throne but bent, as though in prayer, Awed by the splendour of his high estate, And thence received their Faith.

Now, I can't speak at all about the source text. I have no idea how faithful or unfaithful these two translations are, and in what ways, in which places.

Still, though. I mean like, come on.

This is an epic poem about ancient kings and larger-than-life heroes.

This is a national epic, half myth and half history, narrating the proud folkloric lineage claimed by a real-world empire.

There is a way that such things are supposed to sound, in English. And it sure as hell isn't this:

What does the Persian poet say about the first man to seek the crown of world sovereignty?

Excuse me? That's your opening line? I thought I was reading a poem, here, not taking a fucking AP World Literature exam!

----

Postscript

Some of the critical praise for the Davis translation, quoted on the back cover of my copy (emphasis mine):

"A poet himself, Davis brings to his translation a nuanced awareness of Ferdowsi's subtle rhythms and cadences. His "Shahnameh" is rendered in an exquisite blend of poetry and prose, with none of the antiquated flourishes that so often mar translations of epic poetry." (Reza Aslan, The New York Times Book Review) "Thanks to Davis's magnificent translation, Ferdowsi and the Shahnameh live again in English.” (Michael Dirda, Washington Post) "A magnificent accomplishment . . . [Davis’s translation] is not only the fullest representation of Ferdowsi’s masterpiece in English but the best." (The New York Sun)

[jillsandwhichs]

Joel Miller x Reader Smutshot Collection , Chap 6 , Beer and Sex

Masterlist

Pairing: F!Reader x Joel Miller

Summary: You, Joel and Tommy are at an event in Austin that includes being outdoors, drinking & games! Well, long story short, you and Joel end up heading back to his place for some indoor fun

Status of your guy's relationship in this one shot: Friends

WC: 3.0k

Type: NSFW

Warnings: No outbreak (AU), Usage of alcohol, Buzzed sex, Dirty talk, Making out, Breast play, Living room sex, You ride Joel, Unprotected sex, Choking kink, Clit rubbing, Denial of orgasm, doggy style & you ride him

A/n: Hi! Hope you all enjoy. Please check out my masterlist, there's a lot of stuff there. You can get to know me, you can see the rules of my blog and then you can see all of my fanfictions. You'll be able to find the previous chapters to this fic and upcoming ones. You'll also be able to find my Wattpad & AO3. Comments, reblogs & likes are appreciated. Thank you

You sat back down whilst laughing. Picking your beer back up, you sipped it and put it back down. You haven't drinken in a while, it's nice to finally do it again. You're usually so busy with work that you never have the time or energy to get some alcohol in your system. Your friends Joel and Tommy convinced you to go with them to this event in town though and when you saw there were drinks, you couldn't refuse.

The only reason Joel and Tommy are here is because Maria is hosting this event. She's very big with the city council and hosts events like this from time to time. You don't mind coming. You're actually enjoying yourself. Just a bit ago you were playing darts with Joel and then tether ball with Tommy. You're slightly buzzed too. You can't get full blown drunk though, you need to still drive home.

As you watched some of the younglings run around and play, you felt the weight of the table increase as Joel sat down. It's a muscular man. He weighs a good bit. "Hey." You said in a friendly tone. "Hello." He replied, sipping his tall boy. "You got another one? Shit, don't make me go get another one too, I still have to drive home." You joked, resting your head in your hand. Joel chuckled. "My house is just a few blocks away and I walked here so I ain't even bothered." Joel stated.

That's right, he lives in the suburbs. That's not something you'd expect from a country boy like him. Then again, being country is defined by where you live. "Where did Tommy and Maria go?" "No fuckin' clue," Joel snickered, "Probably fuckin' in the bathroom or something." He teased. You laughed and nodded. "They are newly weds, what can you expect?" You said whilst giggling. Joel nodded. "True that."

Joel was once married, he even had a daughter with the woman. Joel has been single for years now though. Everyone jokes he's out of commission but he just says he's waiting for the right lady. Sarah, his daughter, is almost twelve. She's getting older and cuter by the second. You've met her quite a bit, even babysat her, she's a dear. Joel told you she's with her mother right now, so he's free.

"At least Maria is getting some. It's been a good few months for me." "Months? Try years darlin' and it ain't by choice." You cackled at his words. He isn't wrong. He's celibate from what you've heard. "Sorry Joel, that has to suck." "It sure fuckin' does." He took a shot of his beer. You nodded and sipped off of yours too. The beer was getting warm. Gross. You sighed deeply. "I'm going to go get a new beer, I'll be right back."

You stood up and headed towards the cooler. This cooler was brought by Tommy himself. He decided to provide it for everyone. It's the good stuff too. You bent over and picked up a new one. It was ice cold to the touch. "Hell yeah." You murmured, cracking it open. You're currently wearing a black tank top and short jean shorts. It's hot during the summer, you have to stay cool somehow.

