#tales from the thousand lakes
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southconfessionpark · 18 days ago
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Kyle has 2000s Amorphis vibes imo
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painiac · 1 year ago
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nowonlyghosts · 11 days ago
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Amorphis // Tales From The Thousand Lakes (1994)
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slrmagazine · 5 months ago
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AMORPHIS: Tales From The Thousand Lakes (Live At Tavastia) Album + Concert Film Out Now; “Into Hiding” Live Performance Video Launched
AMORPHIS: Tales From The Thousand Lakes (Live At Tavastia) Album + Concert Film Out Now; “Into Hiding” Live Performance Video Launched. #amorphis @amorphis
Exactly thirty years after its original release, Finnish metal icons AMORPHIS are proud to celebrate the anniversary of their milestone release Tales From The Thousand Lakes with a unique live edition of the record, which represents an essential collector’s item for every AMORPHIS connoisseur. The magic of this work, grandly transferred onto the stage of Helsinki, Finland’s Tavastia Club,…
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0ldc0ldriver · 1 year ago
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Waters of the sea
So much blood of mine
Fishes of the sea
So much Flesh of mine
Drowned Maid, Amorphis
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z34l0t · 2 years ago
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what-even-is-thiss · 1 month ago
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If you get into watching elder scrolls lore YouTube videos there’s basically two types of channels.
1: *footage of heavily modded Skyrim landscape as music swells in the background* From the beginning of time the mystical and beautiful properties of the humble sweetroll have captured the imaginations of thousands across the universe. Today I shall weave thee a tale of this pastry most old.
2: *picture of blurry concept art that looks like it was fished out of a lake* *you can hear the narrator’s AC unit in the background* Hey guys did you know there’s lore about frickin uh sweet rolls
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p0orbaby · 2 months ago
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Mud, Sweat and Tears
summary: you like the outdoors, leah doesn’t, what could go wrong ?
warnings: none
a/n: based on this request ! thanks !
word count: 1.5k
-
It’s Saturday morning, early. Unforgivably early. The kind of early where the sun’s still hiding behind the trees, and any reasonable person would be asleep. But you’re not reasonable, and you’re not asleep. You’re packing the car with fishing rods, a tent, and Leah Williamson, who’s standing in the driveway, half-awake, holding a thermos of coffee like it’s the only thing tethering her to this planet.
“Are you sure this is a good idea?” Leah asks, squinting up at the sky like she’s expecting it to open up and swallow her whole.
“Yes,” you say, a little too cheerily for this hour. You’re from a camping family—one that considers sleeping bags and bug spray essential items. For you, weekends are made for hiking trails and catching fish with nothing but a stick and a string. Leah, on the other hand, is the type of person who thinks “roughing it” means staying in a hotel without room service.
Leah sighs, long and dramatic, and you can tell this is going to be a weekend of constant commentary. You love her, but she’s never been one to suffer in silence.
You get in the car and drive. Leah stares out the window, probably counting the number of coffee shops you pass that she’s being cruelly denied. You try to distract her with stories from your childhood, tales of catching frogs and sitting in a fishing chair eating beans out the tin, but Leah’s only response is, “Couldn’t you just do that in your garden?”
-
When you arrive at the campsite, Leah’s first question is, “Where’s the toilet?” You point to the woods, and she stares at you like you’ve just suggested she eat dirt.
“You’re kidding,” she says, though she knows you’re not.
You grin. “It’s called nature. People have been doing it for thousands of years”
“People also used to die at thirty,” she shoots back.
You set up the tent while Leah hovers nearby, looking like she’s trying to work out how to teleport back to London. She’s mumbling to herself, something about bears and serial killers, and you catch the phrase “the beginning of a horror film” as you hammer in the last tent peg.
“It’s not that bad,” you say, shaking out the sleeping bags. “Look, we’re surrounded by trees, fresh air, the sound of birds—”
“—and the nearest bathroom is in the next county,” she interrupts, arms crossed.
You laugh, but she’s still frowning, looking at the tent as if it’s a creature that might bite her.
“Is it too late to go back?” she asks, and she’s only half-joking.
“Yes,” you say firmly. “You’re going to love it. Just give it a chance”
Leah doesn’t answer, but you can see her mentally reviewing the terms of your relationship, wondering if it’s really worth it.
-
The first hike is a gentle one. You choose a path that’s scenic, with views of the lake, thinking it’ll win Leah over. She starts off strong, even enjoying herself for the first ten minutes. But then she hits a rock with her boot and lets out a string of words that would make a sailor blush.
“I don’t know how you do this,” she mutters, rubbing her toe through her boot. “I’m a footballer, and even I think this is excessive”
You offer her a hand to steady herself over a tricky bit of trail, but she swats it away. “I can do it,” she insists, right before she stumbles and nearly faceplants into a bush.
You help her up, biting back a laugh. “You okay?”
“I’m fine,” she grumbles. “But if I die out here, I’m haunting you”
“Noted,” you say, still smiling.
A little further down the trail, you stop to point out a bird—something you’ve seen a hundred times but you know will be new to her. Leah squints at it, trying to look impressed.
“Wow,” she says, without any real enthusiasm. “A bird”
“You’re not even trying,” you accuse, though you’re still grinning.
“I am,” she argues. “I’m trying to stay alive. This is a survival situation now”
-
Fishing is the next disaster. You’re by the lake, showing Leah how to cast a line, when she gets the hook tangled in a tree branch on her first try. She’s staring at it, hanging like a Christmas ornament, and you can see the moment she decides fishing is the worst thing ever invented.
“This is stupid,” she declares, as you untangle the line.
“No, it’s relaxing,” you correct. “It’s about patience”
“I have patience,” she retorts. “I put up with you”
You laugh, but Leah’s dead serious, looking at the water like it owes her something.
You manage to catch a fish—small, but it’s something. Leah just watches as you handle it with ease, her expression a mix of admiration and abject horror.
“Now what?” she asks, eyeing the fish like it might jump up and slap her.
“Now we let it go,” you say, holding it gently before releasing it back into the lake. “Catch and release”
“So we’re torturing fish for fun,” she sums up, crossing her arms.
You roll your eyes. “That’s not the point. It’s about being in nature, enjoying the peace and quiet”
She looks around, like she’s searching for this peace and quiet you’re talking about. “If by ‘peace and quiet’ you mean insects and dirt,’ then sure”
“Come on,” you say, leading her back to the shore. “You’re doing great”
She grumbles something about Stockholm Syndrome, but she follows you, brushing a mosquito off her arm with a look of pure betrayal.
-
The first night is the real test. You’re lying in the tent, cozy in your sleeping bag, while Leah fidgets next to you. You can hear her shifting around, trying to get comfortable, letting out exaggerated sighs every thirty seconds.
“I can hear you,” you finally say, eyes still closed.
“This ground is trying to kill me,” she replies, her voice muffled by her sleeping bag. “How is this comfortable?”
“It’s not supposed to be a hotel bed, Leah,” you say, still amused. “It’s camping”
“Right, camping,” she mutters. “Which is just paying money to pretend you’re homeless”
You laugh out loud at that, and Leah finally cracks a smile, even if she doesn’t want to admit it.
After a few more minutes of restless shifting, she huffs again. “I need to piss”
You point towards the trees, again. “Nature’s calling”
She doesn’t move. “You’re really not joking, are you”
“Nope”
Leah stares at you like you’ve just suggested she drink the lake water. “I’m not going out there alone. What if something eats me?”
“Like what?”
She thinks for a moment, then shrugs. “Bears. Wolves. A very aggressive squirrel”
You sit up, knowing you’re not going to win this one. “Fine, I’ll come with you”
You both get up and trudge out into the dark, Leah clinging to your arm like she’s convinced the woods are full of monsters. After she’s done, you’re walking back to the tent when she suddenly stops.
“What?” you ask, turning to look at her.
“Did you hear that?” she whispers, eyes wide.
“Hear what?”
She doesn’t answer, just pulls you along faster, practically dragging you into the tent. You both dive in and zip it up like you’re sealing yourselves in a bunker.
Leah’s heart is racing as she gets back into her sleeping bag, and you can’t help but smile at how seriously she’s taking this.
“Nothing’s out there,” you say, trying to reassure her.
“I’m not taking any chances,” she mutters, pulling the sleeping bag over her head like it’ll protect her from the unknown terrors of the forest.
You lie back down, still smiling to yourself. “Goodnight, Leah”
“Goodnight,” she mumbles, and you can tell she’s already planning how to survive the night.
-
By the end of the weekend, Leah’s still grumbling, still complaining, but there’s a softness to it now. You catch her smiling when she thinks you’re not looking, like maybe—just maybe—she’s starting to see why you love this so much.
You’re packing up the car, and Leah’s pretending to help, mostly by standing around and giving unhelpful advice.
