#tbf. she DOES know everything. objectively | Explore Tumblr posts and blogs

got-into-worm-by-mistake · 1 year ago

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Grue went on, “You know what you did wrong? You didn’t fucking tell us. You let me fucking go in there and talk to those guys and get caught with my pants down. I had to fucking defend the actions of my team without knowing what the fuck people were talking about. It made me look weak. It made all of us look weak.”

Objectively, I should feel more bad for Rachel than I do, given... everything. But I can't really control which characters I glom onto and which I don't. If it wasn't for the dog thing, I'd probably have a bit of an easier time, if she was just a gruff, uncommunicative bitch of a person, but the fact that she basically thinks like a dog or so we're supposed to believe makes that a bit harder, among other things.

But she really does win the 'Kylia's Least Favorite Undersider' contest every day running so far. She seems to create as many problems as she solves.

Of course, this whole scene isn't really making me like Brian either, because he's saying shit like Rachel 'made' him do stuff, which she did, and didn't, and Brian isn't actually meaning it the way it sounds, but fuck if it all doesn't really work for me. Because it really fucking doesn't work for me.

“You’re frustrated, I get it,” Tattletale spoke. Bitch was staring in the window of the bookstore, avoiding eye contact while she rubbed her neck. Tattletale went on, “You don’t feel like you did anything wrong, and if you had another chance to do things over, you feel like you’d do everything the same way… yet people are pissed at you.” Bitch met Tattletale’s eyes. Her tone was a combination of irritation and boredom, “And people are taking turns chewing me out and spewing psychobabble shit at me.”

oh ffs Rachel.

And yet, okay, yeah, I can respect why that shit pisses her off too, tbf. But still, christ on a bike, she's a bitch, and not in the fun way a character can be a bitch and still be likeable.

I imagine it's possible she'll grow on me if she grows on Taylor, since we do have to remember we're getting all things through the lens of Taylor (who doesn't really like Rachel much either at this point, far as I can tell), but equally, I just think she's just the opposite of a blorbo for me. I want to put her in the Horse Plink forever, or w/e.

I knew it would be hard to turn on them, to pull off that grand betrayal and turn their information over to the Protectorate, once I had the information I needed… but when I thought on it, I knew I could bite the bullet and do it. I would have less regrets in the long run. I could even be proud of it, in the grand scheme of things, maybe. More and more, I was seeing the day I turned that information over and said goodbye to the Undersiders as the day I wanted to transform myself. Start transforming Skitter into a hero in the public eye, doing what I could to repair my image, and redefining Taylor into someone confident and outgoing and brave. If I could cut ties with the Undersiders and take that plunge, I knew I could change myself. But, strange as it sounded, I would feel worse about handing their information to the Protectorate if this sort of negativity was what I was leaving behind when I did it. I knew it made no sense, but I wanted to be able to tell myself I’d had one successful set of friendships, before I severed ties for the sake of doing the right thing. I could only hope that the sore feelings would fade. Even when I’d had friends, it had just been me and Emma. I didn’t have enough experience to really know one way or the other, as far as how groups of friends handled these sorts of sore feelings and resentment. It sucked.

Yeah, it's fucking weird that the idea that she'd actually leave the Undersiders worse off like this would upset her, but given everything it does track. And it's probably just the start of further rationalizations 'I need to make this friendship thing work right before I turn on them, right' and 'just a little longer' and 'just a little longer' and then boom.

I'd be very curious about the planning - was Taylor being friendless the part that came first and then her being so eager to glom onto the Undersiders, etc, what came from that, or (more likely, I'd assume) Wildbow needed a reason for this character who wants to be a hero at the start, and - throughout her entire run as a villain - who does want to help people and protect innocent people and so forth, to join the villains and then not turn on them, and giving her such a shitty fucking civilian life was the solution?

Probably a bit of a chicken and egg, but there is the anecdote that Saruman exists just because Tolkein needed a reason Gandalf couldn't meet Frodo in that one town whose name escapes me but had the Prancing Pony Inn.

#Anti-Rachel Lindt #Kylia Reads Worm #Hive 5.2 #Taylor Hebert #The Undersiders

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dcconfessions · 2 years ago

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I used to hate Barbara Gordon because the fandom would always portray her as some perfect Mary Sue that did everything perfectly and new everything and had her shit together.

It's okay tho I like her now since I actually read up on her some and know that she's not actually like that (fuck dc tho for taking away oracle)

#dc confessions #asks #anon #u: fanon #c: barbara gordon #tbf. she DOES know everything. objectively

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ballorawan740 · 4 years ago

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SCP Scenarios: When they get scared by the reader (REQUESTED)

Requested by: @_Milla_7849_

SCP 073 (Cain)

I feel like Cain normally wouldn't be scared

Like if you made him watch a horror movie, he might flinch slightly but wouldn't be terrified of it

So when you try to scare him like a prank sort of way, he would flinch a little more than usual but would recover seconds later

Like that one time when he was alone walking down the hallway looking zoned out since he was thinking of something

And you just crept up to him like the sneaky little child you are and jumped onto his back

He did get a load yelp but realised it was you

Luckily for you, Cain didn't give you a lecture like before and actually laughed with you

However, if you were kidnapped or taken hostage or used for an experiment, it would obviously frighten him and he wouldn't forgive himself

So to prevent this, he would keep you within his line of sight at all times

Anyways, as I've mentioned before, Cain would probably also give you a tight hug after your little stunt and unbeknownst to him, the researchers recorded it for a laugh

Cain did give you a lecture but forgave you since you were so young and he couldn't resist those eyes

And the researchers did give you some sweets

SCP 076-2 (Abel)

Now, a warrior like Abel wouldn't be so easily frightened

Especially if it was a child, even more so if it's you since he knows you too well and has personally trained you from the age of 5

Basically, Abel would notice your movement and body language well since you're both stuck together

So you have devices a plan with your scientist friends to try and scare him

And yes, it's working

Because Abel got extremely distracted by Iris

Iris basically got yahooted into this mess and was told to wear a lingerie

Yes, you did scare him by shoving him into Iris

I wouldn't say he got a scare, but more like a surprise

Poor girl she just wanted to sleep

SCP 999 (Tickle Monster) 999 would most likely be scared the easiest out of everyone on this list

Aside from Glass

He's like a close second

Back to 999, you both were just chilling and wandering around the facility aimlessly

Because yall are boring (TBF you're both trapped in this giant mf blop of a building)

Anyways, let's just say that it was Bright and Clef who introduced you to the world of pranks and you guys thought it would be funny to scare our 999 here

Basically, yall decided to play dead and then pretend to turn into zombies with some makeup

Yes, it did work since you've managed to scare the living daylights out of 999

And he was about to have a cardiac arrest (if he even has a biological heart)

And yes, it almost ended in another breach

And 999 did give you a lecture on how to not scare people like that

He does sound like a grandpa though XD

SCP 682 (Hard to Destroy Reptile)

I would say that scaring 682 would be difficult, but I won't since he's already terrified of that rabbit

You, along with the other researchers, thought it'll be fun to pull a prank on 682 in form of a magic trick

It's a classic rabbit in the hat trick and yes, you did pull SCP 524 out of the hat

But, little did your tiny brain know, that rabbit basically eats everything, including itself

So you just watched 524 approaches the already terrified 682 and nibble on his feet

And yes, you and the other researchers laughed hard since he crawled up the wall to get away from the rabbit (I'm now officially adopting 524 as my other pet)

Sadly, 524 didn't stay for long since another doctor needed him for a test with Josie (yes, the cat)

682 basically shouted at you for doing such a thing on him, your dad

But you ignored him anyways since you knew he never meant what he said and he wouldn't be mad at you for long

SCP 049 (Plague Doctor)

Our bird boy here is pretty much neutral when it comes to being scared

Like, he can be quite unfazed by many things, so it's no surprise if you or any other SCPs tried to jump on him

So as part of an experiment, you and your friends had decided that you would try to play dead and see if 049 would be terrified

Well, 049 was somewhat concerned and when you carried on playing dead, he became scared since you weren't so conscious, or so he thought

Since you played dead extremely well for such a young child, he tried to see if he could fix you

And before he could do anything, you jumped up at him like Bonnie from FNAF

Yes, he looked like he jumped out of his skin and was so stunned that he just sat in the corner with his head down for an hour

You all had to check up on him and he said he was 'fine'

He wasn't

049 gave you a lecture about playing dead like that unless there's a dangerous SCP

SCP 035 (Possessive Mask)

Now, since 035 is a mask and is very much a master manipulator and an award-winning actor/actress, you would most likely be able to take on those traits from him

When you were younger, you were eager to learn from 035, who you see as not only your best friend but also an idol, so he taught you everything he could

As you got older, you've gotten better at manipulation and acting, so much so that even 035 couldn't tell if you were just being you from time to time

So one day, you've decided to prank your dad because you were hella bored (like you always are :((( cuz yall never be productive and just sit on your flat bum all day and watch YouTube, Netflix or play games then sleep)

You basically produced a fake body of yourself and wrapped it in a black bag and sent it to 035's cell

Then, you've got one of your researcher buddies to write a note of your passing and that you do love him very much

035 did receive the message and made sure that there was a dead body in the package

He was pretty much convinced that it was you since you were able to disguise the fake body like bone and flesh

Which of course scared him to death because he was about to attack everyone on site

Luckily you got there on time to stop him which freaked him out and yes, you've gotten a lecture about being such a prankster (You got grounded for life but that didn't stop a rebellious child like you)

At least everyone at the facility has gotten a laugh about it for the next 3 months

SCP 105 (Iris)

Pranking Iris wouldn't be hard, but that doesn't mean she's fazed, but not in a sense like 049 who wouldn't get a good scare from some SCPs which could do him harm

Iris is very much a self-aware and open-minded individual who has common sense (unlike you, who don't even move out of your bed or even use your non-existent brain cells)

She's very much like every other person you'll meet on the streets who wouldn't just believe the first thing that she hears since she is very much a rational person

So, if you want to devise a plan to scare her, it'll have to blend in with everything or be quiet out there with realistic effects

You'll have to use your head to think of a good prank to scare her, which you did since you've inherited her intelligence (that's a lie because you don't have any intelligence left in you)

As her child, you have decided to prank her by making her a fake copy of her camera but instead of her being able to control objects within the photo, she would end up destroying it

You gave it to her as a gift and she accepted it with suspicion since you don't normally get her anything and encouraged her to try it (you're such an ungrateful child)

Cain, Dr Glass, Dr Kondraki and a couple of others wanted to see as well, so they stayed and watch

Much to everyone's horror, the illusion camera did exactly how you designed it to and Iris was furious and saddened

Later on, you told her about the prank since you feel bad and she was extremely mad

So instead of grounding or lecturing you, she decided to have revenge

SCP 106 (Old Man)

Now, scaring this old man would be rather interesting because he doesn't seem too fazed by the other, more dangerous and unpredictable, SCPs

But, you can still scare him to a certain degree

I mean, he is an old man after all, so scaring him would be fun

As long as you don't give him a heart attack then it's fine I guess (cuz yall be evil for scaring such an old man)

So, you have decided to scare 106 by giving off little bits of harmless pranks at first so 106 would let his guard down for a moment

Like, giving him a box full of spiders (he's quite disgusted by them just like how he sees your face every time) and popping an air-filled bag (Don't lie, you've all done it and it's hella fun)

Later on, you would gradually move to play with the more dangerous things, such as getting him to look at a picture of 096's face (Probs ugly like yo-)

As time moved on, 106 seemed to be relaxed and expected you to bring him random things and soon realised that there was something off

You didn't show up to him for almost a week and he was ready to get his dad mode on

Luckily, some of the guards caught you with Abel and got 106 involved since they were afraid of causing a massive breach

106 panicked and picked you up, giving you a lecture on how you shouldn't be with other SCPs like Abel

You managed to tell him that you've befriended Abel and he was stunned and gave him the dad glare (you know the one where dads would give to warn others to not hurt their kids right?)

And because it's Abel, he would even make sure to be with you whenever you were with him which made it difficult for you to play with Abel because he might steal you away (Yes I'm looking at you right now kiddo, don't play with Abel)

So in conclusion, if the prank involves you being in a dangerous position, he wouldn't necessarily be scared but would start to panic about your safety

SCP 096 (Shy Guy)

I think 096 would be similar to 106 in a sense but less logical and unfazed

It's more like he would be pretty panicky every time you weren't there with him and his anxiety would act up (like you every time you're preparing for your exams where you didn't even revise)

Like if you were with Safe class SCPs, he would be more relaxed than you being with a Euclid class, but it kinda depends on who it is

If it was Cain then it would be fine, but if you were to be with 173, he would be quite wary at first and would tell you to try and avoid being with that peanut

So if you wanted to scare him, it wouldn't be too hard

All you had to do was to be with another Keter class SCPs and play with them

He would be extremely cautious and terrified if you were with one and knowing this, you've decided that playing with 682 instead of playing with Walter the rabbit (SCP 524 | He's my other pet), you've decided to go up and pet 682

When 096 got a hold on the commission on you being with that lizard, he ran out of his cell, causing a huge containment breach on the way like he's bulletproof, and went yeehaw with 682

All you did was sit there in confusion as they entertained you with some pole dancing

Basically, if you scare 096, he would go from anxious to paranoid to berserk then to we're all going down to hell and back again

Dr Jack bright

This mf right here is unpredictable af

Like in his own body, he would remain unfazed and would even go as far as pranking you back

I mean he still would act all fun and games but since he can possess multiple bodies, the outcome of him being scared would vary which would surprise him too since he wouldn't know

Unless he decided to possess someone he knows well, but he knows better than to do that

Dr Bright would most notably be scared, like everybody else on the list, if you were to put yourself in immediate danger, but since you were just as crazy as your dad, he would most likely go along with it until you deliver your prank

Like, you could be juggling knives while standing on top of 682's head while singing 'Painted Smile' by Madam Macabre (If you haven't heard it, you should, it's amazing)

Also, he would sometimes find you having your back faced towards peanut and still be fine after having your neck being snapped (Yall be like surprise mf)

Anyways, one time Jack had made a promise to you to meet you at a certain place and he was late

So you stormed into his office (like the entitled little nugget you are) and went 'tick-tock mf' to your dad

Well it worked and you showed him your trick with the Keter classes

By causing a containment breach and somehow you managed to bribe the Keter classes to perform with you

Let's just say that just because you've inherited his craziness doesn't mean that you could go as far as doing this prank

Bright was about to drop dead from a heart attack and he banned you from doing such things in the future

