#tales ep on the 20??

[brilliantfantasticgeronimo]

btw u know what else is a triangle. a pyramid. a pyramid is a triangle.

[cat-chthesehands]

What a weird....shithead....

[mister-punch]

“Heart of steel, slippers of glass”

[jq37]

The fact Gerard's vision of a better world is 'none of that 5am bullshit, we wake up at 8 to workout', just the best. I wonder if Ylfa's still got dawg in her, or if that's not a thing in her new reality. Anyway, another great finale for the books, wrapped more satisfyingly than I expected. There were so many threads, I didn't think they would have the time. I was expecting the Top Hat Fairy to do something to help like Turquina, but *shrug*. I suppose Ylfa having that hat for the rest battle was enough help and was definitely not a waste of precious resources. *sighs* So many 20's, so many stressful Box of Doom's, on the edge of my seat the whole time, satisfying conclusions to everyone's story arcs. You can't ask for better than that.

OK this has been sitting in my inbox for a bit for two reasons. The first is I've just been majorly busy with IRL stuff. The second is that I have...let's say mixed feelings about Neverafter as a whole having seen the finale. 

Like, as a vehicle for comedy (which Dimension 20 largely is--makes sense considering the cast is all comedians who are friends. A recipe for shenanigans if I've ever heard one) the season absolutely succeeded. There were very few moments of this season where I wasn't entertained. Thinking about Ylfa saying the phrase, "honking big" will break me every time. Watching the cast lose their mind during adventuring party every week as they descended further into madness was fantastic. And Ylfa going in for the kiss w/ Pinnochio at the end had me dying. 

But as a story? And specifically, as a story ABOUT stories? 

Ehhhhhhhhhhh.

[To be clear, I am talking about MY opinions here. To everyone who really loved how this season wrapped up, that's fantastic! I'm just talking about me and my thoughts. Even when I'm making broad statements, I'm still just talking about me. Cool? Cool.]

Just to start with the broadest thing, it is *insane* to have a finale that is nigh incomprehensible without having watched some bonus content, and honestly, only slightly more comprehensible if you have watched that bonus content. Like, was it FUNNY to see the full cast practically melting as they went feral for the Orange Fairy? Yes, obviously. But it also undercut any sense of like real stakes or weight to the entire affair. 

I'm not the biggest fan of final fights in general because it often feels like just drawn-out math, but I feel like, even factoring that in, the fight didn't feel as engaging as it could because by the second part of the fight, we were fighting characters we hadn't spent a lot of time with. Like, sure, I have thoughts about how the princesses were handled but we did spend time with them. Enough time to at least have some sort of opinion when they were taken down. And enough time for characters to have relationships with them that paid off during their fights--Red taking down La Bete for instance, or Pinnochio reaching out to Mira. With the fairies, we only really met three of them (Turq, The Evil One, and the Godmother), and we really only got a half-decent read on Turq. So it really wasn't that emotionally satisfying (outside of whatever emotion they were CLEARLY getting from their Orange Fairy Acid Trip). 

And then the Authors we know the least about! There were all these meta elements that were introduced in this season that weren't really explored much at all. So that element felt really obligatory to me. It was like, the fighting of a vague concept. Which isn't to say that can't work. They fully fight the American Dream in Unsleeping City 1. But that worked for me because (1) they had the concrete villain of Robert Moses to fight as well and (2) there was a very clear thematic reason they were fighting the American Dream. Put a pin in that, I'm coming back to it. 

The last two big elements in the fight are the Gander who didn't really do anything but by all accounts, SHOULD have been a bigger player and the Stepmother who ABSOLUTELY should have felt more satisfying to defeat because I actually think she has one of the more interesting stories in the story. Unlike the princesses (who struck me as shortsighted and selfish at worst and majorly misguided at best) and the PCs (who felt very rebel without a cause and a bit aimless for large parts of the season), I fully understand why a character who is always written to be evil would want to be like OK, screw it. Burn it all down. But then, at the last second, we get this, "No, wait, I actually wanted to free us all from the authors" thing and it just feels like it comes out of nowhere. Like, maybe giving her her name back gave her back her humanity or something, Fine. But it gave me so much whiplash. We did not spend enough time with her story threads for that to work imo. 

Going back to the Authors thing now. I'm going to skip over a bunch of my logistical questions about them (Is that one ink hand speaking for all Authors? For only some? What even is an Author in the context of this world? Is the world that exists above the Never After even really our world? Fairy Tales don't even have set authors most of the time. They're oral tradition. What does killing an ink hand do mechanically in the actual world? Did they kill the entire concept of storytelling or just give one person bad writer's block? ) and go to my thematic question which is, what is the tone that was meant to be struck here? Or I guess rather, why was this the tone struck? The idea of Authors as a malevolent force and that never really being challenged is so bizarre to me. Because storytelling as a concept exists in their world. So why would they assume malevolence rather than people who just don't understand they're playing with the lives of sentient beings? Like, I get the concept of seeing something just beyond your meagre comprehension and cracking. I really do. But that really only happened when Tim saw the ink. Everyone seemed to just jump on the "Authors Evil" bandwagon and didn't examine that further. And I guess you're not obligated to look further into the people who are controlling your life against your will (though, I really don't understand to what degree the Authors were actually doing that--add that question to the pile) but that makes for a very unsatisfying story beat. 

But even outside of that, it's a weird take on storytelling from a storyteller in a medium where you're seeing the storyteller on screen at all times along with the other six storytellers who are telling the story. It's like, an insane level of dissonance, watching someone narrate about how Authors are so cruel and uncaring while watching seven people who are so passionate about what they do, clearly having a great time in the world they created. It made that thread ring hollow to me. And I'm not trying to do some kind of pedantic gotcha like, "Oh ho. You said storytelling is bad and yet you are a storyteller. Interesting." That's not what I'm saying. If you want to tell a story about control and lack of control and agency and all that, then I can see having your players play characters who are being controlled by authors. But it wasn't explored in a way that made any kind of point other than, "Free will is good." Which...yeah. And I initially thought it was very cool that they were telling a story about character feeling like they didn't have agency in a medium where we literally have to watch the "extraplanar beings" controlling the characters' agency because I thought they were going to do something interesting with it but they never really did. Frustrating. 

There were hella loose ends that were never tied (What actually caused the Neverafter to merge? What does the Auroratory actually do? What caused the times of shadow*? What was going on in the other worlds?) but lastly, I just want to touch on the loose ends that actually *were* tied. Specifically in the epilogue. 

So the idea here is everyone gets to write their own stories. That sounds good in theory. But, in reality, people are gonna have wishes that contradict. And people are gonna have wishes that are bad. And people are gonna have wishes that control other people. Like, in this new reality Tom Thumb wakes up at 8. But that's what Ger wants. Is that what Tom wants? In this new reality Elody and Ger are divorced. Did they both want that? What if one of them didn't want that? What if multiple people want to be married to the same person? What if multiple people want to be royalty of the same place? What if multiple people want to be despotic dictators or the same place?

I'm not going to go through every epilogue, but Roz's in particular gave me pause. Not because she decided to not give herself a true love and in fact specify a cruddy dating life for herself--wouldn't have been my move but do you girl. No, it made me go "huh?" because Siobhan said that in this rewritten version, instead of avoiding spindles, she gets really good at handling spindles, and then when the witch shows up with a spindle, she knows how to handle herself. But that's just like...not how Sleeping Beauty works? Like, it's not that Auora's curse takes hold because she was bad at spindles. It happens because she was cursed to die (softened to sleep) when pricked by a spindle on that day and time! Michael Jordan could have been cursed to die via basketball on his 25th birthday and no amount of talent would have saved him because it's not about life experience. It's about magic. And like, I get that she wanted to have more agency in her story but that's just like...not Sleeping Beauty at that point. If she had been like, "So I spend my whole childhood preparing to face the evil fairy and defeat her in a battle of wits/magic/sword fighting/Uno/etc before my curse takes hold instead of letting people solve the problem for me" then that would have tracked for me. But as is? That was just bizarre. 

And then also the fact that the Stepmother AND the Gander were just like, good in this world? The stepmother, I can maybe kinda sorta buy. Like, I have questions 100%. Was this what Cinderella wanted? For her abusive stepmother to just get a clean slate to be in her life again? We're not given any indication that the Stepmother is really a nice person who is being forced to play into the villain kayfabe by her puppet masters and really in her heart just wants to be good. But that COULD happen (and I wish it had) so sure. Fine. But the Gander? The Gander, this primal force, just wants to be good and wander? First off, not the main thing here, but if I was Tim and this dude made my son turn to bones I'd be like??? No??? But also, I thought the Gander was like, a force of the universe! The opposite of the Goose! Yin and Yang type stuff! He can just be good with no cosmological consequences???

