#talitakum

[album-a-day-project]

9/18/24

Avalanche Kaito

Talitakum

====

This was a recommendation from Wyattxhim. This is one of the most unique albums I've ever heard. It's tribal, global and also futuristic as their comprised of Kaito Wince from Burkina Faso, Africa; and a duo from Brussels. It's really hard to describe how incredible this album is. It feels like I've discovered Death Grips from really early on. This group I will not gatekeep. I can't recommend this album enough and if you want to impress your friends, show them this.

9/10

[giovinettaioteldicolevati]

E presala per la mano, le dice: Talithà cumì! che interpretato vuol dire: Giovinetta, io tel dico, levati!

Resurrezione della figlia di Giairo (Paolo Caliari, 1546)

Risurrezione della figlia di Giairo (Ilya Repin, 1871)

[zef-zef]

Afropunk Futurism Fantastic new album by Avalanche Kaito.

Avalanche Kaito - Borgo From Avalanche Kaito - Talitakum (Glitterbeat, 2024)

fav tracks: Borgo - Tanvusse - Talitakum - Machine (The Mill)

Kaito Winse (flute, mouth bow, vocals) Nico Gitto (guitar) Benjamin Chaval (drums, synths and electronics)

[dustedmagazine]

Dust Volume 10, Number 6, Part I

Infinite River

We’re halfway through the year and swamped with mid-year activities (look for our round-up next week), but the records continue to pile-up and we continue to make time for as many as possible.  This month, the slush pile yielded a wide range of music, from Burkina-Faso-ian griot to microtonal composition to snarling black metal to improvisation and jazz. 

Our reviews are split in two parts because of Tumblr's arbitrary limits on sound samples. See Part II here. Contributions included Jennifer Kelly, Bryon Hayes, Andrew Forell, Christian Carey, Jonathan Shaw, Bill Meyer, Jim Marks, Justin Cober-Lake and Alex Johnson.  Happy summer!

Avalanche Kaito — Talitakum (Glitterbeat)

Another of those cross-cultural, Afro-European collaborations that are so often great—see recent works by Chouk Bwa & The Ångströmers, Ndox Electrique and Group Doueh/Cheveux—Avalanche Kaito sets Burkina Faso griot to a rattling, pummeling noise punk beat.  I like “Lago” best, where a clatter of mixed percussion and serrated, distortion crusted guitar dart in and around a keening call and response.  Near the end of a recent long-distance drive, I listened to it 14 times in a row without wearing it out.  Still the title track is fantastic as well, its guitars stabbing in like Fugazi, its drums boxy and agitated, its spatter-painted words dicing the beat into eighths and sixteenths.  The “Kaito” in the band name comes from grioteer Kaito Winse.  The Avalanche comes from the falling-down-the-stairs-but-still-on-beat mix of strident punk and West African syncopation.

Jennifer Kelly  

Ayal Senior — Ora (Medusa Editions)

Toronto’s 12-string warrior Ayal Senior workshopped the songs that became Ora at a monthly residency he has at the Tranzac Club, a haven for the city’s most adventurous musical minds. His comrades Kurt Newman (pedal steel, electric guitar) and Andrew Furlong (bass) joined him on the journey, and together they slowly worked the sonic skeletons into fleshy bodies of song. The trio brought scene veterans Blake Howard and Jay Anderson on board to add drums and percussion when they laid the sounds to tape. Their flourishing rhythms complete the image: five beams of light passing through the prism of Senior’s celestial vision. The guitarist bills Ora as the spiritual successor to 2022’s Az Yashir, yet while that record embraced a post-COVID sea change, Ora is bathed in the light of tranquility. Senior’s folk devotionals draw warmth from the presence of his pals, taking on raga and kosmische adornments as they languidly unfurl. These hymns are beauty incarnate, guitar-centric mantras in service of the cosmic mystery that surrounds us all.