“You know,” she says, as you load the last of the gear, “this wasn’t as awful as I thought it would be.”
“High praise,” you say, wiping your hands on your jeans.
“I mean, I’m never doing it again,” she clarifies, “but it wasn’t awful”
You grin, knowing that’s as close to a victory as you’re going to get. “I’ll take it”
Leah gives you a look, one that says, despite all the complaining, she had a good time in her own way. “You’re lucky I love you,” she says, and it’s the first time all weekend she’s said something without a hint of sarcasm.
“I am,” you agree, leaning in to kiss her.
And as you drive away from the campsite, back towards civilisation, Leah finally falls asleep in the passenger seat, the weekend’s adventures catching up to her. You glance over at her and smile, thinking maybe you’ll get her to go camping again one day. But for now, you’ll let her sleep, knowing you’ve survived the wilderness together.
Even if she still thinks it’s trying to kill her.
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dycefic · 2 years ago
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The Hearthstone God
[The sequel to the God of Prophecy, and the Serpent God of Protection]
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Fire is out of fashion, in this new age.
Some of my kind have found new homes, new names, in factories or forges, in the hearts of wildfires or crystals or volcanoes.
Most of us are simply forgotten.
I was a fire god, once. A god of gathering, a god of communion, a god of song and story. But there are no hearthstones now. No fires around which families gather to eat and talk and tell stories.
I am lucky. I am tied to a great flat stone near a lake. A lake that has survived all the wild exuberance of men, when they learned to change the world around them. Once, this was a place where travellers stopped to rest. At first they travelled on their feet, or on half-wild horses. Then there were carts, and a road. Much later, cars drove down the road. The road was paved.
But some things do not change. People need clean water to drink, and the spring here is good. They need to rest, when they are weary. And even now, when they come to camp in nylon tents, to fish in the lake, or to hunt the ducks, or drive camper-vans to the flat place, their ancient instincts wake, and they turn to fire once more. They light new fires atop my stone, so flat and safe, from which no log will roll to set the woods afire.
Not so many come now. Camping is less popular these days. But some still come. Some still light their fires, and settle around my stone, and talk, or listen to music, or tell stories. So I survive, just barely, on the edges of belief.
I feel it, when things begin to change. Something is happening. Something is drawing old gods back. Not the great ones, risen beyond mortal understanding, but the oldest gods, the small gods, those who rose when humankind were still learning what they were.
Far to the west of me, a god even more ancient than I wakes, and begins to hunt again. I remember the stories that were once told of that old serpent, and tell them over to myself in the long fireless nights.
A god of prophecy, not of this land, settles south and west, and I remember tales of ancient ravens, their wisdom and their guile and their sharp, sharp eyes. There was a raven clan once, who passed this way in the days of skin garments and stone tools, but I have forgotten their name. I only remember the symbol they wore, the black bird with its spread wings, marked in charcoal or charring on wooden talismans or leather garments.
I wait, to see who will awaken next.
To my great surprise, it is me.
The people who come this time aren’t like the campers. They come at night, a ragged family group with few blood ties between them, with a single tent and few possessions carried on devices I haven’t seen before. Bicycles, they’re called, slung over with bags the way ponies used to be. They come at night, and hide when cars pass on the road.
They light a fire on my stone, with wood scavenged from the forest, and huddle around its warmth. They don’t speak much, not at first, but they say enough. They have no home, I learn. They are travellers of a kind I have not known before, who are allowed to stop nowhere, but have no goal but a place to rest. They are thin, and worn, and so tired. So very tired.
They need a hearth.
I am only a weak shadow of a god, now, who once recorded the songs and stories of a thousand generations in my ancient stone, but I am still a god of fire. Their fire burns slow, their little fuel lasting well. The food they heat over it sustains them better. The water of that spring, my spring, puts a little life back in them. This stone has lain in this place since great monsters walked this world, since before humans spoke words to one another, and I came into being with the first fire that burned on it. I am old, old, and though weak, I am not powerless.
They stay.
I cannot speak to them. I am old, and weak, and they do not believe. But slowly, with the power of the fires they build every night, with the tiny offerings of scraps of food spilled into the flames, with their growing confidence in the safety of this place, I am able to do more. I give them dreams and they find the cave not far away, where they can hide. They dream of fish, and begin to try to catch some. A woman remembers that some of the local plants are safe to eat, when I slowly wake a long-forgotten memory of a camping trip from her childhood.
And then a child, a strange, quiet child who rarely speaks, a child without mother or father, in the care of an older brother who is exhausted to the very edge of death but cannot give up while she needs him… that child begins to hear.
She sits on my stone, sometimes for hours, not moving or speaking. It worries the others, but at least she is quiet, at least she is no trouble, and they are beginning to associate their hearth with safety. So they let her sit.
She is *listening*. She is listening to the sound of the water, to the sounds of the forest, to the wind blowing. And because she is listening, where no-one else has listened for so long, I sing to her. I sing to her the songs of thousands of years. From the wordless music of the earliest people, who sang what was in their hearts without words, to the songs I have learned from the fishermen with their radios and bluetooth speakers.
I do not know if she hears me, for some time. But then, one night, while they sit around their fire and eat food the oldest have almost certainly stolen, she sings one of my songs. “In a cavern… on a canyon… excavating for a mine…” she sings in a small voice. The others are startled, confused, for she has not spoken aloud since some bad thing they do not name happened, but one of the older ones knows the song and sings with her.
I have always liked ‘Clementine’. It’s been popular with campers for a long time.
The next day, while she sits on my stone, she sings along to one of the wordless songs the Raven People whose name I no longer remember once sang. It is a lullaby, a soft croon to soothe an infant, passed from mother to mother, and she seems to take pleasure in it.
She can hear me. She can even answer me, as the voice driven away by pain and fear begins to return. And so I grow stronger still. Strong enough to make the raven sign on the stone, one day, in the ashes of the fire of the night before.
She takes a half burned stick, and draws the sign on the stone. Pleased, I show her another sign, a leaping fish. She draws that too.
Soon, I need not shift the ashes. I can show her the pictures in her mind, and she draws them. She draws the wheel of a cart, and into her heart I whisper the stories the travellers in covered wagons once told over my stone. She draws a fish, and I make her laugh silently with the jests of fishermen who boast of fish who escaped them. She draws a horse, and I tell her about the wild horses who once drank at this lake, about the men and women who captured and tamed them and rode them through the forest when it was far greater than it is now. She draws a long-toothed cat, and I show her the great cat that once slept on my stone, and denned in the cave where her new found family sleep.
One night, when all the others are asleep and my fire has burned down to coals, she creeps back to the stone and looks into the coals. “Who are you?” she asks. “Are you real?”
She is afraid that the voice in her mind is the voice of madness, a lie created by a mind that does not work like other minds, that has endured great hardship. I do not want this child to be afraid. To instill fear runs counter to my very nature, save in whoever might threaten those my hearth protects.
I am a god of the hearth. I am a god of food, and communication, and peace, and safety. I am all the things that fire used to mean, before humans learned again to fear the thing they had tamed. I do not often take a form, for fire is my form, but for her I must try.
There was a wise woman once, who knew me, whose clan visited this lake several times every year. I watched her grow up, and grow old. I watched her learn of the god of the fire stone, and I watched her teach others. She slept beside me as a child, and as a woman. She sang her children to sleep beside me, and her grandchildren, and dozed beside me as an old, old woman. To her, I was represented by a sign of a flame in an oval, a fire and a stone.
I build a likeness of her out of the light of the coals and the shadows of smoke, a child with straight dark hair and a simple tunic, and in lines of light I draw the sign of the fire and the stone on the outlined chest. “I am the fire,” I tell her, “and the stone. I am all the fires that have ever burned here, all the stories told, all the songs sung, all the meals eaten. I am the traveler’s hearth, and the rest for the weary, and this is my place.”
“Piedra de fuego,” she says, tracing the symbol with her finger in the air. “The fire stone.”
“Yes. I am the god of this place.”
She frowns at this. “My brother says that God is in the sky.”
“Many gods are in the sky.” I cannot continue to hold the form of the girl, but the coals shift to make my sign. “I am not. I am here. I have always been here, since the first people built a fire on my stone, and warmed themselves.”
She nods slowly. “You are… a small god,” she says thoughtfully. “A place god. Like in movies.”
“Yes.” I’ve heard of movies, which are a new way of telling old, old stories. “Old places, important places, often have gods. And gods who are forgotten return to their old places and wait, until someone believes again.”
“Will you protect us?” she asks. “When the police come, to tell us to move on?”
“I am not strong,” I tell her sadly. “I cannot make men go away from here, if they are dangerous, or even call game here for you as I once did. But what I can do, I will do.”
