#talking to them I really like the perspective they introduced me to see things in

[happy10thousandyears]

I love women so much guys (hates everyone irl equally except for my friends)

[haggishlyhagging]

In 1847 the stereotypes for male and female writers were very rigid. Critics expected from a male writer strength, passion, and intellect, and from a woman writer they expected tact, refinement, and piety. They depended on these stereotypes so much, in fact, that they really didn't know how to proceed, what to say, or what to look for in a book if they were unsure of the author's sex.

So Jane Eyre created a tremendous sensation, and it was a problem for the Brontës. The name Currer Bell could be that of either a man or a woman and the narrator of Jane Eyre is Jane herself. The book is told as an autobiography. These things suggested that the author might have been a woman. On the other hand, the novel was considered to be excellent, strong, intelligent and, most of all, passionate. And therefore, the critics reasoned, it could not be written by a woman, and if it turned out that it was written by a woman, she had to be unnatural and perverted.

The reason for this is that the Victorians believed that decent women had no sexual feelings whatsoever—that they had sexual anesthesia. Therefore, when Jane says about Rochester that his touch "made her veins run fire, and her heart beat faster than she could count its throbs," the critics assumed this was a man writing about his sexual fantasies. If a woman was the author, then presumably she was writing from her own experience, and that was disgusting. In this case we can clearly see how women were not permitted the authority of their own experience if it happened to contradict the cultural stereotype.

But even more shocking than this to the Victorians was Jane's reply to Rochester, a very famous passage in the novel. He has told her he is going to marry another woman, an heiress, but that she can stay on as a servant. Jane answers him thus:

"I tell you I must go," I retorted, roused to something like passion. "Do you think I can stay to become nothing to you? Do you think I am an automaton, a machine without feeling and can bear to have my morsel of bread snatched from my lips and my drop of living water dashed from my cup? Do you think because I am poor, obscure, plain and little, I'm soulless and heartless? You think wrong. I have as much soul as you and full as much heart. And if God had gifted me with some beauty and much wealth, I should've made it as hard for you to leave me as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionality, nor even of mortal flesh. It is my spirit that addresses your spirit, just as if both had passed through the grave and we stood at God's feet equal—as we are."

This splendid assertion violated not only the standards of sexual submission, which were believed to be women's duty and their punishment for Eve's crime, but it also went against standards of class submission, and obviously against religion. And this sort of rebellion was not feminine at all.

The reviews of Jane Eyre in 1847 and 1848 show how confused the critics were. Some of them said Currer Bell was a man. Some of them, including Thackeray, said a woman. One man, an American critic named Edgar Percy Whipple, said the Bells were a team, that Currer Bell was a woman who did the dainty parts of the book and brother Acton the rough parts. All kinds of circumstantial evidence were adduced to solve this problem, such as the details of housekeeping. Harriet Martineau said the book had to be the work of a woman or an upholsterer. And Lady Eastlake, who was a reviewer for one of the most prestigious journals, said it couldn't be a woman because no woman would dress her heroines in such outlandish clothes.

Eventually Charlotte Brontë revealed her identity, and then these attacks which had been general became personal. People introduced her as the author of a naughty book; they gossiped that she was Thackeray's mistress. They speculated on the causes of what they called "her alien and sour perspective on women." She felt during her entire short life that she was judged always on the basis of what was becoming in femininity and not as an artist.

-Elaine Showalter, ‘Women Writers and the Female Experience’ in Radical Feminism, Koedt et al (eds.)

[tsireyasluvr]

Desperation

Neteyam x Human fem!reader

Authors note: i’ve been debating making this a mini series, let me know what you think! <3

Summary: you and neteyam have been fascinated by one another and each others cultures, spending every possible minute together. neteyam adapts a habit of sneaking out at night to see you, tonight being no different.

Warnings: 18+!! minors DNI!, aged up neteyam, neteyam is a munch, soft dom neteyam, praises, oral (fem receiving), grinding, whining, size difference, talk of first time (p in v) doesn’t actually happen tho, i think that’s it?

ever since neteyam met you, he’s been stuck to your side like glue. finishing his clan tasks and chores as quick as he possibly could to get back to you, and frankly he’s been spending more time in the lab than he ever thought he would. truthfully, he hated the place. he hated how it smelled so unnatural and how things were so colourless, almost un-life like. humans were fine, but he could never understand the way they lived. he never understood his brothers’ fascination with them either, he never did feel in touch with his human side. until he met you of course, you changed his perspective on a lot of things.

he still didn’t love the lab. but he liked the books you showed him, he liked the assortment of blankets you had and he liked how he could watch you scribble down your thoughts on paper at any moment. he liked the little things, that was undeniable.

he also liked you. granted, most of the human things he likes it’s really only because of you. but it was all incomparable to how he felt about you. everything about you was appealing to him, enticing and captivating. you were exciting, in an entirely different way than his reckless brother was. you were introducing him to new things every day, teaching him the way of your people and culture while he got to give you a personal look on his. the relationship between the two of you grew, and eventually you were spending practically every second together. innocent touches turned into lingering ones, and he couldn’t keep himself from going further.

he started breaking curfew for you, sneaking into your room at odd hours of the night, starting out with just kisses on top of kisses escalating quickly to him on top of you grinding his hips into yours for a little bit of friction. it was embarrassing really, how much he craved to be as close as possible to you even if it was just a kiss or your something as far as your hand wrapped tightly around him.

you were now sat on his lap, late into the night after he once again crept into your dorm within the lab, his large hands holding your waist firmly as you grind your hips against his.

“princess, slow down a little for me” he groaned against your lips as you kept speeding up your movements. even while on top of him, the size difference still had him towering over you, making it easy to lean in and trail your lips on his neck.

his breath catches at that, his face flushing as he takes a deep breath in. “i don’t wanna slow down. i want more” you whined, keeping your legs straddled around his waist. the truth is, you craved the man just as much as he craved you. neteyam consumed every single one of your thoughts, and the desperate grinding and touches have hardly been covering it for you lately. you craved something more, to take things further. you felt his cock press just right against your covered clit, your body feeling warm all over from the sensation, only becoming more desperate for him.

he chuckles a little at your whining, leaning over to look down at your furrowed eyebrows and parted lips. “you enjoying this that much?” he whispered, his voice soft and teasing as he pressed a kiss to your temple, holding your hips tighter as he ground you harder against him. you nodded frantically, hiding your face in his neck as you quietly asked him “can you go faster?”

your voice made him melt, he found your shyness around him so endearing. “yeah baby, whatever you want.” he whispered sweetly, his breath hot in your ear as he did as you asked, pulling back slightly to keep looking at your reaction. he was so obsessed with seeing your blissed out expressions, feeling proud that it was him who made you feel that good. he never was shy with you when it came to his sexuality, getting off on pleasing you and always chasing the euphoric feel of seeing you unravel for him, because of him.

the way his hips were angled had his cock brush up again your clit with every movement, making you moan out his name. he feels your fingertips trace down to his loincloth, fumbling with the strings holding it together, as if asking for permission. “go ahead, princess.” he lifted you up and off his lap like you weighed nothing, keeping you off momentarily so you can pull the loincloth off of him.

you did hurriedly, tossing it as far as possible from you once you finally got it off. he hissed as his cock was freed, feeling the tiniest bit of relief as the cold air hit it. you looked down anxiously, realizing just how big he really was and wondering if that’d ever fit inside of you.

you haven’t had sex yet, but you’ve talked about it. you’ve also been naked around each other plenty, even during innocent moments like cuddling under your mountain of blankets and quilts. you liked to claim it was for research purposes. it felt like now, and this moment, that’s what it was leading up to. the desperation and urgency felt different today, the air between you feeling thicker. it was unspoken, but acknowledged between you both. sometimes you felt like you shared one brain from how often his thoughts reflected yours.

he placed you down gently, cupping your face with one hand and holding your waist with the other, leaning in to kiss you hotly. he rubbed your cheek with his thumb, trying to soothe you as he felt you become nervous. “it’s just me, pretty girl. we’ll take it nice and slow, always” he said gently, looking into your eyes with his warm amber ones.

once you nod and grant him permission, he cradled you in his arms and laid you back on the cot, hovering over you. he pressed his lips to yours again, licking into your mouth as he trailed his fingertips down your abdomen and to your shorts, unbuttoning them with one hand and pulling them down your legs. his breath becomes heavier as he moved his hand over your core, rubbing circles into your clit slowly. you gasped at the feeling, your lips parting as you looked up at him. he’s used his hands on you before, but his touch sent a jolt of electricity through you every single time.

“are you okay, syulang?” he whispered, pressing a kiss to your cheek as he locked eyes with you. his pupils were blown, the warm amber colour barely seen now. “good, i’m good, really good” you panted, your fingers shakily reaching up to brush against his jaw. the eagerness from before was still there but slightly wavering, you realizing this was a lot more.. intense than you anticipated. he smiled down at you, chuckling softly. “you’re shaking” his voice laced with a bit of concern, but still smiling at you reassuringly. “yeah, well, maybe i’m slightly nervous.. can you blame me?” you say, gesturing down to his member, referencing the size.

“i want you comfortable, sweet girl. you know we can always wait, right?” he tucks a strand of hair behind your ear, looking up at you with a gentle look in his eyes. you let out a breathe, trying to wipe your sweaty palms against your legs. “i know..” you look over his face, taking in his features and feeling your heart melt over the warmth in his expression.

“why don’t you hold my hand and try to relax, okay?” he lowers his hand down to yours, feeling you interlace your fingers with his as he smiles down at you again. you hold his hand tightly, bringing it up to rest against your chest as you press a kiss to his knuckles. his hand practically engulfs yours, reminding you of the size difference that strangely only made you feel more safe and protected now. he noticed the change in demeanour, leaning down to trail kisses from your ear to neck again, whispering “that’s a good girl”, his breath hot against your neck.

you mewl from the praise, him making you get more and more excited as you try grinding your pelvis against his, skin against skin causing you to whine and squeeze his hand tighter “Teyam, more”.

the words send a flush through him, growling slightly into the crook of your neck from your pleading tone. he licks a stripe up your neck, you feeling just how big the wet muscle alone is compared to your body, his tongue practically covering half your neck. he looks at you with his head tilted, his eyes meeting yours slowly. “you want more?” he says quietly with a slight smirk, his voice sounding a lot more sultry as his eyes rake over you, his fingers thumbing over the hem of your shirt. you nod at him, your big wide eyes looking at him with a slightly nervous but trusting sense. he let go of your hand, taking off the shirt and leaving you bare beneath him. he leaned in to capture your lips in his once more, making sure you didn’t have time to over think your appearance to him as he trailed his hand to your chest, lightly squeezing your breast. you moan into the kiss, your hands reaching to rest in his hair as you lightly tug at the braids.

he trailed his hand back down to your core, two fingers running through your slit, collecting your slick as he found the sensitive nub. he gently massaged circles into it, drawing another moan out of you. “n-nete..”

“shhh” he cooed, moving his fingers a little faster. “s’okay. feels good, yeah?” his voice sounds slightly hoarse as he admires your blissed out expression, smiling at your little squirms and mewls. “mhm..! yeah, just.. a little faster” you pant, bucking your hips into his palm, his hand covered in your wetness. neteyam chuckles at your eagerness, speeding up his movements before trailing kisses down your chest, lower and lower as he licks and sucks along your stomach before reaching your sensitive spot. he looks you in the eyes as he removes his fingers from your clit and replaces them with his tongue, the large muscle practically covering your entire pussy.

“oh god- Neteyam!” you yell, throwing your head back as your lips stay parted and your hand grips at his hair. he growls into your heat, lapping at your juices enthusiastically as he holds your legs open for him. “fuck, you taste so sweet, princess. so fucking delicious” he groans, slurping loudly at your cunt. you kept bucking your hips into his face, your face turning red as you mewl.

he keeps his eyes on you, not looking away for even a second as he swipes his tongue through your heat, beginning to suck on your clit as he slowly brings his finger to circle your pussy, slowly pushing it in. you gasp softly, your eyes widening as you looked down and gazed into his eyes, seeing the predatory look behind them as he started thrusting it in and out. you let out a silent moan, squeezing your eyes shut as you clutched the sheets beneath you, whimpering as you locked your legs around his head. he grinned, sucking more enthusiastically when he felt your thighs tremble.

“teyam, teyam, teyam!” you’re practically screaming now, feeling the knot about to unravel as your brows furrow in pleasure.