(Also, as I said, it's really kind of jarring to watch these characters like struggle for control of their stories and then just, in real time, while 6 actors put words in their mouths about what their best life is. I know that's the nature of the game but it doesn't make it not weird to watch.)

In conclusion, I found this season exceptionally funny but also not very narratively cohesive. I really wish it had come together a bit better because I really love fairy tales. My thesis project right now (which I'll probably share on here when I'm done with it)  is a fairy tale retelling and the last major writing project I worked on had a lot of fairy tale inspiration as well. I think there were a lot of potentially interesting ideas in this season! Pinocchio asking why other kids get to mess up but he can't is a great beat. Pib as an incarnation of an archetypical trickster spirit is inspired. The effects of a True Love's Kiss spell wearing off as your marriage crumbles has interesting implications. But it didn't coalesce in what I felt was a satisfying way. I admire the effort that went into this season and would love to see Brennan's notes because I'm sure there's a lot we never got to (some of which might answer some of my questions) but as is, it felt a bit overstuffed and underbaked. 

*OK, we actually did get an answer to this question, but it was so tautological as to be basically meaningless and I would like a more in-depth answer. 

PS: Oh! I got kind of carried away and didn't answer everything in your message. Let me fix that! 

-I think Ylfa is just a normal girl now. I did think Roz taking her in once she was separated from the wolf was very sweet. I have some existential questions about the splitting situation but the moment was still sweet regardless. I do like that people still draw her with the wolf ears though. Wolf ears are always fun. 

-It *is* very funny that Ger had a page to write literally whatever he wanted and that made the list. 

-I am fascinated by what would have happened if they'd failed that roll. I know Brennan said they'd have time looped back to the start and ended on a bummer note, but I mean like, what would the table's energy have been like. They've never lost like that before. Still haven't. And I didn't really *want* them to but also...my fatal flaw is curiosity so you know...

-Them fighting fully corrupted Tim would have been interesting too. What a cool what could have been. I'm sure there are so many of those. 

-That damn Top Hat. Do you think they're actually gonna sell that with the rest of the minis or keep it?

[lotussokka]

*cooks food menacingly* *cooks food as an act of love menacingly*

[purplepixel]

MISSING THIS EVERY SINGLE DAY

just remembered shows used to have 20-25 eps per season

[inbarfink]

So when discussing the ending of ‘Over the Garden Wall’ and the nature of the Unknown in general, I think it is important to remember that it’s left deliberately up for interpretation. You know, it’s not a Quiz with one concrete answer we must uncover, but it’s more about our interpretations and personal feelings. Each and every one of us experiences that journey with Wirt and Greg into the Unknown in a slightly different way. 

So what I want to do here is not present a Correct Interpretation that will dispute all the others and prove them all wrong and prove myself right, I just want to share my own outlook on the nature of the Unknown. In the hopes that others will like it and it’ll inspire more cool readings and interpretations

So on some level I do agree with the popular theory that the Unknown is some sort of Afterlife - but I don’t see it as a regular Afterlife for human souls, I think it is an afterlife for Stories. This place is where fictional characters and stories end up once they’ve been totally forgotten by the living, ‘lost in the clouded annals of history’. and become.... unknown It is quite literally a place where ‘long forgotten stories are revealed to those who travel through the wood’.

That’s why the Unknown is a mishmash of different time periods and primarily visually and narratively influenced by stuff like fairy tales, ghost stories, children’s books and old cartoons - these stories have a high-tendency to be forgotten and thus get lost in the Unknown (whatever it’s because they rely on oral traditions or because they suffered from very poor preservation historically). 

And that is what the theme song, ‘Into the Unknown’ is talking about…

Where can we pretend that dreams do come true? In Stories.

And what are ‘the loveliest lies of all’? Now that would be Fiction. 

The entire concept of stories is a huge theme of this song, I think.

Beatrice and her family, Adelaide of the Pasture, Auntie Whispers and Lorna were all originally fairy tales. Maybe the same fairy tale, or maybe they were originally separated before being ‘melded’ together. (If, for example, the last child to Remember them before they were forgotten just assumed the Bad Witch in both the Auntie Whispers and Beatrice stories was Adelaide)

Pottsfield was an old urban legend about a haunted ghost town, Wirt and Greg basically played through its ‘plot’ directly. 

Miss Langtree, the schoolhouse and the other associated characters come from a long-forgotten and out-of-print children’s book. That’s why those characters tend to talk in comically-stilted expository dialogue. 

The Tavern was the setting for a series of 20’s animated cartoons.  (Although obviously set long before that era). The Tavern Keeper was created as a Betty Boop clone and was the main character. The Tavern setting was probably a mere framing device for all sort of musical animations. The reason why none of them can comprehend the idea of not having some sort of Title or Label is because that’s how they were written - all given job-related titles but not named.

Fred the Talking Horse was a main character from a forgotten tradition of humorous oral stories where he was sometimes a trickstery anti-hero and sometimes a straight-up comedic villain protagonist.

Quincy Endicott and Margueritte Grey were characters from a satiric limerick about the greedy rich and their wacky habits. (Quincy was at least inspired by a real-life person since his name appears on a tombstone in the real world)

Possibly the same limerick where the punchline was the status-quo at the beginning of their OTGW ep, that both rivals’ mansions have become connected and they assume the other is a ghost haunting their house. Or maybe they were each from different regional variations of the same limerick about a greedy rich weirdo being lost in their own house and going mad. 

Frogland and their little boat might be from a children’s book as well, but I also think that maybe… from the vignettes shown at the opening of the series…

That one might take place outside the Unknown, and shows the real inception of Frogland. Two brothers making up stories with their toy boat by the river. Since they never shared these stories with anyone else, when these two brothers died or maybe just grew up and forgot their boyhood misadventures by the stream - these stories also ended up in the Unknown. 

The Fishing Fish we see briefly in ‘Babes in the Woods’ might be a small comedic illustration from a children’s book, or another piece of limerick, or just someone’s random notebook doodle that gained a life of its own first in the creator’s mind and then in the Unknown. 

Cloud City, the North Wind and the Queen of the Clouds were also, much like the Tavern, from a very old cartoon.

The Beast was once just a mere Boogie Man to keep young children from wandering off into the woods. Ending up forgotten in the Unknown just ended up giving him a whole world of lost souls to harvest. 

Maybe the Woodsman and his daughter were always a part of the story of the Beast. But since it seems that the Woodsman being a lantern-bearer is a fairly recent development - they might have had their own separate story. Some sort of pastoral novel about a family moving near the woods? But their narrative has been ‘hijacked’ by the Beast. 

Wirt and Greg ended up lost within the Unknown cause had they actually died in the lake that night - they would have become a Story in their town. I mean we have a moody lonely teenager and his adorable little brother disappearing/dying - on the night of Halloween - after last being seen in a graveyard - with the older brother’s last act on this earth being to hand his crush a cassette of his love poetry. Can you imagine what sort of Urban Legenda you can grow from those seeds?

But as they were not yet dead, and not a Story yet… so they were technically an Unknown story. Between the borders of life and death from a human perspective because they were about to die, and from a Story perspective because they were just about to be born.

And the ending sequence, with the little vignettes showing where all the characters from all the episodes ended up. I think that’s almost like Wirt and Greg back in the world of the living and the real - being able to create happy endings for all of those stories they've met. That’s how the Woodsman’s daughter ended up being alive all along - it was less that the Woodsman's whole tragedy was a wacky misunderstanding all along. But it became so as a gift of thanks by their new storytellers - Wirt and Greg.

Because if dreams can't come true, than why not pretend?

[simply-whump]

Strange Tales of Jiang Cheng (江城诡事) - Whump List

Whumpee : Qin Huo Le played by Xia Zhi Guang and Song He played by Caesar Wu

Synopsis : In the early years of the Republic of China, the situation in Jiangzhou in the southwest region was chaotic, which led to frequent spies. Qin Huo Le, who returned from studying abroad, met detective captain Song He and with the help of the quirky female forensic doctor Fan Xiao Fan, the three of them worked together to solve 8 bizarre murder cases and bring justice to the world. (MDL)

Genres : Thriller, Mystery, Investigation, Bromance

Warning! Possible spoilers below!

