#tennessee harmony

[jccheapalier]

Jesse Jackson Retires from Civil Rights Group, Sparks Debate over His Le...

[intheholler]

Donations for Appalachian/Southeast USA Queer Organizations

Here lies the sister post to my resource list.

Under the cut, you'll find a list of regional, primarily queer-focused groups to donate to, if you have the means.

If you've ever accused us of being beyond help, or have ever said we should be sawed off into the ocean, here's your chance to help the many helpers trying to make the southeast a better place--those that always go conveniently ignored in such conversations.

General Regional Links

Appalachian Outreach

STAY (Central Appalachia)

Help suspected transgender John and Jane Does regain their identities

Southern Trans Youth Emergency Project (STYEP)

Southerners on New Ground (SONG)

Campaign for Southern Equality

Trans Health Project

Alabama

AIDS Alabama

The Knights & Orchids Society

Magic City Acceptance Center

Medical Advocacy and Outreach

Prism United

Shoals Diversity Center

T.A.K.E.

Thrive Alabama

Georgia

Carrollton Rainbow Inc.

Emmaus House

Feminist Women’s Health Center

First City Network

Georgia Equality

Kentucky

AIDS Volunteers of Lexington

Arbor Youth Services

Lexington Pride Center

Louisville Queer Youth

Louisville Youth Group

Kentucky Fairness

Kentucky Health Justice Network

Kentucky Youth Law Project

Sweet Evening Breeze

Louisiana

AcadianaCares

Louisiana Trans Advocates

OUTnorthla

PACE Louisiana

Shrevepride

Mississippi

Capital City Pride

Gulf Coast Equality

LGBTQ Fund of Mississippi

The Spectrum Center in Hattiesburg

Violet Valley Bookstore

North Carolina

Charlotte Transgender Healthcare Group (CTHCG)

Down Home NC

Guilford Green Foundation & LGBTQ Center

Pitt County Aids Service Organization

Tranzmission

Triad Health Project

Triangle Empowerment Center

South Carolina

Alliance for Full Acceptance

Charleston Black Pride

Harriet Hancock Center

Palmetto Community Care

T-Time

Uplift Outreach

We are Family

We are Family Trans Love Fund

Tennessee

CHOICES

Launch Pad

Metamorphosis

Mountain Access Brigade

My Sistah’s House

Pride Community of the Tri-Cities

Trans Empowerment Project

Youth Villages

Virginia

Justice 4 All

Nationz

Side by Side VA

Virginia Home for Boys and Girls

West Virginia

Harmony House West Virginia

Fairness West Virginia

Holler Health Justice

WVFREE

[fuckyeahmarxismleninism]

April 4, 1968: Dr. Martin Luther King Jr. assassinated as he stood in solidarity with striking sanitation workers in Memphis, Tennessee.

That's the question before you tonight. Not, "If I stop to help the sanitation workers, what will happen to my job. Not, "If I stop to help the sanitation workers what will happen to all of the hours that I usually spend in my office every day and every week as a pastor?" The question is not, "If I stop to help this man in need, what will happen to me?" The question is, "If I do not stop to help the sanitation workers, what will happen to them?" That's the question.

- Martin Luther King Jr., "I've Been to the Mountaintop," April 3, 1968

Did You Know? US Gov’t Found Guilty In Conspiracy To Assassinate Dr. Martin Luther King, Jr.

Though the United States government has wrapped Dr. Martin Luther King Jr.’s legacy in the American flag, waving his words to symbolize racial harmony and patriotic solidarity even as institutionalized White supremacy remains embedded in policies detrimental to the very Black community he tirelessly strived to uplift, very little is spoken of the fact that a Memphis jury found the United States government guilty of conspiring to assassinate Dr. King on the balcony of the Lorraine Motel on April 4, 1968.

After four weeks of testimony and over 70 witnesses in a civil trial in Memphis, Tennessee, twelve jurors reached a unanimous verdict on December 8, 1999 after about an hour of deliberations that Dr. Martin Luther King, Jr. was assassinated as a result of a conspiracy. In a press statement held the following day in Atlanta, Mrs. Coretta Scott King welcomed the verdict, saying , “There is abundant evidence of a major high level conspiracy in the assassination of my husband, Martin Luther King, Jr. And the civil court's unanimous verdict has validated our belief."

https://newsone.com/2843790/did-you-know-us-govt-found-guilty-in-conspiracy-to-assassinate-dr-martin-luther-king-jr/

[hooked-on-elvis]

"Early Mornin' Rain" (1971-1972) + "Aloha From Hawaii" bonus performance (1973)

Recorded by Elvis Presley on March 15, 1971 at RCA's Studio B in Nashville, Tennessee · First released on the album Elvis Now on February 20, 1972.

