#technically not very canonically accurate

[sopphic27]

Fun Fact: A lot of the Stolas antis compare him to Valentino off all people

H. How. What show are these people watching.

Okay so, this has been sitting in my drafts for a while, but let's get down to it. This post got wildly out of hand.

TL;DR: Valentino and Stolas have some superficial similarities, but Valentino is an abusive overlord who gained his power through exploitation and uses it to be abusive, meanwhile Stolas was incidentally born into his power and at worst is ignorant but well-meaning. Their behavior onscreen and interactions with their subordinates and their partners is night and day.

Valentino: a human sinner who is an overlord, so he owns countless souls of other sinners. He "employs" others demons as erotic dancers, adult film actors, and sex workers. I say "employs" in quotes, because I get the feeling that a lot of these people don't necessarily get a choice. He's blatantly manipulative, physically and sexually abusive, and generally just an asshole. For the sake of this comparison, I'm going to focus on his relationship with Angel Dust.

Stolas: a hellborn Goetia prince, he is said to have legions to command and share his knowledge with, and he canonically and on screen has a staff of servants, security, etc made up of (that we've seen) imps and hellhounds. His staff seems to have standard jobs such as serving meals, delivering messages, cleaning up, and whatnot. We don't know much more about them, however. He's socially anxious and awkward, very intelligent, and he behaves publicly in a very regal and reserved manner expected of a prince. In private, however, he seems more friendly and polite to the people he interacts with, with the exception of people he dislikes (e.g. Stella, Striker, Andrealphus). I'll focus on his relationship with Blitz pre-Apology Tour for this comparison, but I'm also going to address his interactions with his staff.

Before anything else, I'm going to call Angel and Blitz their "partners" even though that's not technically accurate. I'm not actually suggesting that Val and Angel are in a relationship or are each other's partners, same for Stolas and Blitz, but I don't have a better word for "the other person in the relationship".

So what are their similarities?

Both Valentino and Stolas are of higher status than their partner.

They are both demons that have magical abilities while their partners do not. (Comparatively. Angel Dust may have some abilities, but we haven't really seen him display them beyond some glowing eyes)

They're both much more powerful than their partners, physically, magically, and socially.

They have some sort of contract with their partner (Pre-Full Moon)

They both have a lot of employees and staff working for them.

They have red eyes.

They're, um. Skinny? I'm running out of similarities.

So I would say that they do have a number of superficial similarities, but I want to dive in to these similarities a little deeper.

Stolas was born into his status as a prince, so was Blitz as an imp. Say what you want about the social hierarchy in Hell, but they do live in a society, and imps are basically the bottom of the pyramid in Hell. The point is, Stolas didn't choose to become a prince, he just is. Valentino, however, had to climb to achieve his status. He died and manifested in Hell same as any other sinner, but he managed to climb the ladder, made deals to own other sinners' souls, amassed power, and after however long, became an overlord. To each their own, but in my opinion, this means that he chose to become an overlord by exploiting other sinners, just like any real life business mogul. Don't get me wrong, I'm not a monarchist, but being born into power and taking it by choice are still very different.

Similarly, their magic is very different. We haven't seen much magic from Val, but we know that he has a certain amount of power over Angel, he produces that pink liquid with unclear properties, and we know from other overlords that he probably has more abilities that we haven't seen. We have seen a few displays of Stolas's power, though. He can use telekinesis, create portals, possess people, turn people into stone with a look, etc, and he can transform into a giant owl monster. So yeah, he's crazy powerful. But again, Stolas was born into his power, he's a Goetia prince, he inherited and honed his magical abilities through study and practice. Overlords seem to gain a lot of their power by owning souls, though this isn't actually totally clear. Regardless, Valentino has power over Angel as a direct result of his contract owning his soul.

So both of them have definite power differences with their partners. The key difference, however, is how they use this power imbalance in their relationships. Valentino literally owns Angel's soul, he uses his power over Angel to control him, manipulate him, force him to do things, abuse him, etc. He is blatantly physically abusive to Angel, we see him hit Angel, drag him around, push him down, grab him by the neck, and yank on his chains. He's also very psychologically abusive, he threatens him and his friends, insults and demeans him, and holds his contract in front of him to remind him of their deal and make Angel feel helpless. He's just awful.

Stolas is very very different in how he treats Blitz and their relationship. I mean there's the obvious, he is never physically abusive toward Blitz. And before any of the Stella sympathizers come at me, he's never been physically abusive toward her either, he just BLOCKED her hand as she attempted to strike him. If you ask me, it seems like she has probably done that before! He never intentionally demeaned Blitz, he never tried to hold their agreement over his head, he doesn't even seem to have forced Blitz to do anything sexually against his will. Plus he's a fucking bottom. He is aware of their difference in power, but he never intentionally abuses it. The only times he's ever insulted Blitz were either teasingly (e.g. "Oh and your memory is so perfect? What's [Moxxie's] phone number? Exactly.") or after he had already ended their arrangement and was upset with him (e.g. during their argument in Apology Tour). Even then, it really comes off as him pointing out Blitz's flaws and his hypocrisies after Blitz broke his heart. If you were to compare the beginning of Apology Tour to any scene between Val and Angel, the difference is crystal fucking clear.

And let's talk about their contracts. Valentino, as previously stated, literally OWNS Angel's SOUL. It's written in ink and legally and magically binding. Literally. Whatever deal Angel made with Valentino is basically irrelevant since at the point in the show that we see, the only thing he really gets from Valentino is a job. He used to get housing, it seems, but he gave that up to live at the hotel. I don't think he gets any kind of protection, but that's just speculation on my part. For Angel, it seems like there is no way out of his deal with Valentino, only Val can release him, and he doesn't want to because Angel makes him money. Stolas and Blitz have basically a verbal agreement, made over the phone. "Favors for favors." Stolas lets Blitz use his grimoire, the spell book given to him to perform his royal duties, something that he's definitely not supposed to be lending out to anyone, let alone an imp. Blitz needs the grimoire to be able to get to Earth, which is the most important aspect of his business in killing living people. Stolas also needs the grimoire for his job, but he lends it to Blitz for all but one day of the month. In return, he asks Blitz to spend the night with him so they can have sex. Blitz agrees to this arrangement, very willingly, and in my opinion, he gets the better end of the deal, especially considering the fact that he seems to like fucking Stolas. Now, by definition, this arrangement lowkey makes Blitz a prostitute. He is exchanging sex for the ability to run his business. But this arrangement is not written down anywhere, it's just an agreement between Blitz and Stolas while they're both happy with their end of the deal. Eventually, however, Stolas doesn't feel happy with it anymore because he's developed genuine feelings for Blitz and is uncomfortable that he feels like he's exploiting Blitz. So he calls off the arrangement in the hopes that they can start a new relationship on equal footing. He gives Blitz the Asmodean Crystal, arguably a better tool for Blitz's business than the grimoire was because it's easier to use, and they no longer have to exchange sex for the grimoire. He gifts the crystal to Blitz, no strings attached, and tells him that he cares for him and wants him to stay. Even when the conversation goes south, Stolas doesn't take back the crystal or even indicate that it's something that he would do. It's Blitz who's then uncomfortable because he feels like he needs to be doing something to "earn" the crystal. But that's his baggage, and not the point right now. The point is that in Val and Angel's contract, Val has the more favorable end of the deal, and he's the only one who can end the contract between them, and he probably won't. In Stolas and Blitz's arrangement, Blitz had the better end of the deal, and either of them could have backed out of the deal, but ultimately Stolas chose to end it, and he made sure that Blitz didn't suffer any consequences to his business as a result of their deal ending.

Now moving away from the relationships with Angel and Blitz, both Val and Stolas have employees, lower status demons working for them. Val's employees are mostly sinners whose souls he (or one of the other Vee's) owns, and then there's Kitty, the off-brand Robo-Fizz. Based on how he treats Angel and the other actors and people around him, I think it's fair to say that he's not a very kind and considerate boss. He's physically and verbally abusive, he's controlling and demanding, he's short-tempered and violent, and he clearly has no respect for scheduled work hours since he calls Angel in whenever he fucking wants. We don't see Stolas interacting with his staff as much, but what we do see is pretty standard for how a royal might treat a servant, with a neutral and stoic attitude. He's not necessarily friendly to his staff from what we see, but at least he's not actively abusive. I mean compare how Stella treats the imp butler and how Stolas does.

She grabs him by the arm and throws him full force at the wall during an argument with Stolas, while also dehumanizing him (de-demonizing?). He shows up again a little later in a state. Poor guy. The worst he ever gets from Stolas is this:

Not great, but definitely not as violent as Stella. My interpretation of Stolas with his imp staff is that he's at worst negligent and careless with them, but he's not nearly as intentionally violent.

And I was joking about the physical similarities, the majority of the cast have red eyes. I'm not even taking shots at Vivzie's character design.

I don't know how this got so long, I just had a lot of thoughts.

