#thank you for making me be nice to them for a change
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biteyoubiteme · 3 days ago
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I'll be quick
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huening kai x fem!reader
synopsis: dress shopping with your boyfriend.
warnings: 🔞!!! slight exhibitionism, chubby reader implied, no protection, creampie mention, prob forgot some sorry
wc: 1.9k
an: thank you so much for requesting hp! im so nervous for you to read this lol I hope you like it if you don’t just put me down nicely :)) <3333
[m.list] [1kevent m.list]
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“How about this one?” you ask, smoothing your hands down the front of the silk dress you wore. It was the kind of material that should not be worn with this type of underwear; your pantie line clearly visible. Your hands went sliding down over your ass as if that would make the buckled fabric disappear. “Ignore the fact I'm wearing the wrong panties,” 
You give a slow spin in the fluorescent lights, the semicircle of mirrors reflecting every angle of your dress-clad figure at you. But all you can see is the damned line from your underwear. “Actually don't answer that, I hate it,” 
“I love it,” Kai speaks up from his spot opposite the mirrors. He's leaning back with your purse in his lap, eyes tracing up and down your body as he watches the way the material clings to you. He can imagine the way it would feel under his fingers, sliding over the expanse of your thighs. 
“You always say that,” you mutter, turning your cheek to look at the dress from the back. You can see Huening watching, eyes tacked right to the outline of your underwear. “Kai,” 
“What?” he blinks up at you like he was caught. Cheeks flushed as he pulled your bag closer to his lap.
“Is it that bad?” It was late in the day, and your usual trip to the mall was fun. Both of you could spend hours going from shop to shop, no need to buy anything but to spend time together looking at all the new things in store. It was one of your favorite things to do. 
Kai would follow you around like a little puppy, letting you pick out things for him to try on. Pulling him into dressing rooms so that he could get something new to wear. Spending too much time at the sunglasses wrack, spinning the display around and around, trying on each pair, first on you then on him, giggling over the silly reflective wraparound pairs. He loved when you picked out the different things for him to put on, especially jeans, your hands sliding into the back pockets to check their depth was always his favorite part. 
You had your favorite spots at the food court, always picking the same little table every time you sat down, knees bumping as you picked over each other's meals. Kai would carry your drink while you tried on shoes, hold your bag when you tried on clothes. And most of the time having him along with you made shopping less overstimulating, you could have fun without rushing to just get the shopping over with. 
Only now that you needed a dress for an event it felt like everything was crashing down at that very moment. Nothing felt right, every dress you tried on made it feel like you wouldn't find the one. The lights now make everything look too oversaturated, the dressing room is now cold enough to make goosebumps rise along your arms, and now the stupid panty line. 
You didn't even know why you were so focused on finding the right outfit, it was a last minute decision to even go to the little dinner your friends were hosting. you didn't need something new but you wanted something new. 
“Just take them off,” Kai suggests, sweet face glowing in the lights, every little mole dotting his skin easily seen. 
The fitting rooms were in the back of the store, the long hallway sectioned off with several doors before ending right at the little platform with the mirrors you stood now. Although a few people milled around in the shop just past the corner no one was in the other changing rooms. He was suggesting an easy fix to the only problem you were having with the dress and so you took it. Even though the door to the room where you kept all your other clothes was open and waiting for you to go back inside, you just bent right there hands going up under your dress and hooking in the waistband of your underwear, pulling them down and off without lifting the dress to expose yourself. 
Kai feels all the blood rush to his face, the prickling heat slinking through his bones. It was enough to already be thinking about undressing you, but now seeing you do most of the work for him, at his suggestion, was taking him out. You tossed the fabric into the dressing room, aiming for your pile of clothes but missing, the corner of the fabric still seen from where Kai's sitting. 
“That's so much better,” you're back to sliding your hands down the silky fabric, flattening out any bumps to make sure it's lying right. You love the way it hugs your thighs, outlines the shape of your hips, the curves of your stomach, and lays against the swell of your chest. “Okay now just imagine it without a bra, I'll have to find something without straps,” 
“It's uh- it's really nice,” you look over at him in his hesitation to find that he wasn't saying it just to appease you but was finding it hard to swallow back what he really wanted to say. He was doing exactly what you asked, picturing you naked under all that silk, he could see it falling to the floor, how easy it would be to slip right off of you.  He pushed your purse closer to his growing bulge, cheeks flushing deeper when you asked, “Huening, are you blushing?” 
He loved it when you used that slightly teasing tone on him, it was as if your fingers were brushing up his neck with each word. “I think that's the one,” he was avoiding directly drawing attention to your question, not needing to think about exactly why he’s red so that he can try and wish away his erection before you guys walk out of here. 
“Okay, perfect.  I don't think I want to even try on anymore ,anyways,” you step down from the little platform, “oh, do you think we could stop at the little candy store on the corner and get the gummies we shared last time?” 
“Umhum,” he gives his usual hum in response as you close the door behind you. 
It's only then that you realize that you can't undo the zipper by yourself, he had helped you do up the back with no problem and there was no way for you to reach up to grab the zipper on your own. “Kai? Could you help me take this off?” 
It's the last thing he should be doing, he knows it as soon as he's in the dressing room with you, hand placed on your hip as he steadies you. You're just as soft as he expected, his free hand not even making it to the zipper. You watch him in the mirror in front of you, his eyes following his fingers as they make their way down gripping the outside of your thighs.“God, I love your body,” he groans, his head falling to your shoulder, lips dusting over your shoulder when you finally feel how hard he is. “You really like the dress huh?” 
“No I just love you and need you, please I'll be quick,” he whines right at the back of your ear. 
“Anyone could hear-” 
“I'll be quiet, I promise, please,” and your slight nod is all he needs to push up the back of your dress, his hand pushing between your thighs, dragging his fingers through your fold, swirling over your clit to build up your arousal. You fall forward, hands bracing yourself on the mirror, kai readjusts so that one hand is splayed across your tummy, silk spilling through his fingers. 
He’s quick to free himself from his jeans, pushing them down just enough so that he can line himself up with you, dragging his tip through your folds, catching at your entrance. You know yourself well enough to cover your mouth when he pushes in, the overwhelming stretch of him always making you whine. He's no better, his pretty face reflecting at you as his mouth opens in a silent moan when he fully seats himself inside you. His head falls into your shoulder so that he can muffle any sound that wants to escape, your back arching as his hold on your plushie hip tightens, fingers digging into the soft skin of your tummy. 
Kais intoxicatingly deep inside you, his first thrust pulls a throaty whimper for you that you can't hold back. “This was a bad idea-” you try to whisper, cutting yourself off by clamping your hand back on your mouth when he slams his hips against your ass. His breath fanning over your ear when he whispers, “You feel fucking amazing,” his trapped whimpers rumbling his chest, all the vibrations pressed to your back. He peeks in the mirror, biting his lip when he watches the way your tits bounce, hanging perfectly in view for him, “fuck- look at you,” 
His cock slides so effortlessly in and out of your needy cunt, warm fluttering walls drawing him in until he's forgetting he needs to be silent, that he shouldn't be pounding this hard, changing his orgasm so intensely that someone might hear him. 
It's the soft clapping of skin that reminds you where you are, “slow down kai- we could- we could-,” but it's then that he uses the hand on your hip to slide under the bunched fabric of your dress, to draw circles on your clit. It was an instant shock that had your knees shaking. 
“Who cares,” he's muttering, head shaking as he picks up his pace, “If anyone saw you dressed like this they would want to be right where I am, fuck, but they could never fuck you like I can, never,” his last word caught on the end of a whimper drawn out and pulled from him as he came. 
It's the look on his face, brows tightening, eyes squeezing shut as he falls apart, mixed with his steady pressure on your clit that has you tumbling over the edge after him. Your whole body flexes as he pulls you in tight to him, hand leaving your stomach to clamp over your mouth. 
Both of you are struggling to catch your breath in the now stuffy room, mirror fogged up from your hands, skin once chilled now inflamed with your post-sex afterglow. His cock still jerked even when he pulled out of you, his hand moving to try and stop the spill of your combined release. Your thighs try to close around the feeling of him brushing your sensitive clit while he leans down to pick up your discarded underwear, using them to clean you up. 
He peppers kisses all along your cheeks bunching up the soiled fabric in his hand before unzipping your dress. “I really do love this dress on you,” 
“Oh really? I couldn't tell,” you giggle, and he helps you get dressed, carrying your bags out after you, panties shoved into his back pocket. 
When you leave the store you wrap an arm around his center, going underneath his jacket to feel all his warmth. He slinks his arms around your shoulder, tugging you into his side, pressing his lips to the top of your head. “Didn't I hear you say something about getting gummies?” 
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taglist 🏷: @kissmekissykissme @bts-txt-ateez @apeachty @seungfl0wer @lunesdesire want to be added to the taglist? check out my rules to see how to join! want to be taken off the taglist? send an ask! thank you to @thetxtdevil @hmusunoo @hyukascampfire and @prince-jjae for proofreading/beta reading this for me ily all sm okay my little sweet baby angels I hope you get everything youve ever wanted in life and more
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bunnygirllover45 · 2 days ago
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Hii!! I’m kinda obsessing over the Idea of Johann before he kidnapped his darling, going out to buy clothes and him just enjoying it WAY more than Darling. Like bro’s INTO it, picking out dresses and making darling do a fashion show for him?? Just wanted to put this thought out there lol. Idk if he’d actually do that but I can dream,,,, Anyways that’s all— thank you!!!!
Anon you're into some shit rn and I totally agree with you. Johann would do that 100%. TW: Darling had a past relationship that wasn't too nice, mentions of body insecurity, hints of dollification but it's Johann who are we talking about this is obvious by now.
Your past relationship before Johann wasn't the best, you weren't used to him buying you stuff so carelessly or taking you every other day. At first, it was a little hard to get accustomed to the sudden change, but eventually, you started to like it. Except for the part where you and he had to go to the clothing store. Each time Johann stopped dead in his tracks in the middle of a date to point at a cute outfit sitting in the window of a random store, a part of you internally screamed for him not to drag you inside.
Speaking about that— "You like these? These frills might be itchy on your skin though..." —yes, you were trapped inside another store again. Taking in a deep breath you stared at Johann, then at the dress he was holding. No matter how often you told him you either didn't like this style of clothing or that it wouldn't look good in it, he still made you buy and wear the stuff. Of course, he only made you wear it when both of you were alone, there's no way he'd let you look this adorable in front of someone else.
You wondered how many more clothes he could buy you, after all, even if Johann made sure to visit you almost every day, his job kept him from being with you all the time. Most of the time he kept some of the clothes in his house too, he had a 'special place for them', out of context that phrase could be worrying, but Johann was such a sweetheart behind that stoic exterior that you didn't really question it. As he grabbed another piece of clothing you shot your hands to grab his forearm, squeezing softly as you smiled up to him. "J-Johann, I don't think I'd look good on that. I have many dresses back at home too, you shouldn't buy mo—" But before you could even finish you felt Johann leaning down to whisper against your ear, his voice soft and secretive. "I think you'd look good in anything." the ghost of a smile appeared on his lips. "I've always wanted to take care of someone as precious as you, would you let me do that?" There was serious longing in his voice. From all the past experiences you had with him, you clearly noticed that ache to fulfill a role that Johann always had. Taking care of you during dates, making sure you didn't get sick, and even aftercare with him was a blissful experience. All the things he told you about feeling empty and without a purpose in life, it's like a part of him has been waiting all this time to have this, to have you. You stood stunned, questioning if you should feel even more embarrassed or prideful, he looked at you with an adoration written in his eyes that made you shiver, and you felt a little guilty at how much you enjoyed it. "Here, we can buy these and try them out at home, how does that sound?" You nodded, giving him a compliant smile as you reached to hug his arm. "Okay... thank you." One hand snaked its way around your waist, squeezing slightly as he kissed you on the top of the head, nuzzling against it. "You're welcome, baby."
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604to647 · 2 days ago
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Oh Milla 😭😭 Your love for Birthday Present was one of my biggest motivators to return to their story - thank you for loving them and for all your encouragement.
Like you, I could never truly be mad at Javi because we know that deep down, he hurts ten-fold whenever he has to be the cause of her (or anyone's!) pain 😫😫😞😞
Thank you for saying nice things about my writing 🥹 and it makes my heart do a little pirouette that you appreciate the significance of the change in names - I know you use it in your writing as well! There is truly so much power behind Javi vs. Javier vs. Pena vs. the dreaded Agent 😫 is not just indicative of their level of intimacy and connection in that moment, but also how he thinks of himself. When he is her Javi, then he can also be free to be Javi again too - a softer man, a man with hope. Poor Agent Pena 😭😭
Thank you a million times for all the love you show their stories and me!! It means so much - I cannot even 🥹 Love you, bb 😘😘
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Photocopies
2.2K / Javier Peña x fem!reader
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Summary: You catch Javi off guard in the embassy photocopy room.
Warnings: Angst (sorry!), longing, some hurt (no comfort). Previous relationship, mention of past infidelity (or is it??). Mainly Javi's POV. Nicknames as usual (Pretty bird, baby).
A/N: This is a direct follow-up to Birthday Present, taking place S1/S2 Narcos, ~2 months after reader’s birthday; I don't think you need to read it but it gives some context. I'm sorry, there is no HEA for these two dummies yet, this is just another little one shot (not quite ready to commit to writing another long series!), but I hope those of you who remember them from Birthday Present will still enjoy seeing them again 🥹🥰
Dividers by @saradika-graphics / Tagging @milla-frenchy who knows why 🥹😘
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Mierda. 
Javier can see the consecutive flashes of the photocopier’s green scan light accompanied by the hum of the machine in repetitive use as he walks down the hall towards the U.S. Embassy’s main floor copier room.  It sounds like whoever’s occupying the photocopier is in the middle of a big job – he sighs with an air of unjustified frustration.  Such would be his luck when he’s already running late for his meeting with the CIA attaché. 
He rounds into the room chest first, ready to barrel over whichever unfortunate intern stands, however unintentionally, between DEA Agent Javier Pena and something he needs to hopefully get ahead of Escobar, when he’s stopped dead in his tracks.
It’s you.  You, with a thoughtful look on your face as you adorably chew your bottom lip while counting the sheets in your hand, surrounded by neat piles of paper covering every available flat surface in the copier room.
Mierda. 
Still preoccupied by your collating project, you haven’t looked up to notice that you’re no longer alone in the small, stifling room – out of consideration or cowardice, but most likely both, Javier loathes to disturb you.  He hasn’t spoken to you in nearly four months - he’ll be damned if the first time he does so causes you inconvenience.  He’s already done so much worse to you. 
Fuck it - those spooks can make do with one copy of his Satellite Repositioning request.  If the CIA needs a second copy so badly, let them come down and make it themselves, he convinces himself.  Javier steps back silently, slowly backing out of the room. 
“How many copies do you need?”
Stunned by the sweet lilt of your voice, Javier remains motionless.  He suspects that you don’t know it’s him, but rather you had felt another person’s presence in the room and your considerate nature simply offered what you intuitively knew was needed.  But to his surprise, your eyes meet his directly when he looks up; he searches them for any sign of distaste or distain now that you recognize him as your intruder, but sees nothing except sincerity.  Your hand is already outstretched, waiting for his form.
He should leave.  Say he changed his mind about needing copies.  Say he got lost in this building that he’s worked in for years.  Say something.
“Don’t want to interrupt you.  I’ll come back.”
You throw an easy, encouraging smile his way and wave your still reaching hand dismissively in graceful sweeps that only serve to remind Javier of how effortlessly charming you are; your voice an enchanting song with its lightness, “I’m going to be forever.  Come on, gimme.”  You wiggle your fingers playfully, beckoning Javier to give over his paper - not knowing you also call for his heart with this enticing gesture.
He can refuse you nothing, though you could never know that, and hands over his single sheet readily, “Just one please.”
You take his form and titter to yourself as you diligently set aside the stack you were organizing, careful not to lose your place before laying his paper face down on the glass to copy, “I’ll make you two, just in case.”
Though the sound of the copy machine whirling to life fills the room, the silence between the two people in it somehow rings louder.  Javier looks around awkwardly, his eyes taking in the goliath of paperwork that you were in the middle of taming – should he apologize for interrupting?  No, it would likely ring hollow to your ears; he’s committed worse transgressions for which he still owes you an apology.  But the lump in his throat compels him to engage you; he’s a man starved, ready to beg for any meager scraps of attention you’re willing to throw his way.
“I thought you had a secretary to do all this admin for you – is Renee away?”
You laugh and the sound chimes in Javier’s ear like a chorus of cathedral bells; he never thought he’d have the honour of drawing such music from you again.  “No, she’s here.  But when it’s big booklets for interdepartmental meetings, I just like to do it myself.”
Right - Javier knows this about you.  You take such prodigious care with everything, of everyone.  Any fool at the embassy, and there were many, could see you’re a powerhouse, work ethic and dedication unmatched, and completely deserving of the respect and praise you reap – he’s always been proud of you.
Handing him his two copies and original, you toss Javier another soft smile before turning back to your task.  Whatever this interlude was, whatever grace granted him a few moments of cordiality with you is gone now, and Javier takes the papers from you with a genuine, but melancholy, “Thanks.”  He heads out of the room, feeling somehow happier and yet just as lost as he has been these past few months.
“Javi?”
He’s stopped again, this time not just by your melodic voice, but the song of his shortened name on your lips – his own heart longs to sing back a response in duet.  Turning, he finds you already looking at him, the irises of your knowing eyes swirling with tenderness, 
“Thank you for my birthday present.”
How did you know?  Javier had been so confident in the stealth of his actions, he’s silence by the revelation that you know he left a gift on your desk two months ago.
“I wear them all the time,” you turn your elegant neck slightly to show Javi the silver hair clips, each adorned with a small, delicate bird, tucked prettily behind your ear.
He manages to choke out a confession, “I know.” 
He does know.  Like a lovesick magpie, Javi’s heart would leap every time he caught the flash of silver in your hair at the embassy: during the meetings you expertly lead that he had the privilege of attending, via quick glimpses of you as you hurried towards the breakroom with your colleagues for a much-needed cup of coffee, when he stole longing glances at you from the DEA’s offices down the hall from the windows that ran alongside your desk in Treasury.  Each time you wore them, it gave Javi a surge a pride (and some relief) to know that amidst all the pain he had caused, he could still bring you some joy.
You’re looking at him now, eyes shiny and full of emotion, “I love them – they’re so beautiful.  Thank you for having thought of me.”
Javi’s body carries him across the small room and into your waiting arms of its own accord. All the strength he strains to wield on a daily basis in order to stay away from you evaporating under that tender gaze he thought had been forever lost to him.
He holds you close but not too tight, unable to tear his eyes from the sweetness of your expression.  How could you still look at him with anything other than disappointment, hate?  Despite what he did, you remain good.  Kind.  Feeling.  You wash over him like an inevitable wave and Javi wants more than anything to drown in you again.
“You’re welcome, baby.”
Baby.
Drinking in his soft utterance of the endearment, you earnestly study the man who was once yours.  Javi looks apprehensive and guarded, like he can’t quite settle into the tenderness of this moment – expecting at any second for you to shove him away, curse him.  Your heart aches to witness his anxiety – he’s still the man you knew, believed in: one whose bravado and tough exterior harbours a sensitive and deeply feeling heart, one who never thinks he deserves good things even when he extends himself for the sake of others.  You take Javi’s face into your hands, feeling the flex of his strong jaw beneath your palms as he inhales and swallows deeply at the loving gesture, still convinced this unexpected peace will be ripped from him.
“Do you miss me, Javi?”
How can he possibly answer but truthfully? Even if you weren’t looking at him so tenderly and with such vulnerability, Javi’s never been able to hide from you, lie to you. Insinuate falsities, yes. Mislead, perhaps. But outright lying? Never. How could the moon ever lie to the sun?
“Yes, pretty bird. Every day,” Javi closes his eyes and presses his forehead to yours, sealing in the truth of his words.
He’s being selfish.  It’s selfish to want to pull out the knife that’s lodged permanently in his chest; the one he placed there himself when he broke your heart, to stab and remind him with every breath he takes of what he’s lost.  What he’s broken.
If he could remove the blade for even a moment, then for that moment he can be your Javi again.  The one you trusted to take care of your heart.  The one who was ever grateful that an angel like you saw something in him, something he thought had long been snuffed out by the savagery of the Columbian sicarios and the cruelty of Escobar.  The Javi you had patiently nurtured back to life with your compassion and gentle touch.  The one whose vow of love you never questioned; he hadn't thought himself capable of such devotion, but you had easily unlocked it from within him with your own.
