#tenor drums

[mackachu1212]

This originated when I heard the name rue be announced during a marching band competition and I added this lore to the one au I have where everything is mostly normal

Let me know if you wanna see Aziel in band too

If yall don’t I probably will draw it anyways because I have free will and these are my ocs

[sunkissed-paisagens]

What is happening rn:

[Get the time off from playing until 4th period in band] Everyone:*Just does they're own thing* Tenor, Snare, Cymbals, and Bass:*Just doing their own thing playing as loud as they can and making their own beats*

[beaudesoleil]

had a strange dream abt a modern anthro version of warrior cats where the three + holly are a jazz quartet running around the streets of britain... interesting

[trinitea-fics]

Fuck it, what instruments I think the Wolf 359 characters play with little to no justification:

Eiffel: Drums (loud. Also more important than people care to admit)

Minkowski: Flute (but was never first chair)

Hera: Voice (which DOES count as an instrument. I just like to imagine my girl singing)

Hilbert: Piano (classically trained)

Lovelace: Clarinet (proficient at the classical repertoire, but prefers jazz. I like to think she learned from a relative)

Kepler: Tenor saxophone (had to walk away from his ~funk band~)

Jacobi: Cello (in his offical playlist it ends with the 2Cellos cover of Thunderstruck. Which is. TOO PERFECT. I think he was really good at cello through his childhood, but would complain nonstop about it. But maybe secretly like it???)

Maxwell: Synthesizer (cool machines. Probably also owns a theremin)

[artnlife2]

MUSIC: Thelonious Monk, Sonny Rollins, Roy Haynes, and Ahmed Abdul-Malik at the Five Spot Cafe, September 1958. ph. Marvin Oppenberg

[severesharkmaker]

Are any other performers massive introverts?

I’m a music kid, a play the tenor drums and I sing in a couple bands so I spend quite a lot of time in front of like my whole school doing my best to entertain them (I will add that my school is only like 300 kids but that’s not important). So most people have seen my face, they probably even know my name but I’ve never gone out of my way to talk to people who aren’t in my year. Like before I started performing there were some kids in years above me who thought I was a new kid when they saw me in the background of a photo my (extremely popular and outgoing) best friend would send. It’s just strange, like if I’m ever asked in those personality quizzes “do you like the spotlight?” I say “absolutely not” but that’s all I do. Singing is like the most in the spotlight hobby you can have.

I don’t know how to explain the difference between how I don’t want to talk to anyone but I love to perform in front of everyone, so if anyone can relate please respond I’m going insane.

[blurred-honey]

Another basketball game, another day wishing I were a mascot

They just get to have so much fun

[nina-rosa]

(sketches and process under the cut!)

I used some of the instruments I have in my room (that you can see in the animation!!), such as recorders (sopranino, soprano, alto, tenor), a flute, an acoustic guitar, a ukulele and a synthesizer (as for drums and other sounds I used Logic Pro's sound library)!

This music is especially comforting to me, it's like a recall of the time I started watching mp100 with my late cat Kaki, and the deep fondness I have for this show :)

(the upset cat who's there in the animation is my other cat called Crème btw, she's the real star of the show fr ✨)

Working on this was so much fun !!!!!! I'm very excited to finally share it

(it’s also on youtube!)

Programs used: Callipeg for the animation and Logic Pro for the music

[sgurumiyaji]

本日のおはジャズ「Quintessence」Bill Evans '76

ずっとYouTubeで聴いてて欲しかったアルバム。エバンス、ランド、バレル、レイブラウン、フィリーという特別に集められた豪華メンバーによる、セッションとは言い難い完成度の高いセッション。

ケニー・ホイラー、ルグランのオリジナルからスタート。もう、これコンテンポラリー・ジャズです。バップ時代から活躍するレジェンド達の「俺達はなんだって出来るんだぞ」オーラが凄い。特にレイブラウンのラファロ的アプローチに最初耳を疑うのですが、音の粒立ちやタッチの強さから、あぁレイで間違い無いと思うのです。

最近、8分音符のタイム感に注目してるのですが、エバンスもバレルもストレート8th寄り。特にエバンスは極端なまでにストレートで、昨日聴いてたキースもこの影響かぁ…とニヤリ。唯一、ハロルド・ランドだけスウィングして��、この中だとちょっと古臭く感じます。でも、彼もスタイルチェンジにより、最早ただのバップおじさんではありません。

録音も良く、リバーブも少なくドライなので、エバンスのリアルなタッチをピアノに耳を寄せて聴いてる様な感覚で楽しめます。しかし、エバンスのアルバムはどれも高い！これも、見本盤で漸く安く手に入れられました。

最後のバレルのスウィンギーな循環曲で「本領発揮！」と言わんばかりの演奏で幕を閉じます。

[linksboobs]

belp

i love hyperfixations bc its taking everything not to mention ocarina of time or the fact i play the ocarina in this DRUMLINE essay. 