[just-a-living-meat-thing]

RAAAAAAGGHHH OKAY YOU ASKED FOR IT

Pyrrhia:

- Is about the size of North America and half of South America. It’s a big fuckin continent bro, I don’t fuck with the idea that dragons can fly straight across Pyrrhia in the span of a few days. It’s gonna be a few months TOPS if I have anything to say about it

- Also, in my unshared WoF au, the “head” of Pyrrhia is muuuch farther north than in canon, and the “wing” is a little bit shorter. That way, the IceWing kingdom makes more sense to be that cold, but the SkyWing wingtip stays relatively warm in comparison

- There’s a Great Plains now!! In between the Ice kingdom and the Sand kingdom! It technically belongs to the SandWings, but it’s a great mix of different tribes and migratory cultures. The only downside are the tornadoes :/ those suck

- Also. I think the SkyWings deserve floating islands. I personally hc that Pyrrhia has a bunch of floating islands everywhere (affectionately called “floaties” or “those flyin’ fuckers up yonder” by certain SandWings) but the SkyWings have the most, the biggest, and the highest. Most aren’t big enough to hold towns or villages up there, so they’re mostly used for trade and postal services

- Pyrrhia does not just have regular animals. A lot of the Pyrrhic animals I’ll mention are inspired by the Mesozoic and Cenozoic era, or creatures from different mythologies. Not all of them are important enough to mention, so I’ll just dump a few of the most common ones here and hope it makes some sort of sense

- I also think there should be wyverns and drakes and wyrms around. They’re like the dragon equivalent of chimpanzees and monkeys and so forth. None of them are as big or as cognitively intelligent as dragons, but they’re still important, evolutionarily speaking

Scavengers:

- Hmm. I’ll be honest, I don’t really care for the humans in WoF. I don’t dislike them per se, but they just don’t interest me as much as everything else does. That being said, I do have some concept design ideas for them that I’ll elaborate more on later with drawings and charts and suchlike, once I finally have the energy to do creative. I just gotta beat this executive function and depressive shit and mental fatigue and then it’s all over for you bitches!! You’ll see!!

- Anyway. I think of them as primate creature things. Quadruped. Can stand and walk on two legs pretty easy, but default to four when traveling long distances or when on the run. I also don’t think they’re super smart? They’re like, crow intelligence to me. Smart enough just to be uncanny, and wickedly emotionally intelligent, but they’re not taking over the world anytime soon, y’know?

General dragon physiology:

(QUICK PREFACE: As a rule, I tend to gravitate more towards a design perspective rather than a scientifically accurate one when it comes to speculative biology stuff. I think if a thingamajig or a creature or a species looks visually interesting, makes sense for their environment, and can use it’s natural abilities efficiently to its advantage, it’s fine if the design itself is not super accurate. What matters to me is whether it looks cool. Everything else is just a bonus)

- Tribal color schemes: while general color palettes for each tribe are important in differentiating one tribe from another, at the end of the day, there is still a lot of color variation within tribes. I honestly don’t think dragons use camouflage as much as we’re thinking (at least not anymore), since they’re all living—somewhat together—in civilized societies and don’t necessarily need to hunt as often as they once did. Especially since the establishment of agriculture is canon (at least for MudWings) in WoF, I doubt that dragons living together in cities or towns or villages hunt very often anymore. Why spend time and energy hunting when you can just buy an animal down at the market? Now, that being said, dragons do still hunt for their food, especially those in isolated or rural villages, nomadic communities, dragons living out in the countryside, or those living in poverty. Those dragons do typically follow rules of camouflage, since they depend on it more. But for those wealthy enough to not depend on hunting for survival, who can hunt for sport, for tradition, or for leisure, coloration varies more into the “classic” WoF tribe color scheme, often appearing brighter, more vibrant, and more domesticated

- Patterning also varies, often indicating a dragon’s born social status. Each pattern is unique to the dragon it appears on though, and any characteristics I might mention are incredibly generalized. The sky is the limit. Wahoo

- Body weight and structure also varies for each individual dragon! There is definitely a “common” body type for each tribe, but that is by no means the be-all-end-all rule

- Most tribes are heavily omnivorous. There are only two outliers, both on opposite ends of the spectrum. IceWings are hyper carnivores, since their environment does not so easily suffer the bearing of plant material. RainWings, on the other hand, are almost entirely herbivorous, though they will still eat small mammals, fish, and rainforest insects when favorite foods are scarce

- Fire-breathing tribes cannot easily digest raw meat. Their food usually has to be cooked before they can eat it. Fortunately for them, as fire-breathers, this is a non-issue 99% of the time

- All tribes at least partially molt their scales, either throughout the year (like most tribes) or during a change in season (like IceWings). This is especially felt by teenage dragonets, who often feel embarrassed by the perpetual scrumpled appearance caused by their quick growth

- All dragons are quadruple, able to walk and even lope short distances on their hind legs with the aid of their wings and tail. That way it makes a little more sense for them to be wielding spears, although I think that would be more of a flying weapon rather than a ground-based weapon

General culture:

- The more isolationist tribes (IceWings, NightWings, SeaWings, RainWings, different subcultures within the tribes, etc) have kept their own distinct languages alive through the centuries and each have distinct accents. Regional dialects are also incredibly relevant in Pyrrhia, even in common tongue, and a trained linguist can easily identify where a dragon came from just based on their accent

- The monetary system is based on different coin currencies depending on which kingdom you’re in, but generally speaking, most places will accept anything deemed an acceptable trade. Treasure is the most valued commodity though

- Generally speaking, dragons do not wear clothes. At least, not in the way we do. However, many of them do wear shawls, hats, scarves, or wing-canvass, particularly if it’s nippy or very hot. This type of dress is also an indication of one’s social status, as the more extravagant and attractive an article of clothing is, the more wealthy a dragon tends to be

- Utensils are nonexistent except for soup, and that’s usually reserved for the upper class. If you ask for a spoon in a backwoods SkyWing village, you will get bullied

- There are also a myriad of writing tools available. Using your claws is a traditional, ancient method of writing, and is now more of a practice in meditation than in actual writing, but many older dragons in leadership positions continue to write with their claws. It’s an under appreciated art form

Etc, there’s more and I will elaborate more later, but I gotta remember them first :/

Creatures:

Thunderhawks:

- Named for the sound the beating of their wings make when they congregate in the air, these avians are found primarily within the Sky kingdom and are currently the largest bird on record. Thunderhawks grow about the size of a juvenile SkyWing and are fiercely territorial creatures, often causing a whole host of issues to any SkyWing flying too close to their nests. They aren’t particularly dangerous if you know what not to do, but they will absolutely fuck your shit up if you mess with them. So. Don’t mess with them

CATerpillars:

- I don’t have a fancy name for them yet but I just know that’s a popular bad pun in the Ice Kingdom

- These guys are basically snow leopards/polar bears, but bigger, and with eight limbs. They look a little sluglike to be honest, but are actually frighteningly quick. They’re found exclusively within the Ice Kingdom and are very solitary creatures, shy around dragons unless they’re sick or starving and just desperate enough to snag a dragonet that wandered a little too far from the igloo. They’re quite prominent in IceWing culture, though I won’t go too deep into it for now

Sand Wyrms:

- Like Thunderhawks, the wyrm family is found all across Pyrrhia in different types of environments. However, the Sandwyrm is a genus specific to the desert, and often targets lone animals traveling on ground. Sandwyrms travel across the sand for the most part, until they catch the scent of prey. They will follow their targets until close, at which point Sandwyrms will bury themselves under the sand and ambush whatever creature is unfortunate enough to cross their path. They don’t eat very often fortunately, otherwise they’d be a real nuisance. Generally though, they don’t bother dragons so the SandWings leave them alone (except when they’re hunted as delicacies. Sandwyrm meat is delicious, and they’re just hard enough to catch that they’ve become a real treat. Yum)

Various bigass fantasy bugs:

- Bigass fantasy bugs are a staple food in Southern MudWing territory, just when the swamps start to become jungle. They’re usually food for the lower classes and locals, which is to say they’re a part of stereotyped beliefs about backwater, Southern MudWings (and MudWings in general), but the real game down there gets bigger and meaner and more dangerous to hunt the further south you go, so bugs it is. They’re actually pretty damn tasty but no one ever gives them a chance :(

There’s a lot more but I haven’t named them yet or come up with a solid idea for them. Plus I wanna draw pictures of them but. Well. I am currently besieged by the curses and thus cannot promise any designs to be forthcoming

I also have specific tribe headcanons (including physiology, culture, food, religion/spirituality/mythology, oc lore, etc) if y’all wanna know about that, but I’m not listing them here because there’s too many and I’m overwhelmed. And I also wanna draw them. But I will be listing them soon, art or no art. So watch out

ASK ME ABOUT MY WOF HEADCANONS PLEASEPLEASE PLEASE LLEASE

[sysig]

How far did you get? (Patreon)

[fairysylveon]

rubbing my temples a little thinking about tim takes

[entropy-mephit]

So, imagine if Hippolyta Hall, when he felt threatened that Dream will take her baby, went to Wonder Woman for help.

Trying to explain the whole situation about her child, and accidentally slipping that she actually conceived the child in a dream. Someone puts together that her husband, who she insists is the father, was already dead at the time.

[oh-meow-swirls]

wait in 3 nate doesn't have whapir or baku, just kittylumbus. kittylumbus can't absorb sleepiness seemingly. either a) baku just permanently made it so nate Literally Never Feels Sleepy (does not sound healthy-), b) kittylumbus does do that also, or c) nate is just past the need for sleep. idk which i prefer honestly-

[leahcee]

.