Bryon Hayes

Beams — Requiem for a Planet (Be My Sibling)

Beams is an alt.country ensemble, playing rock and folk instruments in delicate, otherworldly ways.  The voices especially — Anna Mērnieks-Duffield primarily but fleshed out in harmonies by Heather Mazhar and Keith Hamilton—float in translucent layers, mixing eerily with the meat-and-potatoes sonics of guitar, bass and drums.  As the title suggests, Beams main subject is the earth itself, its fragility, its rising temperature, its trajectory towards unlivability.  Yet though there are lessons here, in songs like “Heat Potential,” Beams steers clear of polemics.  “It’s All Around You,” especially envelopes and enfolds. Its string-swooping, gorgeously harmonized arrangements lift you up and out of the mess we’re in.  “Childlike Empress” with its well-spaced blots of keyboard sound, its ghostly, tremulous singing, is an eerie elegy for the world’s natural beauty.  The album is its own thing, but it might remind you of certain twang-adjacent Feelies side projects, Speed the Plough and Wild Carnation especially. 

Jennifer Kelly

DELTAphase — Synced (Falling Elevators)

Process. DELTAphase founder Wilhelm Stegmeier contacts a disparate group of musicians and provides them with a key, beat, tempo for seven pieces of music and allows them complete stylistic and compositional freedom. Each of 10 musicians contributed to one or more of the seven pieces, without knowing who else was involved. Stegmeier, seeking synchronicities and serendipity, collates and adds to the contributions and collages them within the given parameters. Result. The musicians, Merran Laginestra, Beate Bartel, Thomas Wydler, Brendan Dougherty, Lucia Martinez, Antonio Bravo, Andreas Voss, Eleni Ampelakiotou, Dominik Avenwedde, Kilian Feinäugle and Stegmeier come from classical, jazz, electronic and post rock backgrounds, and the music occupies liminal interstices between and across genres. There’s lots of layered percussion, electronic backgrounds and guitar interplay from the squalling electric duel on “Phase Lock” to Bravo’s jazzy riffing on “One by One” which also features Laginestra’s  impressionistic piano. That combination is a standout on an album that can occasionally meander into cul-de-sacs. Remote collaboration has become a commonplace since the pandemic but the caliber of the musicians here and Stegmeier’s skill in pulling their contributions together make Synced a fascinating exploration of compositional process.

Andrew Forell      

   

Taylor Deupree — Sti.ll  (Greyfade)

A recent microtrend involves making acoustic realizations of electronic compositions, the latest being a new version of Taylor Deupree’s lauded 2002 electroacoustic recording Stil. Sti.ll follows suit, with a reworking for acoustic instruments by Deupree and Joseph Branciforte. The bespoke Greyfade book that accompanies Sti.ll is handsome and contains a QR code to download the digital recording. The acoustic versions can sometimes fool you into thinking that you are listening to the original synth sounds, which is part of the game. “Stil.” is nearly twenty-minutes long, for vibraphone and bass drum. The vibes play both textural passages and, simultaneously, repeating dyadic melodies. The bass drum errs on the side of gentle effects rather than thwacking. Another standout track is “Temper,” for multiple clarinets and a shaker. The composition moves through a series of repeated intervals, descending fourth, ascending minor third, et cetera, with harmonic underpinning from the other clarinets and constant pulsation contributed by the shakers. Hard for clubbing, but these pieces would work quite well in a concert.

Christian Carey

Emma dj — Lay2g (Danse Noire)

Paris based Finnish producer Emma dj has the tendency to get distracted by novelty which interrupts the flow of this set and disrupts individual tracks often enough to leave the listener frustrated. If that’s the point, all well and good, but I suspect it’s not, which makes you wonder if this is all in service of the producer rather than the audience. That’s fine if there’s challenge in the music, which here, there is not. He collides bits and pieces of dance punk, chiptunes, video game soundtrack and the detritus of underground sub-sub genres into a messy mélange — a potluck casserole thrown together for a class reunion no one’s attending. It’s particularly annoying for the moments when, by design or serendipity, Emma produces a dish worth eating like “RR.dnk” for instance that sprays warped synth stabs against cowbell hi-hat, thumping kick drum and a stumbling bass line without succumbing to the over seasoning of vocal samples, jokey blips and burps or overwrought exhortations to dance. With a little more focus and balance, he may well produce something pretty good but this is only halfway there.

