#tdv coven

[mitzvahmelting]

an overview of the Théâtre des Vampires coven according to show canon (to the best of my knowledge)

section 1: the core acting company

apologies for shitty screenshots i made this on the fly and i could not be fucked to get high quality screencaps

Gustave - Currently part of the core acting company, he was a member of the coven since at least before Lestat's arrival, he's in those early scenes.

Celeste (pictured here with Santiago) - Currently part of the core acting company, was also a member of the coven in those early scenes. She and Gustave were seen together having most of the lines in those scenes representing the grub coven.

Estelle - here seen in both recognizable outfits for her. Currently part of the core acting company, her maker is Celeste.

I'm unclear on when Estelle was turned. I'm... pretty sure she's not in the scenes with the grub vampires, but it's possible that this is her handing out flyers for the first edition of the Theatre des Vampires... what do you think? Same lady? 👇

If that's her, then that might imply that Celeste turned her at some point between the dissolution of the grub coven and the reestablishment of the Theater coven, which would make sense in my opinion since I can't picture Armand actually approving for Celeste to turn someone

The final member of the core acting company is Santiago, but I'm skipping him because he's a main character so you already know him.

section 2: the orchestra

Basilic - part of the orchestra, Basilic was also a member of the grub coven.

He's seen in that flashback ☝ playing an instrument which @bloodripelives identified as potentially a chalumeau. (i spent 3 months calling this guy merde'em by mistake, fuck me)

Here's the rest of the orchestra. From left to right: Merde'em, Basilic, Planche.

Don't ask me what instruments they play, I didn't try that hard but I'm sure you could check if you watched the B-roll hard enough.

Merde'em and Planche were both turned by Basilic at some point - presumably Basilic could have gotten approval from Armand to turn people because they needed an orchestra. I feel like that would be a sufficient reason for Armand to consent, especially if Lestat was co-leading the coven at the time. Also Nicky was probably around but I'm ignoring him because he's dead by now so you don't have to try to spot him in the 1940s coven scenes.

Don't ask me why Merde'em is literally named "shittem," your guess is as good as mine.

Planche has a good relationship with Eglee - we see him squeezing her shoulder to comfort her during the dinner scene at the restaurant. Speaking of, let's talk about her and everyone else.

section 3: everyone else

Eglee - Front of house. Because we see humans handling the ticket counter when Louis and Claudia arrive, that means that Eglee must be the manager of all the ticket counter staff and ushers.

actually on second thought i think the guy who louis and claudia see at the ticket counter with the fake fangs might actually have been Sam? idk, worth a look. Either way, front of house is Eglee's purview.

We see her sexually ride Santiago's motorcycle as well as suck him off in the lair.

During the 2x04 "Lulu Dress" confrontation between Armand and Claudia, Santiago jumps to Claudia's defense and criticizes Armand. At this point in time, Celeste throws her support behind Santiago and also verbally criticizes Armand, which Santiago appreciates.

Seeing Celeste unexpectedly throw her support behind Santiago (and knowing that Celeste and Santiago have had an on-again-off-again thing for years), Eglee gets jealous and shouts "put your tits back in your bloomers, slut!" before attacking Celeste onstage, to Estelle's delighted shock.

then Eglee is later jealous and morose at the restaurant scene

Tuan (left, father) and Quang (right, son).

Tuan does the projections and works alone in the projection booth all show.

Quang is a swing actor, so he's sometimes on stage and presumably serves as an understudy for most of the male roles.

Because Quang "refused the dark gift until he was old enough to be on stage", we know that presumably Armand allowed Tuan and Quang to join the coven while Quang was still mortal. Which is fucking wild, but I won't be getting into that with more depth here.

Also, Tuan and Quang Pham are from Vietnam, which was called "French Indochina" at the time because colonization. We don't know when specifically they were invited into the coven, but that can give you a rough lower bound on the years. here's a map of the french conquest of vietnam by years, from the french indochina wikipedia page.

the upper bound would probably be the 1900s? because they would have to have been brought into the coven 1. before santiago, and 2. long enough before santiago that Quang had time to grow up and be turned before Santiago was turned.

Romaine - stage manager. No idea when he was turned or brought in. From his behavior in the scene with the restaurant, we can see that he's tasked with giving Armand updates and reports about what's going on with the coven. He's a snitch.

He's also the one who interrupts Armand during the gallery scene, after he finished telling Louis about Amadeo. Romaine phones in on the vamp wifi and tells Armand that Claudia is at Madeleine's atelier. (Or possibly Romaine just tells him "there's a body rotting on the green room floor" and Armand tracks down Claudia himself). Either way: Romaine's a snitch.

Samuel "Sam" Barclay - a nod to real life playwright Samuel Beckett. Armand refers to him as the "playwright in residence" so personally i want to headcanon that he's not actually a part of the coven, though I have no evidence to support that.

He's basically a main character so I'm not gonna talk about him much more here, but like. I'm interested to see what they do with him. We don't know when he was turned, we don't know who turned him, we don't know how old he is. We do know that he got away from Louis' rampage and became a friend of the Talamasca. We also do know that he's a DJ in 2022 and wears a helmet when he performs.

Center, here, is Hans Luchenbaum, the costume designer. We don't really know much more about him, except that he's most often referred to as Luchenbaum, and he sounds a little more german than french? idk.

That's all folks! <3 hope that was helpful. if i got anything wrong, which i probably did, go ahead and tell me please. also go read my fics. eventually i'll post the fucking coven fic on there.

[cbrownjc]

I'm re-watching the episode again right now, and I have to say, Santiago was quite sus in the way he asked about Louis' Maker. So I actually can't say that some in the coven, though I don't think the whole coven just yet, might have some suspicions about Lestat and what Louis and Claudia did.

But if the coven does, I don't think they are overruling or going behind Armand's back about it, such as hanging that portate up.

So about that painting of Lestat being hung up there (Warning -- book spoiler incoming as well as for Episode 2x02 (9)):

:

:

:

Daniel was right. It was very soap opera-y that Lestat's painting was hanging on that wall when Louis and Claudia first met the coven. And that is because it was strategically placed there before Louis and Claudia first arrived at the theater. By Armand.

Because during that five-month period when the coven made no contact with Louis and Claudia? It was either before or slightly after that that Lestat -- the real Lestat -- himself arrived in Paris. Looking for help from Armand to heal himself.

From The Vampire Lestat:

In Episode 2x02 (9) Armand quickly clocks in about Lestat, Louis, and Claudia and basically tells Louis not to lie to him about it. But that wasn't just because of his superior Mind Gift skills in comparison to Louis'. It's because Armand already knew everything from Lestat himself.

And hey, I do think Armand is, in truth, very interested in hearing about everything from Louis' side of things. And that is partly what will be going on in Episode 2x03 (10). Armand will be trying to get Louis to tell him the truth about what happened between himself and Lestat. And using his own history with Lestat to draw the truth from Louis about it.

But yeah, Lestat's already in Paris too, locked up somewhere only Armand knows about and has access to. And that painting was only recently put up there once it was decided to finally make contact with Louis and Claudia, likely also by Armand. The coven, given the clues, very much wanted to make contact with Louis and Claudia during that five-month period, but Armand held them back from doing so. (Because the coven doesn't yet know about Lestat being in Paris.) It was probably only once Armand had all the info he could get from a weak Lestat, and then had him securely stashed away, then Armand himself made contact with Louis.

(And let me also just say no, I don't think Louis' hallucinations of Dreamstat are the real Lestat projecting himself to Louis or something. Mainly because Lestat is Louis' Maker, so they can't communicate mind to mind. But also because Lestat was mentally weak during this time, and likely wouldn't have had the strength to do something like that in the first place.)

So yeah, Daniel mocking that painting being hung there like that was the show hanging a lampshade about how soap opera in nature something like that would be by having Daniel directly say it. And also, it was, IMO, a hint that the surface reason given for why that painting was hanging there wasn't the real reason.