She sits watching the coals for a long time, thinking. “Can we make you stronger?”
I think too, and she waits patiently. “You have already made me stronger. You listened. You believed. If you can convince the others to believe, that will make me stronger still.”
She sighed. “They don’t believe in anything, anymore. Not good things.”
It is a sad thing, that she knows that. They’ve been trying to hide it from her. “Then,” I tell her, “that means there is a place in their hearts that is ready for me. I am not hope. I am not a happy ending. I am not a god in the sky. I am a stone, and a fire, and a song. I am *real*. They can believe in what is real.”
The next night, she asks for a story, and one of the adults tells her an old fairy-tale from a country far away.
The next night, again, she asks for a story, and another adult tells a funny story about his childhood.
On the third night, she asks her brother to tell her a story. He tries, but he is so tired - not physically, but emotionally - that he runs out of words. So she lays her hand on his arm and offers to tell him a story, instead.
And she tells them all a story about a stone near a lake, flat and strong, that people wearing uncured skins and carrying flint weapons built a fire on. She tells of centuries passing, of people coming to the lake on their feet, on horses, in carts and wagons, in cars and motor-homes. Of thousands of years of fires, of people gathered around them, of the great continuity of humanity, and the Piedra De Fuego that has lain in this place since time began, listening to the stories and the songs and the voices of people long gone. Somewhere in the stone, she says, laying her hand on it, all those stories are remembered. All those songs are still sung. And it will remember us too.
I don’t know if it will work. But I was right. People need to believe in something. They need something to hold onto, when times are hard, when the ties of community and family are broken and they feel alone. And a stone thousands of years old, and a fire endlessly renewed on that stone, always new… that is real. They touch me, and think of those who came before, of thousands of years of history meeting them in this place, and they feel less alone.
It’s not much, not yet. But it is something. My nature, my existence, as explained to them by my small, strange priestess, is a slender lifeline flung to those who are adrift, a tiny certainty in a world they do not trust. And the more they believe in that lifeline, that certainty, then the more they believe in me. I *am* growing stronger.
When the police come, I will not be able to make them leave… but I think I am strong enough now to hide my people from unkind eyes. And if I can do that, then their faith will grow.
Tonight, three more people come. A mother and two children, weary and beaten down with hardship. My people welcome them, give them fish and greens grown by the lake, speak kindly to them. And when they have eaten, my little priestess sits between the two children and tells them a story of a stone, and a fire, and thousands of years of stories and songs, and she sings a wordless lullaby six thousand years forgotten, but living again in a child who draws the sign of the Raven in the dirt while she sings, and the sign of the fire on the stone.
And I grow a little stronger.
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lumillsie · 15 days ago
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ೃ⁀➷ theon greyjoy x mermaid!reader headcanons ˚ ༘♡ ⋆。˚
╰┈➤ in which something has always called theon greyjoy to winterfell's strange lake
a/n : seeing as winterfell is a landlocked city, I did have to improvise a bit, but I'm hoping you will find my take on this request reasonable <3
a special thank you to @angelseraphines for reading this for me as I was writing and making sure that my portrayal of theon didn't stray too far from his canon-self
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╰┈➤ it is a strange thing - that the lake outside the city walls never appears to freeze over. the people of winterfell have speculated as to why for centuries. some say that the lake remaining as it is is a blessing from the old gods, a reassurance that the people will always have water to drink and a reminder that their gods will never abandon them. others pass down tales to their children of the children of the forest, and the traces they left behind - the weirwood tree and its roots dipped into soil, the soil that leads into the lake.
╰┈➤ theon greyjoy was not born of winterfell, but he had done his best to see it as his home. he had grown to see robb as his brother, and he cared for the rest of the starks too.
╰┈➤ in spite of his great desire to be a stark, a true part of the family, theon was always aware that his position as a ward was in truth the position of a political hostage, dangled in front of his father to ensure his loyalty to the crown.
╰┈➤ even as a boy, he was drawn to the lake. he would climb atop the city walls and sit in silence for quite some time, simply gazing pensively at the lake. it too was a strange and different thing - just as he himself was.
╰┈➤ as he grew older, his visits to the lake became less frequent - he found other ways to mitigate the strain on his heart. he would oft visit ros at the pleasure house, he'd practice his archery, he'd join tourneys. and yet, there was still something within the lake calling out to him, drawing him in - and he never truly could forgo his visits.
╰┈➤ it was on the eve of his eighteenth nameday that he encountered you for the first time. you had noticed him long ago, and you watched him during every of his visits, even allowed him to get a glimpse of the shine of your tail a handful of times. most of the mermaids beneath the lake were old and uninterested in the people that walked on land. there was a time when they lived in harmony with the children of the forest, but as the children were hunted down and brought to extinction, the mermaids of winterfell lake swore not to allow the first men or their descendants to ever lay eyes upon them.
╰┈➤ you understood their fears, truly you did - you could see the sorrow in the eyes of the eldest of your cove, a sorrow you know dates back six millenia. you feared the people that walked on land too, but you didn't fear theon. you sensed the war in his mind, you recognised the sense of not belonging. you sensed it because you felt it too, a young, naive mermaid in a lake of ancient beings - a young, naive mermaid, the first to be born in a thousand years.
╰┈➤ his eighteenth nameday was the first time he rode out of the city to spend his day on the shore of the lake, and you knew that this was the only opportunity you would ever get to see him up close. you crept closer to the shore, allowing your tail and the top of your head to rise slightly above the water's surface and keeping your eyes glued to the image of the man before you.
╰┈➤ he noticed you then, as you unassumingly lifted your head above the water - allowing yourself to glance at him. you knew your elders could not hear of this moment, for you knew how enraged they would be with you. you could not bring yourself to care, for as enamored as theon was with the lake, you were just as enamored with the towering, thick castle walls and the mystery of what lies beyond them. just as something kept calling the greyjoy lad to the lake, something kept calling you to the city.
╰┈➤ a man often accused of vanity by the whispers that surrounded him, theon was enraptured by the otherworldly atmosphere that seemed to surround you. your features were different to what he had been used to considering beautiful, but he found them enchanting to look at nonetheless. he considered capturing you, for a brief moment - he wondered if it would prove something to the starks, that it was only him that could lure a creature of the deep to the surface. he wondered if it would make lord eddard proud, or if it would solidify him as the ironborn he was supposed to be.
╰┈➤ he called out to you then, beckoning you to draw nearer. the people of the iron islands oft spoke of mermaids - of how the grey king was one, and of how he became the king of the western islands and all seas beyond, as well of the drowned god and the mermaids that serve him within the confines of his watery walls. his mother spoke to him of mermaids too, but her tales were always much gentler. she would say that the ironborn would find the most beautiful of mermaids and take them to bride, that the half-fish women would shed their tails for legs and bear their husbands the most beautiful of children, part sea and part land - as all ironborn were meant to be.
╰┈➤ you crept closer to land, nearly close enough that he could reach a hand out to touch your shimmering skin, and yet with enough of a distance between you that you could turn around and return to the depths of your home. your first conversation could hardly be called much of a conversation, and while you could speak the common tongue ( you oft listened to the people speak within the walls, their voices booming and echoing through the cove beneath the city), you had a hard time figuring out what to say to him. for the most part, you simply looked at one another that very first day - until the day's end was near and the hour of the bat was drawing close.
╰┈➤ "I will return. when the sun's returned to the skies on the morrow, I will return. you best be here then." he spoke to you, a tinge of arrogance in his voice. it was as if he knew that you wouldn't defy his request, as if he knew his presence held some power over you - and it pleased him. he held so little power within the stark household, so the hint of it always inflated his sense of self. he knew that you too held some power over him, but he would not speak of it outloud.
╰┈➤ before he had encountered you, he had intended to visit ros that evening. instead, he returned to his chambers rather soon after dinner, content to sleep through the night and wait for the morning to come - the following morning he rose much earlier, quite soon into the hour of the nightingale. it was still dark out, but he wished to fulfill his duties for the day before he set out to see the lake, and the vision discovered the day before, once again. he usually wouldn't be permitted to leave the walls of the city two days in a row, but his nameday had just passed and lord stark was more lenient towards him during that time of the year.
╰┈➤ you waited for him until he arrived, choosing to draw near to the shore just as the sun appeared on the horizon. on this day, you were both much more relaxed. the moment he saw you smile he knew he had no intention of capturing you and bringing you to winterfell, content to keep these peaceful moments to himself - reluctant to share them with anyone else. you felt safer too, now that you had broken the ice and knew he wished you no harm.
