#tanya’s ramblings

[cuerue]

hülkenberg in 5th in a fucking sauber of all things tho is just

[pinkpinkmermayyy]

another transfem tony fanart bc today was rough

tried emulating the whole arcane artstyle here lolol

@lunadensmidnightprowl @sh3s4k1ll3rqu33n @tony-stark-official @marvel-oc-hub

[redoqs]

Mileena and Tanya: We must keep our relationship secret, the consequences would be dreadful should anyone find out

Literally everyone in the game: y’all know Mileena and Tanya be fucking?

[108garys]

The Clarkes haunting the narrative is THE point

The following was a response to the idea that the prologue and end hold little hope back that ended up being way longer than intended, no shade on the person who said that I just realised that I didn't want to drop a whole essay on them, so without any more preamble:

Truthfully I am completely disinterested in making Little Hope more palatable to people who require the story's soul to be torn out to enjoy it because that's what the beginning and ending is. The broken heart of little hope.

That said I very much love the middle too but the Clarke family's story is the heart and soul of little hope and the whole point, otherwise why does anything in the town matter? Vince? Just some dude, the subplot of the town falling apart, being in the literal wreckage of 1970s era Little Hope? Random set dressing because a straight up three century old ruin of a town would just lack the infrastructure required to have the facade of searching for help in town… So many of the secrets are about them, you straight up spend a good chunk of the runtime passively learning about the individual family members both in private and public and even though I think some people choose the shallowest reading out of spite it is very deliberately stated that there is an element of choice in interpretation, the curator says so at the start. The more praised facets would be greatly diminished without the Clarkes, the subtextual nature of overcoming your demons gives meaning to the outright textual fighting of demonic monsters and the parallels would not be as strong between the 2020 and 1692 eras alone.

It is a common mistake that there are better or worse versions of the characters but it's simply not true as they are all different aspects and much like a triangle needs three points the cast of little hope needs all three points of reference to fully appreciate their stories. My earliest read of Little Hope centred on Anthony recontextualising his family in two divergent ways, 1692 where they are presented as victims of circumstance and 2020 where they are more deliberately flawed people who must overcome their demons because the truth is that both things are true of the Clarkes and so they are separated out into their different aspects and analysed accordingly.

Angela's characterisation doesn't work exclusively compared to Amy, her story of fighting for her agency doesn't land the same without Anne, Amy on paper is a woman who did everything right bar being too harsh to a child and was killed for it, Angela is a woman burnt by her past yet soldering on and still retains the same flaw of blaming the child, where as Anne being a snowed under house wife who struggles with keeping her family together and feels like she has zero agency in her situation and all the while fails to understand the perspectives of the very people she feels responsible for is the context between Amy the beloved wife who is wrongfully accused and uses her one bit of agency to place mistaken blame on Mary and Angela who refuses to rely on or believe in anyone or anything, the fact that she's divorced and starting over in her late forties does not work when only compared to the wholesome yet tragic Lamberts who's marriage is never depicted in the negative to justify Angela's divorce. She'd appear as a nearly fully different person for no reason without Anne to bridge the gap and make their depictions consistent, without the 1970s it just looks like she's angry at her husband for failing to save her despite his best efforts and that severely damages her character and arc.

Connected to that, J places his trust in the wrong places, delegates, blame shifts and runs from facing the bigger problem, the alcoholism is emblematic of this but the refusal to see the truth about M's innocence and place responsibility at the feet of the proper authority because he'd have to confront his misplaced faith requires all three, Joseph failing to his dying breath to understand Mary's innocence and James getting blackout drunk over the stress of problems he finds insurmountable are necessary context to John's sobriety and further arc and John being a recovering alcoholic would just be flavour text without the harsh sting of how addiction colours James.