[bunnieswithknives]

hey in ur peri animatic: (https://youtu.be/OCqlRuDaXYU?si=K52WDu_vw9rg7chz) that I have been permanently obsessed over since today and have watched about 20 times by now so much that I have drawn & posted stuff based on it what was that partial bug form peri had?

I haven’t watched either of the show btw so if it’s explained in the show please tell me plsssss

OK, SO the bug thing is not technically canon to the series. It's based on my own headcanons for fairy biology, but i do have justifications for it!! Fairies have very strong shape-shifting abilities, so it would make sense that the form they show to humans isn't necessarily their true form(not to mention extreme that mimicry is very common in insects). And you want to know the visible traits almost every fairy has in common? Being very small with Insect-like wings.

The fact that their humanoid form isn't their true form in actually confirmed in the show! Cosmo and Wanda are revealed to look like biblically accurate pseudo-angels in the museum episode. (I say pseudo angels because the Flaming Sword of Eden is only debatably sentient and I don't think is considered an angel. Ophanim are also debatably not angels because they don't have wings (sorry for the angel tangent I like angels))

So wouldn't their true forms be angelic then? Well, yes. But I like bugs so. Also I have more headcanons to justify myself. I like to think that they have both a true-true form (incomprehensible to the human brain, probably exists mostly in a dimension invisible to us, that looks how we imagine biblically accurate angels), and a fairy form (which is visible to humans but is naturally very insect like and tends to scare people). So, in order to interact with humans, they have to learn to shapeshift into a humanoid form but will occasionally slip if they get too relaxed/aren't careful, hence the mandibles coming out when he yawns!

The reason they struggle so much more with human forms than the animals or objects they typically turn into is that, well, they aren't trying to convince those animals or objects. The more human they try to look, the harder it is to keep up convincingly. If you turn into a really uncanny squirrel, only other squirrels will notice. If you turn into a really uncanny human, they form a lynch mob and burn you at the stake.

[jadeyarts]

Separate from that other anon I for one would personally love to hear your Peri and Harbinger/Foxglove headcanons

OMG YAYYYYY. I HAVE QUITE A FEW ♥ (for my own convenience i'm referring to them by their og series names for reasons)

the events of timmy's secret wish are what first planted the seeds of genuine, fully positive feelings and fondness for poof in foop's mind and heart... maybe even a puppy love crush. he seriously thought "well, dying in poof's arms wouldn't be so bad" and hoped that wouldn't awaken something in him. it did.

in a lot of episodes they often have differently colored eyes - foop has a darker shade of purple. i think poof's noticed, and i think he even likes the look of those darker eyes.

given how foop would cry out for poof to protect or save him, i think that poof grows to be incredibly protective of foop… poof will square up for his square!!!

hes the one telling cashiers that foop asked for no pickles, imho ♥

at some point poof stopped intervening in foop's nefarious schemes so i've kind of interpreted poof as just... not caring anymore. he can't stay mad at foop for long, and he finds himself not even bothered by whatever damages he ends up causing anyways. i think he might even find his antics amusing.

after the events of certifiable super sitter, foop actually feels comfortable with admitting that poof is his best friend-

it'd take a few more years to admit it to poof's face, though, it's too embarrassing for him! he'll gush to chloe constantly, though - she knows he's in love with poof before either of them does.

foop's first boyfriend was actually their mutual friend sammy sweetsparkle in high school, while poof had kind of an on-and-off puppy love situationship with goldie... until he kind of flipped out on her about constantly getting foop's name wrong in the middle of a jealousy induced break-down. foop was actually thrilled to hear that poof let his dark side show over wanting to be with him.

sammy and foop ironically broke up on good terms because sammy's best attempt at understanding the fairy/antifairy situation is that they must be soulmates and he didn't want to stand in the way of true love. he's their second biggest supporter.

technically poof confessed first but his confession was literally just screaming IF I DONT SPEND THE REST OF MY LIFE WITH YOU I AM LITERALLY GOING TO BLOW SOMETHING UP!!!! at foop, which was a love confession that would only appeal to foop.

chloe TRIED to plan the "perfect" first date for them but it was horribly awkward and not to their tastes. so instead their first REAL date was poof taking foop to a kelly clarkson concert where they got matching "my life would suck without you" t-shirts.

poof actually buys - WITH HUMAN MONEY, IN A HUMAN DISGUISE - every kelly clarkson album as it releases for foop.

they nearly elope several times but got caught by wanda every time. wanda doesn't really like the fact that poof is with foop but doesn't wanna turn into mama cosma about it so she comes to terms with it. she doesnt want them to just run away and get married when she doesn't think they're ready yet either, though. timmy has to be the one to appeal to foop's desire for attention to convince them to have a big wedding after they graduate. poof doesnt care whether he has a big wedding or just elopes - as long as foop is his. if foop wants a big wedding, that's what they'll have.

whenever people ask how long they've been together they tend to go silent because their first instinct is to say "about 50 years" even though they're only about 22-24, and they've only officially been a couple for about 6 or 7 years. foop's second instinct is also to say "from the very first moment i drew breath" like the dramatic weirdo he is. which isn't even accurate and they both know it.

literally so specific to my own little homebrewed post-canon that you can't even pretend it works with anw:

in my elaborate fanon after AC and AW abandoned foop in season 10, poof begs wanda to find someone who would be willing to take foop in. luckily, wanda knew just the fairies for the job.

after getting adopted foop changes his name to foxglove thimbleplight - poof changed his last name to thimbleplight when they got married so he becomes periwinkle thimbleplight. :3

they still call each other poof and foop - usually in the form of embarrassingly cheesy affectionate nicknames. we're talking "smoopy-poo" level cheesy usage here.

(actually that one still works with anw but the art i drew is clearly my own designs and not the anw designs and it's exceedingly cheesy so)

poof convinced foop to go to the fairy academy with him - initially foop was hesitant because he… wants to… but… antifairies cant become godparents, right??? poof was willing to do literally anything it would take to keep foop by his side though. he initially considers manipulating some poor unsuspecting godparent to quit on their godkid just so he can hijack the ensuing fairy idol for foop to win and take their job… it's devious, and he knows foop would have loved that he did something so malicious just for him, but in the end he just gets into a fight with jorgen and the fairy council about it. he argues that technically foop is legally a fairy now since he was adopted by fairies, so he should be allowed to become a godparent. they end up agreeing.

their relationship was kind of a controversial issue in fairyworld for a few years because of poof's high profile status - while they're not the first fairy and anti-fairy couple, they're the first recorded instance of a fairy coupled with their own counterpart in eons. the media did get bored of them eventually though.

they already wanted to get married after high school but they agreed to postpone the wedding until after they graduated from the fairy academy so they had enough free time to make it as over the top as foop wanted it to be. poof actually proposed to foop AGAIN with a diamond ring after they graduated from the fairy academy, even though they were technically already engaged - with the intent of being as over-the-top dramatic and annoying to the rest of their classmates as possible.

^ which is similar to what cosmo and wanda did as teens though details differ. cosmo is literally the only one who seems to realize this and audibly goes "WOW, DEJA VU..." when this all happens.

while wanda had to get used to poof and foop together, cosmo accepted it pretty much immediately. mostly because sometimes they reminded him of himself and wanda. (<- actually canon)

[vulcan-moon]

Bro...inhibitor ring Amy...ur mind bro....

Seriously though, while I'm of the personal opinion that her bracelets are weights like they are in the GBA games, I ALSO am a diehard fan of chaos-user!Amy.  In fact, ice been saying for years now that she IS a chaos user—she just gives her more supernatural combative abilities cutesy or simplified names as opposed to Shadow's more technical naming conventions. 

Storming Heart is a derivative form of Chaos Spear, which in the games looks slower and more concussive like a bomb might be.  Rose Typhoon is just a Chaos Blast supplemented by the shockwaves she generates using her hammer. 

I wouldn't be surprised if the more technical terms for her Invisibility and Precognitive abilities—referring to her tarot readings, accurate intuition, etc.—were something along the lines of "Chaos Shroud" and "Chaos Divination" respectively.  Then there's her pocket dimension where she keeps things like her hammer and cards, so that could just be accessing her own personal "Chaos Space".  Hells, she even has a uniquely strong capacity to sense the energy of other people and things, which is what makes her such a great tracker in canon, and if the energy she's sensing is actually just the chaos energy all living things naturally possess in varying strengths and signatures, then maybe she also employs a sort of "Chaos Dowsing" technique. 

Idk if you can tell, but I'm a big Amy fan lol.  I usually just love all-arounder characters like her—seeing how she's faster than Tails and Knuckles but not Sonic, stronger than Sonic and Tails but not Knuckles, and smarter than Sonic and Knuckles but not Tails.  Also, a sweet, peppy magical girl who's greatest traits are her passion and kindness?  Sign me tf up. 