Selfishness wins today.  Javi removes the knife and lets himself be that man again with a tentative press of his lips to yours.  Immediately, he’s overtaken by the honey of your kiss – every brush of your pretty pout reminds him of all his favourite kisses with you: soft, secret kisses in hidden corners at the office; hard and heavy make outs outside the embassy walls away from prying eyes; tender kisses of promises intended to be kept while on dates or just laying in bed; possessive, dangerous kisses used to muffle moans of pleasure not meant for the ears of any other; hungry and urgent kisses heralding toe-curling, earthshattering orgasms; and sweet kisses of affirmation after every declaration of I love you.
Javi kisses you to make up for every single kiss he’s missed since he kissed you last.  He kisses you like he has the forever with you he threw away so cruelly all those month ago.  He tightens his arms around you as you melt into his kiss, momentarily forgetting how to let you go again.  Your soft whimper of surrender into his mouth jolts him back to reality.  He doesn’t have forever with you.  You aren’t his, and you shouldn’t be his.  He’s been warned.
It’s time to put the knife back in and Javier knows it won’t just be his own heart he wounds when he does so.
“Baby, we can’t.”
“Javi…” The way you say his name now has none of the harmony that invited him in earlier; this is a plea.
“Pretty bird, I’m no good for you.  Look at you – you’re perfect and you have everything going for you.  Everything you are is beyond my wildest dreams – you’re destined for the kind of future that has no place in it for a guy like me.  You deserve someone who can give you the best things in life.  You deserve someone better than me.”
You’re shaking your head, ready to argue and Javier thinks, no – he knows you would prevail.  He’s come over to your side of every argument the two of you ever had - won over by your intelligence, your passion, or simply for the joy it brought him to give you anything you wanted.  He has to put a stop to this before your eloquence and kindness can disarm him, so he pushes the knife in further, “You deserve someone who can be loyal to you.”
Javier can physically feel the flow of air that rushes in to fill the space created between the two of you as you shrink away from him.
It’s as if he can see the cinema in your eyes replaying that horrible scene from four months earlier when you caught him bare chested and pants unbuttoned, with a half naked Vanessa on his couch.  And just like that, the ache of his betrayal is renewed and your hurt rolls off your frame in lines so thick Javier thinks he might be able to pluck them out of the air with his fingers.
He twists the knife, even though it kills him to do so, “I never got the chance to apologize for that. I’m sorry.”
You nod, otherwise unmoving - stilled by that old pain you thought you had buried dead threating to crawl up your tightening throat.
Javi’s shoulders hunch, drooping with a defeat of his own making, “Thank you for the copies.”
“You’re welcome, Agent.”
Agent.
And just like that he’s Agent again.  Not baby, Javi, or even Javier.  Just Agent.
This third time he goes to leave the copier room you don’t stop him and Javier is thankful; unable to trust himself should he look back at you, he doesn’t – Agent Pena sets his face to a grim scowl and stalks down the hallway away from the best thing that ever happened to him.  Grateful that you had the forethought to give him an extra copy of his form, Javier discards the top sheet before going into his meeting – it’s completely unusable: the words on the page blotted and blurred from tears he didn’t have the strength to prevent from falling, the ruined, damp paper evidence of his failures.
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gamercookies · 3 days ago
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Giving thanks for..
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Genre: smut, enemies to lovers.
Word count:2.8k+
Warnings: rough!ni-ki, shy!y/n, fingering “under the table”, worshipping, unprotected sex, teasing, dirty talk, praising, throat-fucking, hate-fuck.  Note: I love making these stories idk why but they peak my interest so much!! I know it’s not thanksgiving yet but imma be busy on those days I’m off, but plz enjoy :3 and take care of urself 💕🙏🏼
You’ve been enemies for a really long time. Ni-ki, which you couldn't stand him, had been teasing and humiliating you throughout school. But then, out of the blue, he invited you to his family's Thanksgiving dinner. Sure, there would be the usual “I‘m grateful for…” moments, so you figured nothing too surprising would unfold, right?
Today you were just chilling at home alone while your parents were at their hometown enjoying thanksgiving dinner, you felt bored, alone. Of course you didn’t want to go because you didn’t feel like it. But once you finished an hour call with them, you stared up at the ceiling from the bed. 
You sigh in boredom, sitting back up from the bed. “What am I gonna do, I’m all alone.. I guess I can make dinner for myself and watch some Netflix or something.” Suddenly you receive a notification from your phone, you assume “oh! Maybe my parents sent a picture of themselves!” You check but your excited expression turns into shock and confusion.. it says: “Hey y/n, sorry to annoy you as always lol 😂, but anyways I was wondering if you’re interested in coming over to my house for thanksgiving I have no one to enjoy besides my parents.” 
“What?! Ni-ki.. he seriously invited you to his thanksgiving dinner, seriously?” You tell yourself blankly staring at the message for minutes. You roll your eyes and reply: 
“Fine. 😒Only because I also have nothing to do, fine I’ll come over. What time?” 
He types back: “Around 6PM, it will just be a normal thanksgiving, nothing out of the ordinary. 😊” 
… 
It’s 6PM and you’ve just arrived in front of his home, and you ring the doorbell. You stand there waiting for him or someone to open. You know you look stunning in that red dress, which perfectly highlights your curves without being overly short. Then Niki opens the door, “Hey y/n, come on in, I’ll introduce you to my parents.” As he gestured you to walk in. “Thank you.” You say, as he shuts the front door leading you to the dining table. You see a neatly organized dinning table, with a candle in the middle.  
Ni-ki clears this throat and speaks, “Mom, dad. This is y/n, a “friend” of mine I invited, I hope you guys don’t mind her.” His mom replies, “N-no we don’t mind! Hello, y/n. Please I don’t mind you inviting her over, please sit down and join us for dinner today.” You look at his mother and smile politely, as you take your seat. “Hello, Mrs. It’s nice to meet you, it’s kind enough of your son to invite me over, since my parents are at their hometown enjoying thanksgiving.” His father speaks behalf, “Oh no worries! That’s very nice of our son to do that, inviting someone like you over, you seem a very well polite girl so there’s no harm in that.” Ni-ki then sits down next to you, “Yeah, I felt like that’s a nice thing to do behalf that it’s thanksgiving, we should be kind to each other, right y/n?” As he says that sarcastically. 
You feel a bit nervous about meeting his parents, but you manage to smile and nod. “Of course, it's a good thing to invite friends over." You say softly, trying not to show how anxious you really feel. To pass the time waiting for the dinner his parents and especially you talk about how you’ve been, your parents, mostly about your life. But then his father asks, “Do you have a boyfriend yet, young lady?” 
You blush slightly, feeling a little embarrassed by the question. "Well, I haven't found anyone who really catches my interest yet," you admit shyly.
"Maybe one day soon though!" You add quickly, hoping to change the subject before things get too awkward. 
But it gets interrupted as soon as the food arrives. You smell all of the delicious aromas wafting from the dishes. "Wow... everything looks amazing!" You exclaim enthusiastically, trying to cover up your earlier blunder. “Who’s cutting the turkey today?” 
Niki looks around, his parents and you seem to be waiting for someone to cut into the turkey. He takes a deep breath and stands up. "I'll do it," he announces confidently. "After all, it's Thanksgiving.” With that said, he walks over to where the turkey is sitting and grabs a knife. He gives it one swift stroke, carving off a piece of meat before placing it onto a plate. You can’t help but deny the way he looks in that suit, the way he picks up that knife, it’s like you wanna touch him.
But you then take a bite of some turkey and gravy - it's even better than it smells! As you all savor the meal throughout the evening, saying what you’re grateful for, besides Niki.. and of course, remembering to keep dinner etiquette in mind, everything was smooth. But soon enough you feel ni-ki leaning against you, his hot breath in your ear. “You look damn good in this dress.. I can’t help but notice it so much.” You blush deeply at his compliment, your heart pounding in your chest. You're not used to receiving compliments like this, especially not from someone as attractive as him. “T-thanks.. I mean I have to look presentable to your parents..” After you finish your food, you place your fork down gently and lean back in your chair. You take a deep breath to calm your racing heart. “Was the food good, sweetie? I made it this morning.” His mother smiles softly at you. 
Before you could respond, you feel a hand sliding up and down your thigh making you gasp quietly. “What the..” you mutter to yourself, as Ni-ki continues doing that under the table. You try to play it cool despite losing focus on the conversation. 
"O-oh, your food was amazing!", you respond sincerely, doing your best to ignore Ni-ki’s wandering hand. "I've never had such delicious mashed potatoes before..." He then leans over you and whispers with a small smirk, “I didn’t invite you just for a normal thanksgiving, I also wanted something else.. to tease and make you feel humiliated in front of my parents.” But then, Ni-ki’s mother speaks trying to get your attention, “Sweetie? You okay..? I was asking you where do you plan to go for vacation next month with your parents?” Ni-ki then slides your panties aside and inserts 2 fingers inside you without warning.
“O-oh! I was thinking maybe Thailand-ah!” You say making you blush in embarrassment, “Sorry about that.. it’s just something accidentally hit me. You shift uncomfortably in your seat, doing your best to keep a neutral expression. 
“Thailand sounds lovely! It’s a wonderful place to travel.. when I was young..” she continues talking while you continue trying to hold your moans infront of them two. “Ni-ki.. stop that.. it’s embarrassing..” you whisper to him. “Come on~ your pussy deserves my fingers in you now, you make me crave you so much in that dress.” He says in a low, sultry voice. 
His mother notices the blush on your face and the discomfort in your voice, but assumes it's due to the heat of the room or perhaps nervousness from being in new surroundings.
"Oh dear, I apologize if we're making you uncomfortable. We just love sharing stories about our travels!", she says reassuringly. 
“N-no Mrs.. it’s not your fault it’s just it’s a bit hot right now.”, as you manage to choke out between stifled moans. Ni-Ki’s father then speaks, “We’ll clean up the mess, why don’t you show her your room.” 
Ni-Ki inserts a third finger, making you moan quietly. “Yes of course father, I’ll kindly show her my room.” And with that both of his parents head to the kitchen with the dirty plates, and utensils. You finally pull his hand away from your pussy, “What was that for Ni-ki!? You can’t just do that while I’m talking to them.. that’s embarrassing. I nearly came all over your hand.”  He winks, “Oh really? because I really wanted that pussy of yours.. I couldn’t resist.” “Now come on, let’s head to my room, shall we~?” He takes your hand to make you stand up so you can follow Ni-ki upstairs to his room. Once the door is closed behind you, he pins you against it.
"You know," he murmurs seductively, "Your little moans were music to my ears..." Before you can respond, he silences you with a passionate kiss. His tongue explores your mouth while his hands roam freely over your body. “I should worship your pussy.. eating you out, making you moan..~” 
You quickly responded blushing deep red. “N-no that’s a bad idea.. especially right now..” Hearing your protests, Ni-ki pulls away with a playful grin. "What's the fun in all this if we don't take risks?" He teases, pressing himself closer against you. “No im going home, I’m not doing your kinky ideas with you.”  Ni-ki seeing you attempt to leave, grabs your wrist tightly. "Running away so soon?" He chuckles darkly, pulling you back towards him. Without warning, he kisses you passionately once more. His other hand reaches down to cup your breast roughly through the fabric of your dress. 
“Mmph! F-fine I want it! But this is a one-time thing, we are still enemies.” You stumble to say, as he releases your wrist and moves to unzip your dress hastily. "Just remember..." he whispers into your ear, "This doesn't change anything between us..." And with that, he pushes you onto his bed and begins undressing you fully, and he kneels in front of you. “Let me worship your pussy.. I can tell it’s already wet from my fingers, naughty girl..” 
"F-fine! Go ahead," you finally relent, biting your lip nervously. “But only this once."  His tongue laps at your clit with expert precision, causing waves of pleasure to ripple through your body.
"Mmm...so tasty..." he murmurs against you before continuing his relentless assault on your sensitive nub. “Ah~! Fuck.. k-keep going..” you moan but you quickly cover your mouth making sure no one hears you. Ni-ki increases the pressure of his tongue on your clit. His hands grip your thighs tightly, holding you in place as he devours you and makes your legs tremble, "Oh God...I'm close!", you gasp out, writhing beneath him. Noticing your impending climax, Ni-ki slows his pace slightly, prolonging your torture. He looks up at you with a devilish grin.
"Not so fast, sweetheart..." he purrs, "I haven't finished yet." You whine desperately, “N-no please I’m close! I need to cum..”
"Oh, is that so?" he teases, trailing his tongue along your inner thigh. "That's the point isn't it?" he teases again, "To feel pleasure so intense that you can barely stand it?" “N-Niki!" you cry out, clenching the sheets beneath. "Please...don't tease me like this! I really need to cum.. come on.” Niki chuckles darkly, his eyes filled with mischief as he watches you squirm underneath him. He knew how to push your buttons, knew exactly what to say and do to get a rise out of you. “What's wrong, sweetness?" he purrs mockingly, "Can't handle a little teasing?" You whine again and looks at him with pleading eyes, “No! I mean yes! Just shut up and let me cum! You asshole! Please.. I need to cum so badly..!”
Niki laughs, his hot breath tickling your skin as he leans in closer. 
He takes a moment to savor the desperation lacing your words. "Fine," he concedes, sliding a finger inside of you. "But only because I want to see those pretty eyes roll back into your head." “Yes please..! I’m gonna.. fuck! Gonna..”, You quickly grab a pillow to cover your moans as you cum onto his face. Niki licks up every last drop of your sweet release, savoring the taste of you on his tongue. He pulls back slowly, standing up to look down at you with a satisfied smirk. “Good girl, I might just fuck you right now while we at it, how about you ride me?” 
"No way I’m not riding you! You’re an asshole!” As you stand up from his bed. “Plus your parents are washing dishes, we can’t just do that..they might hear us!” He smirks pushing you back onto the bed, “Oh come on.. we could make some noise, who cares about them..” He tries to persuade you. “You might like it when you’re handcuffed, I have them.” 
You roll your eyes and scoff at him, “Ugh.. whatever I’ll ride you while I’m handcuffed…” “Really?” Niki asks surprised, “Well alright then.” He goes to his drawer and takes out a pair of handcuffs. “Put these on.” “Alright.”, you say as you hold out your wrists for him to cuff you. Once he locks them, he smirks, “Fuck, you look sexy like this, handcuffed.. I can easily do anything to you.” He reaches down and unzips his pants, freeing his thick member. It throbs slightly as it bobs free from its confines.  "Here," he says, offering you his shaft. "Why don't you start by sucking on this?"
“Alright, I’ll please you..” You say as you lean down taking his cock in your mouth. You bob your head slowly licking his tip before sliding down further, taking half of his dick in your mouth. Without warning, he thrusts deeper into your mouth. His cock hits the back of your throat, causing you to gag around him. “Mmph!~Too big and deep.!” You manage to say while he doesn't stop though; instead, he continues to fuck your face ruthlessly.
You tease him back by saying, “I’ll pull my mouth out-” “No you won’t,” he says. “Or else I will kick you outta of my house and make sure you never return.” Then he forces his way inside your mouth again, his member hitting the back of your throat, forcing another round of gags from you. As he keeps fucking your throat, you slap his leg hard, trying to signal him to stop. Ignoring your weak attempt to resist, Niki continues to thrust into your mouth. He can feel the familiar tingling at the base of his spine, signaling his imminent release.
"That's it..." he groans, "I'm gonna cum..."
Before long, he explodes inside your mouth. His hot seed fills your mouth and spills onto your chin as he rides out his orgasm.  "There..." he pants, "That wasn't so bad was it? Now why don't you get those pretty legs of yours moving and ride me like a good girl." “O-okay..” You stutter out as you position yourself to sit on his cock despite being handcuffed. With a single thrust, he buries himself deep within you. 
"Fuck..." he groans, "So tight..." As he begins to move beneath you, bucking his hips upwards to meet each of your downward thrusts. The sound of skin slapping against skin fills the room as they make love roughy. "Ride me baby," he growls, "Show me how much of an asshole you think I am." “Fuck.. you..! Ah~!” , you moan out quietly. “J-just don’t thrust up more..” “Oh, is that what you want?" He teases, "Don't worry, I'll make sure to keep things gentle for you." Despite his promise, he continues to thrust up into you ruthlessly. His large member filling you over and over again until both of you are panting heavily. "You like that?" he growls quietly, "You like being fucked by an asshole like me?" 
“I hate you so much! Ahh~” you continue to moan out as you start to ride him faster, grinding your clit against him as you ride him. Niki groans deeply as you grind against him, his hands gripping your hips tightly. He can feel the heat building up within him again.
"Fucking hell..." he mutters, "You're such a naughty girl..." With one final thrust, he buries himself deep inside of you. His hot seed spurts inside of you as he releases inside of you. “Fuck.. I’m cumming too..!” Niki grunts as he feels you tighten around him, your own climax rippling through your body. He can feel every spasm and twitch of your pussy as you cum. "Good girl," he murmurs, "That was quite the show." As he uncuff and removes the handcuffs from your wrists, “There.. am I still an asshole to you, y/n? Despite panting you responded, “n-no.. you were good, I give you that. I guess we aren’t really enemies anymore.” 
Suddenly you both hear a knock, his father was yelling from the door while Ni-ki’s mother was standing next to him, “Ni-ki, y/n, Are you okay? I hear some noise and wanted to make sure you guys were okay!” 
Niki sighs as he hears his parent's voices, realizing that they've been too loud. He quickly pulls up his pants and straightens out his shirt. "Yeah dad, we're fine," he calls out, "Just having a little fun." He looks at you with a smirk, "Guess we better clean up real quick."
You smirk and laugh at him, “I told you this could’ve happened.” He laughs softly, "Yeah, you did." Niki gives you a playful wink, "Maybe next time we should try to be quieter especially you, y/n." As he listens to his parent's footsteps fade away, he relaxes again. Turning back to you, he grins mischievously. “One last thing.., I’m grateful today for eating your pussy, y/n.” 
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milktiicup · 1 day ago
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Hi! I’ve never requested anything before so i’m not even sure if this is where I send it to you, but fingers crossed :D I have two requests, not that you should do both, but because I couldn’t make up my mind on which I wanted to send. (Also i’m requesting these as a female reader but you can decide if you want it to be strictly female or not.)🤍🤍
First one, (Homicipher, Mr. Crawling) (And if you write for plus-sized readers) Where the reader has gotten their clothes dirty and gets offered the wedding dress, but knew she wouldn’t be able to fit in it? And Mr Crawling comes and finds them upset and tries to help or make them feel better.
Second request for Homicipher Mr. Crawling, where the reader has gone to their world with their friend, but the friend dies/gets killed, and the reader is inconsolable and can’t stop crying, and Mr. Crawling tries to soothe them (Maybe trying to get other monsters to help him).
the gift of belonging!
You force a small smile, weak and unconvincing, and give a slight shake of your head. “It’s… really beautiful. Thank you. But I don’t think it’s going to work for me.”
‧₊ ᵎᵎ 🌊 ⋅ ˚✮ i did the first one if that was okay!? sorry this is a bit cringe or not what you wanted >w<
warnings. plus sized!afab!reader, insecurity, cringe writing, the bride is a cutie patootie
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The Bride holds the pretty white dress in her gloved hands. The soft fabric gleams under the dim light, pristine and delicate. You can only imagine she’d be donning a cute, girlish smile if she had a head, her childlike excitement radiating through her aura as she presents her gift to you. Your lips tug into a frown, the corners heavy with the weight of reality.
The dress is truly gorgeous.  The lace is intricate, the bodice peppered with delicate embroidery, and the fabric flows like water in her hands. You can feel the unspoken invitation in her silence as she holds it out, but you can’t find it in yourself to reach for it.
Your mind trips over the obvious truth. There’s no way. You know, just by looking at the dress, that it won’t fit. The cinched waist, the narrow bust- it was never made for someone like you. It wasn’t designed with your body in mind, and the thought stings more than you’d like to admit.
You force a small smile, weak and unconvincing, and give a slight shake of your head. “It’s… really beautiful. Thank you. But I don’t think it’s going to work for me.”
The words sound hollow in your ears. She doesn’t push, instead slowly lowering the dress to the floor. Is she hoping you’d change your mind? You can tell she doesn’t fully understand why you refused, but she doesn’t question it either. She drifts away quietly, her footsteps barely making a sound as she retreats, leaving you alone with the heaviness that’s settled in your chest.
You slump against the wall, lowering yourself until you're touching cold concrete. You lip quivers. Your body feels sticky with blood and grime. You sniffle, blinking back the tears threading on your eyelashes, and take a deep breath. There was no use getting upset- you had to find something else to wear.
“You okay?” You almost jump out of your skin, and right now, you really wanted to. “Hurt? Pain? …Troubled?”
“Mr. Crawling.” You offer a dim smile.