Dr Simon Glass

With Simon Glass, you could give him a fright relatively easily

Just because he's a psychologist and can read people rather well, he still would be terrified and paranoid about whatever you were planning on doing

Even if he told you not to

Like that time when you were told to not make toast because you can't cook and you almost burnt the whole facility and Glass stood there and said "I told you so" (he did ask for toast, as in toasted bread, not toasted humans)

Anyways, being the child of Simon Glass meant that you would learn a lot about the human mind and behaviour

He would teach you everything you were curious about and would sometimes ask Diogenes, Light, Kondraki, Cain and Iris to help teach you the things he wouldn't have much knowledge on

And sometimes Clef and Bright would appear and spoil you (not that Glass doesn't, he's just busy and trying to be the best dad he could by being anxious about you being alone in the facility with so many dangerous SCPs)

So this often meant that you, Bright and Clef would pull pranks on each other, usually on Kondraki and Iris

Except for this time, you've decided to pull a prank on your dad, Dr Glass

You've handed him over a realistic model of SCP 058 and he freaked out and called the MTFs

They've checked the model and realised that it was all fake and poor Simon had a heart attack from you

Simon was about to yeet that spider looking thing but it was able to move so he planned to carry you and yeet you both out

He did give you a lecture on doing that stunt and you did shed a few crocodile tears

And yes, Glass gave in and comforted you

He then went to grab Clef and Bright's ears and lectured them about helping you make the prank

Dr Alto Clef

I feel like Clef would be similar to Bright but without the whole process of changing bodies because of some curse

Like Clef wouldn't be all that scared since he's dealt with SCPsbefore and dies an extremely good job at it

So for Clef to be scarred for life, it'll either be an extremely dangerous SCP, he's drunk and/or high, he must care about you a lot and you must've been out of your mind to do something seriously stupid or you're evil enough to piss off a Simon Glass (Or all of the above if you're evil enough)

You would most likely want to take the easier and quicker route out of all the ones mentioned on the list which is to put yourself in an immediate danger

So you had asked Dr Bright for some help and so he did

Moments later, midway through preparing your prank, Clef came to Bright asking if he saw you and he did

However, they heard a familiar scream from down the hallway and they both rushed to your aid and soon realised that it's you

You were about to get eaten by 939 and they had to signal for the MTFs to help (Because you mfs didn't ask me for permission when you wanted to pet 939 D:<)

Clef gave you a big lecture and comforted you after he cooled down

Bright on the other hand wasn't so lucky as Clef wanted to murder him (But in his defence, you didn't tell Bright how dangerous the prank was cuz yall are as stubborn as a rock)

Dr Benjamin Kondraki

Kondraki would be pretty much average when it comes to being scared but with a little more logical since he works with the Foundation

He's that type of dad who would let you go to sleepovers every now and again as long as they weren't of the opposite gender (Unless yall are Bi, Gay, Lesbian, Pan, Alien, Basketball etc then he's screwed)

We support BLM and LGBTQ+ in this community and anyone who says otherwise must leave now

Heck, even our friends here, especially Kondraki, Glass, Bright, 999, Cain, Iris and Josie (SCP 529, my new pet) supports them

Anyways, back to the main plot

Depending on what age you're at and whether you were planning to prank him with the Foundation staff or SCPs will lead to a different outcome

Like if you told him you were dating someone he would've died right there and then

No dating until you're 50

Anyhow, you've decided that it'll be funny to scare your dad with Clef and Bright by getting his Bootyflies to shapeshift into various Keter class SCPs and acting like it

And yes, you somehow managed to persuade the Bootiflies to do just that

And no, Kondraki didn't know about this even though he found it odd that his bootiflies didn't obey him that day

You got Kondraki to sit down in a room with Clef while you and Bright was setting up everything

The bootyflies shifted into the Scarlet King and boy sis Kondraki called the MTFs and was boutta shoot him

Everyone in the room had to get him to stop and that it was just a prank (And by everyone I mean just you, Bright and Clef)

Kondraki did manage to stop and was boutta drag you out for a big girl/boy lecture

Well, he did but not before kicked Bright and Clef in their privates first

Needless to say, nobody wanted to prank Kondraki again (Shush, no you don't, yes I'm looking at you from behind the screen and I know that you'll do it again)

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mindibindi · 4 years ago

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Beyond disappointed in Ted Lasso. What were they thinking?!

The writing is a complete betrayal and insult to Rebecca’s character and Hannah’s skills as they’re being seriously underused. It’s also insulting Sam’s character.

Hoping someone pulls Rebecca’s head out of her ass tbh. Sam shouldn’t be getting caught in the crossfire of her looking for romance. I know he showed up at her doorstep but she still should’ve turned him away, and not even messaged him in the first place.

Hey, I'm with you, Anon, though we do seem to be in the minority. Sam is definitely not blameless here, he is also in the wrong. But if one of them is more in the wrong, it is Rebecca. I can't speak to whether her head has left her arse as yet because I have quit watching (at least for now). I hear she called it off with Sam in the most recent ep, though not because of any major crisis of conscience or because anyone in her inner circle expressed any reasonable reservations in response to her bad behaviour. And to be honest, I'm not sure we should need to hope and pray that Rebecca's precocious god-daughter, her slimy ex-husband, or the brutal British press will act as a moral compass on this ill-advised relationship. Both Rupert and the press have been set up to some extent as the villains of the piece. And a 14 year old should never have to school her elders on what is and isn't acceptable. Nora's needs have already been neglected by Rebecca for far too long.

If a moral position is to be taken on this, it needs to be taken by the show (because stance matters) and/or by its characters. But the show has for the most part depicted this relationship as ill-advised but ultimately hot, sweet, funny and romantic. As for the characters themselves, Sam has shown at least once that he has some moral backbone but seems to be adorably clueless when it comes to fucking his boss who keeps trying to set boundaries with him. Meanwhile, Rebecca's whole arc in s1 was about learning not to misuse her power for her own selfish ends. In season one, she misused her power within the club in order to exact revenge. In season 2, we have seen her misuse her sexual power, though I still cannot see to what end. I'm a bit at a loss as to what exactly she gets out of this 'relationship' but then I'm a grown woman so I have absolutely no interest in sleeping with a Harry Potter enthusiast barely out of his teens. I couldn't think of anything less sexy and more ick. I was certainly hoping for better character development for her this season.

As to what the writers were thinking, obviously I was not in the writer's room, but I would guess that they were thinking that any drama is good drama, people are stupid and fan devotion will trump any meaningful critique. In other words, they were thinking exactly how every other television writer thinks, despite the fact that this show posited itself as 'not like other TV shows'. This, to me, is where the blame really lies. Not with the characters or with the actors who are doing their best to sell this ludicrous turn of events. It must be noted, however, that both actors were completely blindsided by this relationship that had supposedly been so cleverly foreshadowed. Newsflash: if the people actually living these stories did not see this coming then you haven't foreshadowed shit. Sure, there were a handful of people that paired Rebecca with Sam but this does not constitute proof either. Fans have free-range to imagine and re-imagine characters. In some cases this may extend to imagining relationships between characters who have barely, if ever, interacted. There may be little to no evidence that these characters have even clocked each other's existence and some fans will still ship it. The existence of a handful of shippers does not legitimise such a problematic and divisive plotline making it onscreen.

But wait!, you might argue, this may not be a case of a popular show seeing just how far they can stretch fan devotion. This may not be a case of fan service to a handful of shippers. After all, the creators mapped out the entire three-season arc of Ted Lasso before they even pitched it to Apple. This was their brilliant plan all along! To which I would say: then maybe they should've rethought their second act based on people's strong reactions to their first. Ted Lasso was touted as the show we all needed in 2020. The writers and creators have all marveled at the chord it struck considering it was conceived prior to the pandemic and all the chaos it wrought. And while there is something to be said for having/sticking to a creative vision, there is also something to be said for being flexible and responsive to your audience and the cultural zeitgeist with which you're engaged. Season 1 of Ted Lasso told its story so gently, without creating distrust, division or unnecessary anxiety. It did not treat its audience like a gaggle of stupid lemmings to be led over a succession of narrative cliffs. THIS is what I mean when I say the show has broken with its brand. And look, this whole dark forest thing would be okay if the narrative arc was as well-crafted as s1. Season 1 gave us meaning, cohesion, comfort, sense in a senseless time. It was an almost perfectly crafted season of television. And I kept the faith for 6 episodes, despite the first half of s2 being pretty damn wobbly. But the follow-up to this stellar debut has been less than extraordinary so yeah, perhaps they should've thought a little harder about what made s1 so special before throwing it all out the window.

But wait!, I hear the faithful say, you don't know how things will pan out yet! Wait until the season is over and everything will make sense! But -- wearily and once again, I say -- we should not need to wait until the end of the season to understand what the hell is happening. By this point (over halfway through the season and show) we should have a v clear idea of the show's themes and the characters' arcs. And tbf, from what I can tell there are some fab things happening in other aspects of the show that I wish I could watch and enjoy. But my biggest fear at this point is that they are going to use Sam to solve Rebecca's childlessness. That, like Rupert (because the parallel cannot be avoided), she will become pregnant with a young fling and the show's attitude to this relationship will ultimately be: oh well, it was a bad idea and didn't work out for them but it was all for the best in the end cos who can be mad about a cute lil baaaayyybbbeeee??!! If they do go down this path then I will definitely be abstaining from the rest of the show. I will simply recall my repeated viewings of s1 with fondness tinged with regret at just how badly they fucked up a good thing.

Ultimately, Anon, I think this may be a case of there simply not being a diverse enough perspective in the writer's room. I am not saying that every single woman or every single person of colour will necessarily object to this relationship. I am simply saying that women and people of colour will be more sensitive to the issues of gender and race that are relevant here but that have not been fully or sensitively acknowledged in the writing of this plotline. Neither am I saying that Rebecca is the first woman to sleep with a man much (much, much, MUCH) younger than herself or indulge in an ill-advised relationship. But the comparison with Rupert both works here and doesn't because Rebecca is not being written like a white woman, she is being written like a white man. Realistically, only a white man can engage in this kind of hugely imbalanced relationship seemingly without any major moral qualms or societal ramifications. Not to put too fine a point on it, but this kind of relationship is reserved for all the Bills and Joes and Brendans and Jasons out there -- not for the Rebeccas and definitely not for the Sams. We are way beyond the point in feminism where we believe that liberation is simply the right for a white woman to behave as badly as a white man. The truth is that whatever wealth, power and privilege Rebecca has, the rules are different for men and women. She will not be treated the same as Rupert if and when this affair is uncovered. She will be treated far more savagely than Rupert ever was and Sam will be treated far more savagely than Bex was. This is not an argument for the equal treatment of these two relationships. It is an argument against how the relationship between Rebecca and Sam has been envisaged, i.e. through the wrong perspective. In writing from a 'neutral' white male pov, the show has invisiblised all the many issues activated by this storyline and revealed a blindspot that was always there.

As much as I loved and still love season 1 of this show, it has definite blindspots when it comes to representations of race and gender. There are at least two moments in s1 that stand out for me as being so obviously written by a man. Not necessarily because of what they do but because of what they don't do: what is missed, absent, unacknowledged. I was willing to overlook such minor failings in a debut season for many reasons. But s2 seems to have exacerbated these minor flaws rather than correcting them. And here I can't help thinking of Tina Fey speaking of the diversification of the writer's room at SNL during her tenure as co-headwriter. This notoriously male-dominated environment only began to shift and produce better work when a greater diversity of minds, voices and persepectives was allowed in the room. In this richer environment, she notes, different jokes played differently. Different sketches made it to air. Different perspectives were represented and different performers were celebrated. I can't help wondering if this plotline would have made it to air if there had been a female writer, a writer of colour or both further up the chain of command to challenge the ideas of the straight white dudes in charge.

One of the reasons I didn't think Ted Lasso was for me was that it centred a straight, white, cis-het, able-bodied man who rose to a position he didn't earn. That is just not a pov I would normally choose for myself, especially now that there is such a rich array of alternative perspectives through which to view the world. But I think the show won a lot of females fans with its first season largely due to its portrayal of Rebecca. She is the first person we meet. She is arguably the protagonist of s1. And while she would have been figured as a villain in previous pieces, the show never took that stance with her (because again, stance matters). Other elements like the depiction of female friendships, all centred around Rebecca, made this show female-friendly viewing. But imo, the major reason this show won over female fans (this one, at least) is because, in this post-MeToo, post-TimesUp era, it stood up and said: domestic violence is not okay, we stand with women and all victims of abuse, we will defend you, we know words can hurt, we know it can happen to anyone, we know all about toxic masculinity, we do not take this lightly and we will support you in your healing. Needless to say, this is how women hope men will act when they speak of their most difficult experiences but it is not how they always do.

The shift away from Rebecca this season has however meant that the white male experience is more centred than it was in s1. Rebecca's journey to recovery, health and happiness has been trivialised and sidelined, reduced to a highly questionable sexcapade. Meanwhile, we get overwrought manpain at every turn. We get Beard wandering around London (no, I haven't seen it and no, I don't need to. We've all been raised on white dudes thinking they're genuises when they have a figurative wank all over our screens). We get NO queer represention at all. And the only other female characters on screen are in care/service roles to men. The father/son, mentoring and toxic masculinity themes are all still there but they're no longer balanced out by ANY other competing perspective. One of the reasons I was okay with Ted failing upwards in s1 was that he used his power and privilege to lift up others. He was the one in service. He used his enormous privilege for good, as anyone with such privilege must. (Admittedly, it could be argued that this is just another version of a white savior narrative).

My point here is that I'm not sure that peeking behind the mask at the sad clown is as revolutionary as some might believe. We love it because it's familiar. But this is a narrative with a long and problematic history. Do I believe in tearing down toxic masculinity in all its forms? You bet. Do I believe that patriarchy traumatises men as well as women and every other minority in existence? I mean...nowhere near as much, but absolutely. Do I believe in men expressing their feelings and going to therapy? Wholeheartedly. But I am also aware that 100 or so years ago, we were in a very similar place with our narratives. Everyone is looking for a recapitulation of modernism and frankly, this might be an indicator of just that. Whenever women and people of colour have demanded rights and recognition, there has always been a resurgence of tales about just how frickin' hard it is to be a white man. Minority genders and non-white people have never in western history been as visible or vocal as they are now. So forgive me (or don't, I don't care) if I critique a show not only for centering fathers, sons, boys and men but for blindly and boldly writing one of its only female characters and one of its only black characters as if their gender and race just do not exist. There are many other power differentials at play in this relationship, including age, experience, wealth and position, but race and gender are the two that patriarchy is most invested in invisiblising. So I don't care how brilliant they think they are, I will not trust the writing of a bunch of white dudes trying to tell me that race and gender are irrelevant.