[laughhardrunfastbekindsblog]

Instruments I imagine the Bad Batch would play

(basing this entirely off the instruments that come to mind when I think of each Bad Batch member, no real rhyme or reason to this)

Omega: violin

Hunter: guitar, though I also think he has a really good tenor voice

Tech: we all know he's the kind of person who knows enough about music theory and how each instrument works that he can pick up just about any instrument and play it well; but his favorite to play is the piano (and maybe the organ)

Echo: vocals - I strongly headcanon that he's a fantastic singer, but for some reason I can't stop thinking about him also playing the trumpet

Wrecker: drums, though I also imagine he'd have a ton of fun with the accordion

Crosshair: why, why, WHY do I keep picturing him trying to play the bagpipes??!? (he must be trying to annoy Hunter when he does so...) But when he's serious, he plays the clarinet.

Feel free to share what instruments you think they'd play!!!

[simdertalia]

🎵 ACNH Music Stuff Set - Part 1 🎵

My lovely patrons wanted to have this set split into 2 parts so that some of it could be posted today, so here it is!

Sims 4, base game compatible (Piano is functional & requires City Living, as it uses the keyboard as its base). 48 items 💗

Always suggested: bb.objects ON, it makes placing items much easier. For further placement tweaking, check out the TOOL mod.

Set contains: -Amp (large, medium & practice sizes, functional music players, can be stacked) | 8 swatches each | 1202 poly each -Analog Reel 1 & 2 | 3 swatches each | 372 & 714 poly -Book Stand | 4 swatches | 1176 poly -Cello | 3 swatches | 1205 poly -Clarinet | 1 swatch | 1078 poly -Clarinet on Stand | 1 swatch | 1200 poly -Drum Set | 10 swatches | 2398 poly -Effects Rack | 10 swatches | 1222 poly -Floor Monitor (functional music player, can be stacked) | 1 swatch | 1191 poly -Guitar Bag | 5 swatches | 412 poly -Headphones | 11 swatches | 1172 poly -Headphones (wireless) | 11 swatches | 866 poly -Marimba | 1 swatch | 2352 poly -Metronome 1 & 2 (clicker out and in) | 5 swatches | 1168 poly -Mix Master Table Decluttered | 10 swatches | 314 poly -Ocarina | 2 swatches | 514 poly -Pan Flute | 1 swatch | 1042 poly -PA System for Floor (functional music player) | 1 swatch | 826 poly -Pedal Board | 3 swatches for body, 3 swatches with "light on" 6 swatches total | 1202 poly -Percussion Mallet | 1 swatch | 258 poly -Phonograph (functional music player) | 2 swatches | 1092 poly -Piano Bench Seat (is a chair) | 10 swatches | 1214 poly -Piano: Upright (functional, requires City Living) | 2 swatches | 2176 poly -Portable Record Player (functional music player) | 7 swatches | 1217 poly -Record Box | 16 swatches | 1146 poly -Sampler | 8 swatches | 820 poly -Sax: Alto & Tenor (2 items) | 1 swatch each | 1062 poly -Sax: Alto & Tenor on Stand | 1 swatch each | 1184 poly -Sign Dueling Pianos | 6 swatches | 222 poly -Snare Drum | 4 swatches | 706 poly -Snare Drum on Stand | 4 swatches | 1202 poly each -Stool (seat) | 4 swatches | 1072 poly -Tambourine (table & wall decor, 2 items) | 1 swatch each | 602 poly -Thumb Piano | 5 swatches | 1190 poly -Timpani | 4 swatches | 2394 poly -Timpani Single 1 | 4 swatches | 1270 poly -Timpani Single 2 | 4 swatches | 1124 poly -Tools | 2 swatches | 1200 poly -Trumpet | 2 swatches | 1094 poly -Trumpet on Stand | 2 swatches | 1192 poly -Wooden Fish | 3 swatches | 942 poly

Type “acnh music" into the search query in build mode to find quickly. You can always find items like this, just begin typing  the title and it will appear.