When you turned around, you saw that Joel's eyes were on you. He looked like he was trying to play it off as if he wasn't just checking you out but he totally was. You can't lie, you've checked him out too. Those big muscles and that handsome face are a sight for sore eyes. He's a hottie, admittedly. You giggled and sat back down beside him.

"You were totally just checking me out, weren't you?" You said with a laugh, tipping your beer into your mouth and drinking it all while looking into his brown eyes. He snorted and nodded. "You caught me." Oh, so he was? You don't mind. You knew Joel would be there and that did somewhat take part in what you're currently wearing.

You've always thought he was sexy. The day Tommy introduced you to him you though that. That was only two years ago. Your guy's friendship has been great but you're awfully surprised the two of you haven't hooked up yet. You've definitely flirted and hit on one another. You've even went as far as to having him lick salt off of your stomach before taking a shot of tequila and that had you soaked.

It is very surprising.

"But you can't deny you were checkin' me out earlier." Joel whispered to you with a husky voice. You giggled. "Guilty as charged. You've also caught me red handed." This isn't just the beer talking. You totally were. When he was putting the cooler down earlier, you were indeed gawking at his veiny, buff arms. You giggled and bit your lip while looking up at him. "How drunk are you?" You asked him. "Not drunk enough." You rolled your eyes at his words.

You looked around the area. You still have no clue where Tommy and Maria are. "I'll shoot him a text. Let's get out of here." He whispered to you. You scoffed and breathed in deeply. "Alright." You giggled. He got off of the picnic table and took your hand in his, helping you out of the table as well. You smiled at him. Your guy's hands stayed interlocked. Is this actually going to happen? Are you going to fuck Joel Miller? After all this time?

"My house ain't too far from here." Joel said to you in a deep voice. "I know." You smiled, walking alongside him. You don't feel drunk. You do feel buzzed. It isn't anything you can't handle. You're a heavy weight. It takes you time to really hit the drunk point. The trees around you and Joel brought you two shade, but you're already too hot, in more ways than one. He looked down at you and chuckled. "I can't wait to fuck you." He admitted. You huffed out. "Good." You bit your lip to hold back a big grin.

You glanced over your shoulder. You hope no one will wonder where you two are. You'd rather keep this between you and Joel for now. "Will we come back once we're done?" "We'll have to, I left my goddamn brother back there." You laughed loudly. "That is true... He'll be fine, right?" "He's a grown man, he's fine. Like I said darlin', I'll text him." You nodded. You just don't want them to come looking for the two of you.

You'd rather not be in the middle of getting fucked when Tommy and Maria show up.

-

As Joel opened his front door and locked it behind him, he chuckled and grabbed you, smashing his lips against yours. You kissed him back. His messy beard scraped against your face. "Mmph." You moaned, wrapping your arms around his neck. He picked you up into his arms like you were a feather. You giggled and continued to kiss him. His hands were on your ass cheeks, squeezing them as he took you two to the living room area.

"Baby?" "Hmm?" "Bedroom or living room?" You snorted at his question. At least you get a say in this. You thought for a moment. "Let's keep it fun-living room." "Glady." Joel smirked, kissing you again but this time, his tongue found it's way into your mouth. You didn't mind. It made you even more horny. Your guy's tongues fought for dominance. You wanted to explore every crevice of his mouth. You moaned loudly as he sat you down on him. You could feel his erection through his stained work jeans.

You giggled and kissed him before reaching your hands down to the end of your tank top and pulling it off. Joel just stared in admiration. He thinks you're gorgeous. "Look at you," He purred, "You're beautiful." He whispered. You grinned. "You're handsome, and so sexy." You spoke seductively before licking his lower lip and kissing him again. His hands went to your tits, he squeezed them gently. Joel is more of an ass guy though.

After making out for a little bit, Joel finally pulled away to take deep breaths. "I'm fuckin' twitchin'." He sighed deeply, looking down at his bulge. You think that's the sexist thing ever. You love when a man is vocal about how he feels or what you're doing to him. "I'm so wet for you, wanna feel?" You whispered against his ear. Joel's breath shuttered. "Badly." And his hands went to your shorts, undoing them and helping you out of them as well.

Stepping out of your shorts, you climbed back into Joel's lap and sighed. "Feel." You whispered, kissing his neck and jawline. Joel brought his finger down to your core and pulled your panties to the side. As he dipped his fingers through your folds, he let out a low groan. "So fuckin' wet, just for me, hm?" He whispered, nibbling on your jawline. You giggled. "Just for you." This surely isn't the first time you've gotten wet thinking about Mr. Joel Miller.

Joel swiped his fingers through your folds, picking up all of your juicy wetness. You continued to kiss him. He seemed desperate, like a wild animal. He's hungry for you. You bit his lower lip and once again swiped your tongue along his. You moaned so quietly, it was more of a whimper.