Would be funny for her to ask Shadow to teach her Chaos abilities now that she knows to take off the inhibitors and for him to be all ???? "What are you talking about? You use them all the time??" lol. My shadamy shipper heart would also just love to see them grow closer over this, but that's neither here nor there

i love amyyyy i love her so much. her abilities are so wild and all over the place and the moment you think deeper abt them youre like,,,, how tf does she do what she does actually why tf does she have a pocket dimension. and you're so right abt the naming thing!!

to me it just makes sense her being a chaos energy user. all the other hedgehogs can do it, she's got abilities that are very similar to theirs, it makes sense that she channels chaos energy too. if sega weren't cowards, she'd have a super form by now 😔

also hilariously enough im in the middle of drawing a short lil follow up comic to my last one w that premise :3c sneak peek

[steviewashere]

Baby Blanket

Rating: General CW: Implied/Referenced Homophobia, Implied/Referenced Child Abandonment (as I think that's what it would technically be even if Steve is an adult at this point) Tags: Post-Canon, Future Fic, Angst and Hurt/Comfort, Sickfic, Established Steve Harrington/Eddie Munson, Sick Steve Harrington, Eddie Munson Takes Care of Steve Harrington, Steve Harrington Has Bad Parents, Steve Harrington Has a Complicated Relationship With His Mom, Baby Blanket, Eddie Munson Loves Steve Harrington, Eddie Loves Him So Bad, Steve Harrington Loves Eddie Munson, Sad Steve Harrington, Cuddling & Snuggling For @steddieangstyaugust Day 15 Prompt: Childhood (apologies that I'm late, but this idea hit me very last minute on the 15th, oops!) Also, I didn't mean to describe Linus's (from Peanuts/Charlie Brown) blanket, but I sorta did?

🌡️—————🌡️ He’s careful about inserting the thermometer into Steve’s mouth. Even as the aforementioned guy coughs around it, jostling the little glass thing, nearly knocking it straight back down to the floor. But he’s prepared to keep it from crashing this time. No way is he going out to the store—again—to replace the damn thing.

“Breathe slow through your nose, sweetheart,” Eddie breathes, demanding lightly. “I know it’s hard to do right now, but we won’t get an accurate reading if you spit this thing out.” He cups his palms under Steve’s chin just in case, all too riled at the thought of having to be the catcher on the field. But it just ends up being a precautionary thing—as Steve, though rolling his eyes, does exactly what he’s told.

It’s a slow going process. The mercury inside working up, up, up as the time ticks away. A minute passes and Eddie knows that Steve is suppressing coughs. His eyes have gone watery and his cheeks, already flushed, glow a deeper and brighter terrible red. There’s got to be a huge wad of snot stuck half past and around the block in his right nostril, the feeble attempts at sucking in air are just that—feeble. And the deepest tell to Steve’s state is the awful, wet, raspy rattling croaking from his chest.

Inwardly, Eddie raises his fist at whatever god allowed the creation of the flu virus. And he shakes that fist for causing that damn virus to spread.

His watch beeps, two minutes up. And he gently pries the thermometer from Steve’s overly moist mouth, unlocking the hacking of his lungs, and the spray of his spit, and the miserable attempts to cover it all up with his elbow. Not like that would do anything, Eddie bitterly thinks, I already had this shit last week.

103 degrees Fahrenheit.

“Shit,” Eddie mutters. He sets the thermometer onto the coffee table. Reaches out for Steve’s shoulders and forces him back down onto his right side—half flopped already on the sofa, just needs to get his legs tucked back underneath him. And he pets a shaking hand over the exposed, goosepimpled, and overheated skin of Steve’s bicep. Usually, this muscle tank he’s got going on would be hot, but now it’s just…bleh. “Listen,” Eddie whispers, “if your fever doesn’t break by tomorrow morning, I have to take you to the hospital, okay?”

Steve gives a weak whine. Eyes closed, mouth twisted, shivering. “I don’t wanna,” he petulantly protests; but that’s not going to work on Eddie. Not this time, at least.

“I know,” Eddie murmurs, “I know, baby. But I’m serious this time. You’ve already been sick a while longer than I have. And you’re shaking like a leaf. And though you finally were able to keep down some crackers and soup—and water, thank god—you’ve barely had anything to eat. I’m just”—he sighs—“I’m worried, Steve. I’m worried this is something more than just the average flu.”

Another weak little sound, this time something like a sniffle. And when Eddie gets a clear look at Steve’s face, no longer buried into the soft throw pillow under his head, his heart begins to fracture. Tears streak Steve’s already ruddy, terribly warm cheeks. And his lips are quivering. And his eyebrows are quirked in an uncomfortable twist.

And Eddie hates this.

“Baby?” He calls to Steve.

“S-sorry,” Steve chokes out, “I don’t feel good.”

He brings his hand off of Steve’s bicep, instead cupping the back of his head. “Okay,” he softly says, “you don’t need to be sorry, baby. But thank you for telling me how you’re feeling. Can you tell me what doesn’t feel good? Maybe I can help fix it?”

For a long moment, Steve doesn’t say anything. Instead, he gets the last of his tears out of his system, lets Eddie hold him along his greasy hair, and continues to shiver through his whole body. Finally, he whispers, “Can you stay and…can you cuddle with me?” He doesn’t look Eddie in the eyes when he requests it. Doesn’t dare drag his sight off the loose threads of the throw pillows, strings that Eddie promised he would sew back straight when they were both feeling better. Steve takes another raspy, deep breath that physically pains Eddie to even hear. And then he tacks on, softer than before, “My mom used to when she still loved…” He sighs.

There’s not much to say to that, other than Eddie immediately and already agreeing. Because a cuddle with his boyfriend is as easy as breathing air for him. But they still haven’t touched on the sore subject that is Steve’s parents. Or Steve’s childhood, for that matter.

It’s not like there’s much reason to. Not when they’ve got a life outside of Hawkins now and have their own apartment and Steve hasn’t spoken to either of his parents in roughly three whole years. Not when they’ve learned to take responsibility for each other—both in the duty of making sure the other is safe and healthy, and in the sense that without the other, one of them just wouldn’t be. And it’s never time to talk about Steve’s parents when all they’ve done is push him aside, leave him second best to their work and social lives, and when they finally paid attention—they realized that having a certain type of kid (a word that they don’t repeat, an f word) hindered all the “work” they’ve done for the family they have.

Not that they’re family.

But they tried to act like one at some point.

“Of course, sweetheart,” Eddie whispers, “let’s get you to our room, okay? You want me to get anything else before I slip into bed with you?”

Again, Steve takes a moment of silence. Then, “I stole one of my mom’s blankets when we moved in here. It’s in the hall closet. Can I have that?”

“Yes, baby. What’s the pattern on it?”

Quietly, Steve answers, “My baby blanket. The blue one. It has my name embroidered on it.”

“I’ll grab it, I promise. Now, let me get you to bed and I’ll be with you in just a second.”

He easily and carefully picks Steve up from the couch. Not exactly light, but not heavy either. And shuffles the two of them down the hallway to their bedroom. Tucks Steve under just the top sheet, no comforter. Pushes hair away from his forehead and back behind his ear. Leaves a little kiss to his right cheek, the heat radiating onto Eddie’s lips.

Then, Eddie grabs what he needs: an ice pack from the freezer, a cold bottle of water, the container of cough syrup, and some Tylenol. It’s the baby blanket that’s harder to get. Not because it’s buried in the back of the closet. And not because it’s simply not there.

But it’s the way it lays between Eddie’s hands that really gets him.

It’s a pale blue. Something close to periwinkle. Has a light layer of fuzz and lint, as if it’s hardly been washed over the years. Too precious of cargo to run through the washing machine, and too hard to take away for a hand wash when Steve probably needed it all the time. The edges are frayed—strings loose, some of the stitching completely missing, a few tears that would never be sewn up to the original corner it’s meant to be. There’s a couple small stains on it, most likely from being dragged or even dropped in dirt. In the bottom right corner of the fabric is a name embroidered in off-white floss: Steve. Though, upon closer inspection, it appears one of the letters is missing. The only thing left in its wake is the shadow of what should’ve been an ’N.’ Like maybe it had been altered at some point.

The size of the thing pulls at Eddie’s heart strings, too.

Not a big one—like the quilt his mama made when he had turned three, though it wouldn’t fully cover him until he was ten (when she wouldn’t see him use it, but he tries hard not to think of that. Tries.). It’s not medium, either. No, this baby blanket is the perfect size for a baby; a newborn baby.

Underneath Eddie’s right index finger, he feels a soft tag on the back of the blanket. And when he flips it over, he spots exactly that. A tag. Not with care instructions like some of those store bought blankets—pre-determined with a name. No, it’s a screwy kind of tag. Made from obvious silk, scrap fabric, off-white, too, but yellowing from old age. And in a black, inky scrawl, it reads:

‘For you, my little prince. For my heart. I love you always. -Mommy’

And he didn’t want to cry, but he’s close to bursting with the need to. So, he shoves that little bit of emotion back inside, puts the blanket in the crook of his left elbow, and carries his haul back to their bedroom. Where he finds Steve in the same position: curled up on his left side, hands tucked under his chin, legs bent and ankles crossed, the top sheet pulled all the way up to his wrists, eyes glazed and looking at the empty left spot of the mattress where Eddie should be.

He puts the ice pack on the back of Steve’s neck, even if he’s met with a slight hiss and a half-assed wriggle away. But, thankfully, the fight can be put off because Steve stops trying to get away. To that, Eddie internally relieves a sigh. Twists the cap off of the bottle of water, but places it on Steve’s bedside table for him to reach later. The cough syrup and Tylenol go to Eddie’s table. But the baby blanket goes immediately to Steve, who takes it with quick, healthy movements.

Eddie can only lay himself under the top sheet, melting and softening at the sight of Steve bringing the blanket up close to his face, tucking one of the torn and frayed edges to his bottom lip. He runs the old fabric on his dry mouth, almost like he’s smearing kisses along the thing.