As always, please let me know if you have any issues!

📁 Download all or pick & choose (SFS, No Ads): HERE

📁 Alt Mega Download (still no ads): HERE

📁 Download on Patreon

Will be public on June 1st, 2024 💗Midnight CET

Happy Simming! ✨ Some of my sets are early access. If you like my work, please consider supporting me (all support helps me with managing my chronic pain/illness):

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Other Instrument Downloads & Related: -Theramin -Gong & Bamboo Drum -Ukulele -Harp -Festivale Drum -Pipe Organ -Street Organ -PA System on Stand -Radios

-Music Tag

The rest of my CC

[literaryvein-reblogs]

Writing Notes: Percussion Instruments

The percussion family of musical instruments - consists of membranophones and idiophones.

Membranophones - (or drums) are instruments that make sound when a player strikes a membrane that is tightly stretched over a frame.

Idiophones - instruments that produce sound when the entire instrument vibrates in response to being struck.

Percussionists play their instruments with their hands or with beaters, a collective term describing drumsticks, mallets, rods, or wire brushes.

Types of Membranophone Percussion Instruments

Nearly every genre of music features some form of drumming, and there are innumerable types of drums across world cultures, including:

Congas: Congas are tall, deeply-pitched hand drums that stand on the floor or on study chrome hardware.

Bongos: Bongos are tall hand drums that are smaller than congas and produce a higher pitch.

Timbales: Timbales are small metal-frame drums that are mounted on a stand and played with beaters. A timbale player usually has two drums, plus cowbell and perhaps a woodblock, as part of their kit.

Mridangam: Thought to be the oldest type of drum still in use, the mridangam has two drum faces—a left face and a right face. Traditional mridangam players apply a mixture of flour and water to the left face to lower its tone when playing.

Tabla: The tabla is the most common percussion instrument in traditional Indian music, typically paired with a sitar. Tablas consist of two drums—a "male drum" that produces a bass tone and a "female drum" that produces a tenor tone.

Djembe: A djembe is a goblet-shaped African drum that a player holds between their knees and plays with their hands.

Talking drum: A talking drum is an hourglass-shaped drum with drum heads on either end. Talking drums get their name from the notion that they can mimic sounds of human speech.

Ngoma: A ngoma is a barrel-shaped African drum that sits on the floor. The drummer strikes it with large wood beaters.

Orchestral bass drum: Similar in origin to the bass drum found in a standard drum set, but much larger in diameter, the classical bass drum hangs from a frame. The percussionist strikes it with handheld mallets.

Tenor drum: Higher-pitched than a bass drum but lower pitched than a snare drum, a tenor drum is round and of medium depth. The drummer plays it with a mallet or a drumstick.

Side drum: The term "side drum" is used in classical music to describe a snare drum, usually with its snare disengaged. Side drums feature prominently in most contemporary classical music, whether or not they're part of a standard drum set.

Bodhran: A bodhran is a traditional Irish drum that sometimes finds its way into orchestral music, particularly when composers hail from the British or Irish isles. A bodhran resembles a tambourine without any jingles. The player strikes it with a small beater. Most bodhrans still are made with real goat skins.

Timpani: Also known as kettle drums, timpani sets consist of massive drums that stand on the floor in front of the player, who strikes them with felted mallets. Timpani pitches can be adjusted using a foot pedal, which loosens and tightens the drum head.

Kick drum: Also known as a bass drum, a kick drum is a large, deep-sounding drum that sits on the floor and is played with a foot pedal.

Snare drum: A bright, trebly drum that features metal snare wires running beneath its lower drum head. Typically, a drummer plays the snare with their non-dominant hand. Larger, body-mounted snare drums are a mainstay of marching band music.

Floor tom: A deep, low-pitched tom-tom drum that stands on legs near the drummer's dominant hand.

Rack toms (sometimes called a hi tom and a low tom): This pair of tom-tom drums hangs above the kick drum. They produce a higher-pitched sound than the floor tom.

Tambourine: Tracing back to the Middle East, a tambourine can be part of a drum set, either mounted as a standalone instrument or placed atop a hi-hat. A tambourine can have a drum head or it can exclusively produce sound via its zils (or jingles), which are metal discs mounted around the tambourine frame. Some players opt for a pandeiro, which is a close relative of the traditional tambourine.

