#thank u for this ask man i love it

[doctorwhommm]

I hsve an idea. Could u draw rose and ianto as besties

absOLUTELY I CAN

they’re chatting shit (lovingly) about their tall, long-coat-wearing, time-travelling, death-cheating, alien boyfriends who have spikey hair

[mblue-art]

this man. ..

(inspo) (og meme)

[wispscribbles]

Your art style is just so delicious!!! It’s got such low key Ghibli vibes, especially in the eyes, and your color control is fantastic. You’re amazing, keep rockin it! ✨

aw yay, Ghibli vibes!! I grew up on those movies, they've definitely inspired me to create. Thank you sm <3

wanted to draw some small ghibli ghoap after getting this ask. 'Ghost's moving castle'

[aninonimosstuff-blog]

THINK FAST CHUCKLENUTS!

[shkika]

i can't get over how cool this fuckin bug is i love seeing it on my dash so much

and i know i've already done it, but GOD I JUST wanna keep giving you all my thanks 😭

i love you (platonic) and your stuff and this website so much it's astonishing how i can spit out my most random thought ever after reading "happy wiggles" and be graced with the gift of A GORGEOUS PIECE OF ART

so THANK YOU SO MUCH for your creativity and passion and for simply being yourself on this wonderful site (your bug will make for a nice addition to the collection of fictional characters in my brain)

thabk you,, here is little wee wee enjoying its wretched meal

[albaricomics]

Did you see the new teasers for tnmn story mode posted on Nacho Sama's instagram? If you haven't, its soooo cool! It looks like we can customize our doorman (or maybe make a new neighbour?) Anyways Im really excited :D

YAAAAS I SAW IT!! Wonder if it is for our sona or creating new neighbors aaaa looks so cool!!

And alsooo I saw this little baby

[evelynpr]

Zhongli for the Genshin ask game please!

Genshin Character Ask game: Zhongli <3

There are entire several page long essays about the cultural inspirations of his character, stories, design, everything. Imo, he is Genshin's favorite in terms of level of cultural inspiration and pride to this day. You can read about a lot of them here!

One of these is his left thumb ring, which is called a 韘 / Shè in ancient China, and 扳指 / Bān Zhǐ now, implying he can shoot arrows with his left hand!

The English translation did not do justice for a number of translations in his 2nd Story Quest, which you can read about here!

Most notably, Azdaha (aka Re Tuo in Chinese), wrote a whole poem about just how amazing Morax is, and that the title of the question "No Mere Stone" is also inspired by a Chinese poem: "我心匪石 不可转也, 我心匪席 不可卷也"

[foolsocracy]

Whose Jean Paul Valley :•0? ~Canary

hes so wild

This will be the ultra abridged version, but basically he starts off as this com sci grad student and his dad (dressed liked a crusader and bleeding out) barges in to his dorm/shit apartment and is like... GO TO SWITZERLAND!! and dies

anyway in switzerland its revealed that he comes from a long line of guys that have been conditioned and trained to act as/be Azrael for the catholic(?) cult Order of St. Dumas. This whole training-conditioning thing is called The System, and it turns out Jean Paul has already been through that in his childhood and now that the previous Azrael is dead (his dad) it can be activated.

Its sort of like an alternate personality that is incredibly violent and 'righteous' and whatnot. And it turns out he was a test tube baby that got experimented on to give him physical enhancements. All this was repressed tho and he had no clue.

His debut got him involved w/ Batman and he takes up the mantel at one point after Bruce breaks his back. He does an awful job cause hes predisposed to being awful. Im p sure he was made batman in response to readers being like "batman should be dark, work alone, and be so mentally ill". And the writers went oh ill show you mental illness. He stops being batman and stuff but thats who he is at the way beginning. I'm still learning my Azrael/Jean Paul lore so I can't speak too much on it. Take this w a grain of salt

heres a random collection of panels/pages cause theyre fun:

[kalofi]

I don't mean to push you back into HLVRAI, but I've always wanted to say that your Gordon was always my favourite. It's what made me fall in love so deeply with your art. To be able to see yourself in a character you like so much is just such a delight. Thank you for doing what you do. :]

oh my god this is just the sweetest im grinning like an idiot rn 😭 THANK YOU that means the world im so glad u could find yourself in him thats so so important and comforting. just for you heres a quick gordon i ended up doodling on a sticky note when i first started my rewatch like a week ago YAY!!!!

