#tanz der Vampire tag

[jewish-elphaba]

trick or treat <|:)

have a gay faggot vampire from the gay faggot vampire musical!

[lotterhippie]

I did this as an art study today!!!

It was my first time doing a full drawing in greyscale and only then adding colours... and I can't say I loved the process lol. I just called it quits at some point

[derschleierfallt]

just watched tanz der vampire 1997 proshot and phantom of the opera has officially been #DETHRONED from the position of second favorite musical.

i can’t exactly say for sure what i liked more about this one tonally but it worked more for me than the 2005 proshot. not saying much cus i already loved it a lot, but i love it sooo much more now. for now ill chalk it up to different direction and not think about it too hard! steve barton is THE BEST krolock and so talented. anything with dramatic (and blue, more often than not) lighting is automatically better than anything else. i also have a massive crush on 1997 alfred which might make a small difference too

[fitzrove]

Man modern tdv SUCKS in terms of direction and nothing proves it more than für sarah.......... all the early alfreds (watching fritz schmid from stuttgart rn) are desperate during it!!!!!!!! They're half-convinced they're walking towards their doom, they're not dreamy or happy, they're frightened (of the unknown!) but push onwards and swear by their blood that they'll be braver than they are because from now on it's the only way forward. and they're still scared but it's the only way

[mocha-writes]

Tagged by @rlainarin to do this tag game

Three Ships:

Strahd von Zarovich/Patrina Velikovna (Ravenloft/Curse of Strahd): I admit they’re both close to—if not already at—the point of being original characters with the departures I’ve taken from canon when constructing my own lore for a potential CoS campaign, but I have been thinking about them for years (the guy who tagged me in this can confirm it). Every day I grow closer to the rewrite where the love story at the center of Ravenloft’s formation was theirs instead and they’re co-Darklords of Barovia.

Lestat de Lioncourt/Nicolas de Lenfent (The Vampire Chronicles): I just love how deep, meaningful, and ultimately terrible their relationship seemed in The Vampire Lestat. It’s such an inversion of the tropes I usually see associated with romance between childhood friends. The contrasts between them and their equally fierce emotions compel me, even though I know their story ends suddenly and tragically. (It also adds interesting layers to Lestat’s eventual relationship with Louis)

Orpheus/Eurydice (Hadestown): It feels a bit weird highlighting the musical rather than the myth it’s based on but anyway, I really love Hadestown Orpheus and Eurydice because of their contrasts and how they share each other’s worldviews (though in different ways) by the end, and how despite everything—despite reconciling Hades and Persephone and giving the world back its seasons—everything still ends bittersweetly.

First Ship: I’m pretty sure it was Erik/Christine from The Phantom of the Opera musical. I hadn’t even seen the 2004 movie or the stage version as a kid, but I squeezed everything I could out of (I think) Wikipedia and DeviantArt lists (the kind where one drew responses to prompts) about the film version and made things up in my own head. The memory that’s coming to mind is of gender-flipping them and trying to write my own play with that premise. Now, I personally prefer Raoul/Christine, but they still have a place in my heart, particularly the 1989 movie’s versions of them.

Last Movie: Hairspray (2007)

Last Song: “The New Girl in Town” (stuck in my head thanks to the aforementioned movie)

Currently Reading: The Vampire Lestat. It’s been slow-going with this one because Life but I have around 200 pages left. It’s made me appreciate Lestat even more, though I don’t necessarily believe everything he says.

Currently Watching: Not engaged with any TV series at the moment

Currently Eating: I had popcorn for a snack a while ago

Currently Craving: Stability, that setting up my new PC will go well, that I can play video games again and introduce my fictional people to my friends and their fictional people… I miss having the drive for OC asks and writing prompts. I’d like to get back into those somehow

This was originally titled something like “tag 9 people you want to get to know better,” but I struggle with thinking of people for these things… Tagging @perkeleen-lavellan , @hurl-a-can , @whenyoulosesmallmind and @darkspawntaxcollectors . There’s no obligation, as always, this was just fun and I thought I’d share. If you want to do this but weren’t tagged, do it anyway; let me enable you.