Andrew Forell

Incipient Chaos — S/T (I, Voidhanger)

There are times when some listeners just want a record of snarling, muscular black metal — thematics and scannable cultural politics be damned. If that sounds good to you, this new self-titled LP from French band Incipient Chaos rages and rips with all the right sorts of aggressivity. It seems that one takes chances with one’s ethics (if not one’s immortal soul) doing this sort of impulse listening in black metal: Is this NSBM? Does anyone have the skinny on that? Do we need to dig into the various “Is this band sketch” subreddits and descend into that 9th Circle of gossip-mongering and reaction? Lucifer smiles; so does Advance Publications. Is that a distinction without a difference? Meanwhile, we can note that Incipient Chaos has released this record on a politically reliable label, and while it’s unusual not to get a lyric sheet from I, Voidhanger (uh oh…), that may just be typical black metal shtick: the words are obscured because they are sooooo evil. Whatevs. The riffs are strong, if not world-changing, and the compositions have drama, if not overwhelming tragedy. Check out the guitar-centric middle portion of “Ominous Acid,” which is hugely satisfying. The down-tempo opening minutes of “Dragged Back from the Abyss” will remind you of the best of Aosoth. It’s all a lot of…fun?

Jonathan Shaw

Infinite River — Tabula Rasa (Birdman)

First came the space, now comes the rock. Infinite River’s first couple recordings had a definite COVID-era vibe to them. The Detroit-based ensemble started out as a trio, with Joey Mazzola and Gretchen Gonzales playing guitars and Warren Defever contributing tambura and a place to record. But a bliss-oriented drone might make less sense in a time when you can get out and play shows than it did when clubs were shut down and people didn’t want to go out than it does when stages are available and Steve Nistor, who drums for Sparks, is available to join in. Last year, Bryon Hayes invoked  Windy & Carl and Mountains when describing Infinite Rivers’ Prequel; “Sky Diamon Raga,” the track that kicks off Infinite River, is more like an arena rock dream of Chris Forsyth’s “The Paranoid Cat.” Much of the time this record feels rather like the Raybeats negotiating production ideas of the 1990s and 2010s, which means that the guitar tones will have you scratching your head to remember what’s being reference and how it’s been changed, but that the snare drum takes up entirely too much sonic real estate. Tellingly, the best moments come when the production is dialed back and the melodies take over, as on a Ventures-does-Coltrane interpretation of “My Favorite Things.”

Bill Meyer

Will Laut — Will Laut (Wavetrap)

Producer Ivan Pavlov AKA COH has collaborated with John Balance and Cosey Fanni Tutti, and the sounds of Coil and Throbbing Gristle are clear influences on his new EP with singer William Laut. Shot through with the feeling of dancing towards doomsday, Laut’s haunted murmur wavers just on the right side of cynicism and sleaze as he sings of living through hate, looking for the redemption of love or at least an opportunity to forget even for a few moments. COH lays down a minimalist carpet of synths and drum machines that use TG’s  “United” and Daniel Miller’s “Warm Leatherette” as templates. Most effective are the slow burn sarcasm of “Cryptoman” and the weary tango of “Wine of Love.” These are songs Brecht and Weill might have written if they had access to cheap keyboards and a primitive drum machine. Noirish, knowing and smart, the four songs on Will Laut are a speakeasy floorshow for the modern world. Highly recommended and hoping to hear more from this duo.