╰┈➤ "speak to me of life beneath the waves" he demanded boyishly, that vein of arrogance pouring off his tongue. you minded not, noticing the sorrow beneath his gaze. you knew he was not born of here, and the people of the town oft whispered of the seaside boy taken from his home to come here. you knew it to be him the first moment you saw him dangling his legs off the castle walls. and so you spoke to him of life beneath the waves - of your sisters and brothers, all at least a millenium older than you, of the beautiful cove protected from the human eye and the ephemeral sights only you and your kin could lay eyes upon, of the elders and their refusal to allow you to draw near. he listened intently to all of it, hanging off every word of yours. he wanted to know all of it - wanted to know you more and more with every passing word that left your mouth.
╰┈➤ you spoke to him for hours on end. each time you declared to ask him a question too, he urged you to keep speaking. you spoke until the night drew nearer. he told you that he would return in half a moon's time, as he could not afford to leave the castle walls quite so often. "I will be here when you return, only if you will speak to me of life behind the castle walls" was what you said to him as he prepared to leave. he felt indignant at your words for a few passing moments, but reluctantly agreed to your request as he wished to see you again.
╰┈➤ the next time he returned, he had brought you something. a small iron pendant he acquired at the market, and he had given it to you teasingly, remarking that you should be flattered that the heir to the iron islands had deemed you worthy of such a gift. in truth, he spent the whole way to the lake pondering over if you would like it - and determining that you would with a small huff as his journey drew to a close. this time, he too spoke more freely - of his memories of the iron islands, of his family - mostly of his mother and her tales of mermaids. you laughed then and asked him if that was what he would desire, to which he winked at you playfully and told you that the possibility wasn't far off his mind.
╰┈➤ he spoke to you of what you asked of him too, of life in winterfell, beyond the walls you so often stared at. he spoke to you off lord stark, of his children and namely the boy he grew to consider his brother, robb stark. he spoke to you of archery, of his tourneys and his journeys. you listened just as intently as he had listened to you the last time you saw him. he didn't think he had ever felt this peaceful - at least not since the first time he sat atop the castle walls, the moment he first discovered the lake. as the pale hint of orange seeped into the blues of the sky, you reached out to him once and he grasped your hand in his for a few moments, opting to leave a kiss on the palm of your hand before he retreated to the city as the gentle dusk gave way to the dark night.
╰┈➤ he visited you as often as he could, without causing the stark family to worry whether or not he too was planning to incite a rebellion. he spoke to robb of you once, to assuage the concern his dear friend was beginning to show. he couldn't tell him the full truth, but he told him he met a girl who lived outside the castle walls near the city, and that he found pleasure in your company. he didn't give away too many details, but he was content knowing that robb wouldn't be too concerned with his frequent journeys. he didn't know that it was the tone of his voice and the look in his eyes that reassured his friend, as opposed to the words he so craftfully weaved together.
╰┈➤ it was during his seventh visit to the lake that he kissed you for the first time. you were confiding your sorrows of your elders' distrust to him, and he leaned down to place a kiss upon your brow, as he had begun to do from his fifth visit onwards. you looked up at him then, and he couldn't help leaning down and placing a chaste peck upon your lips, before returning to deepen it. something changed between you and him then, and you began to behave more like lovers from then on.
╰┈➤ his visits to the pleasure house had already grown infrequent the moment he met you. he still had his needs, of course - but he found it hard to find time for them as he was oft attempting to finish with his duties on time to come visit you or attempting to find something in the city that he believed you would like and hide in your cove, to keep only for yourself as he had kept your encounters only for himself. now, however, he was content to accept that he wouldn't be returning there anytime soon, thoughts of you drowning out the idea of anyone else.
╰┈➤ your relationship with theon was a playful one. he oft teased you and you'd respond by splashing water onto his tail in response. his touches were rough but kind, and his kisses were sloppy but loving. you were both content to behave as if there was no distance between what you both were, preferring to banish the question of 'what comes next?' to the back of your minds.
╰┈➤ on his nineteenth nameday, a year into knowing you - theon brought you a small cloth with the image of a yellow kraken sown into it. it was the symbol of his house, and as he couldn't quite cloak you in the traditions of westerosi weddings, he deemed this to be the most likely way to proclaim his devotion. you could wear it on your wrist, claim to your elders that you happened upon it on the shores of the lake and kept it to yourself. you didn't consider yourselves wedded, but theon's prideful exclamations of binding the world's most beautiful creature to himself would stay with you evermore.
╰┈➤ this lighthearted atmosphere was unfortunately not to last. when theon informed you of the king's family arriving to winterfell within a few days' time, you felt an inexplicable feeling of dread come over you. he had noticed it then and assured you that all would be well, that they wouldn't stay that long and that he'd return soon. nothing could keep him away from you, now could it?
╰┈➤ it would be weeks before he'd come to see you again and the sight of him twisted and turned your heart as if tearing it apart. he appeared as lonely and conflicted as he was on the day you first encountered him, the sorrow in his eyes as prominent as ever, dark lines appearing under them. he spoke to you of bran and his accident, of lord stark's capture and of robb's intention to raise the banners and march down south. this time you were the one attempting to reassure him, right up until the very moment he told you that he intended to march down south with robb. you knew that you shouldn't have been as shocked and opposed as you were, but you were afraid. you didn't know much of land, but you always knew of war - of bloodshed, demise and misery. you promised to pray for him then, even if your kind hadn't truly prayed since the vanishing of the children of the forest. you promised to pray to the old gods and the drowned god, to the faith of the seven and any others of whose existence you would come to know of. you saw him off with a heavy heart then.
╰┈➤ you attempted to listen to the people of the city from within your cove for months on end, keeping your ear to the ground for any new information on theon's wellbeing. the townspeople were just as in the dark as you were, and it only made you feel more helpless. you could slowly feel the hope within you begin to fade away as the days dragged on - that was until you finally heard his name from within the city. what you heard however, wasn't what you were expecting to hear. theon greyjoy had captured winterfell.
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a/n : and that's it for my first post on this platform! I wasn't quite sure how to end it, but I'm quite content with the way I did. if you guys do want a part 2 that deals with this dynamic with post-reek!theon, please do let me know 🩷 I hope you've enjoyed reading this, and if you did - please do make sure to let me know as feedback is so incredibly important to me. thank you so very much for your time and I hope that you'll consider reading other works of mine that I hope to post on this page soon <33
PS. please do forgive me for adding tags of other characters to this post - it's the first one I've ever made and I'm trying to get my page out for people to see. That being said, I have no intention of tagging characters I don't write for, so please make sure to request them as well if you're interested in seeing more from me.
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thatswhywelovegermany · 8 months ago
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Aufhocker
An Aufhocker (top sitter), also called Huckup, is a pressure spirit and shapeshifter in German folklore. It is a kind of goblin, who jumps onto the shoulders or backs of hikers who are still out at night, becoming heavier with each step.
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The hiker is paralyzed, suffers from feelings of oppression and anxiety and is unable to turn around. The Aufhocker remains sitting on the hiker until he is released by the approaching light, a prayer or the ringing of a bell.
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The nightmarish experience often takes place in three phases. The hiker is first approached or accompanied by a sinister being, then the demonic companion grows to supernatural size and finally jumps onto the back of the victim. The Hackestüpp from Düren is one such Aufhocker, who initially accompanies the victims as a playful little dog, then jumps onto their backs, cannot be shaken off and becomes heavier with each step.
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Typical haunted places such as streams, bridges, lakes, forests, ditches, crossroads, ravines, churchyards and sites where murders or executions happened are the usual places for an encounter with an Aufhocker, which can result in physical and mental illness and sometimes even death for the hiker. The Bahkauv ("stream calf") of Aachen is an Aufhocker who is said to frighten drunken men at night and ask them to carry him on their shoulders.
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Sometimes an Aufhocker first appears as pitiful old women; but they can also take on animal forms such as a bear, a calf (as in the Bahkauv), a werewolf (as in the Stüpp of the Western Rhineland) or a dog (as in the Sürthgens Mossel of the Hürtgenwald forest). Elemental beings such as mermen or will-o'-the-wisps also act as Aufhockers. What is important is not the shape of the Aufhocker, but the oppressiveness of the situation. Aufhockers are not limited to German folklore. An Aufhocker in the shape of an old man is also mentioned in the oriental fairy tale collection One Thousand and One Nights, in which he meets "Sinbad the Sailor" on a deserted island.
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The figure of the Aufhocker has its origins in the fear of the revenant, the undead. The oldest reports of Aufhockers clearly speak of "haunting corpses" and not of goblins or ghosts. Unlike Nachzehrers, who did not have to leave their grave if they wanted to harm the living, other undead, like vampires, rose from the grave and stole people's vital force. This could happen in a tangible way by sucking out blood, but also in a more abstract form. As recent research has shown, this also applies to vampires, who are said in the oldest reports to have a damaging effect through "strangling" and "emaciating", but not through bloodsucking. In the western Rhineland, the Aufhocker merges with the werewolf to form the Stüpp, a dangerous monster that unexpectedly jumps on people's shoulders and forces the victims to carry him around, causing trepidations, anxiety, feelings of oppression and panic attacks until they die of exhaustion.