RECORDING SESSION Studio Session for RCA March 15, 1971: RCA’s Studio B, Nashville. With a three-album agenda before him, Elvis arrived on the first day of the sessions with a runny nose and aching eyes. Yet he was determined to go ahead, and his enthusiasm seemed inspired by an unlikely source: contemporary folk music. The spate of home taping he’d done during the soundtrack years reveals that Elvis had been tuned in to the folk boom since the mid-’60s, and it was through the sweet harmonies of Peter, Paul and Mary that he was introduced to songwriters like Bob Dylan and Gordon Lightfoot. With Charlie and Red he’d harmonized for hours on songs like “Blowin’ In The Wind” and “500 Miles”; now Elvis had been listening to Peter, Paul and Mary’s interpretations of songs like “The First Time Ever I Saw Your Face,” “Early Morning Rain,” “(That’s What You Get) For Lovin’ Me,” and Dylan’s “Don’t Think Twice, It’s All Right” and “I Shall Be Released.” Eager to work with similar textures himself, Elvis picked up on a suggestion from Charlie Hodge and brought in a male-female quartet, the Nashville Edition, to help on the sessions. The rest of the evening was devoted to Peter, Paul and Mary’s two Gordon Lightfoot numbers, “Early Morning Rain” and “For Lovin’ Me,” both grounded in the same sound: Restrained brushes from Jerry Carrigan’s drums, blended with a simple, effective bass line from Norbert Putnam. “Are you gonna play something with me?” James Burton prodded Chip Young, initiating a friendly duel between the two on acoustic guitar licks. Charlie McCoy (“the fastest harp in the West,” as one of his later solo albums dubbed him) took the solos. Each of the songs was true to its genre, but they lacked the feel the singer brought to any song when he was at his best. Elvis was having trouble. “Give me a Kleenex or something,” he asked Charlie, snorting in every pause, struggling to keep his nose clear and his voice open. After the evening sessions he checked into a Nashville hospital for treatment of what turned out to be secondary glaucoma. Elvis had been having problems with his eyes for the last few years, and no one who watched him record that night was surprised at his hospitalization.

Excerpt: "Elvis Presley, A Life in Music: The Complete Recording Sessions" by Ernst Jorgensen. Foreword by Peter Guralnick (1998)

--

"Early Mornin' Rain" PRIOR RECORDINGS AND RELEASES Gordon Lightfoot wrote “Early Morning Rain” in 1964 but only recorded the song himself later, releasing his recording on the 1966 album "Lightfoot."

Before Lightfoot released his own recording, the song was recorded and released in 1965 by Ian and Sylvia, a Canadian songwriting and performing duo. Source: thesongbook.org

Peter, Paul and Mary, also folk revival stars, had a hit with Lightfoot’s song that year, as it reached No. 91 on the Billboard Top 100. Source: thesongbook.org

Peter, Paul & Mary - Live on the "Tonight In Person" Show (1966)

HONORABLE MENTIONS Going to more experimental recordings, more Rock and Roll was put into the tune by the groups The Grateful Dead and We Five. The Grateful Dead recorded the song in 1965 but their recording was only released in 2001 on the album The Golden Road (1965-1973) and again on the album The Birth Of The Dead in 2003. Here's their version:

We Five released their cover still in the 70's on the album Catch The Wind (1970).

ELVIS' VERSION (1972) With Elvis’ version, Gordon Lightfoot’s most famous song features the male-female quartet The Nashville Edition. The studio version was recorded in March 1971 and released almost a year later in February 1972 on the album Elvis Now.