Andrew Forell

Niels Lyhne Løkkegaard and Quatuor Bozzini — Colliding Bubbles: Surface Tension and Release (Important)

Niels Lyhne Løkkegaard is a composer based in Copenhagen. On his latest EP he joins forces with the premiere Canadian string quartet for new music, Quatuor Bozzini, to create a piece that deals with the perception of bubbles replicating the human experience. In addition to the harmonics played by the strings, the players are required to play harmonicas at the same time. At first blush, this might sound like a gimmick, but the conception of the piece as instability and friction emerging from continuous sound, like bubbles colliding in space and, concurrently, the often tense unpredictability of the human experience, makes these choices instead seem organic and well-considered. As the piece unfolds, the register of the pitch material makes a slow decline from the stratosphere to the ground floor with a simultaneous long decrescendo.  The quartet are masterful musicians, unfazed by the challenge of playing long bowings and long-breathed harmonica chords simultaneously. The resulting sound world is shimmering, liquescent, and, surprising in its occasional metaphoric bubbles popping.

Christian Carey

[jemepapeda]

Setiap proses ada batas waktunya.

Kalau ada gesekan, cobaan itu sebenarnya Tuhan lagi menyembuhkan, mengikis semua ego, sifat2 jelek kita.

Kunci kesembuhan adalah bersyukur.

Mengucap syukur saat keadaan tidak nyaman.

Untuk bersyukur tidak dipengaruhi oleh kondisi luar.

Talitakum 11 Jun 2024

[rofirspam]

Tanvusse Avalanche Kaito Album: Talitakum

[solocontenido]

Listen/purchase: Talitakum by Avalanche Kaito

[snackpointcharlie]

Are you tired of the same old uninspiring piddly pop dribble, endlessly tuning your receptor in vain as you desperately search for the program that’ll organize the noise and chaos into a mellifluous tapestry of sound? Despair no more! Open up your ear holes and take in a deep refreshing gulp of Snackpoint Charlie. Music from elsewhere and beyond, presented in a pleasing (if sometimes baffling) manner. Live tonight from 10pm-midnight on WGXC, 90.7-FM in upstate New York, and streaming live online 24/7 at wgxc.org

Last night’s show, today - guaranteed to entertain or double your money back

Snackpoint Charlie - Transmission 135 - 2024.03.20 https://wavefarm.org/wf/archive/ce7t46 [ ^ click for download ^ ]

PLAYLIST

1) Tengger - “Exhale” from EARTHING https://tengger.bandcamp.com/album/earthing

2) Mary Lattimore & Walt McClements - “Nest of Earrings” from RAIN ON THE ROAD https://thrilljockey.com/products/rain-on-the-road

(underbed throughout:) Pinchas Gurevich - “Nurky”

3) Conrad Schnitzler - “Slow Motion 1” from SLOW MOTION https://www.forcedexposure.com/Catalog/conrad-schnitzler-slow-motion-cd/BB.452CD.html

4) Katsutoshi Morizono - “Space Traveller” from FUNK TIDE - TOKYO JAZZ-FUNK FROM ELECTRIC BIRD 1978-87 https://bit.ly/3RFvHhT

5) Mazouni - “Ecoute Moi Camarade” from UN DANDY EN EXIL - 1969-1982 https://shop.bornbadrecords.net/album/un-dandy-en-exil-1969-1982

6) LA FEMME - “Ou va le monde” from MYSTERE https://bornbadrecords.bandcamp.com/album/mystere

7) Avalanche Kaito - “Donle” from TALITAKUM https://avalanchekaito.bandcamp.com/album/talitakum

8) Ana Lua Caiano - “O Bicho Anda Por Aí” from VOU FICAR NESTE QUADRADO https://analuacaiano.bandcamp.com/album/vou-ficar-neste-quadrado

9) SAICOBAB - “Nachle Naatu Honey” from NRTYA https://saicobab.bandcamp.com/album/nrtya