Qin Huo Le

Ep 1 : None

Ep 2 : (01:35) Arm twisted — (11:35) Throwing up

Ep 3-4 : None

Ep 5 : (12:5) Choked

Ep 6 : (08:55) Crying

Ep 7 : (11:30) Am twisted — (11:55) In handcuffs 

Ep 8 : (06:10) Knife at his neck, captured, hands and feet tied, gagged (Gif Set)

Ep 9 : (0:50) Still tied up —(04:45) Knife at his throat — (06:23) Found, untied, taken hostage

Ep 10-23 : None

Ep 24 : (03:05) Arm twisted

Ep 25 : None

Ep 26 : (05:05) Thrown to the ground, attacked, knife at his throat

Ep 27-35 : None

Ep 36 : Missing, suspect in a case

Ep 37 : None

Ep 38 : (00:45) Tied up with rope the whole episode 

Ep 39 : (09:30) Still tied up, black hood on his head, gagged, saved — (13:40) Restrained

Ep 40 : (05:25) Wakes up from a nightmare

Ep 41 : None

Ep 42 : (06:45) Fighting, hit — (09:10) Shot at, more fighting, gun pointed at his head — (12:50) Hit several times, choked, punched, Song He comes to the rescue

Ep 43 : (08:25) Handcuffed (wants to infiltrate a prison)

Ep 44 : (03:00) Handcuffed, about to infiltrate a prison (very dangerous), hugged by his friends — (10:25) Manhandled, restrained, force fed something disgusting, coughing

Ep 45 : (01:00) Glass cup smashed on his head, knocked out — (07:10) Wakes up in a cell, holding his stomach, in pain — (12:35) Stomach hurting, sweating

Ep 46 : None

Ep 47 : (02:50) Fighting, hit

Ep 48 : (04:05) Walking unsteadily, holding his stomach, passes out, wakes up in bed, concern for him — (09:10) Crying, vision blurry passes out — (11:30) Wakes up tied up

Ep 49-50 : None

Ep 51 : (01:00) Teary-eyed, fighting — (10:20) Teary-eyed 

Ep 52 : (00:50) Teary-eyed, crying — (10:20) Crying

Song He

Ep 1-2 : None

Ep 3 : (10:35) Fighting, choked, in an explosion, found collapsed on the floor, concern for him, helped up, stumbling — (11:30) Wound treated, in pain, alcohol dumped on his wound, screaming in pain (semi-comedic)

Ep 4-12 : None

Ep 13 : (07:30) Feeling unwell, collapses unconscious, concern for him, surrounded by some poison miasma — (09:15) Wakes up, slightly disoriented 

Ep 14-27 : None

Ep 30 : (08:55) Surrounded by smoke, coughing, collapses, passes out, concern for him, woken up

Ep 31-38 : None

Ep 39 : (01:50) Fighting, hit

Ep 40 : (02:00) Surrounded by enemies — (03:45) Just had a tough fight, injured, tired, bleeding, saved — (09:20) Grabbed on his injury, wincing in pain

Ep 41-46 : None

Ep 47 : (11:30) Drugged, stumbling, vision blurry, cut with a knife multiple times, hit, fighting, pinned to the ground, stabbed in the chest, jumps through a window, shot, still manages to escape (Gif Set)

Ep 48 : (03:35) Bleeding, barely conscious, concern for him — (09:45) Carried unconscious, concern for him — (12:00) Unconscious in bed, wakes up, pale and feverish, in pain, concern for him

Ep 49 : (00:50) In bed, weak

Ep 50 : None

Ep 51 : (01:25) Slight concern for him, fighting — (06:25) Shot, collapses, bleeding, concern for him 

Ep 52 : None

>> More Whump Lists

[absolutebl]

Love your blog! Do you have any recs for people (me!) who liked: Tale of 1000 Stars, Unknown, Moonlight Chicken, Secret Crush on You, My Beautiful Man, Be My Favorite, Sing My Crush, and We Are (Cute), please? I disliked My Stand In, Love Sea, and Only Friends. I tend to like character driven instead of plot driven stories, and please, no silly misunderstandings or misguided noble morons who break up because a parent suggests it!

Do I detect... a challenge? *rubs hands together* we are playing my favorite game.

Okay, likes:

Tale of 1000 Stars

Unknown

Moonlight Chicken

Secret Crush on You

My Beautiful Man

Be My Favorite

Sing My Crush

We Are

I crossed out the ones that don't fit the trend (outliers) and congratz your wheelhouse is:

moody, atmospheric, angsty, tiny bit cerebral, bit gritty, higher production value, soft focus, lower heat levels but yearning, bit of domesticity, acting chops

Dislikes: My Stand In, Love Sea, Only Friends

Okay not too far into angst, no nasty characters, no dubious tropes or anti-heros, no mame, no high heat, university or older. CHECK! Got it.

Ready?

Right in your damn wheelhouse:

The 8th Sense

(20 points to whoever knew that would be my pull out the gate)

One of the longest BLs Korea has given us (like Blueming) and it feels more atmospheric gay coming of age romance than strictly BL. It’s got a bit of an age gap, country boy/city boy, stellar acting, complex characters, and leads with great chemistry and tension. It’s a bit chewy and sticky and less perfect than most KBLs (do I detect a touch of Taiwan?) This one deployed BL tropes (messy eater, shoulder sleep, protective seme, there’s even some hyung-slinging) but front loaded them with painful backstory and then a ton of angst to drive the 2nd half. This isn’t in the KBL bubble, there’s sharp edges and lots of triggers. For a BL the darkness of the content left me feeling unsettled (which is the only reason it didn't get a perfect score) but it does have a glorious ending and that counts for a lot.

I think you'd really love this one.

Trigger warnings - suicide, loss of a family member.

Blueming

It’s a tiny bit dark and a tiny bit bittersweet, almost too honest to a university experience and first love (for BL), but if you want your mind ever-so-slightly messed with and your intimacy hellishly sweet, this BL will do it for you in a coldly distant manner, while bitch slapping you with self worth issues. I wasn’t into it at first, but the leads are solid and by ep 5 it got really good, becoming a narrative about self discovery meets understanding and accepting others people’s flaws without hurting them. Ultimately, we witnessed two characters maturing because of each other and their mutual affection, without that affection becoming the conflict point. Instead, tension was built around other aspects of identity, popularity, and self-worth. While production values were a touch lower than usual for Korea, Blueming included decent kisses and beyond plus a satisfying ending and come judicious and very elegant use of tropes. It is, in the end, simply a great BL.

Also Bleuming paved the road for 8th Sense and other gritty KBL to follow.

Love For Love's Sake

Isekai-based KBL is about a man who must win a game by convincing a reserved teen outcast to fall in love with him. Of course, that teen represents himself and his own unhappiness. Like many queer narratives, this show is actually about self worth, trust, and found family, and it is VERY on the nose. But I don’t expect subtlety from my BL and I enjoyed it's truly lovely redemption arc and earnest performances. I personally found the narrative a touch disjointed with overworked filming angles and poorer than average captions, but the consistency of tone, script, and immersion is beyond the norm for BL. You will drown in this show and like it that way. The leads have fantastic chemistry and it's ultimately highly rewatchable and utterly charming, which counts for a lot.

Trigger warning - suicide.

Unintentional Love Story

OMG the plot! Uke forced into a totally understandable betrayal, falling in love despite himself, put into a corner he can't get out of, the AGONY, the PAIN in those gorgeous eyes. Gah. Okay, so: A boy loses his job due to trumped-up corruption charges accidentally discovers his ex-boss's favorite artist, now a recluse. Evil manager offers him his job back, if he can convince the artist to rejoin society. Instead, they fall in love. I found the artist a bit stiff and reserved but Gongchan (maknae of B1A4) is a fucking GIFT - he carried this show (which I do not expect from the idol element). He was luminous with extraordinarily expressive eyes, just drown in the emoting abyss. The external conflict, social tension and pressure is complex and beautifully executed, plus Korea gave us legit side dishes (NOT a love triangle, hally-fucking-luya).

My Personal Weatherman AKA Taikan Yoho

You mentioned My Beautiful Man so if you're feel like that energy, grown up, watch this. It's a style of live action yaoi really only works from Japan. Basically: boys who fell in love in college end up living together but both are so repressed they actually don't realize they're in love. It's higher heat than we usually get from Japan's HEA stuff, and that part is also very well done, but it leaned into the "why don't they just talk for fuck's sake?" trope which is only exacerbated into undiluted frustration by the fact that they're already fucking. However, that's angst for Japan. And you like angst. Honestly? It's great, but watching requires more patience than usual, even for Japan.

My Ride

Thai BL grew up with this pulp (the first ever to make my end of year top 10). It’s a truly lovely and special little show featuring the extremely rare pairing of sunshine/sunshine (AKA a cinnamon roll couple) plus mature explorations of relationships using one of the softest, sweetest and most innocent friends to lovers vehicles. Kindly, overworked doctor meets broken-hearted motorcycle taxi driver in an “other side of the tracks” slow burn romance. The support cast is excellent, making for great friendship groups and family dynamics. With honest queer rep that adds to, but doesn’t impede, the story, and genuine conversation about the nature of class, wealth, and classism, not to mention communication, honesty, and respect for boundaries, you can’t go wrong with this show. In other news, I am a sucker for a single dimple.