[divorceblogger]

santiago is able to win claudia’s trust in the first place because he and lestat both happen to take on roles as father figures in claudia’s life by giving her the vampiric instruction of the kill that is meant to sustain herself, with santiago also fashioning himself as a confidant - this is important because claudia rejects louis’s specific philosophy of vampiric existence, and therefore seeks mentorship elsewhere because she’s unsatisfied with what louis can offer her even if she respects his choices. this is also what makes her particularly susceptible to the parisian coven’s manipulation and abuse, apart from the familial nature of abuse that colours a lot of her past and her desire to assert her independence and remove herself to an environment where her self-expression will be more tolerated (and this situation will really be a life with madeleine, but she only discovers this later). but it’s no coincidence that lestat indelicately initiates her sexual instruction simultaneously while giving her pointers on how to feed in lovers’ lane in 1x04 and that the coven itself features an initiation ritual (headed by santiago) that involves a sensual sharing of blood between its members followed soon by the revelation that they intend to infantilise her onstage in a play that will eventually attract a lot of predatory audiences.

[theladyofthevarioussorrows]

In honor of Lestat de Lioncourt's 264th birthday, I present to you...

Written in Blood, or the Play in which The Brat Prince Ties the Knot

Part I (of IV)

Fandom: The Vampire Chronicles (Gothic horror novel series, 1976-2018); Anne Rice’s Interview with the Vampire (TV series, 2022-present)

Pairing: Lestat de Lioncourt/fem!reader; Lestat de Lioncourt/You

Word count: 3,900+

Characters: Lestat de Lioncourt (Sam Reid, the best version…­­­the only one that matters, obviously); fem!reader; The Vampire Armand (lol ouch); Nicolas de Lenfent (even bigger ouch, RIP); Santiago; Estelle; Celeste; Eglee; Sam; Gustav; Quang Pham; pretty much the entire Theatre des Vampires.

Summary: Fem!reader is the newest addition to the Theatre des Vampires, and Lestat becomes smitten with her (of course he does, the little whore!). Lestat’s allure, charm, beauty, and viciousness are not lost on the reader, and she falls for him (I mean, who wouldn’t, let’s be honest). With fem!reader being the freshest member of the Coven, Santiago “initiates” her (similar to how he brought Claudia in) by casting her as Lestat’s co-star in the next play as his love interest. The play, overseen reluctantly by Armand is about a wedding (in the vein of The Taming of the Shrew, As You Like It, or something similar but accurate to the time period, that is the vibe…Lestat, little miss Lady Macbeth himself, “barely Balthazar” Armand, “too old to play Hamlet, too young to play Polonius” Santiago, and I are all Shakespeare girlies, so I thought it would make sense); fem!reader and Lestat are actually getting legally married, unbeknownst to the mortal audience. Fem!reader and Lestat are to be the bride and groom, Santiago is the Justice of the Peace, and the rest of the TDV are the wedding party. While Armand is still the Coven leader, he “directs” the play and Nicki leads the orchestra. Things do not go the way they were planned to go (in Armand’s case); a story of love, sex, and vampire drama unfolds.

Warnings and additional tags: New/eventual relationship, established relationship, smut (P in V), fluff, mention of sex, mention of masturbation, (F and M), oral sex (F and M receiving), all characters (except the reader, duh) are written to be as close to the way they are in the books as well as the show to the best of my ability, reader-insert, reader-interactive, use of Y/N, Lestat gives the reader pet names in French (this is Lestat, after all), mutual pining, flirting, slight voyeurism, slight exhibitionism (is anything Lestat does really a secret? No, not really), blood drinking, blood sucking, bloodletting, biting, gore, violence, murder (feeding on humans is the only instance of this), both Lestat and fem!reader are bisexual, age gap (fem!reader is younger than Lestat by at least a bit but it doesn’t really matter as much because he himself is a new-ish vampire; Lestat would still be somewhere in his thirties in mortal years by the show’s timeline), Lestat is very seductive and persuasive (fem!reader doesn’t need much persuading, so it’s not a bad thing), a bunch of mentions of Shakespeare, lines from As You Like It are in italics and dialogue from vampires using the Mind Gift are in bold italics.

Notes: This story takes place while Lestat is still performing with the Theatre des Vampires and is newly a vampire himself. Magnus is obviously dead by now (thank God). The events of this fic take place after Lestat breaks up with both Nicki (he is still alive at this point in time) and Armand, but before he meets Louis de Pointe du Lac and later Claudia. I don’t have anything against either character (I adore both greatly!), this is just a “what if?” kind of situation. This is a basic idea I had had for literal years ever since I read the books, but I didn’t do anything with it until the second season of the show started, specifically episode 10. I wasn’t immune to Harlequin Lestat, and I was FERAL about it. Sam Reid only made that worse for me (God, I am so in love with him…that man IS Lestat. He doesn’t just play him, he BECAME him, and no one else has come close. Tom Cruise and Stuart Townsend could NEVER!). The premise of the fic came to me while listening to “Written in Blood” by She Wants Revenge…one thing led to another, and here we are! Also, yes, I KNOW the vampires don’t “have sex” in the novels, but they do in the show (a LOT). I might make references to things that have happened in the books (mostly Interview with the Vampire and The Vampire Lestat, possibly a bit of Queen of the Damned) but might not have been shown in the TV series yet, so reader beware of that. Let this be the spoiler warning if you are not familiar with the books or haven’t watched the show. I am completely ignoring both movies, because they mean absolutely nothing to me now that the (far superior) show exists. The piece that fem!reader uses for her audition comes from Shakespeare’s comedy As You Like It…she is reading as Rosalind while disguised as Ganymede, and Lestat reads with her as Orlando. I thought the parallels were a nice touch. I obviously do not own the rights to As You Like It, I merely used the one scene for Y/N’s audition, and to add romantic and dramatic effect. Special shout out to my best friend Riley for their contribution and ideas!

Language: English (except for a handful of pet names and expressions used by Lestat in French, hopefully I did it correctly. I took 4 years of French in high school, but I am not fluent)

_________________________________________

It was a cool autumn night in Paris, and while mortals slept, the undead were busy welcoming their newest member to their coven inside the old auditorium. The Vampire Armand stood proudly in front of the stage, looking up at the Theatre’s founder and poster child Lestat de Lioncourt, giving him notes and stage directions he knows full well Lestat will not listen to. Next to Lestat was Y/F/N Y/L/N, a freshly turned vampire herself.

Today was Y/N’s audition to join the Theatre des Vampires, and although nervous, she felt at home already among the other thespians in the room with her. With her lifelong love of theatre and literature that only intensified in her newly immortal life, Y/N knew she was in good company. She caught herself stealing glances at Lestat, as if against her will, but she knew she couldn’t help herself. Of all the vampires in this room—the stage director and Coven leader Armand, fellow company members Eglee, Celeste, Estelle, Sam, Gustav, and Quang Pham in the seats, as well as the gifted violinist Nicki hiding in the wings—there is something captivating and enchanting about this charismatic blonde actor. Y/N felt immediately attracted to this man, and she was both alarmed by and pleased with this sudden revelation. Lestat could feel Y/N’s attraction to him, something he found adorable, endearing, distracting, and quite arousing. Lestat gazed at her, a charmingly wicked smile on his face as he admired the young vampire in front of him. Armand, annoyed but pushing the uneasy feeling down, turned to look at Y/N.

“Welcome to the Theatre, dear Y/N. The Coven and I are interested as to how you found yourself in Paris, and how you found us. Please, enlighten everyone,” Armand said, with a slight air of both curiosity and mild arrogance rolled together. Y/N quickly moved her glance from Lestat to Armand and shivered slightly before she answered.

“Hello all, my name is Y/F/N Y/L/N, and I was visiting when I was given the Dark Gift. I have been in Paris ever since. I heard about the Theatre through my maker, and through discovering the Theatre, I found out about the Coven.” As she told the truth, she felt Santiago staring daggers at her, full of amusement.