Daylor wouldn't lose its questionable reading if they were only siblings in 50% of other eras instead of two thirds but Dennis expressing his frustration at Tanya pulling away contextualises their codependency and mutual need to be needed in a way that is incomplete, you see a couple in the early stages of dating and siblings who got killed three hundred years prior, the 70s contextualise T's need for stability and dependability and her survival instincts pushing her to flee and D's arrested development in the way he struggles to function when they aren't a unit, beyond that David and Tabitha care for Mary together in Amy's trial scene and after her death he doesn't even fight his own execution, not even to continue the task of raising his only remaining orphand sister alone, this isn't to say David doesn't love Mary as he blatantly shows care for her in not wanting her to be traumatised by his death but he simply falls apart without Tabitha and Dennis being the way he is when Tanya is pulling away from the family shows a lower stakes, longer depiction of that breaking down but she's still physically there so it isn't collapsing in grief, it's the simmering resentment of feeling like a person you care for isn't prioritising you reciprocally, these feelings aren't wrong in of themselves but they aren't pretty and Daniel's outbursts and more negative dialogue choices and David's quiet grief don't capture the way that feeling of being stabbed a million times over everything time you aren't the first choice but the other person didn't wrong you by choosing differently so there is no proper way to get that out feels. D is often mistaken as a shallow generically decent guy with a random angry iteration that doesn't fit into a boring whole but it's simply not the case, him proving he can be reliable in 2020, his fight against his various insecurities is something he needs to do for himself as much as T, the others aren't better adjusted or better people compared to Dennis, their circumstances just present entirely differently.

Furthermore Taylor feeling like an outsider doesn't work alone with Tabitha being part of a family unit, I've seen it misinterpreted as Taylor being less proactive than her counterparts but the truth is that T's behaviour is characterised by survival instinct and a need for stability, Tabitha realises something is wrong after the first death and attempts to protect Mary but counsels keeping their heads down, Taylor being vocally in favour of staying put and Tanya's quiet desperation to get away from everything are not opposite but different flavors of the same base needs, Tanya legitimately being a practising witch adds a layer between the other two versions, Tanya appears very conventional despite her secret unconventional beliefs and Taylor is the inverse being visually the most nonconforming member of the cast while her desire for a knight in shining armour is very traditional in its own way, pair this with the straight forward trial of Tabitha and you get an exploration of not going with the first assumptions that blankets the rest of the narrative.

Carver is a great antagonist all his own but without 1972 there is no broader context, and even if you still have that era but not the Clarkes it would just be "this guy's bloodline remained assholes for centuries" and not the direct parallel to Carson, there is no canonical 2020 equivalent to his character yet he haunts the narrative beyond himself, judge wyman intentionally mirrors the passing neighbour who immediately demanded to know what Anthony had done when the matchbox is revealed, the accusatory paranoid hysteria of puritan little hope and Anthony's poor treatment after the death of his family are directly connected and that's the point, Melissa is there to bring the conversation about the little girl's guilt or innocence to the forefront in a way that makes it a present plotline that goes beyond Mary and brings in the nature that the past is reflected in other eras and without Megan you lose a lot, Melissa requires her context in a way that Mary alone doesn't achieve and Abraham and Andrew's decision on the matter is in fact a question over Anthony's guilt and his internal struggle between blaming himself and blaming Megan and the further grief around this unresolved guilt to the point where he was psychologically unable to process the death of his family for nearly fifty years is the point, the whole point, of the 1692 reframing.

the Clarke family haunts every aspect of Little Hope and without the ending it would be pointless, the way their deaths hang over everything to the point where the puritan versions are doomed to die in the same way they were already depicted as dying and the way an engaged person would quickly catch on that 1972 death=1692 death and therefore 2020 character faces the same fate, it would be meaningless without the Clarke tragedy, it would simply be shock value that builds towards nothing without the ending and the ending doesn't make the game any less about the other eras because they are one and the same in every way that matters.