ALOHA FROM HAWAII (1973 — U.S. AIRING) "Early Mornin' Rain" is one of the inserted songs on the Aloha From Hawaii TV special. A live performance of Elvis' 1972 release was specially taped onstage at the H.I.C Arena, Honolulu, Hawaii, following the January 14, 1973 concert, with no audience at the venue anymore. The footage - along with 4 more bonus tracks - was requested for the US airing by NBC (April 4, 1973). In total 5 songs were live performed by Elvis in January 14, 1973 in addition to the concert setlist itself. They were almost all Hawaiian-themed songs taken from the soundtrack album "Blue Hawaii" released in 1961 ("KU-U-I-PO", "Hawaiian Wedding Song", "Blue Hawaii" and "No More") with the exception of one, "Early Mornin' Rain". However when the concert aired in the U.S. on April 4, 1973 (NBC), the live performance of "No More" was left unused while "Early Mornin' Rain" apparently was a definitive track for the American airing of the 1973 Elvis special, for some reason. Director Marty Pasetta used split screens to show Elvis singing (he is alone on screen, no musician was shown behind him as usual for his live performances) while the rest of the screen was completed with scenes filmed in Hawaii - from staged romantic scenes to Hula dancers - showing the peaceful beauty of the island. Below we have the raw footage and then the final edit that aired in the U.S. television post concert.

MUSICIANS: Guitar: James Burton, John Wilkinson, Elvis Presley, Charlie Hodge. Bass: Jerry Scheff. Drums: Ronnie Tutt. Piano: Glen D. Hardin. Vocals: Kathy Westmoreland, The Sweet Inspirations, J.D. Sumner & The Stamps, Joe Guercio and His Orchestra.

AUTHOR'S NOTE: Since "No More" was the only other non-Hawaiian-themed song to be taped for the Aloha From Hawaii airing in the U.S., I wonder what made Marty Pasetta decide to chose "Early Mornin' Rain" to complete the final cut of the Aloha special for the U.S. audience. Considering "No More" has the Hawaiian feeling present in its sound, which would make the song fit very well on that TV special and the vibe of the 3 other songs selected as - per say - bonus material, why it was left out? Perhaps it was a request from Elvis? Or either a request from the Colonel Parker and RCA Records, in a try to boost the sales of Elvis' last contemporary album released previously, in 1972, in which that song was released? I haven't read any books specifically about the Aloha From Hawaii yet, so if you happen to know something about the selection of the songs for this extra portion of the Aloha From Hawaii special, please, share it in the comments.

All I know it that I was really happy to see "Early Mornin' Rain" performed live on the Aloha From Hawaii special because I absolutely LOVE Elvis' recording of this song. I think Elvis' cover of that classic Gordon Lightfoot penned-tune remains oddly underrated.

[lemedstudent2021]

Hey its been so long sorry to totally disappear haha I’ve been taking more time away and working a lot on my mental health and that kind of thing (which has been going really well!)

I hope you’ve been having a good summer! What have you been up to? And what have you been listening to?? 😄

oh my goodness hello!

not at all! ones mental health is something that shouldnt be overlooked or delayed, glad to see youre back and doing better now :D

hoo boi lemme tell you XD

well my most recent hyperfixation is epic the musical (im like 7 songs in and already emotionally destroyed lol). summer term was brutal and greek mythology was how i coped lol (thank u overly sarcastic productions i owe u one).

came across a few very random and unrelated gold mines while browsing and generally procrastinating lol:

negative harmony covers (my favourite is here comes the sun)

tennessee waltz i really like the harmonies lol

madilyn mei's never the muse. self explanatory lol

snake oil salesman. THE VIBES ARE VIBING >:D

currently listening to l'amore dice ciao. its so soft i love it

strangers in the night was on loop for like 7 hours two weeks ago lol. no idea why

and of course a silly song is a must: the cat from ipanema

anyways yes. wonderful to see you again, i hope youre doing well and continue to do so ^-^

[jules-has-notes]

Tennessee Whiskey — VoicePlay music video

VoicePlay's fans love to challenge them from time to time, and this was definitely one of those instances. The guys were a little intimidated by the prospect of tackling such a popular and complex tune for their PartWork series, but they rose to the occasion beautifully, providing a velvety doo-wop-style take full of tight harmonies and flowing rhythms.