“So, little miss Y/L/N, it seems as though you enjoy the arts, is that right?” said Santiago, with a slithery snark. Y/N nodded her head. “A birdie told me that you’re auditioning with one of Shakespeare’s lesser works, yes?” Y/N nodded again. Lestat’s blueish violet eyes widened as he grinned a little bigger.

“Yes, I will be reading as Rosalind disguised as Ganymede. I hope you find it suitable,” she said politely, trying to stifle a small tinge of laughter. Santiago exaggerated his giggle to mock her slightly before speaking again.

“Hmm, I assume you would like to have someone read with you. I wonder who that could be…” Santiago’s voice trailed off as he shifted his glance from Y/N to the left of her.

The slender, blonde, and devilishly handsome vampire beside Y/N spoke before she could even have the thought to respond. Watching from the wings, the violinist Nicki put a hand to his forehead with a quiet groan.

“I volunteer myself. I know the play by heart,” said Lestat. He shot Y/N a soft but sly grin as he placed his hand on his chest, reeling in the blush that appeared on her face. Armand had to hold back a scoff as Lestat offered to read with her. “I’m quite curious to see how she does, if I may.” Lestat gently bowed as he spoke to her, with a smile on his face and intrigue in his heart. Lestat was many things, and subtle was not one of them. Y/N nodded, smiling slyly back at him.

“You may,” Y/N said, bowing slightly. Her cheeks cast a rosy glow upon them as she smiled. Santiago chuckled to himself, and Armand choked down another scoff as he looked back to Y/N and Lestat.

“As you wish. Lestat, you will read with Y/N as Orlando, starting from his entrance after Jaques exits the scene. Y/N, you will follow.” Armand crossed his arms over his chest as he watched the two vampires in front of him on the stage.

“Yes, maître,” said Y/N, slightly nervous but strangely excited about reading alongside this hauntingly tempting creature next to her. She got herself into character quickly, trying to fight off the thought of how sweet Lestat’s blood might taste on her tongue and how soft his full lips must be, among various other salacious and primal things that she wasn’t aware of that she needed or wanted. It wasn’t an unwelcome thing—Lestat had something disarmingly attractive about him. Y/N felt drawn to him somehow, but she tried in vain to hide it. Lestat cleared his throat and prepared himself as well, his own pale skin turning a faint pink as they moved to the middle of the stage. Butterflies fluttered inside their bodies as they began their scene. After a few seconds of silence passed, Lestat launched into character.

“My fair Rosalind, I come within an hour of my promise.” Lestat said, remembering the lines from memory as if it was nothing out of the ordinary. Despite her nervousness and giddiness, Y/N began herself.

“Break an hour’s promise in love? He that will divide a minute into a thousand parts and break but a part of the thousand part of a minute in the affairs of love, it may be said of him that Cupid hath clapped him o’ th’ shoulder, but I’ll warrant him heart-whole.” Y/N matched Lestat’s intensity and focus as she spoke her lines. Astonished by her delivery, he carried on with his own lines.

“Pardon me, dear Rosalind,” continued Lestat, feeling a rush of adrenaline in the pit of his stomach, the pleasant sensation only growing stronger as she went on. Lestat watched her as she moved effortlessly through her audition, overcome with awe, very nearly stumbling on his own lines as a result. Armand and Santiago watched from the bottom of the stage as Y/N and Lestat kept going.

Armand watched from the front row and noticed Lestat’s immediate and oddly natural chemistry with Y/N and was well aware of the subtle attraction and quiet infatuation she felt towards Lestat. Armand could feel it through her, and it bothered him. He couldn’t help it; he began to feel his face turn green with envy. Santiago, however, was greatly amused at what was unfolding in front of them—and he relished the drama of it all. The rest of the Coven watched from the seats intently, some engrossed, some unbothered. Nicki leaned up against the wall backstage, a pained expression etched on his features. Looking on at his former lover floating across the stage with a woman whom he had only met mere hours ago and watching her fall under his spell just as he had, Nicki shook his head, a grimace forming on his face.

With all due respect, maître…maybe we should keep an eye on the new one, said Santiago, filling Armand’s head with his thoughts without moving his mouth. It’s only a matter of time before our dear founder tries to take her to bed with him…you know as well as I do how he is. And seeing how she’s looking at him—Armand did not want to hear this. Lestat and Y/N were too immersed in their scene and lost in each other to hear them through their own minds.

Armand cut him off. Enough, Santiago. I know very well how Lestat operates. Let them finish. I’ll allow Y/N to continue, for now. We shall decide what measures to take when the time is right… As Armand and Santiago sized Y/N up, she breezed through her audition.

“Come, woo me, woo me, for now I am in a holiday humor, and like enough to consent. What would you say to me now an I were your very, very Rosalind?” Y/N continued as she blushed and smiled at Lestat. Anything he did in his impromptu performance, she followed with masterful skill.

Lestat slowly walked closer to her, his gaze never leaving her eyes. Lestat looked at Y/N, smirking as he brushed some of his long blonde hair behind his ear. He let the silence expand for a second before he continued.

“I would kiss before I spoke.”

Lestat and Y/N gazed at each other as if they were the only beings in the room, amusing Santiago morbidly and annoying Armand profoundly. A mixture of admiration and a deep hunger formed inside Lestat’s chest, and Y/N’s heart pounded against her ribcage. She gulped quietly as she tried to keep up with Lestat. Determined to give the best audition she could despite having to act opposite the most gorgeous creature she has ever laid her eyes on, alive or dead, Y/N tried to fight off her own desire building within her. Soft gasps could be heard from the other vampires watching them from the seats.

“Nay, you were better speak first, and when you were gravelled for lack of matter, you might take occasion to kiss. Very good orators, when they are out, they will spit; and for lovers lacking—God warn us—matter, the cleanliest shift is to kiss.”

Sensing Y/N’s struggle to maintain her composure, Lestat met her energy with his own words. “How if the kiss be denied?” He looked at her for a beat, cocking his head to one side quizzically. Y/N answered him with a playful shrug.

“Then she puts you to entreaty, and there begins new matter.”

Lestat continued his teasing, delighted by the thrill Y/N gave him. “Who could be out, being before his beloved mistress?”

Y/N pretended to scoff. “Marry, that should you if I were your mistress, or I should think my honesty ranker than my wit.”

Lestat looked at Y/N with a look of mock surprise. “What, of my suit?” he said, his voice harboring a more sensual tone this time.

“Not out of your apparel, and yet out of your suit. Am I not your Rosalind?” Y/N floated across the stage like a ghost, every single movement calculated and carried out so smoothly.

“I take some joy to say you are because I would be talking of her.” Lestat’s face reddened slightly as he noticed how Y/N’s jaw dropped, but only for a second before she kept going.

“Well, in her person I say I will not have you.” Y/N let out an exaggerated giggle as she playfully spun around slowly.

A dramatic sigh escaped Lestat’s lungs. “Then in mine own person I die.” He looked back at Y/N as she turned to face him again.

“By this hand, it will not kill a fly. But come; now I will be your Rosalind in a more coming-on disposition, and ask me what you will, I will grant it.” Y/N gazed at the vampire in front of her, only inches separating them now. Lestat reached out to gently caress Y/N’s cheek as they looked deeply into each other’s eyes, making her blush even more obvious in her face now. He has her right where he wants her, and as fate or some other mystical thing would have it, Y/N is right where she wants to be. Once again, Lestat drew the silence out for a beat too long before he spoke.

“Then love me, Rosalind.”

Y/N’s voice trembled a little as she leaned into Lestat’s touch. His unbroken focus on her made her feel slightly faint just from the way he looked at her, but she kept her cool as best as she could. “Yes, faith, will I, Fridays and Saturdays and all.” She shyly smiled up at him, trying and failing to hide her quiet swooning.