[dreamytfw]

Pro-tip to fellow Sandman and Good Omens fans from someone whose fave musical is an adaptation of a Roman Polanski movie: piracy is your friend. If you're not comfortable/don't know how to pirate media, buying 2nd hand and/or borrowing from the library or someone you know is also your friend. Separating the rich artist from your money goes a LONG way in separating the art from the artist on an emotional and psychological level.

[plantaagomaajor]

hey does anyone know where I could watch the ludwig² musical?

[free-for-all-fics]

Tanz der Vampire/Dance of the Vampires and Dracula Musical Prompts! These are written with the German productions in mind, but really any adaptation could work. Pls tag me if you’re inspired by any of these ideas and I’d love to read it! ❤️🩸

1. You’re Count Dracula’s daughter/son and Graf von Krolock’s wife/husband. Describe what your immortal life and marriage is like. You may have been addressed as Countess/Count Dracula while you were still unmarried and later Countess/Count von Krolock after your marriage, but as the biological daughter/son of Count Dracula, you’re still technically a Princess/Prince. Your father was a Prince of Wallachia in his mortal life and later became the King of Vampires, after all. You’re vampire royalty; your beauty, charm, family name, etc. made you highly sought after by men and monsters alike. But there was no better a match for you than Graf von Krolock. He’s a handsome and charismatic nobleman with a flair for dramatics. He’s technically lower in status than you, but you don’t care. You love him for reasons far more important than rank, so you’re not too bothered with the fact that you married down.

In all your centuries together, you’ve never for a moment regretted your choice to take him as your husband and eternal mate. Moving from Castle Dracula to Castle Krolock was easy since it immediately felt like home. You’re no stranger to acting as Mistress/Master of the Castle; you loved making Krolock Castle your own and adding your own personal touches, whether it be the interior of the castle or the garden/cemetery outside. Maybe it’s because you wished to have a son or daughter that your husband later turned Herbert and adopted him as yours and his son. If you wanted an heir, he would kidnap anyone of your choosing from a human village and turn them at your request. Herbert may not be yours by blood, but he would be your son in every other sense.

2. Beauty and the Beast AU: You’re Sarah’s sibling and Graf von Krolock is fixated on you instead of her because he believes you to be the reincarnation of his beloved husband/wife/lover. You look and act exactly the same, it’s uncanny. He kidnaps you, maybe half mad with grief and delusional from his centuries of black melancholy and loneliness. While you’re technically a prisoner in his castle, he doesn’t treat you like one. The castle is your home now so he lets you explore freely. You may go anywhere you wish, except for one locked door. That room is forbidden. You can’t leave the castle grounds or go beyond the garden/cemetery. He won’t let you. If he’s not watching you, there’s always another vampire or servant who is.

“What’s the story with the locked room upstairs?”

“It belongs to the late Graf/Grafin. We don’t go in there.”

“It might help me figure out what’s going on if I could take a look inside.”

“Best of luck. That door locked itself up tight the day of his/her funeral. There’s not a key in this world that’ll open it. Many have tried - myself included, I regret to say. If you’re really going to try opening that cursed door, if you’re really going to try breaking in to explore the late Master’s/Mistress’s room, the only advice I can offer you is this: Don’t let the Master catch you. Do you understand? Don’t let him catch you.”

During your captivity, you’re haunted by nightmares of lying dead on a stone bench deep within the castle’s chambers. The chamber can be accessed only through the window, set high in Krolock’s castle wall. A large bat flies in and hovers over the bench, regurgitating blood onto your dormant body. Your corpse starts to interact and bond with the dripped blood. Within seconds, you’re once more resurrected as a vampire. You wake up in a cold sweat from these night terrors. You either wander the castle halls in the dark and get lost, only to later be found by Kukol or Krolock himself. Or the Count is either lingering in your doorway or leering at you from over your bed, watching over you and waiting for you to awaken.