He settles next to you, mirroring you with his knees to his chest. He still towers over you. Mr. Crawling doesn’t let out his usual sharp giggle. A frown tugs at his face. He places a hand on your head, patting your hair in a futile attempt to make you feel better. 
“Why troubled?”
You shake your head. “It’s nothing, really… “ The words catch in your throat as if you were suffocating. You scowl, nails digging into the flesh of your knees. 
“You troubled,” he insists. “Talk, me. Me help.”
The genuine concern in his voice is like an attack on the defense you put up- shooting right through it. You sigh, eyes focusing on the depressing concrete of the floor.
“It’s just… the dress. It’s really nice, but it’s not for me.” You gesture vaguely at yourself, your cheeks heating with frustration. “I’d never be able to fit into something like that. And I ruined my clothes earlier, so it’s just- ugh, I don’t know.” You cover your face with your hands, the vulnerability bubbling up faster than you can stop it.
For a moment, there’s silence. Then you feel a soft, tentative touch on your arm.
“Clothes bad,” Mr. Crawling declares firmly, as if the dress itself is the villain in this story. You peek through your fingers to see him glaring at the discarded garment like it personally offended him. “No fit? Not for you. Not right.”
You let out a weak laugh, lowering your hands. “It’s not the dress’s fault. It’s just… I don’t think I belong in stuff like that.”
“Wrong.” His response is immediate, almost sharp, and his long arms reach out to wrap you up in his arms. His expression softens as he looks at you. “You belong. Pretty things, soft things. Belong you.”
You blink at him, your breath hitching as his words sink in. He shifts closer, his hands trailing down your arms gently, his cool touch comforting.
“Not need dress. You…?” He pauses, his brow furrowing as he searches for the right phrase. Then his lips curl into a small, sly grin. “Pretty. Lot of pretty. Much pretty!”
Your smile grows, butterflies dancing free in your stomach- but you pause. 
Footsteps echo from the long hallway, and you can see the white glow from the Bride. She seems shy almost, kicking a heeled foot and holding something behind her. She reveals another dress- simpler in design, but still beautiful in its own right. The shape is more forgiving, the waistline relaxed, and the bust much more accommodating. 
“Me give clothes,” she explains, voice soft. “Pretty clothes. For you. You want clothes?”
The Bride stands there, patient. Her gesture is humble and almost tentative now, the tension between you and her unspoken but present. The dress in her hands feels like a bridge, a silent offer, and it takes a moment for you to realize the magnitude of what she’s done.
You blink, unsure if you should reach for it, as if afraid to hope that maybe- just maybe- it’s a sign that something’s finally clicking into place. Mr. Crawling’s arms tighten around you, the cold of his touch a stark contrast to the warmth that spreads through you from the sight of the new dress.
You rise to your feet and take the dress with shaking hands. 
“Thank you,” you say, a bright smile on your face. “It’s pretty. It’s perfect.”
“You like? Me glad!” The Bride clasps her hands together. “Goodbye!”
And she disappears, just like that.
You stare down at the fabric in your hands, the fabric melting between your fingers. The dress isn’t just something to wear- it’s something that fits you in a way you didn’t expect, both physically and emotionally. You can feel the weight of her kindness, the unspoken understanding of your struggle, wrapped up in the way she offered it to you.
“You like clothes?” Mr. Crawling asks.
“This is perfect!” you beam. 
You can feel the warmth of his gaze on you as you hold the dress up, considering it for a moment longer. It’s no longer just a symbol of what you thought you couldn’t have- it’s a symbol of what you deserve. You deserve to feel good. You deserve to feel comfortable in your own skin. For the first time in a long time, you don’t feel like you have to apologize for who you are, for what you look like, or for the size of the body you carry.
It feels amazing to be out of your soiled clothes, and in something so elegant, so pretty. You twirl for Mr. Crawling. He claps his hands, his giggle bouncing down the hallway like an audience just for you. You can feel the blush rising on your cheeks. 
“Your clothes pretty!” Mr. Crawling grins widely. “Me glad. Me happy. You happy.”
“Hehe, thanks.”
“Pretty. Much pretty. You always pretty. Me like,” he says, as if it was the most simple thing in the world.
Your face burns. You reach down to his head, ruffling his long hair in something you can barely call a pat. He presses his face into your palm, giggling. 
 “You always say the nicest things, Mr. Crawling.” 
He tilts his head as you pull your hand away. “Me good?”
“You’re good. Very good.”
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benispunk · 1 day ago
Text
Who's That Girl?
Chapter 7: You Don’t Choose Your Family
Y/n gets a surprise visit of her father at the apartment. It's not that she's not happy about it...but you don't choose your family.
logan howlett x reader
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TW: language, mentions of divorce, D&W.
A/N: hey!! I am BACK!! I am absolutely not done with the story nor my exams but do not worry about anything. Chapter 7 is here (*applause*) and it's the continuation of the last one😚 we are also getting more of the Logan x reader I promised you 🤭 hope you like it!!!! enjoyyyyy <3
→ this fic is inspired by the TV Show New Girl, Wade and Logan aren't Deadpool and Wolverine (no powers/mutant gene etc) but I did take most of their character traits and storyline!!
Masterlist / Previous Part
Y/N wasn’t expecting the call.
Her evening was supposed to be low-key —grading papers, maybe catching a show with Logan and Wade later. But when Logan called, everything changed.
When she arrived, her father was comfortably seated on the couch, chatting animatedly with Logan. Logan looked both polite and slightly panicked— caught in the middle of a conversation he didn’t initiate. The sight almost made Y/N laugh. How Logan always ended up trapped with the chattiest person ever was a mystery.
“Dad!” Y/N greeted, pulling her father’s attention away from Logan.
“Hey, kiddo!” Your father, Daniel, stood up with a grin, acting as if this surprise visit was the most normal thing in the world. “I thought I’d drop by and see how you were doing.”
Y/N gave him a quick hug, still trying to process the unexpected visit. “I didn’t know you were in town.”
“Just figured I’d come check on you in this new place of yours!” he said, waving it off as no big deal.
Logan stood, relieved now that Y/N was here to handle things. “I’ll let you two catch up,” he murmured, retreating toward the kitchen.
“Thanks, Logan,” Y/N said softly, before turning back to her father. “You’ve met Logan?”
Daniel nodded. “Yeah, nice guy. We were just talking about his work—special ed teacher, right?”
“Yeah, he is,” Y/N replied, adjusting to the idea of her dad sitting in her apartment, chatting with Logan of all people.
A moment later, the door opened, and Wade strolled in after his shift at the bar, his usual grin plastered across his face. He spotted Y/N and her dad sitting in the living room and raised an eyebrow.
“Hey, what’d I miss?” Wade asked, dropping his bag by the door.
“Wade, this is my dad,” Y/N introduced, trying to keep the situation from becoming even more awkward.
Wade immediately brightened. “Ah, family!” he announced with his signature charm, shaking her dad’s hand. “I’m Wade. Roommate number one— the one who makes sure this place doesn’t burn down.”
Y/N tried not to laugh while Logan snorted from the kitchen. Daniel chuckled, easily won over by Wade’s humor. “Nice to meet you, Wade.”
Wade flashed Y/N a grin before slipping off toward the kitchen, joining Logan who was standing by the counter, quietly observing from a distance.
“So that’s Y/N’s dad?” Wade asked, leaning against the counter. “What’s the verdict?”
Logan shrugged slightly, glancing back at the living room. “Talks a whole lot. Very intense. Protective. Y/N’s surprised by the visit.”
Wade crossed his arms, clearly intrigued. “I know, she was at the bar when you called. Did he mention why he’s here?”
Logan shook his head. “Not really. Just asked me a thousands questions in less than ten minutes. I didn’t want to pry.”
“Good call,” Wade nodded, then peered over the counter toward the living room again. “He staying for dinner?”
“No idea.” Logan replied, though the question hung between them as they began preparing something simple.
From the kitchen, Wade called out, “Mr. Y/L/N, are you staying for dinner?”
Before Y/N could answer, her dad jumped in with a grin. “Absolutely.”
Y/N shot a look in Wade and Logan's direction, as if to say, I wasn’t planning this, but they simply exchanged a glance between themselves. They shared a silent understanding— something about the situation was off. Wade raised an eyebrow, while Logan gave a subtle nod, signaling that they were both on alert now.
With no turning back, they set about preparing a simple meal, something easy but filling— pasta and a salad. While they worked, the soft hum of Y/N and her father’s conversation continued in the background, though they couldn’t help but tune in occasionally, catching snippets of what they were saying.
———
“So,” she began, choosing her words carefully. “What brings you here, Dad?”
Daniel leaned back on the couch, his eyes scanning the room. “Do I need a reason to visit my daughter?”
Y/N gave a small, hesitant smile. “No, of course not. But you didn’t tell me you were coming.”
“Wanted to surprise you,” he replied with a shrug, though there was something in his tone that sounded off. “Thought I’d check out your new place. Make sure it’s... decent.”
Y/N nodded slowly, sensing the subtle judgment in his words. “It’s fine, Dad. I like it here.” She let her eyes drift to the kitchen where Logan and Wade were working, grateful for the slight distraction.
Her father followed her gaze, raising an eyebrow when he saw Logan. “So… Logan, right?”
“Yeah,” Y/N said quickly, confused as to where this was going. “What about him?
“He seems like a solid guy. You sure you two are just... roommates?” He asked and she bit the inside of her cheek, bracing herself for where this conversation might go. 
“Yes, Dad. We’re just roommates. That’s all.”
“Alright, alright, but what about Wade?” he asked,
“What's going on with you?" she blurted, raising an eyebrow as a grin threatened to break through.
Her father held up his hands in defense. “Just asking. Your mother and I used to talk about stuff like this, you know.”
Y/N blinked, caught off guard by the mention of her mom. Her father rarely brought her up that way, especially with how tense things still were between her parents, even decades after the divorce.  It was usually more an inappropriate comment her mother didn’t deserve. 
“Oh, really?” she asked carefully, not sure where this was heading.
“Yeah,” Daniel continued, his tone softening a little. “Back before things went... south. We used to wonder what you’d end up doing, where you’d live, and who you’d end up with. She always had these big ideas. Thought you’d find someone nice. Maybe settle down with a guy like one of these guys.”
Y/N opened her mouth to respond but paused, momentarily stunned by his gentler tone. Her father, for once, wasn’t launching into some bitter comment about her mom.
“She really said that?” Y/N asked softly, her curiosity outweighing her hesitance.
Daniel nodded with a smile. “She did. We were always so worried about you, you know? But it wasn’t just about who you’d end up with. We would imagine your entire future, what career you’ll end up choosing, how many dogs you would have— cause you always wanted one and we always told you ‘You’ll get one when you'll have your own house’…”
Y/N was quiet for a moment, letting his words sink in. It had been so long since her father had spoken about her childhood without bitterness that she almost didn’t know how to respond.
“I didn’t know you guys had my whole life planned,” Y/N chuckled, her voice softer now, her guard slowly lowering.
Daniel glanced over at her, smiling. “Yeah, well…we did that with your brother— although we didn’t expect any of his life choices, but that’s another story.”
For the first time in years, Y/N felt a connection with her father. A sense of mutual understanding that didn’t come laced with tension or resentment. It was brief, but it was something.
She smiled, a real one this time. “Thanks for telling me all that, Dad. That means a lot.”
Daniel reached over and squeezed her hand, his touch firm but comforting. “I missed you, honey.”
Y/N smiled, feeling the weight between them lighten. “I missed you too.”
Before the moment could grow too emotional, Logan called from the kitchen, “Dinner’s ready.”
Y/N looked toward the kitchen and then back at her father, who was already starting to stand.
“Well, let’s see what your roommates can do in the kitchen,” Daniel said with a faint smirk.
As they made their way to the table, Y/N couldn’t help but think that they’d actually had a good conversation. One that hadn’t ended with her dad tearing her mom down or leaving her feeling caught in the middle. Maybe things weren’t perfect between them, but for now, this small moment of peace was enough.
Daniel took the seat next to Y/N, while Logan and Wade sat on the opposite side. The conversation started politely enough, with Wade doing his usual job of keeping things light. He shared stories from his bartending adventures, as he always did, earning a few chuckles from James, who seemed to enjoy Wade’s humor.
The smell of the simple pasta dish Logan and Wade had thrown together filled the apartment. The atmosphere was initially warm, with everyone engaged in casual conversation.
“So, Wade,” Y/N’s dad said as he twirled his fork through the spaghetti. “Y/N told me you're a comedian?”
Wade grinned. “Yeah, I make people laugh for a living. Or at least try to. It’s a tough crowd out there.”
Daniel nodded. “Well, we could all use more of that these days.”
The conversation ebbed and flowed easily at first, moving between work, the city, and Y/N’s life in the apartment. Wade cracked jokes here and there, and Logan offered his quiet, thoughtful input when needed. It felt comfortable, almost like a normal family dinner.
But then, the conversation shifted.
“So, Y/N,” her dad began, his tone changing ever so slightly. “Have you heard from your mom lately? Still living the California dream, I assume.”
Y/N felt her body tense, and she shot a quick glance at Logan, who was watching her father closely. Wade picked up on the shift too, though he didn’t say anything.
“She’s doing fine,” Y/N replied cautiously. “We talked last week, actually. She’s been busy with work, but she’s good.”
Her dad gave a small, dismissive shrug. “Work. Right. And still with that guy, I suppose?”
Y/N's eyes narrowed slightly. “Yes. His name is Paul.”
Her father sighed, shaking his head. “I just don’t get it. She moves halfway across the country, barely checks in, and now with your brother all the way in Europe—”
“Dad,” Y/N interrupted. “She didn’t move across the country to get away from us. She moved for herself. And we’re fine. Sam and I are doing just fine.”
Daniel scoffed softly, setting his fork down. “I’m not saying you’re not fine, Y/N. I just don’t see how a mother can be so far away from her kids and not feel guilty. If I were her, I’d—”
“Well, you’re not her,” Y/N cut in, her voice sharper now. “You’ve been divorced for years. She didn’t abandon us, and she still cares. You don’t need to keep bringing it up like she left us to fend for ourselves.”
Logan’s jaw tightened as he glanced between Y/N and her father, sensing the rising tension. Wade shifted uncomfortably in his seat but stayed silent, eyes flicking to Logan for some kind of cue.
“I’m just saying,” Daniel continued, his voice lower now, “she could have stayed. Made more of an effort. But she left.”
“She didn’t leave us, Dad,” Y/N said, her patience wearing thin. “And honestly, Sam and I— we’re adults. We didn’t need her to stay and ‘raise’ us anymore. You’ve moved on with your life. Why can’t you let her do the same?”
Her father’s face tightened, and the air in the room grew heavy with unspoken frustration. For a moment, it felt like everyone at the table was holding their breath.
“I know you’re grown, Y/N,” Daniel said quietly, his eyes hard but sad. “But I don’t think a parent ever stops worrying about their kids. I just want to make sure you’re okay.”
Y/N sighed, trying to keep her voice steady. “I am okay, Dad. But you’ve got to stop blaming her for everything. This is your issue, not mine. Mom’s living her life, and I’m living mine.”
The room was thick with tension now, and no one knew quite what to say. Y/N’s father looked down at his plate, clearly feeling the weight of her words. Logan glanced at Wade, who shot him a silent look of understanding—they both knew when to stay out of family affairs.
After a long pause, Daniel finally spoke, his voice quieter than before and looking at all the people at the table. “I’m sorry. I didn’t mean to drag things down.”
Y/N softened and shook her head. “I know, Dad. But you’ve got to let this go.”
There was another silence before he nodded slowly. “You’re right. I’m sorry.”
The mood at the table lightened just slightly as everyone tried to return to their meals, though the weight of the conversation still hung in the air.
For a moment, there was silence, the air thick with unspoken words. Then, as if on cue, Wade jumped in, his voice cheerful and light. “You know what’s great about family dinners? Dessert! Who’s ready for some ice cream?”
The sudden change in tone broke the tension, and Y/N gave Wade a grateful look. Her dad, too, seemed to relax, chuckling at Wade’s enthusiasm. “Ice cream, huh? Now that’s something I like to hear.”
As Wade made his way to the kitchen, Y/N’s father glanced around the apartment again. His eyes landed on the fridge, and something seemed to catch his attention. “Hey, is that the picture I think it is?”
Y/N followed his gaze, realizing he was looking at the family photo she had put up weeks ago.
“Yeah,” Y/N replied, her voice softer now. “Wade and Logan insisted that I should put it up when I moved in.”
Daniel stood and walked over to the fridge, staring at the picture for a long moment. His expression shifted, a mixture of nostalgia and something else—regret, maybe. He ran a hand through his hair, his voice quiet when he finally spoke. “That was a good day. One of the last before things started to go wrong.”
Y/N felt a lump form in her throat. Something about the way he was looking at the photo made her heart ache.
“It was,” she said, her voice barely above a whisper.
Daniel turned to face her, his eyes softer now. “You’ve grown up so much, Y/N. I don’t say it enough, but I’m proud of you. No matter what happened between me and your mom, I’m proud of the person you’ve become. And I’m sorry for…all the mess that we caused.”
Y/N’s heart clenched at his words. She gave him a small, genuine smile. “Thanks, Dad.”
The moment hung in the air for a beat longer before Wade returned with bowls of ice cream, his voice breaking through the heaviness. “Alright, dessert is served! I got vanilla, chocolate, and this weird one Logan bought—pistachio whatever. Anyone feeling adventurous?”
Daniel chuckled, the warmth returning to his expression. “I’ll stick with chocolate, thanks.”
The atmosphere lightened once again, and they all sat back down at the table, enjoying their ice cream and talking a bit more.
As the plates were cleared and the remnants of dinner were packed away, Y/N walked her father to the door, feeling the tension of the evening settle uncomfortably between them. The earlier argument still simmered, but it had cooled to a manageable level.
“I didn’t mean to upset you,” her dad said quietly, standing in the doorway. “It’s just hard, you know? Seeing you grown up, dealing with your own stuff, and not being able to do anything about it.”
Y/N offered a small, tired smile. “I know, Dad. And I appreciate that you care. But I’ve got this. You don’t need to keep fighting old battles.”
Daniel sighed, rubbing the back of his neck. “I guess I just still see you as my little girl. Hard to let that go sometimes.”
Y/N stepped forward and hugged him tightly. “I’ll always be your little girl, Dad. But you’ve got to trust that I know what I’m doing.”
Her father hugged her back, his arms wrapping around her in a way that felt both protective and regretful. “I’m sorry for bringing all that up. It wasn’t fair.”
Y/N pulled back slightly, meeting his eyes. “It’s okay. Just…next time, maybe we can talk about something else?”
He smiled. “Deal.”
With one last hug, Daniel stepped out into the hallway. “I’ll call you soon. Let me know if you ever need anything.”
“I will.” Y/N said, watching as her dad gave her one last nod before heading down the hallway.
When she closed the door, Y/N leaned against it, letting out a long breath. It hadn’t gone perfectly, but at least it was over. She turned around to find Logan and Wade standing there, watching her with quiet concern.
“I’m sorry,” Y/N began, her voice barely above a whisper. “I had no idea he was going to show up like that. I didn’t mean to put you both through all that drama.”
Wade, who was leaning casually against the kitchen counter, waved it off. “Are you kidding? This is mild compared to some of the shit I’ve seen and heard.”
Logan stepped closer, his expression soft. “You don’t need to apologize. Family stuff happens. We’re in this with you.”
Y/N blinked, a small, grateful smile tugging at the corners of her mouth. “Thanks, but it was just… a lot.”
Logan nodded. “We get it. You don’t choose your family, but you can make your own, you know?”
Wade chimed in with a grin. “And lucky for you, you’ve got us, the best family you could ever create.”
Y/N laughed softly, the warmth of their words settling into her chest. “Thanks, guys.”
Logan gave her a reassuring pat on the shoulder, and Wade, sensing the need for space, stretched dramatically. “Alright, I’m out. This emotional rollercoaster wiped me out. I’ll catch you both in the morning.”
“Goodnight, Wade,” Y/N said, shaking her head with a smile as he disappeared into his room.
Logan gave Y/N a lingering look. “You good?”
She nodded, still trying to shake off the heavy emotions of the night. “Yeah. I just need a minute.”
Logan gave her a small nod. “Take your time. Goodnight, Y/N.”
“Goodnight.”
Logan disappeared into his room as well, and Y/N sank into the couch. The living room was quiet now, and for a while, she let herself just breathe. The weight of the conversation with her dad still lingered, along with the tangled emotions from the night. She found herself staring at nothing, lost in her thoughts.
The hours slipped by unnoticed, the apartment dim and silent around her. She didn’t realize how late it had gotten until she heard the soft sound of footsteps approaching. Startled, Y/N turned her head to see Logan walking into the living room, his hair tousled from sleep.