[delurkr]

Okay so my first ask about the 1940s Anne/James agenda is your personal opinion on how it was for both of them respectively to truly notice each other romantically for the first time, like just really getting hit with all those feelings for the first time and secondly, how much time passed between revelation and actually doing something about it? 😁

Woohoo thank you for the ask 💞 So Anne was the first of them to properly notice the other, which was in 1945 at the start of her first year of high school at age 14. They both grew up in LH but only had the vaguest awareness of each other's existence, so basically when she got to high school she got a good look at this random 16-year-old from afar and was all "well that's my type exactly 👀," but she just continued to look disrespectfully from a distance because she was used to being entirely private about such things and was quite comfortable with it staying that way.

Meanwhile James was just out here casting his net wide with very little success, like this boy was a terror to the local female population in the way he systematically barked up every tree like it was his calling in life whether he actively liked the girl or not, and needless to say very few of them were impressed, he landed very few dates, and the already romantically unpopular specimen he was did not get any more popular in their eyes. So at the start of the school year Anne just happened to be part of a fresh crop of potential girlfriends who hadn't yet rejected him.

And then yadda yadda events conspired and the rumor that Anne had the hots for James hit the grapevine before long (that girl Ruth had been sworn to secrecy and why did she even believe it anyway...) so he took proper notice of her when he got the tip, and he'll tell you he fell in love right then and there because seriously, the new girl with movie star hair and merciless wit who had already made a positive impression around school actually liked him?? Yeah he wasn't letting that opportunity pass by, so when she coolly accepted his advances he pretty much considered the two of them as good as an old married couple already and the real kind of love didn't take long to catch up.

As for her, she was just like "mine now 😏" when she finally got up close and personal but the actual important parts of him took more time to grow on her when they started dating. While he took himself right off the market by their second date (to the disappointment of none of the other girls in town), Anne continued dating around throughout high school in the old-fashioned noncommittal pastime sort of way (it was a good thing for her impulse to play around that he was both very stubborn and more secure in himself than the average teenager). Two years into that he graduated high school and went to work to very seriously build their future with stars in his eyes, and with him not at school anymore to represent his interests she finally advertised that he was her proper boyfriend and that she wasn't in the dating game for anything more than fun anymore, because she still didn't stop toying with all the boys' affections until she and James got engaged in the spring of 1948.

Anyway DO YOU LIKE IT?? I have copious thoughts about them 💖 This will pair well with the other ask I got so I'm looking forward to answering that too as well as any others folks might be inspired to send ✨

[ghosterain]

EVERYONE MUST SEE THIS PLEASE GIVE THIS SOME LOVE

[dailydegurechaff]

fav light novel only characters? like not animated or drawn in the manga yet

So this has been in my inbox for a couple months now and I think I can finally confidently answer it bc I have a couple of characters who I wanna talk about.

Spoiler warning: Due to this ask being related to characters only seen in the light novel there’s going to be spoilers under the read more! I talk about content as far ahead as novel 11. I think we’re safe on stuff from 12 tho!

If you want a no-spoiler summary: Colonel Calandro (not depicted here), Counselor Conrad, and Major Joachim

OK SO,

I think the main two that I like the most and are LN-Only so far are Colonel Calandro from Ildoa, who is the observer that ends up attached to the Salamander/Lergen Kampfgruppe on the eastern front and Counselor Conrad, the imperial diplomat that Lergen talks with a lot.

In Calandro’s case, he’s introduced I believe as early as book 6, so I think he’s probably the one of my favorites who is most likely to be in season 2, so I hope Studio Nut does well by him with a good design. In the sketches above, I decided against trying to make a design for him because 1) I got no ideas man and 2) I think (hope) he might show up in the anime soon so I’d like to hold off on drawing him until there’s an official one.

Anyway, a lot of his scenes are great when he’s attached to the Kampfgruppe. If I recall correctly, there’s this scene in one of the books (Book 7?) where he’s talking to Tanya as she’s making preparations to bombard what is obviously a church and he’s like “What are you doing? Isn’t that a war crime?” And Tanya just goes “No, no, it’s fine. They’re not openly displaying anywhere that this is a building used for religious purposes and even if they were, the other side hasn’t signed that treaty so it’s not like we have to adhere to it if they won’t.”

