soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart
sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers
and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure
the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish
soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down
he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill
we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan
he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost
he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them
he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted
he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much
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Maybe it's a 'study finds water is wet' type of thought, but
considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill
Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"
But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.
They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.
It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.
I don't know I just think it's particularly neat
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When Katsuki Bakugo needed saving, Izuku came up with a plan where Todoroki, Iida, and Kirishima went rocketing across the sky to reach him.
When Izuku Midoriya needed saving, it was Katsuki, Todoroki, and Iida who went rocketing across the sky to reach him.
Both times, our Twin Stars decided to set their own needs aside and allow the other’s trusted friend to take the lead in bringing them home. Izuku knew Kirishima was the right choice to get Katsuki away from the league quickly and safely, and Katsuki knew Iida was the better man for the job of catching up to Izuku and bringing him back.
Can we please just take a moment to appreciate the parallels. Please.
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Going a little insane thinking about how from Knives' perspective, his olive branch for Rem was rejected by his childhood perception of her loyalty to humanity, but Rem was assessing the situation as both a ship official and a parent and definitely making the choice she thought would maximize his and Vash's survival chances...like, if she was following duty as a crew member first and foremost, she'd head immediately to the bridge and tell the boys to head to the escape pods via comms or something. But instead she spent valuable minutes ensuring that Vash and Knives were safely strapped in and ready to escape, and then turned around to minimize the ship damage. Plus she had no actual way of knowing whether the plant ships were on a crash course, either—and while tristamp Nai can survive completely without food and water, no version of Vash has been shown to be able to do so completely (plus all other versions of Knives are shown at least drinking lol). So from her perspective she didn't just need to save both her kids and the humans on board, she also would've needed to save as many dependents as possible just so the boys had a way to stay alive.
She did the best she could do as a parent in that scenario, and Knives forever locked himself into a traumatized child's reasoning for her actions and blamed her to cope with it and then never reassessed from the perspective of an adult due to his, well, issues with everything. That's rough buddy.
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I don't know which is more devasting. The idea that Mihawk and Shanks didn't see each other for a decade after thier breakuptm (which giving that they dueled almos daily for years someone had to have drastically changed their habits to avoid seeing the other)
or even despite all that and not for a lack of trying they just keep running into each other. That their fates are so horrribly enterwined, their yin and yang so bound to the other that despite their best efforts to the contrary it always brings them together again. On the same island in the same know nothing town pretending the other doesn't exist. Because Shanks is a captain on the come up he has a whole crew a burgeoning fleet and territories he can't just drop everything to chase after a petulant swordsman. And if Mihawk can't fight shanks then he can't see Shanks.
And god the tragedy of that of knowing that they are there on the other side of this island because you've known from the moment they arrived. But knowing better/refusing to do anything about it.
On the other hand I do also love the idea that whenever they do run into each other they get into these intense arguments and Mihawk and Shanks have always been prone to fighting but not like this. Because at the end of the day Mihawk and Shanks are both very immature people Shanks is prone to deflecting and distracting to avoid the problem while Mihawk is prone to just completely shutting down when any strong emotions are involved or when he feels like he is not being understood, until he just bursts out in a flurry of rage filled meanness and wrath with a body trail a mile long. And so they just go at each other and the situation is too delicate to thorn filled for Beckman to mediate and so he separates them at least to preserve the integrity of the island they are all presently on.
And then Mihawk goes off and takes his anger out on a marine base cause the pirates have all learned to steer clear of him.
I just think it brings new meaning to Shanks posturing when Mihawk first pulls up on him a decade later. That "you come here for a fight" is a real question and not just playful banter because obviously Shanks doesn't like fighting with Mihawk but why else would he be here? It's why mihawk's little comment doesn't diffuse the tension until he mentions luffy's poster. He is literally and figuratively extending an Olive branch and Shanks couldn't be happier to take it
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Now seems like a good time to introduce a strategy to all my ADHD peers that I've invented so I wouldn't be Late to everything!
It's called...
✨️ Disaster Time ✨️
You know that feeling when you wait til the last second to do something and THEN it seems like THAT'S when everything goes wrong??? Right when you need everything to go smoothly?
You're thinking "the office is only 10 minutes away, so I'll leave 10 minutes before my appointment time!" And THAT'S when it happens; You forget to brush your hair, you can't find your keys, your wallet is missing, your GPS is glitchy, there's traffic, there's a detour, you hit every red light, there's no parking, you enter the wrong door, you can't find the room, etc. There's always SOMETHING.
I used to get SO MAD when everything would go wrong while I was on a time crunch. It seemed like when I least expected it, suddenly every object that could possibly get in my way would get in my way. I used to think, "The universe is out to get me 😔 No matter what I do, everything is gonna go wrong."
And that's when a switch went off in my mind...
Everything is gonna go wrong when I least expect it to!!!
Therefore -> I should stop being surprised and just. Expect it to!!
Every time!
Hence, the invention of ✨️Disaster Time✨️
Disaster Time (noun) the extra time you alot for disasters.
If you just KNOW something's gonna go wrong and then just PLAN for something to go wrong! Then you'll always be ready for it!
Because something is always is gonna happen, right? Something is always gonna go wrong. You don't know what's gonna go wrong, so instead of hoping nothing goes wrong and then being disappointed when something does go wrong, just alot some Disaster Time!
So you think to yourself "the office is only 10 minutes away, so if I give myself 10 extra minutes of Disaster Time for when The Disaster happens, then I'll leave 20 minutes before my appointment time."
Your assignment's due at midnight? Disaster Time! Make it due at 11:40 to account for when the [internet goes out / file gets corrupt / website doesn't load / grammar errors pop up ]
Your hangout is at 8pm? Disaster Time! Give yourself 10 extra minutes to [find your missing phone / stop and grab some gas / brush your hair / quickly eat a snack]
Work at 9? Disaster time! Leave 15 minutes earlier for when [you spill coffee on your shirt / your car light goes off / you forgot something and have to go back]
People used to tell me to do things "early" but I have adhd and time blindness! "Early" doesn't exist!!! "Early" is an abstract concept! And "early" isn't as motivating as "The Last Second"
So instead, alot a set amount of Disaster Time and adjust your "last second" to account for that pesky inevitable Disaster, and you'll always be on time!
If you EXPECT that everything will go wrong EVERY time and just *account* for that when you plan, then you'll always be on time!
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