10) Cabra - “Arriba El Limón” from VOL. 1 https://www.microscopi.cat/cabra

11) Ziad Rahbani - “Al Muqadenah 2 (Introduction 2)” from AMRAK SEEDNA & ABTAL WA HARAMEYAH https://www.wewantsounds.com/?lightbox=dataItem-lty6fe7y

12) Chris Sandoval y Carmen y Laura con el Conjunto Latino - “Vieja Escalera” https://en.wikipedia.org/wiki/Ideal_Records

13) The Nutmegs - “Down In Mexico” https://www.discogs.com/release/11160113-The-Nutmegs-Down-In-Mexico-My-Sweet-Dreams

14) Yekaterina Kmit - “(Unknown on USSR TV 1988)” https://www.instagram.com/reel/C38k0yGKo6C/?igsh=bGR1Y2dwaDlrb25n https://fb.watch/qXfud612i0/

15) Myriam Gendron - “Long Way Home” from MAYDAY https://myriamgendron.bandcamp.com/album/mayday

16) Tidiane Thiam - “Yewende” from AFRICA YONTII https://tidianethiam.bandcamp.com/album/africa-yontii

17) The Evolution Control Committee - “Be Worried” from Double the Phat and Still Tasteless https://evolution-control.com/index.php/discography/past-releases/64-double-the-phat-and-still-tasteless-cd-self-released

18) Tommasini Juicers - “Ellis 174”

19) Hawkwind - “Spirit of the Age” from QUARK, STRANGENESS AND CHARM https://www.discogs.com/master/28057-Hawkwind-Quark-Strangeness-And-Charm

20) Lagartha - “Rats For Anne” http://lagartha.bandcamp.com

21) Sublime Frequencies - “Tropic Audio Ephemera” from RADIO THAILAND: TRANSMISSIONS FROM THE TROPICAL KINGDOM https://sublime-frequencies.bandcamp.com/album/radio-thailand-transmissions-from-the-tropical-kingdom

[talitablog2022]

Laboratorio di Fotografia

Ciao,siamo dei ragazzi del TALITAKUM che il 19 settembre 2022 di lunedì abbiamo fatto un laboratorio di fotografia e ci siamo divertiti molto sopratutto quando siamo usciti fuori a fare le foto quando avevamo finito eravamo tristi. Non vediamo l'ora di rifare questo laboratorio.

[sofisolis]

"Patrulla Águila, ágiles y decidides. Siempre Listos" . . . . . . . #distrital2018 #scout #unidad #scoutargentina #scoutneuquen #balsa #competencia #artesania #nosoyhippieporquemegustaeljabon #talitakum #plottier (en Las Araucarias Plottier) https://www.instagram.com/p/BpwvokKh7WX/?utm_source=ig_tumblr_share&igshid=szzhclanxvai

[catequesisdiaria]

Estas cansado física o psíquicamente, los problemas necesidades, desacuerdos, dolores, relaciones que nos hacen daño, cosas que nos angustia. no pierdas la fe sigue adelante confía y escucha las palabras que en esta parte del Evangelio el Señor nos regala para recordarnos que no estamos solos y que siempre, El está con cada uno de nosotros sus hijos. recuerda que El te ama a ti, a mi, a cada uno de nosotros. Cada día que todo se te presente como un camino cuesta arriba, respira, descansa, pero respira y descansa en el Señor, y deja que, en voz baja, como una secuencia, te diga, una y otra vez: ¡Talitá kum! ¡Contigo hablo: levántate!(Mc.5,41). Confía. Ten fe @catequesisdiaria #CatequesisDiaria #LioenlasRedes #MisionerosenlaRed #EvangelioDiario #ConversaconDios #VirgenMaría #Eucaristía #Rosary #Jesús #levantate #Santidad #Católico #VirgendelCarmen #Eucharist #EspírituSanto #AdoradorEucarístico #Biblia #talitakum #hijo #hija https://www.instagram.com/p/B8JiifDluau/?igshid=o6dpoud9oso0