It’s such a funny scene. Tanya’s like, “Oh he’s concerned that we’re committing a crime. I should assuage him by telling him not to worry, we’ve managed to legally justify it.” And instead of any relief he’s just like “Oh my god what the fuck is wrong with them? Why would they ever think to circumvent treaties like this?”

They're funny as hell together and Tanya’s constant griping that she has to babysit him is so good, I hope we get to see it.

Also also a good scene with him is from the end of LN11 where Lergen calls him in the middle of the night, demanding to speak to him because it’s of vital importance. That ensuing conversation where Lergen’s basically like “I can’t say who’s calling, but you recognize me from the sound of my voice, right? Something’s going to happen. I’m really sorry, I can’t say anything more. Please just remember that I called, okay?” I’m so sorry… but it’s giving ‘Tragic Lovers Doomed To Breakup By Circumstances They Can’t Control’ vibes.

It is now my firmly set headcanon that Lergen and Calandro were lovers throughout and in spite of the war and when the time came for Lergen to choose whether to betray Calandro or his country, he chose to betray Calandro, something he feels immensely guilty about. I know it isn’t what Carlo Zen was trying to convey at ALL, but unfortunately that’s what I got from it. Thank you for coming to my TedTalk, moving on.

I guess next up is Counselor Conrad, the Empire’s diplomat who we first meet in LN10 I think? If we don’t get any content of him, I’ll literally cry. Depending on how far season 2 gets us in the story, we may not end up seeing Conrad and that’s so sad to me. There is a scene from LN10 that I absolutely need adapted into the anime. It’s like 160ish pages in. It’s that scene where Tanya, Lergen, and Conrad are talking with each other and Conrad turns to Lergen and gestures at Tanya and says “How did you raise this?” and Tanya’s like “????”

There is another scene where Lergen describes Conrad as handsome, and because of these two scenes, the delusional headcanon has sprung up that these two eventually end up in a relationship and Tanya is their daughter. I’ve mentioned it in another post. A friend of mine actually talks about Conrad (& Lergen and Tanya) in more detail in her post here. And hey, while I’m recommending posts about Conrad, look at all of these too okay?

Conrad actually has an official design in the novel artworks, so I based my above sketch around that. Here are the few canon images we have of him. Interestingly, in the text he's described as having blue eyes at some point, but the colored version we have has them as brown. These drawings come from Books 10 & 11 I believe?

Ok, last one, for minor characters, there’s Major Joachim who we meet around the end of LN11, who becomes Lergen’s subordinate. I think the best way to describe him is that he’s kind of a boyfailure in the way that Grantz is (that is to say before Grantz got some character development and became somewhat competent). He’s a cutie, I do hope we get some scenes of him.

I did actually do a little sketch of Joachim as we saw above. That one for some reason just came to me very easily, unlike Calandro. Here was my prelim sketch idea:

And I think that’s about it for now. If you note that all of these characters are in some way related to Lergen, um… Well, I can’t help myself really. We know by now he’s one of my favorites so I like characters associated with him too.

[thegamingcatmom]

You brought up the idea of spider-kate ONCE, and my brain took it and ran with it, so I gift thee some chibi spider-kate shenanigans

[I imagine her lil ponytail thru the mask helps emote better with movement, excited? It sways like idk dog tail]

WHAT-

I can´t deal-

THAT´S SO DOPE!!!

THE WEBS-

THE PONYTAIL-

THE WEBS-

Not Kate casually snatching MC up and glueing her to the CEILING so she can´t get away. 😭��

(Which is totes smt she would do btw.)

Now I can´t not imagine Kate just going like-

(We´ll keep the shirtless part ofc.)

*zip*

"Not so fast, lil spitfire..."

YKNOW-

Driving Tanya nuts-

...

And, before you know it, you´ve got a house full of vampires (well, two) shooting spiderwebs out of god-knows-where. It´s pure chaos. 💀

Can you imagine poor CARMEN??