It won't have the production values you're used to but it is a great show.

A Breeze of Love

Tsundere insomniac grump reunited with his sunshine jock ex (human sleeping pill) who now hates him. Basketball is also involved. While the simplicity of a reunion plot makes this more cohesive than most KBLs, it is a tad stiff and slow, never managing to lift itself out of "pretty, angsty, and pretty enjoyable." I liked it more than I thought I would, and think about it more too. 

Jazz for Two

This was basically what I wanted from Given and didn’t get. So I’m pleased. A solid enemies to lovers BL, where the sins of brothers' past haunts the present. Great optics, decent chemistry, and a tidy script even if tsundere characterization went a bit extreme in some cases.

Trigger warning - suicide.

Like In The Movies AKA Gaya Sa Pelikula

Karl, a student living alone, runs short of funds and ends up becoming housemates with Vald an out and proud chaos gay. This leads Karl into an identity crisis and journey of self discovery. This kind of forced proximity trope is really common in BL, but what Gaya does is handle it in a messy honestly queer way. It includes Vlad’s attitude in response to Karl’s shaken behavior and the frustration many out queers feel. For that alone it has to be applauded.

DNA Says Love You

DNA deserves extra marks for an upbeat approach to a queer story arc that other shows have systemically mishandled with sadness (in the guise of realism). There is a twist, which I found predictable, but knowing what would happen didn't spoil this show. The leads are luminous and engaging, and it’s full of queer found family representation and an unexpected amount of domesticity, plus it’s Taiwan, so the kisses are great. The first few eps are rough going but PLEASE have patience, it's worth it I promise! The second half is really special and life/love affirming - and the end is big-grin charming.

My Tooth Your Love

Earnest dentist hottie with sad eyes who worries too much is smitten by an adorable sunshine neurotic bar owner with serious anxiety issues. They fall madly in love while courting each other with food, plushies, and naps. Then, shocker, talk about their feelings and try to actually sort out their problems so they can have an adult relationship. Bonus crumbs = 18 year old poor little rich kid in mad crush with a much older man. I really enjoyed this show, it had a unique premise, killer dialogue, there was a solid lead pair with charming chemistry, soft flirtation, delightful smiling kisses, and stinkingly cute domesticity. All that said, I wasn’t wild about some of the darker themes it explored, even though it did a good job with them. And while the sides were adorable, they were underused. In the land of May/December, baby boy kabedon is my kryptonite! Why so little of it? (Kabedon is My Kryptonite = also the name of my indie band’s first single.)

Trigger warning - parental abuse.

The Eclipse

GMMTV does gay Blacklist with a good boy/bad boy pairing. This is a good show but the cast is excellent and the leads are absolutely flawless, which elevates it beyond just good. We got a nuanced and multifaceted burgeoning relationship: philosophical (and socio-political) conflict contrasted to moments of empathy; flirtation contrasted to moments of genuine affection, plus plenty of angst. This narrative is less about love than it is about courage and tenderness. However, near the end the pacing was off and the plot frustrating. Still, this is an enjoyable watch, with a finale that features verbal consent and a fun blooper reel.

Never Let Me Go

Bodyguard romance where poor boy must watch over rich boy for family obligation reasons. Simple premise well executed with a few bumps that made it feel like it was trying to tackle too much (when it wasn’t). Still, an enjoyable show that benefited from being handed to PondPhuwin who did a stellar job with their roles and chemistry. Of GMMTV handing out new series to established pairs in 2023 this is one of the most successful IMHO. It's typically Thai in that it's a bit bloated and has a confusing plot, but at least it HAD a plot and the central relationship is solid and loyal. The Our Skyy 2 follow up is great too. And very much adds to the cannon in a fun way rather than feeling superfluous - making this show ultimately 14 eps rather than 12.

Some real oddball and sophisticated suggestions

Addicted (original)

When Chinese BL was good it was very dirty good and when it was bad it was censored. This is the model for that statement: rich kid falls madly for the genius poor kid in his class, starts an aggressive pursuit, includes kidnapping for love, obsession, stepbrother trope, plus some cheating. I love this BL because of what I could have been. Just stop watching it after The Sex Scene. Okay?

It might not be right in your wheelhouse but what even fans forget about is how stunning the atmosphere is with this show. I mean we can feel the cold and the grunge. When they living poor it's REAL poor. It's a super immersive show. Unforgettable.

Began Beginning

Childhood best friends must come to terms with their own identities and true feelings for each other when a new boy comes to town, putting them into conflict with their families and ultimately, each other. For the first half of this show there’s a lot of sitting across from each other and talking about life choices over yummy food and then going to tourist spots (mildly boring and not particularly important to the plot). It changed tone about 2/3 in to be way more of a coming out family drama about forced marriages and homophobia. And then at the very end it changed again, becoming a full on soap opera with kidnapping, crazy characterization shifts, and rescue missions. All in all? It was a wild raw creature to consume as a binge. No kisses since this is Myanmar, but a very romantic end, so I think maybe actually worth your time? I'm certainly glad I watched it.

Stay Still

What to say about this offering from Hong Kong? It’s different, a mix of early CBL, Taiwanese shorts, and Pinoy visuals. It felt like the story was 2 independent shorts that had been lengthen and then stuck together, and I wish they'd been approached as separate and tighter entities. Nevertheless, this was a complex little piece, interesting in a sweaty grungy way, with a certain aura of queer authenticity that made it simultaneously tense, unpredictable, and refreshing. I’m not sure I would necessarily call it BL, but any county’s early foray into the genre usually starts out this way, so perhaps nascent BL? Worth watching, especially if you enjoy stuff from the Philippines and Taiwan.

On the lighter end but probably still in your wheelhouse

I Cannot Reach You AKA Kimi ni wa Todokanai

Classic friends-to-lovers BL is everything Japan does best. Angsty. Emo. Aching. Driven by real thirst. Yamato is deeply in love with his childhood bestie, Kakeru, and has been for ages, unable to hide his ungainly damaging high school need. He wants Kakeru in every way possible and it oozes off of the screen. Kakeru is silly and a little simple, but not frenetic or overly camp about it. He is earnest, and genuinely wants to keep Yamato in his life which means giving a romance (and gayness) a fair chance. We watch him realize his affection and what form it can take in a truly authentic way. This show was impossibly kind to both of its lead characters and I felt almost honored that I got to watch something so lovely and rare play out on my screen.

To My Star

Hwang Da Seul directs this show about a neurotic actor (actual puppy) who takes refuge with a grumpy chef resulting in sparks, cooking lessons, and LOVE! It’s is a touch quirky to get into, but utterly charming once it hits its stride. This is the ultimate grumpy/sunshine pairing plus the most appealing light-filled kitchen of our dreams. I adore this show so much. Limited use of BL tropes makes this feel more of a sweet contemporary gay romance between an actor plagued by scandal and the grumpy chef who adopts him, but the gentleness will appeal to fans of the BL genre.

Old Fashion Cupcake

This show had me from the moment they broke the egg yolk with the chopsticks in the opening credits. It’s about a younger man with a long cherished crush on his boss (ten years older and going through a mid life crisis) who decides to save and seduce said boss with pancakes. It’s wholesome, comforting, sexy, and a very necessary narrative about still having hope, interests, and openness to affection at any age. It’s a stunningly filmed late-in-life comg of age/queerness story packaged in a subtle critique of expectations around masculinity, love, and loneliness... and it’s beautiful.

Cherry Magic (Thai remake) - this is my We Are & SCOY match pull

A soft charming warm hug of a show about crushes and mind reading and self worth that really worked for me. With no-fuss execution from a consummate team (at GMMTV) and an OG lead pair (proving why they remain eternal and deserve to grow up). Look, here’s the thing, Cherry Magic is a great Thai BL in its own right - not comparing it to any other iteration. But even when I do compare (and I've seen all the Cherries and read the manga) it stand strong. I, personally, like the Thai BL slightly better than the Japanese live action yaoi, but I think that’s because I just really enjoy Thai BL's style and I LOVE TayNew. Also all the kissing was both present and better in this version. As it should be from Thailand.

Make a Wish

A doctor who can see the dead strikes a bargain with a wish-granting irreverent tree angel - naturally they fall in love (from Sammon: Manner of Death & Triage). Stars Fluke Natouch opposite not Ohm, but who cares because Fluke has chemistry with everybody. Once again the Thai afterlife is incredibly bureaucratic but I enjoyed the premise and the unfolding of the story (it’s not predictable but still satisfying and with nice little twist). I like that the doctor is just gay AF - fag hag bestie and made of swagger. The cast is excellent but the comedic stylings are a bit overblown and tonally off. It has sad parts and did make me cry but is ultimately happy with a great sex scene, good smiley kisses, and all the agency.