He lets you partake in the annual Dance of the Vampires, a celebration when the undead come to life in the cemetery and the castle again lives its former glory for one night only. He gifts you a beautiful suit/dress and protects you from the other vampires. He’s made it more than clear that only he or Herbert are allowed to dance with you. Are you truly his long lost love reincarnated or has the Count‘s mind succumbed to madness from centuries of existential pessimism? Are you truly a flickering light of hope in his shroud of black melancholy? Whether you remember your past life or not, could you ever find it in your still beating heart to love him despite him being your captor? Would you let him damn your soul and give you his vampire kiss so you can join him in eternity and save him from this inhabitable hell of loneliness?

3. Graf von Krolock was once deeply in love with you, Dracula’s daughter/son. You were his beloved wife/husband and eternal mate, but something happened where you were either killed by vampire hunters or died tragically. Your father was devastated by your untimely death. In his grief, he blamed your husband. Count Dracula and/or Graf von Krolock may have avenged you by hunting down, brutally killing and sucking the blood of the humans that took you away from them, but it didn’t make either vampire feel any better. They were still hollow. Even if your death wasn’t murder and was an accident, they’d still set fire to the villages and instill fear in the humans for what was done to you. Blood was spilled and heads rolled. No man, woman, or child was safe from their wrath.

Your father and husband never reconciled their relationship following your death. No matter how drawn out or excruciatingly painful they made the deaths of the hunters that slayed you or how many centuries passed, nothing could numb the pain your absence brought upon them. Your husband has never remarried; no mortal nor vampire could fill the void you left behind. No matter how beautiful, smart, etc., no one could ever hope to take your place. You were his mate, his one true love. Your old bedroom doubled as your personal study and it was one of your favorite rooms in the entire castle. It’s still exactly as you left it. Torn apart with grief, Krolock either keeps it locked up tight and has Kukol hide the key out of his sight so he’s never tempted to step foot in your room ever again. Or he’s the only one who’s permitted to hold the key and enter. He personally sees to keeping it clean and orderly, free of any dust or signs of decay. You wouldn’t want your favorite room to be neglected and left to rot away with time, so he keeps it pristine for you. He knows you’ll never step foot in this room or his castle again, but cleaning keeps his mind busy and helps him cope with your loss. This room brings back once happy memories of you now marred by tragedy, but it makes him believe for a few fleeting hours that you’ll come home.

“What’s the story with the locked room upstairs?”

“It belongs to the late Graf/Grafin. We don’t go in there. Ever. Only the Master would be allowed to go in and out. It’s best not to ask questions or go poking around.”

“It might help me figure out what’s going on if I could take a look inside.”

“Best of luck. That door locked itself up tight the day of his/her funeral. There’s not a key in this world that’ll open it. The Master likely carries it on him or keeps it somewhere hidden. I wouldn’t even try, if I were you. You’d be dead the second he caught you snooping around in places you weren’t supposed to be.”

To this day, Count Dracula refuses to have anything more to do with Krolock, citing what he believes is your husband’s failure to protect you. They haven’t spoken since the day of your funeral. Dracula is unyielding in his belief that Krolock could’ve or should’ve done more and that your death is your husband’s fault, even if it’s not actually true. You were his only surviving child and heir, and he only wanted the best for you. He didn’t approve of your choice in husband. If you had listened to him and never married Krolock, maybe you’d still be here. But you went against his wishes and married him anyway, and now you’re gone.

The King of all Vampires has held onto his grudge against your husband for centuries and isn’t going to ever let go of it unless, by some miracle, you’re brought back. Speaking of which, a group of humans are spending the night in the abandoned ruins where you supposedly died. They’re here to tell scary stories and urban legends, but get much more than they bargained for after they inadvertently resurrect you with their blood. The first thing you do upon awakening is kill and feed from the humans closest to you. You’re so weak and feel like you’ve been starving for centuries. You can’t be bothered to chase the others while they scream and flee in horror upon realizing you’re more than just a legend. First, you want to find and reunite with your father and husband. What happens next?