#ted lasso #rebecca welton #sam obisanya #ask #yeah this one got out of hand

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wizardysseus · 4 years ago

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i was thinking about once upon a time (abc) in bed this morning so i decided to write this list

subject to change, since awhile ago i was in the middle of season 6 when they took it off netflix and i never quite got around to picking it back up. i’m gonna finish if it kills me i promise

top 5 things about once upon a time

5. anna frozen

when ouat introduced frozen characters, most fans decided the show had jumped the shark. they were not wrong. however, it was this very thing that allowed the show to be fun again! after an excruciatingly bad season 3 (we will get to that), bringing on anna and elsa literally transported directly from their own unaltered story in cheap ass versions of their unaltered movie costumes allowed the show to let loose and do... basically whatever it wanted. this became the hallmark of the show for those who stuck with it: absolutely not making sense at all, but being fun about it. post-season-three ouat becomes a totally different soap opera from season one, but by god you are never bored.*

personally, the flashback episode where anna annoys rumpelstiltskin and gets the better of him and he’s so fucking mad about it is like top 10 episodes**

4. 2x16 “the miller’s daughter”

this episode is just another personal favorite. it exemplifies what this show was really good at when it was good, and also where everything went wrong. i think cora is a great example of a good ouat villain, i think the twist on the rumpelstiltskin story is great, i think the dramatic beats really work.

...and in typical ouat fashion, cora immediately dies and two more villains we don’t care about at all are introduced. (sonequa forgive me you know i’m in love with you but tamara was nothing. it’s not your fault.) yes we get that great scene of snow aggressively doing archery practice while listening to “bad reputation” but was it worth killing off a compelling villain just as you’d dug into her story?

3. the commitment to regina’s redemption

and lana parrilla in general. i mean i’m gay and she’s hot but the worse the show got, the more acting lana gave it. and this is just speculation, but i think lana is more comfortable with drama than with camp? because regina becomes a much more interesting character as someone conflicted and on the path to redemption than as a villain. and by god, they were gonna redeem regina.

if only she had been gay we really could have had it all.

2. rumpelstiltskin

the sweet spot with rumpelstiltskin for me was seasons one and two when he was unabashedly bastard, there was an attempt to make him sympathetic but nobody except belle actually liked him, you weren’t quite sure how much he knew, he was pulling all the strings, and he was just really fucking weird. it will surprise no one who follows this blog to hear that that is my type of wizard.

1. season one

it’s a good season. it’s a good season. there are some bad things about it, but it was extremely watchable. it was doing fairy tales with occasional disney nods in a (mostly) cohesive fashion. the lore and the magic hadn’t sprawled out of control yet. it had the strongest relationship, imo, between emma and henry, and emma and snow. as for iconic episodes, most of the greats are here, plus sebastian stan as the mad hatter and giancarlo esposito as a series regular. the crowning moment for me is the scene at the end of skin deep, when regina confronts gold in the town jail and he reveals that he remembers his real name (after beating the shit out of belle’s dad with his cane obviously). god. that is some good television.

worst 5 things about once upon a time

5. the adoption politics but everyone knows this one.

4. WASTING the talent

you had the love of my life sonequa martin-green and gave her nothing. you somehow scored oded fehr as jafar and gave him nothing. you had giancarlo esposito and regina literally forgot he existed. i will kill you

3. rumpelstiltskin.

it’s no secret that robert carlyle was acting circles around most of the cast; my opinion is that the showrunners felt that if they committed to either his redemption or his villainy, they would never find someone else with the talent to fill his shoes as bastard wizard. so they flip-flopped on him every half-season, which ruins his story longterm, slowly kills the light in robert’s eyes, and gets reallllllly old. it’s also no secret that my favorite rumpelstiltskin is bastard wizard, but they screwed over belle BIG time in the process and for that i will never forgive them.

also like. the rumpelstiltskin fairy tale is antisemitic to begin with and they did not minimize that by comparing him to a lizard and naming his storybrooke counterpart mr gold. they just. did that.

2. THE FUCKING NEVERLAND ARC GOD IN CHRIIIIIIIIIIIST THAT HALF-SEASON IS EXCRUCIATING

1. captain hook

*it’s my opinion that if you are bored, you’re watching a hook-centric episode. every time i dropped the show and forgot about it for months at a time, it was because i had been in the middle of an episode about hook and just could not get through it. how do i describe all the things i don’t like about what killian hook jones did to the show? with subpoints!

1a. the episode where gold gives him back his hand and he never changes.

**this is actually the same episode i mentioned about anna and, like i said, it’s one of my favorites and not at all boring. look, i’m not pretending this list isn’t subjective as hell.

remember when hook blackmailed mr gold into magically reattaching his hand, which gold has been keeping in a jar, because hook has a date with emma and wants it to go well? but also, gold tells him that if he reattaches his hand with dark magic, it will turn him evil? and then hook spends the episode doing evil things, only for mr gold to tell him “i was just messing with you! the hand was not evil, you gave yourself permission to be evil ;)”

yeah, that’s basically hook’s mo.

1b. episode where emma tells him his brother is lying to him and he learns the exact wrong lesson from this and never changes.

so emma goes to the underworld to get hook back after he dies (while being evil and doing villainous things). they find his brother down there, too, and emma senses that he has a dark secret (because he does) and is lying to them (because he is). but hook always idolized his older brother, so he won't believe her. when emma confronts the brother directly, hook interrupts to rant to her about how he knows what this is ~really all about.

actual dialogue:

HOOK: i don't need proof to know what's really going on here. emma, when are you gonna admit that this isn't really about my brother? EMMA: what else would you think it was about? HOOK: us. you think if you can prove that liam is a villain, then i’ll somehow feel like i was less of one.

who... would EVER come to that conclusion. and why is the lesson he learns at the end “perhaps i do deserve saving after all” (another direct quote), and not “NOT EVERYTHING IS ABOUT YOU, BECAUSE EMMA WAS LITERALLY RIGHT ABOUT YOUR BROTHER LYING TO EVERYONE”????

1c. the emma dark one arc, where hook never changes.

this would be the arc that leads up to the above underworld arc, and it is deeply dumb, entertaining, and hard to explain. suffice it to say, during this whole arc, killian (along with emma) has all the powers and ~~~Darkness~~~ of the dark one (formerly rumpelstiltskin). unlike emma, he is not aware of this for most of the season. the moment he finally finds out, he turns on emma and goes through with all the revenge plans he’s apparently been holding onto since season two.

it’s supposed to be sympathetic, because emma made this choice for him to be a dark one, which is clearly awful, when he didn’t want it. so i get that. but on the other hand, it is..... boring. because (a) it's nothing we haven't seen him try to do and fail at before, his motivations really aren't that complex. and more importantly, (b) he was the dark one the whole time! the only thing that changed, that made him act evil, was finding out about it. at that point, it's not the ~~~Darkness~~~ making you do evil things. it’s just you. because you’re a dick.

how is this arc resolved? well, he dies. after the underworld arc (which i very much enjoyed tbf), a sizable part of robin hood’s death episode is devoted to people telling emma to slow down and grieve for killian, since at least two arcs have revolved around her inability to let hook go when he is literally dying or dead. (it’s been said a million times but being his girlfriend really sucked the personality out of emma and i miss her.) and in the end he just... comes back anyway. no explanation given; he says it must be a reward from zeus for killing hades... while he and emma make out literally in front of the coffin of robin hood... who actually died fighting hades. killian died half a season before. while he was evil. and emma reverts to tearful girlfriend.

it’s insulting. it’s grating. and it is a Killian Hook Jones Guarantee that his episodes will involve some measure of this.

like, is it more or less the same shtick that the writers kept giving rumpelstiltskin, too? backsliding and screwing over his love interest who gets less and less say in the matter? yes. definitely. the crucial difference is that i, personally, love rumpelstiltskin, while i find hook boring and not self-aware. but clearly i have had a lot of fun complaining about him! again, this is not an objective list.

conclusions

this show ran for 7 years. it got cancelled not because it deserved to, but because no one liked the soft reboot. it was on until 2018.

#thoughts #once upon a time #long post

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lilietsblog · 5 years ago

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non-spoilery as of end of pgte book 2 prolonged scream about what Cat does there

so there are multiple things there that Catherine's narration kind of glosses over, and tbf it's for good reason! Catherine is not a braggy kind of person in her narration, if she goes "I'm fucking awesome" it's to psyche herself up for some new bullshit, not to rest on her laurels, and it's honestly fantastic and helps the narrative a lot, that said, we should all totally step back and appreciate that

1) Catherine is seriously for real inheriting Callow here. Like this is not a trick? This is not a clever wording loophole? Catherine is literally at that point in the process of putting her ducks in a row for her "Callow is now mine bitches" plan, and while it's not exactly immediately transitioning to her being in charge of everything solo, she is very much getting the inheritance of ruling Callow from her father teacher I said teacher

2) Catherine put her life on the line for her people twice over - on an increasingly thin one. First she goes into the city of Liesse itself while knowing about the pattern - she's unwilling to let William claim his victory here in this way :) and this might sound obvious, especially for someone who's just read the book, but - there's nothing selfish about this. Catherine gains nothing from besieging Liesse (except very marginal OR very low likelihood potential gains that would 100% not be worth the risk) and loses nothing from retreating to the Legions, this is purely for the sake of the population of Liesse itself. Second she goes specifically to seek William out to deal with the devil problem (WHICH WAS ALSO BEAUTIFUL AND AMAZING AND I JUST WANTED TO POINT THIS FACT OUT. IT WAS BEAUTIFUL AND AMAZING HOW SHE DID THAT RIP AKUA'S LOOPHOLE CAT'S GONNA DRIVE A TRAIN THROUGH IT) (oh and also this would help the rebel forces which HER forces were actively fighting at the time, just to harp on this point a bit more) - again, while knowing that a pattern of three is active and she's fated to lose. She did her best struggling but she KNEW she was going to lose. And the plan for her to survive was like... 1. die 2. become undead 3. convince a choir they want to support her over their champion. Like, can we all appreciate how insane a plan that is? Catherine went with it straight-faced, and like... Paradoxically, I'm pretty sure it's because it was insane that it actually worked. Because Catherine knew it was absurd, knew she was basically laying down her life for this one city, and she did it anyway. She threw her life down and dared angels to say she wasn't worthy of what she wished to claim.

Because none of this was a trick. Cat’s narration kind of focuses on the part that WAS tricky wording / loopholes, and it sure is convenient that Heiress was there to represent "the enemy" that Cat was presumably protecting Callow from... she was though? Like I'm sure Akua's presence helped drive the symbolism down with the subtlety of a dropped anvil, but factually Cat's goal is to stand between the worst of Praes and Callow, and even her helping tamp down this rebellion ALREADY IS actively working to minimize casualties (Black had changed his strategy due to her involvement). Getting William to confirm that the chapel is Callowan land is more along the lines of not letting Akua get away with a loophole (also fucking hilarious, "could be relied upon to fuck over at least one person in the room" no I didn't reread I just remember that because I adore it). Of course the chapel is in Callow in every meaningful sense! It's attached to Liesse and events in it are going to ripple out into and then from Liesse geographically, that's the entire problem! If the chapel wasn't Callowan Cat wouldn't give a shit and wouldn't have given her fucking life (SHE'S LITERALLY DEAD AT THAT POINT, A SKILLED NECROMANCER WHO MANAGED TO OVERPOWER MASEGO COULD PUPPET HER) to get there!

None of this is a trick! The sword in the stone was a decorative flourish and not even a part of Cat's original plan, because the thrust if it was not the #CallowanAesthetic. The thrust if it was the authentic narrative, in the sense of A=>B: when the person whose job is about to be ruling Callow gives their life to protect its people, and the protection takes the form of getting to a point of contact with angels to get them to switch tracks from doing one thing to another (importantly, Akua also wanted to mess with William's ritual, Cat hijacking it first locked her out!), well then in that situation the angels kind of have a job to do.

And if their chosen champion is the SOURCE of the original problem and this new person who's coming in for a last minute save is literally his deadly nemesis and about to kill him... well fucking sucks for them, I guess! They are angels. They have a job, and when something's gone wrong with how they're doing it, the course corrections can be rough.

Cat did not do a sleight of hand here. Cat full on committed to a course of action that was going to achieve her chosen goal - interrupting both William and Akua - even if the resurrection trick didn't work and it killed her. Cat straight up laid down her life for her people, then asked for it back.

And the way Guideverse works, when things line up just so... well, the chapter is named that for a reason :)

I will also contrast it to Akua’s “pattern of three” plan, because it’s an excellent example of how things DON’T work - of how they work when you are doing it wrong, and how tricks that really ARE tricks blow up in your face. A pattern of three works on symmetry and reversal - claim the victory at first, get inevitably defeated at the last moment. And it’s not that it’s impossible to abuse that, but you gotta PAY. You always gotta pay if you want the result to be real. Akua tried to avoid payment - she lost NOTHING in that first confrontation with Cat that she so demonstrably lost except underlings she didn’t care about (RIP those people). Akua got a technical loss that was actually a victory in every sense that mattered... well hey, guess what the pattern reversed into!

That’s the difference between basing your story on something real - something that would have worked this way in a non-narrativium world too - and trying to cheat your way through loopholes. Would non-narrativium world Akua have fled from that confrontation with Catherine, if she’d seriously considered her a rival and enemy? Nope, not unless she had the same “outsmarting herself” sort of plan Cat would later get to foil. Would non-narrativium world Catherine have gone into Liesse to put her life on the line against both her nemeses at once to save its people? Well... yeah. It’s the same thing with or without story lenses. That’s why it works.

And that’s why it’s fucking awesome.

(I do not just mean on the meta level “look how cleverly Guide is written”. I mean on the object level, reading the end of Book 2 is cathartic and awesome and breathtaking, because every part of it is painstakingly built up to and earned. Things happen the way they FEEL like they should happen - and the only thing the narrativium does here is expose the wiring.)

#a practical guide to evil #catherine foundling #book 2 #SKREEEEEE

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glon-morski · 5 years ago

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Trial by Fire - Orignal Character Sheet

Story link: Trial by Fire on AO3

Character: Torikae Meko

Name Meaning: 'Torikae' (取替) means "to swap/exchange". 'Meko' is formed with the kanji ‘me’ (目) meaning "eye/eyeball" or "to look/stare/glance" and ‘ko’ (子) which means "child". Her entire name is a giant reference to her Quirk.