“what is it, beautiful?” he asks, pulling away momentarily to talk before delving back in. “i-i think.. i think i’m close” you whine, writhing beneath him. “yeah? gonna cum for me sweet girl?” he spoke into your cunt, tongue beginning to circle your clit as he keeps sucking. “mhm! y-yeah, fuck!” you squeal, panting before his movements get more intense, finally coaxing you over the edge as he grips your legs tightly. “that’s it sweetheart, always so good for me” he murmured, crawling back over you gently once your shaking body stills.

he laid next to you on your tiny bed, reaching an arm out for you and pulling you into his chest. you felt your body melting into him when you rested your head on his chest, breathing in deeply and relaxing in his hold. “feeling okay?” he whispered softly, running his hand over your back in soothing motions. you only nod your head, your eyes starting to close a little as you fought to stay awake, not wanting the moment to be over yet. he noticed this, chuckling softly as you felt the rumble of his laugh beneath you in his chest. “i can see that you’re tired, y/n. why don’t we just enjoy each others presence for tonight, hm?”

you looked up at him with a pout, your brows furrowed adorably as you lifted your head slightly to see him better. “you didn’t get to finish though. i wanna make you feel good too” you say, starting to lift your body up slowly and throwing a leg over his hip, propping yourself up to sit on top of him. he only pulls you back down to him, your legs still straddling his hips. “believe me, that was REAL good for me too. we’ll focus on the rest another night, okay?” he reached a hand up to cup your cheek, you absentmindedly tilting your face further into his palm as you looked down at him. he smiled at you, thumbing at your adorable pout. “rest. i’m getting tired too here, and i only have a few more hours with you until i have to go back”

with that, you let your body relax and rest against him, feeling him press a kiss to your temple as you prayed for the time to go by slow, not wanting to let him go back home just yet.

[neerons]

Some of Gilbert von Obsidian's best quotes

[Warning: Heavy spoilers about Gilbert's route]

"Ahaha, what is the prince of Obsidian, if not rotten?"

"I hate people."

"No matter how hard I try not to, I can't help but be gentle with her. What kind of villain am I?" (—Gilbert talking about Emma to himself)

"(...) I hope you don't accidentally end up calling me 'big bro' or anything." (—Gilbert to Leon)

"(...) You were just saying what you really think. I don't think doing that is rude. And it's true I'm someone scary."

"I like you because you're so warm, little rabbit."

"Ahaha! You're so sassy. But I like that about you."

"I want to make things awkward for you."

"You can't just focus on the best of someone while ignoring the worst of them."

"If you were a bother, I'd kill you, so don't worry." *smile intensifies*

"...I'm no match for that pure, innocent gaze of yours. You're the only one capable of pushing me around, you know."

"Depending on what you say next, I might just take your head clean off." (—Angry Gilbert to Emma)

"(...) You nearly died. ...Do you have any idea how much that chilled me to the core?"

"The only thing I can ever be for you is a villain. ...Unfortunately."

"...Thank you. I almost got murdered by some dust."

"If you keep on lying over and over about being fine, I might just... Well, you can guess, right?"

"I found it in a book in the little rabbit's room. They need to understand what happens to them if they try to interfere with what's mine... Don't they?" (—Gilbert talking about a poisoned needle targeting Emma to Roderic)

"You said it, remember? You said you wanted me to learn to love Rhodolite. To me, you are Rhodolite."

"Those born with status have the right to do whatever they like to those who are lesser than them. That's what you want to say, isn't it? (...) Hmm? What's that? You look a little distressed for some reason. But I suppose that's no surprise. You see, I have the right to tyrannize you however I please, just as you tyrannized those children who had no one to protect them. I'm imperial royalty, and you're just a third-rate aristocrat. So I'm going to have to teach you just how different our social positions are... Aren't I? (...) Aren't you lucky that we're in Rhodolite? You've narrowly escaped death. If this was Obsidian, you'd be dead for sure. After all, we have no need for disgusting nobles who defile the purity of children." (—Gilbert to a Baron of Rhodolite)

"Wait, so you're telling me you baked cookies for another man, even though I'm right here. Ouch, that hurts."

"(...) if by chance I run into your dear papa, he'll kill me." (—Gilbert talking about Akatsuki)

"Welcome to Obsidian. (...) I introduced myself as Gilbert von Obsidian, didn't I? There's only one person in this country allowed to use the Obsidian name. And that's the emperor."

"There's nothing about you or me that makes one of us intrinsically inferior or superior to the other. Humans are all basically the same. And naturally, from a societal perspective, we probably need people who can take the lead. People who are capable, and talented, who can bring others together, and build a better tomorrow. That's a healthy way to be. I'm the ruler of a country that knows deception and decay all too well, so I understand better than most. That's why my ideal, my ambition, is to conquer all the royalty that have infested this whole continent, and free the people who are under their control."

"I wrote that story based on you. (...) Akatsuki told me a lot of stories about you, and they were always stories about you showing love and affection for others. He made it sound like you believed that the true nature of people is love, and that the happiness of others was what made you the happiest. The idea of living like that was repulsive to me, but at the same time, it made me curious. I got to wondering what sort of choices you'd make, if you were in the same position I was."

"You were bullying small children to amuse yourselves. That Rhodolitian might have stopped at just punching you, but I'm not that kind. Did I make military regulations or didn't I? And do those regulations say attacking non-combattants is forbidden, or don't they?" (—Gilbert to Obsidianite soldiers)

"Then how about you call me papa?" (—Gilbert to Luke)

"...Don't go. (...) I don't know... if I can hold on... until you get back. Being on my own... is lonely..."

"...You're the only one I'll ever love."

"I'm taking your daughter." *smile intensifies* (—Gilbert to Akatsuki)

"I'm not oppressing you with my power, it's just my love for you, overflowing."

"You can't do things like this with other men... Unless you want to see dead bodies."

"You're liked by everybody. A lot of the princes helped you out today. That's because people adore you, and they naturally want to help you out. They're all beasts with strong characters, but you're important to all of them. Do you know how rare that is? That means you're charming to everyone you meet. ...Including me, of course."

"There's no way I'd ever let anyone else kill you. It has to be me."

"I can't just bare my body for free."

"I've never liked seeing you clothe your body in things that other people have put their hands all over."

"Don't force yourself to talk. I'm not so narrow-minded that I'll go around saying you're disrespectful just because you didn't thank me. You're sick; you're supposed to just drink medicine and sleep."

"Wah, boohoo. I can't believe we were on different pages this whole time. I've given you my entire heart, and yet, look at what you've done with it! (...) Waaah, I'm so heartbroken that the only thing that could bury my sadness is world domination!"

"For his sake, I'm going to pretend I didn't hear him call me 'eyepatch bastard'. Rude." (—Gilbert's thoughts about Silvio)

"Her ability to right what was wrong, purify what was once sullied... It runs at complete odds with my nature. I may have truly met my match." (—Gilbert's thoughts about Emma)

"I blinked a few times as my vision seemed to expand all at once... and the little rabbit become clearer and even more beautiful." (—Gilbert's thoughts about Emma)

"I'm never letting you go. If you run away from me, I'll conquer the whole world and follow you to the ends of the earth if that's what it takes. No wait... I just need to control your heart, so that you'll never even want to leave me." (—Gilbert's thoughts about Emma)

"We all approach life differently. Chevalier slices hearts in two. I trample on them. But, you... You respect them."

"I wanted to see you bawling your eyes out."

"You're... the most beautiful thing I've ever seen."

"I like the little rabbit very much, you see. So I certainly hope that bold declaration of yours doesn't end up turning into a lie." (—Gilbert to Silvio, in Silvio's route)

"I'm not interested in the average woman. There's someone that caught my eye when I was young." (—Gilbert talking to Silvio, Rio, Keith, Sariel and Emma)

"You like these stories, don't you? Ones where a lowly village girl falls in love with a big, bad emperor and makes him change his ways—"

"It's a good thing I was born with a pretty face. If I looked scary without even trying, it would almost be TOO perfect."

"Keith, if you get tired, we can swap places. (...) Shame, Daddy says we can't." (—Gilbert talking about carrying Emma instead of Keith, but is stopped by Sariel)

"I was able to find some... treasure too, so I'm very satisfied with today." (—Gilbert most probably talking about Emma to the other princes and Emma)

"What? You'd like some new heads to decorate the castle's gates?" (—Gilbert to Emma telling him she wants friends)

"After a while of being betrayed over and over again, you start thinking to yourself. That maybe the world would be a better place if everyone who wasn't your friend just dropped dead."

"I know her. But only in fantasy. Because there's no way an Obsidianite royalty can have anything to do with a mere bookstore worker. (...) Die without meeting her? Or die after meeting her. Well, that's easy. I prefer the latter in that case." (—Gilbert's thoughts about Emma)

"I tried to hold down my excitement as I knocked softly on the door. (...) The door opened softly, revealing a woman that was different from what I had imagined. Strange. I thought she'd be more childish looking based on his stories. Her eyes that looked directly at me were clear and devoid of any baseless optimism. She was clearly a woman, not a child. I smiled to carefully hide my surprise. (...) She's purer and prettier than I imagined." (—Gilbert's thoughts about meeting Emma for the very first time)

"Oh, I get it. You think I was with another woman, don't you? Ahaha, you get jealous so easily. But don't worry, I only see you.If it would make you feel better though, I could always kill each and every single woman that gets close to me."

"...And so we've decided to officially hold our wedding ceremony. Can we count on your blessing, papa?" (—Gilbert to Akatsuki)

"You're much more important to me than family, you know. (...) After all, you're still alive, aren't you? I wouldn't kill you no matter what you did."

"I really do love you. And it's because I love you that I want to look good in front of you, and hide the things that I don't want you to see." (—Gilbert talking about his health condition to Emma)

"Do you know how long I've been wanting to officially bind you to me?" (—Gilbert's thoughts)

"Oh, that hurts... I just wanted to shower my beloved fiancee with my love, but I guess you don't want to... I'm absolutely heartbroken now. I might just have to go out and conquer one of the neighboring countries just to soothe myself."

"You're my type of lady. Do you know why? (...) I, for one, enjoy the rebellious, sassy look you always have in your eyes. I feel this strong will— that you will never bow down to me. That even though you're terrified, you won't run away."

[cy-cyborg]

How The Owl House did amputee representation right before Eda ever lost her arm - Disability in Media

[ID: A screenshot of Eda from The Owl House, an old woman with pale skin, very large, grey hair and pointed ears in a red dress. Beside the screenshot on a dark pink background is text that reads "Disability in media, How the Owl House got amputee representation right before eda ever lost her arm." /End ID]

Dana Terrace's The Owl House has some of the best disability rep I’ve seen on a Disney channel show in a long time, with Eda, the main character’s mentor, being one of many stand-out examples.

Plenty of people have discussed how Eda’s curse and the loss of her magic can work as an allegory for disability and how refreshing it is to see a story (especially one aimed at a younger audience) who’s focus is not on her “overcoming” it, but learning to accept it as a part of her and go from there. Eda’s story tackles a lot of subjects that are often mishandled in other examples of disability representation, from the subject of parents who refuse to accept, to glass siblings and much, much more, The Owl House handles all these topics beautifully.

But one thing that dawned on me during my most recent re-watch of The Owl House is how well Eda (and later Lilith) worked as amputee representation, long before Eda actually lost her arm.

One of the side effects of Eda and Lilith’s curse is that sometimes their body parts, mainly their limbs, can fall off. It doesn’t hurt them, and Eda is seen removing them intentionally at multiple times in the series, but they can always be reattached.

[ID: an image of Eda holding her sister Lilith's hand. Lilith is a pale woman with long, black hair, wearing grey clothes. She is looking at her other arm suprised, as her hand is missing. Luz, a Latina girl with short brown hair and a purple hoodie is looking on, smiling. /End ID]

While most likely unintentional, the way the show depicts this with Eda in particular is exactly what I wish more people would do with their prosthetic-using amputee characters.

Eda detaches her limbs, especially her legs, when they’re inconvenient or when she’s relaxing.

[ID: an image of Eda laying on the couch in a bathrobe, her hair in a towel. She has taken her legs off, throwing them to the other side of the seat. /End ID]

The fact that this is mostly played for laughs is actually a good thing in my opinion (though obviously, the show’s overall tone is part of that), as it shows the audience who are mostly children and teens, that in a world of weird and downright scary (from the perspective of the characters) things, this isn't one of them. It’s just a thing she and Lilith can do, and it can even be funny.

[ID: An image of Luz and Eda dressed as pirates. Eda is sitting on the ground, her legs detached and off screen somewhere. /End ID]

It does startle Luz and Lilith on a few occasions, but that’s more because they didn’t know the curse could do that, but once they’re introduced to it, it’s never really brought up as a big deal again.

I’d love to see more amputee characters who do this with their prosthetics. So often media is almost afraid to have amputees take their prosthetics off on camera or on the page. For some folks, our prosthetics are like a part of our bodies, but that doesn’t mean we never take them off. Show your leg amputee flop on the couch and throw their legs across the room. Have them go without on occasion, not because they have to, but because they just don’t feel like putting them on.