[titefotograf]

#tousensemble pour l’ #Afrique #course #solidaire #HARAMBEE des jeunes #nantais courent pour obtenir des #fonds afin d’aider des ados #africains à quitter la #rue et #apprendre à #travailler #reportage #kerlann #titefotograf #titemaîtresse #ecole #courskerlann #talitakum (à Nantes, France) https://www.instagram.com/tite.fotograf/p/BvORCQ5BjPE/?utm_source=ig_tumblr_share&igshid=6xa4ygmna6k2

[giovinettaioteldicolevati]

Luke 8 (New King James Version)

1 Now it came to pass, afterward, that He went through every city and village, preaching and bringing the glad tidings of the kingdom of God. And the twelve were with Him,

2 and certain women who had been healed of evil spirits and infirmities--Mary called Magdalene, out of whom had come seven demons,

3 and Joanna the wife of Chuza, Herod's steward, and Susanna, and many others who provided for Him from their substance.

4 And when a great multitude had gathered, and they had come to Him from every city, He spoke by a parable:

5 "A sower went out to sow his seed. And as he sowed, some fell by the wayside; and it was trampled down, and the birds of the air devoured it.

6 Some fell on rock; and as soon as it sprang up, it withered away because it lacked moisture.

7 And some fell among thorns, and the thorns sprang up with it and choked it.

8 But others fell on good ground, sprang up, and yielded a crop a hundredfold." When He had said these things He cried, "He who has ears to hear, let him hear!"

9 Then His disciples asked Him, saying, "What does this parable mean?"

10 And He said, "To you it has been given to know the mysteries of the kingdom of God, but to the rest it is given in parables, that 'Seeing they may not see, And hearing they may not understand.'

11 "Now the parable is this: The seed is the word of God.

12 Those by the wayside are the ones who hear; then the devil comes and takes away the word out of their hearts, lest they should believe and be saved.

13 But the ones on the rock are those who, when they hear, receive the word with joy; and these have no root, who believe for a while and in time of temptation fall away.

14 Now the ones that fell among thorns are those who, when they have heard, go out and are choked with cares, riches, and pleasures of life, and bring no fruit to maturity.

15 But the ones that fell on the good ground are those who, having heard the word with a noble and good heart, keep it and bear fruit with patience.

16 "No one, when he has lit a lamp, covers it with a vessel or puts it under a bed, but sets it on a lampstand, that those who enter may see the light.

17 For nothing is secret that will not be revealed, nor anything hidden that will not be known and come to light.

18 Therefore take heed how you hear. For whoever has, to him more will be given; and whoever does not have, even what he seems to have will be taken from him."

19 Then His mother and brothers came to Him, and could not approach Him because of the crowd.

20 And it was told Him by some, who said, "Your mother and Your brothers are standing outside, desiring to see You."

21 But He answered and said to them, "My mother and My brothers are these who hear the word of God and do it."

22 Now it happened, on a certain day, that He got into a boat with His disciples. And He said to them, "Let us cross over to the other side of the lake." And they launched out.

23 But as they sailed He fell asleep. And a windstorm came down on the lake, and they were filling with water, and were in jeopardy.

24 And they came to Him and awoke Him, saying, "Master, Master, we are perishing!" Then He arose and rebuked the wind and the raging of the water. And they ceased, and there was a calm.

25 But He said to them, "Where is your faith?" And they were afraid, and marveled, saying to one another, "Who can this be? For He commands even the winds and water, and they obey Him!"

26 Then they sailed to the country of the Gadarenes, which is opposite Galilee.

27 And when He stepped out on the land, there met Him a certain man from the city who had demons for a long time. And he wore no clothes, nor did he live in a house but in the tombs.

28 When he saw Jesus, he cried out, fell down before Him, and with a loud voice said, "What have I to do with You, Jesus, Son of the Most High God? I beg You, do not torment me!"

