#than to try to escape

[biggest-gaudiest-patronuses]

actually we in the community prefer the term "escape artist." yes that is the preferred terminology. no i get it's not what you grew up with. yes i know you weren't trying to be offensive. going forward maybe just try to avoid stigmatized terms like "escaped fugitive" or "killer at large". we are trying to move beyond that as a community

[bet-on-me-13]

The Fentonworks Mega-Lab.

So! AU where the Fentonworks Labs actually stretch Miles upon Miles below the City of Amity Park.

It started when the Fentons wanted to add a simple addition to the original Lab when they ran out of space to store their more dangerous weapons. They didn't want their (at the time) young children getting their hands on their experimental Weaponry, it could blow up in their faces!

So they built a different Wing of the Lab to hold all those Inventions.

Then they ran out of space and added a few extra Storage Rooms. But then they decided it was a hassle to have to carefully transport their Dangerous Inventions all the way to the Storage Rooms, and built a Lab specifically for Dangerous Experiments near that same Section. Then that Lab was occupied for a while, and Jack wanted to start a different experiment as well, so they built a few more.

In the end they just never stopped building onto their Labs.

There are sections of the Mega-Lab that are entirely walled off because a few of their more unstable Experiments contaminated the area. Walking into them was not recommended, else you could walk out with an extra eye or 5.

In other sections, their Captured Ghosts had taken over a few Labs and created a sort of Mad Max style civilization using their discarded weapons and vehicles.

In another, all Ghosts became Humans and all Humans became Ghosts. That was a weird one, to this day they still didn't understand how they pulled that off.

In another, some type of Eldritch Time Ghost had been born, and now sort of always existed and never existed, and began experimenting with its powers. They nicknamed it Clocky because it liked to carry around a stopwatch.

And so many more. At one point a failed Portal Experiment messed with the internal Space of the entire thing. Now there was literally no way of Mapping it. The Fentons still somehow managed to navigate it perfectly.

When Jazz and Danny grew up, they too learned how to navigate the Labs, which is how Danny managed to show his friends the Portal Experimentation Wing in the first place.

Unfortunately, it wasn't safe for anyone aside from the Fentons to enter the Mega-Labs, so one day when the Fenton Family+friends left town on a Week Long Camping/Road Trip, they put up a few Ghost Shields to keep both Humans out and the Ghosts in.

This drew some unwanted attention after some tourists saw the giant Glowng Green Building in the middle of an Illinois Town, and rightfully called the Justice League.

Now, the Justice League had tried to call the owners of the house, but nobody picked up the phone. (An incident with Jack and a Canoe had knocked most of their phones into the lake. They weren't even at the lake yet.)

When nobody picked up, they decided to investigate personally.

After getting into the House, they quickly found a door labeled "Labs: Do Not Enter (unless it we are late for Dinner)" and went into ignoring all the warnings.

They quickly regretted it.

[psychotrenny]

I don't know if such a word already exists or not, but there needs to be a term to describe how inhabitants of the imperial core will treat about those outside of it as sub-human. Like even those who consider themselves "progressive" will frequently talk about people in the third world in terms that disregard their agency, emotional complexity or the very value of their lives

[wellcollapse]

the way i would pay for oliver to write meta about buck's character

[sweetlullabyebye]

Charles' thing is that he wants to feel alive and that's part of the reason why he decided to never move on to the afterlife right? Meanwhile Edwin thinks Charles will move on and that he'll be alone again because 'he isn't good with people'.

But then when the Night Nurse shows up a second time Charles is ready to go wherever -including Hell- as long as Edwin shouldn't have to go back there, meanwhile Edwin refuses that they be split up, and both are okay with being sent together to the Lost and Found Department to be sorted out later as long as they're together-

[prolibytherium]

Just in general I think trying to look to pre-late modern period history for validation of LGBT+ identities is an absolutely useless venture. Every single underlying human experience defined through the lens and framework of LGBT identity has always existed, but it's impossible to pin down Exactly who and what a figure might have been if they existed in this contemporary context and decided to self identify via these labels.

It's also a wildly reductive lens that flattens the complexity and variety of how sex and gender has been constructed across time in different cultures, how sexual norms have varied, etc. This is not a constructive approach to learn about history and you're never going to be able to fit historical figures neatly into little identity categories.

[skeletoninthemelonland]

a glimpse of what their early dynamic looks like

[copia]

THIRTY-ONE DAYS OF GHOST ⛧ DAY ONE

first song you heard — Mary On A Cross

September 1969; Papa Nihil and the beginning of the Ghost Project take to the stage at the Whiskey a Go Go club in Los Angeles, under the watchful eye of Sister Imperator. Fifty-three years later, in Tampa, Florida, Papa Emeritus the Fourth performs Mary On A Cross, unaware that he is singing the story of his parents—and that of himself.

[egberts]

ALSO if prisoners could get educated then prisons could run themselves more reliably and function like communities which is conducive to a growing/healing/learning/absolving mindset

[tea-cat-arts]

I simply think this fandom doesn't give Wei Wuxian enough credit for the various ways in which he saved Lan Wangji

[fisheito]

you know when you're holding a snake but they wanna GO so they keep worming forward but you keep replacing your hands along the length so now you're both on a conveyor belt to nowhere

[sforzesco]

TRY AGAIN LATER

it's like. well. its several things.