Likewise, the owl house creators never shy away from showing Eda when her limbs aren’t all attached. A lot of media, and kid’s shows in particular, will avoid having an amputee character’s stump visible if they ever do take their prosthetics off - treating that part of the character’s body the same way they treat gore or nudity. I’ve talked before how this actually does have a real impact on how kids in particular react to amputees - I’ve legitimately had kids I worked with cry when I took my prosthetics off, then immediately calm down when they see there’s nothing "scary" under my socks. As much as I love How To Train Your Dragon, it’s very guilty of this. Hiccup looses his leg at the end of the first movie, and wakes up with his prosthetic already attached. The Netflix series has a few instances where he has his prosthetic off, but the camera almost always avoids showing it until he can cover it up again, or is super zoomed-out so you wouldn’t be able to “see anything”. To their credit, they do get better with this in the last movie (though it's still always covered), but for the majority of the series, they are very reluctant to have any shots where hiccup’s leg is in view without the prosthetic (unless they’re very far away).

[ID: a screenshot of Hiccup from How To Train Your Dragon 3, a white man with short brown hair, and one leg missing, wearing armour made of black dragon scales and no prosthetic. He is holding onto toothless's head, a black dragon. /End ID]

Ironically, Eda does (permanently) loose an arm at the end of season 2, but I don’t really have much to say about her as amputee representation on that front, since she’s absent for a lot of Season 3, and when we do see her again, everything is so hectic, the story doesn’t really have any time to focus on her missing limb (which is reasonable). I will say, I do appreciate that they kept the amputation when she's in her owl-beast form in the finale, but there's honestly not much more to say about it. We do see her again in the epilogue after she’s had some time to settle into the amputation, wearing a hook prosthetic, but it’s, once again, too quick to really say anything from a representation standpoint. There's a few little nit-picky things I could bring up, like the fact they seemed to change the type on amputation she had (when she looses it, we see the split was very close to the elbow, but in the epilogue she has most of her forearm again) but those read to me more like animation mistakes or an odd prosthetic/clothing designs rather than a representation issue - and as someone who's worked in animation, given the stress the team was under for the finale, I'm not really worried about it. Like I said, it's more nit-picky than anything.

[ID: A screenshot of Eda, her hair tied back and wearing a red robe and a hook for her right hand. /End ID]

Despite all that though, I still think Eda is still good amputee representation, but mostly because of how they depict her curse’s side effects rather than her actual amputation. She’s honestly one of the only characters that I think you could refer to as “amputee coded” (outside of maybe Teen Titan’s Cyborg), and I genuinely wish more creators would treat their actual amputee characters the same way the Owl House treats Eda in that regard.

[numberoneredriotfan]

It makes me really upset that Kirishima and Bakugou's friendship wasn't highlighted too much after season 4 or the shie hassakai arc. And I don't even mean this in a shipping sense. Kirishima was a HUGE part of Bakugou's character development even if it wasn't shown that way.

At first, Kirishima is introduced as one of the only people who can handle Bakugou and all his intensity- as well as his explosive (haha get it) personality. This is showcased more clearly in the sports festival arc.

Kirishima offers to be Bakugou's horse, because he's the only one that can handle his explosions with his hardening (which is probably the only quirk in 1-A that really effectively deflect Bakugou's explosions, so nobody else could really be in that position other than Kirishima.) Also, he without hesitation called Bakugou a dumbass and told him to remember his fucking name, even after seeing how angry he can get when provoked. And this isn't even the last time Kirishima does this. So Kirishima becomes someone who can handle Bakugou, but their friendship doesn't end there.

Most this development probably happened off-screen, but overtime Bakugou started to see Kirishima as an equal. Not just someone who could handle Bakugou and put up with him, but as someone who is able to stand by his side unwavering while also understanding his perspective to some extent (which I assume is rare for Bakugou, considering most other's view of him is either "what a jackass" or "wow he's so cool").

Which is why I really love this scene they added in the anime, which shows that Kirishima understands Bakugou, even if he seems like just an arrogant asshole. I think the only other character who understands Bakugou on that level is Deku (and of course his classmates learn to understand later on, but I'm talking about early on).

Kirishima was arguably the first person who Bakugou saw as an equal. Something I noticed about early Bakugou is that he either had a superiority complex or a inferiority complex with someone, and there was really no in between lol. That was, until Kirishima. Who came in as someone who neither above or below him. While Kirishima doesn't take any of Bakugou's shit, he also doesn't treat Bakugou like just a jerk.

This is of course, showcased best in the iconic Bakugou rescue scene.

This scene was honestly just such a good show of their bond, and how Bakugou sees Kirishima. Because as Deku pointed out, Bakugou wouldn't have taken anyone else's hand. We know this for a fact, as this was the same man who would've rather been kidnapped by villains then accept Deku's help-

So yeah. I fully believe if it was anyone other than Kirishima to reach out a hand to him, he would've straight up ignored them and would've tried to fight the villains himself. (Death is one thing but his ego is another apparently-).

It would be ignorant of me to say that Kirishima was the only one who understood Bakugou, because that's just not the case. Because as we saw multiple times throughout the series, Deku (as previously stated) understands Bakugou very well from the very beginning. However, while this opens up the gateway for a reconciliation with Bakugou in the future, Bakugou's complex feelings about Deku make it impossible for them to form a relationship based on that. Kirishima came in as a breath of fresh air, in which there was no lingering resentment or complexity involved. And of course, later in the series, we see the other members of class A understand Bakugou on that level as well. But in the beginning at least, Kirishima was the only person he could sort build that bridge of understanding with.

And even if it's never stated explicitly, I truly believe Bakugou wouldn't have opened up to relationships with his other classmates if it weren't for Kirishima befriending him. Or at the very least, it would've taken him a lot longer.

And the we have to take into accountability of how much their friendship has helped KIRISHIMA develop as a a character. As we can see, from the very beginning, Kirishima has a bad habit of comparing his quirk to the others of their class.

This isn't his fault necessarily, as in their society it's probably drilled into your head from a young age that you can only be a good hero if you have a flashy quirk.

And because of this, rather than looking at his own strength, he pays a lot of attention to how he compares to others.

So clearly, he's hard on himself and has a lot of self-esteem issues. (I am him. He is me-)

And it's clear he looks up to Bakugou a lot from just...Bakugou being Bakugou. Bakugou's a very forward person who jumps in without thinking (for better or worse), which is almost everything Kirishima wants to be. I honestly think that might've been- at least partially- what drew Kirishima to Bakugou. He wanted to be more like him, even if he wouldn't admit to himself. He, in a way, was putting Bakugou on a pedestal, even if he didn't realize that Bakugou sees him as an equal.

But then, Bakugou tells him this:

Which in the end, pushes Kirishima to reach his full potential, which came in form of unbreakable. Bakugou, who was originally someone he looked up to and admired, eventually became his motivation. His drive, even. And it wasn't just Bakugou, obviously, but Bakugou still contributed a lot.

And after all this, their friendship gets pushed to the side so we can focus on Bakugou and Deku's reconciliation. Which isn't bad! I love Bakugou and Deku's friendship as well! And I will say it holds a lot more importance to the plot of the story, and it wasn't necessarily a requirement to have Bakugou and Kirishima's relationship showcased more.

But still, I feel as though one could assume that once Bakugou got his character development from Kirishima, he didn't need anymore. Like he was just a stepping stone in order to reach his redemption with Deku. Which is just a sad way to look at their relationship :( and I truthfully believe that that just isn't the case. We did get a few crumbs, but even then we never got to see them talk one-one as friends after a while.

This isn't supposed to be Kiribaku propaganda or anything like that, and some of this will probably fall into headcanon territory and is just my interpretation of their characters. This also isn't me saying that their relationship is more important than Bakugou and Deku's, or Kirishima and Mina's, this is just more of a vent on how I would've liked to see more of their friendship.

Edit: just wanted to put this here as well

(From mha ultra analysis)

[who-is-page]

I've seen (typically older) therians talking about how they feel that their subculture as animal-people and nonhumans is slowly disappearing. This is a point that, in all honesty, I'm inclined to agree with-- although I think I'd perhaps frame it less as "disappearing" and more as just "changing."

Because let's be honest with ourselves here: is the subculture actually vanishing, or is it just evolving into radical new dimensions as excited newbies join and find different focal points for their nonhumanity? As they express themselves in whole new dimensions and ways, as they explore a digital landscape that didn't exist ten, twenty years ago? As the older members lose touch with the newer members, and no one bridges that gap between the two?

I think I'm also extra frustrated because when I see these discussions go down, a lot of the time they're either 1) self-pitying, or 2) finger-pointing.

It's not bad or wrong to look around and realize that the community you found comfort in has changed in ways you could have never predicted and which leave you feeling off-kilter. But approaching these changes with a complete lack of curiosity, with an absolute woe-is-me sort of perspective, where you drag your feet and glare bitter daggers at everyone else, isn't the way to do anything.

And going around trying to pin blame on whoever happens to be at hand is an even worse way to approach it. "It's the furry fandom's faults!" "It's the alterhumans' faults!" "It's the humans' faults!" Who does this approach realistically help? What does this do, beyond ostracize people and make whoever is saying it feel temporarily vindicated in their solitude, in a vicious cycle where they never step out of their ivory tower and always use how alone they are as "proof" that they're right?

I think having discussions about the ways the subculture has changed is extremely worthwhile. But I think that they're at their best when enthusiasm over sharing takes a main, central point. When you see people excitedly telling others about Werecards for the first time, or when you get to introduce someone to the concept of personal websites and webrings, or when you link someone who's only just starting to learn that there's others like them to old and new groups and forums alike. These are the ways you keep those traditions alive, these are they ways you get people both informed of and really excited about them.

And like, maybe I'm just cheesy and optimistic, but building bridges is way more fun than building walls! And more than that, I also think it's fundamentally something that's significantly more helpful and productive. I'm always so hype when I see community projects taking off that involve connecting many different people, especially if they're centered on a specific group or identity, but I also think that those sorts of things are how we keep a community healthy and moving, how we avoid things getting stagnant and rotting away.

I've said it before in past essays I've published and I'll say it again: alterhuman communities survive through their internal momentum. We're still around and kicking because we're a bunch of opinionated, passionate animals and objects and entities and people and concepts and and and-- this is what we are! This is how we all, both together and individually as separate groups, continue to be around. We write. We argue. We dance. We leave tracks. And then others see all those things, months or years down the line, and they know they're not alone. They know that it's okay to join in around the campfire, and they end up leaving their own tracks, and the cycle repeats.

So I guess what I'm saying here is that I'm not just beseeching people to create, but I'm asking you to create with others. To extend that paw towards the people around you in your immediate community spaces and wider, and to realize that yeah, the digital grains of sand and time might erode and change the landscapes we're all in, but we can still have a damn good time exploring the new nooks and crannies around us and showing others our old hidey-holes and favorite spots to watch the sun set.

[nekropsii]

Hello! First of all, love your work. Wonderful takes and analysis on the alpha trolls, and also i’m a big fan of sovstuck - both the text and the awesome cool art. I love that every character gets introduced with their own unique artstyle, each oozing with character :)

I wanted to ask, - and please believe that i’m asking in good faith, - about your proship dni. I’ve been seeing discourse about ‘pro/anti ship’ for ages now, but i cannot for the life of me understand what the hell either side stands for. First i hear it’s about abusive or problematic (pedo/incest) ships in general, then it’s about the difference of portrayal/endorsement of those things, then it’s something else entirely and i can never fucking understand what the hell the issue is and why it is so heated.

By no means i’m asking you to speak for the whole discourse or even for the entire ‘side’ of it - if there’s one thing i got, it’s that no one can agree on their definition of what ‘their side’ stands for. But i would like to know what meaning you put into the terms, and what kind of ‘proship’ you would like to not interact with you; i trust that you know what you believe in and are able to put it to words in a way that makes sense and doesn’t contradict itself or common sense, as i sometimes see :”)

I.. understand that since the topic is so divisive, you may get a ton of bullshit in your ask box and notes, should you choose to answer this, both from people who disagree and those who choose to misinterpret what you say. So feel free to ignore this ask if you don’t want to deal with that. Still, i do hope i can someday gain some clarity on this topic haha.

Best wishes!! thanks for what you do :)

Hello! Thank you so much, the compliments mean a lot! They really keep me going, lol!!

First of all, congratulations on formulating the most normal ask adjacent to this topic. Since it's so god damn touchy, people have a tendency to start throwing rocks no matter what "side" they're on, and no matter if they know what the hell they're talking about or not. Frankly, some of the ruckus surrounding this circus act is embarrassing. On both ends. Second of all, while this isn't something I'm an expert in, I do know more than I'd like, so I'd be happy to give my perspective, even if it's potentially a bit limited/flawed.

Thirdly, I'm putting this under a cut, for anyone who doesn't want to read all that.

Content Warning: Discussions of Shipping Discourse, Sexual Assault, Abuse, Grooming, Incest, and Pedophilia.

Let me start this by defining what the Relevant Terms mean:

Shipping: The act of pairing two or more Characters together. Though the term is derived from "Relationship", and therefore is at its core - technically, theoretically - a Neutral Term, it - conversationally, colloquially - carries extremely heavy Romantic Connotations, with a strong implication that said Romance is found to be appealing - typically in the sense of being either Cute, or Sexy. Defining this is not me trying to condescend you - One of the key questions in this discourse is what it means to "ship" something, and whether or not the term implies the shipper is condoning the material inherent to the ship.

