#tarintino

[coolcollectorofobservations]

Kim Possible bout to learn some divine intervention. spent way too much time on this but had to finish it. Can't believe that movie is 30 years old. [edit] included widescreen version

[poopflinger]

Death proof is kinda one of my favorite Tarintino movies. I am not immune to a female revenge flick!

[sergeant-macho-nacho]

I just watched "Once upon a time in Hollywood" by Tarintino a few days ago.

What I noticed off the bat, since I had read "Helter Skelter", a book written by one of LAPDs investigators on the Tate-Labianca case, I noticed that Tarintino was almost parodying these "open secrets" of Hollywood.

The Child abuse, Tit for Tat, drug use and drug dealing, Violence, racism, and the over all complicity of everyone involved.

Beyond the obvious fact that Tarintino made his movie to film more foot fetish content he said that his aim was to honor Sharon Tates memory and that her family approved of the production.

Yeah I enjoyed his film, but I can't shake the idea that Tarintinos over the top sleezyness is a call out to the overall culture in California.

[virtualtyrant69]

people are too scared to admit that crosshair would be an obnoxious film bro in modern aus instead of like, some cool emo/punk guy

[beardedmrbean]

[helenabertinell1]

feel like we don’t talk about duke writing poetry enough

[icm-art]

Feb 4, 2021

I’d been listening to a lot of Logic when I drew this.

[mohammednafez]

📍My family has rights like anyone else 🙏🏼🍉

Help my family 🙏😭🍉

Between poverty and illness, the displaced children of Gaza walk barefoot on worn-out ground. Their faces reflect the suffering, yet their hearts beat with hope despite the pain.

Financial support can help them secure safe housing. Or help them cover basic living expenses.

✅️Vetted by @gazavetters , my number verified on the list is ( #201 )✅️

@wellwaterhysteria @styleatacertainage @sealsdaily

@fcbalding @girlinafairytale @loonarmuunar @kittykatninja321 @decolonisefest @liquidnight @jzixuans @haridraws @a-shade-of-blue @tarintino @amethystal @chokulit @wizarduniversity @ceruleancattail @sun-turner @el-shango-drew-and-shot @nabulsi27 @irhabiya @wellwaterhysteria

[salad-flavored-adventures]

what do you call quentin tarantino on a sunny day when he forgot his sunglasses?

squintin' tarintino

[finalpam8000]

-Beast every time him and his partners start discussing their kinks

STOP TALKING ABOUT FEET.

[theconstitutionisgayculture]

Come now, we can’t just blame Disney for the snarky asshole jokes issue. Nearly everyone in mainstream media does

I know he a kid, but Damian Wayne in recent stuff feel like the writers forget the idea he supposed to sound sophisticated as Ra’s and Talia. Where he would say “Cow feces are more useful than you.” Vs “Eat shit!”

I feel a lot of modern writers just use their friends group and what they see online. And take snarky characters like Tony stark at face value. Are these people college educated? Where the dialogue structure differences?

We can blame Disney for popularizing it (specifically we can blame Joss Whedon's Avengers and James Gunn's Guardians of the Galaxy) and taking the problem global, but you're right, it existed before the MCU was ever a thing. Mostly it seemed to come from people trying to copy Quinten Tarintino or Joss Whedon's dialogue style, which always had context surrounding it that made that kind of dialogue fit with the rest of the movie. These days, it's more common to see characters constantly undercutting their own scenes, motivations, and the plot as a whole, just to say something snarky or to wink at the audience about how silly the genre is. It's not about the characters, it's about the writer letting the reader know that they're not taking this too seriously.

Damian Wayne is a good example of writers not even trying to understand the characters they're writing. I would bet money that the evolution (or de-evolution) of his dialogue came because some writer looked at how he spoke and went "this isn't how kids talk!" without ever giving any thought to the context of why he speaks that way. That's the essence of modern writing. It's not about the characters being people. It's about the writer speaking directly to the reader.

[b33tlejules]

you never forget you are watching a quentin tarintino movie because he loves to remind you every five minutes with the sheer amount of feet and casual racism

[ridgelowis]

Twitter might be exploding like the last 50 times so time to set up shop here for a while.

Test page from my comic project Mahou Grindhouse, It's like Quentin Tarintino vs Sailor Moon I guess.

Letters by Bernardo Brice

[beardedmrbean]

So you are the one called Shaft?