He pulled his finger away and grunted. "Need to feel you from the inside." He murmured as he pulled his cock out of his jeans. Oh yeah, he's big. You're excited. It's been so long, especially for him. You hope you're as good as he'll be to you. Grabbing his member, you yourself pulled your white panties to the side before you then sat down on his dick. Both of you made sensual noises as your folds and cunt enveloped him. He was already so deep inside of you. It feels so good.

"How's that?" You chuckled, your arms around his neck. He snickered and gripped your ass tightly, landing a smack onto it which caused you to jolt slightly. "You feel so good. Now fuckin' ride me." He began to squeeze and slap your ass and you started to ride him. You went slow at first. Your movements were just simple grinds back and forth but you'd occasionally lift your ass up and back down, literally bouncing on his cock.

You wanted to savour this. You haven't felt this good in awhile. Having sex with Joel tonight was not on your agenda of plans but seriously, it is a welcomed surprise. He feels amazing. He knows what he's doing too. Each time he pinches your ass cheeks or spanks you playfully, it either makes you moan or kiss him even harder and more passionately.

Now, Joel is holding your hips. You began to ride him faster too. His dick is so deep inside of you, you can hardly believe it. "I've wanted this for a long time." You moaned out, looking him in the eyes. His eyes got darker and even more full of lust. "Me too babygirl, me too." He then swatted your ass again before going back to squeezing your hips. You're sure you'll have red marks all over your cheeks by later in the evening.

Bouncing on him, each thrust was just a mark bringing you closer to your climax. His member is deep inside of you and is shoving itself against your tight walls with each movement. "Yes baby." He groaned, kissing and licking your neck. He thinks you smell amazing. You did put on your perfume before going to the event. You're glad it's doing it's job.

"Babygirl, turn around, cowgirl, y'know?" You giggled at his words. "Yes sir." You teased and lifted yourself off of him slightly to turn around. You were surprised he asked you to switch positions, but you aren't complaining. You pushed yourself down onto his dick again and you both made whimpering noises. He seems to be feeling good. That's all you want. It's been years for him, you better make it good.

Once you got comfortable, you moaned loudly as he started to thrust up into you. "Joel!" You practically screamed, tossing your head back against his broad shoulder. He cackled and kissed your neck, leaving numerous bites and hickies onto it too. How are you supposed to go into work on Monday? You're sure these'll last a few days, hopefully not. "Need to make sure I still got it." Joel grunted, now he is the one fucking you and man, it's heaven.

Joel noticed your head was still tilted back against his shoulder. He smirked. He brought his left hand up to your neck and held it, choking you now. You moaned and turned your head slightly, kissing his messy hair and giggling. "You're so deep inside of me." You panted. "Yea? You're takin' it so fuckin' well too baby." Joel replied, kissing your cheeks numerous times, making you smile and chuckle.

His free hand, his right one, was one your lower stomach, holding you in place. You wanted to look down to see him moving inside of you, but you couldn't. With his hand on your neck, there's not much you can do with your head. You aren't complaining. You think it's hot to be choked. He does it so well too. "Been thinkin' about fuckin' you for awhile now," He whispered against your ear. His breath was warm. "You feel better than I ever could've imagined." That made you whimper in pleasure.

You felt his right hand slither down from your waist and to your clit. You whimpered. "Oh God!" You whined out as he began to rub your clit fast and with pressure. It felt so good. He works well with his fingers. He continued to thrust up into you, which made the experience a million times better. "I'm gonna cum." You whispered to him. "No baby, not yet, hold it in." What!? How are you supposed to just hold it in? "What?" "You heard me babydoll." He licked behind your ear and bit on your lobe. "Do not cum yet." He sternly stated.

"How?" "Just do it."

How are you supposed to hold back your orgasm? No hookup has ever asked you to hold it back. Actually, they need you to cum quickly or else they'll finish before you. You whimpered and bit your lip. No, you're going to cum. "I can't," You panted, "I just can't." Joel didn't respond. "Joel!" You moaned out, reaching your hand behind his head and tugging on his hair. He grunted and bit down on your neck.

"Cum for me."

That was it. You moaned softly as you coated his cock in your fluids. You let go of his hair. Shaking in his lap, Joel continued to rub your clit until you came down from your high. It overstimed you even. "Holy Christ." You moaned. You went to turn your head to kiss him but he lifted you up and chuckled. "I still haven't finished." He then pushed you down onto the couch, doggy style, and began to pound into you.

You moaned loudly and gripped the couch beneath you. Your knuckles even went white. He moved so skillfully inside of you. Each pump was one of excellence. "Wish I could cum inside of you." He whispered, running his hands up and down your back before he ultimately rested them on your rear. Joel gripped your ass, squeezing it tightly before leaving multiple slaps onto it, all of which made your moan or squeal.

With just a couple more thrusts, Joel finished. He quickly pulled out and stroked himself. He finished all over your ass and lower back. "Fuck sakes." Joel groaned, caressing your ass as he came. You pushed your ass against his manhood and giggled. He spanked you again and snickered. "One sec." He leaned over and grabbed a random wipe, cleaning your ass and back off. He tossed the rag to the other side of the living room and you chuckled.