29 For He had commanded the unclean spirit to come out of the man. For it had often seized him, and he was kept under guard, bound with chains and shackles; and he broke the bonds and was driven by the demon into the wilderness.

30 Jesus asked him, saying, "What is your name?" And he said, "Legion," because many demons had entered him.

31 And they begged Him that He would not command them to go out into the abyss.

32 Now a herd of many swine was feeding there on the mountain. So they begged Him that He would permit them to enter them. And He permitted them.

33 Then the demons went out of the man and entered the swine, and the herd ran violently down the steep place into the lake and drowned.

34 When those who fed them saw what had happened, they fled and told it in the city and in the country.

35 Then they went out to see what had happened, and came to Jesus, and found the man from whom the demons had departed, sitting at the feet of Jesus, clothed and in his right mind. And they were afraid.

36 They also who had seen it told them by what means he who had been demon-possessed was healed.

37 Then the whole multitude of the surrounding region of the Gadarenes asked Him to depart from them, for they were seized with great fear. And He got into the boat and returned.

38 Now the man from whom the demons had departed begged Him that he might be with Him. But Jesus sent him away, saying,

39 "Return to your own house, and tell what great things God has done for you." And he went his way and proclaimed throughout the whole city what great things Jesus had done for him.

40 So it was, when Jesus returned, that the multitude welcomed Him, for they were all waiting for Him.

41 And behold, there came a man named Jairus, and he was a ruler of the synagogue. And he fell down at Jesus' feet and begged Him to come to his house,

42 for he had an only daughter about twelve years of age, and she was dying. But as He went, the multitudes thronged Him.

43 Now a woman, having a flow of blood for twelve years, who had spent all her livelihood on physicians and could not be healed by any,

44 came from behind and touched the border of His garment. And immediately her flow of blood stopped.

45 And Jesus said, "Who touched Me?" When all denied it, Peter and those with him said, "Master, the multitudes throng and press You, and You say, 'Who touched Me?' "

46 But Jesus said, "Somebody touched Me, for I perceived power going out from Me."

47 Now when the woman saw that she was not hidden, she came trembling; and falling down before Him, she declared to Him in the presence of all the people the reason she had touched Him and how she was healed immediately.

48 And He said to her, "Daughter, be of good cheer; your faith has made you well. Go in peace."

49 While He was still speaking, someone came from the ruler of the synagogue's house, saying to him, "Your daughter is dead. Do not trouble the Teacher."

50 But when Jesus heard it, He answered him, saying, "Do not be afraid; only believe, and she will be made well."

51 When He came into the house, He permitted no one to go in except Peter, James, and John, and the father and mother of the girl.

52 Now all wept and mourned for her; but He said, "Do not weep; she is not dead, but sleeping."

53 And they ridiculed Him, knowing that she was dead.

54 But He put them all outside, took her by the hand and called, saying, "Little girl, arise."

55 Then her spirit returned, and she arose immediately. And He commanded that she be given something to eat.

56 And her parents were astonished, but He charged them to tell no one what had happened.

[freeradiotune]

Talitakum Radio is a community-based radio in Japan. Communication is a very important thing in human life. As social beings,

#freeradiotune

#TalitakumRadio

[casaraovintage]

Talita Kume Vestido fresquinho e confortável. Todo estampado em flores. Veste M Comprimento 97cm Cava a cava 100cm Cintura 87cm Barra 100cm $60 #casaraovintage #casarãovintage #talitakume #vestidoflorido #dress #vestido #vestidos #brechoonline #brecholuxo #bazarvirtual (em São Paulo, Brazil) https://www.instagram.com/p/CJosJ0dFlHf/?igshid=15tufjroru7ba

[alzy25]

Ceritanya lagi selonjor gembira di teras.. Ngisis terima angin sepoi sepoi.. #relax #structure #talitakum #batucity #perspective #mobilephotography #mobilephonecamera #kamerahpgw #igers #igersoftheday #picoftheday (at Talita Kum)