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14thgalerie · 1 year ago
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i peeled my orange today
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• pairing: james potter x reader
• now playing:
• word count: 1.3k
• genre: angst
— a short one that i did last night. peeling fruits had always been something that shows the tenderness of humans to me. that one poetry reading about oranges made my heart clench at the thought that came to me of best friend!reader who has always pined for james and the bittersweetness of being too late.
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There he was standing by the edge of the lake, his slender silhouette illuminated by the pale blue moonlight. At the crunch of stray leaves, he turns to look at you, his expression containing surprise.
In hushed communion, you stood in silence beside him, opting to fix your gaze on the languid current of the water before you. Capturing a mental photograph of the delicate interplay of the light as it hits the dancing small waves deep into your mind, ingraining the image to a corner that you could visit now and then when you forget the laughter that bounced against the corridors.
For a while, you chose to linger in the sound of the rusting trees surrounding the castle that casts a melody for you. You were in no rush to speak your mind, not when there was a clear understanding that he would stand sentinel for a thousand years should you want to.
17 years of friendship told you that. Threads of shared laughter and silent conversations. Tales that were shared with no urgency.
And so, in the fragile and sacred lull of the moment, you reveled in the comfortable silence. If the years it took to be freed from your heart was to be likened, it would be a while before he could fathom to be in the same space as you.
“James.” You call. Slowly, you turn your head to face him, only to discover that his attention is transfixed on you already.
Finding that gaze studying you; flickering ever so slightly across the features that painted your face— perhaps he already knew the words that were poised to slip out of you. After all, he did know the twists and turns of your soul much more intimately than any other. Those pretty eyes mirrored the waters in front of you with the light hitting the silvers on his waterline.
The 15-year-old kid within you felt enraged to see the swarm of emotions that drowned you in those eyes.
A tempest of desire, and longing, woven with heaps of frustration, and guilt. It was something that held you captive and consumed you for longer than you dare admit, threatening to swallow you whole. As you stand before him, your brain struggles to recall how exactly you escaped it.
Reaching out the hand closest to him to grab his warm hands, missing the way it enveloped your shivering ones. You couldn’t help the fluster of memories that came rushing back and the instinctive way your tear ducts activated.
“I’m sorry.” He murmurs, a tremor infused in the last syllable.
“For what?” You ask, brushing aside tears with a subtle flutter of your lashes. Thumbs caressing the skin on the back of his hand, moving with a patterned path. You didn’t notice it but he did and that realisation added to the weight to the lump that blocked his airways.
“I just stand here and yet I still manage to upset you.” He says, a hesitant exhale lingering between the words.
“What made you think that?” You press.
“If the past year wasn’t enough proof of that, then I don’t think I even know you as well as I would like.”
The words hung in the air like a storm cloud threatening to explode. His lungs relax as he realises how he held his breath when you moved your eyes away. 
The combination of his emotions, adding the ones he still couldn’t pinpoint, left him staggering in his stance. If it weren’t for the way his knees locked from his many years of quidditch, he would be beside you on his knees. 
Every second that passed felt like a sharp blade. The pain was hollow yet deep, striking the centre of his heart and reaching throughout every nerve in his body. And it was only a deep, and unending sense of devastation left in him.
He knew what was coming, a somber revelation that loomed over his head for several weeks already. Yet, he resisted the need to acknowledge it, not when your own countenance showed no obvious indication of it. Thus he indulged himself in this false pretense, allowing himself that at least. Alas, the days kept getting shorter, and the hours were swift in their passage and he was left gripped by a sinking fear as you kept getting further and further away from him even though your physical body remained next to him.
As you always did from the ungraceful encounter on the path to the Hogwarts Express when he was 11, your faces meeting the stone cold ground with a huff.
He couldn’t accept that this would be the culmination of a slow, painful unravelling and elimination of all he knew that defined his every day.
His soul was incredibly and seamlessly intertwined with yours, so intimately bound that he trembled at the thought of the scissors you wield, deadly afraid that they would sever it when he least expected it, leaving behind a scorching mark upon his very essence.
“I peeled my orange today.”
In the hushed atmosphere, your words hung in the air, an admission that crushed you to admit out loud. But from the anguished expression of the man opposite you, you could easily surmise that his emotions far surpassed yours and were nowhere near the ones that hit him at such a mundane divulgence. 
The lake’s tranquil waves lapped against the shore in a rhythmic pattern. The serene waters played a soothing contrast to the tempestuous tide swirling in the recesses of his mind.  He didn’t say anything for a while, the silence between you was heavy with unspoken shared vulnerability. 
However, for you, surprising as it was, it was nothing but a statement now. The words transcended meaning except for a mere reflection of a newfound learning. Something you were proud of enough that you shared the thought with him.
At last, he spoke, his voice filled with subtle remorse that is obscured by a quirk of tenderness that he kept reserved for you. “You did? You didn’t spill the juice all over your hands?” 
James was surprised at himself for the unexpected eloquence that flowed from within him, a symphony of words that were likened to a normal conversation between the two of you. Astonished at the way his voice remained unnervingly steady and held no tremors. It seemed as if the invincible, vice-like grip that threatened to crush his vocal chords vanished.
You cast your gaze upon him again, your eyes directly looking at his own. In that silent exchange, his vulnerability was laid bare, accompanied by a sense of helplessness in them.
Because unlike you, that sentence meant a lot more to him. Because for him, it meant that he could no longer tell you how much he loved you when he couldn’t peel oranges for you anymore.
Your impatient self wouldn’t be hovering next to him as his hands tenderly tore apart the tough skin of the citrus until the soft flesh of the fruit was revealed. The scent of sweet citrus filling the air and the twinkle in your eyes at the pleasing aroma as he splits it apart. The calloused flesh on his fingers that were a stark contrast to the way the figures were so gentle in separating each slice.
It meant that he could no longer ignore the pout that formed when you noticed how he gave you the better half.
James’ heart ached and throbbed in the worst ways possible at that bitter realisation.
“I love you.” 
So despite knowing it was too late, he summoned the courage to tell you in the way you’ve always yearned for in the sidelines. 
In reply, you whispered “I love you too.” accompanied by a genuine smile that felt natural.
He just didn’t expect your hurt to feel like this. 
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masterlist
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inkyvendingmachine · 11 months ago
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T'was The Night Before Crisis... Season 4, Episode 1
���� Call of Cthulhu: Haunted Hijinx Masterpost 💀 Call of Cthulhu Season Four Masterpost (Coming Soon)
Warning: This campaign is an edited version of  a Call of Cthulhu scenario from the Tales of the Crescent City book. While a lot has been changed, there IS spoilers for it throughout these posts.
WE'RE BACK. After over a whole heckin year of 10000 RP logs, we have returned with our final season of Cthulhu! It's been not just a year out of game, but a little over a year worth of in game time has passed too, and they boys are indulging in a chill, at home seasonal celebration... for now! Surely nothing weird will happen, nothing ever does around holidays for these boys obviously.
:)
Happy Holidays!
Art Credit: @inkdemonapologist : sketching + inking @inkyvendingmachine : concept + colouring
A week. Two weeks. A month. A season. A year.
A whole year and a couple of months go by without any crazy outside force trying to rid the boys of… anything really. The time isn't exactly calm or empty… but compared to recent events, for a while, things were… kinda normal?
Well, except for when Joey got Peter to help him meet with Y secretly to prevent the gang from continuing to mess with JDS, or when Sammy and Henry realized mid tennis match that a version of Henry had slashed him right through the center. Or how the Prophet can just pop out now without ink. And how Susie has been brought in on all this, and perhaps brought in on even more than just the supernatural content as her bonds with Sammy and Joey grow tighter. And how Peter is actually moving to New York City now and ends up visiting Jack just as Beans goes missing and now there’s many little Beans kittens. And the summoning spell to ask the spirit that helped them in Haiti what will become of Sammy and Prophet. And the other summoning spell for Prophet to get his instructions from the Masked Messenger. And Sammy still can't tell where he's going half the time after uncovering some of Prophet’s memories. And Joey is still a bit hesitant to leave the studio if not being actively distracted. But other than that! It's been normal!!
And the boys have made it all the way to Christmas. Joey's received some parcels in the mail, from the Fowlers and Nicole. The Fowlers actually sent each of the helpful boys uh… 1000$?? That's a thousand. EACH. IN THE 1930s. For helping out… which I guess if stuck eternally in soul lake hell, wouldn't have that money anyways. But still, that's quite a lot for the time.