Joel heaved deeply and lifted you up by your waist and pulled you back into his lap. You were basically completely naked, only in panties whereas he was fully dressed. So unfair. "Was it good?" You asked him, resting your head against the arm of the couch. He glanced down at you, still breathing heavily. "You're a funny girl." He leaned down and kissed you softly. "It was fuckin' glorious." He then nibbed on your jawline, making you giggle cutely.

You hummed and looked up at him. "You're the only man whose ever denied me of finishing, by the way." You snorted. "That's because you've only done slept with boys who finish too quickly. I think it's sexy to see a woman be restricted of her pleasure." You giggled at his words. "It felt better." "That's the point babydoll." He caressed your cheek and you brought yourself closer to his face, kissing him gently.

He breathed in deeply and cupped your face firmly, holding you in place. "Don't convince me to fuck you again." He said with a smile against your lips. "If you can't handle it..." You bit your lip. You acted like you were about to get off of his lap and you suddenly squealed as he tossed you back onto the couch and put you in missionary. Your legs went over his shoulders and you smiled.

"Oh I think I can handle it."

That was where the next of many rounds began.

[morciasbaby]

So after the episode I deleted Tumblr because I didn't really know to process what just happened. I don't think I'c'è ever wrote a post here and sure as hell I'd never thought it would be for Bucktommy, considering that everything I've done since April is like/reblog stuff.

But I just wanted to say how amazing it was to see that, besides the anger (and trust me, I'm soooo mad to rn), the fandom just stood together, supported Lou and each other and always reminded people to be respectful. As someone who's been in a lot of fandom since I was very young and naive, I can assure you that this is not a common occurrence, even if it should be. But that's beautiful, even more if you consider all the amazing fan fiction (fix it but also not!) already out.

So shoutout to Bucktommy fandom, to everything we've been through since april and remind yourself that, while this may be the end in canon (I, for once, I've decided to stop watching for a very looong while, because this fucking show has too much power over my mental health and it shouldn't), there's nothing that can take away what's been built in these months.

So thank you for all your thoughts, your works, your "Fuck you, I'm the one who decides what's canon now", for creating such a beautiful space even with all the hate ❤️

Personally, thank you for helping me found a safe space from the craziness of the fandom, a tag to look forward to read after a long day, a lot of beautiful videos, edits, gifs, arts and fanfiction. Each and everyone of you is amazing, I hope you never forget that ❤️

[kaddyssammlung]

My little innocent gif got reposted to twitter without giving me credit for it but I'm not even mad....a few thoughts and also the original video for this gif

At the moment I have a “proud parent moment”. Because my little gif baby has 100k views.

I just wanted to stay that I notice it when my stuff gets reposted without crediting me. From that tour cycle alone three of my gifs just got posted there without giving anyone credit.

I do credit everyone. I take a lot from Twitter but I put the link in here.

I read the tweet and it says that she got that gif from some group. I think it was WhatsApp or something. And she reposted it. I believe her.

If you look for the original video of this btw. It's only saved on my computer. The one who uploaded it only had it in his IG story XD. My gut-feeling often just leads me places. Right place, right timing, or in other words synchronicity.

Anyway. I'm not mad btw.

I cannot believe that this little gif has 100k views. This is too much for me to process.

And also maybe I enjoy flying under the radar. I do post about my mental health issues in here, too so this is more of a private space for me. Idk...not being in the "spotlight" as much is has its perks.

I could look at this situation from “entitlement” and be outraged that it just taken from me or I look at it from a “pathway higher” and just see: 100k views and so many reblogs in here that made me giggle a lot XD. And I'm glad that so many liked it.

Here is the orignal video btw....and thank you to that fan from Italy who had it in his IG story. Grazie!

[cartoonsinthemorning]

Hi forgive me if this has been addressed before! I'm a little new to your fem!stan stuff (I saw your ask reblogged by Boston and snuck out of the back of their foodtruck to send this) but I love the idea and was wondering does stan pretend to be Stanford when he falls in the portal? (If that is the route that's taken in the au at least) because it would be really interesting to see if constance would enjoy the freedom that comes with being a man but at the same time I think it would drive (incel) ford up the wall if he came back and saw his sister running a successful business out of his house. There would be this extra layer of tension as ford has to grapple with his own learned misogyny. Though I also imagine exploring the multiverse and seeing the way gender is explored or even ignored in other worlds would probably force him to have some realizations before hand but whether or not hed really allow himself to internalize those realizations is another story. Bros got an easy excuse to not analyze his own sexism since hes trying to hunt down bill

And then when he comes back and sees his sister is doing just fine would probably wound his pride a little bit. All those fantasies and unfair expectations of their roles hes built in his mind are forced to come crashing down once again

I'm also just kind of obsessed with the idea of constance finally learning how to be /stan/ in gravity falls because she never had the freedom and safety to do so before. I'm sure a large part of rejection of any femininity whatsoever came from not having the option to do so in the past. But then she watches the kids over the summer and sees mabel embracing makeovers and grappling hooks hand in hand. Dipper is insistent on being a "man" but never once tries to tell mabel she needs to be a "woman"

This ask is all over the place sorry I think i had a point to the start of this and now I'm just rambling about your own au to you lmfao

Anyway love the concept (and your art!!)