Lestat hung on to every word that left her lips as if he had never heard such language spoken before. Of course, he was no stranger to the stage himself, having been the Theatre’s main selling point for a few years now. The act of performing on a stage in front of an enamored audience always thrilled him, but she…she was different. This new and sudden but pleasant feeling cut him way deeper, hit him harder—he knew that she was something magical. And Lestat wasn’t quite sure where to put that desire and hunger, so he decided to do the thing he does best: he needed to have her all to himself, by any means necessary. Lestat was delighted to find that the feeling was so clearly mutual.

Santiago watched Lestat enchant Y/N as they continued with their performances. He gasped quietly as he saw Lestat become smitten with Y/N, rolling his eyes. Just look at those two! Can you believe them? They’ve made eyes at each other from the second she came through the door. They’ve only just met a few hours ago and he’s looking at her like Venus de Milo herself…and she looks as if she’s about to melt through the floor. Armand found himself becoming more and more annoyed as Lestat and Y/N carried on like they were, and Santiago took notice. Maître, you’re grinding your teeth…

Armand huffed quietly. I said let them continue. Y/N is smarter than we realize. If she doesn’t know who she’s getting herself tied up with, she will. I can guarantee that. Armand maintained his mildly annoyed expression as he crossed his arms over his chest. I see potential in her. We can use that potential.

Santiago, ever the drama queen but also the suck-up, tried to push Armand’s buttons. How shall we do that, maître? I wonder what our violinist has to say about this…I can’t imagine he’s especially thrilled about—

Armand cut him off once again. Be silent now, Santiago. Nicki is the least of my worries right now.

Now mildly aware of the growing discomfort in the pit of Armand’s stomach and Santiago’s antagonizing of him, Lestat continued to read with Y/N. He was enraptured by her, this was true—but he also found quite a bit of amusement in making Armand uncomfortable. Y/N, less aware of the effect her performance is having on the Coven leader and his all-too-willing sidekick, matched him masterfully.

“And wilt thou have me?” said Lestat, sultry and low.

Y/N nodded her head and smiled. “Ay, and twenty such.”

Lestat felt his heart flutter in his chest as he moved closer to her. “What sayest thou?”

Y/N gently bit her lip then let it go with a smirk. “Are you not good?”

“I hope so.” Lestat rolled his eyes in a sassy manner.

“Why then, can one desire too much of a good thing?” Y/N went on, closing the small space between herself and Lestat.

The vaguely pained expression did not escape Armand’s face. Still wanting to maintain some sort of order and power over his Coven, Armand kept his focus fixed on the two vampires on the stage in front of him.

Santiago, an evil grin taking shape over his features, watched Lestat and Y/N’s bond become deeper by the second as Y/N continued. “Come, sister, you shall be the priest and marry us. Give me your hand, Orlando.” Y/N gently reached for Lestat’s hand, and he placed it in hers, tangling their fingers together. She looked to where the audience would be sitting. “What do you say sister?” Y/N looked back up at Lestat as he gazed back at her, their vampire eyes blown out with love and desire for each other.

After what felt like an eternity, Lestat put his finger under Y/N’s chin and gingerly tilted her head up. He started to move down to press his lips to hers, and she moved up to meet him. He closed his eyes, and her eyelids fluttered shut as his lips gently—

A groan could be heard from Armand as Santiago abruptly rose from his seat and applauded loudly. Lestat and Y/N snapped out of their trance and pulled away from each other, no longer able to hide their blushing. The rest of the Coven began to applaud as well. The vampires Sam and Gustav were enthusiastic in their encouragement of the new potential member of the Coven and her undeniable and palpable chemistry with their Theatre’s founder. Celeste looked on with a proud smile on her face, while Estelle clapped wildly. Eglee rolled her eyes before eventually joining in with her applause. Backstage, Nicki shook his head again as he quietly left the auditorium, quietly cursing under his breath.

“Very well done, Y/N. Very well done indeed,” said Santiago, sounding giddier than he probably should. He looked at Armand. “What say you, maître?” he asked with mock amusement.

Armand once again did not listen. He looked up at Y/N as Lestat released her from his gentle but bold embrace. “Exquisite work, Y/N. Exceptional. While we evaluate your performance, you are welcome to remain here with the Coven. We have provided a coffin for you near your maker’s.” Armand started to dismiss everyone before he turned back to Y/N. “We do expect you to keep our hours, curfew is three o’clock sharp.” He shot a subtle but menacing glare at Lestat. Lestat rolled his eyes and chuckled to himself as he turned his back to him. Armand looked at Y/N again. Lestat smiled warmly at Y/N as he winked at her.

Still reeling from everything that just occurred, Y/N nodded and bowed. “Yes maître, I will. Thank you all.” Armand dismissed Santiago and the rest of the Coven, and they all left the auditorium.

It was then that Y/N heard a sensual and seductive voice inside her head.

Très bien fait, ma chérie. I’m impressed.

Y/N turned around to find Lestat leaning against the piano on the stage, his arms crossed over his chest, looking her up and down, dripping with genuine curiosity and insatiable desire. She blushed and smiled as she met his gaze.

“That’s very sweet of you to say, Lestat. It really means a lot to hear.” Y/N walked over to him, slightly nervous but not at all deterred. “You were amazing yourself.”

Lestat rolled his eyes playfully at her compliment but accepted it. “You flatter me, mon amour.” He stood up straight and walked over to her, looking down at her with that softly sly smirk again. “I must say, my dear Y/N, you are quite the actress. Many have come and gone from this theatre, but none have bewitched me so like you have, ma petite fleur.”

Y/N swooned at his words, slightly taken aback by the sincerity in them despite the obvious attraction. “Oh, you’re too kind. It’s not often I’m in the presence of someone so…” She caught herself getting lost in his eyes again—something she has by now realized is very easy to do—before she continued. “So…enchanting as you.”

Lestat chuckled lowly. “Is that so? Well, you have captivated me too, love,” he said, pausing briefly as he took the sight of her in. “I haven’t seen such talent on this stage in quite some time, Y/N.” She blushed deeper as she took a second to gather her thoughts. Y/N sighed softly before speaking.

“Thank you! I’m just happy that I can finally do what I love to do. Up until today, I thought it was unfortunate that I couldn’t do this kind of thing when I was mortal, but I don’t have that feeling now that I’m here. In an odd way, it feels right like this.” Y/N chuckled lightly.

Lestat listened to her words intently. “I know that feeling very well, mon coeur. For what it’s worth, I’m quite glad you wandered into our midst. I can see already that you’re passionate about the Theatre, and it’s refreshing. You’re simply lovely.” Y/N smiled at his words of admiration and encouragement. “I cannot wait to see what other talents you possess, if you don’t mind my saying so,” he said with a smirk, appreciating the slight drop of her jaw. Noticing the positive tension on her face, Lestat spoke gently to her. “Oh, and don’t be nervous, chérie. There is nothing to be afraid of. I have no doubt you’ll fit in here, I am sure of it.” He traced her jawline affectionately before tilting her head up to bring her eyes to meet his, just like he did during her audition. “And, if I may be so bold, I would love to get to know you better. If you’ll have me, of course.” Y/N’s eyes widened as she swooned. She nodded as she stuttered slightly.

“I’d love to, Lestat. I would be honored.” Y/N felt her heart jump into her mouth. The gorgeous blonde vampire in front of her reveled in how flustered she looked as he spoke to her.

“Very well then, dear Y/N. We’ll continue our little conversation after your initiation tomorrow.”

Y/N gulped. “My…my what?!”

Lestat giggled slyly. “You heard me correctly, ma chérie. Welcome to the Theatre, darling. You’re one of us now as far as I’m concerned.”

“But…Armand said—” Lestat gently placed a finger over her lips to shut her up as he spoke lowly to her, sultry and dripping with desire.

“Shh, ma jolie fille…never mind what that manipulative gremlin Armand said.” Lestat let his finger gently drag across her bottom lip before letting it go. He brushed some of her hair behind her ear as he continued. “I’ll be seeing you backstage afterwards, yes?”

There was no way for him to be coy about his appetite for her any more than he had earlier. The vampire Lestat de Lioncourt, the Brat Prince himself, was anything but shy about his unquenchable thirst for Y/N; it only grew exponentially in the few hours since he met her.