Meanwhile, Nicole has had time to move on from her heartbreak, and is ready to start a new chapter in her life, and as thanks, leaves Joey both the keys to her old apartment (the lease being paid up for a few years already) and to her previous car, with a guarantee she's giving these things up for better, not to worry about her. And totally not because maybe all the occult scratches and bullet marks in the wall makes the apartment hard to rent, or the fact that her car is an extremely recognized Mercedes, or that both of these assets were hounded by gangs for a bit after her magical mistakes…
It probably is actually all out of good will and appreciation, and these things will come in useful, especially if they do need to deal with more mafia or what have you. Joey doesn't need them tracking Henry's car home to his family or back to Jack's house.
With those gifts out of the way, the actual holiday is spent in Jack's house, with a big potluck meal. This holiday celebration includes a small group of friends and their families, namely, all the people Jack has befriended and also would be okay with the Lurker partying with em. The event goes well, Sammy gets to play through the night, Henry’s children get to hang out with a real Bendy and also a buncha newly grown-up cats, Henry gets to eat as many cookies as he wants… 
That… slows down when Henry sees a yellow sign in a ribbon. But as soon as he tries to not lose his entire cool and freak out, it disappears… the ribbon was just a ribbon the entire time. Perhaps golden ribbons shouldn't be their normal holiday decor… 
Meanwhile, Peter feels eyes on him and decides to move away from the window maybe, especially because it feels like he suddenly knew exactly which star in the sky holds Carcosa at the same time… surely a fine coincidence to have happened at almost the same time. But nobody else is acting weirdly, sooooo.
The night wraps up, with Susie and Norman heading out first, followed by Henry and his family. Sammy also heads home after being socially exhausted and desperately needing his alone time, and Peter helps Jack clean up some before heading out too. Jack heads to bed, only to find an already asleep Joey with a Spark sprawled on top of him, probably after he “closed his eyes for a moment” a little earlier. 
The next day, there's technically work, but it's a short day because what's actually happening is a charity auction and party. A collection of “originals, signed by the creators” has been donated to help raise money for relief efforts in a few warring European countries, as well as the “entertainment” for the evening (Bendy cartoons, of course), courtesy of JDS, which means of course all the stars who signed the auctioned items were invited to the party as well.
Yes, even Sammy. 
(And also Jack, Henry, Susie, and Joey of course.)
The event is being held at a yacht club, advertised to the wealthies of the city midst the great depression, with live music playing and glittering evening wear, and uh. Denis.
Y'know, Denis?? That rich guy from NOLA who invited us to the masquerade?? That Joey casually name dropped his legal name to in order to keep him from tracing himself and Sammy back to JDS, when they didn't know who or how dangerous their initial information gathering was.
Anyways, a quick little talking him in circles by Joey corrects that past mistake, as well as gets him the information that Denis is actually related to one of the people who put the entire event together. Ha. Good to know.
Of course it's difficult to shake him afterwards, since Joey is one of the few people Denis knows all the way up in New York. At least Joey actually has a fancy car to talk about now.
Meanwhile, in the quietest, emptiest corner he could find, Sammy notices something odd about the song that's currently being played live. It sounds familiar, and while surely there's been some Bendy music played this evening…. This particular song is not that. But it WAS composed by Sammy.
In NOLA.
When he was improvising with some random music on the street while hanging out on the balcony of his and Joey's hotel room. Properly freaked out by having a song from a very scary time literally come back to haunt him, Sammy runs to find someone, (Joey is still busy with Denis), and comes across Jack first. But before he can fully explain, the entire party is interrupted.
Chatter turns into hushed confusion as some pale man up near the front starts speaking in tongues. It's hard to tell if he's trying to perform some ritual or just incoherently rambling, but it doesn't matter! Because very quickly there’s a gunshot!!
And the Prophet? He's awake. He knows what that gunshot was. He's been waiting for this.
It has begun.
Of course the entire party breaks out in panic once the gun goes off. Joey doesn't know what sort of Eldritch nonsense was happening up front, but upon scanning the crowd and noticing Jack and Sammy together, beelines for the snack table to grab Henry and search for Susie.
As everyone is being rushed out, some of the boys manage to notice that not all of the panic is simply from the mad ramblings and sudden bullet, but also we've got some people in the crowd bleeding from their eyes. How festive!
Upon getting outside, the Yacht club is of course already being surrounded by security and the police, as the sudden gun shots quickly alerted locals to the nonsense going on. Nobody is allowed to bolt until an investigation is conducted and people are questioned, but of course Joey managed to sweet talk his way over to a telephone to make a very important quick phone call.
To one Peter Sunstram! 
Turns out, between all their arguments, there are a few things they can agree on, which includes quietly spying on suspicious parties even though they should probably not be doing that if they actually wanna be safe but surely everyone will understand when they find out IT'S FINE.
Anyways Peter’s been keeping an eye on Y, and earlier in the day Y seemed to be performing some ritual before having some kind of … breakthrough? Revelation? Peter had told Joey of it, and in good faith Joey agreed to keep an eye out for WEIRDNESS, hoping that Y was upholding his promise to not be interfering with JDS anymore. But now this episode seems to have specifically happened, right at their exact event for the evening, so Joey does his best to pass along as much info as he can in that moment to Peter. As well as set up a backup plan in case anything else happens to them before they can escape the Yacht Club.
After some interviews with the police though, they’re allowed to go free. Listening to other partygoers' recollections they’re able to pick up a few more names here and there – the one who fired the gun up front by the bandstand is said to be another local gangster by the name of Johnny Nero, and the band playing on that bandstand one Red Leverett and the Jumps – but no evidence that really points the crew in any sort of serious lead. (including more commentary by Denis wHY ARE YOU STILL HERE UR NOT PART OF THE GROUP)
So having managed to collect everyone together, including Prophet returning Sammy to the front for the interview thank the lord (not that one)(not that one either)(maybe that one) the JDS crew head over to their very safe and secure hide away to talk about what just happened: that’s right, they’re going to Peter’s apartment.
And staying there through midnight! Listen, the last time weird shit started happening like this, everything popped off at midnight and there were panics all around. It’d be nice to know where people were this evening. And while they’re all sitting around waiting for that to pass, Henry and Peter can even talk about the really weird things that happened last night! Yknow, where Henry saw the yellow sign for a moment and Peter felt something watching him from space? Those very normal Christmas activities?
The group also gets informed about how Peter maybe has been keeping an eye on the Y that still hangs out in the city, and how Y was excited over some weird ritual. While he goes over that and also Joey and Peter guiltily kinda admit to their secret spying tendencies, Henry gets info from Linda when he calls to explain why he’s not home yet and how he won’t be home for a little while still. She’s remembered some research that crosses over with the prophecies they had gotten a month or so after the last big event like this. And Jack and Sammy bring up how they had been theorizing over who’s and what’s in the prophecies… for instance, that which the Phantom seeks, who bears already the scars of following the Mender’s lead….
Is it Peter? He followed Jack into the weird ghosty world. Is it Joey? He’s followed the Mender in other ways, and also literally bears scars caused from Jack’s healing. Or is it somehow Y?? Who seems… involved in this somehow, despite promising he wouldn’t be fucking around with stuff that might step on JDS’s toes again.
With no real conclusions, but midnight having come and past, people start to head home. Joey has someone drop him off at the studio, as after weirdness happened with any sort of occult stuff he’s interested in checking in on Bendy and the Stone. Since, those tend to be targets for this kinda creepy thing. Bendy is perfectly fine though, and hardly even noticed anything going on… So Joey picks up some of his notes and… finds himself unable to leave the studio. For some reason it just seems like the wrong idea… so he spends all night up researching, unsettled by how many non-leads he has into what will possibly happen next. It’s starting to feel like Haiti again, knowing that something bad is coming but really having no idea where to fortify with this information.
But he does have something new… 
He has plenty of things new now, including his dream spell. 
Peter’s not the only one who can spy, and while Joey is sure he’d hit some kind of barrier trying to peek in on Y’s dreams… just knowing whether the man was still alive, or possessed by some eldritch nonsense seemed like a good place to start. Maybe his excitement at the ritual earlier was coincidental…
The thing is, defying all reason, Joey’s able to step into Y’s dream just fine somehow.
This is probably not something he’ll regret doing later, surely.
[Next Episode] (not yet released)
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floridaboiler · 14 days ago
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The legend lives on from the Chippewa on down Of the big lake they called Gitche Gumee The lake, it is said, never gives up her dead When the skies of November turn gloomy…
With a load of iron ore twenty-six thousand tons more Than the Edmund Fitzgerald weighed empty That good ship and true was a bone to be chewed When the gales of November came early
The ship was the pride of the American side Coming back from some mill in Wisconsin As the big freighters go, it was bigger than most With a crew and good captain well seasoned
Concluding some terms with a couple of steel firms When they left fully loaded for Cleveland And later that night when the ship's bell rang Could it be the north wind they'd been feelin'?