“You okay?” he asked, his voice low, concerned.
Y/N let out a small, humorless laugh. “I thought you went to bed.”
“I did,” Logan said, sitting down on the couch beside her. “But I saw the lights were still on and thought you had fallen asleep here.”
Y/N sighed, her eyes fixed on the floor. “Sorry. I guess I didn’t realize how much time passed. I’ve just been… thinking.”
Logan watched her closely. “About what?”
Y/N shrugged, trying to find the words. “I don’t know. Everything, I guess. My dad, my mom, the divorce… I don’t want to cry about it. It feels like I’d be a little girl again, crying over something that happened so long ago. Like I can’t move on.”
Logan leaned forward, his arms resting on his knees as he looked at her. “It doesn’t matter how long ago it was. If it’s still hurting you, it’s okay to cry about it.”
Y/N shook her head, trying to swallow the lump forming in her throat. “But I shouldn’t. I’m not a kid anymore. Fuck, I’m a grown ass adult in my thirties. I can’t let this stuff affect me like it did back then.”
Logan's voice softened. “Y/N, you’re allowed to feel whatever you’re feeling. You don’t have to hold it in just because it’s been years. It’s still part of you.”
Y/N felt the tears prick at her eyes, but she fought to keep them at bay. “I don’t want to cry.”
“You don’t have to,” Logan said gently. “But if you do, I’m right here. You don’t have to do it alone.”
Y/N’s defenses crumbled at his words. She felt the dam break inside her, and before she could stop herself, the tears started to flow. At first, it was just a few quiet sobs, but soon she was genuinely crying, her shoulders shaking as the weight of everything she had been holding in finally spilled out.
Logan didn’t say a word. He simply shifted closer and wrapped an arm around her shoulders, pulling her into a comforting embrace. Y/N buried her face in his chest, her tears soaking his shirt, but Logan didn’t seem to mind. He just held her, letting her cry, offering nothing but his presence.
After a few minutes, Y/N’s sobs began to quiet. She stayed in Logan’s arms, feeling the warmth of his body and the steady beat of his heart beneath her cheek. It was calming, grounding.
“I hate this,” she whispered after a long pause, her voice hoarse. “I hate that it still hurts.”
“I know,” Logan murmured softly. “But it’s okay. You’ve been carrying it for a long time.”
Y/N wiped her eyes, her breathing evening out. “I feel so stupid.”
“You’re not stupid,” Logan said.
Y/N sniffled, pulling back slightly to look at him. “Thank you. For being here.”
Logan gave her a small smile, his hand still resting on her shoulder. “I’ll always be here for you. You know that, right?”
She nodded, feeling a wave of gratitude wash over her, and maybe something else. “Yeah. I do.”
After another long moment of silence, Logan shifted, brushing a strand of hair from her face. “You should get some sleep.”
She nodded. “You’re right. I got school tomorrow.”
Logan stood up and offered her a hand, helping her up from the couch. “You’ll feel better in the morning.”
Y/N smiled, feeling a little lighter. “You need to rest too, you know.”
Logan chuckled softly. “I will. But I’m not the one who just went through a rollercoaster of a night.”
Y/N gave him a grateful look as they walked toward their rooms. “Night, Logan. And… thanks again.”
Logan stopped at his door and gave her a soft smile. “See you tomorrow.”
With that, they each retreated to their rooms, leaving the quiet of the apartment to settle around them once more. But this time, the silence felt a little more peaceful, a little more comforting.
XXX
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authortelevision · 14 hours ago
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arthur frederick and the new producer: chapter 1 ₊˚⊹♡
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words: 3,192 ✦ .ᐟ
♯┆arthurtv slow burn, bach and arthur podcast
after lara leaves bach and arthur’s podcast, you become her replacement. after discovering that arthur hates change, it takes a lot for him to warm up to you and become friends. it also takes a lot for him to admit how he truly feels about you.
. ݁₊ ⊹ . ݁˖ . ݁౨ৎ. ݁₊ ⊹ . ݁˖ . ݁
Chapter One ₊˚⊹♡
The building doesn’t exactly scream “successful podcast studio.” It surprisingly has a weathered brick exterior and rusted door number that makes you double-check the address on your phone. But this is it, according to the email, Bach & Arthur Podcast – Recording Studio 2.
You try the handle. Locked. After fishing through your bag, you find the key they sent you and slide it into the lock. It groans in protest, but after a sharp twist, the door swings open, revealing a narrow staircase that smells faintly of food.
The email didn’t mention a receptionist or anyone to meet you. It had, however, been clear about the time, 11 am. You’re determined not to be late on your first day.
At the top of the stairs, two doors face you. One has a taped-up sign reading Bach & Arthur Podcast in Comic Sans. You can’t help but smile to yourself. Professional. You knock, just in case, but the heavy door muffles any response.
Pushing it open, you step into a much larger, cluttered room. The recording setup is decent, microphones on boom arms, a grey sofa, with a blue curtain behind it. A black table, in front of the recording situation, is covered in half-eaten food, crumpled notes, and what looks like many cups of tea or coffee or whatever they have been drinking to get them ready.
“Hello?” you call, stepping carefully around an errant cable.
From behind a makeshift partition comes the sound of muffled voices, followed by a thud and a sharp “Ow!”
A moment later, two figures emerge. The first is tall, muscular, and bright-eyed, with a dark mullet that looks like it’s been perfectly combed through. He grins at you immediately, his energy warm and infectious.
“Hey! You must be the new producer!”
“That’s me,” you say, smiling as he approaches.
“I’m Isaac,” he says, offering a hand. “Welcome to our team.”
Behind him, the second figure appears, shorter and thinner but very toned, with brown hair and thick eyebrows. He hangs back for a moment, studying you intensely enough that makes you resist the urge to straighten your posture.
“You’re Lara’s replacement?” he questions, his tone polite but with a slight hesitation.
You state your name, stepping forward and shaking his hand when he finally extends it. His grip is firm, and his voice, when he speaks again, is softer.
“I’m Arthur. It’s nice to meet you.”
“It’s nice to meet you too,” you say. He nods but glances at Isaac almost immediately, murmuring something too low for you to catch. Isaac smirks but doesn’t reply, his gaze flicking back to you.
“We’ll miss Lara, obviously,” Arthur says after moment, meeting your eyes again. His tone is more formal this time, like he’s trying to smooth over something. “She was here from the beginning. But I’m sure you’ll be great.”
“Thanks,” you say, offering a small smile. You’re not sure what you’ve done to earn the slight edge in his voice, but you’re not going to let it rattle you.
Isaac claps his hands together, breaking the tension. “So, how are you with tech stuff? Mic levels, soundboards… all that fun stuff?”
“I can handle it,” you say, glancing at the recording setup. “I’ve been working on podcasts for a while now.”
Isaac grins. “Good answer. See, Arthur? We’re in capable hands.”
Arthur gives a tight smile, then leans toward Isaac and whispers something you can’t hear. This time, Isaac’s grin widens, and he shoots you a quick glance before whispering back.
You try not to read too much into it. People are allowed to have their doubts, it’s not your job to win everyone over on day one.
“Well,” Arthur says after a moment, more to Isaac than to you, “we’ve got a recording in twenty minutes.”
“You’re on it, right?” Isaac says, nudging you playfully. “Check the mics, make sure we’re not awkwardly out of frame, all that stuff?”
“Yes yes, of course,” you say, moving toward the desk.
Arthur watches you quietly as you adjust the boom arms and check the camera height and recording software. You can feel his gaze even when you’re not looking directly at him, and when he leans in to whisper something else to Isaac, you resist the urge to ask if they want you to leave the room.
But as you work, you catch something in Arthur’s expression that isn’t unkind, more cautious, like he isn’t quite sure how to fit you into their established rhythm. It isn’t hostility, just hesitation.
Isaac, on the other hand, seems determined to make you feel at home. “So, what’s the best podcast you’ve worked on?” he asks as you fiddle with the gain knobs.
“Probably Passing Notes,” you say, glancing up. “It’s all anonymous confessions. It’s like set in a classroom kinda thing, so you’d like pass notes secretly. I spent way too many late nights editing out overshares.”
Isaac laughs, the sound loud and easy. “That’s such a cool idea!”
Arthur offers a small, polite smile but doesn’t say much. As the recording time approaches, he leans over to you, his tone soft but unfortunately still professional.
“Let me know if you need anything,” he says. “We have a way of… winging things sometimes, but I’m usually good about staying on schedule.”
“Got it,” you say, meeting his deep brown eyes.
Arthur nods once, then moves to the filming sofa, his movements a bit rigid but calm.
As the recording starts, you settle in behind the controls, noting the interest in science between the two of them. Arthur’s laughter is quieter than Isaac’s, but genuine when it comes. And though he glances at you occasionally, it isn’t the skeptical look you feared.
It’s more like… curiosity. A guarded one, but curiosity still.
This isn’t going to be easy. But you’ve made it through worse.
After the recording wraps, the studio settles into a quieter hum. Arthur and Isaac stand from the sofa, their usual post-show energy fading into something less energetic. You busy yourself with jotting down notes from the session, cataloging timestamps for edits, and mentally prioritising what needs to be done before uploading the final cut.
Arthur is already rolling up a spare XLR cable when he looks over at you. “I think that went well,” he says. “Thanks for keeping us on track.”
“No problem,” you say, glancing up from the soundboard.
He nods and places the coiled cable neatly on the desk. “I’ve got an edit I have to send off tonight,” he says to Isaac, his voice softer now, almost apologetic. “I’ll catch you later.”
“Sure thing,” He replies, giving him a thumbs-up as Arthur grabs his coat from the back of a chair.
Arthur’s gaze flickers to you one last time. “See you next time,” he says, his words careful.
“You too,” you reply, watching as he disappears through the door.
The room feels lighter without him, though not necessarily in a bad way. Arthur carries a weight that seems to press on the space around him, a quiet intensity that isn’t unpleasant, just… noticeable.
Isaac turns to you as you shut down the software and begin powering down the equipment. He leans casually against the desk, his hands stuffed into the pockets of his hoodie.
“Hey,” he says after a moment, his tone quieter than it had been all morning. “I just wanted to say, uh, don’t take Arthur too seriously.”
You pause, glancing at him. “What do you mean?”
Isaac shifts his weight, his eyebrows slightly furrowed with a genuine look of concern. “I mean, he’s not trying to be rude or anything. He just… he’s kind of like that. Especially with new people. He’s not big on change, you know?”
You nod, turning back to unplug one of the microphones. “I got that impression.”
“It’s not personal,” Isaac says quickly. “I promise. He really liked Lara, and he’s probably just… figuring out how to adjust to not having her here.”
You hesitate, then smile faintly. “That makes sense. I wasn’t expecting him to roll out a red carpet or anything.”
Isaac laughs softly, the sound warm and reassuring. “Yeah, but I know how he can come off sometimes. He’s actually a good guy, I swear. It just takes him a minute to warm up to people.”
“Well,” you say, straightening up and meeting Isaac’s eyes, “I’m not in any rush. I’m just here to do my job and make the podcast sound good. If he comes around, great. If not, I’ll survive.”
Isaac grins. “That’s it man. Honestly, I think he’ll get there. He’s just— what’s the word? Particular. And maybe a little protective of the pod.”
“Protective, huh?” you say, raising an eyebrow.
“Yeah.” Isaac scratches the back of his head, looking sheepish. “This whole podcast thing was kind of his baby at first. I just showed up for the jokes. But Arthur? He’s all about the details. He’s, like, scary good at making things better, except when it comes to people.”
You laugh despite yourself. “Good to know.”
Isaac smiles, then gives the desk a light tap. “Well, I’m glad you’re here, seriously. It’s nice to have someone new around. Keeps things interesting.”
“Thanks,” you say, your voice softening. “That means a lot.”
“No problem.” Isaac pushes off the desk and stretches. “Anyway, I’ll let you finish up. First day down, how’re you feeling?”
You look around the now-empty studio, cables half-coiled, the faint smell of their breakfast still lingering in the air. “Good,” you say finally. “I think it’ll be a good fit.”
“Good answer,” Isaac says with a grin. “See you next time.”
“See you,” you say, watching as he slips out the door.
The quiet returns as you finish shutting everything down, your mind replaying the day. Arthur might have been a bit off, even a little distant, but Isaac’s reassurance reminds you it’s all okay.
This isn’t going to be easy. But, somehow, you feel a little more confident that it will work out.
The chill of the November air nips at your cheeks as you walk home, hands shoved deep into your coat pockets. The sun is already dipping below the horizon, painting the sky in muted shades of orange and gray. Your breath comes in small, visible puffs as you navigate the uneven pavement, your thoughts circling like restless birds.
Arthur doesn’t hate you. You’re almost sure of that. He’s been polite enough, friendly, even, in that formal way people are when they’re trying not to be unkind. But there’s something in the way he watches you, the quiet whispers to Isaac, the slight hesitations.
He’s not sold on you.
And that’s not a crime, of course. People don’t have to like you. You know that. You know that. But the thought still worms its way under your skin.
What if he doesn’t think you’re good enough? What if he thinks you’re messing up an important rhythm they’ve spent months building? You’ve stepped into something that’s already been established, something Arthur clearly cares about deeply, and now you’re supposed to make it better, or at least keep it from falling apart.
You adjust the strap of your bag on your shoulder, kicking at a stray pebble on the pavement. You did your best today, and Isaac was kind, even reassuring. Still, the weight of Arthur’s cold interaction presses on you, and you can’t shake the gnawing feeling that you’re already letting someone down.
It’s not a long walk to your flat, but the cold makes it feel endless. By the time you reach the old brick building, your fingers are numb and your shoulders tense. You fumble with the keys, finally managing to push the door open and climb the creaky stairs to the second floor.
The familiar smell of tomato soup and bread greets you as you step inside. Your flatmate, Emma, is perched on the arm of the sofa, scrolling on her phone with a steaming mug in hand. She glances up as you enter, her light curls bouncing.
“You’re home,” she says lightly. “How was day one?”
You kick off your boots and shrug out of your coat, the warmth of the apartment already seeping into your frozen limbs. “It was… good,” you say, though the words come out slower than you intend.
Emma raises an eyebrow. “Good doesn’t sound convincing.”
You sigh, dropping your bag onto the floor and collapsing onto the sofa next to her. “I mean, I like the job. The studio’s fine, the setup’s fine, Isaac is nice. But…”
“But,” she prompts, her eyes narrowing.
“But I think Arthur doesn’t like me,” you admit, pulling your knees up to your chest.
“Arthur?”
“Co-host. The one people say is like lowkey autistic.” You rest your chin on your knees. “He wasn’t mean or anything. He was polite. But he wasn’t exactly warm, either. And I feel like… I don’t know, like I’m already not meeting whatever expectations he has.”
Emma tilts her head, looking at you. “So, you’re worried you’re not living up to the standards of a guy you just met, who might not even have an issue with you in the first place?”
You groan. “When you say it like that, it sounds ridiculous.”
“It’s not ridiculous,” she says, setting her mug down. “You just care too much what people think. You’re, like, constitutionally incapable of being okay with someone not liking you.”
You shoot her a look. “That’s not true.”
“Name one person who doesn’t like you,” she challenges.
You open your mouth, then close it.
“Exactly.”
You bury your face in your hands. “I just don’t want to mess this up. It’s a good gig, and I don’t want to make things weird between them, or worse, feel like I’m ruining something Arthur obviously cares about.”
Emma leans back, crossing her legs. “Okay, real talk? You’re overthinking. It’s your first day. If you went in there, did your job, and didn’t, I don’t know, accidentally set the studio on fire, then you’re doing fine. Arthur will come around. Or he won’t. Either way, you’re not responsible for his feelings.”
“I know,” you mumble, though the knot in your stomach doesn’t quite loosen.
“You’re good at what you do,” she says, her voice firm. “And if they hired you, they obviously thought you’d be a good fit. Just give it some time.”
You look at her, her confidence in you unwavering, and manage a small smile. “Thanks, Emma.”
“Anytime,” she says, picking up her mug again. “Now, you want soup? You look like you just walked through a blizzard.”
“It felt like it,” you admit.
She grins. “Then sit tight. I’ll grab you a bowl.”
As Emma disappears into the kitchen, you let your head fall back against the sofa and close your eyes. She’s right, you’re overthinking. Probably.
Still, the memory of Arthur’s quiet glances lingers, and you can’t shake the feeling that winning him over might take more effort than you’d anticipated.
The room is quiet except for the faint hum of the radiator. You lie on your side, staring at your phone on the nightstand, its screen glowing faintly in the darkness. Sleep isn’t happening, not with your brain circling the same thought over and over: Did I mess up today?
Arthur’s neutral expression haunts you. Polite, sure, but distant. Detached. The whispering to Isaac. What were they saying? Are you just reading too much into it?
Frustrated, you grab your phone. Your thumb hovers over the screen. You haven’t texted Isaac before. Your correspondence has been strictly email so far, but he included his number ‘in case of emergencies.’ This isn’t an emergency, not technically, but maybe a quick message would help put your mind at ease.
You hesitate. What if you sound unprofessional? What if you’re overstepping? You chew your lip, then shake your head. Better to clarify now than let it eat away at you.
Taking a deep breath, you open the messaging app and type:
You: Hi, Isaac, it’s your new producer for the podcast. I just wanted to make sure this is the right number?
You hit send before you can overthink it. The message sends, and you stare at the screen, your heart beating a little faster than usual.
The reply comes quickly, too quickly for someone who should probably be asleep:
Isaac: Hey! Yep, this is me. What’s up?
You exhale a small breath of relief. One hurdle down. Now for the awkward part.
You: Thanks for confirming. I hope this isn’t weird to text, but I wanted to ask if there’s anything I can do to help make things feel less awkward with Arthur?
You stare at the screen after pressing send, your stomach twisting. Should you have phrased that differently? Should you have even asked? But before you can spiral too far, Isaac replies.
Isaac: Oh man, you’ve been thinking about that, huh?
You: Yeah a little, I guess. I just feel like there’s some tension, and I don’t want to mess up the dynamic you guys already have.
There’s a brief pause before Isaac’s next message comes through.
Isaac: Okay, first off, you’re not messing anything up. I promise. Arthur’s just Arthur.
You: That’s what you said earlier.
Isaac: Because it’s true. He’s like that with literally everyone at first. Even me.
You blink at your phone.
You: Really?
Isaac: Yeah. When we first started the podcast, it took him, like, three months to stop calling me Isaac during recordings. Said Bach ‘felt too informal’.
You laugh softly, the mental image of Arthur trying to keep things strictly professional easing some of your tension.
You: That’s actually hilarious.
Isaac: Right? It took forever, but he loosened up eventually. He always does.
You hesitate before typing your next question.
You: So, do you think there’s anything I can do to make it easier? Or should I just wait it out?
Isaac’s reply takes a little longer this time, but when it comes through, it’s warm and reassuring.
Isaac: Honestly, just keep being you. Do the job, don’t take his quietness personally, and give him time to adjust. If you try too hard, he’ll probably notice, and that’ll just make things weirder.
You: That’s fair.
Isaac: And hey, if he ever does cross a line, which I doubt, just let me know. I’ll handle it.
You smile at that, grateful for Isaac’s kindness and his willingness to smooth things over.
You: Thanks, Isaac. I really appreciate it.
Isaac: No problem. And don’t stress too much, okay? You’re already doing great. I can tell.
The reassurance settles something in your chest, and for the first time that night, you feel like maybe everything will be okay.
You: I’ll try. Thanks again. Goodnight!
Isaac: Night!
You set your phone down and roll onto your back, staring at the ceiling. The knot in your stomach is still there, but smaller now, less overwhelming. Isaac is right, you just need to focus on doing your job and let the rest work itself out.
With a sigh, you pull the blanket tighter around you and close your eyes, determined to get at least a little sleep before tomorrow.
. ݁₊ ⊹ . ݁˖ . ݁౨ৎ. ݁₊ ⊹ . ݁˖ . ݁
a/n: i hope you guys like the idea of a slow burn !! i’m really excited to continue this story !! they will come out in between my other fics !! LOVE U GUYS <33 and let me know if you want to be tagged in updates !!
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anpanman95 · 1 day ago
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Bringing more Mark and Joke comparisons because there are SO MANY.
This post will be about posture, and the way War works his characters to be perceived differently purely by the way he stands on his two feet.
Oh, the perfection with which he prepared both of these characters is out of this world.