ProShip: Essentially means "All For All Shipping". It's the personal, discourse-based identity label equivalent to the phrase "Ship And Let Ship". There's a common misconception floating around that the "Pro" in "ProShip" stands for "Problematic", rather than simply being the positive antonym to the prefix "Anti". While I find this to be a failure of basic deductive reasoning, I can also understand how the conclusion was reached - Proshippers are most commonly associated with "Problematic Content"/"Problematic Ships", and they do tend to take pride in being "Problematic" themselves. Either way, the word "Problematic" is highly associated with them and often reclaimed by them. They also call themselves "Anti-Antis" (horribly stupid label, by the way), and "ComShip(pers)", with the "Com" being short for "Complex". To my knowledge, ComShip is a sect specifically trying to get away from the baggage that the term "ProShip" holds, and away from the very real predator problem within the ProShip Community. But I'm getting ahead of myself.

AntiShip: Essentially means "Against Certain Forms of Shipping". It actually used to be a term for people who were against specific individual ships, rather than a blanket discourse label - for example, rather than someone identifying as just an "Antishipper", they would typically label themselves as "Anti-VrisMeen", or a "VrisMeen-Anti", or whatever their focus was. An important thing to note is that Antis trend Young, and they trend Traumatized. They are typically Teenagers, and their stances are largely informed by their discomfort watching Adults Sexualize Characters who share their age or younger, and discomfort watching people Sexualize some kind of Trauma they've been through - and considering their general ages, it's not unlikely that that Trauma is either Fresh or Ongoing. This is not always the case, but it's such a large amount of the AntiShip crowd, and it's acknowledged so little, that it's worth mentioning. It's a very important piece of context to me.

The general Belief Systems of both sides, as they currently stand, are as follows:

ProShip: ==> Never Harass Anyone Over Their Ships: This is the bones of their beliefs, and where everything started. Essentially, it's rude and unnecessary to send people Harassment over a Ship they enjoy, because not only could you be doing something better with your time, but also it can be pretty difficult to tell the "How/What/Why" of someone's interest in such material. ==> All Forms of Shipping Should Be Allowed, No Matter The Content: This is the meat of their beliefs, and also where the arguing starts. It's exactly what it says on the tin - Anything Goes, including Rape, Abuse, Incest, and Pedophilia. This is why the label is so touchy - many people are extremely uncomfortable with the idea of Fandom going back to its habit of uncritically normalizing + romanticizing Rape, Abuse, Incest, and Pedophilia. Part of this is due to the fact that this uncritical normalization has led to genuine, tangible harm on people in Fandom Spaces, particularly Minors. ==> Being Problematic Is Based: The skin of their beliefs. Many people wrap up Shipping Discourse in terms that make it sound like engaging in it is Political Praxis, somehow. While your stance on Shipping Discourse can certainly be telling of your Political Beliefs, in the way that your stance on literally anything can be telling of that, calling Shipping Discourse on its own some kind of Radical Political Stance is... Deeply silly, and also keeps leading to people saying "Being into Incest/Pedophilia is Queer Nature", like, unironically. I keep seeing this happen. This part of it tends to be very... Spite-driven. ==> Fiction Is Not Reality: Basically their catchphrase - nothing that happens in fiction is real, and therefore has no tangible effect on reality.

AntiShip: ==> Please Tag Your Content Appropriately And Keep It Out Of The Reach Of Minors: The bones of their beliefs. Self Explanatory, typically followed up with "and if you can't do that, don't post/make it at all". To further illustrate this, I'd like to spark any reader's memory of the times where you couldn't Google search "Fluttershy" without being lambasted with hardcore porn. No additions of "R34", or "NSFW", just "Fluttershy". There was no SFW Filters. You just had to fucking fight for your life. Being a child on the Internet is and was extremely rough. There wasn't any Official Tag Filtering on Tumblr until... I think 2017. It was dark. ==> Abuse/Rape/Incest/Pedophilia Should Not Be Considered "Shipping": The meat of their beliefs. Essentially, these are extremely heavy, delicate topics meant to be treated with respect and tact, or not handled at all. This is not possible in Shipping Content. At least, not as we currently understand it, and will likely remain understanding in that way for years to come. They argue that Fanfiction is not ever going to be on par with Vladimir Nabokov's Lolita. Which is true. They also argue that it's impossible for most Fanfictions to treat these sensitive subjects with any respect, which is... Dubious, but also fair, considering the Sturgeon's Law of it all. ==> Ewwwww...: The skin of their beliefs. Disgust. It's a whole lot of disgust. Again, worth reiterating that the bulk of AntiShippers are quite Young and/or Traumatized, and the content they are reacting to tends to be Extreme, so a gut response of disgust is... Honestly, healthy. No 15 Year Old should be stumbling upon art of a child getting frisky with their dad and going "hell yeah, brother!". Though I wish they'd handle their disgust with more tact, I find that it's just... A fair response, given their age, what their backstory tends to be, and what content they tend to be reacting to is. ==> Fiction Affects Reality: Not necessarily their catchphrase, but definitely their counterpoint to the catchphrase of ProShippers. They do not say Fiction is real, just that it does literally have a tangible effect on reality, and point to cases where this is observable. The impact Jaws had on real life sharks is a favorite, as is The Birth of a Nation, and The Turner Diaries. And, of course, the ways that the works put out by ProShippers has tangibly affected the lives of others, especially children.

It is worth noting, I am neither of these things. I do not identify as a ProShipper, nor do I identify as an AntiShipper. I identify as a Horror Writer. I have "DNI: ProShip" in my bio because their stances make me the most uncomfortable, and I have been victimized personally by members of their crowd and the result of their beliefs.

I was Groomed by an Adult ProShipper when I was 14 Years Old. She used her ideologies as a ProShipper to excuse herself and the (sexual) content she forced me to Roleplay with her, and used it to pressure me into writing more and more extreme content. I did not want to do it even at the time - it made me uncomfortable - but she made the idea of saying "No" to her... Quite scary, and like I was the one in the wrong for being uncomfortable with it. After all, Fiction Isn't Reality, right? I am not the only person I know with this experiences. I have met and spoken to countless - and I mean countless - individuals who have had similar experiences with that crowd. The sheer distrust kids and teens tend to have towards them is learned through that crowd's propensity towards grooming them. Because the celebration and normalization of that content breeds comfortability with "the real deal", and comfortability with harboring predators.

I'm sure some ProShippers have noble intentions, and don't realize what the controversy is about. I'm sure some of them are deeply out of the loop, and still think it only means "Being Anti-Harassment". But I do not care enough to give people the chance, just... For the sake of my own sanity. You understand, I'm sure. I do not think that this rift between worlds is ever going to get closed, or that these sides are going to experience amicability, because the question is nuanced and about morality itself, and one side is full of defensive, traumatized teenagers trying to keep themselves and their friends safe from what they are perceiving as legitimate threats to their safety, and the other side is full of people who just wanna jerk it to weird porn.

I'm not personally comfortable with, like, any self-identified ProShipper being near me, just due to my own experiences. Some might try to identify me as one against my will, due to the fact that I am Anti-Harassment and a Horror Writer unafraid to touch upon every single one of the aforementioned sensitive topics, but... I am simply not one, because I don't identify that way, I don't believe in their beliefs, and they creep me out, lol.

My beliefs are that people should be able to write about whatever they want, as long as they handle things with the appropriate amount of care, and as long as they keep things tagged appropriately. I think that harassing people for shipping Stridercest in fucking 2024 is lame because you could be doing literally anything else with your time, and I think shipping Stridercest in fucking 2024 is lame because you could be doing anything else with your time. Like, come on, man, it's not even interesting. They're not even doing anything interesting with it. Where are the themes? There are no themes. It's just brothers mackin' on each other whitely. Come on.

No topic should be off limits, but you should at least give it the care and respect it deserves, and you should make it interesting. Nothing is interesting on its own. Rape is not interesting on its own. Incest is not interesting on its own. Abuse is not interesting on its own. Pedophilia is not interesting on its own. Taboo subjects are not interesting on their own. They're mundane evils that happen literally every day to regular people. In writing, they need to be paired with themes, and, hopefully, with good writing. People who have been through these things deserve not only to have their trauma represented, but handled with care, and also for it to be interesting to read. They deserve to have options. They deserve to have good literature to chew on, to help them digest and cope with their own trauma. It's difficult to do that when you feel invisible to everything but the camera lens of a Fetish Pornographer, and I know many people who are suffering with the fact that their traumas seem to only ever be represented or referenced in shitty pornography.

Sure, some people cope with their own trauma by sexualizing it. I know that's the case for some ProShippers, and their reason for being within that group. But it's certainly not everyone's method of coping, and it shouldn't be the only option... Which is why I'm advocating for safe, non-fetishized exploration of extreme themes.

I think the reason why the discourse is so unclear is because "ProShip" and "AntiShip" aren't very tangible, definite belief systems, and also the talking points are evolving and maturing over time. A few years ago, the beliefs of "Antis" definitely broadly leaned more heavily towards total rejection of those themes being present in any fiction, but their arguments seem to have matured lately into "the problem is the nature of the depiction, not the presence of depiction itself".

That's all I can think of saying right now that wouldn't just be me walking in circles. And don't worry, I can definitely take the hit. I'm not sure what here could be very arguable other than semantics, or maybe a history lesson or two.

Thank you for the ask! Hope this helps!

[ondeemand]

Transformers One Review

For the sake of convenience, I’ll be referring to the characters as their new names (Optimus Prime, Megatron, Bumblebee) instead of their old ones (Orion Pax, D-16, B-127).

Also, I didn’t grow up with Transformers, so this will be mostly from an outsider’s perspective. I can’t tell what possibly was or wasn’t a retcon or how accurate to the source material it was, but I think the background info on their world held up very well and they were able to explain it clearly to new viewers like me. It definitely would have hit harder if I grew up with Transformers and knew more than just facts from cultural osmosis, but I still enjoyed the movie a lot.

Notes/Things I’m Neutral On

Very weird to hear my name (Dee) being said throughout most of the movie by Chris Hemsworth’s bad American accent.

Also, I forgot that Megatron has transformed into ground vehicles before. I only ever knew him to turn into a jet, so I was kind of confused that he was a tank in this movie. I hope we get to see him get upgraded to a jet in the next one, but the tank is still cool.

Pros/Things I Liked

Simple but effective color theory with their eye colors. Main good guys have blue while Megatron has yellow, sitting between good and bad. Still a friendly color at first, but slowly turns closer to orange and then fully red as his anger and hatred consume him (and after he met the red-eyed Starscream, a cowardly man who ends up enabling Megatron‘s more violent/aggressive tendencies)

○ Also I don’t know if I was just seeing things, but it looked like Megatron’s eyes got more yellow whenever he looked at Optimus which is so sad and so gay.

I really thought they were gonna push a romance between Elita and either Bumblebee (goofy manchild x competent woman trope) or Optimus (male lead x female lead, blue x pink), but I was pleasantly surprised that they didn’t. Sadly, there’s still time for it in future installments, but I can dream.

Not to be gay, but spider woman sexy. Airachnid was so obviously evil that it was funny, but I can’t fault Sentinel for having her around because I, too, would want a deadly goth woman to be my right-hand lady. They felt like the evil, less developed versions of Mustang and Hawkeye. I am in love.

The animation is gorgeousssss. The environments, the character designs, the fight choreography, the transformations, the lighting, the texture, mwah mwah MWAH STUNNING!!!

○ Sorry, I’m never gonna stop talking about this. The way they were able to make square/blocky figures move so fluidly was fantastic (and proof of concept that a fully animated Minecraft movie would have worked). ○ The camera angles were also great for framing both the dramatic, intense, and/or high-action moments like fights or chase scenes, while also adding a lot to the comedic moments. Like when the camera stays tracking Optimus’ face when running through the forest, only for him to suddenly fall down a cliff neither he nor us saw coming, only to then zoom out to the perspective of the guards below, showing them stumbling and falling. ○ The contrast between the mechanical and organic elements on the surface were really cool, and the way it was introduced was able to convey this idea that organic life was this strange, alien thing. ○ The way the surface just rebuilds itself into these jagged, blocky terrains was really unique and interesting! It felt like a glitched computer model because of its rougher shapes which really added to the fear and hostility of the surface.

90% of their jokes landed and they landed hard. The bit where Optimus looks like he’s about to transform and then just fucking books it is incredible. The audio and camera work help add to these as well, like the music building as Optimus pretends to transform, the camera zooming in close to different parts of him, only for all background noise to cut out as it shows Optimus running away. I won’t name every joke and quip I found funny or we’d be here all day, but they’re certainly a highlight of the movie.

I love Keegan-Michael Key, but I wasn’t a fan of him as the comic relief character of Toad in the Mario movie. When Bumblebee showed up I got a little nervous, but I really loved his performance of the character.