[camels-pen]

The ask game reminded me that I’ve been meaning to bother you about the soul marks in a gift (not a burden)!!! I wanna know about the importance of the placement of the soul marks and any other details you wanna share pls n thank yooooou muah muah <3

YES YES YES THANK YOU FOR ASKING!!! (fic in question)

OKAY SO soulmarks, very funny little things that i put some thought into for these guys

Sanji:

Soulmark on his wrist, big enough to cover his inner wrist and peak out under a normal shirt cuff.

Easily shown off- both in placement and how Sanji makes sure to roll up his cuffs enough to always display it. Very 'heart on his sleeve' type of soulmark.

It's also centred around his pulse point, which is meant to represent signs of life, i.e., Usopp being one of the reasons Sanji wants to live, a discouragement from self-sacrifice, and overall encouraging a love of life. A reminder, you could say, to weather the storm of Things that Keep Happening to Him and make it through to his shining light in the deep, hopeless night. No i'm not thinking of whole cake, why would you say that-

Conversely, despite how he makes it seem so easy, he could also hide his mark with the same effort- maybe less- but he never does. At first, Sanji just wanted so badly to find his soulmate, but after being with Usopp he still doesn't do it.

I like thinking of it like Sanji thinking he could stealth as a straight man if he tried. Maybe he does or maybe he doesn't, even when it would make things easier for him. In a way, his mark is also about trust: trusting his life (breathing, not being shot in the back) vs his life (perception, image), one being easier than the other, but the mark on his wrist being proof that he was capable of both.

Usopp:

Soulmark directly above heart, tiny. About 1cm and hard to pick out details.

Must be shown off intentionally, cannot be casually/accidentally shown off unless going shirtless. More of a 'close to the chest' type of soulmark (heh).

Very accurately placed in the centre of the heart, which is meant to represent understanding emotions and deep connection, i.e, Sanji being good for helping Usopp sort through his emotions, understanding but not feeding into his fears and insecurities, and the intensity to which Usopp would/had/did become close with him.

This is one of those "very very rare placements", the kind you'd hear about in books and stories to show off some kind of perfect fairy tale love story. Partially have it like that bc Sanji loveddd seeing himself as some lucky lady's white knight, but also because he does end up as Usopp's white knight every so often kdjhfgd. The exaggeration in fiction doesn't help with Usopp's "this soulmate shit is bs" thing he had going on most of his life lol.

Mentioned in the fic, but he also shares soulmark placement with his mom! He didn't know what it meant as a kid, but seeing how his mom fared and his dad never making it home for the funeral, he didn't think it meant anything good.

[prince-liest]