Details:

title: Tennessee Whiskey

original performers: David Allan Coe (1981); inspired by the Chris Stapleton version (2015)

written by: Dean Dillon & Linda Hargrove

arranged by: Layne Stein

release date: 19 April 2019

My favorite bits:

putting corn stalks around the VP logo on the title card like a laurel wreath (This does deserve awards, dangit.)

the color scheme of their wardrobe, set dressing, and lighting that gives the whole thing a sepia-toned nostalgic feel

Layne holding the beat with laid-back brush snares and high hats

the proliferation of leisurely bell chords throughout the backing vocals

Eli's freedom and agility on the lead for the first verse

the steady simplicity of Geoff's bass line, with the occasional two-octave descending arpeggio for punctuation

Earl's appreciative smile as J digs into the lead melody

J.None settling into the lower end of his range with ♫ "always dry-y-y-y-y" ♫

the echo of ♫ "did-n't waste your looo-ove" ♫ from Eli and Earl

showing off J's falsetto at the beginning and end of the second chorus

Layne adding just a touch of whimsy with a cork pop 🍾 sound before he joins in on the harmonies for the third verse

Geoff finishing off his solo with a subharmonic drop, just because he can

riffing in three part harmony (That is so hard to do well, and they pull it off magnificently.)

that smooth, gentle ending chord from all five guys

Trivia:

The rhythmic and melodic changes in Chris Stapleton's cover of this song were inspired by Etta James's "I'd Rather Go Blind".

When the VoicePlay guys were tasked with singing it, J.None, Eli, and Earl all started brushing up their already impressive riffing skills. Geoff was slightly alarmed when Layne prodded him to do the same, because basses don't usually riff in that way.

The video was filmed at a swanky Prohibition-era themed bar called Mathers Social Gathering. Their pals the American Sirens used it later in the year to film their "Puttin’ On the Ritz" video.

It racked up 15 million views on Facebook in just 3 months.

There is a very cute video on Geoff's Instagram of him rehearsing in the car and little William trying to follow along with dad. (Kathy's driving. Everyone is being safe.)

The cover art was designed by the guys' friend and frequent collaborator, Rek Dunn.

Judging by the YouTube comments, this video was an introduction to VoicePlay for a fair number of people, pulling in a very different demographic of new fans than their Disney medleys.

By legal definition, Tennessee whiskey must be made from at least 51% corn-based mash, filtered through maple charcoal, and aged in new charred oak barrels. And, of course, manufactured in the state of Tennessee.

Some of the boys indulged in a bit of silly dancing on set while they were getting ready to film.

View this post on Instagram

A post shared by VoicePlay (@thevoiceplay)

As part of their Patreon behind the scenes video, Layne and Eli tasted some actual strawberry "wine".

View this post on Instagram

A post shared by VoicePlay (@thevoiceplay)

This track was later included on VoicePlay's "Citrus" album, which compiled most of the songs they recorded from 2017-19. Because the individual songs had already been made available digitally, that album is exclusively a physical item that can only be purchased at live shows or through their website.

[eptodaytommorowforever]

Rare Unseen Till Now Candid Photo Here Of Elvis Presley Sheds A Tear He's So Touched And Moved During The Rehearsal Recording The Anthem For PEACE And Harmony And Love If I Can Dream For Is Elvis 68 ComeBack Special At The Burbank Studios In CA in 1968 Over The Senseless Loss And The Murder Of DR MLK In Is Home Town Of Memphis Tennessee

True Fact; Elvis Presley Friends Elvis Presley Did You Know That Elvis Presley Was So Affected By Dr MLK And Both Of The Kennedy's JFK And Bobby Kennedy Murders He Didnt Want To Do the 68 Elvis Come back Special Till Steve Binder Convinced Him Parker The Fat Controller Is Manager said it’s A Tragedy But Nothing To Do With Us Were Elvis Presley Reacted And Said To Him Of Course It As Everything To Do With Us And He Told Steve Binder That SOB Said It’s Nothing To Do With Us And Steve Binder Said To Elvis Presley Ignore Him Elvis.

[dustedmagazine]

Joseph Decosimo, Luke Richardson, Cleek Schrey — Beehive Cathedral (Dear Life)

Three Appalachian traditionalists infuse old songs (and one new one) with a sprightly freshness in this joyful outing. The fiddles wail, the banjo stings, the pump organ drones in a dense mesh of music that lives and breathes as if it was just dreamed up, though of course, it wasn’t.

The three are Joseph Decosimo, a champion banjo player and a blue-ribbon winning fiddler and a devoted interpreter of Tennessean musical lore, whose While You Were Slumbering Dusted reviewed in 2023. “Decosimo’s arrangements are spare and rich at the same time, paring songsdown to the bone then cushioning them with subtle harmonies, breathy drones of pump organ and fiddle,” I wrote then, and it’s even more true now, given the addition of Luke Richardson and Cleek Schey, two like-minded music foragers.