I thought about it but I'm not sure

still you can put these on your "maybe" list

Until We Meet Again

I Feel You Linger in the Air

La Pluie

Restart After Come Back Home

His the movie

Life: Love on the Line

Perfect Propose

Tokyo in April is

Love is Better the Second Time Around

Ocean Likes Me

My Only 12%

After Sundown

I Told Sunset About You

These might be a bit too cerebral, dark, and/or plot-heavy for you. But are worth it if you feel in the mood for something very chewy.

Currently airing

It's set in high school but it scratches the Unknown itch:

The On1y One

Sirs not appearing on this list but if you follow my blog and ask me for tips it's kind of required watching:

Seven Days.

Because everyone should watch it no matter what your taste. So there.

(source)

[stone-stars]

so… i made a list of the first use of every song* in campaign 1 of naddpod, with timestamps. if you're wondering, it's 190 unique songs! * disclaimer: this list doesn't include royalty free songs, only emily's, and it's entirely possible i missed one or two.

i've put the list under the cut, separated by episode! edit: backdating on patreon has made it so that ALL timestamps are from the ad free episodes now!

(disclaimer that i determined the names of songs by cross-referencing what they were credited as across episodes, so some may be inaccurate. i noted those down in the list)

13 - City in the Clouds, 16:56 13 - Beverly's House, 34:18 13 - The Widow, 49:59

14 - Court of the Boy King, 17:48 14 - The Twinkling Lights of Galaderon, 1:20:41

15 - A Bastard No More, 23:21 * 15 - The Ruins of Cragwater, 2:00:09 * (note: "A Bastard No More" is called "Hardwon Takes the Wheel" after c1e70)

16 - Duergar Drudgery, 3:16 16 - Spooky Shafts, 5:13 16 - Heed the Mushroom's Call, 20:02 16 - Schubert's Song, 24:37 16 - Jolene the Green, 30:21 16 - Farewell to Fungen, 33:33 16 - The Mithril Miner's Shuffle, 37:48 16 - The Mithril's Run Dry, 51:37

17 - The Depths of the Dungeon, 1:07:29 17 - Conspiracy in the Clouds, 1:10:39

18 - The Revenant's Fate, 23:26 18 - A Fate Refused, 24:50 18 - Escape the Boy King's Brunch, 1:27:20

19 - The Purge, 10:49 19 - The Valiant Ol' Cobb, 50:13 19 - At the Last Minute, a First, 1:25:18 19 - Skybound, 1:28:17

20 - The Blows of a Friend, And Not a Foe, 58:58 20 - Forsaken, 1:03:08 20 - Apotheosis, 1:04:11 20 - A Haven Away From Home, 1:08:06

21 - Betrayal Below, 17:53 21 - The Gunslinger's Girl, 37:45 (loops) 21 - A Sign from Melora, 1:00:47 21 - Friend Turned Foe, 1:01:52 21 - Sumpin's a Mess Out West, 1:35:39

22 - Slumber in the Stump, 45:05 22 - The Sultan of Stone, 1:38:20 22 - Block Hop, 1:39:31

23 - The Mountain Meets the Sky, 42:34 23 - Trust the Gust, 57:55 23 - The Titan of Air, 1:09:39

24 - Sumpin's Asunder Down Under, 36:50 24 - Baptised, 39:43 24 - Steed of the Sea, 47:17 24 - Cetacean Farewell, 1:09:44 24 - Into the Flame, 1:12:29

25 - The Golden Sword, 51:24 25 - Cured by the Light, 56:30 25 - Hospitably Hostile, 1:01:47 25 - Mee Maw's Burden, 1:17:28

26 - The Grand Maw Tree, 8:20 26 - Into the Fog, 51:25 26 - A Hospitable Farewell, 57:20 26 - Befuddled and Befogged, 1:01:28 26 - Hazy Daze, 1:06:08

27 - Snake Skirmish, 3:06 27 - Greener Shades, 1:07:01 27 - Moonshine's Stump, 1:10:59 27 - Unknown Tome, 1:23:16

28 - Balnor's Bad Dream, 26:31 28 - Blessings of the Elementals, 1:10:45 * 28 - Elemental Energy, 1:13:47 * * (note: the two songs credited here are actually "Elemental Energy" and "Calling in a Favor", so the second song may be either name)

29 - The Prodigal Sister, 54:47 29 - A Rare Appearance, 57:37 29 - Oh, Melora!, 59:04 29 - A Tale's End, 1:04:41

31 - A Giant Among Men, 16:18 31 - Back Against the Wall, 26:35

32 - Behold! Treasure, 9:02 32 - Akarot's Letter, 22:21 32 - Shock at the Dock, 35:54 32 - Invisible But Not Invincible, 42:19 32 - Escape from Smuggler's Bounty, 47:27

33 - Tonathan Tinkle, 5:21 33 - Uku's Gift, 1:16:20

34 - Frostwind, 35:34 34 - A Humble Shopkeeper, 45:40 34 - Vinril's Gems, 1:01:16

35 - Balnor the Brave, 1:04:05

37 - Descending, 19:29 37 - A Tempting Offer, 40:11 37 - Desecrated, 47:18

39 - Incriminated, 32:08

41 - Tower of the Winter Wolves, 19:00 41 - Tundra Trudge, 1:22:08 41 - Valley of the Frigid Death, 1:15:31 * * (note: this song is used in ep 38 at 48:34, but not credited)

42 - Prey Don't Stand a Prayer, 41:03 42 - Yanoba, 1:06:07 * * (note: this song is also used in ep 38 at 1:07:13, but not credited)

45 - The Eye of Akarot, 12:59 45 - Bash at the Gash, 33:08 45 - The Bronzebeard Legacy, 43:40 45 - Kingshammer, 1:41:30 45 - A Sight For Sore Eyes, 1:44:32

46 - Fantastic & Fuddling, 38:59 * 46 - A Soft Landing, 56:18 * 46 - A Humble Farmer, 1:02:52 * 46 - The Court of the Bear Prince, 1:14:22 46 - Wooded Wonders, 1:40:52 * * (note: the four starred songs names have been used somewhat interchangeably, and "The Feywild" is sometimes used instead of "Fantastic & Fuddling")

47 - Puzzled, 7:34 47 - Mysterious Yet Familiar, 1:04:22 47 - Queen Cirilla, 1:10:17 47 - Frozen in Time, 1:12:42

49 - Gnome Man's Land, 1:03:54

50 - Rolling Deep, 13:10 50 - Neath a Ceiling of Stars, 30:36 50 - Sea Beast, 53:38 50 - Great Crone of the Sea, 1:11:05

51 - Alanis, 3:34 51 - The Nannerfly Effect, 14:35 * 51 - When You Wish Upon A Stone, 20:26 51 - Only the Ocean to Console Him, 45:27 * (note: throughout the Feywild, this song is called “The Nannerfly Effect”, and then later goes on to be credited as various versions of "wish stones")

54 - The Autumn Court, 3:35

55 - The Witch's Den, 58:57

56 - An Innocent Flirtation, 48:02 56 - Goblin Dirigible, 1:04:27 56 - Crash Landing, 1:15:21

57 - Tower in the Distance, 13:18 57 - Angels and Devils, 16:58 57 - King Lestibourne, 1:02:39 57 - All I Need is One Thread to Spin a Web, 1:09:20 57 - Kiss of Life, 1:45:12

58 - Flying Through the Night, 25:18 58 - Bittersweet Sixteen, 59:34 58 - A Hard Goodbye, 1:26:52

59 - Shadowfell, 2:49 59 - Into the Mist, 5:34 59 - Grimhawk, 53:33 59 - Langston, 1:05:56

60 - Deadeye, 6:30 60 - The Fat Monk, 25:13

61 - The Red Fen, 20:54 61 - The Montgomerys, 40:11 61 - Growing Pains, 1:16:21 * 61 - Gutless, 1:29:37 * (note: “Growing Pains” is credited as “Drained” here, but the name changes later and is used consistently)

63 - Montgomery Manor, 1:14:22 63 - Shadowfell Sneak, 1:17:34 63 - Two for Tea, 1:21:08

66 - Unholy Pilgrimage, 22:22

67 - Bastard's Fate, 1:22:05 67 - Bastard's Cove, 1:30:06

70 - Lucanus Aer'Tea, 1:27:08 70 - A Miracle Child, 1:44:43 70 - The Thinking Cap, 1:49:53

71 - The Whisperwood, 27:30 71 - Gladeholm, 29:41 71 - The University, 56:36 71 - Qwiksus, 1:10:04 71 - A Wizard Tournament, 1:30:24 71 - Star Spawn, 2:10:23