oh my god. your wording in one of ur latest anon answers. does…. is val the only one who does the dumping? does vox never dump val??? i always like… idk i assumed that they both broke it off in a never ending downward spiral, mutually. but oh my GOD? you’re saying val is the only one doing the breaking up? i….. this is shifting my entire perspective on vox. HOLD ON. HOLD ON. not to beat a dead dove here (that was a brilliant pun yes i’m stealing it), but……… this is sliding right into my vault where i keep my Vox and Domestic Violence Thoughts. he just seems so…. helpless. he’s helpless all the time and in complete denial about it. at first it was clear he’s pretty helpless around alastor -in both canon and your fic. alastor is stronger, and also, in the beginning had the Extreme emotional upper hand. i knew this, yet, like in canon, i assumed more or less alastor was the chink in his armor. vox DOES run the vee’s competently, he handles val, and he’s arguably the fourth most powerful sinner in hell (behind zestial, carmilla, and alastor). those 3 things are true, AND YET. let’s look behind the wizards curtain. how does vox live his Personal life. not his job or position of power. how does his close relationships define him. let’s see now. the initial intense obsession with alastor, which had ONLY left him rejected and humiliated. helpless. and now val. i Assume vox enacts some physical violence on val, too, but something in his wording in the last installment. vox made the point to compare alastors straight up murder attempts to how val acts. i do not think vox does that with val, at least not in a trivial and common manner (he has said the vee’s have all killed e/o before). and when i said “sure he can act disgruntled and upset in the moment” in another ask, i MEANT that vox could break up with val for a couple days before crawling right back like nothing happened. but NO. NOT EVEN THAT. vox endures, and he ultimately does Nothing. NOTHING. and not even that, he is subjected to val breaking it off in a cyclic manner, for superficial or nonexistent issues. and then after a week val will call and vox will come crawling back like nothing happened, and the timer for 4 months begins again. through everything, EVERYTHING, vox really just seems… passive in the grand scheme of things. it’s paradoxical, because he’s also outrageously ambitious. i think that’s one of his core character traits, a constant greed and pursuit of it. that’s unequivocally true about him. but then we look at his love life, and what do we see? he lets the two men he loves basically do whatever they want with him. and he does it because he loves them, as well as being unable to admit he’s suffering. i will say, from now on it’s clear that his relationship with alastor is veering off this direction, but i want to STRESS that it was actually ALASTOR that cemented that. vox, in a spurt of emotion, let it slip out his history of domestic violence. then, promptly brushed it off to appease alastor. he set the terms of the deal, but he did it as a silly pinky promise. he, again, never allows himself to take it SERIOUSLY. because IF HE DOES!!!! then he needs to set boundaries AND ABIDE BY THEM!!!!!!!! AND WHAT THEN. WHAT THEN. THEN THE NEXT TIME VAL OR ALASTOR CROSS A LINE, HE NEEDS TO END IT. LEAVE. DO ANYTHING. AND HE IS NEVER GONNA DO THAT!!!!!!!! and here’s the real fucking kicker…… he expects them to. to keep hurting him. that’s the root of it. it’s not a real boundary, because it’s an inevitability. valentino and alastor will always want to hurt him, so a relationship without that violence is nonexistent. (that’s what he believes btw. hopefully not the truth). and so, vox has made his choice. he’s a businessman, and he has weighed the pros and cons. the violence and crossed boundaries he faces is outweighed by his love for them, and ultimately, that means they can do whatever they want to him. he is helpless.

(this was an entire rant, dear god. and of course the disclaimer that this is all my personal delusions, and not necessarily your take on vox in your series. i swear, i never know how these asks get so long. i promise i start of with a simple idea, then it all implodes into an essay. so sorry. love you.) -🌓

I have good news and bad news for you, anon!

The bad news is that I have misled you slightly: My actual full perspective of the Valentino and Vox on-and-off dating situation is that Vox dumps Valentino when he feels a sufficiently angry flavor of upset that Valentino refuses to listen to him on some things (usually not, actually, the violence, unless Val breaks something for Vox to be angry about); and Valentino dumps Vox when he wants Vox to annoyedly pretend not to moon after him for a week. In both situations, sometimes Vox ends up giving up the ghost and functionally crawling his way back to Val, but more commonly Valentino decides that he's had enough and rather handily seduces Vox into a round of what Vox promises himself is hate sex and not makeup sex but is inevitably always very sappy makeup sex with a side of lovebombing.

This is. Arguably not that different of a flavor from what you're describing, haha, especially since a lot of Vox managing to be the one to break things off at any given point in time hinges on him being able to frame his rationale as "anger" rather than "upset," the latter of which just gets brushed under the carpet of Emotions That Are Not Taken Seriously. He can act on a great many things if he justifies them as something he is right to be objective and angry over, including outright killing Valentino at least once at some point in the past, but anything that makes him feel vulnerable or, ah, let's deliberately and pointedly use the word hysterical, is a pre-existing internal struggle that Valentino knows how to manipulate to his advantage.