4. You’re Graf von Krolock’s beautiful and enchanting daughter, but have no interest in men. While Herbert has fallen in love with Alfred, you’ve been trying to claim Sarah’s heart. Neither you nor your brother understand subtlety; it’s in neither of your vocabularies. You’re both laying your seductions on thick, uncaring if your approach makes Alfred or Sarah feel awkward and uncomfortable. Awww, they’re both so cute! Herbert is very playful and fun. He loves playing games and chases Alfred all over the castle. The poor man is scared half to death as he tries in vain to run away and escape your flamboyant brother. Once Herbert finally catches Alfred, he holds him tightly in his strong embrace and carries him off to his bedroom, where he will read him poetry and tease him all night. He wants to take his sweet time seducing the boy before he bites him. He wants to make love to Alfred first. He wants Alfred to want him, to give in and reciprocate his love.

Meanwhile, you’re obsessed with Sarah and constantly interrupting her many baths to spoil her with extravagant gifts such as a beautiful red dress and matching red boots. You’d love nothing more than to join her in that tub and explore her naked body. You can tell she’s been sheltered her entire life and has never experienced the touch of a man nor a woman. You doubt she’s ever touched herself and would love to show her how to do it. She’s so innocent and naive; you want to corrupt her so bad and show her the sins of the flesh, just as Herbert wants to do with Alfred. But you’ll be patient for now and turn up the vampire charm once she arrives at the Vampire Ball, wearing your gifts. You’ll dance with her all night and you’ll bite her to turn her into your heart’s companion. She’ll be your mate, your lover for all eternity.

Krolock either steps back and lets you and your brother handle it, or he actively encourages you both to pursue your romances but leaves you to bite your lovers yourselves. He’s too wrapped up in the Vampire Ball or his own existential pessimism to watch over you or your brother’s activities. There comes a time when each vampire must turn their first human, and there’s no better time to learn than now. Either way he’s not going to come between his children and their newfound paramours. Despite your differences and his serious disposition, your father loves you and Herbert more than anything. He’s just too fucking exhausted all the time, wrapped up in the festivities or crushed by his own black melancholy. He can’t be bothered to always get involved with your and your brother’s whims or…whatever this is. He’s raised you both well enough over the centuries that he trusts you know what you’re doing.

5. You’re just trying to donate blood but your lovers/husbands, Count Dracula and Graf von Krolock, are acting like total weirdos. They’re both leering over you the whole time and have no concept of personal space. If you have a fear of needles, they’re running their long fingers through your hair and scratching your scalp with their long nails as they kiss your forehead to comfort you. They’re making sure you have plenty of snacks and water so you don’t pass out. But they’re both eager to taste that sweet, sweet blood. You knew you should’ve left them at the castle, but they were stubborn and insisted on coming with you. Bringing vampires to a blood drive is like bringing them to an all-you-can-eat buffet. If they leave your side, it’s because they’re bothering the other nurses trying to take blood, insisting that it shouldn’t be that hard to find a vein. They’re asking inappropriate questions about where the blood is stored and if they could have a bag or two to go. No, they can’t have any blood bags. This blood isn’t for them, it’s for the countless humans that need it. The poor patients and nurses look nervous and probably think the vampires are going to eat them.

You knew being a human and having two vampire lovers/husbands was going to be incredibly awkward and uncomfortable, but they seriously have no chill when it comes to blood. Even after their centuries of vampirism, you have to bribe them to behave with promises of letting them bite and drink from you once you fully recover and your blood replenishes. If your arm wasn’t stiff from having a needle or tube in it, you’d face palm so hard. This is the last time you’re bringing them with you when you donate blood. These Counts are lucky they’re so handsome, charismatic, and amazing lovers in bed. Sometimes you don’t know what you’d do with them otherwise. They love having you sandwiched between them every night so they can lay their heads on your chest and listen to your heartbeat. It’s like music to their ears. They can almost dance to the beat. It’s one of their favorite sounds, apart from the noises you make when they make love to you. Hopefully when they finally turn you into a vampire, life with them will be less chaotic. Spoiler alert: Eternal life with them is even more chaotic than it was when you were mortal.

6. Dracula didn’t kill Van Helsing’s wife, Roseanne. Instead he turned her into a vampire and put her under his thrall, either as revenge against Van Helsing or because he was in love with her too and felt spurned when she decided to marry Abraham.