Y/N felt as though the air had been knocked out of her lungs as she nodded. “Of course, Lestat. You will.” She smiled at him, trying to regulate her breathing.

Lestat smiled wickedly at her again. “Très bien, mon amour. I’ll see you then.” He caressed her face again before turning to walk away. “Bonne nuit, ma belle. Sweet dreams.”

Y/N could feel her heart pounding in her throat as she smiled. “Good night, Lestat. I hope you sleep well.” Blushing, she beamed at him, and he smiled back, a blush of his own on his face.

With that, they left the room. As she lifted the lid to her coffin next to the others to crawl inside it, Y/N gasped as she heard Lestat’s voice in her head again, stopping her momentarily.

Remember what I told you, ma petite fleur. There is nothing to worry your pretty little head with. And know this too, my darling: I don't bite...hard.

[cbrownjc]

I mean, when Claudia called the coven "14 hapless vampires" I was just like, "Oh, no."

By the time she realizes her mistake . . . it will be way too late to leave and get to any kind of safety. Because Claudia foolishly let her guard down the very minute she first met the coven, all because she was so desperate to find an, in any way, welcoming community of "her own kind."

As you said, what makes Claudia think she can invade their minds easily? She knows how to shield her mind. So what makes Claudia think she knows how to break through any shields members of the coven have up over their own minds? Or does she really not think they also know how to shield their minds too? I feel certain that Claudia just thinks she successfully invaded their minds but in truth . . .

The kind of arrogance Claudia is showing is very much teenage arrogance IMO. And really, I truly mean no offense to any teenagers reading this of course, but there is a time when, as a teenager, you think you know everything. And Claudia has, sadly, been frozen in time at that point in life, emotionally.

Claudia thinks she's strong and knows everything about vampires. And is very confident and sure about what she believes. Particularly because she was off on her own for a time and did so much research into vampires and such.

And she is absolutely sure that not all vampires in the world can be like Bruce and Lestat.

But, as Louis told her, her books were/are BS. They don't actually hold anything of value when it comes to knowledge about "her own kind," let alone how they operate.

And as for Bruce and Lestat? Her sample size at this point for comparisons was, as she said herself, only four. And she thinks they have all been the worst. So you know, that maybe should have made her even more extra cautious when now meeting 14 vampires at once. But, nope. She just sees them as "hapless."

Louis' instinct to gtfo of Paris asap was the correct one even though, by then, it was already too late to do so, and they likely would have both just been hunted down, caught, and dragged back. Because the game had already begun the moment they arrived in Paris. And it's hard to catch up when your opponents already have a five-month (or maybe more) head start.

Armand's red flags in 2.02

You know how people kept accusing Lestat of isolating Louis from his family? And then Louis actually kept visiting his family, so if Lestat was isolating him, he did a really shit job of it?

Yeahhh. Armand shows us how it's really done.

Disclaimer: Armand is my favorite, precious boy, and I will defend his right to be as fucked-up as he damn well pleases, but he is indeed very fucked-up. So don't come at me accusing me of being biased in favor of Lestat (and even if I was, so what? this is Tumblr, not BBC News). I love Lestat, I love them all, but Armand is my trash son and if he isn't horrifically fucked-up on the show like he is in the books, it's a massive betrayal of the complexity of his character and the logical outcomes of his background. He hurts, and like any creature in pain, lashes out because of it. He knows how to do all kinds of diabolical shit, but he doesn't know how to be a person, and that's why I love him (trying to remember who the Youtuber was who said, "No one's a hero, everyone's a victim" about this series because they were so right).

First off, Assad is truly phenomenal at creating this effect:

If you don't suspect Armand of the shit he's about to pull, it's not your fault. This is how he is. Part of it is real innocence, in a way, or perhaps an inverse of innocence--he doesn't realize this shit isn't normal.

So it's very striking to me how Armand laid the foundation for his relationship with Louis so subtly and early on. He approached Louis in the park while he was alone, Claudia nowhere to be seen even though his invitation was for her as well. Claudia would ask questions. Armand wants to dangle the carrot before any questions are fired off. By the time anyone in the coven actually speaks with Claudia, she is already sold on them all. There is no time for her to form suspicions. With Claudia on board, Armand has free access to Louis. She feels at home with the coven, so she's not watching Armand too closely.

Then at the Delacroix mansion, Armand warns Louis against the rest of the coven. He says "a few of" the coven members are unforgiving, though he doesn't say who, which would be useful information if Louis is to defend himself (spoiler alert: it's all of them), just tells Louis to close his mind to the others. So Claudia is with the rest of the coven, while Louis is available only to Armand. Armand does not give this warning to Claudia. The only person she can hear it from is Louis, who she won't believe. They're now spending time apart, weakening the link between them. Armand knows he can seduce the hell out of anyone he desires, and once he does that, all he really needs is to break the filament binding Louis to Claudia and he's got what he wants.

He also warns him not to contact Roget again, which is probably good advice, but what Armand knows that Louis doesn't is that Lestat is alive. And Roget is the one person in the world Lestat would be able to contact if he could. So in the unlikely event that Lestat gets the chance to call Roget, Louis will not hear of it.

In just a few sentences, Armand has managed to distance Louis from Claudia, Lestat, and everyone else in the coven.

And how does he do it? By making sense, basically, by preying on Louis' preexisting (and sensible) fears about the coven. It makes sense for Louis to be on his guard. But Armand has set it up so he appears to be "different" from the rest of the coven, the only one Louis can trust, while issuing vague warnings about everyone else. And while Armand in the book is a pretty hands-off leader with the TdV, don't think for one second he can't do anything to protect Louis and Claudia himself. Here, he's acting like he has no sway with these people. He does. No matter what he says, he does.

So yeah. I'm really impressed with how smart the writers are being about this so far.

[nalyra-dreaming]

So, as Armand is the creative director of the TdV, are we to assume he's the one who came up with the idea of Claudia's enforced babydoll act? Because that would be so so sinister! IIRC at least some of their plays are written by Armand, right? It's so interesting to me that Louis detests the coven but seems to mark Armand as "different" and more civilized than the rest when he's actually instrumental to it all, he's just very good at getting others to do his dirty work lol

Louis called Armand a cunt (a bookbinder's wife) in his head via Dream-Lestat.

Like, let that sink in.

He clocked in on the threat at the murder mansion. Latest.

Oh, he's trying to make do, and he's still a bit flirting, but he's also having Lestat there, all the time. Like... that's not being into someone. And he knows - and has called Armand - maître. He knows.

As per the play... I am not sure. I wouldn't put it past them to have Armand write this for her. But I can see it be a coven effort instead just as easily. We'll see.

He did say "The coven has great plans for her"... which might indicate the coven, and which is - of course - a hint at the bigger play that's on.

[squirrellypoo]

Was Madeleine a Nazi collaborator?

In the latest trailer, we see Madeleine throwing an iron against a window from the inside of a shop. There’s a swastika painted on the glass, and two people outside.

Considering that Louis and Claudia don’t reach Paris until 1945, we can assume this is post-liberation. The Nazis have left, but the reprisals against collaborators were viscous, and lasted for decades.

Collaborators were killed through mob justice, but also had their hair shaved or cut short, covered in tar, were paraded through the streets (sometimes naked), and publicly humiliated as well as pursued through the courts as traitors. (Great article here)

In the previous trailer (the Rolin cut), we see Madeleine screaming while scissors or clippers are used against her head.

Additionally, Roxane Duran shared a BTS photo of her cropped hair wig on her Instagram.

Now, there are many varied reasons why people collaborated with the Nazis. For some it was ideological, but for many it was through circumstance, opportunity, or frankly, being forced against their will. I’m not speculating whatsoever as to what Madeleine’s reasons might be, or whether Louis or Claudia knew.

But it’s also very interesting that another time when hair was shaved or shorn as a means to dehumanise was prior to public execution, especially by guillotine. We’ve already seen the TdV decapitation posters and can presume the execution will take place on stage, so it’s not a huge stretch that her hair will be removed after the trial but before the execution.