The good news is that this lovely analysis inspired me to almost completely rewrite a section of the next 666 fic that I'd been dissatisfied with. I initially wrote Vox as annoyed; what he needed to be was Very Stressed And Upset in a way that distinctly refused to dare stray into anger because the fundamental concern was about what Alastor wanted - just as you described, Vox fumbling his own distress with his learned helplessness when it comes to intimate relationships. Anyway, now I'm WAY happier with it! So thank you very much for that!

[leadbath]

the new little slips of emotion from chihiro ouughghghgh

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[ecstarry]

monty fic???? tell me more….

okay monty is like my bestie i swear no one understands him like me!!! i just see him so HUMAN on the inside, i have wanted to write a fic about jeggy falling in love but from someone else's POV and i want it to be from Monty's but showing james since a baby and just overall how he had to deal with fatherhood and all the doubts he had.

james is always like "omfg my parents are the best i want to be like them and have a love like them" and yada yada and Monty NOTICES that, how james just puts so much pressure on him to try to be like that and it breaks his heart because Monty is not perfect ofc not and doesnt ever want James to feel like he needs to do ANYTHING to be worthy or loved.

also monty to me has always is very much a queer man. i think a lot about call me by your name, and that last very touching touching monologue of the dad like just how much he wants elio to feel everything and love and be himself like THATS MONTY except he does live happily with effie

i just want him to be human and flawed but his lovely supportive self and aaaah i want him having a great love before effie and enjoy with those eyes as james falls in love with reg

[crismakesstuff]

Wasn't that scene in the comics too?

If you are talking about the scene in the opening sequence of s2ep4 kindaaaaa but not rly let me explain

spoilers for s2 ep4 “it’s been a while” ahead!

in the comic you get a lot of narration (bc that’s just the nature of a comic) where we get this exposition from nolan:

in the opening of the episode this seems to play out but instead there is no narration or any spoken dialogue for that matter. But then we get this beautiful scene that is original to the show

in the show you really see and feel the emotional turmoil that nolan is going through after ruining the live he loved and almost killing his son. He fully is attempting suicide here and the only reason he doesn’t end up going through with it is because he sees the thraxan ship getting pulled into the black hole. Let me repeat the only reason he doesn’t die is because he stops his suicide attempt to save lives.

He’s doing something that I personally think he did while thinking of mark, because mark would do that. He’s the kind of person to save strangers even if it blows up in his face bc of the kind heart his mother raised him with.

In the comic he just kinda meanders thru space and then arrives on thraxa and instantly just becomes like god king bc he’s the oldest and even ends up planning on giving thraxa over to viltrum as sort of “oopsie daisy I fucked up have this instead ok?” It’s something I personally rly did not like from the comic but they thankfully changed that in the show

The only reason he stayed on thraxa in the show and didn’t go back to try and end his life again is because he was asked to stay and to help them. I mean look at this guy he looked 100% ready to go and find that black hole again and finish what he started

In s2ep4 there’s no mention of him saying that he’s gonna give them to viltrum just that the reason he needs mark there is to help protect the people of thraxa and his little brother oliver. Which is a small but very important touch

Also over-all mark pushes back a lot more against his dad than in the comic where he rly just begged him to come home like a sad puppy and then nolan said “I’m not talking ab ur mother lolz”. Again the show fixes this and is doing imo a good job of starting his redemption arc better than the comic, nolan is by no means fully redeemed at all it’s gonna take a while but he’s trying and fucking ur and trying.

Hope this helped answer your question anon ! C:

[yea-baiyi]

hi i rly like fengqing and i want to Yell

do you think they planned the nan feng and fu yao thing together, or both just separately showed up and were like "........"

hi yes it is Yelling About Fengqing Hours

the funniest version of events is them showing up completely separate—that feng xin and mu qing both independently thought of the exact same idea, and show up literally within a few minutes of each other. and obviously they see through each other immediately because the plan was nonsense to begin with. so they are are dying to call each other out. except they can’t because they would reveal themselves so they are just seething. half of them yelling is out of frustration because they can’t acknowledge the massive elephant in the room

can u imagine. u haven’t had a civil conversation with your best friend in 700 years and turns out you guys still think the same way. and you can’t even acknowledge it out loud or you’ll ruin the plan (the same plan. the exact same, identical, shitty plan.)