I really liked the midpoint pep talk about hope. That’s a really nice reason that Optimus is the leader despite not being as skilled as other people. He has the hope for a better future and it was a core part of his character from the beginning, and I really like the idea that a leader is someone who can envision a brighter future no matter what.

Alpha Trion transforming was SICK AS FUCK!!! I love that he was more animalistic when the rest of the cast become vehicles. His final fight was so cool, and it actually made me kind of emotional to see him at the end with the rest of the Prime ghosts.

The stabbings? The beheadings?? The branding??? The way Megatron tore Sentinel in half and then ripped his heart out on-screen holy shit???? This movie was incredibly brutal and I loved it. It’s such an interesting phenomenon that children’s media is allowed to be about as graphic as they want as long as it’s against robots, even incredibly sentient ones like in the Transformers series.

○ I watched the 1986 Transformers movie for a class earlier this year, and while it also had a lot of brutality in it’s fights, the new movie felt more intense. Part of this could be attributed to me watching the 2024 movie on a big screen vs the 1986 movie in my living room, but there are other reasons as well. The 1986 movie had more upbeat songs playing over the fights, specifically songs like The Touch and Dare, which helped keep the tone lighter and more exciting. The 2024 movie didn’t have anything like that, allowing the action, while still cool and exciting, to take on a more serious tone. This is also emphasized by the graphics of the movie being 3D instead of 2D. While the 2D 1986 movie is a stunning masterpiece, people still view it with the idea in mind that, since it’s a cartoon, the stakes and story will be less intense. The 2024 movie being 3D with very detailed graphics and lighting already has more visual intensity. The characters are still these bright, poppy colors, but they can come across more moody and dark due to the environments, lighting, and textures that the 3D medium more easily allows. And while the painted backgrounds and cell shading of the old movie are great, the CGI backgrounds are a lot closer to realism, so the harsher elements like metal and rock, which make up a vast majority of the environment and characters, look real too.

The way Megatron’s hate consumed him to the point where he started acting more villainous and, while not entirely similar to Sentinel, still ended up hurting innocent people was tragic. Trying to push away and deny everything about a person only to wind up being just like them. This was perfectly shown in the end credit scene where Megatron is branding himself and the new Decepticons with Megatronus Prime’s face. To him, it may be him reclaiming the traumatic experience and literally using it like a badge of honor, as well as thinking he’s honoring Megatronus Prime. But in reality, he’s just inflicting the same trauma done to him onto others, just like Sentinel. Such a cool way to show how every villain is the hero of their own story.

The doomed yaoiiiiii I’m never gonna get over them. The only other Transformers media I’ve consumed is the 1986 movie, which kills off Optimus Prime in the first 25 minutes and Megatron becomes Galvatron, so I never knew the depths of their homoerotic relationship.

I’m a sucker for “the hero and villain used the be friends (and maybe even lovers?)” trope, so Optimus and Megatron’s relationship and the general premise of the movie was already a slam dunk for me.

I’m also a fan of legacy stories like Avatar and She-Ra. While this movie didn’t get as in-depth with the concept, I enjoyed that they played with the idea of legacy and taking up the mantle of the former Primes.

I absolutely loved the end message that Optimus gives us. Hope, freedom, and autonomy are incredibly important things to learn, and as a trans person who very much wants to keep control over what I do with my body, I really resonated with that last one. I think it’s really cool that they included a message like that in this children’s movie about robots that turn into cars.

Regarding the message of autonomy, I love that it gives the term Autobots a new meaning. Auto meaning “automobile”, since they transform into cars, and Auto meaning “self”, as they are now fully their own bots with control over themselves.

Cons/Things I Disliked

Mid vocal performances from everyone except Brian Tyree Henry and Keegan-Michael Key. And as I mentioned before, it was hard not to focus on Chris’ attempts at an American accent, not to mention how recognizable his, as well as Scarlett Johansson’s, voices are.

The plot felt a little disjointed in the first 1/3-ish.

○ Good setup with the main characters being an oppressed working class with one dreaming of better things and the other hesitant to fall out of line or take risks. But then suddenly there’s a race, and then they’re in it, and then they lose, and then their leader wants to promote them. At first it feels like there are hints that he’s a scummy celebrity-type and that meeting their hero is what will spur on the disillusionment with their society. But then some random douchebag that doesn’t like them reassigns them which goes against their leader’s command, and that’s how the plot kicks off? ○ Also, Elita’s involvement felt kind of rushed/hand-waved. They all get stuck on the surface, but instead of trying to make her way back to report them like she was saying she would for the past few minutes, she makes a complete 180 and heads the expedition herself. ○ It all just felt a little strange, but once it got going the rest of the plot felt fine.

Megatron’s descent into “evil” felt kind of rushed. I understand that he feels betrayed and I really love where the character ends up by the end, but it felt like a real 180 without a lot of build up.

Some jokes fell flat or felt annoying and kinda cringe. That’s the territory of children’s movies though, so par for the course.

TLDR

Overall, this movie was a really fun watch and I’d love to go see it again. While some parts fall a little flat, the movie is lifted from mediocrity by its many Pros. From the stunning visuals, to the quick humor, to the tragic origins of two friends driven apart by their ideals, I’d recommend this movie to anyone interested in animation or the Transformers brand.

8.82/10

[lacrimosathedark]

THAT'S IT! This is a Janet Drake Defense Post

As may be obvious, I spend a lot of time reading fanfic. And there's this trend that drives me nuts, and it's villainizing Janet Drake.

I'm not gonna say she's an A+ mother. She's not. She chose her career and adventures over spending time with her child much of the time. But fandom portrays her as some rich pompous ice queen, which is never shown.

Janet Drake mostly appears in the story Tim's introduced, and in the story she dies.

So, let's start from the top: Haly's Circus.

This event is the only time we see her really interacting with Tim before her death, but it shows that at least when he was young, she was an active part of his life. She was worried about bringing Tim because it might scare him. And then rightfully scolds her husband for being sexist because Jack Drake actually IS a jerk.

...I don't like the art in this comic. Or that the writer doesn't know how kids speak.

But Janet is being supportive of Tim's clear interest in Dick's performance.

And then tragedy strikes and she acts like, y'know, a mother.

Her priority is getting her son and herself out of there.

Also worth noting that the Drakes sent a copy of that final photo of the Graysons TO Dick, which is how he has it at all. If both of them were stuck up pricks, would they even bother sending a photo to a grieving child performer they hardly know? I can't imagine Jack really bothering, but I don't see why Janet wouldn't.

And then, by the time she's dying, we know that Tim's parents have been away for a very long time, he never knows where they are, but they've communicated enough that he knows that they've been fighting.

They're passive aggressive to say the least. This marriage is clearly not working anymore.

EDIT CUZ I REMEMBERED A THING:

It's worth noting that this is a time before smartphones. This comic was released in 1990, which was when pre-paid mobile phones had just started existing. Coverage isn't universal NOW, so back then it was even less, and Jack and Janet are archeologists (or archeologist adjacent?) so they're going to be in less developed and populated areas most of the time. It's unlikely they'd have consistent access to a functional phone that could call the states to talk to Tim regularly.

This isn't to defend their absence, because fuck that, but it's to give it some context. I don't think they were trying to ignore or abandon Tim. Communication was just not readily available and Janet seems to get wrapped up in work...and Jack's an asshole.

Also for note, Janet is probably the one sending Tim postcards in the first place. It being signed "Mom and Dad" is what makes me think that. Jack would have put himself first if he wrote it, it woulda said "Dad and Mom". That's admittedly pure speculation, BUT IT FITS SOOOOOO

My thought is if this were made modern, Janet would be sending extremely scattered texts and Tim would get next to nothing from Jack unless Janet prompted him.

END EDIT

(Fair warning, this story is a few levels of Yikes, but I'm gonna stay on topic)

Bad guy Obeah Man does...something? to the pilot, and they crash, and he has a group of people kidnap the Drakes and their assistant Jeremy.

Danger really puts some things in perspective, for Janet, at least. And that continues for her. Jack is a bit delusional and in denial, thinking he has any control of the situation.

They are tied up and filmed for ransom, their assistant killed right in front of them.

Jack just keeps raging, but Janet is having regrets. Notice how she doesn't cry until Tim is brought up. Could be nothing, could be something.

And then she dies.

Her only other major appearance is when Tim is having a fever dream from the Clench and everything is kind of okay for a minute.

Tim very clearly loves his mom. And we may not get a lot of characterization for her, but she's not cold or callous like people write her constantly.

And now, we finally have a little more about her as of Batman 134.

I haven't really been keeping up since the Gotham War stuff because What The Fuck Was That My Guy, but I recently saw this specific comic.

The multiverse is fucked up again, some way some how, and Bruce is lost (again) and Tim has to get him back (again). This time, Tim is going in after him. But he doesn't end up going straight to Bruce.

He goes to see an alt of his mom.

Tim missed her so much that he ended up going to her before Bruce.

And her immediate reaction is to run up and hug him. Does that look like a mother who doesn't love her son?

"Do you have anyone to take care of you?"

"I don't know how this happened, this miracle...but I just know, in my heart of hearts, it was to show me...that every version of my son is a good one."

Tell me again that this woman is heartless and didn't want her son, I fucking dare you.

And we get more meaning to the name "Robin" and a little crumb about Tim's grandmother. As a treat.

This is all to say, please stop writing Janet Drake as a cold, heartless bitch.

Small final note though: Jack Drake is, in fact, a shitty person and a shitty father. He does still love Tim and Tim loves him AND THAT IS NOT UP FOR DEBATE, but the relationship is a mess. If either parent is actively abusive, it's 1000% Jack "smashed a TV because my son wasn't listening to me and threatened Bruce Wayne at gunpoint" Drake. Probably part of why the marriage was falling apart.

Anyway, yeah, let's retire the "Jack and Janet Drake are Bad Parents" tag and replace it with "Jack Drake is a Bad Parent" and "Janet Drake's C+ Parenting" or something.

[gabessquishytum]

College AU

Hob was sitting in his Speech Class bouncing his leg. They were going to deliver their big speeches today on why they were artists. Hob didn’t like looking at the guy across from him directly, he just had a dark broody aura about him. The guy dressed head to toe in black, had eyeliner dripping down his cheeks and black messy hair. Hob never talked to him really all he knew was that his name was Dream. Hob hated listening to the speeches, then Dream is called up. He talks about how art should be dark and uncomfortable, how being comfortable all the time is stupid especially in art. The direct antithesis to Hob’s which was about how art can bring hope and light to a cruel world. Hob can feel Dream glaring at him when he gives his own speech.

After class Hob is suddenly shoved and pinned against the wall.

“How dare you!”

It’s dream, he’s tiny but his grip is strong.

“You undercut everything in my speech you stupid jock! How am I supposed to be taken seriously? Art shouldn’t be turned away from the world it should reflect it!”

“Can you let go of me?”

Dream lets him go. Hob brushes himself off.

“Art should reflect the world, the world is beautiful”

Dream looks incensed.

“How could you say such a thing?”

Hob motions for Dream to follow him.

Hob takes the long walk back to the dorm full of parks and natural beauty.

“This is my walk home everyday, isn’t it lovely?”

“It would be more efficient to take the bus,” dream grumbles.

“Sure, but I’d miss out on all of this,”

He motions to the luscious greenery around them.

“I had a dream like this once” Dream muses.

“I wanna show you art the way I see it, you wanna go back to my dorm and watch a tv show?”

Dream looked reluctant.

“I don’t want sex”

“Wasn’t on the table” Hob responses quickly.

Dream looked confused. “You really just want to watch tv?”

“I mean yeah?”

“My apologies I’m just so used to guys just wanting me for-“

Hob stops him. “No need to explain love, cmon”

Hob’s dorm is colorful. It’s mesmerizing, hob leads dream to the couch sitting a respectful distance away.

“I want to introduce you to something called Fraggle Rock”

Dream gives him a look.

“That is a children’s show,”

Hob does not pay attention to him and hits play.

By the end of it Dream is inconsolable.

“They are so silly… but they love each other, their world is beautiful and bright,”

Hob simply nodded, now Dream was getting it.

Soon Dream adds more color to his wardrobe (very dark purple and blue) and Hob sees the merit in disturbing art. They’ve become a bit like each other, a balancing out force for the better. And Dream’s end of the year speech talks about how both comfort and disturbance belong in art.

-🦎anon

This is adorable. "Disturb the comforted and comfort the disturbed" is such a dreamling vibe. Both perspectives can be true and both experiences of the world are equally meaningful.

And I honestly don't think we talk enough about Hob as an artist!!!! Of course it makes sense for Dream to make art, but I truly believe that Hob would also make a wonderful artist. I can really see him as a sculpter or maybe working with ceramics - something that really gets his hands into the clay, probably making the biggest mess you can imagine. I figure he probably makes some pretty fucked up disturbing art (maybe Dream’s influence shows here), because after a long time trying to make everything positive and cheerful, he eventually sees that the truth of the world is kind of dark sometimes! And that's actually an okay thing for him to express in his work. He doesn't have to try and make everyone happy. He can just be himself!