Physical appearance: Meko is an average-sized girl of about 1m68 (5’6’’). She’s slim, but also has some visible muscle definition to her showing that she exercises a lot, with her shoulders and biceps being the most defined and her abdominal and back muscles being the least visibly trained. (She has muscle there, too, it just isn’t as visibly built.) She has a rather narrow waist and hips and is rather flat-chested, sporting a modest A-cup. She has long, coral-colored hair that she ties either in a high pony-tail-braid or, more often, in two low pigtails resembling the haircut of Saya from the anime Blood-C. Her complexion is light brown and she has aquamarine, almond-shaped eyes (when her iris are visible, anyway – see her Quirk for explanation details).

Hero costume: The most notable thing are her goggles, the lenses of which are one-way mirrors reflecting everything in front of her without hindering her being able to see (like the one-way mirror walls in police interrogation rooms in media, where it looks like a mirror on one side but there’s actually a room behind it and people can use it as a window to observe the interrogation). This is meant to hide not only what or who she’s looking at (similar to Eraserhead’s goggles), but also what her eyes look like (refer to the Quirk section for explanation). Beyond that, her hero costume is a form-fitting, reinforced, dark green biker jump-suit (a bit similar to the outfit of Makoto Nijima from the Persona 5 game once she awakens her Persona) to which she attaches various small knickknacks, particularly at the utility belt, around the ankles and wrists, but also at various other places. These knickknacks include but are not limited to tiny glass bottles containing one or two drops of various liquids, singular metal chain links, short wires, small pieces of wood, plant leaves and at least one or two pieces of some sort of fluff.

Quirk: Optic Exchange – If she looks at something and wills it, the object she’s looking at turns into the material her sclera is currently made of, while her sclera take on the material of the thing she’s been looking at. So the first time she’s used her Quirk, whatever she looked at turned into the biological material of her eyes and her eyes became whatever she’s been looking at. This works not only for solid materials like wood and metal, but also for fluids like water and most elements, like earth and fire and even for biological materials like plants or cooked meat. However, she cannot use her Quirk on anything in gaseous form, and depending on the material her eyes turn into she may not be immune to potential damage to her eye-sockets or the skin around her eyes. (So when her eyes turned into fire like in chapter 30 of TbF, she burned herself because her skin is not fireproof.) Her optical nerves and other optical cells seem to be protected to some degree, so risk of loss of eye-sight is significantly lowered, if not negligent in most cases. However, if she overuses her Quirk, her eye-sight worsens permanently and does not recover. Depending on the material her sclera turns into, her iris may be swallowed in the exchange so that only the material her eyes took on and her pupils remain, though this only seems to happen with some of the solid materials and never for fluid ones.

Personality: Meko is generally soft-spoken and a touch shy, but she’s also very determined and stubborn. Once she makes up her mind about someone, there’s no making her realize she might be wrong unless you have solid proof. Once she makes up her mind about doing something, there’s nearly no convincing her to not do it. You can either leave her to whatever she’s decided to do, or follow along to try and keep an eye on her, but forget about stopping her. That said, she also knows when to step back and let someone else take charge and, despite her stubbornness, she’s actually more prone to doing that than to taking matters into her own hands because she doesn’t feel comfortable leading others. However, while she’ll try to follow another’s plan to a T in most cases, if she thinks she has a better way to deal with things that won’t endanger her teammates, she’ll deviate and do her own thing. She’s not quite a ‘Lone Wolf’, but she’s not someone who always works perfectly with others, either. This is especially obvious when it comes to her Quirk, as people often tend to tell her to be careful with how she uses it and to not overdo it due to the potential damage she can do to her eyes, while Meko always tends to quickly consider both pros and cons of a certain course of action and then, when she decides to take it, not hesitating to see things through no matter how much pain she might have to endure or how much damage she risks to do to her own eyes. It’s not to the point of taking pointless risks, but she definitely doesn’t shy away from hurting herself if her using her Quirk can be a deciding factor of how a situation develops.

@ any artist willing to draw her, feel free, I’ll be honored. I only ask that you post your art with a reblog of this post or a link to it and not pretend she’s your OC :3

#BnHA #Glon's writing #Glon's OCs #Trial by Fire #OC Character Sheet #For those who are interested in details I might not be able to show in the fic because she's ultimately a minor character

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bisluthq · 4 years ago

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Does anybody else think the Kaylor anon was making some really good points? I think they seem smart and analytical. I think it's possible we might be the ones in the wrong here. I love Joe and I think he's so hot and I ship Jaylor so hard, but TBF, he is a bit of a clout-chaser. Anon was right about that.

And I think Taylor and Joe are so in love and cute together and I hope they get married and have a baby, and it makes me mad when people call poor Joe Toe but it's true that he has a flop career. I love Joe, but he's not that good looking either, and maybe the anon is right that Taylor wouldn't call him "gorgeous".

I mean, I love his personality so much and I love his movies, and he's my favorite Taylor boyfriend ever, but maybe they aren't really dating? Maybe the Kaylor anon was right? I don't know... I'm questioning everything... Maybe we should hear what they have to say?

.... how is he a clout chaser lmao he literally refuses to speak about her? Joe could be on any magazine within a phone call if he agrees to 1) talk about her 2) pose with her or even the fucking cats. You know who was a clout chaser? The person who in 2018 was still claiming her and Tay are “good friends” 💀😬👀

He is NOT MY FAVORITE BOYFRIEND OF HERS but he is HER favorite boyfriend seemingly. I mean Harry is clearly the superior one but it was fake but of real boyfriends like... whatever my feelings about Jake are he is objectively better looking than Joe like that’s just a fact.

There is no way to make invisible string make sense in a world where she’s not with Joe tbh. There is no real way to understand WB if she’s not with Joe. Maybe they’re platonic soulmates we don’t know what they do behind closed doors but likeeeee he’s a massive part of her life.

And idk what else to tell y’all. If you’re in a doubty place go read their big timeline again.

Like we can doubt if they fuck or not because we are not them but we also can’t deny reality and this is absolutely not a publicity stunt.

#nat talks swiftwyn

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steven-falls · 6 years ago

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Gravity Falls reviewed: Tourist Trapped

What I’m struck by when I rewatch ‘Tourist Trapped’ is how many times it tries to pull one over on the audience. We start off with protagonist Dipper’s narration over the peaceful family picnic, only for a fake out reveal that he and his sister Mabel are actually being chased down by some giant monster. So then we’re left anticipating this giant monster, only to be introduced to Mabel’s zombie boyfriend, only for that zombie to turn out to be a bunch of Gnomes, only for all those gnomes to then join together to form some giant living mech, which turns out to be the monster from the episode’s opening.

When all these plot points are bullet pointed like this, they can come across as some abrupt shifts. But the episode actually telegraphs all of these shifts well enough that they manage to flow quite naturally. As Dipper says in the episode’s opening: ‘Rest assured; there’s a perfectly logical explanation. Let’s rewind.’

Before the plot even gets started we’re introduced to our setting and characters. Gravity Falls introduction as a setting is pretty simple: It’s a sleepy town that twelve year old twins Dipper and Mabel Pines have been sent to, to stay with their great uncle (or ‘Grunkle’) Stan. We don’t really see much of the town itself in this episode, just the cabin where Stan lives (Which doubles as a tourist trap named ‘the Mystery Shack’) and the surrounding forest. This helps create the atmosphere that the kids are stuck in the middle of the wilderness. The only major human characters introduced in the pilot are the five main characters; The three aforementioned Pines’, along with Stan’s handyman Soos and the Mystery Shack’s teenage employee Wendy. Most of the supporting townsfolk aren’t introduced until the second episode. As a duo, Dipper and Mabel balance each other out perfectly. Dipper is so curious about his surroundings that he can always be relied upon to move the plot along. Meanwhile, Mabel makes for some great comic relief. Whenever the series goes into a darker direction she can be used to lighten the mood.

The way Mabel is written in this episode seriously impresses me. She provides like half the jokes in this episode and they all pretty much land.

The highlight for me has to be Mabel’s interaction with the gnomes. I particularly love the part where the gnomes first reveal their true identity to Mabel. The head gnome just keeps rambling on about needing to marry Mabel to make her their new queen while Mabel just sits looking dejected on a rock. The way Mabel trails off while trying to gently let down the gnomes sounds so naturalistic, its like you can feel her cautiously choosing every word. It sounds like such an authentic break up for such a silly situation.

Honestly, trying to force a twelve year old into marriage is pretty dark, but because the gnomes are small, weird, and not particularly threatening the writers get away with it.

If the jokes aren’t coming from Mabel and her love life then they’re probably coming from Stan and Soos popping up. Stan’s appearances are pretty much just a string of old man and shyster jokes. But there are a couple moments thrown in at the end to show there is some depth to his character. Such as when finally Stan shows some compassion to the twins by letting them take a gift from his shop.

Speaking of, Dipper’s hat is so iconic to his design that it’s funny to think he just found it in the mystery shack. It’s a bit surprising no one else around town has one.

Soos is also set up as a standard comic relief character. The thing I find funniest about his portrayal is how Dipper actually takes his advice.

Surprisingly, my favourite character introduction is actually Wendy’s, it’s just so concise. She only has two lines in the entire episode, but they telegraph her character really well.

The first line shows her laid back and lazy attitude toward work, and the second shows her supportive friendship with Dipper. Plus both these moments double as jokes, so it’s not like its needless exposition about a character we barely see in this episode. You could also argue that Wendy’s brief appearance foreshadows how Wendy would be pretty under utilised in the series as a whole, but that’s an issue for future episodes.

After the status quo is established Dipper is sent into ‘the spooky part of the forest’ by Stan. (I love that Stan specifies ‘spooky’). This is where Dipper finds the object that really gets the plot rolling: The journal.

I appreciate how the journal Dipper finds is numbered as the third one. Dipper later mentions how the journal abruptly ends, suggesting that it is the last journal in a set of three. The audience knows there’s exactly two more of these things to look out for, whereas if Dipper had found the first or second one we would have been left guessing how many of these things there actually are.

The journal simultaneously drives Dippers actions by flaming his suspicions, whilst it also foreshadows where the plot is going. The journal contains both an entry on zombies, which Dipper mistakes as the initial threat, and also an entry on gnomes, who turn out to be the real antagonists. I particularly like how they foreshadow the gnomes in that joke where Dipper means to show Mabel the zombies page and opens up the gnomes page instead.

The gnome page actually crops up a few times throughout the episode, but its appearances are brief enough that you don’t necessarily predict the final gnome reveal on your first watch through, but it’s there to be appreciated on repeat viewings.

Whilst the zombie to gnome shift is foreshadowed quite well, they don’t do as much to telegraph the gnomes forming into a giant mech. My personal issue with this shift is that the giant ravenging monster the gnomes form into is like the complete opposite of the silly small creatures the gnomes are portrayed as prior.

The gnome monster does have a cool design however. I like how its sharp teeth are formed by gnome hats. Plus it leads to a chase scene, which makes for a climactic action set piece.

Dipper does tell us in the opening scene that the episode is going to end with a monster chase, so we at least know the direction the episode is going, meaning the gnomes forming a giant living mech doesn’t cause as much whiplash as it should. Although, I suppose if five of them were able to come together to form a teenager, why not a giant gnome mech?

I mentioned in my intro that the episode keeps pulling one over on the audience. But why does the episode feel the need to pull multiple rugs out from underneath the audiences feet? Well, it shows that everything about Gravity Falls (Both the town and the show) is Not What it Seems, which is one of the main conceits of the show. Obviously everyone who’s watched the show knows this, there’s literally a coded message in the intro saying so. (okay tbf it says ‘Stan is not what he seems’ but you could still apply that to the town as a whole). Not only is this seemingly boring town actually paranormal, but the paranormal activity itself isn’t even what you’d expect. You want zombie survival horror? Too bad, you get arranged gnome marriages instead.

And really that’s what Tourist Traps purpose as a pilot is; to lay out and introduce the themes of the show. And rewatching this episode after watching the whole series, it’s impressive just how many themes of the show are introduced from the very first episode. For example, one of the main conflicts of this episode is whether or not the twins can trust each other, and this theme of trust comes back in a big way later.

Tourist Trapped lays out so many intriguing mysteries, from the mysterious journal, to the secrets of Gravity Falls, to the final shot of Stan entering into a secret room behind his vending machine. It’s enough to leave you invested and wanting to find out more. And that’s how you know Tourist Trapped is a successful pilot.

#gravity falls #tourist trapped #dipper pines #mabel pines #wendy corduroy #stan pines #SF reviews GF #long post #review

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janiedean · 6 years ago

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You've been very critical of Cersei, especially in response to Tumblr often defending her in more ways than she probably should. In the same vein, do you think Daenerys is as bad or ambitious as Cersei? Are they meant to be parallels or foils?