Let me illustrate:
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Joke, when he stands, stands taller; leaves no room of doubt he’s the chillest, coolest, most confident person, and cares very little how people are perceiving him at the moment,
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as long as he feels awesome. [his insecurities are not rooted in the way he looks or the way strangers perceive him]
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His head is kept high when he speaks. If you watch the show again, you’ll realize he’s always looking ahead and up unless he wants to go unnoticed,
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and meets people’s eyes unwaveringly as he works his way through his elaborated ruses to get what he wants.
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[We’ll talk more about how that changes with the object of his affection, Jack, on later posts]
Mark, my beloved, on the other hand, stands to look smaller than he is; not on purpose, of course, as it’s a deeply rooted thing within the character itself.
He does not look people in the eye for prologued periods of time, more of often than not looking away when he speaks to anybody.
Yes, that gradually develops as the show progresses, but shyness is an essential part of this character.
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His posture is not completely relaxed; it’s slightly tense which casts light into the character’s personality:
Mark wants to be standoffish and cool, but his innocence and sweet, gentle demeanor are truly his worsts enemies.
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He tries, though, throughout the entire show, to make it happen, but breaks off of it the moment someone (Vee or Mark’s dad) does or says something that awakens strong emotions.
When that happens he fails, because Mark cannot, for the life of him, hide his true feelings.
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A stark contrast to Joke, an absolute master in hiding who he really is.
All in all, Joke’s posture comes from a confidence rooted in a combination of maturity and not giving two single flying shits
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And Mark’s posture comes from a confidence rooted in a combination of innocence, self-esteem and guts.
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War has done a hard deep dive in both characters; created entirely opposite personas and made both Mark and Joke have so much depth and detail to them a million more things could be said about them.
There are hundreds of little details that War has added to each of his characters. He truly has thought about every single mouth twitch down to a T.
Every head movement, his micro expressions, and even the way he speaks, even though it’s the same language, the same words.
Everything about these two characters is completely opposite. And yes, the fact that they are both making opposite fashion statements adds a lot of weight to their differences, obviously, but that’s not enough at all to create what War has created.
Just imagine eighteen year old Mark in Joke’s crop tops and feeling incredibly self-conscious, and twenty (five? six?) Joke in Mark’s fancy, neatly tucked-in dress shirts and wanting nothing more than to take them off. (Joke has worn that type of clothing before only while pretending to be someone he isn’t, so it does not count. When he’s himself, he opts to wear all baggy items)
I could go on forever, guys, but this post is already too long, so I’ll just say one more thing:
I’d die for this man.
More on these things later, I guess!
Thanks for reading, remember to be nice!
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strawberryblue-blog · 2 days ago
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could you do birthday sex smut with Pedri
Like old times —Pedri González.
summary: Pedri invites you to meet his friends on his birthday and it ends like you never expected.
warnings: YES. +18. smut, friends to lovers, cute, soft.
words count: +2k.
#SEXYNOTE: Happy birthday to our Pedri (late) We love youuuu 🩷
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Laughter spilled through the house as the voices talked about things. You were talking to a friend of Pedri's while he was talking about you, remembering things from the past. Today was your best friend's birthday and all his friends had come to celebrate. Your old childhood friend that even though you still saw each other from time to time, you had agreed to be close friends. But you hadn't been able to see each other lately because of his work and your studies. You were more than happy that he invited you to have dinner with them today for his birthday, with his teammates that you were excited to meet.
They were great, you barely talked to them but you already got along so well. Pedri kept talking about you. About your childhood. Old anecdotes brought back vivid memories of your times, everyone laughed and commented. You could tell that some were a little more over the top than others and the birthday boy was not far behind.
You felt melancholy. You didn't know if it was the alcohol or the fleeting glances you and Pedri gave each other as you reminisced. His eyes looked at you with that same sparkle they had when you were young and you're sure yours sparkled like that too. All night long you had been giving each other complicit, honeyed and challenging glances. As if you owed something to each other. As if you were waiting for something from each other. Still, you tried to make the most of your time with his friends. It wasn't every day you were surrounded by people as nice as they were.
You dined, drank, talked, toasted and ate cake. Everything was perfect. The reunion had been successful and most of them were already starting to say goodbye to go home.
"It was nice to meet the famous Y/n!" said Ferran, hugging you fleetingly. You hugged him nicely too.
They all agreed, smiling.
"It's pleasure is all mine, guys" you thanked towards them.
"We have to do it more often" Gavi said before hugging you goodbye. "If Pedri accepts, I don't think he's that happy about it" he whispered when he reached your ear. His hug lasted a little longer than the others and your heart skipped a beat when you heard it.
Behind you was Pedri, looking at you somewhat seriously while still holding Gavi in a hug. You heard a chuckle from him and hid your laughter. He winked at you when you pulled away and you smiled at him.
"All right, bye" Pedri muttered, running to Gavi quickly and dragging him to the door. Everyone burst out laughing in amusement.
You shook your head ignoring him. You were her best friend, none of that would change by hanging out with the boys.
Pedri escorted them out, while you stayed behind to sort things out. You felt a little guilty about the mess and you weren't going to let Pedri set everything up alone in the morning.
"Y/n, leave it. Tomorrow I'll clean up" he said when he got back to the house.
"Please, let me do it" you asked with a look, Pedri snorted but had no choice when you kept putting things together.
You stayed a while longer, tidying up, washing and chatting. You didn't mind helping him at all, in fact you were enjoying it. He kept catching you up on his life and you took the opportunity to tell him about yours. It had been a long time since you had had a conversation as deep and lively as this one and finally you and Pedri were alone.
"Would you like one more drink?" he asked as you sat down to rest on the couch after you finished.
"I think I need to go home" you say with a grimace.
"Come on!" he squeals in amusement. "It's my birthday" he pouts. "Besides you could stay, there's an extra room if you want..."
His eyes pleaded for you to accept, it was obvious you were both excited to see each other again. You weren't going to deny it, you had been waiting all night for a moment alone with him, just like old times. You wanted to stay but were afraid to admit it.
"Okay, let's open another bottle" you nod smiling.
He goes to kitchen for another champagne from the fridge and two clean glasses. He returns, sits down on the sofa with a chuckle and pours the glasses carefully, still talking. You've never seen him as chatty as he is tonight, he was enjoying his alone time and you wanted to know all about him. Once again, you toast clinking your glasses and you bite your lip nervously. You take a hurried drink, trying to calm your anxieties. Your heart started pounding and you begin to hesitate as you smile thinly.
"Remember when we ran away from home to go to camp with Fer?" you asked with a laugh as you continued to reminisce.
He long a laugh as he remembered. It had been when you were six years old, Fer and his friends had gone camping at the beach and you curious little kids followed them to go too. You had run away from home, as your parents had not let you go, since you were small. But you wanted to see the waves and become teenagers like the others.
"I still remember that I didn't leave home for at least three months because of the punishment" Pedri river denying. "And when we fell out of the tree hammock?" he said and you burst out laughing.
That had been another experience. Your father had told you not to ride in the tree hammock together because he clearly wasn't going to put up with it but you didn't know what that meant and did it anyway. Said and done, the hammock didn't hold and the branch snapped, making you fall in a big crash that you still remember perfectly.
You sighed trying to stop laughing, your belly already hurt and you felt dizzy.
"Remember when we kissed for the first time?" you ask with a shy laugh, grimacing in embarrassment.
Heat rises to your cheeks as you remember their first kiss. Yes. Your first kiss had been with Pedri when you were thirteen. You watched everyone kiss, Fer and his girlfriend at the time, your parents, your friends, the movies, everyone. You wanted to have your kiss too and you were grown up, according to you.
"It was terrible" guffawed Pedri clutching his belly. "We didn't even know how to do it"
Another guffaw comes out of your mouth. Tears were starting to build up from the laughter, your belly ached and you had no desire left. It was definitely the best time.
"We didn't know what to do with our tongues, it was so gross" you remembered and again laughed out loud.
He catches it and laughs too. For some reason, his laughter makes you feel a knot in your stomach. It's so magical. It takes you back to those moments where you were soul mates, inexperienced and curious young people, trying to find yourselves in each other. Your friendship with Pedri was one of the most precious things you had.
The laughter begins to subside and you stare at each other. Her face is slightly flushed, probably from the alcohol, his gaze shining in the dim light of the room. His hair is tousled and looks so soft it makes you want to comb it. You swallow saliva as your gazes never leave each other's eyes. So deep that you feel spellbound. You smile a little shyly, your heart races with every second, your chest tightens and you want to keep talking to him. You love to hear his voice, his laughter. You want to keep remembering your moments with Pedri, because every time you listen to him he makes you feel a special spark inside you.
But you don't really feel like talking. You want to touch him, to pull him closer to you, to kiss him. To have him as close to you as possible.
The silence is overwhelming and uncomfortable. Your gazes are still glued like chewing gum on your shoe Your breaths are agitated and irregular. You want to kiss him so badly. You don't know when he moved but he's so close to you, you doubt if it was you who approached. You don't know, you're lost in his eyes.
"Just like old times" he murmurs taking your hand gently. "You and me"
You smile biting your lip. You nod without even being able to speak, your heart soars and your pulse rises. It's just him and you. It's just the two of you.
His gaze pleads for something you understand perfectly. But neither of you dare make a move. You're so scared you're afraid of misreading the situation. If you kiss him, there's no turning back and you don't know if he wants that.
Minutes pass and you're still there, looking at each other. With feelings afloat as they continue to bloom on your breasts.
You bite your lip, sighing slowly. And without thinking and you jump into his mouth, kissing him with some fear.
It's a soft touch, as if asking for permission. Pedri accepts it and quickly with your hands encircle his cheeks as his hands wrap around your waist, pulling you closer.
He wanted to kiss you, you wanted to kiss him. It was the perfect moment to remember old times. You kiss for eternity, savoring each other, feeling each other, remembering each other. This time the kiss is nothing compared to that first kiss you had more than ten years ago.
It's hard, sure and hot. Although his lips taste exactly like they used to at that moment and your heart felt the same as it used to feel some time ago. Agitated, needy and in love with Pedri.
You want to kiss him. You want to touch him. You want to feel him.
His body traps yours and he lays you down on the couch, still kissing, his hands caressing every corner of your skin while your fingers hold the dark fibers of his hair. His touch burns into your skin, leaving warm traces that will be marked for life in your heart. His lips walk down your neck, it's rough but sweet at the same time, gasps escape from your mouths. You can't stop kissing you, over and over again. From seeing each other, from feeling each other, from remembering each other.
Your hands begin to undress your body, removing your shirt and skirt, your fingers caress every corner of your skin, touching it. Yours help him take off his shirt and then play in his soft hair, his body presses against yours as your legs embrace his bare back. You don't want to stop kissing him, you don't want him to stop. You need him.
"Are you okay?" he whispers as his forehead presses against yours Your confused look makes him hesitate but it's not because you want to stop. "Do you want to go on?"
"Yes, I do" you say holding his red cheeks. But you take the time to watch him. Above you, his lips red and swollen, his cheeks flushed from the heat beginning to rise in your bodies, his eyes shining like mirrors, his chest heaving.
It is beautiful. Through his gaze you can still see the boy only four years old who came to play with you on the playground, the only boy who didn't judge you and came to you, the boy who visited you every day after school, the boy who taught you how to kick and a thousand other things that live forever in your heart.
"Kissing you that day wasn't really gross, Peter" you murmur sincerely.
Yes, maybe it was in a sense. You didn't know how to do it, it was slobbery, short and it felt awful. But on the other hand it was innocent, tender and delicate. It was the beginning of everything. Your feelings were never the same as before after that.
"It was beautiful" you whisper as his fingers stroke your hair, he tucks a loose strand behind your ear and smiles. "It was magical" you admit excitedly.
"You are beautiful" he says looking so deep into your eyes. "It was the best first kiss I could have ever had."
You smile nostalgically as you continue to talk through your eyes.
“Let me show you how much I missed you” he asks in a whisper as his nose plays with yours. “Let me show you when I love you.”
A small tear escapes down your cheek falling. He catches it before it touched your skin. Your head is about to explode, the butterflies in your belly feel like dinosaurs.
“Only if you also let me do the same” you also whisper with a small smile.
His lips kiss yours again, this time firmer, more desperate. His mouth leaves no room on yours and he kisses you fiercely, as if he wants to devour you. And he does. His hands roam over your belly and chest, making small gentle touches to acknowledge your skin. Finally they reach for your bra pin and unclasp it, removing it from your body. His eyes slide over your round breasts, you let him see them, admire them, know them. Your stomach vibrates as he licks his lips and you smile with laughter.
Your fingers take his jeans and unbutton them, seeking to feel his body closer to yours. He lifts up a little to take it off, dragging it down with his underwear and you stare at him for a second. You'd seen other naked bodies but none of them resemble Pedri's. He is perfect.
He turns to you and takes the panties from your sides asking for permission with his eyes, which you quickly accept with a smile. As many say, a picture is worth a thousand words and the way Pedri just looked at you, he just made a testament.
You find yourselves completely naked, looking at each other, as your hearts beat in tandem. Your breaths meet again as you kiss again. Like a magnet their mouths attract each other again and again. As they begin to touch, to know each other, to meet again. Her hands encircle your breasts and squeeze them, making you gasp with pleasure. Yours hold his ass firm, pulling him closer to you. His kisses follow a trail down your neck, down your skin, his lips find your nipples and you kiss them softly. Gently. Moans come out of your mouth, his eyes have never left yours, it's as if they've been bonded for life. Your bodies hot, needy, waiting to join. He positions himself at your entrance and gently moves in, probing your wetness as he makes room between your walls. Your mouth opens and lets out a moan as you feel his cock fit perfectly into your cavity, it's slow and smooth, not even moving. His gaze never leaves yours as your hands hold his face so close to yours that they almost rub together.
You don't need to say anything. Your eyes, your feelings, your hearts have said enough. Skin to skin. Joining together, and I don't mean blissfully sexual. Something beyond a bodily union. But something deeper and more spiritual.
It is a magical moment. So unreal that you doubt if it is a dream but his movements make you believe that he is inside you. Inside your heart. Inside your soul. You hold tight to his neck as he begins to thrust faster, though his movements are delicate, smooth and deep. It feels so good. Him. You. Together tonight. United in soul and body.
Something you had dreamed of your whole life. From that innocent and premature kiss you had out of curiosity until today when you saw him talking about you and the complicit glances you gave each other. Tonight was special for him and it was special for you too.
“Happy birthday, love of my life” you whisper with a proud smile.
His body stops inside you and you feel an emptiness in your chest but his eyes make everything about you vibrate.
“You are the best gift, you are my dream” he murmurs sincerely and your chest burns.
He joins your lips again and you kiss so romantic, soft and polite. Without rushing taking your time because today nothing runs you, it's just him and you.
He admires you, you admire him. Your bodies yearn for each other, you are joined for life. The way he touches you, feels you, looks at you. He makes you feel special by his side, he always has. Pedri is the love of your life. And meeting again made you realize that you are meant for each other.
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mikimakiboo · 3 days ago
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Time Travelers AU - Bathroom Break
I am baaaaaaaack on the story ! For those who missed it I published everyone's backstory, all are linked in the master post !
@ancha-aus it's been a while since I tagged you here
First
Prev
Next
I feel like this chapter is way too short compared to the time it took me to write it
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Here it was: the moment Dust dreaded the most... going back to work. Not that there was a problem with his job, his colleagues were fine, the customers were usually nice except for some exceptions, but it was to be expected when working in a fast food. No, the thing that worried him was leaving his roommates, because they were basically roommates, alone all day. He wasn't afraid they would fight, thought Nightmare had been quite distant these past few days, he didn't participate in conversations during meals and usually just translated for Killer and asked him a few things, but apart from that he always seemed moody, mad about something and avoiding them. It did worry Dust, maybe it was something he did, or didn't do, that caused the noble to change his behavior ? He'll need to talk about it with him. Regarding the others they all seemed to get along, he noticed Cross would sometimes lower his guard when Killer talked, or rather rambled, to him to listen to what he was saying, which was something important to note as the knight only ever left the door to eat, Dust knew it because he saw him sleeping while still standing. Horror was nice to everyone, just not paying much attention to Nightmare as he seemed to avoid him more than the others anyway, and Killer just liked to chat with everyone, not caring if they understood him or not. So no, Dust wasn't scared they would fight. He was scared they would get bored, get curious and break something or even hurt themselves, that someone would knock at the door and call the cops when seeing them, or many other things they could do that could result in troubles both for them and for Dust. He really didn't need that.
Dust sighed, preparing yet another burger and putting it in a bag for those at the drive through, he didn't need to think about it anymore, the movements were basically muscle memory at that point. Should he introduce the others to burgers ? Maybe he could order everyone a burger once he got his paycheck, and he could buy soda and potatoes to make the fries himself ? Would they even like it ? Nightmare would probably despise the grease, maybe Cross too as he seemed to be very in shape, but he had a feeling Killer and Horror would like it. Well, that could be a plan for later then.
He felt someone tap on his shoulder.
- Break time, I'm taking your place.
His colleague said. Was it already his break ? He didn't see the time pass, for once. Well, he usually didn't have much to think about, so he must admit he wasn't particularly focused on the time that day.
- Oh, okay, thanks.
He finished the burger he was making before putting down his apron and going to the changing rooms to grab his phone in his locker. He then went to the bathroom, not that he needed to go as he was a skeleton, but he liked sitting on the throne in his little cabin, that way he didn't have to sit in the staff's room and make small talk with the others, he could just scroll on his phone for fifteen minutes without being disturbed. He sometimes wished he had a digestive system so he could take a dump on company time and be paid for it, but he didn't have one, anything a skeleton consumed was either turned into magic or would get thrown up if the body couldn't "digest" it. What a shame, honestly.
He wondered for a moment if he should call home on the land-line, but he soon figured it would be useless as he didn't teach them how to pick up a phone, so he just hoped everything was fine and went on socials to see what new brainrot was available to pass the time.
His alarm went off after fifteen minutes, indicating the end of his break. He sighed.
- Alright, here we go again...
He muttered to himself, getting up without flushing, and opened the door to step out of the cabin. He tripped on a branch and fell face first on the grass.
Cross flinched, planting his sword in the ground as to maintain balance when he felt everything shift around him. The house had dissapeared, and he found himself in a field surrounded by a forest. It felt like a few days ago, when he appeared in Dust's backyard, he had felt the air sting and crackle before everything shifted, and when he opened his eyes, he was somewhere else.
Where was he now ? He pulled his sword from the ground, holding it tight in case a threat would appear, and looked around him, were the others here too ? He heard a noise behind him, and quickly turned, only to see Killer gripping on a branch, hanging from a tree. As he was about to run by his side he saw Horror coming out from behind a bush, leaves and twigs stucked in the furr of his coat. Killer saw him too.
- Horrooooooor ! Adiuvaaaaa ! He cried.
Horror jumped, not expecting to hear a voice above him, and quickly went to grab Killer and put him safely on the ground. The Roman then immediately opened his bag to make sure all of his stuffs were with him, and sighed in relief before looking up at the Viking.
- Gratis..
Horror nodded, then looked at Cross.
- Vel ?
He asked, thought Cross didn't understand, but he supposed Horror asked him if he was doing good, as he looked concerned. Cross was doing fine, he wasn't hurt and by chance landed on his feet and on a plain surface, unlike Killer who ended up in a tree.
- Eo vais ben, mercit.
He thanked him, before hearing a spine-chilling scream.
- Google noooooooo !!
All three of them turned quickly, startled, and saw Dust, a little farther, kneeling on the ground with his little magic rectangle in his hands, visibly distressed.
- Dust ? Killer called, bene facis ?
- Google's dead ! Dust cried out, holding his rectangle in the air, it's mort, morz, mortuus, liflátinn, dead !!
Cross froze, who was dead ? Who was so important that Dust had to announce their death in five languages ? Was his rectangle dead ? Wait, wasn't the rectangle what allowed them to communicate ? Oh. They might have a problem then.
They looked at each other for a minute, not knowing how to save the rectangle from death, before Killer went to the wheeping skeleton and kneeled before him, looking through his bag. Dust looked up at him when he took out the thick book Dust had been reading recently: the Old Norse dictionary. Cross remembered Killer shoving the book in his bag when Dust left without it, saying he would keep it safe until he returned. Dust looked at the dictionary in awe, taking it carefully.
- Oh my fucking god, Killer, I love you so much right now, gratis.. !
Killer smiled, happy to have been useful.
As Dust was getting up with Killer's help they heard a new noise, and as they turned, they were met with a rather unusual sight: Nightmare, the very sophisticated Nightmare, was laying face flat in a mud puddle, the only mud puddle in the whole field, and looked particularly horrified, and disgusted, when he stood on his elbows, his face covered with mud. Killer couldn't help but burst out with laughter, especially when Nightmare tried to get up only to slip and fall again. Cross heard Dust fight back his own laughter and Horror chuckled, but even if the scene was indeed funny, Nightmare trully looked distressed, and Cross couldn't leave him like that.