7. Underworld AU: Roseanne was a vampire and Dracula’s biological daughter. She fell in love with Abraham Van Helsing, a human man. Even though it was against vampire law, she and Van Helsing continued their secret love affair, whether or not he ever knew she was a vampire. They eloped and Roseanne later became pregnant with a Dhampir child. Upon discovering her pregnancy, Dracula killed his own daughter. He loved her, but the abomination growing in her womb was a betrayal of him and the entire vampire race. He did what he had to do to protect the species. Since his wife’s murder, Van Helsing has sworn revenge on Dracula and has dedicated his life to vampire hunting, determined to slay the Vampire King himself.

8. You’re Professor Abronsius’ grandchild and either Krolock or Herbert are in love with you. Instead of Sarah, you’re the one who gets seduced and kidnapped by vampires. Your grandfather is so busy with taking his notes or exploring the Count’s library that he gets easily distracted and sometimes forgets what he’s doing. Wait, why is he in this castle again? Oh yeah! To rescue you from the bloodthirsty vampires. Right, right. He loves you, never doubt that. The moment he realized you were gone, he was desperately searching for you. But it’s no surprise you were kidnapped right from under his nose in the first place. Even if you had kicked and screamed, he was probably deaf to your cries for help, having blocked out all noises. He often forgets the world around him.

When he does finally come to rescue you, he’ll probably ward off the vampires by lecturing and admonishing them. Poor Abronsius never even realizes it, but it’s already too late for you. Krolock or Herbert has already bitten you. By dragging the newly transformed you out of the castle, your grandfather didn't exactly save mankind from the vampire plague. You can’t return home with him. Krolock’s castle is your home now. The Count and/or his son will come after you to bring you back. Your grandfather walks off singing about his "victory” while you’re starving. That young assistant of his looks so appetizing. Just one bite won’t hurt.

9. Count Von Krolock spends a lonely and melancholy life in his old castle in the mountains, in the company of his son Herbert and his servant Koukol. Krolock has never been the same ever since he lost you, the love of his mortal and/or immortal life, to an unforeseen tragedy. Your untimely demise was so long ago that the Count has lost track of time and can no longer remember when exactly you died. Your body has since been laid to rest in a beautiful mausoleum near his castle cemetery. He’s given you only the best. The most beautiful coffin/casket, flowers from his garden, etc. The epitaph on your grave has worn down with time and is practically illegible. But he still remembers the words he had lovingly engraved underneath your name. Ever since your death, The numbness and loneliness of his existence is interrupted only at the annual Dance of the Vampires when the undead come to life in the cemetery and the castle lives again, for one night, its former glory.

You’re not a vampire, but you rise from your grave with the rest of the undead. For one night only, your body is magically restored and you become flesh. You’re just as beautiful as you were the last time Krolock saw you alive, before you were taken from him. Your voice is the same, your hair is the same, your scent is the same, etc. You and your beloved Count make the most out of the few hours you have together. You dance the night away in each other’s arms before the Count escorts you back to your beautiful resting place. He holds your hand as he helps you climb back into your coffin/casket and gives you one final kiss before you return to your annual slumber. He closes the lid just before the night ends. Just before sunrise, your body decays once more. He can never bear to watch you change back. But he can still hear it. It’s just as unbearable, or maybe even worse. He retreats back into the castle before the sun can burn him.

“Until next year, my love.”

[eyes-like-the-night]

Love or no aside I feel like Sarah wants someone to listen and respect her as she is, someone who can show her that they understand what she’s been through.

Alfred can’t understand why she would want to leave the inn and her family even when she tells him she’s stuck in her room with garlic and can’t do something as simple as having a bath, she’s bored to death.

Krolock gets it, he preys on the fact she’s lonely and yearns for more, he’s giving her what she wants and also tells her that she’ll see herself in him meaning that he understands what she’s going through, the boredom, the yearning. He’s giving her that respect (whether he actually feels it or not) and acknowledgement, letting her feel less like the child she’s been treated as thus far.

[tanz-der-vampire-musical]

This is still my favorite Tag der offenen Tür (open door day) video 🤣

If you're native Berlin citizen like me it's 10 times funnier 🤣🤣🤣

I wish I could go to Stuttgart for Thursday 😭

[devilsliketosketch]

Tried procreate and a pencil.