I... don’t know if it’s like that for various reasons starting with the fact that cersei is a villain and dany is not and I think that what they have as parallels isn’t really where grrm means to go at, but I’ll try to give the most possible objective answer.

premise: dany is a character I really don’t care much either way about and I don’t remember 60% of her chapters (like, 90% of adwd and for the rest I only remember decently the got stuff and half of asos plus the vision at the end of acok) and I haven’t reread them in ages unless I needed to because a) she’s really not on my radar, b) that’s not the most engaging storyline to me so take my opinions for what they are.

that said:

I don’t think they’re nowhere near the same level because dany actually cares about other people which cersei does not;

also, there’s the angle where imvho dany wants the throne more because of her name/legacy/because viserys wanted it and she grew up with that toxic environment and she’s not actually moving forward bc basically she’s taken on herself what viserys wanted, but if you look at it... tbh I think dany just wants to get back to the house with the red door cuddling her lizards which is also why i think she’s not eventually getting the throne even if she won’t die at the end but that’s beyond the point, while everything cersei does is to get power and fuck everyone else in the way;

which is the other fundamental difference ie cersei doesn’t gaf about anyone else that’s not herself and doesn’t see people’s needs as something she needs to care about, while dany actually does care about other people - admittedly she gets caught up in selfrighteousness about that a lot for that but like... it’s not as if she freed the slaves for that, she really does believe in her cause/in helping others;

now, the thing they have in common imvho that I can see as a pseudo-parallel is that neither of them is actually good at ruling - or better, cersei is plain bad because she thinks that she’s her father and she’s not and she doesn’t listen to other people while dany has good intentions but doesn’t have one single adviser who’s actually trained for politics and is bad at seeing the great picture never mind diplomacy never mind that she hasn’t grasped the concept that you can’t just dismantle an entire established system with fire and blood even if it’s wrong (ie: everything that happens post-conquer of mereen is basically the realistic consequences of swooping in with dragons without looking at the entire situation around the place you’re supposed to conquer), which means that cersei’s stint at ruling and dany’s are both not good (and if adwd/affc had been one single book probably it would have been a more blatant parallel than it is with the books separated) so like... they could have been foils in that sense but if they had been in the same book it would have been more obvious but I mean... at worst it would have shown that dany isn’t a good ruler but means well while cersei isn’t a good ruler and.. well, means well for herself;

that said dany’s ambition, as stated before, is her brother’s ambition more than hers and it’s more about her birthright than what she actually wants, so i don’t think you can compare it with cersei’s because cersei again wants power for herself and like... she does want that;

I don’t think dany and cersei are even remotely on the same level morally because as stated dany cares about other people and cersei doesn’t;

also, you can dislike dany or not care, but... she’s written to be sympathetic, while cersei is not, in the sense that while you can find sympathetic someone the narrative doesn’t present as such and viceversa (for example with dany I’m not particularly interested so like... I care but I don’t relate to her nor feel anything that much specific except that I don’t dislike her but that’s it even if she’s written to be relatable/sympathetic while with cersei people see traits they find relatable/sympathetic so they empathize with her even if the narrative is very clear about how cersei is a negative character, which ofc is their prerogative bc everyone feels about characters in their own way), objectively dany is not coded negatively even if she has faults while cersei is coded negatively because she’s a villain and there’s nothing in her chapters that suggests that she’s going to change or that she wants to or that she would care for that, so ‘as bad as cersei’ is.... not correct because they’re nowhere near the same level when it comes to their personalities and they don’t act for the same reasons;

also: re cersei my problem is that people excuse everything she does on account of things that each single woman in these books has to deal with but somehow cersei is untouchable even when she’s done far worse than most other characters and without even taking dany into account (bc I think discourse on dany is extremely polarized in fandom and I don’t agree with either the FLAWLESS HERO side nor the OMG SHE’S THE VILLAIN side - I think she’s trying to do good but being a queen is not her life call and she’s there to deconstruct very specific tropes while being written sympathetically, so I’m like... not touching that, but people do criticize dany even if 80% of the time it’s not for reasons that are in the text but nvm), but like... if you objectively compare what catelyn has done textually and what cersei has done textually and see what fandom thinks of either in general it’s obvious that there is a strong double standard and I’m personally extremely tired of being classified as some kinda internalized misogynist because I don’t like cersei when people shit on catelyn for actual misogynistic reasons (because sorry but ‘she’s such a bitch she should have gone back home to her smaller children why did she even think she could help out robb’ when cat’s smarter than 90% of the other povs combined is a goddamned misogynist argument and guess what half of this fandom happily partakes in it to say one, and it’s not even the start of it). like, my issue with cersei is that people don’t discuss her critically nor accept that she’s a bad guy objectively - subjectively they can think whatever they want, but if you’re selling me your analysis as meta/STUFF THAT’S IN THE TEXT then it should be in the text and passing cersei as some feminist hero that is crushing the patriarchy is not what the text says;

I don’t have 99% of the same issues with dany bc as stated I don’t go there, idc about her and I disagree anyway with 98% of the takes I see concerning dany anyway but at least no one says that if you dislike dany you automatically don’t give a damn about women but that’s another problem;

but tldr the way dany is discussed in fandom is not the same cersei is discussed in fandom and I disagree with both discourses bc I think dany’s is too polarized in two opposite ways that don’t cover it imvho and cersei is polarized in one direction and that is my issue with cersei discourse basically;

I don’t think these two are comparable on a moral scale bc as stated dany has morals and cersei... doesn’t, on a narratively sympathy scale because grrm wants you to sympathize with dany at least to a level while not hiding that she has faults same as everyone in these books while cersei is written as a straight-up negative character that has possibly relatable reasons for being like that and which people can see themselves in, but she’s not meant to be someone the story sympathizes with - you’re meant to feel sorry for her at some point (I guess because I’m not the right person to ask that question) and you can absolutely find her relatable, but we’re not talking about people with the same set of morals, values and life targets anyway so tldr the answer is that at most they’re foils in the way grrm explores how they both fail at their first try at ruling (and for cersei most likely the last) but dany’s meant to be sympathetic, cersei isn’t;

I think they’re parallels in that sense but tbf I think that cersei has quiiite more foiling going on with cat in the sense of characters you contrast with each other who are starting from similar premises, and with dany I think it all begins and dies with their being queens but tbf I also don’t think it’s dany’s endgame and cersei is dying because she’s power-hungry so if dany lives renouncing it and cersei dies embracing it it’s definitely a foil for that, but like... they also aren’t directly connected by the narrative and I absolutely don’t think dany is younger and more beautiful which would actually connect them, idt they’re actually ever meeting, so... there is a parallel/foil but just on that one aspect. for the rest they’re wildly different imvho.

... I hope it made sense. XD

#1 #2 #3 #4 #5 #ch: daenerys targaryen #anti-cersei lannister #anti-cersei #ch: cersei lannister #like... i wouldn't give af about cersei half as much as I do if fandom didn't shove her down my throat as something she's not *shrug*#ch: catelyn stark #i guess #Anonymous #ask post

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queen-scribbles · 6 years ago

Text

Steady as Stars: Tragen Meta

So time to ramble about Tragen because I am overly attached to this goober and have TOO MANY FEELINGS. Quick note, everything about his home planet is my own headcanon bc canon and Legends diverge pretty sharply so I just said “Screw allll of it” and am doing my own thing 😎 Also, i tried to keep some sense of order to it, but did not 100% succeed. Lots of parenthetical asides incoming.

Brief backstory, for anyone who’s not familiar with my wonderful paladin son, Tragen is from Stenos, which is in the Outer Rim, right on the edge of Imperial space. They remained neutral during the Great Galactic War, but did host several Imperial supply lines. These supply lines eventually wound up integral to Stenosi economy, which the Empire used to blackmail them into actually joining shortly before the Treaty of Coruscant was signed.

Tragen’s love of the stars goes back to his childhood, but up until about 10 years old, it was just typical child’s awe and wonder at how many there were all the different places you could go among them, that sort of thing. Around ten is when the Empire started really pressuring Stenos to join, making threats, etc. This wasn’t common knowledge, but since Tragen’s parents were both high ranked government officials/nobility(the two are somewhat linked on Stenos; there’s the king/queen, their inner circle, and then a moderately-sized parliament of sorts drawn from the nobility. I’m still hashing out all the details, but that’s the basics), he’d hear them talking behind closed doors or after they thought he and his sister were asleep. They were worried the Empire would actually attack or invade or something like that, based off the displeasure the Imperial diplomat was conveying.

With the planet/culture’s future uncertain, Tragen started really appreciating the stars’ constancy. They’re always there, always the same, even if you can’t see them or are looking from a different angle. They’ve been there for ages and will be for ages more, and he finds that comforting.

Even moreso after the Imperial diplomat discovers how important the supply lines are to the economy and blackmails Stenos into joining the Empire with that knowledge. There are assurances things won’t change, of course, or at least won’t change much, but they do. And that’s before the Sith start looking for Force Sensitives. It’s very disconcerting for an acquaintance to be there one day and not the next. There are so many rumors about what happens to the people who go with the Sith(willing or no), it’s impossible to figure out the truth. With all the uncertainty, and his parents working even longer hours trying to merge Imperial statutes with Stenosi culture, Tragen finds even more comfort in the stars. Everything else might be changing, but they don’t.

And then the Sith find him. It takes a little over two years from winning Stenos to the Empire for the Imperials to work their way bottom of society to top looking for potential Sith, but Tragen’s one of the first they find when they finally get to the nobility/officials. By this point, the Imperials have abandoned all pretense of this ‘honor’ being optional, and so off Tragen goes to Ziost at thirteen years old. (He doesn’t want to, but loyalty/honor/duty are so central to Stenosi culture his father uses those to talk him down from a full-on freakout and into at least accepting this new path for his life, even if he doesn’t love it)

Tragen is not particularly gifted with the Force. It’s there, he has a decent enough connection to... amplify other things(ala Force scream, etc), but his real saving grace talent is martial combat. He’s been trained with a blade since he could hold one, is extremely observant and good at reading body language, and has a good head for strategy/thinking on his feet. The Sith training is where he’s introduced to the idea of dual-wielding(he’s ambidextrous, which is why one instructor suggests it), which is the only enjoyable thing about it.

Right from the start, Tragen has to hide his true self, bury it beneath a mask of anger and hatred he doesn’t really feel. He knows if he lets it slip he’s dead. He’s watched it happen; decent people who couldn’t ‘get over’ their scruples fast enough fall in duels to fellow acolytes who did, or are cut down by trainers as an example. He skates the edge of discovery the entire seven years he’s there; beating opponents to unconsciousness(so he doesn’t get stabbed in the back) but never killing anyone if can be avoided, claiming it’s so they have to wallow in the humiliation of defeat and/or “I rather like them owing me their life”. Still, he gets lectured multiple times about this merciful “flaw” he has.

During this time, he clings to the stars; to knowing that even when they’re hidden they’re still there, still shining bright, still the same. Just like him, sometimes their true nature is obscured or the constellations aren’t where you expect. bc you’re looking at them from somewhere different. None of that changes them, just how/if people see them.

Tragen’s survival tactic of hiding behind a mask of expected emotions he doesn’t really feel gets tested to its limit once Tremel summons him to the Academy for his trials, especially after Baras takes an interest in him. He’s constantly trying to outfox one of the most paranoid and brilliant Darths around, and sweats bullets the first few times he’s near the man. Once it starts to seem like Baras isn’t suspicious of him, Tragen relaxes ever so slightly. Not enough to do anything stupid, just enough he’s not a mess of suspicious tension every time he’s in his master’s presence. (And let’s not get into how hard the whole ‘wish the Jedi found you instead of the Sith’ thing with Dorgis hit him bc I’ll get too emotional to function. So many feeling for this dork.)

It’s a little easier once he picks up Vette. He doesn’t entirely drop his guard or his mask around her, but she at least is okay when he does nice/reasonable things, instead of lecturing about how he’s a terrible Sith yada yada. The two of them strike up a friendship pretty fast(she reminds him of his sister, actually), and Vette is usually the one to tag along when Tragen leaves the ship, even after Quinn joins.

It’s a still-tricky balancing act to accomplish enough of Baras’ objectives he doesn’t get suspicious while not violating his own code, but somehow Tragen manages. He leaves everyone alive he can, trotting out the ‘yes, but now they owe me their lives, giving me power and humiliating them’ excuse when needed. The entirely of looking for Jaesa, he’s adamant and upfront that he just wants to talk to her, leaves everyone alive(even makes Master Yonlach question his view of Sith :3) and resolves things as peacefully as he can. Even when faced with Jedi who are raring to fight and operating with the bias Sith = evil(tbf, he’s a rare exception...), Tragen always tries to talk things out first. He’s found pointing out he’s acting more Jedi-like than them works really, really well. On the whole, his conscience is pretty happy with how the search for Jaesa is going, though it does make him uneasy when he hears Baras got his hands on her parents. There isn’t really anything he can do at that point, so he just has to hope for the best and keep going.

While he is happy with the increased freedom and decreased oversight of having his own ship and underlings to do his job, it’s still lonely. He can’t completely relax on the ship, and he’s so used to having his mask up, he can’t bring himself to drop it around people, even Vette. Quinn there’s the obvious reasons(the man’s born and bred Imperial AND owes Baras his career; there’s no way Tragen’s trusting him with this), but Vette it’s more... worrying she’d accidentally spill the beans. She’s such a chatterbox and very impulsive, so even though he thinks she’d try to keep his secret, he’d rather not take chances with something this dangerous. This means the only time Tragen can drop the facade and be himself is when he’s alone, in his cabin, with only the stars for company. This adds a layer to his love of them; alone with the stars is the only place he can be honest, and living this lie is so exhausting he treasures those moments more than he can say.

He’s very used to opponents(especially Jedi) jumping to conclusions about him based purely on him being Sith, so Nomen Karr’s reaction on Hutta is.. expected At least, the initial hostility is. Tragen tries and tries and tries to be reasonable and just talk to the man, but Karr doesn’t cooperate. That he starts calling on the dark side is a bit of a surprise(not a huge one, though; a lot of the Jedi Tragen’s met have been hypocrites, and he could sense Karr’s pride and anger from the start), but Tragen is a skilled enough swordsman(I guess swordsman still applies to lightsabers??) he handles it.

Then Jaesa shows up. Tragen sends Vette to check in with the soldiers outside, and for the first time in eight years, drops his facade. If Jaesa can sense a being’s true nature anyway, there’s no point fighting it, and he hopes a gesture of trust like this will convince her(I did a lot of flashpoints/side quests etc with him, so he’s Light II by this point, better than a lot of my SWs). Dropping his guard like this makes him feel exposed, vulnerable. Naked, almost. He’s been so hidden for so long behind that mask, it’s mildly terrifying to let go of it.

*ahem* (But trusting Jaesa feels right, and safe, and this was the best course of action, right?)

(Wrong. She’s confused this Sith reads as merciful and compassionate against Master Karr’s arrogance and rage, and attacks him anyway)

During their fight, Tragen can’t help but admire her form; he knows dualsabers are tricky to wield and she’s very good. Good enough that it’s a challenge to beat her without hurting her(too much). By this point, Vette’s brought the Imperial soldiers back in, so he has to hide how giddy he is when Jaesa agrees to join him and help change the Empire from within.

(Having her along is like surfacing for air after much too long underwater.)

It’s a little bit... cautious at first--they can’t speak freely enough on the ship to really connect. Tragen does encourage her to have confidence in herself; she’s grown since her days as a handmaiden, and understands all too well her struggles with pretending to be something she’s not. A lot of the advice he gives her is the same things he’s clung to for years(”Keep your eyes on the goal” and “masks worn for survival are different than those worn for personal gain”) Jaesa has a million questions and Tragen’s dying to talk to someone he can be himself around, but they don’t get a chance until Taris. Tragen marks a couple firsts for me there; minorly, he’s my first male toon who did the planet arc but didn’t flirt with Thana, and more importantly: first Sith Warrior to talk every. single. War Trust target into surrendering. He didn’t kill a single one. (which I didn’t know was possible until him; I thought at least one of them[Frelka] fighting was unavoidable, but he did it.) This is where Jaesa starts accompanying him pretty much everywhere(she’s his apprentice, why shouldn’t she?) and they start building up trust and friendship and she gets a real look at his character.