73 - Summoning, 11:28 73 - Secret Basement, 32:21 73 - The Objective, 1:31:50 73 - Pandemonium, 1:34:22 73 - Lilith La Trix, 1:37:55

75 - Kingsguard, 22:17 75 - Speaking Stump, 27:19 75 - Irondeep, 1:18:40 - (note: these three songs are only used in this ep in c1)

76 - The Mindflayer's Lair, 59:48 76 - The Multiverse, 1:13:57 76 - Alone, 1:19:50 76 - The Vast Expanse, 1:22:21 76 - Into the Planar Pool, 1:27:28

77 - Deal with a Devil, 21:42 * 77 - Buzzer's Cutters, 25:28 77 - The Posse, 1:07:48 77 - The Bronze Bastard, 1:35:51 * (note: this song is also frequently called “Soul Coins”)

79 - Lust, 14:52 79 - The River Styx, 24:46 79 - Fierna, 32:36 79 - A Risky Gamble, 51:42 79 - The Honey Trap, 55:40

82 - The Seventh Circle of Hell, 14:58 82 - Demigod, 28:55

83 - Ilsed's Secret, 42:05

84 - Hellfire Crown, 1:26:11 86 - Torn Apart, 46:42 * * (note: technically "Torn Apart" is a part of “Hellfire Crown” and plays in ep 84 at 1:17:32, but the two have different instrumentation and “Torn Apart” is credited as such later, so I've split them)

91 - I Just Want to Know You're Taken Care Of, 21:37 91 - The Pact, 47:25 91 - Forest, 1:07:14

92 - Enlightened, 15:26 * * (note: this song isn't credited in this ep, its first credit as "Enlightened" is in ep96 at 36:47)

95 - Hole in the Sky, 1:01:12 95 - Pure Gold, 1:34:39

96 - The Glittering Lady, 15:51

97 - Fabric of Fate, 9:44 * 97 - Selfless, 12:48 97 - A Glittering Reunion, 22:18 * (note: this song is later called "Melora's Boon" in c3)

100 (pt. 1) - The Writing on the Wall, 28:55 100 (pt. 1) - Paradise, 46:04 100 (pt. 1) - A Memory, 1:03:17 100 (pt. 2) - One Big Bed, 1:46:57

[diceriadelluntore]

Storia Di Musica #343 - Alice In Chains, Jar Of Flies, 1994

Le storie musicali ottobrine avranno come protagonista un formato musicale, perchè ho scelto 4 EP come protagonisti delle quattro domeniche di questo mese. Cos'è un EP? Un Extended Play è un supporto fonografico (in vinile, CD, musicassetta, download digitale o altro) che contiene più tracce rispetto ad un singolo, ma che, similmente al mini LP, non può essere classificato come album discografico. La definizione è alquanto vaga e non esiste un limite preciso che stabilisca quando un EP non è più tale e diviene un album vero e proprio: per convenzione, si concorda che un disco con pochi brani e una durata di 25-30 minuti sia un EP ma, per esempio, le regole della Recording Academy per i Grammy stabiliscono che ogni pubblicazione con cinque o più tracce sopra i 15 minuti di durata dev'essere considerata "album", senza menzionare gli EP. Tuttavia nelle classifiche ufficiali di vendita sono sempre segnalati quando vengono commercializzati come tali, e la storia della musica popolare occidentale ci fa scoprire che è una forma di registrazione niente affatto secondaria: nasce addirittura negli anni '20 del 1900 come supporto che conteneva non una solo brano per lato, ma due o due più tre sull'altro lato. Nelle prossime storie ne racconteremo un po' la storia, anche inteso come mezzo di espressione alternativo, soprattutto in certi momenti specifici della storia musicale.

Quello di oggi, per partire, è uno degli EP più famosi della storia. Fu il primo EP a svettare tra i dischi più venduti di Billboard. Questo EP si intitola Jar of Flies e fu pubblicato dagli Alice in Chains il 25 gennaio del 1994. Gruppo formidabile, dell’ala hard rock del grunge di Seattle (anche se tentarono sempre di non apparire grunge), gli Alice in Chains (un omaggio sadomaso ad Alice nel Paese delle Meraviglie) si fondano nel 1987 quando Layne Staley incontra Jerry Cantrell. Ispirandosi più verso l’heavy metal che la psichedelia acida dei coetanei gruppi grunge, nel 1990 pubblicano il primo disco, Facelift, che li proietta alla ribalta delle cronache musicali. Subito dopo, con Sap, il primo di una coppia meravigliosa di fortunati EP, iniziano a suonare sonorità acustiche, lontano dal suono potente, distorto ed elettrico dei dischi “interi”, come Dirt del 1992, che a metà tra speed metal e Black Sabbath li fa diventare superstar. Ma come sempre nelle migliori storie rock arrivano i guai. Staley inizia una dipendenza pesantissima da alcol ed eroina, e per oltre un anno la band non si esibisce. Appena però sta meglio, in una settimana nel 1994, la band, in tenuta acustica con Mike Inez al basso e Sean Kinney alla batteria, sfoggia in 7 giorni, a detta degli stessi pieni di fumo, depressione ed alcol, questo capolavoro. Il titolo, Jar of Flies, prende spunto da un esperimento che Cantrell fece al liceo: in due vasi venivano poste due comunità di mosche, uno con molto cibo, l’altro con meno. Quella con più cibo prosperava molto più forte di quella con meno cibo, ma alla fine il sovrappopolamento finì per esaurire presto le risorse e la comunità morì, mentre l’altra continuò a vivere. Rotten Apple è una struggente ballata fatta apposta per la voce straziante di Staley, e vola per oltre 6 minuti. Nutshell, con scie sonora da pelle d’oca, è tanto favolosa quanto tetra e devastante nel testo (inizia così: Inseguiamo promesse mal stampate, affrontiamo il sentiero del tempo). I Stay Away è una traccia acida e psichedelica e che forse faceva capire i progetti futuri della band. Cantrell scrive No Excuses, che diventerà uno dei loro brani icona e canta con Staley la bellissima Don’t Follow. Whale & Wasp è strumentale, Swing Of This è una melodia diversa, quasi staccata al resto dell’album, così compatto sia musicalmente che emozionalmente. Nel 1995 la band scrive ancora un capolavoro, Alice in Chains, conosciuto come Tripod per la foto del cane a tre zampe in copertina, ancora numero 1 in classifica. Ma il tour che segue sarà di sole 7 date, per le condizioni sempre più disastrose di Staley, che comparirà per un ultimo concerto, la registrazione di un toccante MTV Unplugged del 1996, uscito anche come disco, e con una Nutshell da brividi. Morirà, isolato, depresso e distrutto, il 5 aprile del 2002, precisamente 8 anni dopo Kurt Cobain. La band si è riunita sotto l’egida di Cantrell nel 2005 e nel 2009 ha pubblicato Black Gives Way To Blue con un nuovo cantante, William DuVall, dai suoni iper heavy come i bei tempi ed è ancora in attività (Rainier Fog ultimo disco del 2018 e è da tempo annunciato un settimo album). Ascoltatene la malinconica bellezza.

[bekaterrier]

It's that time of the week again! Happy Audio Drama Sunday! Still traveling so still listening to a bunch of different podcasts.

Residents of @proserpinapark Ep 37 - Devilish Lovers: A quick episode this week! It's interesting to hear about myths and mythical creatures that are so similar across different cultures. It was also good to get even the tiniest mention of the Park in NJ. Looking forward to everyone coming together at some point!

Give Me Away Episode 5 - My Body Is Your Body & Episode 6 - This Is My Home: Ep 4 ended on a cliffhanger so where do we start with ep 5? A flashback of course! It was actually so interesting hearing what had been going on since the beginning with so many of the people in Red Camp. Then in ep 6, finally getting to hear how Graham interacts with his new companion. The Innovator certainly seems like an interesting person, and I'm sure their dynamic will continue to evolve. All the while, Jamie is in the background sowing chaos!

@camlannpod Episode 6 - The Sheep And The Goats & Episode 7 - Under The Hill: All I'd heard about Camlann was its connection to Arthurian tales, so I was not expecting the shift to Greece. It was so good and interesting though! I don't know why, but I hadn't thought about what other stories would have come alive. It certainly makes you think about which other ones might be out there. As soon as Perry started talking about fairies I knew to expect some trickery! They were so adamant about Dai coming back (even though he was not storied) that it made me wonder... Then some of the hints from the fairies... All leading up to to that big reveal!! Ahh!!

@midnightburgr Welcome to the Horizon Part 6 - Back to the Black: I was giggling and kicking my feet for the first 20 minutes... Just let Verge and Deidre be happy!! It's always fun hearing Verge be a badass though. Poor Deidre, constant emotional whiplash over the course of just a few hours. Her whole world just turned upside down several times over. Aside: The music this episode was fantastic!