Madeleine being a collaborator would also give the TdV more of a reason to kill her (aside from just being made outside of coven rules), as we’ve already seen them massacre a mansion full of collaborators.

I also feel like the writers wouldn’t shy away from again forcing the audience to confront difficult feelings in regards to these characters. If we love and sympathise with Madeleine before learning she was a collaborator, how does that make us feel? Is it “bad” to sympathise with a “bad person”? And is that any worse than sympathising with literal bloodthirsty monsters?

I absolutely love that this show doesn’t take the comfortable option, and forces the viewer to examine morally grey areas. So I’m excited and intrigued if this is going to be another aspect they’ve added to improve the books.

[dxxtruction]

What I find dynamically interesting about Armand is he really is a victim of his own privileges, but his privileges are still privileges, and it kind of gets lost where exactly he stands in position to them. With Marius it's most clear, like he gets luxuries, money, an education but those don't cancel out how he was abused and prostituted by Marius. In the CoD, yes he is the leader, but he's a victim of being forced into the position against his will, having to take on, and become accustomed to, the role of killing other vampires who break The Great Laws, regardless of his own desire to, and further, having to uphold things he no longer believes in, in order to appease the larger group.

With the TdV the only main difference is that it's secular. He has control over the beliefs being presented, giving humans/the audience the illusion and vampires the grim reality of things. So he can now think for himself, but still has to appease a larger group he never wanted, who are labyrinthine depths of stuff he wishes he didn't have to put up with. He upholds the laws pretty much only in order to appease people, and to some extent reinforce his role as the leader. Keeping this order and peace isn't what he wants though, he doesn't want his leadership. But I think a part of him is aware how such a position can become abused, and can suspect how someone like Santiago would abuse the position. The Great Laws almost need someone who doesn't want to be the one to uphold them in order to not be abused.

And I think as well that this secularism puts him at greater risk, (greater perceived risk I should say?), since people aren't considering some kind of divine right to his ruling. He has to actually prove he deserves this position, and is strong enough to maintain it. The theatre was also established right around the time of the french revolution, where uncontested 'divine' leadership was toppled for enlightenment thinking. So he can garner the coven is disillusioned by how much power he really holds. He's probably rightfully paranoid. I think as well he's understandably fairly unaware of his true position in all of this, and how much power he actually holds, or could hold, especially given all of the various contentions he has with his own power.

The only part of things where he isn't a victim at all is with Louis, but I think he probably sees himself this way. (No Armand there's more to being a victim than simply not having your way). Like he has all the privilege of everything he ever wanted, but at a cost for something he never wanted - (The trail and Louis' tendency towards ideation and depression made worsened by said trail. Of which he partook in an unclear position of privilege. Though he tells it that he'd been forced to). He's still living a lie of himself, which I think is what fuels this sense of being partway the victim in all this. He still has to posture a role and appeasement towards his privileges in order to have a semblance of peace and what he wants. Though this is in a much more manageable and definitely desired way, he can be possessive over out of purely his own desire for it. But even if this is everything he wanted he's always going to be on edge with knowing it's all a lie that he conveniently earned Louis back. (If we're going with just the show there's something in the way the acting is done that says Armand was NOT expecting it, even upset.)

And he gets toppled out of this by Daniel, and for the first time has really no privileges at all, no position at all, but is completely free to simply be seen, and be himself. He wanted this in equal measure to wanting love. He wanted to be seen and heard, and to experience the world without being beholden to a lie of himself he'd developed to endure. I think he always feared this, and yet also desired this out of Daniel. He just couldn't fully admit it till he saw it. Daniel is the best thing to have ever happened to Armand, and I'm not sure how Armand is taking it. Probably with a lot of confusion, probably very lost. But he did change him, he is his fledgeling. So that must mean something, maybe something he can hold onto to maintain some type of thread to all he has ever been. Maybe for love for him, maybe a gift of reciprocity. It's speculation.

Also the fact Armand is not white in the TV adaptation adds many layers to his positionality. He is always going to be without the privileges of whiteness, even with a position to be granted some amnesty and privileges by appealing to whiteness. He is a victim as well of colonialist racism, first, before even ending up with Marius. Having then no privileges, not even that of himself.

[andessence]

Armand is not prying. He is not seeking out Louis' thoughts ... but that flare of Lestat that comes off of Louis when he thinks of his maker is unmistakable — even through only the unfocused, idle extension of his senses toward Louis — now that he's learned to identify it. What did he say? What triggered the memory?

"Of course you know," he says, the unspoken 'I'm sorry' tinging each word. He doesn't want to lecture Louis, but to counsel, to talk things out as equals. Louis never seems to feel that Armand's suggestions are just that, suggestions, and not orders. Hadn't Armand made it clear when he permitted Louis to call him by his name and not Maître that he had forfeited his authority over him? Is Lestat the source of some lingering mistrust? Or does Louis feel even this soon how, in spite of this gesture, in spite of the yearning for equal companionship, Armand cannot help the impulse to control?

His hand slides from the table to Louis' thigh, half-exploratory, half-possessive. His wide eyes brighten a smile with their inquisitive glint. "The most dangerous thing." Armand repeats the words slowly, feeling the weight of them in his mouth. "But not to you. Never to you." His thumb rubs discreetly over Louis' knee. "So you are enamored of the streets, of capturing an instant with your mechanical immortality. I suppose... whatever makes the nights worth passing for now. I am glad that it makes you happy. I know you don't think so. You think I don't know what it is to have a passion for life anymore. Maybe it has been so, but recently someone has awakened passions I thought lost... Maybe I could understand your love of the photograph better if you showed me your process up close...?"

classic lestat : the disregard for mortal life beyond its ending. louis had resented it then, these warnings, however correct they'd been, to not get involved, and he resents it now. he resents even more the way armand says it to him, as though louis doesn't know well enough the transience of a mother and child in the lamplight. hadn't he learned it well enough in the war? hadn't he learned it when his mother had died ---- hadn't he learned it when grace had buried him in that same tomb as their mother, and resigned him to oblivion? his shoulder leans away from armand's, but it's so he can see him better ( funny, how much easier it is to look at someone dead - on when he's vexed at them, then when he's half - dead with love ) and with this turn comes to nudging of their knees together. " you don't gotta tell me how things move on. i know. i haven't seen as much as you, sure, but i've seen enough to know what stays and what don't. "

the lamp beckons. another passerby, an old woman. human mortality, passing beneath the lamp in phases, growing and mothering and dying in a single evening. the lamp will endure, but the passing humanity won't : should louis fascinate himself with the lamp? should he bore himself over the same photograph, the same frame, year after year? " we're gonna have centuries of time to fill, and for us, nothing's ever changing. but humans ---- human life ---- it's revolutionizing every day, with every new idea, every new piece of art, every new generation. sure, we're gonna out live them, but why should we lock ourselves up and mind our own business? i'm not getting involved or nothing, but the threatre . . . it's the same thing, year after year. why not take some inspiration from what's going on in the streets? i'm sick of being so careful that i can't move. " louis's thigh nudges armands with intention, and he's watching him again, feeling the way his skin prickles, a good - enough imitation of something electric between them. " anyhow, way i see it, the most dangerous thing in this city is you. "

[indelicateink]

i mean i don't want spoilers for next week's finale but i am straining to imagine what in the actual fuck armand had on lestat to get him on that stage and give up their family's entire very personal history to be derided as entertainment for a dozen asshole vampires and a crowd of human trolls, let alone the humiliation and murder of his loved ones

(I do get the man was pissed about being murdered. but I can also hold at the same time that during the murder he forgave louis as the man was cutting his throat, and in the moment was proud of claudia for checkmating him. pissed, yes. elaborate retribution? dude wtf no.)

all this time i was holding out that armand was sophie's choicing lestat, canon-style--louis gets to live if lestat sells out claudia. but amc!lestat at the trial was so much more coherent and premeditated than canon. (canon having lestat being a starved, sick, delirious mess.) that was a real long-term gun armand would've been holding to lestat's head, without the plausibility of lestat being insensate. like lestat had to sit down with a motherfucker to give them granular details for the script and animations and somehow NOT murder the entire TdV for the humiliation, let alone for their fashion choices?

idk, going sophie's choice just seems less and less a viable path, storytelling-wise? trying to figure out how believable armand threatening louis with death would be.

who knows. all I got is I know armand is wildly powerful, and I know he wants louis "more than anything else in the world." they appear to have given the coven vampires more power than they had in canon, but i hugely doubt that even in their numbers they're a match for armand or lestat.

excited to see them pull a massive, believable rabbit out of their hat for the next episode, because I am stumped. i have faith, though!

totally unrelated, but also i have to cope with the implication that some coven members popped up onto THE EIFFEL TOWER for best vampire cell phone reception for an international call (lmfao that height matters with telepathy but we're rolling with it), and idk how to be serious about that yet.