Carmen: *takes in her collectibles and all the other stuff she has acquired over the years, all of it now covered in thick spiderwebs*

Carmen: *eye starts twitching* (bad sign)

Carmen: *takes a deep breath* (very bad sign)

Carmen, at the top of her lungs (which is entirely unnecessary since they´re all vampires and that makes it fucking scary cause she does it solely for intimidation purposes): "...GIIIIIRLS!"

...

Tanya & Kate, somewhere in the house: 💀

*funeral march starts playing*

ASKFJBASKBASLKF

.

.

.

Spider-Kate is so damn precious though. 🕷️🥹

Her song would probs be smt like:

Spider-Kate, Spider-Kate One of her webs will seal your fate Spider-Kate, Spider-Kate Catches you and takes you on a date.

.

Listen-

I hate spiders with a passion.

But that is one spider I wouldn´t mind crawling all over me. I´d love to get tangled in those webs-

ASFASLFAKSFDBAKSBFKSABSADF

Thank you so much for sending me this!! 😭❤️

[futchbookslut]

I started Afterlove by Tanya Byrne last night, cuz apparently the only genre holding my attention this month is YA romance, and it's cool. But the author made a choice with the story structure, and the choice is making me bored.

Basically, Ashana meets and falls in love with a girl. She's a fall fast, fall hard person, and I can see people bitching about insta-love, but imo I think insta-love can be done right and it is realistic. Some people are just Like That (I know, I'm one such person.) The story opens with Ashana dead and doing her new job as a Reaper. Then we switch to the last few months she was alive, and the author is really beating into the reader's head how in love she is, how she can finally see her future, how excited for that future she is, etc.

The goal (I assume) is to make it a lot more painful when she dies, or have that underlying sense of dread knowing that none of this will happen. But because we open the story with her already dead, this doesn't feel nearly as impactful as it would if we didn't know she was going to die. And it's going on and on to the point that I've been skimming the last like 15 pages. We're mostly in her head with some breaks for dialogue, so it's like "okay okay I get it, can we move on with the plot now?" And I understand and appreciate the author wanting to establish their relationship thoroughly before yanking it away, then bringing Poppy (the girlfriend) back in, but please. It's been 116 pages. As bad as this sounds, I'm ready for her to die. I'm ready for the next stage of the plot.

I do genuinely like this book, but it's dragging in the depths of the main character's introspection. I want the Reaper part of the story to start!

Speaking of Reapers, I also started The Keeper of Night by Kylie Lee Baker. Got about 20 pages in before I had to put it down. The combination of the MCs cruelty toward dying humans + the very descriptive cruelty and violent abuse she faced at the hands of other Reapers because she's biracial was so much all at once, and I needed something a little softer. I'll revisit it when I can handle that.

[dumyhead]

eat up

[cuerue]

...did lucanis once try flirting with viago by gifting him knives?

[bloboloblob]

keep thinking about that song we started that's emotionally and experimentally higher stakes than all the shit we've vaguely put together so far and also the first time using our electric cello for real, and yeah, i think we'll never finish it all alone.

[misty-caligula]

The whole Belinda/Tanya thing is so obvoiusly doomed, but damn I love their chemistry, I love that Belinda is seeing Tanya's entire monkey, and can't help but feel for her as a human being. Aaaah I can just tell it's doomed but I kinda love them together, and like Tanya's begging to give away her money to someone useful, I desperately need the lesbian AU where they heal each other and go hard into activism or something like, if someone just took Tanya's money away from her they'd be doing the most help anyone ever could for her.