@starsfellradio S1 & S2 re-listen: When WTSF was releasing S3 last year, my brain would not cooperate and listen. With the traveling I've been doing recently and the burnout recovery, I've finally been able to get back into it! I, of course, had to re-listen to S1 & S2. It's so good. Ed and Lucy's growth and evolution together, the wild incidents that keep happening, the fantastic music that starts coming in during S2, Michael the archangel getting domesticated... Love it all.

Where The Stars Fell S3 Episodes 20 - 23 & Forgive Me! Crossover - Forgive Where the Stars Fell: The countdown to the rapture has started! The first four episodes of the season cover a lot - Ed learning about new abilities, Lucy finding Joseph's coat of many colours which hides her wings, slime mold comes to life, an unconventional evangelist comes to town, a body swap episode, the Dave Matthews Band incident, a chili cook-off, and a promposal! Gosh I love this town. I also wanted to shout out the crossover with Forgive Me! because it was such a fantastic, fascinating episode. We know Ed has been dealing with a lot since finding out she's the Antichrist, and this was such a great opportunity for her to really voice how's she's feeling about it all, especially the Big Guy.

Case Study: IREC-A59 Episode 5 - Contact *Terms and Conditions May Apply: We have contact! They can finally understand each other! And thanks to that, we're starting to get more info about both sides of this story. 13 other intelligent species; humans have developed warp travel! ; the captain is super protective; the council may not be letting the humans go anytime soon...

@starfallpod Act 1, Scene xiv: Hearing the bits of Mariette the Fourth adapted as Candyette the Fourth was fantastic. I would honestly love to see a full version of either performance! I love Fel and Leona together, but it's nice hearing Leona start to speak up for herself. And now we're off to solve a mystery! Who could have done it, I wonder...

[hooked-on-elvis]

"My Boy" (1973-1974)

Recorded on December 13, 1973 at Stax Studios, Memphis · Released on March 20, 1974 · Album: Good Times

MUSICIANS Guitar: James Burton, Johnny Christopher, Charlie Hodge. Bass: Norbert Putnam. Drums: Ronnie Tutt. Piano & Organ: David Briggs, Per-Erik Hallin. Vocals: Kathy Westmoreland, Mary (Jeannie) Greene, Mary Holladay, Susan Pilkington, Voice, J.D. Sumner & The Stamps. OVERDUBS Guitar: Dennis Linde, Alan Rush. Percussion: Rob Galbraith. Piano: Bobby Ogdin. Organ: Randy Cullers. Vocals: Ginger Holladay, Mary Holladay, Mary Cain.

RELEASES In March 1974 "My Boy" was first released on the album "Good Times", and in January 1975 the song came out as Side-A single (backed with "Thinking About You".

The master of “My Boy” was lengthened by splicing on a repeat of the last section.

"MY BOY" — LYRICS Songwriters: Bill Martin/Phil Coulter/Claude Francois/Jean-Pierre Bourtayre You're sleeping son, I know But really, this can't wait I wanted to explain Before it gets too late For your mother and me Love has finally died This is no happy home But God knows how I've tried Because you're all I have, my boy You are my life, my pride, my joy And if I stay, I stay because of you, my boy I know it's hard to understand Why did we ever start? We're more like strangers now Each acting out a part I have laughed, I have cried I've lost every game Taken all I can take But I'll stay here just the same Because you're all I have, my boy You are my life, my pride, my joy And if I stay, I stay because of you, my boy Sleep on, you haven't heard a word Perhaps it's just as well Why spoil your little dreams Why put you through the hell Life is no fairy tale As one day you will know But now you're just a child I'll stay here and watch you grow Because you're all I have, my boy You are my life, my pride, my joy And if I stay, I stay because of you, my boy Because you're all I have, my boy You are my life, my pride, my joy And if I stay, I stay because of you, my boy Yeah, because you're all I have, my boy You are my life, my pride, my joy And if I stay, I stay because of you, my boy Oh, because you're all I have

--

TAKES · FROM FIRST TO MASTER

THE TAKE 2 Studio Sessions for RCA · December 13, 1973: Stax Studios, Memphis Please, read what Ernst Jorgensen says about the moment "My Boy" was being recorded, and listen to the take. -- The next night Elvis began with a song from his live repertoire, “My Boy,” which had been included in the August Las Vegas show. The song told the traumatic tale of losing a child through divorce, but Elvis wanted to be done with it fast. When Felton pushed for a third take, he exploded: “I told you to get this goddamn thing in two takes. I can’t sing it no more.” Take three was actually better; it lacked the long fade out Felton wanted, but he knew better than to ask for another, confident that he could loop it in mixing to get the effect he wanted. Excerpt: "Elvis Presley, A Life in Music: The Complete Recording Sessions" by Ernst Jorgensen. Foreword by Peter Guralnick (1998) -- So, when I first read this part of Jorgensen's book I hadn't listen to that take yet, but now that I did I don't take Elvis' comment as "he exploded", do you? If that was Elvis exploding, I have to reconsider a lot of the stories about his supposed short-tempered moments. Just saying. He sounded pretty like just casually commenting rather than snapping at Felton like the description of the moment made it look like. Still, I personally think that comment came for a reason, maybe EP was too polite - or too embarrassed - to show how affected by the lyrics of that song he was. Below is the take two alone, if you prefer to go straight to the point go to min. 3:50.

Elvis and Lisa Marie Presley at Baptist Memorial Hospital in Memphis, TN, on February, 1968. ♥

I must have been the only person in the fandom who hadn't seen this picture before. So cute! I'm meltinnnggg! Is it real? Looks edited, IDK. Anyway, what are your thoughts about Elvis' recording of My Boy? Do you think it had a meaning to him?

[dudadragneel]

I'm just updating this

So, here's the list I said I'd share.

This is a mess, there's manga, webtoon, kdrama, jdrama, animes, tv series...

Not all of them are whump, some might be just my favorite episodes (probably because the animation was good.

ChaoS Child - 10 (vomit)

Tales of Zestiria - 4 (nausea)

Argevollen - 15 (vomit)

M3 - 3 (vomit)

Mob psycho 2 - 6 (vomit)

Persona 5 - 2,4,5, 15 (pain, injury)

Dororo - 5, 12 (faint, fever)

Fukigen na mononokean tsuzuki - 6 (faint)

Donten ni warau - 3 (nausea)

Darling in the franxxx - 5,6,11,12, 13,15,17, 18,21 (fever, faint, pain)

Duel ep 8 (vomit)

Wolf's rain ep 5,6,7,8,9,10,11,12,14

God's Quiz - season 2 ep 12 (vomit)

God eater - 5, 6❤, 9,10 (injury)

Re: zero - 5,8, 10 (vomit)

Sign language - 68 (fever)

Aldnoah zero - 5 (vomit)

Battery chapter 10 (vomit)

Forever mine - 43,44,45,46, 63, 64,65, 69 (collapse)

Kakao 79 - 113-115 (fever)

Plastic memories - 07, 12 ( faint)

Doukyonin - 08 (faint)

Miira - 3,07 (fever faint)

Goboutan - 12 (fever faint)

Plastic Memories - 07 (faint)

Hyouka - 07 (nausea)

Black Lagoon - 1 (vomit)

Full metal Panic Fumoffu - 2, 8 (fever faint)

Knights of sidonia - 2 (vomit, faint)

Fruits basket - 23

Ai yori aoshi - 4

Guardian - 8

My love from another star - 9, 16

Guardian - 8,9,10,12, 19, 20,21, 23, 28

Love shuttle - 2,3,4,5,6,9,10, 11,12 (fever, vomit)

Riverdale - 4season ep 1

GRAND HOTEL - 1Temp - 7 3 TEMP - 2,3, 19,20 (injury)

Tokyo ghoul movie (emeto)

TEEN WOLF- Season 6 ep 6, season 1 - 1,2,6,8,11, season 2 - 6,7,9,10, season 3 - 5,6,11, 13 season 5 - 6,9 , season 6 - 13

RIVERDALE- 1- 10,11,12

Love stage - 9 (fever)

Skip beat - 15 (fever)

Miira no kaikata - 07 (fever)

DETECTIVE CONAN -  49,188,191,193,522,927,928,219, 118,126 (pain - faint)

Bleach - 9

Code breaker - 6

Tada kun - 9 (fever)

Mayonaka no ocult komuin - 1

Omiai (hentai) - 5,6 (fever)

Naruto - 140

DIVE!!- 12 (faint)

Katsute - 09

Beelzebub Ojou - 04

Cagaster -3,4,5

Pinocchio - 5,12,13

Itaewon class - 10 (emeto)