Luke Richardson is a master of clawhammer and fingerstyle banjo, a teacher and performer (alongside Decosimo) with the string band known as the Bucking Mules. Cleek Schrey, who plays the deep-toned hardanger d’amore here, teaches music at Princeton and sometimes explores the more experimental side of his stringed instrument in collaborations with David Behrman and Alvin Lucier. On this occasion, however, he sticks mostly to the old ways, looping velvety dark swathes of fiddle over dancing pizzicato and laying a meditative aura of pump organ over “Rockingham.”

Decosimo pays tribute to Clyde Davenport in opener “Betty Baker,” a gleeful barn dance whose two fiddles move in and out of the music like square dancers stepping lightly without colliding. There’s a lilt and a joy to it, as the regular cadence of banjo marks out time amid lush, sustained strings. The song is one of many that Davenport taught Decosimo before he died in 2020; he’s learned many of them from his father, born in 1868.

Richardson brought in “Can’t Jump Josie,” a sunny ramble of banjo that he first heard on old field recording set to tape in Alabama, just over the line from Tennessee. These songs, in general, predate modernity (and electricity), but the trio gives them lively, organic relevance, without changing them much, if at all.

There is one new song in “Chimes,” which Richardson wrote while experimenting with a custom-built six-string banjo he inherited from the late Thomas Jackson. It’s a short piece, all banjo, and indeed, a good deal more modern sounding than anything else on the disc. It leads directly into “Cluck Old Hen,” however, another jumping, heel-kicking interval of rural pre-war celebration. Which is, maybe the point, that there’s joy and life in these old songs.  You may not have a hen or a barn or a pig in your life, but when the fiddles start up, your toe still starts to twitch.

Jennifer Kelly

[inharmony-comic]

As part of the days leading up to launch for my queer horror webcomic, In Harmony, I will be introducing our main cast of characters, who you will meet in the first few chapters of the story! This is Joel Asraf. Joel is a photographer from Tennessee who decided to go to WCCA for school. Joel is the quiet member of the main gang, keeping to himself when the group gets into larger discussions, and a lot more conversant when in one on one conversations. He’s just a shy guy. Joel acts as the temporary drummer of Meredith's band and is the biggest cheerleader in his girlfriend's monster hunting antics. Joel is still figuring some things about himself out and who he is, and if you want to learn more about Joel along with him, then check out In Harmony when it launches on December 17th on tapas and webtoons!

[kendallstansbury]

My birthday is October 9, and my astrological sign is a Libra. In the middle of my art work is the Libra symbol. I was curious as to what animal my sign was but when I looked it up it didn’t have an animal, instead it had a picture of balance. Libras planet is Venus which represents love and harmony. I used Helina Metaferia’s technique of imperfect cutting for the heart representing love. Lastly, I discovered that October 9th is international beer and pizza day! I drew beer with Helina Metaferia’s technique of crumpling and put it on top of more paper for a three dimensionality view. I also colored the rest of the page in blue and pink, which are the colors of the Libra sign.

The singer Megan Moroney’s birthday is also on October 9th.

[christmassavestheyear]

ask game that gets darker now :)

3, 9, 13, 16, 19, 25

3: if you could live anywhere and cost wasn't an issue, where would you live?

probably either new york (basic i know) or the UK somewhere.

9: what song would you want to get kissed to?

make you feel my love by adele, tennessee whiskey by chris stapleton, the joker and the queen by ed sheeran or perfect harmony from julie and the phantoms

13: if you could commit any crime without consequence, what crime would you commit?

assault. there's a few people i kind of want to punch around a bit.

16: are we really living or are we slowly dying?

i have been learning new lore all night i havent slept in thirty two hours i dont fckn know<3

19: would you rather be frozen, burned, or drowned?

well when you're hypothermic you pass out. so frozen. cause then i dont have to be awake for my own death.

25: what question would you ask the devil?

"what are you in for?". no, seriously, i would ask why he was condemned. his side of the story.

[kimberly40]

Little People of the Cherokee, Native American Lore: Among the many legends of the proud Cherokee people is the curious tale of a race of little people who were said to inhabit the wilds of North Carolina, Tennessee and Georgia, and who the Natives called the Nunne’hi, meaning ��people who live anywhere,” as well as the Yûñwï Tsunsdi’, or “Little People.”