“Thank you,” Steve tiredly breathes.

Laying on his right side, Eddie has full access to Steve from where he is. He reaches out a gentle hand to the side of his boyfriend’s face, caresses his skin tenderly, and then pulls him close between his shoulder blades. Not quite tucked into Eddie’s warmth, but enough that they could share body heat. But he does tangle their legs together, just to give them contact, just to satiate some of what Steve needs.

Steve scoots even closer, though. Closer than how they should lay considering he’s got a temperature that nearly warrants a hospital visit. But Eddie lets him lay his head on his shoulder. Lets him puff warm air onto his neck. Lets him take.

“Eds?”

He hums questioningly.

A hard, yet slow intake of breath. “I miss my mom,” Steve admits quietly. So quietly, Eddie almost doesn’t hear him. But he does. Damnit, he does. “She’s not a bad person. She’s not…she��s not what my dad made her to be.”

“I know,” Eddie can only say, “I know, Stevie.”

“She love—s me.”

Eddie throws his left arm over Steve’s waist, brushes his hand over the small of Steve’s back. “Yeah?” He asks softly.

“Mhm,” Steve answers, “I know it.” Eddie can just feel the tickle of the baby blanket brush him. Like it’s being pulled even closer. “She made this for me. And she…she used to tell me stories. And she took care of me when I was sick.”

He has to bite his tongue, even as his fingers betray him—as they squeeze Steve at the utterance of those words. Because he knows better than to point out the ‘was’ in those sentences. He knows better than to make a point that Steve’s mom hasn’t even bothered to try and keep contact. Even when she was given a phone number—“For emergencies,” so Steve had said.

Though, that makes Eddie wonder if it was for emergencies at all.

Makes him wonder if it really meant, “Call me every once in a while. Don’t be a stranger.”

He can’t tell Steve, delirious and sick and sad Steve, that his mom is effectively a stranger now. Can’t do that. Can’t be the one to tell him that his mom is basically dead. And the evidence of that is her absence.

He can’t do that.

“Oh, she loves you so much, baby,” he lies.

Steve nods. His hair scraping the underside of Eddie’s jaw, dirty and heavy and prickly. “She does,” he agrees. Then, he goes silent again. His fingers running over the blanket, feet rustling under the top sheet, skin on skin, nasally breaths through a stuffed up nose. 

“Doesn’t she?” Steve asks later, quiet and low. Unsure.

🌡️—————🌡️

[indigovigilance]

Jimbriel, Satan, the Book of Life, and what it means for Crowley

Acknowledging that what we know so far about the Book of Life from various characters is highly suspect, I'm going to posit to you that Beelzebub is actually the true authority on the Book of Life, and that they bookend Season 2 with very important (and hopefully accurate) information about the Book of Life. With that in mind, let's take Beezlebub's S2E1 description and see how it fits with other canon evidence:

But what does it mean to have never existed in the Good Omens universe? For that, let us look to Satan.

From in-show canon, we know that Adam was able to retroactively change Satan's status as his father to not his father:

Adam altered reality, although Crowley, Aziraphale, the other celestials, and even Adam himself remember those events from a timeline that supposedly has been erased:

But Crowley nonetheless confirms that this is reality now. Satan was never Adam's father.

Additionally, though not technically in-show canon, we know from Notorious NRG that once Satan became Lucifer, this erased Lucifer from existence in the GO universe:

And Crowley's monologue in the bar drives it home; even though Lucifer no longer exists, Crowley still remembers him, and some key events that they were involved in together.

But a more dramatic portrayal of erasure is found in our favorite Good Omens himbo, Jimbo. In the trial of Gabriel, the Metatron makes direct allusion to the fact that Gabriel will no longer be Gabriel after his demotion:

Not "your memory of your time as the supreme archangel will be erased," no, it's:

Your memory of your time as Gabriel will be erased.

Whether he means to or not, Aziraphale reinforces this characterization of memory-loss-as-new-identity:

This can be taken simply as a safety measure, but Jimbo doesn't understand it that way and we see throughout the remainder of the season that Aziraphale is very consistent about calling his unexpected guest "Jim," even correcting Crowley when they're speaking privately and it wouldn't blow his cover to call him Gabriel:

But the final word on memory and identity, especially as they pertain to Jimbriel, again comes from our Lord of the Flies, Beelzebub:

All your you is your memories.

Altogether we see that there is significant in-show canon to support a theory that memory is inextricably linked with identity, and that when memory is removed, identity is so drastically changed that the name of the entity must also change... and the person who existed before, with that former name, exists no longer; it is as if they never had.

(But, as we see in the case of Gabriel, they can be restored.)

I told you in the title that this post was about the Book of Life: it is. Everything discussed here about memory and identity must necessarily characterize how the Book of Life operates, at least with respect to erasure. When someone is erased, they don't vanish, but they are so changed it is as if a new person has taken the place of the old, the way Jim took the place of Gabriel, until he got his memories back. But we can surmise that when someone is erased from the Book of Life, their memories aren't conveniently stored in a TARDIS/Ru Paul fly for later recovery. The memories may not be gone, but I'm going to guess that they would be extremely difficult (or impossible) to retrieve.

What this means for Crowley:

I think we need to give this scene a lot more credit for telling us how this universe works. Surface level, it reads as "you don't understand my trauma, and how I've been changed by it." Which is a very valid interpretation. But we can dig deeper and see that, given everything else we know about celestial beings losing their memories, names, and identities, Crowley is alluding to something far more horrific than just the scars left by flaming swords and halo-grenades.

These are the scars of a lobotomy. Something was taken from him, and he is aware of it.

He knows that his memory has been tampered with. Various people (Furfur, Saraqael) tell him that they recognize him, and of things they've done together. He has no recollection of them, but instead of getting agitated, he brushes it off and ignores it. This lack of questions from the guy who questions everything tells us that he already has the answers; not the memories, but the knowledge of why he doesn't have them.

Furthermore, when he's trying to get Jim to remember the something bad and Jim says it hurts, Crowley says:

I know. Do it anyway.

How does Crowley know that it hurts, to try to recall memories that have been taken out of your head?

Because he's been through it.

He has tried to remember, and some memories, like working on the Horsehead Nebula with Saraqael or monkeying around with Furfur, weren't worth the pain. Or perhaps it was pain on top of pain to remember what he had lost.

It is an especial testament to the cruelty of Heaven that he remembers going into battle, but not the bonds he formed with his friends. He remembers a million lightyear freestyle dive into a boiling pool of sulfur, but not the work he did on the Horsehead Nebula, a thing that brought him joy.

And now, the person he loves most in the world, his only refuge from the terror of his empty nightmares, from his malignant and creeping sense of unease that something is missing, has gone back to that place where his identity was so horribly violated that he lost his name.

How will our hero cope?

If you liked this meta, you will almost certainly like my meta on Continuity Errors.

For my thoughts on who Crowley may have been before the fall, go here.

For my thoughts on how this pertains to Metatron, go here.

As I continue to produce metas related to this theory, you'll be able to find them all here.

[crayons-and-glitter-glue]

I think about Sun and Moon's original versions a LOT, and I don't get why people say they're not expressive!

Or perhaps, I do, and I just wanna ramble. Anyways! Big ol warning for lots of talking, some fursuit gifs and analyzation of body movement.

So, they have flat, immobile faceplates, right? Technically, yes!some argue that this makes them immediately inert and expressionless and opt to enhance their expressions. And this is a-okay! Do what you like!

But as someone who used to be a costumer, and wears a fursuit on occasion,

(Sorry, I love this gif so much)

BUT! When in a mascot costume, fursuit, or any other costume with a mask over one's face, the performer has to learn how to move in order to portray the emotions necessary for character engagement with the audience! Whether it's exaggerated head bobs, using your hands to talk, or making everything a bit of a spectacle, even the way you tilt your FACE can affect how you look.

Even MUPPETS do this with their limited range of expression. And we can easily draw those conclusions of how the boys were programmed to act in canon!

Take Sun's default animation in the daycare, just standing there.

It's very obvious here what he's trying to portray, and who his programmed audience is- little children! When costuming around little kids, you wanna use big gestures, and get on their level because you can seem HUGE AND SCARY to them! You wanna get down towards the ground, make big sweeping cartoon motions, and make sure all your movements are ROUNDED- not jabbing, sharp, or sudden- so that the kid isn't ever surprised, but rather delighted by your performance as a costumer. I'll show you an example by the amazing performer, Temba the Bat! (Made by Toxicoon, I believe.)

Big sweeping motions, slow without being too spooky, and generally friendly motions while swaying the head! Looks kinda similar right?

Another point is, though, these exaggerated motions don't really... turn off when feeling other things. Sun and Moon don't have a customer service mode, and that's WILD to me that their programming requires them to act like this all the time. Exhibit B: Sun's pain in the transformation scene.

He's making such exaggerated motions and movements to INDICATE he is in pain or holding something back. He's gripping his face like something is trying to come out of it, and even dramatically falls backwards to indicate a loss of control in his body. Whether the way the fall looks so cartoonist was intentionally programmed in, I couldn't tell you.

And then... there's Moon.

This is SO cartoon villain sequel, isn't it? The hands tapping delicately on the surface, the exaggerated head tilt, all of it is so wildly exaggerated in such a smooth way to let you know "Ah! I'm in danger! Great!"