[confirmeddead]

Episode 8 theory (contains ep 7 spoilers)

A lot of us are wondering what episode 8 will consist of because episode 7 is the trial/Claudia and Madeleine’s deaths. An easy guess is the official Loumand divorce proceedings… but what will finally lead Louis out the door?

With all the abhorrent things Armand has done, Louis has stayed with Armand. Does Louis think it was just the initial betrayal or does he know Armand was behind it all (as he did in the book)? Whether or not he knows the full extent of what he’s done remains to be seen.

But what could enrage Louis so much to finally leave Armand for good?

Claudia’s missing diary pages. What did Armand tear out without Louis being there?

The pages detailing Claudia’s SA seem to have been torn out of anger and protection by Louis.

Louis mentioned he and Armand took out pages together which might explain these:

But what about the pages on the diary where she wrote Lestat’s final words in his own blood?

These carefully exacto’d pages before Lestat’s dying words may be the pages Armand took out with Louis knowing.

What could have been on those pages?

How about Claudia’s dying words, written by her mâitre just as he had annotated her Baby Lu performance?

Louis and Daniel know Armand’s handwriting well at this point- they have direct access to the TdV scripts. They will know his writing immediately.

Armand is directly to blame for Claudia’s death and likely sees her betrayal of her maker Lestat (someone he deeply cares for) as good enough reason for her murder. And wanting Louis all to himself, of course.

And what better way to bid farewell to his coven member than to copy what she’d done to Lestat in his own fucked up way?

[cbrownjc]

My more detailed thoughts on EP 2x04 :

Spoilers below the cut:

@emeraldinerosefaedragon pulled this quote about Armand, which I believe is from The Vampire Companion book, that I think encompasses very much what we saw by the end of this episode:

Do I think Armand is some huge grand mastermind, manipulating every single thing that is going on years in advance in a mustache-twirling villain-type of way? No, I do not.

But just because Armand's not that, doesn't mean he isn't cunning or smart. And that he can't think this way on the fly, especially when a new troublesome situation presents itself to him.

Armand had two main problems at the start of this episode: the coven grumbling about the fact that Louis was still not a member -- after almost two years it seems -- and Louis not viewing Armand as his companion.

And by the end of the episode? Well, both problems are pretty much solved, aren't they? Louis, in letting Dreamstat go, has made a choice to start to try and move on, with Armand the one he is choosing to have by his side. Louis didn't say it, but Claudia did -- Louis had decided, after that trek to the museum, to accept Armand as his companion.

Along with this Louis also decided, (after he comes to terms that his photography isn't going to go further for him after meeting with that photo editor guy), again of his own free will, to join the coven. Which now makes Louis bound to its ways and laws. Which, in the book, the Great Laws are just a fig leaf, but I think the show is having the TdV -- and had Armand too at first as well -- take them much more seriously . . . but that's a meta as to why for another time.

Anyway, at the end of the episode, the two main problems Armand had at the beginning of the episode are very much solved by the end. Louis is joining the coven and Louis is accepting Armand to him as a companion. And no, the solving of those issues was not a happenstance IMO. Armand even told Louis, rather directly at the top of the episode, that these two things were problems for him, and Louis just barely conceded to one of those two things at the start -- which is only that he'll "come around" and spend more time with the coven. By the end of the episode, however . . . Louis fully commits to giving Armand both things.

Do I think Armand might have had a bit of influence over what that photo editor said to Louis about his pictures? Hey, I can't prove anything, but it wouldn't surprise me if he did, given Armand's Mind Gift abilities (which, put a pin in this, as I'll get to talking about that in a bit). But, more than anything, I think Armand went with a strategic full-court press when it came to having Louis decide to commit to him as a companion wrt that whole museum date.

And, unlike Lestat, who held his trauma and vulnerabilities from Louis until things had reached a point of no return, Armand opens up to Louis about his past traumas and vulnerabilities long before it has even begun to get to such a point. But also because Louis is still reluctant to fully give himself over to truly being companions with Louis. But here, Armand is showing Louis that he will not withhold when it comes to such things as this -- something Lestat very much did withhold for a very long time.

However, a bit of dialogue from Armand during the scene where Louis is practicing his Fire Gift abilities is key when it comes to Armand's thought process when it comes to why he decided to share this about himself with Lous, as well as when it comes to solving issues in general IMO -- "I try to find the vulnerability within the object."

Which is what he says wrt how he uses the Fire Gift, yes, but I do not believe that it is something Armand just does when using the Fire Gift. I believe that comes to all situations in his life, especially when it comes to being a coven leader and master.

Lestat withholding in the ways he did made Louis feel not just frustrated but powerless. As Louis exclaimed just last episode, "Lestat didn't tell me shit!" Because even when Lestat did finally start to tell Louis (and Claudia) some things (about Magnus and Nicki) there was still very much he still withheld, even after that.

But Armand? Well, after that museum trip that withholding issue is starting to look quiet different with Armand than it was with Lestat, I'd say.

And in Armand's eyes, well . . . if even yielding can be a way of eventually gaining something, then so be it. Because who says yielding to something means that you must now also be in a weak position? IMO, it's very much like the adage about attacking from a defensive position.

This brings us to the end of the episode and seeing what Santiago, Celeste, and Quan were up to.

And can I say right now -- it actually doesn't matter one way or another if this ends up being a true mutiny by the coven . . . or if Armand is manipulating this stuff. For the record, I personally don't think Santiago and the others were under orders from Armand to go and search Louis and Claudia's apartment. But again, it doesn't matter one way or the other because there is just no way in hell a vampire as powerful as Armand didn't know he was being watched at that moment in the park with Louis.

Armand put not just the entire dining room but all his coven members -- including Claudia -- into a stasis state by just one command. (And no, that power isn't something from the books, but the show made it clear back in episode 2x03 that the ability to do this is part of the Mind Gift -- which is one of Armand's two most powerful abilities btw).

No. Armand knew damn well he was being watched. And frankly, I would not be at all surprised to learn that Armand could hear all that telepathic conversation going on between Quan, Celeste, and Santiago either. Again this episode already made it clear how powerful Armand's Mind Gift abilities are, plus that he can hear thoughts even when at a distance. (Such as when he got summoned from the museum wrt Claudia befriending Madeleine).

So, no. Armand knows damn well what is going on wrt the coven. The reason I don't think Armand was behind Santiago and the others doing this -- at least right now -- is only because I don't think Armand has decided, just quite yet, to fully choose Louis over them completely and therefore have the coven destroyed. I think that is a choice he is going to make -- due to some event, mostly likely the turning of Madeleine -- in Episode 6.

But once Armand makes that choice? That the coven has to go? He will use what he knows to bring that about. And probably winning the coven fully back to his side right before the trial is set up . . . in order to set everything in motion for their demise in the end, and having Louis all for himself.

(Where the Frankenstein Experiment comes into all of this I still can't figure out, but that can be put on hold for now.)

So yeah. Armand isn't a Machavelli. But he is smart and cunning and good at working out situations he finds himself in. To the point that, even when he appears to be yielding, he still ends up dominating.