-🐶

Hello! Thank you for passing by and sending me such a nice message, sharing your own ideas with me! and many thanks for the compliments too, of course ❤ That said, I'm afraid my answer will be a tad disappointing. Because, the fem!Stan I enjoy to imagine is cis, and I can't imagine a cis woman being able to consistently pretend to be a man for thirty years, without losing their mind (in the same way it's detrimental for most trans people to supress their true identity for a lifetime, non?). Especially, in the same way canon Stan is very masculine (with a sprinkle of femininity, despite his shame about it), I like to imagine Constance as a lady who is very proud and comfortable in her womanhood- despite her loud voice and direct and somehow brash manners. Even in her younger years, when she was classified as a tomboy by most, she loved girly things- dresses, make up, gossip magazines, etc. without issues. I think of Stan in her 60s wearing tacky jewelry, lipstick, and hair-curlers at night, tbh. That's why, in this AU, my mind skirts around the part were Ford gets stuck into the portal.

For example, I sometimes imagine 30s Ford simply having a change of heart and dismantling the portal, and (now former) Drifter!Constance living with him from that point on (and, of course, I elaborated this one up until Stan and Mabel get into the picture, but for the sake of brevity I'll stop here). Or, I bend canon a little, making up that the people of Gravity Falls only heard of some researcher who was gonna build and live in a shack in the forest, but they never actually got to see them, let alone find out if it was a man or a woman. It's a version were the chaos Ford caused in town while posses by Bill either never happened or he did it without getting caught by police or getting seen. And, about the name on documents and stuff-- Constance was a marinated and resourceful conwoman at that point, she simply found a way to make things work. Hell, they have the same last name- maybe this time she registered Ford as deceased, passed herself as his wife, and inherited the Shack and the rest of Ford's possessions. I know many, reading this, would think it's heartless of Stan, but to me this trick is fucking hilarious. Especially, I'm grinning like a maniac imagining how mad and appalled Ford would look as he realizes the trick Constance pulled- not only because what a fucking ASSHOLE she's been, to use his "death" to appropriate his stuff- but also!! secretly!! because WHAT the FUCK- he often fantasized about Stan being his wife, but this is the most cruel and ironic monkey paw situation EVER!! To reconnect back to your speculations about sexist!Ford being humiliated and mad about Constance running a business independently: I like it! it's fun to read! But, I have to go deeper. I usually think of Ford's sexism toward Constance to be the outside layer, so to speak. I think deep down Ford always knew Stan had the potential to be strong, resourceful and independent, despite what their ma, pa, teachers and other people said. Ford grew next to her, he knows what this girl is capable of, how determined she is. And that's the point...What he really dreads, what he really hates, is the idea she doesn't need him, at all. That's what would make Ford actually upset about Stan running a business: knowing that, hadn't she brought him back, she would had been fine, without him. Sexism would be the mental shield Ford uses to protect himself from this painful acknowledgment: He's just mad because his fraud of a sister thinks she's being successful, but all she accomplished was using her physical appearance and womanly ways to seduce and manipulate. That's all, really. I roll my eyes at him, here, which is a good indicator I got him in character, if I can say so myself. The last scene you shared, with Stan realizing her nephew and niece aren't as oppressed by gender roles as she herself used to be- and bypassing them, even- is SO sweet 🥺 I have absolutely no doubt in my mind: one thing that does NOT change in either the canon universe and the genderbend one, is that Stan would love and adore Dipper and Mabel- and learn a lot from them ❤ PS: is the puppy icon your anon signature? it's so cute! 🐶 look at this fine boy. Great choice.

[stkarmi]

omg

thank you for liking my sebastian stuff. im new to posting on tumblr and twitter (also st.karmi) since im mostly active on insta. anyways here are the reblogs and hashtags i saw that made me giggle hehe.

[tired-all-the-time22]

Aaaaahhhh thank you guys for 3k!!!!!!

It’s been like. Genuinely crazy seeing all the attention and love my art has been getting lately

I love reading all the comments and reblogs and asks you guys send me (and I do read all of them) and they really help motivate me to keep making new stuff!!

I’ll keep creating, so thank you everyone for continuing to support me and my art!!

[vxxxxed]

MOUTHWASHING SPOILERS !!

Ok I need to talk to someone about this so this poor innocent person is getting it in the reblogs.