- Sire !
He rushed to his side, helping him up by letting him grab him for balance, not caring if he dirtied his armor as it was rather easy to clean.
- Vous trouvez cela amusant !? Nightmare yelled, angry, and shaking slightly, asking if they found it funny.
Horror raised his hands in an apalogy motion, but Killer was still pretty much dying on the ground, wheezing and holding his non-existant stomach, Dust simply avoiding his gaze. Nightmare huffed, a shameful blush on his cheeks as Cross helped him step out of the puddle and sit on a log nearby as he tried to wipe the mud from his face, taking his gloves off as they were just as muddy anyway.
- Estes-vos blecié, sire ? Cross asked, wanting to know if he was hurt.
Nightmare shook his head, he wasn't hurt, physically at least. Cross nodded, standing straight again to look at the others: Killer had stopped laughing and was now catching his breath, Dust was looking at their surroundings, and Horror was looking at Nightmare, thoughtful, but didn't come any closer.
Now that everyone was here, they needed to think of a plan. They needed to figure out where they ended up, or when, if they could seek shelter somewhere, or if they couldn't and would have to build a sort of nest at least for the night, what they could hunt or gather, take turn to stand guard, ... Horror didn't seem to have his axe with him, which was... rather inconvenient, but he was pretty sure Killer still had his knives in his bag so it meant they were at least two with weapons to defend the group. He looked down at Nightmare again. They had to find water.
He sighed and gestured to everyone to come closer. He would rather they didn't split up.
- Nos devons trover eaue, he said, glancing at Nightmare who was still staring at his hands, senz se séparer, he added, looking back at them.
- Okay wait, Dust stopped him, "eaue" means water, right ? I mean he does need to wash himself so it would make sense he needs water... wait I think I remember the translation... he thought for a while, looking throught the dictionary, okay so.. aqua for Latin ? Aaaand... vatn for Old Norse.
Killer snorted.
- Sordidus est, aqua eget.
Cross wasn't sure what that meant, but judging by Nightmare's glare it most likely was a mockery, or one of the Roman's usual tease at least. He wanted to reprimand him, now wasn't the time for teasing, but Horror was faster than him and gave Killer a gentle nudge on the shoulder, shaking his head disapprovingly, to which Killer whined but didn't push it. Horror then pointed at the woods.
- Vatn.
Before anyone could reply, he opened the way. He had fallen in a bush and heard running water in the distance when he got up, surely there was a river nearby.
- Wait wait wait ! Dust interrupted again, Horror stopping to look at him. We're just gonna accept that we apparently got tossed throught time ? I mean it ain't you guys first time but it is mine ! And I actually have to go back to work !
Cross frowned. Work ? He knew what work meant, but why was Dust talking about work ? Oh, right ! Dust was supposed to be at work ! But he couldn't get back to work now, they didn't even know in what time they were, but surely it wasn't Dust's time anymore as these strange buildings were nowhere to be seen. Cross shook his head, Dust couldn't go back to work for now.
- What do you mean no ? I need the money.
Cross thought for a while, trying to remember the translation for money, and shook his head again.
- Nos sommes denz une altre époque, pas de "work".
He tried to explain, telling him they were in a different time. Dust frowned at him, before sighing.
- Well it's gonna be one fucking long bathroom break then... He mumbled, before following Horror again.
Cross held out a hand for Nightmare but the noble got up by himself, and simply followed the others from a distance, Cross walking behind to make sure no one deviated from the line and no threat appeared.
After only a few minutes they heard running water, and at the next turn around a tree, they saw a small river. Nightmare went to kneel on the shore and put his hands in the water. Killer went next to him, crounching down, and ignoring Nightmare's glare to rummage through his bag and take out a piece of cloth that he handed him. Nightmare looked at it for a while before taking it without saying a word, still bitter that they laughed, and put it in the water to clean his face. Dust stayed near Horror, looking at the trees.
Cross stood back, watching them all, making sure everything was safe for them to stop here.
He really hoped they could find a shelter soon.
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amuseoffyre · 2 days ago
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Fyre's Convention Adventures - Day 3 - A Great and Terrible Acte of Piracie 😁
A bonus surprise on the last day was that we got gifted a cast photograph and there was a second session of autographs for the people who had missed them on Saturday, but also for everyone else to get a second round :)
Since we’d come out of the last panels, I was piled high with my muppety crew and figured it would be a nice last chance to let the squad see them. Honestly, no ulterior motives going in, which made all that came next all the more delightful :D
Nathan was the first table and could see how many of the squad I was juggling and said it was fantastic that I’d brought them down for the con itself because “they’ve brought everyone so much joy”.
Rhys had a little giggle at the next table when he saw me coming with a pal bearing Calypso because between the photo, the sack of mups, the general goodie bag and everything else, I was quite the pack mule.
Con, Vico and Kristian, however, had been so very excited about the muppets at the fanmeet and photo session that I figured I would have each of theirs out when I got to their tables and then, alas, I was assailed by marauding pirates and came home empty handed XD
Me, with Izzy muppet on my arm: by the way, I was wondering if you’d like me to ship him to you, since you’re off to the US tomorrow Con: o.0 Con: wait, you were serious about giving him to me? Me: I mean, if you want him– Con: *wheechs Izzy right off my hand and into his arms, cradling him like a baby* Con: Everyone go home, this is all I’ll be doing now Me: 😂 That’ll be a yes then XD Con: :D :D :D
He leaned over to show his handler Izzy’s poseable hands, which were arranged to flip the bird and solemnly told him “That’s my favourite bit”. After my hype-man told him I was undercharging for commissions, he told me “yeah, charge more for your commissions” and I can’t not now, can I?
Needless to say I was a bit giggly and vibrating in place after that, because technically, I didn’t give anyone anything (first rule of the con – don’t give guests things directly) and by the time I got to Vico, I hadn’t been given a smack on the nose with a rolled-up newspaper for breaking the rules.
They were so giddy to see Jim muppet again.
Me: I was serious about you having them if you want them Vico: O.O Vico, to their handler: … can I… do that? Vico’s handler: *shrugs a bit* Me: If I just… lay it on this table, it would be very bad if something happened or someone… took it. So bad. Vico, giggling like a fiend: *bats Jim off the table and down beside their chair* OH NO. IT’S GONE Me: OH NOOOO. I HAVE BEEN ROBBED. SOMEONE HAS THIEVED ME. HOW SAD. Vico: Noooooo :D :D :D Me: *flips another of the Jim costumes over the table, down beside the mup* Vico: OMG IT CHANGES CLOTHES!?!?! :D :D :D :D
And, of course, Calypso, my grand lady. I made her especially for Kristian since most of my muppet designs have a very narrow neck and I wasn’t sure if he would be able to put his hand in it. Instead, I’d redesigned and rebuilt her from the base up, with a wider opening in the back of her head and making her free-standing as well. Top of head to bottom of her skirt, she’s around a metre compared to the rest who are about 50cm.
He gave her such a doting look when I got to him and hell, if I could be banditted by 2, why not make it a hat trick :D
Him: she’s so gorgeous Me, keeping an eye on his handler: I can’t technically… give her to you, but hypothetically, if someone stol– Kristian: *across the table with both arms and has her gone and out of sight beside him in a blink* :D Me: Oh nooo :D Kristian, catching my hands and squeezing them: Thank you *so* much for this :) Me: Absolutely my pleasure :)
Nothing like ending the weekend by being robbed by pirates :D
According to a pal who was stewarding, when they finished Con had Izzy whispering in his ear and then carried him out the room, level with his shoulder, and Kristian told Nathan off for almost standing on Calypso then made him carry her :D
I can’t express the sheer dizzying joy of experiencing their excitement and delight with my lil crew and how eagerly they tilted into to full silly play with them. I know the cast have been liking them on IG when I post them but this was another level and I am so utterly overwhelmed by it. Every so often, I think about it and have a happy little giggle about it all.
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blu3-ja3 · 3 days ago
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Chapter 1: Downtown
Chapter 2
Simon Riley was an excellent soldier... Key word being was. After an unfortunate series of events Simon was deemed unfit for active duty military and was put into forced retirement. From there everything seemed to continue falling apart, his landlord giving him the boot, his job firing him, and the final nail in the coffin; his car being totaled in an accident that he wasn't even around to see. That car was his only life line, he'd been living out of it for months but then it was gone.
Simon did the one thing he could think of and reached out to the one person he knew that could help... And that's how he ended up in the entrance of a random alleyway near Piccadilly Square with all his worldly possession in a box and a large trash bag. He's here to meet up with his old captain and closet thing to a father figure one John Price.
Who has yet to show up which is making Simon anxious, though he doubts anyone could tell. What with his skull face mask and black hood obscuring everything but his eyes.
"Simon?" A familiar voice calls out.
Turning rapidly at the name Simon sees the man he's been waiting for walking towards him from his left. Price is the same as Simon remembers, kind eyes, nice beard and bucket hat. It gives a small bit of comfort to Simon to know not everyone drastically changes when coming back to civilian life.
"Come on, follow me! This cold is doin' horrible things to my leg." Price takes the lead leaning heavily against a cane on his left.
Simon follows quietly behind the man as they make their way further into the alleyway. They turn into a small alcove hidden well, as they get closer Simon can see neon blue light flooding a small staircase leading down.
As they begin to descend down, the walls are covered in graffiti designs that all pop out well under the neon. Simon notices a man standing in front of a door; also covered in the designs. Price approaches and gives the man a firm hand shake before pulling him into a hug.
"I still have to see your ID Price, Mom will have my head if I don't." The voice caught Simon off guard, he's an American and from the south.
"Here you go Graves, Simon got an ID?" Price was looking back towards him with a smile across his face. "Anything will do, this muppet just has to know you're legal to drink."
Simon balances the box in one arm, reaches into his hoodie pocket, pulls out his old, beaten up wallet and produces his ID. It's the newest thing he owns and the reason he wasn't in his car when it was totaled. Small mercies that's all he gets.
"Right you boys have a good time," The american, Graves, opens the door. It's only then that Simon notices the neon sign above it that has illuminated the entire encounter, 141. Simon assumes it's the address of the building.
Price shuffles in followed closely behind by Simon. They enter into a relatively large room with seating and booths taking up a small portion of the area, there's a bar near there with another figure. The vast majority of the space is taken up by a large dance floor, a vast majority of the lights are dim and the only two well lit areas are the bar and a DJ's booth against the furthest wall. Another figure seems to be working behind it but it's hard to make them out.
Price walks over to the bar and leans against it waiting for the bartender to greet him. After a bit of time the young man turns towards Price, he has short dark hair, freckles all over his face or at least where a black mask isn't covering it. He's cleaning a glass as he turns cocking his head to the side like a dog.
"Gary, how've you been?" Simon watches as the man sets down his glasses and begins making rapid hand gestures that Simon recognizes as BSL. Sadly he doesn't know enough to understand what he's saying.
But Price does and they hold a bit of conversation for a bit before Price asks for Mom, who Simon assumes is the owner. The bartender, Gary, gestured up before turning back to his work. Price thanked the man before turning and walking towards the DJ's booth, Simon again follows. Once approached Price calls out a greeting towards the figure, Sam, who keeps working and only raises a hand to wave.
Simon didn't notice the door immediately, it was well hidden behind the booth in shadow. Price walked through a small set of stairs that led to a small hallway with 3 doors, one to the left and right and one straight ahead. The one straight ahead had a little sign on it that read; Welcome to O'Connor's, Play Nice & No Rough Housing In My Bar. Price opened the door and stepped to the side to let Simon in first.
Simon is immediately greeted by a two tiered well lit room. Straight ahead is another door with windows lining the wall, he can see a small cobbled road and paved sidewalks lined with other buildings and shops. There are booths lining the windowed wall and the wall to the right of Simon, the wall to the left of him is covered in multiple pictures and a set of wooden double doors that seem to swing open. Directly to Simon's left is a large bar surrounded by stools with a large shelf behind it that's filled with various bottles of liquor.
There's a man sitting at a booth sitting next to two women all chatting, there's two men sitting at the bar watching the TV that has a football (soccer) game going. Price walks over to the table first patting the man on the back while talking to one of the women. Simon learns the man's name is Nikoli and the couple is Sarah and Kate Laswell. Simon has heard a couple of stories about Nik and Kate while serving under Price before the captain had his untimely accident that took left leg that is now a prosthetic.
Price introduced Simon to Alejandro and Rudy who were the two gentlemen at the bar, when there was a small chiming sound as a man and a woman stepped in and everyone seemed to light up.
"Farah! Alex! I didn't know you two were back in town! How's your family Farah?"
"Hello! We got back late last night, they're doing good. Dad says hello John!" The woman, Farah, gave everyone hugs as the man Alex gives a firm hand shake to Nik and Price.
"Where's Mom?" Alex, another American who again caught Simon off guard. Simon wasn't surprised by Kate as Price made a great many jokes about it.
" She is in the kitchen!" Rudy supplied smiling as he turned towards Price.
"She's making a fresh bre- NO!" Alejandro begins speaking in Spanish as Rudy starts laughing patting the man on the back. Simon is a little caught off guard with the variety of people here, with Nik being Russian, The Laswell couple, Alex, and Graves all being Americans, Farah being from Urzikstan, and Alejandro & Ruby being from Mexico. Simon's thoughts are cut short as the double doors swing open.
A man wearing a similar outfit to Gary's comes in, he's wearing a black button up and black slacks but where Gary has a purple bowtie this man had nothing but in his chest pocket he had a little red pocket square. He's carrying a large planter with multiple plates of food that he hands to those sitting at the table. Once he's done he turns around. When he smiles Simon feels like he's looking at the sun, it's so bright.
"Price! Good to see you, Mom told me you'd be stopping by!" The man steps behind the bar getting drinks for Farah and Alex.
Price guides Simon into the kitchen, the scent of fresh bread and simmering beef stew wafted into Simon's face. There was another man standing at a stove humming to music that was being played further into the kitchen. Price walked over to him and leaned against the wall next to the wall and started chatting with him. Kyle was the name Simon heard.
"Oh! Simon just walk towards music and looks for the woman with ginger hair, let her know I sent you..." Price smiled reassuringly at Simon before going back to the conversation with Kyle.
Simon did as he was told and began to walk further into the kitchen following the music playing. He rounds a corner to see a woman with ginger hair, long white sleeve rolled up as she's kneading dough.
"Excuse me? Are you Mom? Price told me to find you." Simon said after clearing his throat.
The woman looks at him and smiles sweetly before putting the dough into a tray and slipping it into the oven next to her. She removes her apron and washes her hands quickly before walking towards Simon. Holding out a hand and as Simon grips it to shake she begins to talk.
"Nice to meet you lad, Maevis O'Connor but most everyone calls me Mom. If you'd like to follow me we can have a proper discussion while we sit..." She steps past Simon guilding him yet again. As they pass Price and Gaz she speaks up again.
"Kyle darling the bread is in the oven, the timers are set. You'll be the only one here, make sure John doesn't burn down my kitchen won't you?"
"Yes ma'am, Shepherd's Pie is almost done so I'll watch for the bread." O'Connor nods smiling so sweetly towards Kyle.
"Oh come now Maeve I won't burn down your kitchen!"
" If you keep distracting my head chief you will... Mind yourself this is my kitchen and I keep my knives very sharp John!" She says as she pushes through the doors holding one open for Simon.
She points towards a small booth in the far corner closest to the door Simon had originally entered from. Simon goes to sit down as O'Connor says a few words to everyone after walking behind the bar and grabbing a small piece of paper. She hands it to Simon before sitting across from him.
Simon looks down to see a small menu with four meals on it. His confusion must be visible in his eyes because O'Connor speaks up.
"Pick one and we'll bring it out for you lad!" The same sweet smile across her face.
"Ah no I'm good, I'm not hungry!" As if to call Simon out on the lie his stomach growls.
O'Connor tilts her head at him but before she can say anything the bartender appears at their table.
"What can I get for you tonight?"
"Nothing I'm good..." Simon says again hoping he stomach doesn't betray him again.
He hears O'Connor sigh before ordering a slice of Shepard's pie then looking to him
"What's your drink of choice lad?" Simon again tries to deny to no avail.
"John! What the hell does this stubborn git drink?"
Price who'd sat at the table with Nik, Sarah and Kate have their own booth eating together, turns towards them before yelling back.
"Kentucky bourbon, neat!" Price smiled at Simon as though he could see betrayal on Simon's face even with the mask on.
"Like a good ol' boy" the bartender gives Simon a wolfish smile that makes his heart stutter and his lower half jump. He's extremely thankful for his mask as it hides his blush that's definitely spreading across his face.
"Down MacTavish, no need for that. You've got what you need here." O'Connor swatted his arm, the man MacTavish laughed hard before ducking into the kitchen.
"I'm sorry about him... So you're Simon! I'm sorry to hear about your bad luck lad but hopefully I can help you turn that around. I've got a few spots open for both the bar and the club, which ever is preferred. There's a few potions open in the kitchen and doorman/bouncer for the nightclub." Simon and O'Connor talk about what the jobs would entail and how much he'd make per hour. Simon decides on the bouncer and doorman position.
"Are you still interested in living here? I don't know if John told you or not but you'll have a roommate. MacTavish has a spare room that he's already cleared out and set up. All you have to do is move in, if you're interested."
"Yes, Price told me and I'm more than okay with a roommate." After they confirmed a few details O'Connor left to grab some paper work for Simon to fill out, while walking away she stopped MacTavish who'd just walked out with Simon's food. He sat it down and came back with the bourbon.
"Do you mind if I take this seat? I figured we should chat a bit if you'll be moving in. So I'm John MacTavish but the regulars calls me Soap... Expect for Mom." Again Simon's heart flutters at the smile Soap flashes him.
"Johnny, what's with the nickname?"
"There wasn't an automatic dishwasher when I started working here so I used to do it. I always had soap suds in my hair when I came back to the bar, eventually the regulars took to calling me Soap... It stuck."
"O'Connor mentioned everyone who works here is former military, what did you do?"
"Demolitions! Had a knack for blowing things up, happened to be too close to one of my explosions. Can't hear well enough to continue service... Got to Sergeant Major, what about you?"
"lnfantry, Lieutenant... Psych evaluations didn't go how they'd like."
"Lieutenant huh? Want me to call you LT?" Same wolfish smile and a quirk of his eyebrow, Simon couldn't handle how his heart fluttered.
"No thanks Johnny, Simon's fine."
O'Connor came back with the papers and a pen and sat them down in front of Simon, "Just fill this out and set it on the bar, Tavish your off the clock I'll man the bar. Help Simon get settled in and show him around... Tomorrow's Sunday so I'll train you on what you're expected to do, Simon and introduce you to the team."
"Thank you for this, it's greatly appreciated Ms. O'Connor."
"Call me Mom, lad... I'm sure the regulars will come up with a nickname for you. Goodnight boys." O'Connor walks to the bar as more people begin to trickle in.
After Simon finishes his food and drink as well as the paperwork for O'Connor. The whole time he sat silently while Johnny chatted away, normally Simon would have told anyone talking to him this much to piss off. But for whatever reason he didn't find himself annoyed at Johnny and his constant chatter, Simon even responded and asked his own questions.
"When you're ready, follow me." John wink at Simon who was forever grateful that he's wearing a face mask because the amount this man makes him blush isn't fair. "You got anything else you'll need help grabbing?"
"No just the box and bag... Didn't have much before the military." Johnny nods before leading Simon back through the door he came through originally.
John pointed to the door on their left and lets Simon know that it leads to O'Connor's flat, it's the smallest one. It also leads to O'Connor's office in case Simon ever needs to know.
They go up passing a small landing with a door, which Johnny informed him was Roach (Gary) and Sam's flat. They get to the second landing and stop, Simon learns the Gaz (Kyle) lives on the floor above them and that there's a large roof access that everyone in the building is allowed to use.
Johnny opens the door to reveal a decent sized living room with a dining area and a nice kitchen. There are two doors to Simon's right and another on his left between the kitchen and living room. The door on the left is revealed to be their bathroom which was an okay size just very long. The first door on the right is John's room.
Simon's room is already slightly furnished, there's a big bed against the far fall, a dresser next to the door and a closet in the wall him and John share. It's simple and a lot more than what Simon was originally expecting, he's left to unpack his room which isn't much, all of his clothes fit into the first two dresser draws and everything in the box stays in the box under the bed. Simon leaves the room to put his bathroom supplies away. As he enters the living room he's greeted by an unholy sight that makes his heart stop beating and everything else to rush downstairs.