Richard - 10

Kakafukaka - 5 (emeto)

Uzaki - chan - 3 (fever)

Titan's bride - 4

Grisaia - ep 1 & 3 (vomit)

The God of Highschool - ep 5 (vomit)

Run with the wind - 8 (fainting), 18 ,19,20 (fever)

Kanojo okarishimasu - 73 (emotional breakdown/vomit)

Inuyasha - 18, 19, 20, 21, 28, 32, 42,45, 46, 51, 57,58, 70, 78, 82, 87, 90, 89, 107, 113, 117, 122, 125, 126, 132, 137, 138, 140, 146, 155, 156, 161, 162, 163, 164, 167

Umibe no etranger - 7

Kkondae intern - 8

One piece 78, 79, 80, 81, 82, 83

Kekkai sensen - ep 4, 5, 8

Kekkao sensen and beyond - 9

Tensei shitara slime datta ken - 10,11,13

Persona 5 - 2,4,5, 15

Dororo - 5, 12

Fukigen na mononokean tsuzuki - 6

Donten ni warau - 3

Darling in the franxxx - 5,6,11,12, 13,15,17, 18,21

Naruto shippuden - 9,11,17,18,19,20,23,24,25,26,29,30,31, 39,40,41,42,43,44,45,49,50,52,56,68,70,71,73,74,75,79 ❤,80 😢,81,82😢, 84 ,85 🤯,86, 87 🤯🤯, 88🤯,89

Fruits bqsket ep 12j

13 reasons why - 4×02

WHUMP

ChaoS child - 10

Tales of Zestiria - 4

Argevollen - 15

Kimetsu no yaiba - 12

The K2 - 4

Healer - 6,12, 13,14

Train 2020 - ep 2 (emeto)

Pinocchio 4, 12, 18

One piece - 566, 567, 568, 569, 570, 597(Law) 598, 599,600,601,602

Jujutsu kaisen - 23 (megumi vomit)

Taishou otome - ep 2

One piece - nebulandia, 3d2y

True beauty - 5 (panic attack)

Casualty - series31 ep 34 (vomit)

Love and leashes - slight gag

Attack on titan - season 1 ep 3 (eren gags)

Tokyo ghoul movie - emeto

Hamatora (emeto)

Boruto - 234- 236 (emeto)

Anatomy of a scandal - 3 (emeto)

Slam dunk - 8,9,10,11,15,16(whump),23,24💜,25,28,29,30,33,38,39,40,42,43,44😭,45,46,48,49(whump),51,52,53,54,55,56,57,58(w),59😭,60,61,62,63,65,66,67,70,71(w),72(w)73,74,75,76,77,79,81,82,84😭

My strange friend (c-drama) - ep 14 (emeto)

Miss Hammurabi (K-drama) - ep 12 (emeto)

Lucky Romance (k-drama) - ep 9 (emeto/panick attack)

Goodbye Mr. Black (kdrama) - 18 (emeto)

Your honor - 19+20 (emeto)

Outlander - season 3 ep 9 (emeto)

2gether the series - 13 (emeto)

Kimi no tonari de yurarete (emeto?)

Stranger things - s1e4 - Jonathan gags

Kinnporsche - 2, 4 (emeto)

Time (drama) - 4 and 6 (emeto)

- my strange friend (c drama -youtube) - ep 16 (emeto)

- stranger things - s1ep8 (not really emeto but the scene gave me whumperflies)

- Kinnporsche - 02,04 (emeto)

- Banana Fish - 5 (nausea - I know but like, the scene gave me whumperflies)

- Chainsaw Man - 1 (blood), 6 (blood)

- Romantic Killer - 6 (slight panic attack) 11 (emeto)

- Aku No Hana - 8, 11 (emeto)

- Kimetsu no Yaiba - Mugen Train movie and season 2 episode 1

[scarystickers]

THE MAGNUS ARCHIVES IMPRESSIONS: EP 65 - 69

EP 65: Binary

Making a non binary joke here would be fun but I fear that’s probably already been done. This may be my favourite episode of this season it’s so good. Guessing that since Tessa has a voice actor she’ll be a recurring character (wooo!!) Good on Tim for calling my favourite problematic queen, Jon, out.

EP 66: Held In Customs

Weird dealer guy is back!! And weird captain guy!!! Weird dealer guy is probably going to be important to the plot so I should probably try and remember that his last name is Salesa (That is the fakest last name I’ve ever heard for a guy who sells stuff bfw). Bro really stuck a guy in a box for 20 pounds. (Sidenote: When are the entity dudes coming into play??)

EP 67: Burning Desire

IT’S ALL FALLING INTO PLACE??? Omg I’m so excited rn yall don’t understand. AGNES !!!!!!!!!! I’m actually so curious about how she doesn’t age. Also how it all ties back from the burning touch to worms!!! guys this is actually making sense to me now im locked in

EP 68: The Tale Of A Field Hospital

What the hell is Fake Sasha doing in the tunnels?? I do not believe her tbh, maybe she was the one who was going down there earlier??

EP 69: Thought For The Day

MARTIN!!!!!!!! Aw my favourite problem solver. All this spider stuff with Annabelle reminds me of that one guy who’s spider just kept reappearing after he’d kill it. Also that vampire hunter guy who met a woman where a bunch of spiders fell out of her face

[david-talks-sw]

So this was the last qualm I had with the whole "Qui-Gon should've trained Anakin, not Obi-Wan" take or that Qui-Gon is somehow more advanced than the other Jedi.

During, Celebration Anaheim 2022, at the Tales of the Jedi Panel, Dave Filoni had this to say:

“Well, [Qui-Gon's] ego is not there, because Obi-Wan tells him "if you’d just do what the Council said, you’d be on the Council" and he’s [like] "I’ll do what I must." Like, he doesn’t worry about those things, because he’s trying to get to the selfless truth of things, y’know? Everything that Qui-Gon’s trying to do is— he’s not afraid to love because he does not possessively love. And that’s something that the Jedi of the Prequel era have kinda - in their involvement with politics - have forgotten. It’s faded.”

So aside from having already established that George Lucas said multiple times that all Jedi can love without getting possessive, it's not something unique to Qui-Gon...

... be it here or in Disney Gallery: The Mandalorian, Filoni bases the whole premise of this reasoning on a couple of lines from Obi-Wan.

Y'know, Obi-Wan.

The 25-year-old. The Padawan.

Like, of course he's ambitious and putting rules and the Council on a pedestal, he's still just a learner, he's in his friggin' 20s.

To be clear: Obi-Wan is not meant to represent the average Jedi, in The Phantom Menace.

Yes, he's smart and skilled but too prudent, too much of a stickler for protocol and still needing to learn about the Living Force.

And guess what?

He outgrows these flaws by the end of the film.

Obi-Wan thought Anakin was dangerous, and underestimated both Anakin and Jar Jar? Well, Anakin proves him wrong and blows up the Trade Federation ship, and thanks to Jar Jar, the Naboo are able to retake their planet.

We know Obi-Wan learns from this, because skip to Episode II and he's asking other "Guide" archetypes like Dexter Jettster for advice. He's learned to see their value.

He's putting the Council on a pedestal, is strictly by the book? Well, now he's ready to go against the Council's approval, if necessary, to train Anakin.

He still has much to learn about the Living Force, worries too much instead of focusing on the here and now? The only way he's able to beat Maul is by emptying his mind and letting the Force guide him.

Obi-Wan's whole arc in The Phantom Menace is going from being someone that...

dismisses characters emblematic of the Guide mythological archetype (like Anakin or Jar Jar),

needs to think for himself instead of being so by-the-book.

needs to open up and feel the Force instead of getting bogged down in thoughts and logic,

... to someone that:

listens to Guide characters, like Dexxter Jettster,

can stand up to the Council when needed,

can let the Force guide his actions.

As George Lucas puts it:

"In the beginning, Obi-Wan is at odds with Qui-Gon, who rebels against the Jedi rules. But by the end of the film, he has become Qui-Gon by taking on his rebellious personality and responsibilities." - The Making of The Phantom Menace, 1999

And you see this evolution, btw. It's not front and center, but it's there, in Obi-Wan's mannerisms (putting a comforting hand on Anakin's shoulder like Qui-Gon used to)...

... in his longer hair, his beard, the visuals...

Obi-Wan's flaws in TPM are intentional story points, which he grows out of by the end of the narrative.

So to see his arc in Episode I then say "well, Qui-Gon was better suited for Anakin because Obi-Wan said x"... when the whole point is that Obi-Wan starts out having much to learn and ends up becoming a less impulsive version of Qui-Gon... that's just crazy, to me.

For more on the subject:

Obi-Wan and Anakin’s character arcs in Ep. II

Analyzing Qui-Gon Jinn using only Lucas' words