The Little People of the Cherokee are a race of Spirits who live in rock caves on the mountain side. They are little fellows and ladies reaching almost to your knees. They are well shaped and handsome, and their hair so long it almost touches the ground. They are very helpful, kind-hearted, and great wonder workers. They love music and spend most of their time drumming, singing, and dancing. They have a very gentle nature, but do not like to be disturbed.

Sometimes their drums are heard in lonely places in the mountains, but it is not safe to follow it, for they do not like to be disturbed at home, and they will throw a spell over the stranger so that he is bewildered and loses his way, and even if he does at last get back to the settlement he is like one dazed ever after. Sometimes, also, they come near a house at night and the people inside hear them talking, but they must not go out, and in the morning they find the corn gathered or the field cleared as if a whole force of men had been at work. If anyone should go out to watch, he would die.

When a hunter finds anything in the woods, such as a knife or a trinket, he must say, 'Little People, I would like to take this' because it may belong to them, and if he does not ask their permission they will throw stones at him as he goes home.

Some Little People are black, some are white and some are golden like the Cherokee. Sometimes they speak in Cherokee, but at other times they speak their own 'Indian' language. Some call them "Brownies".

Little people are here to teach lessons about living in harmony with nature and with others. There are three kinds of Little People. The Laurel People, the Rock People, and the Dogwood People.

The Rock People are the mean ones who practice "getting even" who steal children and the like. But they are like this because their space has been invaded.

The Laurel People play tricks and are generally mischievous. When you find children laughing in their sleep - the Laurel People are humorous and enjoy sharing joy with others.

Then there are the Dogwood People who are good and take care of people.

The lessons taught by the Little People are clear. The Rock People teach us that if you do things to other people out of meanness or intentionally, it will come back on you. We must always respect other people's limits and boundaries. The Laurel People teach us that we shouldn't take the world too seriously, and we must always have joy and share that joy with others. The lessons of the Dogwood People are simple - if you do something for someone, do it out of goodness of your heart. Don't do it to have people obligated to you or for personal gain.

In Cherokee beliefs, many stories contain references to beings called the Little People. These people are supposed to be small mythical characters, and in different beliefs they serve different purposes.

"There are a lot of stories and legends about the Little People. You can see the people out in the forest. They can talk and they look a lot like Indian people except they're only about two feet high, sometimes they're smaller. Now the Little People can be very helpful, and they can also play tricks on us, too. And at one time there was a boy. This boy never wanted to grow up. In fact, he told everyone that so much that they called him "Forever Boy" because he never wanted to be grown. When his friends would sit around and talk about: 'Oh when I get to be a man, and when I get to be grown I'm gonna be this and I'm gonna go here and be this,' he'd just go off and play by himself.

He didn't even want to hear it, because he never wanted to grow up. Finally his father got real tired of this, and he said, ‘Forever Boy, I will never call you that again. From now on you're going to learn to be a man, you're going to take responsibilty for yourself, and you're going to stop playing all day long. You have to learn these things. Starting tomorrow you're going to go to your uncle's, and he's going to teach you everything that you are going to need to know.' Forever Boy was broken hearted at what his father told him, but he could not stand the thought of growing up. He went out to the river and he cried. He cried so hard that he didn't see his animal friends gather around him. And they were trying to tell him something, and they were trying to make him feel better, and finally he thought he understood them say, 'Come here tomorrow, come here early.' Well, he thought they just wanted to say goodbye to him. And he drug his feet going home. He couldn't even sleep he was so upset. The next morning he went out early, as he had promised, to meet his friends. And he was so sad, he could not bear the thought of telling them goodbye forever. Finally he began to get the sense that they were trying to tell him something else, and that is to look behind him.

As he looked behind him, there they were, all the Little People. And they were smiling at him and laughing and running to hug him. And they said, 'Forever Boy you do not have to grow up. You can stay with us forever. You can come and be one of us and you will never have to grow up...we will ask the Creator to send a vision to your parents and let them know that you are safe and you are doing what you need to do.' Forever Boy thought about it for a long time. But that is what he decided he needed to do, and he went with the Little People.

And even today when you are out in the woods and you see something, and you look and it is not what you really thought it was, or if you are fishing and you feel something on the end of your line, and you think it is the biggest trout ever, and you pull it in, and all it is is a stick that got tangled on your hook, that is what the Little People are doing. They are playing tricks on you so you will laugh and keep young in your heart. Because that is the spirit of Little People, and Forever Boy, to keep us young in our hearts."