(Plutarch's Crassus, trans. Warner)

and also this

(ibid.)

that compliment sounds like an insult, baby.

anyway, there's a fun kind of eroticism in being given everything, in taking things that aren't yours without any real consequence, in climbing towards becoming a Roman Alexander, only for one man to deny you, over and over and over again, at every turn. Sulla tried, Crassus did it better. who would put a butcher in their place? who else knows you well enough to do it? who else can match you step for step like this? doesn't it feel like a kind of intimacy, a kind of—

it's also about the 'even sulla kissed my sword/so you want me on my knees too?' innuendo was too good to pass up. that was actually the first line I wrote, I figured out the rest of this to justify making a comic with it

and finally! the sword line is referencing/playing off of Lucan's Pharsalia a little bit because it fucks hard

(Lucan's Pharsalia, trans. Jane Wilson Joyce)

EDIT: oh, and that's a public domain anatomical illustration of a heart. you know how it is with love and hate.

[nelkcats]

Darling Boy

"The monster's gone, he is on the run and your Daddy is here" Croc sing to the boy in his arms "Beautiful, Beautiful, Beautiful boy"

"You are not a monster, Dad" Danny said sadly "I know all of the people here told you so, but it is not true"

"Close your eyes, have no fear" Killer Croc continued singing

"That's not how the letter goes" Danny frown, only days ago he discovered he was "rescued" by the Fentons, who called Waylon (His Dad, he was his Dad) a monster (They called him a Monster too, why why why); Many years ago they were in a convention on Gotham and after seeing him and his dad walking on the streets they considered his biological father a monster, they stole him because they saw his "humanity" and wanted to "save him" (They stole that humanity too, THEY KILLED HIM, WHY)

"Before you cross the street, take my hand" Waylon couldn't stop singing, if he stopped he would realize this was all a dream, his boy would be out of his hands again (Like those scientists who keep screaming and pointing him with guns, stealing his kid, calling him uncapable of taking care of a human baby, screaming about him being a monster trying to kill his baby, but the cops arrested him and not them WHY WHY WHY)

"Dad please, look at me" Danny was going to cry (This was his father, his real father who just discovered cause his "adoptive" parents didn't have his papers) "please look at me, I am here"

"I can hardly wait" Waylon feeled the tears leaving his eyes, he hugged the kid closer, waiting for him to disappear "to see you come of age" he lost so many years (They stole his baby, They stole his baby, THEY STOLE HIS BABY, WHY IS NOBODY STOPPING THEM, PLEASE HELP)

"Papa, please" the halfa started crying, this was a mess, even if he didn't inherited the meta gen from Waylon ¿how could he tell his father he was half dead? That people see him like a monster? The only thing his Papa didn't want for him? (They stole him, they killed him, they called his Papa a monster, they called HIM a monster and now, ¿will he be able to broke his Papa heart again? ¿To tell him the truth?) "Please, I am here"

"Beautiful, Beautiful, Beautiful boy" Waylon whispered the last part "See you in the morning" he opened his eyes but his kid was still there (His baby was back, his baby was back, justice didn't work BUT HIS BABY WAS BACK)

"I'm here Papa, and I will not leave this time" the halfa snuggled into his father's arms, finally feeling safe, protected (Finally at home)

On the other side of the street, the bats looked at "Killer Croc" (That was not his name, Waylon Jones was good before justice failed him, was it their fault?) crying and hugging a child tightly, but without hurting him, it seemed that he was hiding him from the world (Could anyone blame him?) and they could not bring themselves to interfere

[rotisseries]

hades fandom dash osmosis had me kind of thinking that than and zag were the nicer friends to lovers romance and that meg was the mean dominatrix type but in my playthrough I've found that meg is distantly polite and than is openly a tsundere bitch. ok

[hecksupremechips]

Thinking of vlr Akane is so conflicting cuz on one hand I’m so upset that she doesn’t ever get a moment to just rest and enjoy being alive again I’m upset that she just gets deeper and deeper into this role she’s built for herself and she loses her humanity and will never ever be that girl who died in the incinerator. But on the other hand, I need her to get so, so much worse I need her to be so obsessed with perfection she has this unique ability to change the course of history and she will burn everything and everyone to the ground in the blink of an eye if it means she can "reset" and get a perfect timeline and I desperately need her to never be satisfied with anything because really, is there anything that’s worth all the damage she’s caused?

[soath]

It is genuinely not surprising that Ashton has such a strong The Gods Are Going To Kill Us take on the situation, given what they specifically have seen and what they have to relate to. They're about two weeks out from 1.) getting done violence onto them by an angel and then 2.) being told they have a bit of a dead thing that the gods tried to kill inside them. Then they go and put a lot of effort into getting that dead scrap to wake up (with disastrous consequences illustrating how incredibly volatile its power is). Then they have their only religious friend blow up in front of them. Then they watch a movie trilogy where the only non-god main character is another earth genasi broken-walking-timebomb whose main purpose on the mission is to explode when the gods need him to. They don't see the Lawbearer weep for her son, they only see the Emissary, a child, crying because he's afraid to die. Then they go to Vasselheim, the city of the gods, and see the corpse of a Titan, the dead thing the gods killed, yanked out of the earth and puppeted by one wannabe god and now desecrated in death by the overconfident followers of all the others. They're making something beautiful out of it, they're living on it, and normally he'd be in favor of that but they don't even know its name. They're building new temples on the corpse of the old world, hollowing it out and starting fresh, and Ashton is a part of that old world. They cannot stop being connected to a power the gods seem to, at best, be willing to weaponize. That would make anyone paranoid; given their background it's impressive that he's not more combative, tbh.