Other things:

-- I've already been thinking that one of the reasons that the show made present-day Daniel older was because it was going to be part of helping Armand work through his issues with Marius. And now, after this episode and hearing from Armand's own mouth how much darker the show's version of Marius is -- and Armand's relationship with Marius is looking to be, I feel that all even more. Because now older Daniel will not only have the maturity to directly say what that relationship dynamic was . . . but it will also help Daniel himself understand why his past relationship with Armand was the way it was because . . .

-- I've also been thinking that, in many ways, Armand and Daniel's relationship in the past was going to mirror a lot of what we'd learn, and then eventually see, of Marius and Armand's past relationship. And I feel that even more so now. I think a lot of parallels will begin to be set up now that we, the audience have heard from Armand himself what his relationship with Marius was like.

-- I don't feel that was just a random slip-up by Daniel when he mentioned the theater fire. I think something else compelled him to say that. Well, something or someone else.

-- That final scene between Louis and Dreamstat was so sad. I really do think that Louis, at that moment, was accepting that Lestat was well and truly dead.

-- Those Talamasca files that Daniel has are not the full and complete files about everything. I was already suspecting that when Daniel was given them last week. But the fact that there are those 5 files (three images and two audio) related to Daniel? Nope. Daniel was strategically given what he was given. Because it's not like Daniel can verify if that is or isn't the complete files the Talamasca have about himself or anything else.

-- And speaking of the Talamasca . . . just like with the coven, I will be surprised if Armand doesn't know that he and Louis were being tracked by them at one -- or many other -- points in time. Though, in that instance, if he doesn't I won't look too sideways at it . . . given that I just finished reading the chapter in Prince Lestat that explains the Talamasca's origins. And Rolin Jones did note that Prince Lestat is one of the books this season takes information from, so . . .

-- I knew Santiago was going to get to Claudia's diaries at some point. But even then, I can't really tell if he truly likes her or is just 100% playing her. But, maybe deep down Claudia herself feels something off with him, or she wouldn't have sought out a friendship -- companionship -- elsewhere. I, personally, don't see what is developing between Claudia and Madeleine as romantic (eros) love, but there is love growing there -- for sure on Claudia's end, and I'd say affection (just right now) on Madeleine's. The show is probably being a bit careful on this, seeing as how Madeleine still thinks Claudia is just a kid, although it's also clear she's sensing something is different about Claudia as well.

So, all in all, very good episode. I actually like it more than last week's. It's still mostly set up, but it's set up with more movement to it when it comes to character development and plot IMO, which I really loved.

[will-the-ghosts-go-away]

Eglee’s Maker - The Fire

”We don’t talk about him much. He threw himself into a fire in front of us.”

After Claudia says this, the camera makes a point to show Eglee’s reaction and Gustave seeming to look at her.

Based on this, I feel it’s likely canon Eglee’s maker threw themself into a fire and ended their life; may or may not have happened in front of Eglee, but I’m going to assume she did witness it.

If/when the coven’s biographies created by the writers for the production team are released, it can be assumed that this will be referenced if truly intended as canon.

Her Maker’s Identity - 3 Theories

(presented in order from “crack” to most likely)

Nicolas de Lenfent

"He must be watched constantly so that he does not enlarge our ranks. His dining habits are extremely sloppy. And on occasion he says most shocking things to strangers, which fortunately they are too sensible to believe." In other words, he tried to make other vampires.

Yeah I don’t really think Nicki is actually her maker, but I thought that quote from TVL was interesting, and (as far as the books go) he does commit suicide by fire.

Charlotte Lavigne

This one is more in line with my imagined backstory of Eglee, where she is turned in 1896 specifically to join the coven as the front of house staff. According to her coffin, Charlotte was only around for 78 years; my fancast for her is Rebecca Ferguson, who is 41, so going by that she would have been turned around 1862, which leaves her with only 37 years as a vampire which is not very long in vampire years; assuming her maker wasn’t powerful in their own right, she probably wasn’t the strongest of vampires—which is something I feel Armand would value when deciding on who should turn Eglee, because I don’t see it being deemed necessary for her to have powerful blood.

Unknown Vampire (potentially not even coven related)

Picture unrelated—unless it’s revealed that Eglee was turned around the end of the CoD/start of the TdV, in which case (if her maker’s identity is still unknown) I will return to one of my original headcanons: Eglee was turned by one of the rogue coven members wandering Paris.

[vampire-dove]

Poly!Theatre Des Vampires Propaganda

(AKA why TDV is actually just a polycule)

-Induction to the coven literally involves the new member drinking everyone's blood (a known sensual activity for vampires)

-Santiago was getting his dick sucked by Eglee in front of Luchenbaum who acted like that was a normal thing to happen (and getting groped at the table during the coven outing)

-We already know that Armand has slept with various coven members (Santiago, Celeste, Estelle, Quang, and Tuan)

-Eglee apparently feeds off of Gustave while her and Santiago are on a break

-The father/son/maitre threeway

[thebrokenpapergirl]

IWTV Book/Show Spoilers

This is about Claudia and it is about to get sad.

I have been obsessively thinking about Claudia and the TdV coven. Since I can't seem to distract myself, I need someone to suffer with me.

We know Claudia's fate. It is literally the sword of Damocles hanging above us all. Conceptually, I know these motherfuckers are gonna betray her, but I don't think I can bear to see it. Like her face in episode two at Santiago's performance, she was so in awe, so excited to finally find someone, anyone, that might be like her. The way she was so happy after the mansion. She really felt like she belonged with these people.

And I know, in the books, after Madeleine gets turned they, eventually, decide to run off, but she still had her first sense of belonging with this coven.

If the show, as I think it will, starts sprinkling these cute scenes of Claudia and the coven being a community, and not just in the vampiric sense, like talking about fucking star charts, fashion, hobbies, learning lines, etc...

I'm not gonna be able to watch the realization on Claudia's face during the trial that all of it has been a lie. I can't bear the thought that one of Claudia's last memories on this Earth is that she was never accepted, never wanted for who she is.

Especially since I think the trial episode will end with Claudia and Madeleine's death and we will only see Louis' reckoning in the next episode.

I can't wait a whole week.

I will need to see Louis fucking these motherfuckers up. I need him to tear them limb from limb. Claudia should not leave this Earth thinking her only feeling of belonging was a farce.

[blueiight]

based on your previous response about my baby loves windows being suicide bait for claudia, do you think claudia singing it when she was dying is true? she hated the song so it felt odd to me that she would sing it in her last moments. a part of me thinks it's armand telling one more lie to be cruel. like her death is just another performance, but the last one she'll ever give. he has right about her looking to lestat in her final moment though so i can't be sure.

the suicide bait isnt in the song lyrics: its in the actual details of the play. putting claudia in the dress of an infant, having her play a delusional baby, her character being pinned to the floor, the neglectful & abusive caretakers, culminating in the character’s suicide. the bird motif as amply pointed out by many on here b4 too& all…it fails, but its armand + the coven finding the vulnerabilities within claudia to exploit. the fact that she is a “fierce vampire trapped in the body of a little girl, [now] reminded of it every night of her existence.” and on stage. the whole appeal of tdv to claudia was being able to put on a persona that was different than her physical form or self and be able to openly mock humanity as u drink from them, only for her so called fellow vampires to make her a brutal commodity for humanity & tdv to mock in mblw and the trial. the cruelty of the fact that theyre all laughing at you, not with you alone, and why they are able to do so.

if u take her singing the song for what it is: that it happened as presented by armand, then its claudia spiting the audience & the coven in her last moments. also thinking about when she sings the song, u can take it as her trying to be strong and spite these ppl to protect madeleine in her dying moments. so madeleine can see claudia as this light that she was in the face of imminent death. then once madeleine dies infront of her: the combination of the sheer agony shes in, being separated from louis, watching madeleine die infront of her, thats when claudia breaks down and looks toward lestat, the father one she hates the most as delainey said.