Dream is a big fan of Hob’s dark periods and definitely ends up being one of his first customers. But he also has a soft spot for Hob’s radiant, gentle art. Hob’s art is definitely the only primary colour allowed into Dream’s house!!! Along with Hob himself, of course - he is always welcome, no matter how garish his outfits may be!

[solarwynd]

The way the BP members are being well promoted and preforming everywhere really puts in perspective how little Hybe has been doing for every member that isn't Jungkook. This is how a member of one of the biggest groups in the world should be promoted. BTS members should be getting more than BP even, but instead they're being treated like they're the members of a random 4th gen boy group. I think so many fans have gotten too used to the bare minimum, they don't realize that this isn't the norm, that any other artist in this level is being given ten times more. If you show a western artist and their label Jimin's promotions and the amount of time he was given to promote and they would be appalled. Like Crazy was given nothing and Who is barely getting anything. Jimin had one fucking week to promote an album he spent months working on. Like, I need people to stop and think about that again cause I feel we forget how insane that was. Look at any other artist and how long they normally promote their albums for. Jimin had one week. Not one month, one week. I'm going to saying it again because it's so ridiculous: One week. ONE! And armys think this is normal?! How low are standards at this point that this is considered not a big deal? That getting a few extra remixes and covers (that are only useful if you already have a lot of fans willing to buy and stream) is considered peak privilege even though those things don't help introduce the song to anyone that isn't a fan. That is not promotion. Do these people know the meaning of the word promotion? You don't need to promote to people that are already fans. Which is why that Instagram channel (that is of course already being used for another member because Jimin has never actually been privileged and nothing he is given is ever exclusive to him) can't be called promotion. You know things are bad when people think privilege is a fucking Instagram channel that no one but fans that already follow them would even know exists. Do armys think this is 2013 and BigHit is a small little company that can't do much for their artists so it's up to the fans to do all the work? Do they not realize Hybe is a huge company worth billions of dollars? Jimin asking his multi-billion company (that he helped get that rich in the first place) for 4 music videos is not in fact a demand so crazy he needs to apologize for even daring to ask it. To even talk about budget when not only does Hybe already have so much money but Jimin constantly makes them even more is absolutely ridiculous. In one day he made them at least 11 million dollars (definitely more) with a documentary that cost almost nothing considering it was all recorded by SGMB themselves, had simple editing, didn't have any promotion other than posting about it on their own social media and was released in a platform Hybe already owns, meaning all the money goes straight to them. And in return Hybe gave him a fanmeet that looked like it cost maybe a 100 dollars. They were being stingy with the number of fucking balloons on his livestream, that company is actually unhinged.

I know this is has already been said before but sometimes is just hits me how incredibly incompetent Hybe is and how ridiculous it is that armys will try to convince us that this is all normal and we're crazy for thinking Hybe should be doing more.

I’ve seen armys complain about BTS’ lack of promotion before. (mostly where it concerned nwjs but still) Outside of that though, they’ve definitely always prized the fact that BTS got their accolades despite BH not doing anything for them. It was their prime dragging material for years towards western and other kpop artists.

But now, the complacency definitely comes from the fact that they don’t see that there’s anything wrong with the inequality between JK and the other members. Not a new development, it’s been discussed before. They’re never gonna call it out because it would mean having to face the fact that everything that has happened in chapter 2 completely goes against OT7ness BTS themselves have crafted, criticize their favorite member and realize that they’re complicit in turning a blind eye to that same inequality in spite of their own 7 or nothing mentality.

And as long as HYBE knows that armys will be there to provide adequate returns, they’re not gonna do anything substantial for the other members. Since it makes them feel like they don’t need to. (This especially goes for Jimin.)

So it’s not incompetence. Bang knows how the music industry operates and what it takes to successfully navigate it. You see how they magically gained the ability to provide prompt links, CDS for both pre release and title tracks (with an additional version) pre orders and pre saves for Jin. Whereas it took their mess getting aired out on national news for them to give Jimin much of anything. And since Jimin is still able to produce stellar results with the meager aid he receives, armys and all these other solos still think that he’s the most favored member. That’s also why even with discussing the inequality the other members receive in comparison to JK, I still can’t find it in me to group them with Jimin’s inequality cause it’s still night and day. He’s still the only member really getting fucked over.

That’s why the constant gaslighting armys will do like chalking it up to jealousy everytime someone points it out, or either make it a “western industry” or a collective BTS issue really exhausts me at an atomic level.

[thevirgodoll]

Doll Diaries: 10 Ways to Begin Living the Doll Life.

To introduce my brand and my mission, I have created the first guide on how to Live the Doll Life.

This is the first of many posts to build around what a Doll means.

This is a compilation of all of my advice from past posts, my values and things I recommend aspiring to. It's an initiation of some sorts, and will be a sneak peek to what my website and Patreon will entail. This covers who you want to be (your ideal self), who you are right now (your current self), your measure of confidence and value (your worth), and your reality of who you are (your traits and individuality).

Welcome to the Dollhouse!!!

A huge part of what made me choose "Doll" as a brand is the movie, Life Size (2000).

In Life Size, Eve stood up for what was right, was ambitious, and learned how to honor her feelings as a real person. I highly recommend giving it a watch (I haven't seen the second movie, only referencing the first) to really get a feel of the energy I want to cultivate and embody. Now, let's get into it!

1. Embrace everything you already are.

Just because you are in a pursuit of becoming someone new does not mean you have to discard the things that make you who you are. Embracing who you already are and who you were is key to building self confidence. Who you are now is worthy of love and gratitude.

Ask yourself:

What can I forgive myself for?

What are my current strengths and weaknesses?

How can I show myself gratitude today?

2. Love people and speak life into them.

A true Doll does not engage in taking other women down. The biggest issue in today's world is that negativity has become a hot commodity. It is so insidious once it gets started, and it has been normalized to tear other people down in shady, subtle comments. These things bear no fruit. Understand now that talking badly about people and hating them only increases their sun.

What makes the difference between a Doll and another person is that everything she says has a purpose. Before speaking ask yourself:

Is this necessary? Is this true?

What do I gain from saying this?

Would I want to hear this?

These questions will make you distinguish between feelings and facts. You may not even know why you don't like someone at first, but asking yourself critical questions will teach you to see things from a different perspective. Most of the time, this has taught me to keep certain things to myself! If you don't know what you feel yet, the best thing to do is be quiet. It really is true that if you don't have anything nice to say, don't say it at all. ***There are obviously exceptions to the rule, such as emotional abuse, bullying, etc. Defend yourself. Just don't be the one to be a catalyst to someone's downfall.

3. Be a student of life.

In this Dollhouse, we are eager to learn!!! If you want to lead others, you have to be willing to admit that you can be wrong. Even though Dolls are well adored and well educated, we aren't always right. Well, a lot of the time I am, but that's not the point!

Ask yourself:

What is this trying to teach me? What can I take away from this?

When was the last time I opened my mind to something new?

What could I have done differently? If I am resistant to feedback or change in this present moment, why?

4. Take pride in your appearance.

We aren't perfect...but we might as well be the closest thing to it. Make the decision now that you want to look your best every day. This doesn't mean wearing a full face of makeup 24/7, but this does mean being put together. A Doll should never leave the house without looking presentable, and if this is difficult, it's time for a change! Remember in The Princess Diaries when Mia got a makeover to become a princess? She looked like a completely different person and all it took was a new routine in beauty maintenance.

Obviously, you don't have to go to the extremes like she did. There's nothing wrong with glasses, thick curly hair, or thick eyebrows. It's all about making those things cohesive, which is the point of the makeover. I suggest you go on Pinterest or other platforms to find inspiration for what you want to look like. Create a routine around looking your best for YOU...only you know what flatters you the most.

Ask yourself:

What do I feel when I look in the mirror?

What influences me? What does a Doll look like to me?

What would a physical change do for me right now? And why am I doing it?

5. Have people in your life that align with you.

Friends can inspire us, or derail us. It is extremely hard as you get older to sustain friendships because once you leave grade school, there aren't any commonalities keeping you around people you know. Sometimes, we hang onto people longer than we need to.

A verse from the Bible that I often keep in mind regarding friends is Proverbs 12:26:

The righteous choose their friends carefully, but the way of the wicked leads them astray.

Ask yourself:

Would I take advice from this person? Why or why not?

What are the pros and cons of having this person around? How do I feel after hanging out with them?

What do they do for me? Is this reciprocal or transactional?

Is this person bringing me closer to or further away from my dreams, goals, and aspirations? Do they value what I value?

During conflict, how has this friend treated me? Do I trust them? Can I go to them when I need them?

As far as relationships, that is different for everyone but the questions are relatively the same. Some people stop their entire journey towards becoming the woman of their dreams because of love. Guard your heart!!!

Ask yourself:

Does this person align with my beliefs and values? Have I vetted them to see what type of person they are?

How does this person take care of themselves spiritually, mentally, and physically?

What is their story? Is this person aware of that story (whether it's with family, exes, friends, etc.)?

What can they offer me that I cannot give to myself?

Why do I want to be with this person?

6. Truly begin to believe you ARE 1 of 1.

Everyone is different, especially you. Your energy is highly sought after, all you have to do is acknowledge that. In order to live this lifestyle, you gotta appreciate differences in people around you so you can avoid guilting yourself into assimilation/conformity.

Individuality is everything... don't trade that for the approval of others. Social media has revealed how much originality women lack... so be a breath of fresh air. Think of this as Miley Stewart becoming her alter ego, Hannah Montana. The best way to see the new you is a alter ego. Celebrities have used alter egos to embody a side of them that is full of tenacity and candor...basically what they wish they could be. Real life examples are: Sasha Fierce (Beyoncé), Roman (Nicki Minaj).

The arc of an alter ego comes full circle. At some point in the Hannah Montana franchise, Miley came to terms that she lacked nothing in being who she really was because the star power was already in her. Therefore, she let her go and embodied those qualities in herself as "Miley". After hard work it will be the same for you, and you will appreciate who you are even more and not have to separate the two.

Ask yourself:

Who am I? What makes me special?

What do I love most about myself?

What is my signature and aesthetic?

What are the qualities of my alter ego/archetype?

7. Be a woman of substance.

It's useless to work towards being an it girl if you have nothing to talk about. So many women have star quality on the outside, but they are surface level and it prevents them from being seen positively and it takes away their chance of being an it girl.

Learn about current events. Learn about past events. Learn about events that are yet to come, and form an opinion.

You have Google at your disposal, so there's really no excuse to be lazy. Find your passion...most people are empty because they don't do anything they love. Be well versed in multiple topics. I know we say beauty and brains, but it really is hard to come by these days. Most people do not read anymore, nor do they take the time out to learn things themselves.

When it comes to school, that counts as substance as well if you're actually taking classes you're getting something out of (which is a whole other post). I would be remiss if I did not mention that education isn't for everyone. But for those of you that are going to college or are in college like me, this is one of the most important stages of your life. You're on the cusp of greatness. Life happens, but no matter what, we gotta get that degree no matter how long it takes.

Ask yourself:

What's going on in the world right now?

When is the last time I read a book or did something educational?

What are my hobbies? What are my habits? How do these things speak to my intelligence and who I am?

What are the things I want out of my education and what are my goals for this upcoming semester?

8. Dedicate time to your healing.

Just because everything looks perfect, doesn’t mean it will always be that way. This journey towards being that girl will not get rid of your need to heal.

Healing is a rugged path that one must travel their entire life...your journey in becoming the person of your dreams never ends. Give yourself grace on things that you didn't know before.

As always, I recommend journaling to understand your thought process. Sometimes, I look back at my entries in my diary and realize that things weren't as bad as they seemed. Sometimes, though, they were...and for my healing process it became crucial to (when I have the capacity) revisit the moments that shaped my perspective.

I know everyone says this, but there no shame in getting help. No amount of Doll Diaries I give you or confidence lessons/advice from others will matter if you are ignoring what fills your heart with dread at night. Like Megan thee Stallion says, bad b*tches have bad days too.

I am in therapy and I take medications for my mental illnesses, and that made all the difference. Tips are in my mental health tag.

I recommend a spiritual routine that works for you. This may include meditating, praying, going to church, taking quiet time...it's all up to you, but it gives me purpose and structure when feeling existential.

Dedicate life to something bigger than yourself. Remain on the path by upkeeping discipline. Outside influences can lead you astray, but you are the difference between stumbling and getting up, and stumbling and remaining flat on your face. This will involve giving up certain things, such as music or shows or even people that push you further away from what you believe in.

Lastly, have a list of coping mechanisms that you review in crisis. Often, things get overwhelming and we won’t get the chance to sit down and journal or go read something. With that, it’s helpful to make a list of things that you know will help you cope and survive no matter what (while acknowledging the absence of these means you’re getting bad again.)