[108garys]

Insane hidden detail often overlooked in the little hope prologue:

Not a single member of the Clarke family displayed any fear towards any other member of the family(stereotypical video top ten list voice stops)

Anne's emotional response to the argument doesn't constitute fear, that she yelled after Dennis a little after that is not something she'd do if she was afraid

Anthony's attempt to turn off the tv without bothering James does not constitute fear, that he can snarky at him immediately after and again yell up and down the stairs is not something he'd do if he was afraid

This also goes for his siblings general biting attitude

They jump scare each other, the situation feels tense partly because the viewer just witnessed a bus crash and partly because we know what genre this story is and the atmosphere and circumstances grate on the nerves but even so before it became life threatening there is a distinct absence of fear and I feel(understandably only on a first run) that the player projects their current feeling into the family, they don't know these people, the game has got them filled to the eyeballs with suspense

They feel fear and unease, not the Clarkes at that point, the prologue builds to perfection this framing that encourages this new observer to jump too those conclusions but the only one who felt afraid in this less than stellar but not yet lethal last night depicted for the Clarke family, dear target audience, is you

[kayetra-spade-queen]

Time for another ramble.

This time, it's about Arjun, Prince of Bali. Some things that bothered me as an Indo.

Look, I know the show had long ended (with only 3 years of runtime and it has been 7 years since it had ended), but the show is surprisingly underwhelming, and I'm saying this as someone who used to watch some of the episodes that showed on TV (dubbed in Indo obv) when I was younger, and also as someone who's taken the time to watch the episodes in order or not.

Keep in mind, I'm not here to bash the show. I liked this show, because it's actually interesting if you actually took the time to enjoy it. It's just that my overanalyzing ass couldn't stfu, so that's why I'm whipping this up out of my ass. It's my job dawg- ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯

Names

They lack Indo names. Like, ok. Aci and Ayu are there, and ig Wangi is also there. But like how their names are pronounced are butchered, especially the twins, they're so Americanized in terms of their name pronunciation.

Tanya is questionable cuz that's not even an Indo name. Tanya in Indo means question, and idk wtf came over the king and queen's head thinking naming their child Question is a good idea.

Everyone else had Hindi names.

I'd propose alternative names for Wangi and Tanya (personally, the name Wangi, wrongly pronounced or otherwise is weird, just saying-).

Funnily enough, I've searched up Balinese names, and I read names are supposed to be given depending on their birth order.

Meaning, if Arjun isn't name the way he is, his name could be Wayan due to being a firstborn child.

Tanya could be named Ni Luh, as a firstborn daughter. Yes, she's a second born, which also give her the option of Ni Made. Honestly it depends, it could be either of them, but my point still stands.

And for Wangi, I'd give her the name Bunga instead, meaning flower.

Lack of Indo Language Overall

Look, I know it's an Indian cartoon, but if you're going to put a set in other places other than India, might as well do proper research.

Like, I get it, Balinese is especially a difficult language, and I understand as a Javanese and Maduranese who doesn't understand squat of Java at the slightest.

But at the very least, you could use normal Indo. But then again, I think they'll butcher pronunciation regardless if they did or not, looking how they ruined Aci and Ayu's name.

All I'm saying is that, yes, although the overall language use is Hindi, at the very least, use some Indo words in there, even if it's just a little bit. Music, clothing, and architecture isn't the only thing that should be shown, our language, the local or the country-wide one should be represented as well. But I guess it's hard given that there's literally no Indo person in their team.

I get that Arjun and Tanya are biracial, and Hindi also had the right to be represented even if the setting isn't at India. But my point still stands.

Arjun's Lack of Hair Care

Listen, Arjun probably had the most flawless hair known to mankind, and I think he knows it, so that's why he's embracing it. But the point is, similar way of how Bheem's dhoti never got in the way of his fighting, Arjun's hair also never got in the way of training and fighting.

Realistically, he'd tie it up so his hair won't block his view. But god forbid that times of he did get his eyes blocked from view, it won't because of his hair, more like it's from other things like blowing leaves and flying papers.

I would personally love to see more of Arjun looking like this more.

That hairstyle is equally gorgeous as his free hair. He'd still look girly either way lmfao.

Khojo

Look, he deserve his own column due to reasons.