Tragen keeps his word to the Siantide miners, shows restraint, and is basically the least Sith-y Sith Jaesa’s ever seen, let alone met. This is what brings her curiosity out in Shining Bright. That conversation opens the floodgates and they talk freely as they work their way through Taris, a freedom both miss once they’re back on the Empire Dawn. But even if Pierce’s quarters weren’t right next to Jaesa’s, being more open is not a good idea. Too much risk.

It is, however, very difficult to keep their conversation quiet when Jaesa tells him about the other light-leaning Sith. Tragen’s ecstatic (and relieved) to know he’s not the only one(also, impressed by how much stronger + more skilled Jaesa’s gotten with her power). He’s very eager with his encouragement she keep looking, and so giddy when she actually finds them, they’re both equally to blame for Pierce almost catching them. (It’s very hard for a pair of excited 21 year olds to keep their voices down) He sends her to make contact with these light-leaning Sith and paces his cabin in antsy, impatient circles until she gets back.

Thanks to their Force bond, Tragen can tell even before Jaesa boards the Dawn that something’s wrong. When she tells him how badly her attempt went, the first words out of his mouth are reassuring her this wasn’t her fault. She tried, and no matter the outcome, that was the right thing to do. (He does hug her, even if it’s risky, just for a moment. She’s his friend and she’s hurting, he doesn’t care if it raises suspicions)

(side note: this is where the first seeds of Jaesa falling for him are planted, when her feelings matter more than her failure, even if she doesn’t realize it until years later)

Disappointed as they might be by this setback, there’s not much they can do about it(both somehow find solace in the stars, though neither mentions it), so they soldier on. Both improve in combat prowess, Jaesa’s strength with her power grows, they become uncannily good at working as a team. (this is part experience and part Force bond--Tragen might barely be decent at most Force stuff, but he and Jaesa bond STRONG)

It’s almost a relief when Baras tries to kill him. He can stop even pretending loyalty. Though he does find it deeply ironic the Emperor’s Hand reaches out to recruit as Wrath someone so diametrically opposed to Sith values. He shares Jaesa’s excitement for potential influence he can wield, being so high-ranked and even less subject to oversight bc who’s gonna be brave enough to question the Emperor’s Wrath? Between that and Lord Emmoridg reaching out to Jaesa, Tragen’s actually feeling good about their chances at reforming the Empire. It turns out a bit more complicated than he’s anticipating--while there’s less oversight, there’s also a stricter and more definite set of expectations placed on the Emperor’s Wrath than on a run of the mill Lord. Expectations that are harder to look like he’s fulfilling while actually subverting.

Belsavis, for example. Tragen has no problem or qualms about killing Ekkage. And he knows Jaesa’s not going to tell anyone how readily he partnered with a Jedi(who he not only let live, but parted on good terms with) to achieve his goals. But he didn’t kill Col. Trill for not helping him, and he lets Lord Melicost walk away, and he has no guarantee those actions won’t raise eyebrows. Sure he can argue he doesn’t want to weaken the Empire/Sith in their war with the Republic, but a) it doesn’t stop other Sith and b) he has a history of being less brutal than a Sith should. With being Wrath now, Tragen’s starting to really stress over the balance and his facade is straining him to the breaking point.

The stars remain a huge comfort to him. He spends a lot on his time on the ship just sitting in his cabin and staring out the viewport(he calls it meditating if anyone other than Jaesa asks). The stars are still there, still the same. The constellations and which ones he can see might be different depending on where in the galaxy he is, but even when he can’t see them, he knows they’re still there. Still magnificent and beautiful no matter what happens. That thought is one of the few things that keeps him going strong.

Another is his friends. Tragen is all too happy to help Vette find her family(it makes him miss his even more) and backs her up in her reluctance to seek revenge for her mother’s death. The two of them are pretty close, and Vette always manages to make him smile, so helping her is no trouble at all. There are times Tragen wonders if she suspects how truly un-Sithy he is, but he can never quite bring himself to admit it to her for sure. That mask is such habit, it stays on around everyone.

Except Jaesa. Even if their Force Bond and her power didn’t make hiding things an exercise in futility, they’re a team and Tragen a) trusts her and b) is eternally grateful to have someone he can be himself around. Completely himself. And he feels like no matter how daunting this goal of reforming the entire Empire is, with her as his partner it’s possible. Jaesa found the light-leaning Sith, Jaesa reached out to them. Despite the initial disaster, she’s the one Lord Emmoridg reaches out to and she’s the one who keeps in touch with him.

Tragen is feeling very good about about their goals and actually starting to hope he won’t have to hide forever when they learn about Cendence. Jaesa is so distraught when relaying her encounter with the tortured and dying apprentice, Tragen shuts and locks the door under the pretense of meditating so he can comfort her without being disturbed. Knowing there’s a Sith out there hunting down ‘their kind’ is more than a little troubling(terrifying is the word he would use), but Tragen’s too busy with the Hand’s assignments to do anything about it, so he entrusts this foe to Jaesa. He knows she can handle it. She a gifted Force-user, skilled saberist, and stronger than she realizes. He’s so proud of her when she goes face to face with Cendence and beats him bc he knew she could do it.

Regarding the Quincident--bc how do you meta a Sith Warrior without touching on the Quincident?--Tragen of course forgives him. Has to dress it in the usual ‘Your life is mine now’ rhetoric, but he’s secretly amused at the irony. Baras is the Proper Sith(TM) between the two of them, is more in line with Sith values and would technically be the right choice by that metric. Tragen’s just more powerful--even if it’s still more combat skill instead of the Force. (He’s better with the Force than he used to be, but still largely relies on lightsabers. He’s more comfortable with blades)

After defeating Baras(which is a relief) and being confirmed as Wrath by the Dark Council(which is stressful af), Tragen takes a long time wrestling with how to balance his goals and his new position. Yes, he has more influence, but people will also be more wary/skeptical that the EMPEROR’S WRATH is light-leaning and trying to change things,and he’s pretty sure the more times he’s merciful, the more questions will be raised. If he and Jaesa thought what Emmoridg is doing is dangerous, training LS Sith right under the Council’s nose, this is.... too perilous for words. He actually talks to the Emperor. Tragen interacts with Vitiate; pure, remorseless evil and incredibly powerful, who he’s actively working to undermine. It makes the next few years extremely harrowing, but at least things are never boring(and most of his orders--what few there are--come through the Hand, so he doesn’t talk to Vitiate MUCH). The only thing that keeps all his plans from crashing down and totally wasting the years of wearing his mask, is that the Wrath is allowed to maintain autonomy rather than being bound to Vitiate’s will via dark side rituals. That would have led to his discovery and torture/execution, Tragen is 100% sure. Even as things stand he has to be incredibly careful.

It helps him immensely that Jaesa’s sticking around; both for her help with their goals and just bc Tragen values her as a partner. He admires her growth and resilience, she admires his bravery and sacrifice(both admire the other’s inner strength), they work fantastically well as a team--by the SoR prelude they can practically read each other’s minds, and his future plans rely heavily on her being there. Which she’s all too happy to do.

(both of them are halfway in love at this point and both are completely oblivious to it. There’s no pining--yet--bc neither has a clue the true nature of their feelings-- largely bc they both come from planets where marriages are usually for politics over love, and then their respective orders; the Sith encourage lust, not love, and the Jedi ofc with their acting like Love Is Bad Bc Attachments)

I’m toying with headcanon-ing that Tragen’s acquaintance with Lana and Theron starts with the Depths of Manaan flashpoint, bc I’m verrryyyy conflicted about him doing Attack on Tython. It feels OOC for him(I played him through it, but it didn’t sit right >.>).Whatever I do there, his familiarity with Vitiate’s nature makes him all the more frantic to stop Revan bc seriously, man, you don’t know what you’re doing, this is going to end so very VERY badly. He is, of course, right, and he hates it.The disgust he’s always felt for Vitiate multiplies exponentially at the end, when Mr. Embodiment of Pure Evil and Dickishness escapes and promises to consume his Wrath last since Tragen’s “special” to him(which makes his skin crawl; he doesn’t want to be valued by something so evil). And like all my Force-users, Ziost hits him really hard. He’s more familiar with how evil Vitiate is, so on that score he’s braced himself. But even with his mediocre Force connection, all of that terror and death so fast hits him hard--though not as hard as it hits Jaesa. She goes catatonic for a little bit, which scares Tragen half to death. It’s only about 5-10 minutes, but he recovered in under a minute, so it still feels like an eternity. And she’s quiet and closed off the rest of the day.

The one good thing to come out of SoR-RotE (aside from new friends), is Tragen can now openly, full-throttle oppose Vitiate and it’s okay. More than okay, Darth Marr himself approves. And being the Empire’s Wrath instead of the Emperor’s has him back with the increased leeway to do his own thing which makes it possible to work(still subtly) toward reforming the Empire. And he’s more sure they need it than ever now; with Vitiate out there as a threat, he’s pretty sure the Empire and Republic will have to ally again to deal with him. That’ll be much easier to do it they aren’t so wildly different. His progress may be measured in inches, but he has time; he’s not going anywhere.

Or so he thinks.

(KotFE onward coming soon in a separate post)

#queen in space #tragen xo'ric #wow that's a lot #tolja i have many MANY feelings about my boy here #otp: my north star

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zenosanalytic · 6 years ago

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4/20/19 HSE 8

Ok back at it

MEAT 15

Cool Fight; Not terribly surprising.

MEAT 16

Dirk’s as much Rose’s father as Rose is his Mother. I guess maybe it’s more convenient, psychologically, to choose a causative direction and stick with it, rather than accept the Mobial nature of their genesis, but for some reason it bugs me this keeps getting overlooked.

Dirk’s over here talking about how right he is all the time and I dont think he was ever right about anything even once in canon(aside from certain aspects of his talk with Dave, and choosing not to kill Hal) XD The only “plan” of his to work was the one re: entering the Session, and 1)he outsourced it to Hal and 2)it only worked because he managed to improvise his way through every aspect of it failing to go the way he thought it would, and even that probably had more to do with their entry being part of HiC’s plan to use them, so she wasn’t trying to wipe them.

Another Thing: I dont think the Ascent Differential is Aspect so much as Personality.

Another Another Thing: That Rose, when discussing her life-long fear of knowledge as a corrupting and ruining outside force(this being a person who always felt her mother wasn’t her mother, in some sense, and responded to that fear by rejecting emotional intimacy with said mother), doesnt see the connection between that life-long fear and her fear that Ascending will be bad, damaging, and corrupting, is Notable. Perspective continues to be important, and lack of self-awareness continues to hamstring ppl in this narrative.

MEAT 17

I feel like this new narrative belligerence on Dirk’s part isn’t going to work out too well for him with a person as aware and recalcitrant to narrative meddling as John. It’s going to be John and WV all over again. This is also a wonderful example of how personal flaw and specificity isn’t solved by Godhood in HS, and can really trip you up; basically all of this, including the “impotence” applies to Dirk, too, when others disagree with the direction he’s trying to push them in, and this whole rant may be meant, ironically, as an example of dramatic irony: basically, that Dirk’s rant about total control and knowledge reveals the limits of his knowledge and will be followed by examples of how limited his control is, which he can’t be aware of, but which the “impotent” audience will.

MEAT 18

...And, almost immediately, John’s objecting to the narration and doing things before Dirk “writes” him doing them(the sigh).

MEAT 19

“So yeah, I’m gonna allow it” Notice how he asserts power over situations he does not, in fact, have power over.

Which is kind of an interesting dynamic to bring up in the context of authorship? I mean: in the realm of nonfictional works an author can’t “make” things happen, only alter for their audience what DID happen. In some respect this is being written as equivalent to that dynamic; the simple admission in M17 that Dirk is misrepresenting events also admits those events happened another way than he’d prefer, meaning it’s also an admission of his lack of power over actual events. And, of course, all the other things I’ve been talking about, and the fact that everyone’s “character” is rooted in natures established in the original work. But in a fictional work an author’s creative power is absolute, and this is a fictional work; though I suppose a derivative or transformational one, which accounts for the shortfall. Another interesting aspect of this is that the “Author” is presented as a Narrator; Narrators merely describe what happened, they don’t create it. I was going somewhere more concrete with this but it popped out of my head >:T >:T

Ok so other aspects of this: I agree that Jane’s been established as a pretty ambitious person, but she was also always a pretty moral person and the way she’s going about this so far doesn’t seem to be in keeping with that part of herself. And also: she literally wants to create shortages, and thus the suffering shortages will cause, for... what? Nostalgia? Because she think she can run Capitalism better than the adults from before all this?? Because Hierarchy is Neat??? Seems like a whole handful of really petty, selfish, and juvenile reasons to me. Also one guaranteed to cause social conflict; I doubt a civ that’s never known material want is going to react too well to sudden starvation and financially-manufactured forced-labor(which, lbr, is what most work in our world is).

Obvsl, as a snake and member of the storied gens Atheris, I agree with Roxy&Calli that patriarchal human concepts of gender are not the end-all-be-all of identity, but what really jumps out to me here is Roxy’s description of the nature of their love for, and previous sexual interest in, Dirk which I find really True. Like: the sentiment of wanting to see children of a person because you really like that person and think they should continue, or of thinking having the kids you might have with another person would be pretty interesting. Also that loneliness is a hell of a drug 8T

I’m trying to figure out why this conversation would be circumstantially simultaneous with The Furthest Ring being “destroyed”, but I got Nothing :T :T :T

MEAT 20

So yeah, Jade’s merging with her Alt!Selves, not too surprising since it was heavily foreshadowed in Endgame.

Given that Sessions are located IN the Furthest Ring, and Sessions MAKE new multiverses, I find it being made out of “negative potential. The absence of a future” pretty ironic :p I wonder if the tentacle hair bit is a nod towards the Horror-Terrors, and theories about them being Players? Rose and Dirk’s view of Ascension would seem to suggest HTs might be SUCCESSFUL players who eventually abandoned their universes out of fear of the damage they’d do misusing their godhood(as it doesnt solve your personal problems), rather than the old HC of them being failed Players.