THAT SCENE PUT ME OFF BUYING MOUTHWASHING ENTIRELY. NOT BECAUSE IT'S A BAD SCENE, IT'S NOT, IT'S BRILLIANT.

First of all, everything the person above said. It's just unsettling as a concept and it's really just like everything I don't like about certain aspects of body horror but I still think it's great as a segment. And idk, I think it's just the fact you have to do it over and over if you mess up and just the imagery of bro's organs getting rotated even though thank GOD I think that particular bit is just J*mmy hallucinating so while the other bad stuff happened that didn't, but that does also kind of imply that he just kept feeding curly The Thing and the resulting consequence just kept happening over and over again anyway until it didn't, which I don't want to think about! Also something about the static taking over the monitors right before if you mess up is also deeply unsettling but I guess it's better than what would've been on the monitors if they DIDN'T white out and the fact like curly's so fucked up already and he's in so much pain and can't really schmove because like pain but he still like leans forward a bit just EAUGHIGGJGJFJDHDHDJSGEK

Anyway, here is the problem. Gang, I am severely emetophobic.

Gang, I really love Curly and already wasn't a huge fan of the degree to which you have to hurt him to progress through the game but obviously that is the entire point of the game so I'm not saying that's a bad game choice or anything.

CHAT, I WATCHED A CLIP OF THE VALVE PUZZLE EARLIER AND DID NOT KNOW OF THE CONSEQUENCES SHOULD YOU GET IT WRONG.

my mutuals or just anyone who's reading this, please find a way to provide images of cute cats or something, im traumatised. pretending everything that happens in mouthwashing is a nightmare sequence bc an asteroid went past them at a safe distance the day before and curly was like "haha imagine that was close to us". none of what I've just said is meant to take away from or be a criticism of the game it is AMAZING. i just Do Not Want It Anymore

'eyy I am very much a body/gore/visceral horror person and I declare the Valve Puzzle segment in Mouthwashing to be the first scene in a horror piece to spur me to go "i dont like this :(" out loud in a long time.

[osovereign]

out. hello this is kind of embarrassing to say, but this past week has been the worst of my fucking life. i've gotten robbed fired and in a car accident all within less than two weeks and i'm literally suffering so bad. i was already running on thin ice at my current place of employment, but everything kind of took a turn when i pulled a no call, no-show on friday because i was in a car accident and my phone had died and i was at the hospital and i had head pain, and they wanted to make sure that i did not have a concussion. i gave my job the documentation of these events, and then today i had a lady come to my job first and get me because she thought i was somebody else. mind you, i was in the hospital and i did not come to work on this past friday, but she was adamant that i was her server and that i charged her card $200 when, again, i was in the hospital. i was not at work. my manager on duty wasn't trying to fucking help me, so i yelled at her in front of everybody to get the fuck out and learn who the fuck she was talking to amongst other things because that was unacceptable my boss told me he would be doing an investigation, which i didn't understand because i physically was not at work. there's nothing to investigate. there is no way i could've charged this lady's card if i'm not at work. so we got into it about multiple things while i was still at work, and after i left, a couple hours later over the phone so she pretty much terminated me, which it's fine, but that was my primary source of income so i'm kind of screwed.

then i got robbed at gunpoint last week, and while i am physically OK, i had like all of my cash tips from the past week in my wallet, so i lost almost $400 of bill money that i can't get back because even though i filed a police report, like, the cops told me there's no way to get my money back as there's no way to track cash. my only priority at this point is just keeping my phone on because my phone is how i connect to a wifi hotspot to do stuff for university / tumblr. i know i haven't been the most active because i have a very demanding work and school schedule, but one less job means i'll have more time to write hopefully with you all. literally anything helps, even just reblogging this. i feel very bad putting all of this out there, but i'm literally at my wits end of bad event after bad event after bad event. i also apologize to the grammar for this. i'm doing voice-to-text because it's just easier for me right now. i'm thankful that i live at home and my landlord is my mother so i don't have rent to worry about, but pretty much all my other expenses and my day-to-day life do follow me besides rent. i know for that, i am a lot more privileged than other people and while i do have some savings, it's going to pretty much be used to getting me from the doctor and physical therapy appointments because i've already started legal action against the person that hit me and a hit and run, mind you.

edit: blurring license plate

[aspynnwoofs]

Um. hi. your fanart of Marcy waking up from a nightmare is probably my favorite piece of Amphibia fanart ever. curious what was going through your head when you made it. also what are your headcannons/thoughts about The Core, Marcy, what she experienced while under its control, and its lasting effects on her?

holy shit dude, thanks? i don’t know what i did to deserve all this nice stuff you’re saying, but thanks. also the tags on the reblog were not aggressive or mean or anything, they actually made me super happy to see! i’m really glad you like it.