The wind in the wires made a tattle-tale sound And a wave broke over the railing And every man knew, as the captain did too, T'was the witch of November come stealin'
The dawn came late and the breakfast had to wait When the gales of November came slashin' When afternoon came it was freezin' rain In the face of a hurricane west wind
When suppertime came, the old cook came on deck sayin' Fellas, it's too rough to feed ya At seven p.m., a main hatchway caved in, he said Fellas, it's been good to know ya
The captain wired in he had water comin' in And the good ship and crew were in peril And later that night when 'is lights went outta sight Came the wreck of the Edmund Fitzgerald
Does any one know where the love of God goes When the waves turn the minutes to hours? The searchers all say they'd have made Whitefish Bay If they'd put fifteen more miles behind 'er
They might have split up or they might have capsized They may have broke deep and took water And all that remains are the faces and the names Of the wives and the sons and the daughters…
Lake Huron rolls, Superior sings In the rooms of her ice-water mansion Old Michigan steams like a young man's dreams The islands and bays are for sportsmen And farther below Lake Ontario Takes in what Lake Erie can send her And the iron boats go as the mariners all know With the gales of November remembered
In a musty old hall in Detroit they prayed, In the maritime sailors' cathedral The church bell chimed. It rang twenty-nine times. For each man on the Edmund Fitzgerald
The legend lives on from the Chippewa on down Of the big lake they called Gitche Gumee Superior, they said, never gives up her dead When the gales of November come early…
~ “The Wreck of the Edmund Fitzgerald” by Gordon Lightfoot
Image: “Every Man Knew” by David Conklin
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jozor-johai · 2 months ago
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I noticed a little subplot happening in the background of ADWD, and I’m wondering if anyone has any theories on where this is going. I have my own theory, which I'll explain in full at the end, but is essentially this: I think that GRRM is placing these Dothraki khalasars strategically along the Rhoyne and telling us about them in ADWD so that if Dany commands the loyalty of the entire Dothraki in TWOW, she'll already have loyal armies in place right by the Free Cities, rather than having to wait transport troops anywhere—even though the Dothraki aren't a threat now, the Dothraki will be in place to attack the Free Cities while the Free Cities have sent all their armies to fight Dany's forces at Meereen.
I'll explain my reasoning, and where I think GRRM is putting the pieces into place here—under the cut, since it's a slightly long post with maps.
We first hear of Dothraki along the Rhoyne in ADWD Tyrion III:
“Griff means to strike downriver the instant we are back. News has been coming upriver, none of it good. Dothraki have been seen north of Dagger Lake, outriders from old Motho’s khalasar, and Khal Zekko is not far behind him, moving through the Forest of Qohor.” The fat man made a rude noise. “Zekko visits Qohor every three or four years. The Qohorik give him a sack of gold and he turns east again. As for Motho, his men are near as old as he is, and there are fewer every year. The threat is—” “—Khal Pono,” Haldon finished. “Motho and Zekko flee from him, if the tales are true. The last reports had Pono near the headwaters of the Selhoru with a khalasar of thirty thousand. Griff does not want to risk being caught up in the crossing if Pono should decide to risk the Rhoyne.”
As a reminder, Dagger Lake is where the Rhoyne in the east meets the Qhoyne in the west to make the full-force Rhoyne that we know and love.
Illyrio dismisses any reason to be concerned with these particular Dothraki, and perhaps he is right. But we do get our first preview into the concerns of Khal Pono, and the premise of Dothraki along the Rhoyne. Are they doing to be placated by gifts, like Illyrio says? Or is something different afoot?
Next we get an update in Tyrion VI, by Selhorys.
Haldon Halfmaester explained. “On the way down from the Sorrows to Selhorys, we thrice glimpsed riders moving south along the river’s eastern shore. Dothraki. Once they were so close we could hear the bells tinkling in their braids, and sometimes at night their fires could be seen beyond the eastern hills. We passed warships as well, Volantene river galleys crammed with slave soldiers. The triarchs fear an attack upon Selhorys, plainly.”
Another reminder for geography, Selhorys is significantly south from Dagger Lake. Like, further than King’s Landing is from the Trident. Once again, we have this concern: will Khal Pono cross the Rhoyne for Selhorys?
That concern is brought up again in Tyrion VI:
“Three,” Qavo allowed, “against thrice three thousand enemies. Grazdan mo Eraz was not the only envoy sent out from the Yellow City. When the Wise Masters move against Meereen, the legions of New Ghis will fight beside them. Tolosi. Elyrians. Even the Dothraki.” “You have Dothraki outside your own gates,” Haldon said. “Khal Pono.” Qavo waved a pale hand in dismissal. “The horselords come, we give them gifts, the horselords go.” He moved his catapult again, closed his hand around Tyrion’s alabaster dragon, removed it from the board.
As predicted by Haldon in Tyrion III, here is Khal Pono across from Selhorys. We hear that Qavo is unconcerned with Khal Pono, despite Haldon’s concerns.
This might be a bit of a meta opinion, but whenever someone is as flippant as Qavo is being here, expect them to be wrong. They definitely aren’t going to go away with gifts, Qavo is totally jinxing it—that’s my prediction.
Then we get another update later on, in The Lost Lord:
Haldon’s horses did not please him. “Were these the best that you could find?” he complained to the Halfmaester. “They were,” said Haldon, in an irritated tone, “and you had best not ask what they cost us. With Dothraki across the river, half the populace of Volon Therys has decided they would sooner be elsewhere, so horseflesh grows more expensive every day.”
By this point, they’re in Volon Therys, which is only barely outside of Volantis—think roughly the distance between King’s Landing and Duskendale, for comparison. And here, too, there are Dothraki on the other side of the river. Are these the same Dothraki, are they traveling south at the same pace as Tyrion/JonCon? Or is this yet another khalasar? We haven’t heard any update from Qohor, and this is the first time that we’ve unexpectedly encountered a khalasar—are they here to meet with the Volantenes about Meereen, like Dany’s advisors fear? Or are they here for another reason? Is it possible that Illyrio and Qavo are wrong?
The last update we get is in ADWD Victarion, when he captures a ship from Myr heading for New Ghis and Yunkai:
Sailing out of Myr, the Dove brought them no fresh news of Meereen or Daenerys, only stale reports of Dothraki horsemen along the Rhoyne, the Golden Company upon the march, and others things Victarion already knew.
Unfortunately, this is stale news for both Victarion and we the readers—this is like a snapshot back to Tyrion II/III, when the Golden Company broke its contract and started marching east, and when we first heard about the Dothraki on the Rhoyne in my first quote.
However, despite this being a snapshot back in time to old news, I wonder about GRRM’s choice to include this again so close to end of the book—is this a reminder for the readers about these Dothraki on the Rhoyne? We’ve learned why the Golden Company marching ended up being important, could this passage from Victarion be a reminder of these tidbits of news because they will continue to matter moving forward?
I am doubly interested because it’s in this same book, in the very midst of all this talk of Dothraki on the Rhoyne, that we hear the tale of a previous time the Dothraki came. This is back in ADWD Tyrion IV, between the reports of Motho and Zekko on Dagger Lake and before the talk with Qavo about Pono. I’ve bolded the relevant sections, because it’s long, but left the rest for context.
“The war left the Disputed Lands a waste, and freed Lys and Myr from the yoke. The tigers suffered other defeats as well. The fleet they sent to reclaim Valyria vanished in the Smoking Sea. Qohor and Norvos broke their power on the Rhoyne when the fire galleys fought on Dagger Lake. Out of the east came the Dothraki, driving smallfolk from their hovels and nobles from their estates, until only grass and ruins remained from the forest of Qohor to the headwaters of the Selhoru. After a century of war, Volantis found herself broken, bankrupt, and depopulated. It was then that the elephants rose up. They have held sway ever since. Some years the tigers elect a triarch, and some years they do not, but never more than one, so the elephants have ruled the city for three hundred years.”
Maybe this wasn’t just to set the stage for the Volantene elections, but to remind us that the Dothraki can come out of the east to wreak havoc…. when the Free Cities are weak. And boy, is Volantis looking undefended right now: the Golden Company is gone to Westeros, other sellsword companies have gone to Meereen, the Volantenes have sent their fleets to Meereen.
Before I continue, here’s a map of the locations of the Dothraki khalasars along the Rhoyne:
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Why we should care
We can be almost certain that Dany has to return to Vaes Dothrak to visit the Dosh Khaleen. Though we don’t know for sure if Khal Jhaqo’s forces are going to outpower Dany and Drogon, Dany is already envisioning the future where she returns to Vaes Dothrak when she sees Jhaqo’s outrider at the end of ADWD:
One rider, and alone. A scout. He was one who rode before the khalasar to find the game and the good green grass, and sniff out foes wherever they might hide. If he found her there, he would kill her, rape her, or enslave her. At best, he would send her back to the crones of the dosh khaleen, where good khaleesi were supposed to go when their khals had died.