Here is a very small portion of my list:

cleaning my space

spending time with my dog

playing video games

writing, drawing, music

Ask yourself:

When's the last time I had a break without feeling guilty or lazy?

What positive practices do I have in place to keep me stable? What negative practices do I have in place that prevent me from being stable?

How am I currently working towards improving my mental state? What do I know about myself mentally and spiritually, and how can I use that to transcend?

9. Learn the art of detachment.

People talk about being unbothered, but I don't think everyone truly understands what that means. In this Dollhouse, unbothered does not mean being nonchalant and void of all emotions. Feelings are natural, and I am not sure where someone mixed that up. What creates "unbothered" energy and "detachment" is by realizing you cannot control everything and that majority of the time, it isn't personal. This is one of the hardest lessons out there.

Ask yourself:

Is this really in my control?

How can I focus on the present moment?

And ultimately, remember you cannot fix or please anyone. Keep your composure even in the face of negativity. Your reactions and perceptions to everything you deal with is the most important thing, and will be the common denominator when it comes down to your experiences. Two books I read that changed my perspective and helped me maintain this lifestyle on this was The Four Agreements by Don Miguel Ruiz and Think Like a Monk by Jay Shetty.

10. Above all, live in YOUR world!!!

Make your world exclusive. Keep certain things for yourself so it retains sacredness. Be your own best friend before anyone else. Learn to embrace your own company. Don't always be accessible. Cultivate richness in your life...be willing to take risks and have a variety of experiences.

The main and most important question to ask yourself is: What does my dream world look like?

This is where the Doll Life comes into play. Barbie was marketed as being an all around sweetheart and "girl boss" with the dream life. Bratz were marketed as having individuality and a dream world experience driven by passion.

Both have core values in making sure young girls dreamed big and remained authentic. Honorable mention: Disney, as they did a great job at emphasizing dreams can come true with Disney princesses.

What I want my version of a Doll Life to be marketed as is a world where we indulge in endless possibilities and be multiple versions of ourselves at once. Where we feel like something wonderful could happen, even in the midst of trials.

We can be gentle, yet demanding. We can be feminine with masculine energy, and vice versa. We don't have to choose between one aesthetic or the other. We don't have to conform to the world, because we are in it and not of it. Dolls are seen as "perfect", and that's just the thing, I don't want my brand to be a cookie cutter definition! That's why I say I am the Doll that no one can play with. To be a Doll means to be uniquely you and standing out amongst the rest. It's a mindset, it's a lifestyle.

Don't box yourself in... remember growing up the dream life of Bratz and Barbie refused to box themselves in and remained true to themselves. Live without limits!!! Dreams really can come true. And this Dollhouse is a safe space to DREAM!!!

Even if you don't believe it now, day by day, if you start dedicating yourself to this and remain congruent with your philosophy, you will be more than you could ever imagine. It took so much time for me to do this, but my life is forever changed. So indulge in your wishes, and create your own "life of luxury" or "dream world". Simply live by YOUR rules, and use mine as a outline to get started. I can't wait to see what all of you come up with. I hope this helps Dolls!!! *gives you the keys to your suite in the dollhouse* Proud of you!!!

xoxo,

thevirgodoll ♡

see also:

confidence tag

other doll diaries

advice

[shikai-the-storyteller]

People talk a lot about how Fit didn't want a kid when the Egg event happened, but I'm watching his Egg Event Day stream for the first time and picking up a few interesting things that both confirm and contradict what a lot of people say about Fit's perspective of the Egg event, So here are some notes from his VOD:

Fit immediately went over to Ramon when he saw him and cooed at his cute little mustache.

Fit repeatedly said to himself "I'm not a dad I'm not a dad I'm not a dad" while the informational videos were playing. HOWEVER--

When Ramon flashes the "Egg" sign repeatedly to them, Fit says he has eggs at his base and tells Ramon to wait with Spreen. Ramon chases after him, and Fit insists that he stays with Spreen, saying: "I will be right back, Ramon. Don't worry, I will return. I promise." ~ 1h 17m

Moments later when he's on his own, Fit says "Spreen better keep that Egg alive. I'm not emotionally attached to the Egg with the mustache, ok? I'm not emotionally attached." (Mirroring the things he often says these days about not having separation anxiety. Which is a lie). ~1h 18m

Fit says even though Ramon has a mustache, he doesn't know if Ramon is a boy, girl, or enby. (This isn't really relevant lore-wise, but I thought that was sweet). ~1h 20m

Foolish and Vegetta introduce Leonarda to Ramon, and Vegetta says "Look look, it's a friend, it's a friend! 😊" and then two seconds later says "Now fight to the death! 😊" ~1h 25m

(The QSMP admins also make a whoopsies here and call Fit "Feet" in chat LMAO)

Despite joking that he's going to build Ramon a dog house near his place, when Spreen asks if they should build a simple house or something nicer for Ramon, Fit says, "Well he is our kid, so he deserves only the best, right? Maybe we should make a big mansion." ~1h 31m

Ramon makes a beeline to Fit's starter house (which the admins poked fun at) and excitedly jumps on the bed

Spreen accidentally hits Ramon (again) and Ramon runs off, and Spreen apologizes while he and Fit chase him down. Fit says "He didn't mean to do that, he loves you very much!" ~1h 36m

Fit gifts Ramon a seashell. ~1h 42m

Fit jokes that there's no doubt he's the father because Ramon looks just like him -- bald as an egg

They put Ramon to bed, but Spreen and Fit introduce Roier, Jaiden, and Bobby to Ramon while he's asleep. ~2h 10m

Spreen says he left food for Ramon in case he gets hungry at night. They get worried about Ramon because he's been sleeping for a long time and check to make sure he's still breathing. ~ 2h 14m

Spreen says they'll be a really good team, and Fit says, "We will be very good parents together, I can feel it." (oof) ~ 2h 15m

Fit and Spreen say goodbye to each other, and Fit says "Being a father is not easy, that's why I've put off fatherhood for so long, I don't know if I'm ready." He says it doesn't seem so bad, but Ramon's sleeping a lot and he's kinda lazy, so he doesn't know how he feels about this child, but "We'll make it work." Right after he says this, he suddenly finds Ramon climbing up the hill towards him, and they go fishing together. ~2h 16m

Fit calls Ramon "Mi huevito." ~2h 19m

"I dunno how I got roped into this fatherhood thing" he says while waiting for Ramon to finish using the bathroom. Then he teaches Ramon how to cook the fish they caught (classic Dad behavior) ~2h 21m

Spreen tells Fit he's going out and to take care of Ramon. Fit teases him and says it's a shared responsibility, and Spreen says he has to go to work. ~2h 26m

IMAGES THAT AGED VERY VERY BADLY

The subtitles don't show it, but Spreen is saying "Don't worry, Ramon. You'll see me tomorrow." Fit says he'll teach Ramon how to grow crops, and Spreen says, "That's right Ramon, I want to hear all about how to grow crops when I get back."

Fit tells Ramon "You are my huevito" and sings him a lullaby. 2h 30m

"Spreen going out for cigarettes my ass! I'm not gonna see him for months now. See - someone's gotta step up and be a parent, and be there, and take the responsibility! That's me. That's me. It's weird though, I mean, I'm not used to this whole "fatherhood" thing, keeping a living thing alive. It's weird." ~ 2h 31m

Fit says he thinks he and Spreen will be a good parenting pair if Spreen comes back. But he's glad the child is doing well right now. ~ 2h 36m

Not related to Fit and Ramon, but these are some other funny moments:

Fit gets kicked for "flying" (he was jumping off a tall tower, but manages to clutch it) ~ 2h 43m

Fit meets JuanaFlippa! ~3h 12m

Slimecicle gives JuanaFlippa a landmine. ~ 3h 21m

[3liza]

thank you for speaking rational thought AS AN ARTIST into the ai debate. i get so tired of people over simplifying, generalizing, and parroting how they’ve been told ai works lmao. you’re an icon

some of the worst AI art alarmists are professional artists as well but theyre in very specific fields with very specific work cultures and it would take a long and boring post to explain all the nuance there but i went to the same extremely tiny, hypefocused classic atelier school in San Francisco as Karla Ortiz and am actually acquainted with her irl so i have a different perspective on this particular issue and the people involved than the average fan artist on tumblr. the latter person is also perfectly valid and so is their work, all im saying is that we have different life experiences and my particular one has accidentally placed me in a weird and relevant position to observe what the AI art panic is actually about.

first thing i did when the pearl-clutching about AI art started is go on the Midjourney discord, which is completely public and free, and spent a few burner accounts using free credits to play with the toolset. everyone who has any kind of opinion about AI art should do the same because otherwise you just wont know what youre talking about. my BIGGEST takeaway is that it is currently and likely always will be (because of factors that are sort of hard to explain) extremely difficult to make an AI like Midjourney spit out precisely wht you want UNLESS what you want is the exact kind of hyperreal, hyperpretty Artstation Front Page 4k HDR etc etc style pictures that, coincidentally, artists like Karla Ortiz have devoted their careers to. Midjourney could not, when asked, make a decent Problem Glyph. or even anything approaching one. and probably never will, because there isn't any profit incentive for it to do so and probably not enough images to train a dataset anyway.

the labor issues with AI are real, but they are the result of the managerial class using AI's existence as an excuse to reduce compensation for labor. this happens at every single technological sea change and is unstoppable, and the technology itself is always blamed because that is beneficial to the capitalists who are actually causing the labor crisis each time. if you talk to the artists who are ACTUALLY already being affected, they will tell you what's happening is managers are telling them to insert AI into workflows in ways that make no sense, and that management have fully started an industry-wide to "pivot" to AI production in ways that aren't going to work but WILL result in mass loss of jobs and productivty and introduce a lot of problems which people will then be hired to try to fix, but at greatly-reduced salaries. every script written and every picture generated by an AI, without human intervention/editing/cleanup, is mostly unusable for anything except a few very specific use cases that are very tolerant of generality. i'm seeing it being used for shovelware banner ads, for example, as well as for game assets like "i need some spooky paintings for the wall of a house environment" or "i need some nonspecific movie posters for a character's room" that indie game devs are making really good use of, people who can neither afford to hire an artist to make those assets and cant do them themselves, and if the ai art assets weren't available then that person would just not have those assets in the game at all. i've seen AI art in that context that works great for that purpose and isn't committing any labor crimes.

it is also being used for book covers by large publishing houses already, and it looks bad and resulted directly in the loss of a human job. it is both things. you can also pay your contractor for half as many man hours because he has a nailgun instead of just hammers. you can pay a huge pile of money to someone for an oil portrait or you can take a selfie with your phone. there arent that many oil painters around anymore.

but this is being ignored by people like the guy who just replied and yelled at me for the post they imagined that i wrote defending the impending robot war, who is just feeling very hysterical about existential threat and isn't going to read any posts or actually do any research about it. which is understandable but supremely unhelpful, primarily to themselves but also to me and every other fellow artist who has to pay rent.

one aspect of this that is both unequivocally True AND very mean to point out is that the madder an artist is about AI art, the more their work will resemble the pretty, heavily commercialized stuff the AIs are focused on imitating. the aforementioned Artstation frontpage. this is self-feeding loop of popular work is replicated by human artists because it sells and gets clicks, audience is sensitized to those precise aesthetics by constant exposure and demands more, AI trains on those pictures more than any others because there are more of those pictures and more URLs pointing back to those pictures and the AI learns to expect those shapes and colors and forms more often, mathematically, in its prediction models. i feel bad for these people having their style ganked by robots and they will not be the only victims but it is also true, and has always been true, that the ONLY way to avoid increasing competition in a creative field is to make yourself so difficult to imitate that no one can actually do it. you make a deal with the devil when you focus exclusively on market pleasing skills instead of taking the massive pay cut that comes with being more of a weirdo. theres no right answer to this, nor is either kind of artist better, more ideologically pure, or more talented. my parents wanted me to make safe, marketable, hotel lobby art and never go hungry, but im an idiot. no one could have predicted that my distaste for "hyperreal 4k f cup orc warrior waifu concept art depth of field bokeh national geographic award winning hd beautiful colorful" pictures would suddenly put me in a less precarious position than people who actually work for AAA studios filling beautiful concept art books with the same. i just went to a concept art school full of those people and interned at a AAA studio and spent years in AAA game journalism and decided i would rather rip ass so hard i exploded than try to compete in such an industry.

which brings me to what art AIs are actually "doing"--i'm going to be simple in a way that makes computer experts annoyed here, but to be descriptive about it, they are not "remixing" existing art or "copying" it or carrying around databases of your work and collaging it--they are using mathematical formulae to determine what is most likely to show up in pictures described by certain prompts and then manifesting that visually, based on what they have already seen. they work with the exact same very basic actions as a human observing a bunch of drawings and then trying out their own. this is why they have so much trouble with fingers, it's for the same reason children's drawings also often have more than 5 fingers: because once you start drawing fingers its hard to stop. this is because all fingers are mathematically likely to have another finger next to them. in fact most fingers have another finger on each side. Pinkies Georg, who lives on the end of your limb and only has one neighbor, is an outlier and Midjourney thinks he should not have been counted.

in fact a lot of the current failings by AI models in both visual art and writing are comparable to the behavior of human children in ways i find amusing. human children will also make up stories when asked questions, just to please the adult who asked. a robot is not a child and it does not have actual intentions, feelings or "thoughts" and im not saying they do. its just funny that an AI will make up a story to "Get out of trouble" the same way a 4 year old tends to. its funny that their anatomical errors are the same as the ones in a kindergarten classroom gallery wall. they are not people and should not be personified or thought of as sapient or having agency or intent, they do not.

anyway. TLDR when photography was invented it became MUCH cheaper and MUCH faster to get someone to take your portrait, and this resulted in various things happening that would appear foolish to be mad about in this year of our lord 2023 AD. and yet here we are. if it were me and it was about 1830 and i had spent 30 years learning to paint, i would probably start figuring out how to make wet plate process daguerreotypes too. because i live on earth in a technological capitalist society and there's nothing i can do about it and i like eating food indoors and if i im smart enough to learn how to oil paint i can certainly point a camera at someone for 5 minutes and then bathe the resulting exposure in mercury vapor. i know how to do multiple things at once. but thats me!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[justxtalking]

Do u think maybe when killua was stalking gon it was because he was jealous of gon and not palm for going on a date with palm or just going on a date?like what proof do we have that he was jealous of palm other than him not liking palm?and when he asked gon if he had went on a date before gon said yes and killua had a rock drop on his face😭and he kinda envied him like hes so experianced,maybe he was jealous of gon not palm

Eh, the third magical option?