Johnny is sprawled out over the couch in his work clothes, his buttons down opened just enough for Simon to catch a glimpse of his well built chest and the faintest dusting of brown chest hair. His head is leaned back and tilted at just an angle that the light catches every feature of his face and highlights it gorgeously. His arm on the top of the couch perfectly flexing and his legs spread open just right to make the black slacks he's wearing to strain against him perfectly. He's a vision that Simon wants to devour...
Then he opens his eyes and it's like Simon is adrift in the sea, such a crystal clear blue that swallows him entirely. He can feel himself step forward as Johnny smiles at him like Simon's being lured in. Finally though his brain catches up and Simon clears his throat.
"Where should I put these in the bathroom?"
"There's a shelf next to the bath, half of the cabinet below the sink is yours along with the top two shelves behind the mirror." Simon is quick to lock himself away in the bathroom, he's struggling to keep himself calm. Just by looking at him Johnny has made him an absolute wreck. Simon eventually sorts out where his stuff goes before leaving.
Simon leaves and is greeted by Johnny leaving his room in a simple tank top and sweats. Simon walks out trying not to stare when the man lifts his arms high above his head to stretch and lets out the most sinful groan of relief. Simon felt his mouth go dry and his hand ached as they were curled into fists. This was going to be hard on him but he's sure he can deal.
Simon can absolutely deal with his hot as sin roommate.
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itsrlymine · 20 hours ago
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Heyy could I be 🦀 anon please?? I really appreciate your account and how you don’t sugarcoat things, it’s so motivating. I’d like to share some successes I achieved recently, there’s plenty but I chose the best ones
I got rid of my social anxiety, overthinking and fear of presentations completely. I used to panic when I had to present in school, but I’m so chill rn and it always goes well (as in, I get extremely praised by everyone bc of how good my presentations are). I also don’t get anxious over social interactions and I’m much more outgoing + not afraid to speak up. I never went to therapy or anything, just used a subliminal and some affirmations and boom I had it.
Wanted to look and seem more angelic and I kid you not I got stopped by a random older lady on the street. She just kept talking about how amazing and angelic I am, should never change and how she’s so surprised to have seen someone like me. This may seem unbelievable but damn it is very much real 😭 I also got called “blessed by the gods” by a classmate of mine
I decided I’m the main character and that my life is much more interesting: the amount of good and mc-like things that happened ever since is insane. Plenty of cute cafe spots opened up near me and I’m getting invited out by this girl I’ve always wanted to befriend, she’s also so kind to me. The chocolatier lady near me keeps being so nice and she told me I’m her fav customer, we often talk a lot once I come over + I’m getting free chocolates and try new ones before they even release 🤭💞 i picked up new hobbies and I’m amazing at them, especially badminton and jewelry making. I get along with basically everyone and I keep having lovely interactions with them.
And much much more but I’m not sure how you feel about longer asks so I’m cutting this one short. Overall I’m very grateful for you and your account, I’m looking forward to your posts 🩷
Hello 🦀! I appreciate your appreciation!!! Thank you for sharing your successes, these are so sweet!! Everybody is you pushed out fr! There is no denying! I don't mind longer asks babe bc they are for me and everyone one on this blog. I will make sure I have many more amazing posts for you to look forward to. I'm gonna need more of those success stories when you get the chance... love you babes!!!
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cocodotgreen · 6 hours ago
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Simynthos - (almost) cc-free
With all testing done I am happy to share with you the (almost) cc-free version of Simynthos today! I was actually surprised by how quickly it could be transformed, and I have to say I'm very happy with how it turned out!
For this version I removed all decorative cc. The only cc you now need for full functionality are the rabbit hole rugs. The lots are so small, there wouldn't have been nearly enough room for the in game rabbit holes. The rabbit hole rugs can be downloaded here.
I still recommend using the performance mods from the original post here, just to make things a little more smooth and enjoyable during gameplay. But they are not strictly necessary. You could also go completely vanilla (more on that below).
There are a couple of things to note:
Some of the double beds are placed against a wall and therefore only one sim can sleep in them now. You can replace them with the one sided beds for two sims, the ones I used in the original version, if you like. The mattresses by sketchbook pixels can be found here, and some nice custom bed frames from @aroundthesims can be found here.
I did make use of @omedapixel's S3DT (Sims 3 Decorator Tool) in two or three places, just to place decorative items on surfaces where they cannot be placed in a vanilla game. You do NOT need the mod for these items to stay in place, as long as you don't move them when redecorating. Then they may slip back into normal mode and you will only be able to place them back with the mod. But it's only in a couple of places, so even if that happens, it will not have a significant impact on your game.
Replacing some of the cc did result in some interactive items not being usable at first, but I hope I caught all of those cases during the (quite extensively 😉) play-testing. So now all interactive items should be usable. If you find any place where an item can't be reached by the sims, please notify me and I will update the world.
How does it run?
I have tested this version of Simynthos in two scenarios: With the routing optimization mods I recommended for the original version (that's the save all the screenshots are from 😉), but also in a completely vanilla game, playing just a small family with one child, and it actually ran pretty well on my gaming laptop, even without any routing improvement mods (my game is optimized though)! If you're going completely vanilla, it may get a bit annoying in some places though, with sims not being able to pass each other, and toddlers not being able to be put down on the ground due to lack of space. But if you do not want to use any mods at all, it would probably still be playable with a small household that doesn't host huge parties 😉
Thanks again to the creators who have made this world possible:
Thanks to @nilxis, the creator of „Sa Pineda“, for the beautiful base to this world. The island on which Simynthos was build is entirely their creation. I did not change the island itself or the terrain painting outside the lots (except for some places where I placed the walkways/paths). All credit for that goes to them! You can find the original version here. Also make sure to check out their other worlds, while you‘ re at it. They are some of my favorite worlds!
Thanks to @nornities for their extremely helpful CAW guide here. Unfortunately I only found this guide when Simynthos was almost finished. I could have avoided some of the mistakes I made, had I found it sooner!
Some of you may know, that I am not the first to make a Greek version of Sa Pineda. Back in 2016 Vendela created Simtorini. This super cute world has the typical blue and white houses another Greek island, Santorini, is famous for. Go check it out here.
Download Simynthos (almost) cc-free
Link to original post for Simynthos (version with cc)
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mysteryanimator · 2 days ago
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Breaking down Castlevania Nocturne Season 01 - Episode 04 "Bedroom scene" (almost) shot by shot!
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Breaking down episode 06 / Breaking down episode 08
(Word count 6.3k I am so sorry HAHAHA)
I was heavily considering not going through episode 04 mostly due to being in the public eye but I like talking about shows I enjoy, regardless if my writing is shitty or not. By the way, the title says almost go through this shot by shot only because there's a 30-image limit. This scene is LONG so I can't catch everything but I can catch most.
By the way, before we start, a massive huge thank you to the Nocturne people, i don't think they'd read this, but if they do, all the scenes are really well crafted and interweave soooo nicely to their next point of interaction. I would love to know everyone who worked on this section, but if not I do hope they hear my utmost thanks and applause from all the way from Australia.
(Actually, just everyone who worked on Nocturne take a standing ovation from me lol, the show actually changed my life lmao, but I digress)
To introduce people who may be reading my analyses for the first time:
I implore you to rewatch Nocturne after reading this and make your own thoughts because while this is an analysis, it also comes through my own lens. These are just my thoughts and by no means end-all-be-all!
These are just observations based on my special interest and study in the field of in media production and analysis (i haven't been in that field for a while but I'm trying to get back into the swing of things HAHAHA)! Despite all of that, this is for fun, which is why I will be writing a lot more casually, so please don't take this too seriously! This not only helps me out as a student to become aware of how stories are put together and, in turn, how to apply them and make my own, but it also allows me to impart that excitement to you! Shot choices matter, especially when you have only 8 episodes, a deadline, a budget, asset restrictions, and so on. It all has to count. Everything matters.
Passionate creatives care and there is more than "the curtain is blue just because." The times when things slip under the radar and are put there just because are mostly due to executive meddling, budget restrictions, and deadlines.
With that said, this is actually a lot more thicker than previous breakdowns, WHOOPS. So please feel free to read this in chunks, and I will warn you that my grammar is not the best so you might have to bear with me here! As a warning, I will be using the words like sex, genitalia, etc. I only mention the actual acts of sex when presented as a joke.
--
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Why am I putting in this last close shot of Tera? It is important because the whole scene beforehand has us mentally prepared for a fight or something a lot more action-like. The walls behind Tera and Olrox's room are REALLY similar, therefore once we see this inn room, we make a split-second assumption we're jumping forward in time with the protagonist. A picture says a thousand words.
Right up until the Olrox and Mizrak scene, our protagonist and antagonists both have very distinct places of associations and visuals, which often give the audience clues about their roles. They're established immediately from episode 01 and don't divert that line, that is until inn room. You can argue the line waivers in the courtyard, but the distinction is made REALLY clear in this episode.
The main cast, aka our protagonists, their places of association are usually amongst nature and people. If they're inside buildings, it is small cramped space, very much lived in and not completely upkept BUT it is what makes them very human. Our antagonists are associated with grand buildings and detailed windows that almost touch the ceiling. Gold trimmings. Vibrant rich colours that could only be afforded by the rich. If not the massive chateau, we have larger-than-life catholic churches, with stone walls higher than the eye can see. Our antagonists are congregations and establishments. Our protagonists are individuals.
I'd love to put some examples but I've used up my image slots, which means I'm making you rewatch (jokingly you don't have to) Nocturne from ep1-ep4 making you really conscious of the backgrounds
We as an audience have already slotted Olrox with with high-class, even though we as an audience know there's more to him. Olrox is designed with visual cues of the antagonists. His clothes literally could be wallpaper for the chateau. Not only that, the way he stands and holds himself very much leans into some of the stereotypes and tropes of the upper class that are often shoved into the media we consume. Then Mizrak, we do not see Mizrak anywhere besides the church, just strictly following the commands of the Abbott. We as an audience already have preconceived notions about religion, especially catholicism in the real world. Also, we have an established view of how Castlevania goes about religious characters from the previous series. Mizrak appears to have no other purpose but to be one of the main antagonist's guards.
This is a subversion.
Subtly this is going to tell us there is so much more with Mizrak and Olrox, and how their values align more with the protagonists rather than the villains and antagonists of the show. However, since they already began as oppositions to Richter and co, they need to earn the trust of the audience first so then they become more likable whenever they do have to earn the trust of Richter and co. This is our first building block. A step towards trust towards us and a step towards trust between Mizrak and Olrox.
(The location of their private conversations is REALLY important because they also tell us a lot about the characters, but I'll save it for the ep 3 breakdown when I get to it)
The sequencing and length of these shots are really important for the first half of the bedroom scene because we have exposition to get through. The scene has to be set out very strong from the start BUT, it also has to ease us in because this is a drastic shift, not only visually with naked characters but also a shift on the audience's expectation of already established characters. This is why we need this window first. We need to ease into this bedroom scene, or else we're going to be way too distracted by what is about to be shown.
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Going forward SOME of these will be gifs to help illustrate my point. After all this is an animation! This is really important to show you in motion.
This pan down, oh my god this pan down. Camera pans help to reveal new information off-camera or to showcase a shift in tone/perspective. Suffice it to say THAT IS A LOT OF INFORMATION and a new shift in tone. This long shot is here to help establish our setting more clearly, what characters we're following, and what is happening. What are we establishing here? Mizrak and Olrox had sex in an inn room, that's all this shot is. It doesn't have to be anything fancy, other than the fact Olrox is censoring his own and Mizrak's crotch but that's it. As simple as it is, it is extremely effective. Yet it's so pulled back and obscured by the flower we can't be completely certain which is why we need the midshot of them that follows after, which helps to continually ease us into the scene. It tells us so much with so little. Show, don't tell is not only a powerful tool in visual arts. It leaves the audience to their imagination and I'm pretty sure a lot of us can fill in the gaps (I see you writers, I've seen everything on AO3).
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This a midshot of Mizrak blankly staring up at the ceiling. Then they both turn to each other before Mizrak leaves and Olrox watches. In silence.
It's simple.
It's straightforward.
It makes you throw your arms up and go "what the fuck is happening???" It works. We're easing into this scene which is what we need. We're distracted by our own shock. So we've gone from our establishing the bed to establishing in our faces that, yes, it is indeed Olrox and Mizrak and they are both naked. That yes, they had sex and that Mizrak decided to stay for the night. Reasons? No clue and it's not important plot-wise, we just need to wrap our heads around that it is THESE TWO. It needs to be simple.
The lack of dialogue gives us room to breathe and to think. This is why this shot feels and holds on for what feels like a long time, in silence.
It might've changed but last I recall on average, shots will hold for 2-3 seconds. This is due to preventing the audience loose interest because the unchanging visual stimuli (and let's be frank attention spans are shortening, therefore media will change to reflect that). HOWEVER, a shot length heavily depends on the context of the scene and what you're trying to specifically say with a single shot, therefore making it super short OR super long. This one shot is six seconds. It allows for the dramatics to be amped up and it allows us to get through our shock for a bit longer since we're only TWO SHOTS into this scene, and right after this we're jumping straight into exposition and their deeply intricate dynamic. This is out six seconds to scream our heads off in shock and laugh in disbelief before we get hit with Mizrak's existential crisis.
The silence and the simplicity of it all also strengthen their mysterious characterization that has been established in episodes 01-03. We never see how they got here OR the act itself. However, what is really telling of these characters is their lack of body language and facial expressions. From episodes 01-03, Mizrak and Olrox have been seen to be very reserved characters until their fight in the courtyard. Their last scene together was fighting, in a courtyard. Now we're seeing them, post-sex, with neutral expressions and body language? The lack of any answers, the lack of anything dynamic happening from this shot and the last shot makes the audience absolutely learn for an answer. We're now invested in this side plot. What got these two men to be in this vulnerable state? How do we get the answer? We sit, we wait, we watch that vulnerability get earned. Mutual vulnerability that is.
This gets into personal opinion here so feel free to skip, but I really really enjoy how we get absolutely no answer or visuals, which might be a strange take for someone who does of fan-anims and fanart of them coughcough. We as an audience can get through literally two images and understand they had sex. We don't need to be spoon-fed. Media is in my personal opinion is more fun to engage in where we get just enough to know what going on, but we can fill in the blanks ourselves. We can read between the lines. This is adult animation. This is not to say I'm opposed to an explicit scene with them later down the line, I just think this is a very good way to establish the dynamic they are going to have. It has me way more emotionally invested in these characters which I believe is far more important because it tells me we're in it for the long haul and we're going to see a relationship actually develop in real time, both their high points and pitfalls. Also, I personally feel this whole scene is building towards something we have yet to see. I do not believe this is the last time we will see them put in a situation like this due to the whole emotional weight of them being naked, but that's theory territory LOL. I'm so happy to be proven wrong though.
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This long shot is slightly tilted up to help to censor genitalia but it is again a REALLY SHOCKING SHOT. I personally don't know any recent Western animated media that has done this, especially of a male couple. Even if there are some animated examples, this is not a very common thing, especially to this extreme.
Now we're actually getting into the meat of their actual discussions, knowledge, if you will.
By the way, the question Olrox is presenting, is already information everyone knows. Actually, a better word is presumed. We saw the abbot in episode 02. Olrox explicitly states it in episode 03, asking "Why is your abbot forging Night Creatures for the Vampire Messiah?" There's technically no reason to say this BUT for this scene, it works because we're still distracted visually. We still need to ease into this, much like how Olrox needs to ease himself into this conversation before getting what he wants truly. Mizrak's opinion.
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This midshot of Mizrak's back is so much important then you think.
I can be wrong, but I feel like you're supposed to be half-distracted or get whiplash by Mizrak's back. Frankly, we're supposed to get major whiplash from these two characters naked for a moment. These characters are usually completely covered from the neck down. This also makes the conversation they're having to be put under a way different lens. If they were clothed for this entire scene, the emotional weight would almost be non-existent.
Nakedness/lack of clothes is vulnerability, especially for a knight. Especially for a guarded vampire. I will be talking A LOT about vulnerability, so I hope I don't wear out the word too much.
You can perceive this shot in two ways and I think both work in this scenario. It can showcase even when naked and vulnerable, his unwillingness to open up, unable to fully face his own truths, the truths Olrox lays out for him. Yet, you're also having your back to a vampire, a perceived threat, which is a very vulnerable position to be in. You can't see your opponent.
It shows Mizrak trusts Olrox physically, but not emotionally. Not yet. We're going to watch Olrox earn it and for Mizrak to reciprocate it back throughout the series. Also just in general, sex requires vulnerability, choice AND trust, therefore even the implication of sex, those meanings get slapped down onto these characters. It means that they have the means to trust, be vulnerable, and have a choice with each other physically, but emotionally, they're building up to that.
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This medium shot will be the ONLY SHOT we get of Mizrak in his boxers. This is plainly in part of the fact he's hurriedly getting dressed BUT we need to see his hesitation, him slightly lowering his clothes, him actually listening to Olrox.
Olrox is right.
Though Olrox isn't here to converse about other people to Mizrak. He wants his opinion.
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Close-up shot of Olrox!
Close-ups are used to make the facial expression of a character the main focus. It gives us clarity on the character's thoughts and feelings on a particular subject, even when lying it can already tell us a lot about a character in the moment. The character themselves are the sole focus of the shot, nothing else. The same goes for objects. This also means when you do the opposite and obscure the face...
(drum roll to the next shot)
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This is a great close-up shot to cut to because this has Mizrak fully turn AWAY from Olrox, put on his armor, and paired with the line "I don't know what you're talking about." We're getting visual and audio confirmation that Mizrak does not want to acknowledge his own thoughts, in turn, he will not face Olrox and the audience.
He is actively putting his guard back up as soon as Olrox prods for his opinions. From episodes 01-04, all we have seen him do is be at the church and stand alongside Emmanuel, that's it. He is not a leader, a pillar of the community like the Abbot, he is a follower. A guard dog ( like Drolta Tzentes, though she has way more personal agency than Mizrak). He never voices his own opinion, his own thoughts. To do that would need you have the strength to be
VULNERABLE!
By this point in time, he's not fleshed to the same degree as most of the other characters. Richter gets the episode 01 prologue with Olrox being his main point of trauma. Tera gets her speaker backstory fleshed out along with establishing Drolta and Ezerbet's longstanding history. Annette and Edouard get a really well-established (btw beautifully done too oh my god) flashback as Annette recounts the past. While Maria has no flashbacks, her character gets to have her individual values and attitudes fleshed out due to her screen time and her connections to Richter and Tera.
Mizrak though?
Not much is known about him besides the church. We put this label on him simply due to what the show has given us, but through Olrox we're getting information out of him because clearly Olrox has seen there's more than meets the eye. Especially when Mizrak drops the line "when the world abandons you." Olrox's investment is also now our investment in discovering who Mizrak is.
Mizrak however, does not want to get personal feelings in the way of duty, a common trope in media for knights, soldiers, and religious people. So he shuts him out.
Multiple.
Times.
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This shot pans up, moving Olrox from lying down, which is more casual to more structured sitting pose. Specific movement is IMPORTANT to capture, so instead of just cutting to another shot, you move the camera with it. There's a tone shift. We need to see him go from lounging to making a very direct statement. Mizrak is ignoring his question so Olrox has to be more blunt with his statement because he needs him to listen- so the camera and the his body language have to clearly state "I'm not joking or fucking around anymore, just listen."
What he says is absolute truth though, this is exactly what happens in episode 08. "They're revolutionaries, Father. We're here to crush them."
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The stark difference here is crazy in this medium shot.
Mizrak. His head is purposely cut off, he's practically clothed, with his chain mail on. He's standing up and his posing is quite stiff with his hands almost balled into fists. You also might be thinking, why is his chest and boxers the only things we see???? It makes him appear so much more clothed up and, therefore a lot more guarded. Cutting off the face means we don't get to see his emotions, he's trying to ignore personal feelings on whether it's right or not.
Olrox on the other hand, is full body, we see his face, naked, and despite his very direct statement in the last shot, he still somewhat casually sitting. Olrox is STILL trying to get Mizrak to be vulnerable and trying to get HIS opinion.
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Funnily enough, I've talked about this close up shot before in BOTH episode 06 and episode 08's breakdowns. However, I've never actually discussed this initial way Olrox approaches him.
Olrox again, prods at Mizrak and this time Mizrak does have to sit with that thought. "Do you think he's right?" "Are you sure this path is right?" He's asking if what Mizrak is doing is good. If the horrors committed are justifiable. Both the way their expressions tell us that Mizrak does not think it is, and Olrox KNOWS. This close-up is INTIMATE. We're getting deep into personal matters (well try)
Side profiles not only give an air of drama to a scene, but it usually means there's more to the bigger picture since we're not seeing a person's full face. We're deliberately only seeing one side of the picture.