MEAT 21

My theory about “The Economy” being code for sex doesn’t stop feeling ever more confirmed by this narrative :|

Dirk’s anger at the idea of anyone not thinking he’s right about everything is Palpable on this page. Also I’d just like to note that This:

Is being said by a person currently in the middle of metaphysically manipulating a friends towards her worst impulses(and also potentially some amounts of self-hatred, give her thoughts re: femininity) for the sake of establishing a dictatorship through which she, as his agency-dimmed puppet, will enforce his personal politico-philosophical preferences regardless of what anyone else thinks and he’s saying it about people who just said This:

which is to say: a bunch of political pluralists who are NOT seeking to impose their morality on anyone but rather to establish a system where EVERYONE can SHARE their moral understanding of policy issues and come to a consensus decision on them, within the context of a political society DEFINED by the equality of all as political actors. There’s just so much that’s wrong, weak, and easily dismissable about Dirk’s argument here. Not to mention his obvs, undisguised, physical disgust for trolls >:T

And he’s doing all this Purely because, given his fixation on “Winning”, he wants to Win. Like: he’s not actually even pursuing what he considered good policy; he is, literally, doing this all for Pure Ego, which he has the gall(and lack of self-awareness) to accuse others of acting from. And this self-deluding buffoon is a person who believes himself “Ascended” and therefore possessed of a “higher” and “clearer” perspective on matters above their “petty” concerns about, oh non-humans being allowed to live as they like, or practice any political agency at all, and all ppls being spared unnecessary and pointless suffering due to entirely manufactured shortages. So much (real, actual)Irony, of so many types, in all of this, all at once.

An aside: I am really liking the political-mindedness of these Epilogues so far; really playing to my Interests uwu

The bit about Hybrid babs and shipnames is funny, and it doesn’t read like a shot at the fandom to me at all; it’s more a joke at Dave’s expense given the obvs distress Kanaya’s in and his inability to stop making the situation more awkward(itself prob the result of Bro’s neglect/abuse)

Oh hey look: it’s Dirk the “Omniscient” being distracted, caught unawares and off-guard by the actions of others, unable to handle the role&work he’s chosen for himself(ie “out of his depth”), unable to split his attention between even just two conscious ppl at once, and not knowing what others are thinking. Given this and his handling of Jade’s thoughts in the last section, I kinda feel like it’s less he can actually sense the thoughts of others, and more that he gets some kind of inkling or hunch, or maybe that’s it’s purely just him guessing(that’d fit real well with his comments on Roxy being “inscrutable” to him), or even just having an awareness of the plot he is narrating(and thinks he’s writing). Of course it could also be some kind of Heart thing; not really even access to their thoughts at all, but a sort of awareness of their Agency? Like: Heart is The Self and The Self is expressed through Agency, so he has, in some way, developed an awareness of “Self-Action”, which is to say, Agency? Kinda like how Dave “feels” Time and Jade “feels” Space and Rose “feels” Relevance. Which, just as an asnide, would be something super-basic powers-dev wise, since Dave started having a sense of Time way back in the early Acts, long before godhood. Though I can see how Dirk developing an awareness of OTHERS intentions(and feelings, potentially, given Heart’s other associations) would seem like a big step for him, given how self-absorbed he is.

Ok that’s it for this one I think. I know I’m not being terribly kind to Dirk in all this but, tbf, he’s being kind of a huge snide Dick in basically every respect, and I also don’t have a lot of Chill in me when it comes to 1)arrogant people or 2)manipulators (:T

#Homestuck #HS Epilogue #Homestuck Spoilers #zA Opinions #analytic posts

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calliecat93 · 7 years ago

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RWBY V6 CH6 Review: Alone in the Woods

Have you ever felt terrified of an episode? Well, that’s a silly question! We’re watching RWBY! Of course we have! But man this may be the most worried about what’s going to happen that I’ve been for a long while. I could say that about the whole volume so far tbf, but MAN have been concerned. So after the outright uncomfortable atmosphere that the last episode presented, what does this one have in store for us? Lets find out.

Overview

Night has come, and our heroes aren't doing great. WBY looks outright ready to pass out as they sit infront of the fire as Ruby checks in on Qrow, whose mood is no better. The good news is that the storm is clearing up and all should be clear by morning. Ruby however is more concerned about if Qrow is doing okay, especially since she sees that he's found a bottle of alcohol. But Qrow shrugs it off, telling her to get everyone to sleep and that he'll wake them up in the morning. During this, Maria is reading the owners journals and as with all the other places, the Brunswick Farm owners were people trying to make a life for themselves, but they didn't make it. Everyone goes to bed... well except Maria who refuses to follow Qrow's orders. Maria is such a blessing.

Morning soon arrives, Ruby being awakened when she hears a bottle that Qrow had shatter. She realizes that they overslept and goes to get up her uncle... who now has a couple more bottles than eh previously had. She isn't happy about this. She looks outright... frustrated tbh. She can't shake him awake so, clearly mad, she simply tosses a bottle at the wall and that wakes Qrow up. It's... an interesting reaction. IDK any alcoholics or had family or friends who became alcoholics, an Thank God for it. But this felt... real. Lie this is how it is when someone you care about is too deep in their alcoholism. Ruby's clearly seen this before, as V5 also hinted. Only this time instead of being annoyed,s he's frustrated and tired of it. But as Qrow comes to, she calms down and hugs him, telling him that he can talk to her or Yang if anything is wrong. Qrow again just brushes it off, wanting to get out of the place. It's such a small, but impactful scene that really amps up the concern for Qrow.

The group gets ready to connect the wagon (I know there's a name for those things but I can't thin of it) to Yang's bike and get out, though all of them are clearly tired. It's not made any better when Qrow's bad luck hits and causes a flat tire. This seems to be the last straw for him as he goes off in a huff. Ruby seems to be the only one not delirious aside form Maria, saying that they can find a spare. But Yang isn't keen on it, pointing out their bad luck. Crashes, storms, monsters, it just looks like something doesn't want them to get to Atlas. It feels like no matter what, they always have to fight in order to pull through. When Ruby says that this is what they signed up for, Oscar makes a very strong point. They signed up to save the world, not to delay the inevitable.

Weiss brings back up the point that she brought up last time, why are they even going to Atlas? Ruby is again shocked that this is even a consideration, but Yang and Blake agree. The Relics may be in vaults currently, so why not just leave the lamp where they are? It could take her who knows how long ti find it if they just drop it down the well. I'd argue that since the Grimm re attracted to them, it wouldn't be too long, but then again she hasn't found the Beacon Relic, so... and even then,t hat's not the point. It's pretty clear that all that the others want to do is just give up on this whole thing and be done with it. Their eyes are lifeless. Their talk is in complete monotone. They look outright lifeless as they tell Ruby to just drop the Relic, all of them tired...

Throughout this, Ruby just looks outright horrified at what she's hearing... but soon she starts to think about this. She walks towards the well, also admitting that she herself is also tired. She takes off the Relic, holding it above the well with trembling hands. Her eyes too look lifeless and her expression emotionless... before she lets out a sigh. She slowly pulls back her hand, seeming to decide that no matter how tired she is, she can't just abandon the Relic until it's safe in Atlas. Unfortunately, she gets startled by a pair of glowing red eyes and that is enough to snap her out of her tired state... but also drop the Relic. She panics, even as the others say that it's fine and that her exhaustion is making her see things. Qrow starts to have Oscar work to fix the tire, but Ruby finally realizes that something is wrong and puts her foot down. She angrily refuses to go anywhere without the Relic. The girls, while still emotionless, agree to go down with her as Qrow angrily goes back into the house, ordering Oscar to fix the tire.

As the girls go through the caverns below, Maria continues to read through the journals. As she reads on, there is clear tension as the girls turn off their Scroll lights to find the lamp glow. Ruby outright even gets Crescent Rose out. SH finally finds the glow of the lamp and runs to grab it... as Maria stumbles upon a page titled The Apathy. One that clearly startles her. Why? Well when Ruby gets the Relic, she also finds the source of the glowing eyes... a horde of Grimm. But not like an that we've seen before. These look humanoid, kinda like the rider part of the Nuckalavee, and... it is creepy. Really, REALLY creepy. Ruby screams as she runs out, which snaps the other three out of their trances. Thy get ready to fight... but their weapons suddenly feel heavy and they once again start feeling tired.

Maria appears, telling them that they have to run. They do so, The Apathy giving chase. They are slow, heck it feels a LOT like a zombie horde. Considering their skeleton-like designs, I imagine that it was intentional. It doesn't help that throughout, all the girls keep feeling the same exhausted feeling. They finally make it into the same cellar that was locked before, but the feeling finally get the better of them. Only Ruby and Maria seem to have any kind of will left and worst, Blake is the farthest back and seems to resign herself to being killed as the Grimm close in. Ruby tries to crawl over to her, and the scene is just... creepy. In her state, Blake already looks lie she's dead. Motionless, wide but empty eyed, her weapon discarded as the horde start to close in on her. Poor Ruby can't get over to her and the others are in no state to help, so all that she can do is scream out Blake's name... and that is enough to activate her eyes for a brief moment. It kills a couple of the Grimm and again breaks everyone out of their daze. Ruby gets Blake and all that they have to do now is get out.

Unfortunately if you recall, the cellar is locked. Yang gets ready to go and break it open... but The Apathy still has plenty of numbers as they again cast their spell. Everyone but Maria goes down, Yang outright panicking ad she screams no while just steps away from the door. But Maria seems to realize something as she crawls over to Ruby. She asks her what her eye color is, to which Ruby replies silver. This makes Maria outright happy as she asks Ruby if she has a family and loved ones. Why? She tells her to focus on the way that they make her feel To focus those feelings as she speaks of how life is a beautiful thing. How life is precious. And how it must be protected. With all of that in mind, Ruby regains her resolve, her eyes flashing. She gets back up and this time, without and provicaiton from trauma or fear, unleashes her Silver Eyes power.

The eyes kill the Grimm, allowing everyone to regain their will. Yang breaks open the door and they all find themselves in the bar where Qrow unsurprisingly is. He's clearly drunken himself into a stupor however, grouchy and seeming detached form everything going on. The objective now is to get out of there as Maria, Yang, ad Blake run outside to where Oscar has fixed the tire. But Weiss isn't ready to go yet. She grabs several alcohol bottles and shatter them at the cellar door. The Apathy start to emerge... and Weiss sets everything ablaze. She and Ruby drag Qrow out, who argues and fights back... until he finally sees the burning Grimm. He's shocked into silence seeming to realize how badly he let himself go, as everyone loads up. Yang drives them all away form the Farm, which continues to burn...

Maria reveals what caused the farms downfall. They came upon financial hardships so hoping to save costs on hiring a Huntsman, the owner went and captured two of The Apathy. He locked them into the cellar, hoping that their influence would keep everyone calm and therefore the negative emotions wouldn't draw any further Grimm in. No Grimm, no Huntsmen needed. But unfortunately, the rest of the horde seeked out their own and their presence soon sucked out all of the residents wills to live. Maria just seems sad as she realizes all of this, throwing the book into the snow. Weiss and Yang apologize for how they acted, resolving to not give up until the Relic is safe in Atlas. Maria feels guilty for not realizing what was happening sooner having never seen a settlement die like Brunswick did.

Ruby however has her own questions. She realizes that Maria knows quite a lot about the Grimm an asks how. But that's not all. She remembers how Maria knew exactly what to do in order to get Ruby to release her eyes power. That's right guys, Ruby is finally asking about the Silver Eyes. She ass how Maria knew about this. Maria answers her question, and he gives the answer that we had all been waiting for since this volume began. Yes my friends, our assumptions have finally been confirmed. Maria was indeed a Silver Eyed Warrior.

Review

Damn man, just... DAMN. Okay, we have quite a bit to talk about. So lets keep the scary part out of the way, and then we'll get to the part I REALLY want to talk about.

This episode didn't go the route that I was expecting. I thought that it was going to be some kind of dream Grimm or a Headless Horseman Grimm. I did NOT expect Zombie Horde Grimm. I also thought that this would be some kind of nightmare episode, but nope! And I'm not complaining, in hindsight that would require a LOOOT of time. Having the cast give into apathy and slowly lose their resolve to continue the fight And even the will to live? That is more horrifying then any nightmare could be, especially since none of them even seed aware of it until Ruby snapped out of it. The Apathy may very well be the most terrifying Grimm in the show, They aren't as vicious as say a Beowulf or Ursa, or even as powerful. But they kill you by simply draining your will power, and as this episode demonstrated, that is more lethal than any Grimm attack so far could ever be.

Because of the apathy, the darkest thoughts of the cast really come out. Qrow becomes more drunk than usual and as I already said, it's pretty uncomfortable and realistic. Especially at the end where he's just full out angry and detached, getting angry at Weiss when she breaks the bottles. The look of horror on his face when he finally sees the Grimm and realizes just how badly he let himself slip is... it's shocking. Yang wants to outright quit after all their bad luck and the recent revelations. Weiss gets the idea in everyone's heads after thinking about it last chapter, and this time doesn't snap out of it. Oscar points out that all that they are doing is delaying their inevitable demise since Salem can't die. Everyone is questioning why they should continue the fight at this rate. Even Ruby even if just briefly, gives in and nearly discards the Relic, showing that even she has her limits.

The entire episode is very creepy and outright depressing. The girls emotionless eyes did NOT help. There was no life int hem, or even in their voices. There was just... nothing. They all almost died because of the Grimm making them not care anymore. And all of this happened because one guy wanted to save money. IDK if he did it out of desperation, greed or both but because of it, everyone died. It's a pitiful situation regardless of the motive. I felt like Maria did, just exasperated. It really further demonstrates how hopeless it seems to be for those outside the Kingdoms. Like what we saw with the girls? Imagine that with a small group of people. Imagine that with a whole city. It's a terrifying. Apathy can be a very dangerous thing, for both those who receive it and those who feel it. IDK if I can ever watch RvB, a show that has tons of it, the same way again... God probably none of them would survive The Apathy... well maybe Caboose would. Grif would be a goner though, although maybe already being apathetic would make him immune or... and I'm getting off track XD Sorry!

So yeah creepy as Hell. The atmosphere and acing were just right. It still had some light moments, like Maria refusing to go to bed and both Blake and Oscar being too tired to make food despite wanting it. That is such a mood. But overall the atmosphere was an uncomfortable as last week, only with plenty of fear for our heroes lives sprinkled in. Very, very well done.

But lets get to the real star of this episode: Ruby. In the past, I expressed how I felt that she got the shaft VERY badly in V5. Clearly, CRWBY is fixing that. Throughout these past six chapters, Ruby has been such an amazing character. Still optimistic and good-intention but she's showing much more of her development and growth. She's stepped up as a leader and is keeping alert. She's questioning things and thinking for herself, but still doing her best to take care of her team. She's frustrated at Qrow and upset about the revelations about Ozpin, but she's not letting them control her. She's outright trying her best to get Qrow to open up infact. She's the only one who gave a damn about Oscar and tried to comfort him, even if Qrow shot her efforts down. And in this episode? Despite The Apathy's effects on her, she refuses to give up. Even as she holds the Relic over the well, her hands are trembling in doubt. She was pulling it away from the well, deciding to keep fighting and go to Atlas because it is the right thing to do. But she also put her foot down, showing frustration with Qrow and REFUSING to leave without the Relic despite everyone around her not caring.