And yet... he still is low to the ground. Still in that pose of going after someone SMALL. Performing for someone small. His evilness is almost completely exaggerated and, dare I say, fabricated by his programming. Of course, the virus probably had something to do with it but LIKE! Look at that range of motion!

Idk what the point of all this is, I just wanna say: it's totally understandable to make the boys super duper expressive in the artistic, flat 2d styles i see a lot!

But man I do hope someone draws them biblically accurate while expressing something else because that would be hilarious to see Sun throwing a temper tantrum by banging his fists on the ground and flailing while his face is just

:D

[the-shinysnorlax]

Miguel O’Hara: A comprehensive reading guide

I honestly don’t know if this has been done yet, and considering that there are multiple different main canons for Miguel, it’s even more confusing on where to start.

To clarify, there is 3 different “Mainstream” universes for Miguel. Earth 928 (The main universe for most Miguel media), Earth-2099, and Earth-6375 (The universe where he’s part of the exiles)

I’m gonna be starting with

Earth-928

(Note: I’ll try to put these in order as much as possible, but due to retcons and other things like Spiderverse it may not be 100% accurate)

Important reads are in bold

-Amazing Spider-Man #365 (Not really important, it’s just a preview of the first issue, but it’s counted as Miguel’s very first appearance so.)

-Spiderman 2099 vol 1 #1-10 (VERY important reads, they set up the universe and Miguel’s origin story)

-2099 unlimited #1-3 (Not really important to the lore, but they’re silly little stories that I have to mention them)

-Spider-Man 2099 vol 1 #11-15

-Spider-Man 2099 vol 1 #16, Ravage 2099 #15, X-men 2099 #5, Doom 2099 #14, Punisher 2099 #13 (VERY important reads, highlights the fall of the hammer arc and shows Miguel’s relationships with other 2099 characters, especially Jake Gallows. Read in the exact order listed)

-Spider-Man 2099 vol 1 #17-22

-2099 unlimited #8

-Spider-Man 2099 vol 1 #23-34

-Spider-Man 2099 vol 1 annual

-Spider-Man 2099 vol 1 #35-38 (Venom 2099 arc, important read as it introduces Kron Stone properly)

-Spider-Man 2099 special

-Spider-Man 2099 meets Spider-Man (First introduction of Miguel to Peter)

-2099 unlimited 9-10

-Spider-Man 2099 vol 1 #39-43

-Symbiote Spider-Man 2099 #1-5

The following issues have been mostly retconned and are no longer canon. I’m listing them still for sake of continuity (Plus they’re interesting) but they are NOT canon to E-928

-Spider-Man 2099 vol 1 #44-46

-2099: World of tomorrow #1-8

-2099: Manifest Destiny

End of retconned comics

-Captain Marvel vol 4 #27-30

-Superior Spider-Man #17-19

-Amazing Spider-Man vol 3 #1

-Spider-Man 2099 vol 2 #1-12

Note during this time is the Spiderverse event and Miguel is featured in multiple comics that tie into it. I will not be listing them all due to time, plus he was mostly featured in his own comic for it anyways

-Secret wars 2099 #1-5

-Amazing Spider-Man vol 4 #1

-Spider-Man 2099 vol 3 #1-10

-Spiderman 2099 vol 3 #11-16 (I list them separately because this takes place during Civil War 2 and that also has a lot of tie in comics that I will not be listing due to time. But yeah. That’s a thing)

-Spider-Man 2099 vol 3 #17-25

-Amazing Spider-Man vol 5 #32-36

Earth 2099

-2099 Alpha

-Spider-Man 2099 vol 4

-2099 Omega (This and vol 4 are E-2099 Miguel’s origin story. I’m not personally a fan of the writing but it is essential to read if you want to understand the universe)

-Spider-Man 2099 Exodus Alpha, #1-5, and Omega

-Spider-Man 2099 Dark Genesis #1-5

-Miguel O’Hara, Spider-Man 2099 #1-5 (The best series we’ve gotten so far of this earth, not really important to the Miguel lore. I just like it lol)

Earth-6375

Note that this is optional to read and I’ve heard some very mixed opinions about how Miguel is written here. If you want to read it, be my guest.

-Exiles #72

-Exiles #75-99

-Exiles annual 1

Honorable mention: Timesplitters 2009-2099 #1-4, Spider-Man, and X Men.

These technically take place in a separate continuity to all 3, but they are important enough that I listed them anyways.

Honorable mention 2: Edge of Spiderverse vol 2

Idk what continuity it takes place in. it is currently ongoing.

Other non comic media

The following is a list of media that Miguel is featured in extensively (Not counting all the mobile games because I mean those are just gacha games and aren’t important to the Miguel lore)

-Spider-Man Into the Spiderverse and Spider-Man across the Spiderverse

-Ultimate Spider-Man S3EP9 and 12

-Spider-Man Edge of time (Personal favorite adaptation of Miguel in media)

-Spider-Man Shattered Dimensions

-Araña and Spiderman 2099: Dark Tomorrow (Not confirmed but likely takes place in E-928 5 years after series ends)

And that’s about it! If there’s any appearances I missed, please don’t hesitate to say something and I’ll fix it as soon as possible.

[lizdive]

I was thinking of older sister violet_evergarden!reader who is also a stoneheart x aventurine. I'd like to see how they interact since canonically, violet sees herself as nothing more than a weapon and will do whatever she has to do, to protect the person she cares for. Aka aventurine. I can also sorta see her either being an emanator of preservation or one the stronger stonehearts.

Hi anon :3 !! I love aventurine with my whole heart he’s just so squishy 😞 i had to go to the violet evergarden wiki for this one bcs i’ve never watched the anime so i’m sorry if stuff isn’t accurate this was kinda of difficult for me,, tysm for requesting <3 if you’re unsatisfied just tell me and i’ll redo it!!

notes 𐙚 fem! reader — "you" + "she/her" used to refer to the reader ,, reader as an older sibling ,, reader is based off of violet evergarden from violet evergarden anime ,, reader is an emanator of preservation but it isn’t mentioned much ,, reader is a stoneheart ,, aventurine is referred to as both "kakavasha" and "aventurine" ,, corundum’s are a type of gemstone that is ranked 9 on the toughness scale ,, of course you can change this to the stone of your desire !! this isn’t proofread ignore typos,,

"The hammer of preservation will fall on all beings, regardless of life or death, regardless of race, regardless of ideology, to uphold the basic rights we inherently posses."

The Rising Stars, the Stonehearts, the Gambler and the Soldier Maiden — all nicknames for two siblings who have seen it all. A handsome aventurine and a beautiful corundum. One blessed by HER, and another blessed by THEM.

To be an Emanator is to be seen as a piece of an Aeon — their will so strong that their abilities have been gifted to them by the Aeon. To be an Emanator in the IPC is to be seen as an asset that cannot be lost. And to be an Emanator of Preservation is to be seen as the biggest tool.

With THEIR blessing you have overcome all that life has thrown at you just for the sake of keeping your beloved brother save from harm. From the moment he was brought into this sad world, you have fought to protect him and your younger sister.

Only one of the two made it out alive.

Many people would call you a murderer, and while they technically aren’t wrong, they fail to see why you do it. Or perhaps they do not care. You killed and therefore you should be sent to your own death.

You remember the day when you and your brother were taken by the IPC. A woman clad in luxury, a smirk on her face, and her tone breathy and warm. "As a servant you should not resist your master." she had said, but you did not pay attention for her.

KAKAVASHA did most of the speaking for you. He was free to go — he had no blood on his hands. You were the one to be sent to the gallows. But you couldn’t and wouldn’t. Death was not an option. It never was and never would be until KAKAVASHA lets out his final breath from old age.

You didn’t see what was wrong — you never did. Yes, you killed the man and many more, but it was self defense. KAKAVASHA and you had always lived in a world where it was kill or be killed. Remorse was foreign to you.

And then came the offer. Join the IPC. Join the corporation that was the reason your kind fell and vanished off the map. Become the same as them. You could not care less. Should your brother join, you will, as well. And he did.

By the end of the day you both were clad in luxuries the same as her.

⭑ Missions were always a package deal. Where AVENTURINE goes, Corundum always follows. Where Corundum goes, AVENTURINE is most likely following. There is no separating the two.

⭑ AVENTURINE is very patient with his big sister. He knows that unlike him, she is not able to properly express what she feels. He’ll try to help explain why people feel the things they feel — he’s good at putting up a mask of emotions and to do so he needed to understand them first so he’s good at explaining.

⭑ If you have prosthetic limbs like Violet does and have room for drawings and doodles, AVENTURINE will definitely doodle on your arms during free time. Even if you hide them with your sleeves, it’s a nice pass-time activity. Nobody says anything about it because 1: he is a stoneheart and 2: you’re a stoneheart.

⭑ Will try to get you to be less hyper-independent. Ask him for help, it’s okay. He’ll even try to make you a bit reliant on him. He’s not a little kid anymore, he can definitely help you take out those guys. He’s good with a gun and it’ll finish the mission quicker, just let him do some fighting too,,

⭑ I feel like there could be some heavy angst potential here, especially with the entire aventurine boss fight. You’re so determined to protect him, and you aren’t against killing people to do so. He knows this, and so he tries his damn hardest to hide his plan from you but he’s your little brother your little KAKAVASHA so you know him. You’re not the best at emotions but you know he’s lying and hiding something.