(http://www.ilhawaii.net/~stony/lore132.html)

[krispyweiss]

Song Review(s): Billy Strings - “Red Daisy,” “Hellbender” and “Red Rocking Chair” (Live, Feb. 23, 2024)

Billy Strings provided a lesson in opposing styles of bluegrass by pairing “Red Daisy” with “Hellbender” in Tennessee.

The former is a lighthearted, fleet-footed and vocal-harmony-rich song of love performed flawlessly by Strings and his band. The latter, meanwhile, is a heavy-hearted song of regret set to a foot-dragging waltz that Strings sings alone while taking and tossing solos among the band, which is flawless in its presentation.

Different approaches; same result.

The aural opposites were given away from Strings’ Feb. 23 gig/livestream from Nashville alongside the traditional “Red Rocking Chair.” Splitting the difference between what preceded it, that song seemed to serve as a mini-breather for Strings, mandolinist Jarrod Walker, bassist Royal Masat, banjoist Billy Failing and fiddler Alex Hargreaves, who’d earned it.

Grade card: Billy Strings - “Red Daisy,” “Hellbender” and “Red Rocking Chair” (Live - 2/23/24) - A/A+/B

2/24/24

[hooked-on-elvis]

Elvis Presley at the Kennedy Veterans Hospital (Footage)

January 4, 1957, Memphis, Tennessee. Pre-Induction Physical.

Elvis reported to the hospital that afternoon for his army pre-induction physical just days before his 22nd birthday on January 8th. Elvis left for New York by train later that evening for his third and final appearance on Ed Sullivan's 'Toast of the Town Show' which broadcast January 6.

— elvispresleymusic.com.au

January 4, 1957. Elvis Presley at the Kennedy Veterans Hospital in Memphis for his pre-induction physical. The last pictures show EP leaving the induction center in Memphis, and on the last one he's with Dorothy Harmony, a Las Vegas, Nevada chorus girl who is visiting in his home.

FURTHER INFO

Later that same day, January 4, 1957, Elvis was photographed stepping the fence of his Audubon Drive home in Memphis. Just a few hours before he was leaving for New York.

I'm dying at this picture. I'm serious.

[ravenousrandy]

Stopped off at Sense of Taste in beautiful Gallatin, Tennessee, to try an Italian twist on an American classic.

The Tuscan burger was one of the most unique ideas for a burger I’ve seen in a while, and I was apprehensive that it would lean more toward “Ameritalian” cuisine by just throwing mozzarella and marinara sauce on top of a beef slab with a side of mozzarella sticks, but was pleasantly surprised.

Featuring roasted pepper mayo, pancetta, truffle mushrooms, provolone cheese, and bruschetta on a softly toasted bun, this sandwich perfectly delivers the taste of a home-grilled, wood-smoked burger while providing an authentic Italian taste which evokes the feeling of enjoying charcuterie and wine on a romantically lit patio at sunset in central Italy. A drizzle of balsamic perfectly balances the smoky flavor of the meat by adding a delightfully sweet tang that you would have never imagined you needed on a burger. Long story short, you can tell this menu was curated by a chef with a deeply inspired palate.

The Parmesan truffle fries were offered in a unique shape, which is always a fun surprise. Their flatness made it perfectly easy to scoop up some of their house-made ketchup, which is a must-have. The flavor of ripe summer tomatoes is prevalent but not overpowering in this bespoke take on a classic sauce. Offsetting the sort of intense saltiness of the fries, this ketchup makes a harmonious pairing that your tastebuds will thank you for.

(Not pictured: the tomato basil soup, which was every bit as fresh and tasty as everything else on the menu.)

For those not into burgers, this place also offers an array of creative takes on chicken dishes and hot dogs that are sure to leave you content and smiling without feeling weighed down by heavily greasy, salty food.

All of this is served in a relaxed atmosphere where you can scroll on your phone, catch up on emails, or strike up a conversation with regular customers and the family who operates this stellar business. This makes Sense of Taste not just a place to get a quick lunch or early dinner, but a reprieve from the fast-paced world of foodie culture where you feel right at home.

If you find yourself in the Nashville area with a little extra time on your hands, take the 20-minute drive out to this growing town and experience this hidden gem for yourself. You won’t regret it.