Of course, we ought to already have known this from Dany’s vision in the House of the Undying:
Beneath the Mother of Mountains, a line of naked crones crept from a great lake and knelt shivering before her, their grey heads bowed.
If Dany was truly seeing her future—and I believe she was—then we know we will inevitably be seeing her return to Vaes Dothrak to accept the homage of the Dosh Khaleen.
However, this creates a bigger problem: we need Dany to get to Westeros, and potentially have time to also reach both Volantis and Pentos (though whether or not Dany will actually go either of those places is purely speculation, however well-founded). Vaes Dothrak is in the entirely opposite direction from where she is now—that would be heading east, away from Westeros, not closer to her end goal.
For some readers, this isn’t a concern: we might trust Quaithe, who reminds Dany that:
To reach the west, you must go east. To go forward you must go back, and to touch the light you must pass beneath the shadow.
Some readers, though, wonder about the time and ability for TWOW to contain this storyline within its time. GRRM is realistic about how long travel time takes, which is great for the realism, but presents immense logistic problems.
Dany doesn’t need to worry about the time it takes to travel long distances as mucha as she used to—if she can begin to control Drogon, she can fly around at will. However, that’s only her; if Dany does gain the allegiance of the Dothraki at Vaes Dothrak, how can she actually leverage that in a meaningful way when they’re constrained to horseback? While the AGOT timeline is largely unclear, we can use Dany’s pregnancy to at least be sure it takes months to get from one side of the Dothraki Sea (in Dany III) to Vaes Dothrak (in Dany IV). Does Dany have months to mobilize Dothraki from one side of the Sea to the other?
With the Dothraki along the Rhoyne, though, she doesn’t need to wait for anyone to ride across the sea. Conveniently, they’re already there. If there’s some way to send a message that the Dosh Khaleen have decreed that the Dothraki will follow Dany, that she is the Stallion Who Mounts the World, then she has a ready-made army just waiting for her word to cross the Rhoyne after all, and take the Free Cities. Then Dany can fly over there on her own and just meet them.
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I know we’re all looking forward to Dany taking Volantis, so I don’t want to propose something too contrary, but how about this: sicne we’ve been hearing all through ADWD that there are a ton of Dothraki already in place, conveniently for story purposes, ready to accept their regular gifts… or perhaps ready to act if, for example, word came that the Stallion Who Mounts The World has come after all. That might speed things up a bit. We know Volantis is only weakly defended, we know there are Dothraki outside of Selhorys, Qohor, and Volon Therys. Dany has spent five books searching for home and finding one among the people she’s freed. Maybe this is how she makes sure it’s the Volantene slavers who don’t have a home to go back to this time.
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violettduchess · 3 months ago
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Ahh, could I request Matthias with “I grew up on a farm” or “Use me”? Or whatever you feel like! 🙏❤️
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A/N: In honor of his birthday today, here is your request anon!
Making such a proper character into a country boy wasn't easy until I found a way to connect the prompt "I Grew Up on a Farm" with Matthias's pride in Achroite.
Modern Country AU, Matthias x Reader
Entry for @candied-boys Country Radio CC
WC: 1.2k
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The high-rise buildings of your city glisten with the reflection of a thousand neon lights. They flaunt the reds and pinks and yellows like fashionistas on a runway. Far below, the cars drive, resembling little lightning bugs, their bright, white headlights guiding them along the road to their destinations. The sky above is a gray mass of clouds, blanched and ubiquitous. The night's starlight has no chance against the blinding glow of the city and when it is visible, the moon is only a pale shadow of herself, like a copy made too many times.
Matthias is standing on the balcony of your small apartment, leaning on the railing. His strong hands curl around the cool metal, broad shoulders slumped forward. Slipping his hoodie over your thin nightgown, you step outside and join him. The sounds of the city that never sleeps greets you, a familiar song that has accompanied your nights since you were young.
You wrap your arms around him from behind. Feeling you hug him brings a tenuous smile to his lips and he places his hands over yours, holding you there, a silent plea to not let go. Your head falls forward to rest against his broad back and you breathe in the scent of him, cool and crisp and clean. It reminds you of snow-capped mountains, of winter’s first kiss, of a lake frozen over, diamond-like and dazzling in the pale December sun.
“Penny for your thoughts?”
His exhale is heavy. It courses through his body, dragging the weight of his tangled emotions with it. They feel like chains around his heart, fetters that tighten with every beat.
“Hey....” 
Your voice sharpens with concern as you let go and move so that you can see him. His noble face, the one you tease him about and say looks like a fairy tale prince, is shadowed by something that dampens the soft gray of his eyes, pulls down the corners of his handsome mouth. “Matthias?”
He hesitates and your stomach twists. Something is definitely wrong.
He touches his forehead, frowning, as if willing the thoughts to find the way out of his mind. “This may sound silly. I’m not a child but...” His voice sounds tight, wound with the fear of what may happen when he gives his thoughts life. “I....I miss home.”
You step back, away from him.
His gaze is pleading, heartbreakingly sad. “I know I said I would try. For us. I know your life is here and I thought I would manage. But darling....” His voice breaks on the word and he has to take a moment to regain control. “Darling, I am not made for this place.” He gestures towards the city, now behind him. “I miss the mountains. And the Achroite ranch. The people.” He sinks down onto the chair in the corner of the balcony, his tall body folding like a demolitioned building. “And I’m selfish for it, I know. I promised you. And yet.....” He runs a hand through his short, blond hair. “I can’t....be truly happy here.” Anguished he looks up at you, expecting to see the betrayal written in your expression, hurt shining in your eyes. 
Instead what he sees is something softer, something gentle.
Carefully you cross the small balcony to where he is sitting on the plastic folding chair and reach for him, dropping down onto his lap, knowing from experience the little chair is mighty enough to hold you both. He watches you closely, brows knit in a frown, but he wraps his strong arms around you, almost hesitantly.
Reaching up, you cup his cheek. “I know.”
“You do?”
For a man so intelligent he could be so dense.
You nod, running your thumb over his chin, a gesture familiar and loving. “The minute we left the ranch it was like your glow was slowly fading, a little every day. And I wanted to believe I could be enough to keep it alight. I thought if I could do that, your decision to return with the crazy tourist from the big city who wanted a dude ranch experience and got so much more wouldn’t turn into the biggest regret of your life–”
He hugs you to him tightly, shaking his head as he buries his face in your shoulder. “No, not possible.”
Gently you lift his head so you can look into his eyes. “You love me. I know you do. But you don’t love it here. And so this, here,.....it won’t work.”
The storm breaks in the gray of his gaze. He closes his eyes, fighting back the flood that is breaking his heart and drowning its pieces.
“Which is why we have to leave ‘here’....and go....” Your palm rests against his heart. “Where this is.”
Tears shine like raindrops in the sun when he opens his eyes again, disbelieving.
“What?” It’s a whisper, a prayer in the wind.
“I could never be happy seeing you this way, so far from that place that is in every heartbeat, in every shadow of your thoughts.” You hold his gaze as you speak the words that have been written on your heart for some time now. “ I fell in love with the man with the wide smile who showed me the mountains at sunrise, who shows the same consideration to everyone, from the boy who mucks the stables to the mayor of the town. The one who took me for long rides through the hills and showed me the pond where he learned to swim, the tree he fell from and broke his arm.” You smile, stroking his cheek. “I want that Matthias back and I think the only way I can find him is to bring him back to the land he loves....and if he’ll have me, join him there.”
“Are you sure?” The words are tremulous, restrained. “I couldn’t ask you to leave the city if it would make you miserable. I couldn’t put you through-“
“Screw the city. It was never that great anyway.” Your forehead touches his, your hands cradle his face. “I didn’t grow up feeling like you did. Like this place is a piece of me. What I do know.....is wherever you go, that’s home. To the mountains, to the moon. I don’t care. All I need is you.”
His words are barely audible. “But we came back here because of your job....you didn’t want to give it up. I would never ask you to do that.”
“I know you wouldn’t. And that’s why I am doing it voluntarily.” You lean back and there is nothing but warmth in your heart. “A ranch like yours always needs some extra hands, right? And I’m sure you can teach me.”
“You’re sure?”
There is not a single spark of hesitation in your answer. “Yes.”
“Truly?”
“Matthias!”
Relief like a river rushes through him and he can only stare in awe at you, the brightest sun in his sky. “I love you.”
You don’t reply with words. Instead you lean forward and kiss him, an answer, a testament to a love as bright and endless as the Western sky.
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