The thing is, Killua doesn't show any interest in dating. Not then, not before and not after. And, as you pointed out, he doesn't even like Palm. What we do know about Killua is that he wants to be with Gon forever.

Let me explain my thoughts a bit more, with all the proof.

Disclaimer: This is how I see it. Just my perspective on this topic. Literally, just my opinion.

Before talking about the date, I think it's necessary to talk about the scenes that came before. Everything it's clearer with context, and I think it's better if we don't see the date in isolation.

Killua's conflict in these scenes (and more) revolves around his love and care for Gon. Being more specific, his desire to stay with Gon. These scenes are written mostly focusing on Killua's perspective, too.

“Gon, you are light.”

The scene is really powerful and important for Killua as a character and in his relationship with Gon. Here, Togashi focuses mainly on Killua’s feelings towards Gon, as it is shown through the art and the inner-monologue. Before, Killua was feeling down thanks to what Knov, Netero and Morel said to him. Here are some examples of what they said:

It directly links to Killua’s weakness, which is presented later in this part of the arc.

However, Gon thanks him and makes him feel better. What I want to take from this scene is 1. Killua sees Gon as light.

Togashi literally portrays Gon as light by using the white space, lines that seem to come from Gon, and adding subtle white lines to Killua’s shocked expression. To Killua, he shines so bright he can’t keep on looking at him.

If you ask me, I don't think this is the first time Killua sees Gon like this. I think Gon was bright to him since almost the moment they first met, though I do think Killua's feelings grew more and more as the story continued. However, it is the first time we, the readers, are told by Killua about it. This is the first time Togashi shows Killua thinking in those terms about Gon.

And 2. He asks himself, “But… can I still stay by your side?” This is important because Killua, here, is already questioning himself if he, being the person he is, can stay with Gon.

2. Palm

When this scene ends, we meet Palm. What I want to take from these scenes is the following.

First, Palm is introduced as a highly disturbing character, and clearly not mentally well. Her design resembles a horror character (she looks like the girl of The Ring), her speech bubbles are wobbly as if she's trembling, and her behavior is truly unhinged in more ways than one.

It's also important to take into account that Togashi loves dark humor, and he makes a lot of jokes with Palm.

Second, neither Killua nor Biscuit know how to talk to her. They are deeply disturbed by her (and rightly so) and uncomfortable. The only one who can speak to her normally is Gon. Not because he is not disturbed or because he is totally oblivious, he was weirded out at first, but he has a clear goal (train and rescue Kite) and knows how to behave around her better than the other two.

Examples of Biscuit and Killua:

Gon is acting determined and positive, which leads to Palm liking him. Killua, in these cases, is disturbed by Palm and he notices Gon is able to deal with Palm, something Biscuit and him can't do.

Third, Palm is highly worried about Gon and Killua not being able to beat Knuckle and Shoot. She's presented like a threat to the trio, and she warns them more than once about it.

If Palm gets angry, they could be killed. That's why Biscuit ends up running away.

3) Killua's weakness

Here we, the readers, are informed for the first time of Killua's weakness in battle. If we pay attention to Killua's behavior in previous scenes, we would realize that this is something that he has been doing since the beginning.

What I want to take from this is the following:

This spell takes “an enormous effort to break.”

2. Killua gets scared and worried that, if he can't get over his weakness and beat Shoot, he will have to “stay out of Gon's life” because one day he could “let Gon down and leave him to die.” Killua does not want to leave Gon and does not want Gon to suffer because of him. This is linked with the first point I explained, and Killua questioning himself about being able to stay with Gon.

What Biscuit said to him served as a wake-up call for him to try and change.

However, despite his best efforts, he still lost against Shoot. Killua feels awful about that because it means he will have to leave Gon. He made up his mind that it was for the best, but since Gon is nenless, Killua feels like he can't leave him alone just yet. He needs to protect him.

4) The date!

First, when Gon and Killua arrive, Palm is destroying dolls of Gon with a knife, and wanting revenge because Gon and Killua failed despite Gon's promise. Both react shocked, but Gon is the one who tries to make it up to her, since he was the one who made the promise and failed.

Here, Killua is clearly unhappy about the situation. He gets angry and disturbed. He understands the concept of dating and he doesn't like that Gon will have a date with Palm. He tries to object and complains to Gon and to Palm, going back and forth. He doesn't want Gon to go out with Palm, not because he wants to go on a date instead of Gon but because Gon will go out with Palm. I don't think Killua would have cared this much if another person instead of Gon would have gone out with Palm.

It's one of the cases where we could say Killua was jealous, as he is taking an active role to avoid this date from happening.

Second, the gym scene. As I mentioned before, Killua was already thinking about Gon being able to deal with Palm, so here he asks him about dating (since he made the connection between the two.)

When Gon answers that he did, as you mentioned, Togashi draws a rock drop, a device to show that Killua was extremely shocked by Gon's answer (and also for comedic effect.) Killua relaxes a bit when Gon says it was mostly with Mito, but he again reacts shocked when he hears there were others.

The fact that Killua thinks Gon “is so experienced” together with Gon saying that “They call those types cougars” while looking so innocent is a joke of dark humor. We don't know the true nature of these dates, to be honest, but it's what gave Gon the experience to know how to behave around Palm so she doesn’t hurt them.

Killua here does not act like he envies Gon, he's more shocked than anything (and a bit disturbed.) What's interesting in this scene is when Gon asks Killua back about dating, Killua answers a bit nervously and completes his sentence in his mind: “And I thought we would stay together.”

If you ask me if he's okay with Gon dating other people, I would say he isn't because of these reactions.

Killua is not interested in dating someone else, he just wants to stay with Gon. What comes to his mind at that moment is what Biscuit said to him (what I explained in point 3, Killua's weakness.) He truly doesn't want to leave Gon, but he thinks it's for the best.

And I may have no proof, but it looks as if he shed a tear or two and he wiped his face fast. Togashi did hide Killua's face when Killua was about to cry.

Third, the date. Before delving into how Togashi wrote it, we need to take into account that this date is a romance trope often found in shoujo. There is a lot to say about the shoujo elements Togashi includes in his stories, but I'll focus only on this one.

This trope is still pretty popular, but it was easily found in romance during the 2000s, especially in school romance. I believe the Hunter X Hunter chapters of this scene came out around the early 2000s (at least that's what my own volume says), so it makes sense that Togashi wanted to include something of the sort in his work.

The trope has different forms, however, Togashi follows the most traditional one. It is usually used to add drama and tension to the love story. Literally, to stir up some drama. The third person is shown as a possible threat to the main couple (typical love triangle) and helps the couple and the characters to grow in some way.

In relation to the scene, it consists of the main character going on a date or simply going out with a third person outside of the relationship (sometimes it can be the second male/female lead or someone else) while the main love interest follows them making excuses as to why but worried about them being together.

Togashi follows the same format in this scene, with his own goals. It's one of the reasons why I think the reader would think Killua is jealous, since he's acting like the love interest in hiding.

Generally, the character wears a hat, glasses, or both to go undercover. Killua wears a hat.

The love interest in hiding makes excuses as to why he's following them. During the date, Killua follows Gon and Palm (and lies about his whereabouts to Gon), and he keeps on saying he’s following them because “he needs to protect Gon,” which could sound like an excuse to justify himself. He even feels self-conscious about what he's doing, but says to himself that he's doing this to protect Gon.

It adds to the fact that from the beginning, as I've explained before, Killua feels like he needs to protect Gon. Killua, despite losing against Shoot, stayed with Gon because he would be vulnerable against the enemies and Palm. He thinks more than once that he needs to protect Gon.

3. Killua gets annoyed by Palm's new appearance, which is another reaction that the love interest in hiding usually has. In my opinion, Killua was shocked by it and he was also mad because now she looked more like a possible love interest to Gon.

Also, another thing about the trope, Gon takes Palm out for a date so he can make it up for failing her. He takes her to several places that are used for dates in shoujo (the aquarium, for example). I think it's interesting to know that, too.

During the date, I'll admit that Killua's reactions smell a bit like jealousy of Palm (at least to me). He also continues being disturbed. But I repeat, he doesn't show interest in dating. The thing is, the focus is in his worry for Gon's safety and his deepest desire, which is to stay with Gon.

To end this section, it is also interesting to mention that when the date ends, Gon rejects Palm at the same time Killua leaves to find the chimera ant. The main character (in this case Gon) rejects the second love interest (in this case Palm) since he's not interested in them.

5) The conclusion!

I know you only mentioned the date, but I think it's important to talk about how all of this ends, since it has to do with Killua's turmoil I mentioned at the beginning and Killua's stand on Palm and Gon.

Killua fights the chimera ant and finally takes Illumi's needle out of his head. This scene must be one of the most powerful scenes of Killua. After failing in his fight against Shoot, he is now fighting against a dangerous enemy, who does want to kill him and Gon. (I hate that ant.)

Killua makes a tremendous effort and is able to take the needle out because of his own strength and desire to not lose Gon. What gave him so much strength is his love for Gon. He literally frees himself.

When he returns, he's a lot firmer with Palm. He does look a lot freer than before, too. Killua doesn't have to leave Gon anymore.

I would like to highlight some dialogues in this scene. It continues to resemble a love triangle between the three of them (Gon, the main character, Killua, the main love interest, and Palm, the third character who comes to make drama), among other things.

Before, Palm already said to Killua, “Stop interfering, it's between him and me.” Killua complained but it didn't get him anywhere.

Now, Palm repeats to Killua, “Stay out of it. It's none of your business,” which in turn Killua answers, “You stay out of it. In fact, just go away.” At this moment, this Killua is able to stand up for himself a lot better than before. He's clearly showing his discontentment for Palm and her dating Gon.

Something interesting about this is that Palm notices Killua's cuts from the fight at that moment, too. Killua is also able to dodge Palm's attack with no effort and to run away with Gon.

Palm gets extremely angry because Killua is interfering in her relationship with Gon. She literally wants to find him and kill him.

She doesn't because Knov appears, lol.

Togashi finishes this whole Palm's adventure with Gon and Killua thinking how Gon can get free from Palm. Just like Killua was not interested in dating Palm, Gon wasn't either. He was just forced.

So yeah! This is how I see it. I'm sorry I can't give you a more confident answer. You're free to make your own conclusions.

I think Killua's annoyance can be easily interpreted as jealousy of Palm (the romance trope doesn't help his case lol). And I think it's safe to assume that part of the reason why Killua doesn't like Palm is because she likes Gon.

However, at that moment, I don't think Killua has still reached the point of wanting to date Gon (maybe he surprises me in the future), or anyone for that matter. Though I do think if Gon asks him to date for real, he wouldn't say no.

Killua does show genuine concern for Gon and a deep desire to stay with him. And it's obvious that he loves him a whole lot. If you ask me if that love is romantic or not, I would say that yes, but it's a lot deeper than that.

I think it's highly interesting that Togashi wrote such important scenes for Killua with Palm in mind. I can't get over the fact that he literally used a romance trope to make Killua grow. Food for thought, to be honest.

I hope I answered your question and that I'm not too late, omg. I had a good time writing this, so thank you. I got really excited when I saw your question because I love speaking about this. However, I hope I was coherent enough. For you and anyone who is reading this.