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This is a split-second shot and I've discussed it briefly in another breakdown, but now I can get to discuss it more in-depth now as it's own shot!
This is a top-down shot, putting these characters in a place of vulnerability and weakness. Olrox is put even lower than Mizrak in this shot, he's far smaller and takes up less space in this shot, therefore giving him less presence and less power. Episode 03 had established Olrox was the man (or should I say vampire) in control of the situation, hell, the shot just before this one had Olrox wrapping around Mizrak, again trying to get under his skin. Yet now he's suddenly placed the lowest in the power dynamic.
Not only this, the camera is packed in so tightly and close, it's practically suffocating. We have no visual room to breathe, almost like we're suffocated with the evil that prevails in the world and suffocated with the weight of the question "Are you sure this path is right?". Olrox's eyes are the only aspect we see of his face and Mizrak's eyes are the main focus of this shot.
And they both look horrifically sad. An emotion we have not seen either of these characters make.
This shot does not last long but it shifts the rest of the section completely, even when the moment of concern is gone. It lingers with us when dismissed because it does not match any other scene we've had thus far or what we have known of the characters.
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This one specific close-up is very important because it comes back to us in episode 08 and episode 06.
It's the holding from behind and the very concerned look from behind. Mizrak only ends up mirroring ONE of the behaviors. It's the concerned look from behind in episode 06 (timestamp is 19:25). They're put at the same heights, both talking about the evils of the world. Tin foil hat here, Mizrak may end up doing the other behavior, holding from behind, in another season.
The weight of this shot is so heavy that it is treated so differently amongst all of the other shots in this entire interaction. It also holds on for much longer. It holds for 5 seconds. This is important. There are little character moments from Olrox, like how Olrox looks up at him and he holds onto Mizrak as long as he can before has has to let go and watch him walk away. Duty, before desire.
A moment that Olrox has to go through once again for episode 08.
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In response to a line. "So we use our heads." Olrox jokingly goes "Or lose them."
This long shot is not only tilted up but it's on the slightest of angles as if to showcase how we're shifting the mood and tone of the scene. We are losing the gentleness and sincerity of the moment, back to the very conveniently placed knee to censor Olrox. We have Mizrak pulling up his pants. Whatever vulnerability they had, it's gone.
I don't think either of them wants to sit in the thought of their existential crisis because not only Mizrak is clearly going through one but Olrox is too. While I'm sure they were sitting with their own thoughts for a long while before meeting each other, it's only forced to be on the forefront and confronted after meeting each other.
So the "lose our heads" line ends up coming back around to where someone actually ends up losing their head in the same episode.
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While first, it is very comical because I've seen so many people make the joke of "Olrox gave Mizrak head" (which doesn't help because Olrox smirks at him after passing him the head), it also solidifies Olrox's truths to Mizrak. People will lose their heads under Ezerbet, and there is evidence not even hours after their discussion. Despite the humor, Olrox is deeply concerned.
Olrox is always right. Whenever he makes a statement, he has always been right and has always been proven right. The only thing he hasn't been right about is episode 08 when he says "If you go back, she'll kill you." However, in terms of technicality, Mizrak hasn't gone back to Ezerbet/Sekmet. This will be addressed in season 02 most likely and even then I think Olrox will be proven wrong. Maybe? We shall see LOL.
Which while we're at it:
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He eyes Mizrak the ENTIRE time during this very small interaction, and while he eyes him, we get a close-up of the book somewhat revealed before hiding it under his coat- silently communicating to him. This will eventually lead to episode 06. All interactions lead to effecting the next time they meet. I just really like this detail, though that might be a corn plate moment I'm not sure HAHAHA
Ok lets jump back to the bed scene!
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So this follows up the "So we use our heads." "Or lose them."
This is said insincerely, so Mizrak jabs back at him with the same insincereity and less seriousness of this scene. Coupled with the fact we have a panning shot of Mizrak pulling his pants up, aka, pulling up his guard. Important note again- his back is STILL FACING HIM. Even with the chainmail fully covering him.
Also, I just really enjoy the animation here, like the way his arm goes from in front of him and straight, and then goes to being pulled back and bent, but that's a side tangent.
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Low-angle tilted down shot. It ends up placing Olrox in a lower position of power than Mizrak in this current interaction, coupled with the fact that Mizrak towers over Olrox when he's standing up.
Despite us not seeing much of Mizrak besides his chest- he's fully clothed with his tunic FACING Olrox. While Olrox is STILL naked. Mizrak is shielding himself behind the cross. His faith. Olrox still is trying to delve into Mizrak's vulnerabilities and Mizrak won't give in.
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Props to everyone who worked on this shot he just looked really pretty here.
This shot is tilted up and a close-up, an opposite shot to the previous one. It feels daunting, coupled with that line especially. Unlike a tilted-down shots, which make a character appear more vulnerable and weak, a tilted-up shot can make a character feel more in control of the scene. It makes him appear unwavering and solid in his stance Also, this is so specific but we haven't had any solely focused Mizrak shots for a hot moment now. The last time we had it was when he had his back turned to Olrox- now he has all his clothes on and is fully turned towards Olrox. Say it with me !! Mizrak's guard is up !! He's shielding his vulnerability !!
He feels way more emotionally safer to face him guarded up and a lot of his language has very very subtly shifted from when he had clothes on versus off.
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Also thank you to everyone who worked on this shot, Olrox is very pretty here too.
Instead of having a tilted-down shot to do a verse version of Mizrak, it's pretty much straight forward close-up shot, which means the equal power dynamic in this conversation has returned. Simply because Olrox begins to prod at Mizrak again with the line "Who pays for it? Will you?"
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Oop naked Olrox. However, despite Olrox's ass being very clearly on display, he's not the main focus since his face isn't shown. He's only here to showcase the visual contrast of him being naked to a fully clothed Mizrak. Even his dagger is strapped to his thigh, which only means there's even more layers to his protective bubble he surrounds himself in.
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This close-up is important because it's a declaration of how much Mizrak doesn't care in the slightest. His facial performance, aka what we're focused on, doesn't look like he's lying or secretly worried either, he's genuinely disinterested. He just wants to get dressed and leave because Olrox keeps prodding at HIM for his opinions. As disinterested as he is for whatever Olrox has to say, he's disinterested in shedding his opinion.
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This midshot is so casual. He is very non-nonchalantly leaning back with a smile and jokes about demons. The camera moves with Olrox. Camera pans normally mean revealing new information visually, as if something is off camera, similar to the bed reveal at the beginning of this whole scene. What Olrox is doing is revealing new information. Also, he is on the very right of the screen then slowly gets pushed a little more towards the center, but still on the right. Having a character placed on the very cusp of a stage makes the visual balance feel really off, therefore as an audience, we feel really off-balance. So couple that with Olrox's humourous attitude with an information dump...
This so interesting because it sprinkles in that Olrox knows a lot about the forge master ability, hell itself, and a lot more we don't get privy to. He knows way more then he lets on.
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This ONE LINE gets three different shots. The very casual, humorous sentiment gets interrupted visually with extreme close-ups of Mizrak who is clearly peeved and tense about this. The quick succession of jumping to different images makes us tense up. This is due to the timing suddenly speeding up AND where the camera is placed is so drastically different.
He's reacting to the conversation unlike how he has before.
Now Mizrak's hands are fully covered, the last part of his skin, the last part that Olrox used in an attempt for vulnerability. Mizrak's guard is now unwavering, covered head to toe. He's gone from reserved and quiet to angrily guarding again.
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Lol you thought I was done talking about divides and boxes, you are WRONG.
Mizrak is boxing himself into all his preconceived notions of religion. This is the only time he's been aligned inside of the door frame. Mizrak is done with this conversation and he doesn't want to hear anything else.
Also, funnily enough- Olrox takes up the amount of space in this shot as to Mizrak and the door. Compositional it does make it feel more filled up rather than empty, showcasing Olrox is listening, peeved, but he is listening. It also might hark onto the Olrox God connections that are being subtly slid to us, though this feels like a slight stretch. There's a stronger Olrox God parallel I talk about later, so pocket that thought!
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I have to skip some of the shots because of the image limitation, but thought this one needed to be addressed!
Not only does this wide shot make us feel really pulled away and disconnected from whatever private conversation they were having. It also makes us feel like after this interaction, whatever same understanding they had, is gone (well not completely gone, it has to be rebuilt again). Mizrak's unrelenting faith in one God is causing a rift, a divide if you will between the both of them. They feel so separated, so distant from each other because Mizrak is still really stubborn.
Then after all is said and done. After Mizrak has the final say. He leaves and Olrox watches. Like episode 08. Again.
Olrox is pushed into a box, which funnyily enough, Olrox tends to be seen in a lot of boxed-up framing to the right of the screen. You can see a visual collection of it here. Whenever he's from the left of the screen boxed up, it's usually turned towards himself like an inner reflection.
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Ok, I have to skip some more shots to get to here.
"One God. And you think he can protect you?"
This is major foreshadowing but the one God, that Olrox scoffs about is himself. This close-up solely focuses on how he looks down and watches Mizrak from above. Much like how God is described in scripture.
Psalm 53:2 NIV: God looks down from heaven on all mankind to see if there are any who understand, any who seek God.
Psalm 102:19 NIV: The Lord looked down from his sanctuary on high, from heaven he viewed the earth,
Olrox looking at Mizrak from above as a protector happens numerous times in episode 08.
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There are also a ton of bible verses about living under the shadow of God, it's considered a positive thing because God's shadow covers the entire body, therefore a person is fully protected.
Psalms 91:1-2 NIV: Whoever dwells in the shelter of the Most High will rest in the shadow of the Almighty. 2 I will say of the Lord, “He is my refuge and my fortress, my God, in whom I trust.”
Psalm 36:7 ESV: How precious is your steadfast love, O God! The children of mankind take refuge in the shadow of your wings.
(i do realize now all my examples are psalms i hope that's ok to prove a point LOLOL)
Olrox is the sole protector of Mizrak to the point where he even drags him away for his own safety. The shot choice when he says it is a close-up shot of his face and his eye is slightly glowing, making him appear way more supernatural, almost god-like in a way.
It hasn't been confirmed (or denied for that matter) if Olrox's creature form is the Quetzalcoatl (an Aztec deity), but the god parallels are very apparent from the get-go, and a lot of the fandom (aka the audience) who are invested in Castlevania have placed this label onto him not only for the reasons mentioned above BUT also due to his association to Mizrak, who is a man who fights for God. However, this aspect doesn't get fleshed out like their vulnerability because Olrox only goes into this protector role at the very end of the season. After all, that is when he has a change of heart, much like Mizrak. This means this will not be the last time we will see Olrox in this role even after the break-up.
To wrap this up, vulnerability as showcased in episode 04 does appear in episodes 03, 06, and 08! I personally believe though that episode 04 however really hammers you on the head with it because you're able to play around with someone's literal nakedness as a visual metaphor. This episode is supposed to make you really conscious of them and the decisions they decide to make going forward. It is the bridging point between episode 03 and episode 06. It's a stab in the heart when you watch episode 08.
Vulnerability and the ability to open up is a massive thing between these characters and it's only going to get more raw and more human as the series goes on. We see it happen when Olrox is the one to open up first. One thing I noticed from both Castlevania and Castlevania: Nocturne is that love can be the most damning thing or it can save you. The choice, however, is up to you. However, to love is choosing to be vulnerable. By the way, love isn't just romantic it can be very much platonic and familial as seen with practically all the characters, both current and past... Olrox and Mizrak though are just really complicated and messy. Aren't all characters though? Isn't that what makes them human, even if they've lost it centuries ago? HAHAHASBDHADSB
(ok so the paragraphs below is my personal opinion but i think they're a good ending note/side tangent)
If we ever actually get an explicit scene it's going to make a specific commentary on how these characters have developed from season 1 to whatever season they have sex in, especially how they go about sequencing, pacing, and shot choices, especially with Netflix censoring and rating requirements. Limited things you can show, and limited things you're allowed to even imply, so everything has to make sense to what they want to portray AND say. Even simplicity requires a lot of thought. They can do some really cool stuff with it in which vulnerability, both physical and emotional, gets explored between Olrox and Mizrak. Sex is actually a very interesting way to explore a dynamic, I feel it's really underutilized, though it's mostly in part to a societal downpour view on it. With Mizrak and Olrox, two very withdrawn characters, you could say something really interesting about them as individuals and as a pair that you might not be able to do when clothed. The commentary may be as simple or as profound as the creatives behind this want it to be.
A counterpoint though is that you can very easily make a non-explicit scene feel really explicit and sensual without sex or kissing. While yes, we want confirmation through that means, don't get me wrong I love when queer love is straight-up told to us, there's something about telling a story of intimacy between characters that will often engage us first into a story. Phrases like "This is gayer than gay sex" are coined due to the emotional connection a character has, leaving a far more profound impact on an audience. Things like non-explicitly romantic touches like hands, the way the character looks at a person, communication, etc etc, are ways countless media have explored intimacy. Which Mizrak and Olrox already have. Why not build upon a solid foundation?
Whatever the pathway is, it will fit inside the themes of Nocturne and its aspects of revolution, freedom, and choice which is crazy to think "Olrox and Mizrak intimate scene??? meaning-" YES, it can (like sexual freedom, though I don't think it would be explored, it's just cool to think about). All of their scenes serve to strengthen those show's themes since they're a side plot. But I digress! I'm excited to see how they further Mizrak and Olrox's dynamic in a visual manner!
Okay, with that all said, I'm done with episode 04! One more episode to go! This was all for fun and to be silly about a show I really enjoy, but I hope this gets you to rewatch Nocturne! Apply this to other scenes! Enjoy the craft of animation!!
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mattyriddlesbitch · 2 days ago
Text
Yule Ball (Chapter Six)
Mattheo Riddle x F!Reader
Warnings: Mentions of fighting, I think that's it
Posting early since I forgot to do this earlier
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The Yule Ball was only hours away and you and the rest of the girls in your dorm were getting ready, putting on makeup and doing each other’s hair, helping zip each other’s dresses up. It was chaos, the dorm was a mess from all the clothes and shoes and accessories thrown about as some of the girls made last minute changes to their outfits. Lots of ‘Does this look good?’ and ‘How does this look?’ was being asked over the music playing. It was definitely the most active and chaotic the dorm had ever been since you started. Even the first and last nights of the school year were calmer.
You finally finished getting ready, looking at yourself in the mirror. The dress was gorgeous, the shoes matched perfectly, your makeup and hair were done perfectly. Honestly, you never felt more beautiful, but you were still nervous. Why were you nervous? It’s just Mattheo.
You didn’t have much time to think about it since one of the girls called your name to join in some photos they were taking to remember the night.
After the photos, you all headed to the Great Hall to meet your dates. You were so focused on not tripping on the stairs from your dress or heels, you didn’t notice Mattheo at the bottom just staring at you in awe. He offered his hand to you on the last few steps and you finally looked at him and smiled, taking his hand as he helped you down the rest of the way.
“Hi, Matty.” You said when you finally stood in front of him.
“Hi, princess.” He copied. The lack of words would’ve put you off if it wasn’t him you were talking to.
“That's a nice suit.” You smiled as you looked down at the suit, noticing the tie color matching your dress.
“Thank you. I like the dress.” He said, making you look back up at him.
“You get into another fight since I last saw you?” You asked, noticing the cut along the bridge of his nose.
“Maybe.” He shrugged.
“So, what should I expect tonight? Are we dancing or just hanging with your friends or what?” You asked, still smiling at him.
“Do you wanna dance with me?” He asked, raising his eyebrows.
“I feel like that’s kinda the point of having a date to a dance, so yeah.” You nodded.
“Fair point.” He said, offering his arm. “Come on. We better get in if we wanna see Potter make a fool of himself.”
“Oh, right. He gets to dance in front of everyone.” You take his arm and he leads you both into the Great Hall.
After a few minutes, the champions of the Tri-Wizard tournament came in with their dates and danced. People slowly started to join them and Mattheo led you to dance with him. He placed a hand on your waist and his other hand held one of yours, your free hand going to his shoulder as he led you two to the music.
“Wow. You actually know how to dance, like really well.” You said, a bit surprised.
“Is it that much of a surprise? We were forced to learn anyways.” He said, smiling ever so slightly, like he was happy he surprised you.
“Fair point.” You said, repeating him from earlier. Each house had their own dance lessons earlier, and it definitely wasn’t optional.
“I did also learn when I was younger. My mother forced me to learn.” He said, his smile growing slightly.
“Oh, really?” He surprised you yet again, making you smile at him. You liked learning these little tidbits about him.
“You don’t believe me?”
“Hm. I’m not sure. I’d love for it to be true though.”
“Why’s that?”
“Because it’d be funny to imagine you in dance lessons.” You teased, and this time he actually chuckled.
He took the opportunity to catch you off guard and spun you before bringing you back to him, continuing to dance with you.
“Mock me all you want, at least I know how to dance. More than I can say about most of the guys here.” He said, letting go of your hand to place it on his shoulder, moving his to your waist, bringing you a bit closer as you danced.
“How old were you when you started these dancing lessons?” You smiled at him, seeing if you could get more information out of him.
“I was nine. But the teacher gave up after a few weeks.”
“What did you do? You didn’t curse them did you?” You joked.
“Maybe I did.”
“Surprised they lasted a few weeks then.”
“She was stubborn.”
“Seems like you learned something, though. It’s cute. Thinking of little nine year old you being forced to learn how to dance.” You laughed.
He just smiled at your laugh as he continued to guide you in the dance.
After a few songs, he guided you over to a table to rest and the other boys slowly gathered with you two. All the boys were joking around and their dates were gossiping, it really seemed like everyone was having a good time. It honestly was the happiest you can recall seeing Mattheo. He was laughing and smiling with his friends. You even watched and laughed as they danced together during a few of the line dances and fun songs. You really couldn’t think of another time you saw Mattheo smile this much.
He pulled you from your seat to join them in dancing. You laughed together as you danced to the music, just having fun, wrapping your arms around each other. He kept you dancing with him through the slow songs and the upbeat ones, swaying and spinning you, or just dancing while singing the songs to each other.
This was a version of Mattheo you really loved. A version you could really fall in love with.
No. That wouldn’t work out.
You quickly shook that thought from your head as you kept yelling the lyrics of the current song playing to each other.
“I wanna show you something.” Mattheo said in your ear during one of the songs so you could hear him.
You nodded and he led you out of the Great Hall by your hand.
“Where are we going?” You asked once you were in the hall where it was much quieter.
“Somewhere. Just be quiet if you don’t wanna get caught.” He said before putting a finger over his mouth as he looked at you over his shoulder.
You cursed him out in your head, knowing you were doing something that could get you in trouble, but still followed him.
He led you through the castle, up the stairs and down some hallways before getting to the final staircase that led to the Astronomy Tower.
“We’re not supposed to be up here this late.” You whispered to him but he just smiled at you.
He guided you over to the balcony and gestured to the view. “Yeah, but isn’t this worth it?” He said, looking at your face for your reaction.
You could see the lake and the landscape and, of course, the night sky. “Wow…” You breathed out. You’d been up here before, but not at night and not when all the stars were out. It was breathtaking.
His smile grew at your reaction as he turned his head to look at the view, leaning forward on the balcony railing.
“So how often do you come up here?” You asked after a moment of silence.
“A few times a month, at least.” He shrugged, looking back at you. “It’s quiet. And it’s away from everyone.”
“I can see why you  like it.” You nodded before looking over at him. “No people, it’s calming and pretty.”
“Don’t tell anyone about this. I would hate for my spot to be ruined by everyone else.” He said with a small smile.
“I won’t.” You smiled back. “Why’d you show me then?” You asked, curiosity getting the better of you.
He shrugged, looking back out at the night sky. “I don’t know. I don’t mind you here.”
You didn’t comment on that, not wanting to dig too much deeper into it. “I had a lot of fun tonight.”
“Yeah?” He straightened up and turned to face you, leaning his hip against the railing. “I had a lot of fun too.”
“I’m glad I went with you. I’m not sure I would’ve had that much fun with someone else.”
He smiled again at that. “Me too. I think that was the most fun I’ve had in…a long time.”
You smiled back at him. “I liked that. I liked how happy you looked.”
“Yeah, I wasn’t expecting to actually enjoy it, but…” He shrugged again.
You leaned up to kiss his cheek. “Thank you, Matty. For a fun night.”
“Yeah. Of course.” He said, watching as you leaned back down.
You smiled at each other for a moment before you spoke up. “It’s getting late. I should, uh, get to bed. As much fun as that was, my feet are killing me.” You chuckled.
“Right, yeah. Well, come on then, princess. Let’s get you to bed.” He said, gesturing you towards the stairs before helping you make your way down them so you don’t trip.
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