⭑ He accepts death and welcomes it with open arms but he also doesn’t want to leave his big sister alone. His big sister, who has done everything and more to protect him. She had killed, she has been wounded, she has put up with his shenanigans, and she has done the impossible. He feels like he’s just throwing that all away,,,

⭑ You are lost without him when he 'dies'. He is your purpose in life. Helping the Astral Express fight against Sunday? Screw them! You need to find your little brother, there is no way he is dead. You pray to Mother Gaiathra, to Qlipoth, to any Aeon that will hear your prayers, that he is alive.

⭑ And when you find him alive and well in the real world, alone in his room in the reverie hotel, you feel like a dam inside you has bursted. You don’t cry, but you’re close to doing so and AVENTURINE doesn’t know whether to encourage you to let out your emotions and calm your through them or reassure you that he is alright and there is no need to cry.

⭑ On a lighter note: AVENTURINE doesn’t mind if you communicate with him via letters instead of messages when you’re on your own solo missions! He’ll get you the nicest envelopes and stamps to put on them. Maybe even some stickers! He loves when you use the silly ones. If you tell him it helps you understand emotions better, he’ll encourage you to write letters more and for other people. If you use an old typewriter, he’ll get you the nicest one on the market!

⭑ It said in the wiki that Violet feels guilt for killing the people she has killed, so if you also feel that, AVENTURINE will be by your side to reassure you that it’s okay. That it wasn’t your fault and it was needed for survival. He might use the "you were just trying to protect me" card to make you feel better since he knows he’s your weakness.

⭑ Sadly, to make a pledge to never kill anyone again like Violet did would be pretty much impossible. In the eyes of the IPC, violet evergarden! reader will always be a weapon, so it’ll kinda be forced upon her.

⭑ AVENTURINE loves the anxious expressions of the people he’s gambling with as his big sister stands behind him, intimidating the patrons of the casino. It also reassures him because if anyone tries to get violent he knows his big sis will be there to protect him so he can be as reckless and as infuriating as he wants.

⭑ Overall AVENTURINE would be a very good younger brother to a violet evergarden! reader because he fulfills her wish to protect and she fulfills his want to be cherished.

[pennyblossom-meta]

L Lawliet: a deep dive into the expanded universe pt.01

EDIT (07/04/2024): Added some imgs.

Apologies for being so late to give this a follow up to @maevearcher's meta which can be found here and here. As usual, she’s made excellent points and I'll try to answer the ones which caught my eye.

Since this post ended up gaining a life of its own and becoming a bit too long, I’m splitting it in 2 or 3 parts. The core of the content for part 01 starts after under the button to Read More.

Here we talk about L's humanity.

I'll start with a disclaimer of my own: while I consider the manga as the base for the story, I'm very much open to the expanded DN universe as a complementary study of the characters and their motivations — sometimes even filling in the blanks for some of the background mysteries, such as the dynamics of Wammy's House and how L's successors view him.

To further clarify: by canon I mean the manga and any works by Tsugumi Ohba as the base material. I think @maevearcher and I are more or less in agreement on that, from what she mentioned in her own posts. As she said, the written word is indeed the baseline truth.

The expansion of the DN universe also has its own very special set of problems; for example, in many ways, L:CtW (L: Change the WorLd) commits the sin of overindulgence by throwing in considerations that, arguably, go against canon. Besides the ending where L lives for a final 23 days and Watari dies, the portrayal of Near in the movie (though in the novel he's also walking a fine line between becoming partially and very much OOC) is also a point of contention. I confess that I really wasn't fond of the way they portrayed Misa as a potential crush of L given canon insights on his opinion about Light whether in the role of Kira or as a person (pg.64 of Vol 13: How to Read, henceforth referred to as V13:HTR), but aligning L to become more humane and forgiving was at least interesting.

The same happens with the live action movies, the 2015 series, and the musical. At least the game Spiraling Trap isn't clashing with canon elements — that I could tell. The main plot is separate from the events of DN and the dating sim is a little slice of heaven into L's thoughts and emotions which I dearly love.

However, while L:CtW does indeed overindulge, the novel AN:LABB (Another Note: LA BB Murder Cases) gives us a singular glimpse into L through the eyes of Mello while keeping the events mostly accurate to the main plot, even with its slight deviations. It's certainly an optional perspective to the core of DN, but one that I always found very insightful. In V13:HTR, Obha mentions how he would’ve liked that there were more novels about L and how he solved previous cases, in a similar fashion to how Nisio Isin approaches AN:LABB. Here’s what Ohba says in pg.61 of V13:HTR:

(...) I didn’t think up much for [L’s] past. For him to be in such an influential position, he must have solved an amazing amount of cases, but I have no idea what kind of cases they were or how he solved them. But I would love for NISIOISIN, who wrote the Death Note novel, to write more stories about that (...)

This means that, to some extent, even the original author, Ohba, accepts AN:LABB as close to canon — or rather, as canon as it can get given the creative liberties allowed to a third party writer. To that point, Nisio Isin took L’s capoeira demonstration during the Yotsuba arc and made it a whole thing in the novel, with L taking inspiration from Naomi Misora’s skills. However, given the importance of that event, in the main story, L takes a while to even remember Misora so we can infer that either the stress of the case is getting to him OR learning capoeira and subsequently Misora’s role in it didn’t leave that much of an imprint on him because true canon didn’t really put that much emphasis into it. Either way, it’s an extrapolation that works. The technicalities can be overlooked given how ambiguous the scene is, as there is more than room to deduce a different past.

At the same time, I am an apologist that there are shared characteristics to L throughout the different mediums. My own interpretation of L's character has the manga as a baseline, but the expanded universe has taught me that there are sides to him that might not be so easy to perceive in dialogue bubbles or illustrations alone. Little things like L's addictive personality or the way he represses feelings are visible in the manga but caught beautifully in the novels, for example.

Going from the written word into the screen also represents a loss of the purity achievable only within the narrative in-book, where you can extrapolate and reach your own conclusions without being subject to the bias of sound and movement — though manga aggregates the visual to words and with it an altogether different dimension of meaning. That's one of the many things I enjoy about elements of fiction introduced through books; the stillness of the images and the narrative are more complex. Every time the baseline gets adapted, it loses something or that something shifts to fit into the perception of others. It ceases being pure and its essence is fundamentally shattered. Like the concept of a musical score on paper that gets played by an orchestra, there will never be an adaptation as good as the source material because it breaks the illusion.

While I can certainly extrapolate and accept the loss, I find that the written word from the novels, the tone of a VA's voice and the body movements in a live action still complement the manga well, despite narrative clashes.

About L’s humanity

Recently I've been re-watching the anime and it's incredible how Alessandro Juliani's understanding of the character resulted in such a well-rounded voice for L. I actually prefer the EN version to the JP because of the voice acting. It's superbly brilliant, even if L becomes less listless. He's certainly still aloof, but his aggressiveness is portrayed more vividly; in contrast, L in the manga feels a bit more dangerous and scary to me due to the range of expressions that the anime didn't manage to add in due to time and budget constraints. If anything L tones down how dangerous he can be. He does this on purpose so that he can trick and trip his adversary, as can be seen during his earlier interactions with Light. At times, L makes a mockery of himself, apparently placing himself in the position of a more demure individual while sharply observing the world around him and forming conclusions.

As to @maevearcher ‘s first point:

(...) An image of this lonely autistic genius, locked inside the confines of his ways, waiting for the right person to come along and save him from the banes of his solitary existence…until he meets Light and realises there’s someone out there who he can relate to, for understanding and stuff. I personally don’t buy too much into that.

The depth to which L relates to Light can be overestimated, but not without reason. Theirs is mostly an adversarial relationship with varying deviations throughout the expanded universe, but if we solely consider the manga then we get this comment from Ohba regarding whether L has any friends on pg.64 of V13: HTR:

Nope. And when he says that Light is his first friend that’s a big lie. He never considers him a friend. He probably secretly thinks really negative things about him.

During the Yotsuba arc, L is at a disadvantage. Light has turned the tables, tricked him into what Beyond Birthday could not do and thus gained a solid position into rendering L almost powerless to charge him. To elaborate on the latter point: BB wanted to create the perfect, unsolvable crime to humiliate L, making him lose, and thus “spend the rest of his life trembling in fear of B’s shadow” (pg.163, AA:LABB); L would know who the guilty party was but wouldn’t be able to prove it or bring that person to justice. As such, L would not be able to solve the mystery. At the end of the novel BB fails due to Misora’s quick thinking and that’s that. However, Light has several advantages that BB lacked, starting with his own social position, charm and the impeccable reputation of a model student and the prized son of a police chief who helps solve cases every now and then.

We can argue that, what truly happens in manga canon, is L and Light showing how much they respect each other for their detective skills, forming a sort of strange kinship within the cat and mouse game, especially when Light loses his memories of the Death Note. The game thrills them and they enjoy pushing each other’s buttons. No one else has ever challenged them like this. That being said, the first time they meet up for coffee after the tennis match, L is observing Light like a hawk, keeps testing him for a reaction and seems somewhat irritated at how much Light talks. I would venture a guess that L doesn’t actually like Light that much, even when he loses his memories. He might even find Light a nuisance when he waves the flag of morality — though this is a common problem L is confronted with when dealing with the Task Force, in particular Chief Yagami and Aizawa. This also places him at another gruesome disadvantage, as he’s surrounded by people who openly dislike and criticise his methods. The Task Force is also extremely wary of the way L pursues Light and think he’s being stubborn without proof to substantiate his reasoning. Ironically, it’s Aizawa, one of L’s most critical subordinates, who initiates Light’s downfall years later once he starts to consider L’s suspicions in light of Near and Mello’s tactics. 