coming back after writing all the stuff, there’s a lot so i’m putting a ‘keep reading’ thing. seriously there’s so much

what was going through my head… hm. it’s like, i imagine Marcy having lots of nightmares about things that happened to her, or things that could have happened, stuff like that. i’ve read a lot of fanfic so now i really like the idea of her clutching her shirt when remembering being impaled. or even just for comfort, to know that her weakest point is covered in moments of terror. also she’s crying. sobbing. the only times she recovers quickly after bad nightmares is when she’s with the others.

i really like the idea of the Core not only sticking her in a box in her mind, but also showing her things. like to keep her from trying to get out. can’t resist if your mind is shattered and devoid of hope! anyway i mean like using the illusions to show her various things, situations, people. more peaceful ones where she’s with her girls, only to realize they aren’t there. terrifying ones where they make her live through her worst memories, her betrayal (of her and by her), her death, her torture and possession. twisted situations where Anne and Sasha proclaim that they can’t be seen with her, they can’t trust her, even hate her for what she’s done. sometimes the Core sticks her in unending darkness so they don’t have to think of anything, or if they’re focused on something else and need her out of the way (this is where the thing about being unable to sleep or feel safe in complete darkness is from). sometimes they’ll make a fake scene where it seems as though she is being shown what her body is doing, she can see through her eyes, and then she hurts people. kills people. sometimes it will be real, but she doesn’t know that, and she will still hurt people. when whoever in the Core in charge of her is feeling particularly cruel, they’ll do a simulation of her being saved. rescued. freed. forgiven. she’s finally with her girls. but. she isn’t. she’s still here. of course they didn’t save her, why would they? she’s a horrible person, and she did so much unforgivable stuff? why would they ever want to save someone like her? (shit this is long, yeesh. well i’m having fun soo-) sometimes Anne and Sasha kill her as she’s possessed, because she needs out of the way, and her life doesn’t matter anyway. sometimes they free her and then take their fury at her out on her by hurting her.

recovery from that is incredibly hard. when she’s rescued, she doesn’t believe it. firmly denies it, hides from them, tries to keep them from hurting her, curls into a ball and refuses to acknowledge them. because they aren’t real, they aren’t. hasn’t she been through this enough? it takes the others a while to convince her she’s in reality, and that yes, they do really forgive her. she’s actually completely free.

later in life she has trouble discerning reality from her nightmares. she has insane trust issues. she can’t walk, not by herself. she’s terrified of fire, because fire is what impaled her, killed her, and fire is the color of the eyes that haunt her. a small zap of static electricity is enough to send her into a flashback of her possession, of the chair, of fire and lightning and code flowing into her, burning burning burning. once someone tried to calm her by grabbing her wrists, which only sent her further. the cuffs. they chained her down. she can’t move she can’t move! the color orange makes her nervous, if there’s too much of it she half convinced they’ve taken over somehow and tinted her vision the color of her nightmares. (looking at this you’d really think i’d be able to write something. i should write something) sudden complete darkness, such as someone turning off a light without warning, has her half believing whatever just happened wasn’t real, that the Core got bored and stuck her in the darkness. sound and small lights can help her come back to reality. sound because the Core wouldn’t let sound into their void, that would defeat the point! and small lights because if it all comes back quickly it just means the simulation has been turned back on. better to show her something small but concrete. Anne and Sasha have gotten really good at realizing when she needs a reality check, and then knowing her to ground her. (btw she doesn’t move away because i need her to have a support system. she might actually go crazy if she’s separated from her friends) ( whAT THE FUCk-?? this is so long! i need to wrap up! holy shiiiit) Marcy likes to hold their hands to help her remember where she is. physical touch is very grounding. the Core could never get it right so it’s even more so. after some nightmares she flinches from touch, so other things are needed, but once she’s returned from the hell in her mind she needs touch. sometimes weighted blankets help to ground her when she feels as though she might almost float away, sometimes they chain her down and trap her beneath the weight of all her mistakes.

there’s probably more, but if i kept going i’ll just have written a whole ass fic in an ask answer. hope you liked it! if not idk what i can give you (you’ll like it, because it’s great)

i don’t think i’ve ever written things out like things before, i should do that more. it helped to have specific questions, so thanks man i guess? heh.

[oyeixcher]

W: "Aren't you tired of eating chicken every day?" J: "No. Are you?" W: "What are you referring to? The chicken or the uncle? If you mean the chicken, I must admit I'm tired of it sometimes. The uncle, however, I'm never tired of him." J: "You might get tired of him in the future." W: "Don't think so. I'll never get tired of the uncle. I'm tired of going out to theme parks. Maybe I'm already old. I just want to stay home."

[stellar-solar-flare]

This popped up on my dash and since you said that the conversation is open, I thought I would share my two cents, even if it might be stuff you are already familiar with and do yourself. I don't think I'm in the same fandoms as you but things mentioned here are observations made from multiple fandoms. Although I have been writing in AO3 instead of tumblr for the most part, my experience here comes from writing almost exclusively Steve Rogers longfics (mostly 50k+ words, 10+ chapters) from 2021. I don't claim to be super popular - I'm just reflecting on the relative differencies I have noticed in my engagement.