Surdo: An unpitched Brazilian variant on the bass drum, played with handheld beaters.

Types of Idiophone Percussion Instruments

Idiophones produce sound when a percussionist strikes them, causing the entire instrument to vibrate. There are many enduring idiophones throughout the world of music, including:

Cymbals: Most cymbals are curved brass discs appearing in a wide array of sizes. Drum kit cymbals include a hi-hat, ride cymbal, crash cymbal, and splash cymbal, each mounted on a cymbal stand and played with beaters. Orchestral and marching band crash cymbals appear in handheld pairs; they produce sound when a player slides one cymbal past the other. Finger cymbals, as their name implies, are small enough to be worn on the player's fingers.

Crotales: Also known as antique cymbals, crotales are made up of a collection of small pitched cymbals and may be found in everything from classical music to 1970s progressive rock.

Claves: Wooden sticks that click together to produce an unpitched sound. They are a mainstay of salsa music.

Temple blocks: A series of pitched woodblocks popular in classical ensembles.

Agogo: An unpitched metal bell (or pair of bells) often featured in samba music.

Ganzá: An unpitched metal rattle developed in Brazil and popular in Brazilian samba.

Headless tambourine: This instrument is a tambourine without a membrane. It produces sound via the vibration of the frame and jingles.

Slit drum: Also known as a log drum, the slit drum is not a membranophone despite its name. Rather, a slit drum is an idiophone made from a hollowed log.

Udu: An untuned idiophone resembling a hollow jug.

Cajón: Originating in Peru, a cajón (or cajón de rumba) is a hollow wooden box that usually features internal snares on one side. A player sits on the cajón and strikes it with their hands (and occasionally beaters).

Gong: A suspended metal disc found in both Western classical and Eastern traditional music. Orchestras particularly favor a type of gong known as a tam-tam.

Maracas: Originating in Venezuela but popular throughout Latin American music, maracas are wooden shakers with handles.

Castanets: Castanets are handheld wood idiophones that come in pairs. They make a clicking sound when the player snaps two of them together.

Güiro: An idiophone made from a dried gourd. Typically, a percussionist plays güiro by rubbing wire brushes against it.

Shekere: A dried gourd covered with a netting of beads. Originally from West Africa and popular in Latin American traditions, it produces sound when shaken.

Tubular bells: These are pitched chimes that a player strikes with beaters.

Mbira: Also known as an African thumb piano, a mbira contains individual keys that a player presses and releases, causing them to vibrate.

Cabasa: A type of African shaker made by wrapping metal chains around a wooden cylinder.

Xylophone: A pitched percussion instrument made from wooden bars laid out like a piano keyboard, which the player strikes with felted mallets.

Marimba: A musical instrument much like a xylophone but with a greater range and resonators beneath its wood bars.

Vibraphone: An adaptation of a xylophone, the vibraphone has metal bars and a built-in electric resonator that projects the instrument's sound. A vibraphone is essentially a plugged-in metal marimba.

Glockenspiel: A smaller member of the xylophone and vibraphone family, containing small metal bars that produce a definite pitch with numerous overtones.

Steel drum: An idiophone made from a concave metal drum. The player can attain different pitches by striking different parts of the drum.

Cowbell: A hollow metal idiophone named for a similar device hung around the necks of some domestic cows.

Source ⚜ More: Writing Notes & References ⚜ Writing Resources PDFs

[garadinervi]

Dos Santos, logos / ¿cómo?, (Limited Edition 7" Vinyl, Digital album), IARCS119, International Anthem, 2018

Dos Santos Alex Chavez: vocals, guitars, keyboards, percussion Jaime Garza: electric bass Nathan Karagianis: guitars, vocals Peter "Maestro" Vale: congas, percussion Daniel Villarreal-Carrillo: drums, percussion

Feat. the Antibalas horn section Martín Perna: baritone saxophone Morgan Price: tenor saxophone Jordan McLean: trumpet Eric Biondo: trumpet

Original Music and Words performed by Dos Santos Horn Arrangements by Nick Mazzarella

Cover Art & Design: Craig Hansen Photography: Andrea Falcone

[chaos-reprisal]

Little Study on The Heart Acoustic and how it contrasts The Mind Electric and the Soul Eclectic :3 (This turned into me being a band kid. I'm so sorry.)