My boy :3

[irlwakko]

i have a confession to make. on that bestmusicalworldcup thing there are musicals in there that I haven’t even heard of, but I just hate whatever musical they’re up against SO MUCH that I vote for them by default

[belamourelysianlimerence]

Can some of you guys create some things for me please? Like HCs or whatever you like, pictures. For me and my vampires. Take your pick!

[fitzrove]

Euromusical Short Story Challenge (until June 18, 2023!)

I've been thinking about writing and finding ways to be motivated to write recently, and I've also been thinking about wanting more fic to read, given that nearly every euromusical fandom is relatively tiny... :D So I decided to come up with a little challenge!!!

If you write an euromusical short story (up to 650 words) before June 18th and tag me in the post/send me an AO3 link, I will draw MS Paint fanart of it.

I'm not a great artist by any means (you can see my level of talent in this Elisabeth meme), but I think it will be fun, and I also think that the fanart being drawn with Paint takes off any possible pressure for a story to be super polished XD I make no promises as to the quality of the art (I will generally try not to spend more than 10-20 minutes per piece) but I promise I will make the art.

RULES:

For this one, to qualify as an euromusical, Mark Seibert should have been in a production of the show at some point. (Kidding... kind of ahdfgfhfj). I do kind of think, for the purposes of this challenge, that stuff like POTO, Wicked, J&H and Wildhorn Dracula doesn't qualify, despite being often produced in European countries. But French musicals, Austrian musicals, German musicals, Swedish musicals etc. all work - it doesn't matter if the composer is American, so Schikaneder and Affaire Mayerling etc are okay :D For shows that I'm less familiar with the fanart may look weird (hopefully I will be able to find reference pics), but tbh, I think all of the fanart will look somewhat weird.

Les Mis and Miss Saigon explicitly don't qualify as euromusicals though xD

No pre-written or existing stories. The purpose of the challenge is to make more stuff!!

The fic can be about anything and feature any character/s, but I reserve the right to choose what I draw and choose the level of cartoonishness of the drawing. You can DM and let me know if you want the art to be sent privately or if it's okay to post publically (I think I'll generally put it as a reblog of the story)

It would be really funny if someone did Eierwurf von Halle (this is not really a rule, I just like that 'show')

So yeah :D This is just a silly idea, let's see if anyone gets interested lol

[sunny-honeytears]

Hi 👋, My name is Mohammad, and I’m reaching out in a moment of desperate need. I’m a father of three young children living in Gaza, and we are caught in the midst of a catastrophic war. Our home is no longer a safe haven, and the future here seems increasingly uncertain. 💔

I’ve launched a fundraising campaign with the goal of raising $60,000 to relocate my family to a safer place where my children can grow up in peace and have a chance at a brighter future.

Unfortunately, my previous fundraising efforts were abruptly halted when my account was terminated without explanation. However, I remain determined to keep fighting for my family’s safety and well-being. 🫶

If you could take a moment to read our story, consider donating, or simply share our campaign with others, it would make an incredible difference. Every act of kindness, no matter how small, brings us one step closer to safety and a new beginning. 🙏

Thank you for your time, compassion, and support. ❤️‍🩹

https://gofund.me/fd1faea2 🔗

Sadly I can't donate, but I wanted to share!!

[themonsterunderthebed]

okay ich hab grad mark seiberts "einladung zum ball" gehört und es war tatsächlich besser als ich erwartet hab. der track von einladung zum ball vom castalbum auf spotify mit thomas borchert hat den ganzen dialog hinten dran, nicht nur das song, was nervig ist für meine "gute tanz der vampire songs" playlist, ich wollte also sehen, ob ich den track mit durch einen anderen ersetzten konnte, deswegen hab ich das mit mark seibert gehört.

er schafft es tatsächlich, etwas dunkler und schwerer zu klingen, als in anderen rollen. ich mag ihn eig ganz gut als der tod elisabeth, aber graf von krollock braucht halt ne andere stimme, und das bekommt er gar nicht schlecht hin

thomas borchert bleibt aber der beste. sorry mark