First of all, please don't quit a series just because it has been over a month. That's not a long time for an update at all! If you're writing fic, it's something you do on your free time without getting paid, so there's absolutely no reason at all to apologize life getting in the way.

From my own experience, I have to agree with the consistency and speed of updates being pretty big factors on engagement. I have noticed most reader engagement when I have been able to push out one or more update a week for multiple weeks straight. It helps people stay engaged with the story and invested when the story is fresh in their minds. But then again, I have gotten a lot of comments when coming back from a hiatus too so I think it's not the only factor at all.

Writing a lot, even if it's not the same series, helps keep one's fics on people's minds, and helps establish you as someone who writes X character (with a certain kind of characterization). I share sneak peeks sometimes, but that's just because I am too impatient to wait, they're not from 'marketing' standpoint. Personally I try to focus on writing and let the writing itself do the rest, but I do make a point to reply to comments and thank people, even if that is sometimes very delayed, so that they know I appreciate them. I also don't talk badly about my own writing, because as a reader, seeing someone do that can very easily turn me off from reading their story. (To be clear, I don't mean venting about the human frustrations of writing but publically calling your own stories bad etc.)

One of the big things for me as a reader and a writer is having multiple storylines going and having 'hooks' in the story, so to speak, so that the readers know what they're looking forward to when the story continues. Cliffhangers are the ultimate form of this but things like a character uncovering a partial piece of information that raises questions work too. I spend a lot of time establishing chemistry, both romantic and platonic, so that the readers have something to root for.

Then again, engagement always depends on the story. Some things do better than others. Sometimes I think a fic is going to be well-liked and it doesn't get much attention, sometimes a thing I thought was just pure self-indulgence gains a lot of reader interaction. Which brings me to my next point - I think that the writer's enjoyment bleeds through the story to readers; things that I have enjoyed writing the most are my most popular fics. And sometimes when I think I'll write some easy 'trope soup' that'll get a lot of interest, it's crickets. I think there's a lesson there for me.

I try to engage with people and be a part of fandom beyond writing. I read and comment other people's fics, I reblog stuff, I talk about everyday things and try to stay active even when I have no capacity to write (happens to us all). It helps foster a sense of community, and while it's not self-serving and I read and comment out of genuine enjoyment, ultimately being active in fandom and engaging with writing helps us all. It does feel like current fandom population doesn't comment as much as they used to, which is a shame. But I try to be the change I want to see in the world.

It's also worth noting that sometimes there are these 'lulls' in fandom where everyone is sort of quiet and busy with life, I assume. Like major holidays. They just happen, and the season will change again. Also, scheduled reblogs and comment replies help reach different sets of people.

Finally, focusing too much on the stats is a thing that for me is a road to madness that sucks all enjoyment out of writing. It is human to want engagement and look at the pretty numbers but again, what matters is the enjoyment you get from a story. Personally I have written a 250k longfic in a tiny niché that was commented regularly by one single person and occasionally by about five people. And I still love that fic to death and am so proud of myself for writing it.

That's my two cents, from my personal experience. As always, they should be taken with a grain of salt, and they might not be universally applicable. I wish you the best with writing and hope that the muses are kind to you.

Writers of multi-chapter fics:

How do you keep your readers engaged as the story gets longer?

I've heard from many, and seen it myself, that interaction drops significantly as the chapters accumulate (which I honestly do not even understand...hence why I'm asking this) but I've also seen a lot of writers who have quite lengthy fics where the engagement and excitement seems to stay consistent throughout.

They're receiving asks with comments and questions about the latest chapters, the reblogs are abundant compared to likes, and I'm just curious if there's anything anyone does differently to help maintain this other than just being a great writer 🤣 (which I'm realizing is probably the key thing and that there's nothing to do other than just be able to write a really good story which I'm clearly not haaaaa)

I've tried sharing snippets of upcoming chapters in the past and they've always fallen on their face, I've released chapter playlists, etc so I feel like from a "marketing" standpoint I've done what I can? And also as writers we shouldn't even have to work that hard to "promote" our fics considering people ask to be on taglists and what have you. (This is the site for sharing and ACTIVELY participating in fandom...)

It's been a struggle to keep myself motivated to finish up my series and I'm starting to wonder if there's even a point now that it's been over a month since I've updated (which I realize consistent updates are likely a huge factor as well 🙃 but, you know, life.)

Anyway. Thinking out loud here. Any advice/conversation is welcome! 💗

[artoutforblood]

I really like @bamsara fic The Rehabilitation of Death,That fucking SCENE this last chapter. The implications of that flashback. Absolutely marvelous. The angst. I love it

[transk0vsky]

Not great with sprite editing but….this had to be created

[cyrano-de-berg]

hi @randomant69 i’m so so sorry i accidentally deleted ur ask but here’s the mysterion and chaos art u wanted 😭 (i drew them as lego batman lol)