Was listening to The Mind Electric variants and realized something. Compared to Mind and Soul, Heart's song is a lot tamer. (This is more about the music and less about the lyrics.) That's not to say it doesn't have it's moments of chaos or isn't a chaotic song, but compared to The Mind Electric and The Soul Eclectic, it's arguably calmer; the notes and chords (more so at the beginning and end) are held out longer, the pacing is slower, but it still has bursts of energy. Meanwhile Soul and Mind's songs are paced a lot faster: words are sung quicker and notes are held for shorter periods of time, the background music is all over the place, and there are more frequent punches of energy in the background vocals.

Smaller detail, but in The Heart Acoustic, you can hear Heart audibly take a deep breath and release it right before the chorus. It's almost like he's steeling himself for what's to come, or trying to calm himself down before he does something he regrets.

Heart, the emotional side, the creature that hardly resembles a man, has a song variant slower than Mind's or Soul's. Heart is the one to stop and breathe before he does or says something rash. And the style/pacing of his song reflects that. But not only is this song about Heart being more collected than the other two put together, this song is also about Heart giving up. About Heart letting Mind have what he wants: control over their vessel. And once Heart gives that control over, chaos ensues. Because as much as Mind may hate it, he needs Heart to help balance him.

(Bit more in depth talk about the instrumentals down here)

Heart has outbursts, sure, but Mind has explosions. The Mind Electric is nothing if not Mind saying "Fine, I'll do it myself, and I'll do it better than you." Mind's words are punctuated by what sounds like static and glitching as well as heavy hits on the drums and a heavy, robotic bass. In faster parts, the background music consists of a lot of quick arpeggios. Think of those arpeggios from Fate of the Stars, if you've listened to it.

By the time we get to The Soul Eclectic, Soul is desperate for the two to at least cooperate instead of fighting constantly. "Call me your host or call me insane, if that will help you stay in line." Moving on, the bass is pretty heavy on this song as well, as are the drum hits, which are sporadic, much like in The Mind Electric. When the background music is prevalent, for most of the song, it's pretty unison with the notes Soul is singing; but it's really, for lack of any better words, 8-bit sounding. The arpeggios in parts parallel to where they stand out in The Mind Electric are still there, but they're a lot fainter. Overall, Soul's song sounds the most dissonant, and I think that's because this song is essentially Soul panicking and looking for any way to get the attention of Heart and Mind, even if it means threatening the lives of all of them.

(I've now realized that the scratchy sound I'm probably hearing alongside the base is the electric guitar. Also like before you read below here I get a little off track with the instruments MY BADD)

In comparison to the other two, Heart's song is a lot brighter and harmonious. I want to point out that Heart's song utilizes saxophones (whether tenor or alto I can't tell, but I've played the beginning on alto and it's pretty high. My knowledge of tenor range is limited.), which is a lot lighter compared to the electric guitar and bass. Similar to the other two, there's arpeggios, but they're slower at the beginning and faster near the middle of the song. Played by some sort of percussion instrument (I'm hesitant to say it sounds kind of like a marimba?? The soft tones make me think so. But there might be another one, possibly a xylophone. And I think there's some sort of string instrument playing staccatos layered over it, but it's really hard to tell because they're unison. Each instrument is easier to pick apart at the very end of the song. And of course near the middle of the song he's playing the arpeggios on his keyboard. But at this point I'll get off topic beginning to name every instrument I can hear). TLDR; Overall, Heart's song is a lot less bass-heavy and has a brighter sound because of it. Despite having a brighter sound, though, the song is still overall dark due to chord progressions (I think please don't quote me on that I have basic knowledge of chord progressions as of right now). The song is slower paced than the other two, and while there is definitely bursts of energy, they are less frequent than they are in the other two.

In the end, all three of them have hit their lowest points by now. Also I got WAY too into the instrumentals my fault guys but uhh yeah. Didn't expect to dig into it that much :33333 Thank you for coming to my rambles!

[jazzandother-blog]

Bobby Timmons with Hank Mobley and Art Blakey at Van Gelder Studio in Hackensack, New Jersey, on March 8, 1959.

"Just Coolin'" recording session by Art Blakey & The Jazz Messengers.

Photo by Francis Wolff

Just Coolin listen here:

Drums: Art Blakey

Piano: Bobby Timmons

Tenor Saxophone: Hank Mobley

Double Bass: Jymie Merritt

Trumpet: Lee Morgan

Source: AFRO BLUE CATS