First and foremost; he's a ginger, so are his father. Having a hair color other than black and brown in Asia is rather unusual unless his father had like a foreign lineage. Not to mention they're weirdly pale as well. I have red on my hair naturally, but he's literally just straight up ginger dawg-

And what is this obsession over getting rid of Arjun so Khojo could become prince instead? Like, I get that Arjun is an heir, but isn't usually if the heir couldn't take over or just no more at all, shouldn't the other borns took over instead? If in the events Arjun is to be eliminated, Tanya would be successor instead. Why would a Minister's kid be appointed as prince instead? Like, I don't know if it works like in other countries (I'm not familiar with Indo royal hierarchy system, much less Bali), but just saying that appointing someone who's not even part of the family as an heir when there's clearly someone else other than the initial heir who could take over and is part of the family.

Take is from Bheem for example; sure, he's not royalty and not even part of the royal family. But he was appointed as a substitute king for a while because both the king and the princess are absent. Bheem is appointed to be king because he's trusted and can protect the kingdom just fine.

Khojo is different, and even if scenario plays in a similar manner but still differs; like if the king and queen ceased to exist anymore, Arjun would assume the throne from the get-go despite how still very young he is. If Arjun is also ceased to exist, Tanya would assume the throne. There's literally no place for Khojo at all, and even if Tanya is also gone, I don't think Khojo or even any of the Ministers are gonna assume the throne regardless, especially Khojo's father. Khojo's father literally once planned of Arjun and Zimmbu's kidnapping and tiger-napping all for the sake of getting his son to the seat of prince, yet that is literally not how it works. Who would even trust the throne to him dawg?? Arjun isn't the only child royalty in the family, Tanya is still there. If Arjun is killed after he got kidnapped, she'll assume to be heir right away.

Oh, and he's trying so hard for Tanya, even though she's not interested. He's so desperate for what?

Now I'm moving onto something I don't really wanna bitch off of, just wanted to point things out and maybe throw some scenarios here and there because I think it's neat.

Arjun As A Girl In Disguise

Tell me if you see this pic out of context, you'd tell me whether this kid is a girl or a boy;

Anyways, my point is, if you give him more feminine clothes and he wears it, 100% he'd be mistaken as a girl. And if situation requires it, he'd effortlessly lie that he is a girl, and no one will suspect shit.

He's not even just androgynous anymore, he's straight up feminine, and I liked it that not all men should all look broad and jacked. They could be feminine asf and still look badass.

Both Arjun and Tanya Represents Arjuna of Mahabarata

Now, what do I mean by that?

We all know Arjuna's personality. Arjun had the exact same personality as Arjuna (hence literally being a spinoff version of Arjuna himself). From enjoying attention, how girls fall for them, even as wielding the same weapons (bow and arrow). I think Arjun represents Arjuna in the warfare aspect.

And where do Tanya fit into this?

See, Tanya is more artistic; she danced and done more things in the arts compared to when she actually did anything relating with combat (mentioning the times she once did archery and another episode where broke into Arjun's room with Wangi to get his weapons to train while Arjun is away). Tanya represents Arjuna who were taught and enjoys dancing and music aspect during the exile.

Now I just want answers to my questions;

Who tf is Sankat? Ik he's also a prince, but I can't tell if he's related to Arjun in some way (I don't understand Hindi)

Why is Wangi even in the forest?

Why is Wangi blue?

That's probably all. If there's more I want to talk about, I'll add it in a reblog.

[eminsunnytoons123]

ANIME class of 3000: back to the SING!

My take on the comic dubs of my two comics

I have decided to make TWO comic dubs of my two 'ANIME class of 3000: back to the SING!', And I think I did very good =^.^=

So the first one is the 'teasy Tanya' comic drawing where I even added a small giggle from Tanya at the end and Lil' D slightly groaning in annoyance from Tanya -///-;

The second one is 'Surprise hug from Madison to Kim', And I didnt really add any more quotes or lines ^////^

But I hope y'all will like this =^.^= ♥️💛🧡🩷💖