Both L and Light respect the game, no matter where it takes them. I would further make an educated guess that Light even preyed on L’s vulnerabilities during the Yotsuba arc, predicting how L might fall into depression for failing at the game. Light was more than capable of understanding that L’s competitive and childish side would make him a sore loser, especially given that he had already “lost” the first round of battles just by showing his face. Even if there is a sliver of friendship between both during Light’s months of amnesia, it’s dead and buried the moment he becomes Kira again. 

My conclusion here would be that, while what happened with Light was extreme, it was also somewhat similar to Beyond Birthday’s eternal enmity towards L: the challenge, the need to humiliate and take down the greatest detective, one of the most brilliant minds to ever walk the Earth. There are some notable quotes from AA:LABB that reference what it is to be L, surrounded by future challengers and individuals who both look up to L and want to prove they’re better than him:

Pg.69

By simple arithmetic, L's ability in 2002 was the equivalent of five ordinary investigative bureaus, and seven intelligence agencies (and by the time he faced off against Kira, those numbers had leapt upward several more notches). This is easy to think of as a reason to respect and admire someone, but let me say this as clearly as possible: that much ability in one human is extremely dangerous. Modern danger management techniques rely heavily on diffusing the risk, but his very existence was the exact opposite. In other words, if someone was planning to commit a crime, they could greatly increase their chances of getting away with it by simply killing L before they began. That was why L hid his identity Not because he was shy or because he never left the house. To ensure his own safety For a detective of L's ability, self-preservation and the preservation of world peace were one and the same, and it would not be correct to describe his actions as cowardly or self-centered.

Pg. 117

L was the goal of everyone in Wammy's House. Everyone of us wanted to surpass him. To step over him. To step on him. M did, N did, and B did. M as a challenger, N as a successor. B as a criminal.

Pg. 160:

B approached Naomi Misora, calling himself Rue Ryuzaki. Rue Ryuzaki - L.L.  For anyone from Wammy's House, there could be no higher goal than identifying yourself with that letter - and Beyond Birthday seized this case as his chance.

One of the biggest problems with these quotes is that they paint a very complicated — and, ultimately, suffocating — picture of what it is like to be L. Ohba himself mentions Watari’s predisposition towards collecting geniuses from all over the world and what Wammy’s House has turned into, under the snippet for Watari’s character (pg.60 V13:HTR):

He’s a guy who cultivates detectives for fun. That’s kind of terrible, isn’t it?

Everyone profits from L. Watari becomes richer than ever. Wammy's House becomes breeding ground for geniuses who end up dreaming of a life where they enjoy constant thrill and challenge. However, in order to do so, the dream cannot be complete until the successor crushes the original; until M, N, B and A defeat L. At least one of L’s successors couldn’t handle the pressure and committed suicide. B, known as Backup, runs away from the orphanage and goes on a murder rampage. Having never met L in person, he deduces several personality quirks that the “original” demonstrates, going as far as exacerbating them in order to be creepy and repulsive. Mello, who boasts of having met L in person and being privy to stories about how he defeated several other detectives (then taking their aliases as a trophy) both fervently admires L and wants to step on him. 

Step on him. That’s quite the turn of phrase. It does sound scary, doesn’t it? To be surrounded by people who would take the opportunity to pull you down, no matter how much they admire you. They want to be you, to prove that they’re better than you. It’s game and ego. Life and death. Winner and loser. 

And that’s perhaps the most blatant summary in approved canon of what it is like to be L that we’ll ever get. We can, of course, argue that Watari cares about L. He’s not only his handler, but also the one who brought him into Wammy’s House. It’s fairly clear that he nurtured (and even enabled) some of L’s most distressing character traits, though I wouldn’t necessarily say it was with a purely utilitarian agenda. It’s perfectly acceptable to extrapolate how Watari might’ve wanted to keep L, a child of great intellectual genius, happy by allowing him to be challenged and properly educated. In fact, AN:LABB (pg. 145-46) even gives us L’s perspective on the kindness that justice can achieve, which is confirmed within the expanded universe to be similar to Watari’s teachings as L confronts Kujo in L:CtW. 

"I have nothing to do with him," L said. "To be completely accurate, I do not even know B. He is simply someone I am aware of. But none of this affects my judgment. Certainly I was interested in this case, and began to investigate it because I knew who the killer was. But that did not alter the way I investigated it, or the manner in which my investigation proceeded. Naomi Misora, I cannot overlook evil. I cannot forgive it. It does not matter if I know the person who commits evil or not. I am only interested in justice." "Only... in justice... " Misora gasped. "Then ... nothing else matters?" "I wouldn't say that, but it is not a priority." “You won't forgive any evil, no matter what the evil is?" "I wouldn't say that, but it is not a priority." "'But..." Like a thirteen-year-old victim. "There are people who justice cannot save." Like a thirteen-year-old criminal. “And there are people who evil can save." "There are. But even so," L said, his tone not changing at all. As if gently admonishing Naomi Misora. “Justice has more power than anything else." "Power? By power ... you mean strength?" "No. I mean kindness." He said it so easily. Misora almost dropped the phone. L The century's greatest detective, L. The detective of justice, L. Who solved every case, no matter how difficult... " ...I misunderstood you, L." "Did you? Well, I'm glad we cleared that up."

I would, once again, venture another educated guess that, while Watari’s primary reasons for starting a program of successors to L was noble, it ultimately backfired on an individual level. Society wise, the letters, as L calls them in L:CtW, are a force for good. They solve crimes, help law forces around the world to keep peace. Some of them even become scientists like Dr Kujo — though she becomes the main antagonist in the spin-off novel. However, the pressure this kind of lifestyle fostered creates a group of individuals who are highly competitive and manipulative. Some, like A, can’t handle it. Even L has his own troubles, being called a reclusive sociopath, possibly by the police forces who treat him as a utility rather than a person. He’s someone they admire and resent, who is tolerated given how effective he is at cracking down cases. 

This passage from L:CtW paints a grim picture of the way L suppresses his own feelings as he breaks down for not being able to prevent Maki from being kidnapped (pg. 150-51):

"Light...it hurts. My heart--" It was a hurt that L Lawliet had suppressed, that he had to suppress in order to continue his existence as the peerless Detective L. How had the world's top detective been described in regard to facets of his personality rather than his ability as a detective? He had been called a kinky detective who relished bizarre murders, a human computer capable only of measuring mass murders in terms of cold numbers, a reclusive sociopath. What L thought of such estimations of his personality only L could know. But no one could truly understand L. How L did not and could not forget the faces of thousands of victims. Who could comprehend the man who had lived his life, and had to live confronting all the lives that ended prematurely, the tears of grief-stricken survivors, the devaluing of life as a daily reality. How was it possible to measure the pain of such a man? Was it a strain so heavy that L's back curved under all its weight? Was it an agony so terribly to leave the indelible dark circles around his eyes? Was it a feeling so bitter that every bite he took needed to be coated in sugar? The chronically rounded shoulders, the inevitable dark circles, the eccentric tastes--L suppressed the pain of being a champion of justice, but the evidence of the pain was moulded into his very body.”

Even within the clear disparity from the official canon, this passage slaps. It humanises L further, making the detective become a person and not just a machine who is content with his lifestyle. I know there’s a tendency for those who prefer the manga to see L as someone who is unabashedly himself and perfectly alright with the life he lives. I would argue that the Kira case was not only the most difficult challenge L ever faced, but also a series of moments where he had to be at his best — and at his worst. He had to do everything within his power to solve the case, not only because of his pride but because of what he considers to be his sense of justice. Saying with such confidence ‘I am justice’ is a rather cheesy and childish thing to say out loud, though I read it as both what started as a child’s stubbornness and what L became, as he positioned himself as a barrier to prevent crimes. 

L suppresses himself, represses his emotions; he tries to control them, as Fu Takashi says in an interview, he is “dependent on games or battles of the mind”. Perhaps this is a consequence of the foundations of his personality. Despite L’s innate stubbornness, it could be argued that this is as much his fault as it is Watari’s, who didn’t nurture L’s social skills as he should have when he was a child. By not having an outlet outside of his hobby, L is trapped in a prison of his own making. Superficially, L is a “smart guy who hates losing”, but what about the rest? What about the things that make him human, the connections with others? In the same interview, it is mentioned how L feels lonely and needs affection. But what affection can you get when you isolate yourself from the world and keep everyone at arm’s length? He’s not a machine. Even machines become obsolete with time, and need outside help to keep functioning.

As for the latter point, if everyone around L is trying to step on him, humiliate him and surpass him, then it’s only natural that his emotional defences would be up. Aside from Watari, whose loyalty he can count on, he’s alone. L has no one else. And everyone around him will have a dangerous, significant probability to betray him.

Next in part 02: About romance, having someone close and intimate, the meaning of the Monster speech.

Tagging @rinneroraito and @sharkiethrts who might be interested in this meta.