Not me, that Shaft he's a bad mother (shut your mouth) But I'm just talkin bout Shaft (Then we can dig it) I honestly appreciate Tarintino doing this whole thing

Satisfying film to watch if you like to watch racists get their comeuppance, even if they're not actually racist and just playing the part.

[iseesound]

𝐈 𝐒𝐄𝐄 𝐒𝐎𝐔𝐍𝐃! 𝐑𝐚𝐝𝐢𝐨, 𝒟ℯ𝒶𝓉𝒽 𝒪𝒻 𝒜 𝒮𝓊𝓅ℯ𝓇𝓈𝓉𝒶𝓇

Aired 02.23.23

“Dedicated to America’s last platinum blonde bimbo, Jayne Mansfield.” Featuring music from Charli XCX, Rosalía, M.I.A., and more.

Listen on Spotify and Apple Music.

There's something about Jayne that called me to her story. A platinum blonde sex icon in America. From her youth she knew she was destined for stardom. Manifesting her future before the popularity of the Law of Attraction. She was seen as dumb, but was actually said to have a genius IQ. Though it's clear Jayne calculated her image, and how she was percieved. She met a terrible fate, dying in a car crash and the media spurred on a rumor she had been beheaded on impact. Though it was later proven false.

The whole premise of this weeks set, is reimagining Jayne's final car ride. An alternative plot line where she crashes the car herself. (Metaphorically speaking.) The beginning, "Cleo at Abbey Road" by Shygirl and "Interlude - The Trio" by Lana Del Rey sets the soundscape for the rest of the hour of music. In the show, I created a special version where you can hear someone getting into a car, after The Trio, starting the car, flipping through the radio stations, and "Vroom Vroom" by Charlie XCX blaring on the speakers. Signaling the beginning of the car ride.

The music throughout the car ride is a mic of female pop and hyper pop. Which I find fitting for someone like Jayne. The epitome of American femininity. Throughout you'll find music mixed with mentions and critiques of fame, femininity, and money. While also playing with the car ride concept.

"Bad Girls" - M.I.A.

"Suki suki I'm comin' in the Cherokee Gasoline There's steam on the window screen"

"Rich Girl" - Gwen Stefani

"Clean out Vivienne Westwood In my Galliano gown No, wouldn't just have one hood A Hollywood mansion if I could Please book me first-class to my fancy house in London town"

Throughout the set a lot of the music has these themes of femininity and expression. Music like "Jennifer B" by Jockstrap "Supersoaker" by Eartheater and "Mwah :3" by Dinamarca also pushes in new genres I haven't played yet. I felt that the sets I was showing were not accurate to my current music taste. Electronic, hyper pop, and experimental.

"honda" - FKA Twigs

"On the (on the) M way (yeah) Honda (Honda), rizla (ooh), baby"

"AMERICAN GURL" - Kilo Kish

"In a locked box, in a locked drawer Will I find me an American girl? American girl"

"Paparazzi" - Lady Gaga

"Garage glamorous Not sure what it means But this photo of us It don't have a price"

Rosalia sings in "Dolerme",

"Acelero pa' ve' si consigo estrellarme Quiero que lo veas y no pienses en detenerme Y así demuestras que has podido olvidarme"

"I accelerate to see if I can crash I want you to see it, don't try to stop me And so you can show me that you could forget me Or, why are you not doing your part too? Step on it and let go of the wheel"

Another hint as to what's to come at the end. I love this song, and I found it so fitting.

Jayne was married to a bodybuilder, Mickey Hargitay. They ultimately became divorced. Azeliea Banks raps in "Count Contessa",

"Muscle Mike can't protect ya"

Jayne had so much in her life. Fame, money, and men. But ultimately none of that could save her.

Restating the theme of stardom and the critique of it. "scream my name" by Fousheé is a pop punk anthem of a rich girl at the club. While "XS" by Rina Sawayama is a direct critique to excessive consumerism. (Something prevalent in fame and Hollywood).

The final two songs tell Jayne's story. Of course I could have fabricated some alternate story line where Jayne lives, like Tarintino's "Once Upon a Time.... In Hollywood". But matter cannot be created or destroyed, and sadly Jayne in the end, ends up dying. Though in this alternate timeline she had control of her death, and more importantly had control of how the media would portray her.

"The Ballad of Jayne" - L.A. Guns

"Things ain't always what they seem  What a shame, what a shame  What happened to Jayne"