Then we have the climax. First, her attempt to save Blake. Weiss and Yang seem to just give up and even Blake resigns herself to death. But Ruby, despite being weighed down, still tries her damnest to save her teammate. And then when she herself is finally brought down, Maria is able to give her the exact encouragement that she needed. Maria got her to think about the happiness and love that her family and friends give her. That life is a precious, beautiful thing. She signed up for this to save lives and make the world better in any way that she can. That is what motivates her. That is why she is where she is. And it is what gave her the strength to break free and use her powers of her own will. And finally at the end, she FINALLY asks about the eyes. Sure it's not to Ozpin, but it IS to someone who clearly knows and can give her at least some kind of answer.

Maria s exactly the kind of character that Ruby NEEDS to help her along. Maria is a sassy old lady, but also wise, knowledgeable, and also seems to care about saving other lives. She seemed just sad when reading about what happened to the farm. Infact that was where her focus was, finding out what happened that cost so many their lives. It seems like, to me, the Silver Eye powers are fulled by the desire to protect and live. It is fulled by positive emotions, which make sense since the Grimm are fueled by negative emotion. It's hwy Maria got on the girls in Chapter for spewing negativity, It's why she's been so far overall very positive, even though clearly SOMETHING happened that cost her her eyes. She is the wise, but kindly person that Ruby currently needs. Ozpin's shadiness and current broken state can't do that right now. Maria is such a welcome addition to the cast, and so far her inclusion has been so good and looks to be leading to even greater things. I frekain' love her.

Going back to Ruby though.. this is what I have been wanting form her since Volume 3. It feels like the multiple timelines and other characters needing the focus is why Ruby got shafted so badly. There was clearly so much going on that something had to be put on pause, and Ruby ended up being the one to get it. This has everything that I have been wanting to see from her. Her growth as a leader, her encouraging nature in spite of all the bad luck, her questioning things and showing some semblance of frustration and anger, her learning about the Silver Eyes. This is the Ruby Rose that I have been waiting for. I've been incredibly patient with CRWBY getting to this, and it is FINALLY paying off. You guys have no idea how happy I was when Ruby willingly used the eyes. How she refused to give up despite everything and everyone around her trying to provoke her. How she is still resolved to do good no matter what. I'm still hoping for her to open up more about her more negative feelings and have a breakdown so that she can move forward, but right now? This is very much the right direction for her, and I could not be happier about my favorite character right now.

Final Thoughts

This volume continues to give. This chapter was creepy and unsettling, but also tense and impactful. It had an awesome if horrifying Grimm concept that is going to haunt my nightmares. It had one Hell of an end and let us see the true dark feelings of most of the characters. It did wonders for Maria as well. Ut this chapter was especially great because of Ruby. She is truly showing the inspiring figure that she is meant to be as she continues to step up as a leader and try to do what's right. I feel like the missteps with her in V5 have now been amended, and hopefully we'll see things continue to go uphill as we reach the halfway mark. Awesome chapter and I loved every single second of it! Well done CRWBY!

#rwby #rwby6 #rwby reviews #callie reviews

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moonaft · 7 years ago

Text

The Winter Long - Reread

Rosemary and Rue

A Local Habitation

An Artificial Night

Late Eclipses

One Salt Sea

Ashes of Honor

Chimes At Midnight

Interlude : Full of Briers

As always, spoilers up to The Brightest Fell and October 2018 for the Patreon stories. No spoilers for Night and Silence, and at this point I think I’ll have finished the entire reread by the time I get my copy. Which is just as well.

First off, ‘the winter long’ is one line after ‘rosemary and rue’. Is the final book going to be ‘Grace and Remembrance’?

I really like TWL. This was a good book, filled with shifting allies and cameos by my favorite people. It’s probably my favorite after The Brightest Fell and not just because of Simon.

I am going to ignore the fact that the knowe is called ‘Muir Woods’ even before it was named that in 1908. Maybe? Maybe Arden took up the name really quickly. I can’t find a mention of it by name in Patrick’s first short story and I can’t dig up “In Little Stars” right now to check if it was called Muir Woods back then. Patreon’s search sucks.

Onto the ball! A good ball, in which no one gets poisoned or nearly assassinated and Toby doesn’t commit murder. Yeah, if I was her I also wouldn’t want to go to fancy balls. She takes after Sylvester in that regard.

Speaking of, hi Sylvester! Hi Li Quin!

Arden has social anxiety and needs more friends than Madden. I am surprised no noble Daoine Sidhe have come a-courting. At least she’ll get Walther and Cassandra to take jobs at court soon.

I love Arden subtly copying Quentin in table manners.

Are Raven-maids and -men the opposite of Selkies, born birds and need the feathers to transform? Jazz takes off her band to turn into a raven. Amandine doesn’t, but presumably her magic can force the transformation regardless. Though Amandine does imply that destroying the band will keep her as a human.

Yes, it’s time to put everyone to bed. Meanwhile, Toby gets to pull some all nighters.

Hello, Simon.

I love how no one has questioned where he was since Late Eclipses, and that only as a brief mention. He’s the tragic backstory, not meant to show up in the present. Oleander was that too, but now she’s dead and can’t hurt anyone anymore.

Yeah, she was really not expecting that. Why is it that the bad things only happen to Toby during the books? From the plot summaries, the time between the books is the only time she gets to relax.

Yes, that’s not Sylvester.

It’s sad how much Toby has internalized him as her personal boogeyman. Dugan, Riordan, Samson, the false Queen could all be fought. It wasn’t easy by any means, but here Toby’s given up without a fight which just doesn’t happen. She’s already determined this is a fight she can’t win.

I love that the first thing Simon does is praise her. He genuinely does not mean her ill-will.

So Simon has not seen Evening in years prior to TWL and did come to warn Toby about it. Or, turn her into a tree for a hundred years, but to him, that is helping. Evening didn’t send him so he must have gotten word somehow that she was returning. Where was he all those years?

Hello Jazz, you have great timing. Sorry that you are once again attacked in your own home.

Simon didn’t come in limping – Toby turning his spell back against him must have hurt him badly.

Why exactly does Simon have so many transformation spells? Is this his own flower-based transformation or something he got from Evening? It could be his own – he once transformed Patrick’s suit into something more modern and there’s no indication that eventually failed. And why fish? Could he have transformed Patrick into a fish so he and Dianda could spend time together in the Undersea without breathing spells? That would be so cute.

Good job on using your cats to warn Tybalt.

I think even May gets over her feelings by the time of TBF, or at least, she’s willing to let him try so they can save Jazz.

All in all, Simon’s going to get what he wants by the end of this book, namely, Toby’s safety. Sure, he’s elf-shot but so’s Evening. It’s TBF where he’s going to get his ass kicked repeatedly.

Same, Quentin – I too have an endless supply of songs about boats. Five bucks says you’re singing “The Mary Ellen Carter”.

Tybalt probably would still shred Simon to pieces given the change but he’s out of the picture for all of TBF.

Why do you think you can predict what Simon’s going to do, Toby? You know literally nothing about his objectives. He’s also willing to answer what he can of your questions and tell you things without being asked.

The knowe is willing to let Toby through, and she is family. Would the knowe have let Simon through because he helped build it? What about August?

Way to mess it up, Sylvester. You definitely should have told Toby about Simon before you sent her after him. But that’s in the past and doesn’t matter, does it, Sylvester? Just like September, just like August. It can’t hurt you anymore, right?

I do believe the twins were close once, and by 1840 that’s no longer the case, but it doesn’t matter until 1906. You didn’t help enough to find August, or you encouraged her too much, it doesn’t matter. Simon wanted you to hurt the way he hurt, and if you can’t see that, you have forgotten too much.

Yeah, I can’t imagine Simon hurting Amandine unless it was in direct defense of August or Toby. Sylvester, you should know Amandine’s not going to let him back into her life without August present. You should know this, why don’t you know this?

Tybalt, you told them to run, that is not the Torquills’ fault. Hey, remember that decree that says if you want to marry one of the three, that one can’t refuse?

“I need you to live long enough to be cannon fodder when Simon decides to attack.” Quentin loves you too, Toby.

You are missing a vital, vital piece of why Simon was running around with Oleander. He’s not doing it for shits and giggles, Toby.

Poor Luidaeg. It sucks having the answers and not being able to tell them. Toby’s doing better on the questions this time around.

“At least we know that Simon won’t be able to come after us there.” One small problem with that, Toby.

Does each Library have its own library card, or is it an all access pass?

Mags definitely wanted Toby to show up after Simon left. Whoops. And Toby, you still owe her your mother’s history.

Hi again, Simon. Maybe this time you can actually talk?

Yeah, the arrangement with Oleander is definitely non-con. Everyone is glad she’s dead except probably Evening.

Simon has three modes in this book: what he thinks will help Toby, what Toby thinks is helpful, and what he does as a servant of Evening. This is the middle interaction – useful information, no one is transformed or hurt.

Toby, remember you still owe Mags info on your mom.

Amandine definitely ruined your life, Toby, even if you don’t want to admit it.

Good job on raising the dead, Toby.

I guess Evening is a vampire? There’s at least one Snow White legend like that.

“Your lover was a Selkie; he told me quite a bit after he died.” How- What- Did the Luidaeg summon the night haunts to talk to Connor?

How long had Simon been sitting on Toby’s doorstep? He must have gotten straight to Shadowed Hills to get the roses and then back to her place. To the rose gardens at least, he couldn’t have gotten into the halls themselves.

This is the other thing – Toby stops again to ask her personal boogeyman for help. She trusts him enough to do that, which is something we don’t see anywhere else in the series. To be fair, Simon does keep insisting that he’s there to help, which is something no other villain does.

And Simon’s convinced she’s going to die.

May’s benched again, which is a recurring theme that she specifically acknowledges. Let this girl have a field trip with Toby.

Although not into the ocean because that’s where everyone ended up! Hi Dianda. Thanks for saving Toby from drowning.

I wonder what would have happened if Toby told Dianda that Simon gave her the warning. Probably nothing good – here’s yet another trusted authority figure who knew about that relationship and didn’t tell her.

Hello Evening. Hate to see you again. If only Dianda could punch you in the face.

Here her magic is roses and snow but I swear I’ve seen it described as roses and apples somewhere.

So where was she these past few years as she recovered? Does she have another knowe?

So why is Marcia not affected by Evening’s magic? Evening doesn’t recognize Marcia as anything other than changeling, I think. But Evening wouldn’t care that much. I really really want her to be Titania. Maeve would be cool too, but I want her to be Titania.

Good thing no one drowned in that little episode, including Tybalt and Quentin.

Hi Raj! Everything’s ok!

Props to Toby for being willing to burn the Library down to get it to close, and kudos to Mags for listening to her.

And Simon’s playing double agent on the phone. Toby couldn’t have gotten through this book without him.

Toby hasn’t actually slept since before the Yule ball. How many days and nights has it been since then?

So why did Evening get Quentin sent to Shadowed Hills directly after Luna and Raysel’s return? How did they break free?

Riordan was once in Alameda – how did she move down to Dreamer’s Glass?

And how did Sylvester know they were coming? Simon must have told Evening, or maybe Evening assumed Toby would show up.

Hi Etienne, Bridget and Chelsea!

Yes, leave the boys behind to play Xbox games. Good plan.

Luna does have several points about Evening, Raysel and Karen. Why, exactly, does Stacy have two Seer daughters? She is also smart enough to get her favor from Toby before telling Toby what’s going on.

Is Toby going to have to do a favor for every ally she has?

You can take the Daoine Sidhe out of the Torquill but you can’t take the fox-fur hair and golden eyes.

Poor Raysel. I hope this helps her.

Huzzah, Toby gets to sleep!

Hello again, Simon. OK, Toby doesn’t think he told Evening that she called Shadowed Hills. And he’s back at the house.

There’s something to be said for the image of Simon petting Toby’s rosebush-cat for hours.

Yes, everyone needs group therapy, which clearly doesn’t exist in Faerie.

Correction: there’s nothing in his blood now that she could change. If Toby knew enough to look, could she tell immediately? Maida told Toby that she was once a changeling, and now Toby can look at Quentin and see those watermarks. She has since looked at Sylvester and Simon and been unable to tell that they had human blood once, but Toby misses a lot.

Hmm, Toby is not this… intimate with anyone else. Mind walking while riding Simon’s blood? She’s never done this with living people before. I think if he can be saved in the end, it will involve something similar.

Yep, the non-con is strong here. Simon is a fascinating villain.

So what exactly was Simon planning here? Toby is not a tree. She’s out for several hours and up again. Was Simon buying her time?

Hi Luidaeg! Glad to see you up.

Titania also sounds like a shit mother.

Septiminus was Evening’s grandson. He certainly didn’t get his coloring from her.

“Most of her children died young.” But there were enough grandchildren to establish several Daoine Sidhe lines. Aethlin and Maida aren’t closely related to the Torquills or Dugan or Rhys or Riordan.

Maeve took what vengeance she could against Titania for the Luidaeg’s binding and we don’t know what that is, yet.

Ok, yes. This is where the Luidaeg says Evening’s signatures are apples and roses. Her own magic is brackish marshes and ocean air. Toby doesn’t ask about this.

Elizabeth Ryan would probably argue that the Luidaeg stole her heart but she isn’t here right now.

I am pretty sure Evening is older than the Luidaeg, but the Luidaeg implies Maeve could have had children before her, just not through Oberon. And none of them are living now.

The Luidaeg knows who Amandine’s mother is and can’t say.

Yes Evening, we know you don’t like Dianda and Patrick’s marriage. You can shut up about it now.

Is Dawn one of the things the Luidaeg can’t talk about? She is not mentioned at all in this book, least of all by Toby.

And Simon’s under Evening’s control again. Poor Tybalt.

And Toby’s covered in her own blood again.

Dammit, Sylvester, Simon’s better at giving Toby answers than you are.

Yes, which of the Queens owned that key? And what exactly is it?

Oh you still don’t know better by now, Toby. You are still somewhat blind to what’s going on around you.

Nice job breaking Evening’s spell, Toby.

Oh Simon, you were so close.

Being stabbed with Simon’s elf-shot laced blood is enough to take out a Firstborn but somehow drinking Nolan’s blood didn’t put Toby out.

Though being asleep isn’t going to stop her…

Naww, Tybalt and Toby are cute together.

Man, I really want to see Dianda and Patrick’s reactions on learning that Evening is the Daoine Sidhe Firstborn. And why does no one seem to recall Dawn? Is there a world-wide “don’t think about it” spell? If so, who could cast it?

#october daye

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