#takes after his mother

[darkdarknights]

Jace, giving the nod for Cregan to take heads.

[radiance1]

The Justice League have a problem, one that needs some level of knowledge and expertise of a being from the Infinite Realms to give them a better chance of actually solving this problem.

However.

Every ghost they have summoned, without fail, took one look at Constantine. Squinted (yes, squinted). Then decided to go back to where they came without a word.

This. Would have been useful, nice even. If it was a situation where they needed the summoned being of a cult to head back to where they came without a fight.

But alas, that is not what is happening.

The Justice League, obviously, ask him why the ghosts keep fleeing back to their Realm at the sight of him, but Constantine can't answer because he genuinely has no idea why they keep leaving when getting a proper look at him.

So they keep trying and they do find some success in it. They summoned a boy, most likely older than he physically looks yet it still puts some of them off because of, well.

You know.

A boy with white hair and toxic green eyes. The boy stops short, as if not expecting to be randomly transported to somewhere else, takes a look around the room, then the Justice League. His eyes settle on one person.

Constantine, in particular.

He squints (Why do all of them squint? Nobody knows) and then a sudden looking of realization passes on his face. Different from the looks of vague fear and genuinely want to not involve themselves any further, his face held slight disgust and a heavy amount of disappointment.

Thankfully, he didn't leave immediately after that.

Constantine asks what's with the look on the ghost boy's face, the ghost boy in question squints even further. Stares at Constantine for a moment or two, buries his face in his hands and brings his knees to his hand and groans out.

"He could've done so much better."

[mayhemspreadingguy]

Lost boys

[terrorofthetrident]

like mother, like son

[justaz]

a spell is cast on camelot that thins the veil enough for ghosts to appear. the catch? the ghosts that appear are spirits of people that were killed by the person they’re haunting. the knights have a good amount of bandits/raiders/whatever that they took down in battle, maybe a few shady knights have genuinely innocent people that they murdered and got away with. the executioner’s killings are transferred to the king since he was simply acting out the king’s commands. arthur has quite a few. uther has hundreds of sorcerers in various states of gore and horror. those who were hanged have perpetually bent necks, those who were beheaded have either no head or just a head floating a bit above their body, and those who were burnt are more charred remains (the most grisly of them all). merlin has more than anyone expected (which was zero) and all of them keep calling out for arthur/uther’s death and camelot’s downfall while also turning to merlin and calling him a traitor.

[drenched-in-sunlight]

people bending over backwards to scream Marika never loved Messmer when he alone has more blessings personally bestowed by her than any other demigods combined are so funny to me. also the fact that it's implied he used to live in Leyndell too 😂😂

also she killed an entire god herself and made sure said God is called all manner of names and depict as ugly forever. for him 😂😂

[calinaannehart]

[hinotorihime]

there is a very specific vibe to dirk and roxy's friendship

[liquid-geodes]

This day after mothers day, and every other holiday where you're running to the grocery store the day before/day of/day after said holiday, please for the love of God be so very kind to your grocery store employees

Some of us are the only person, yes person singular, running three, yes more than one, departments.

Some of us are doing this with no holiday pay for the minor, but busier, holidays.

Some of us have never been home with our families on these holidays while you're scrambling to get home to your family.

Some of us are barely making $11 an hour.

Some of us are very tired.

Some of us are me.

Be so nice to me.

Please.

[demigods-posts]

fanfic idea where percy is on the cusp of receiving his final recommendation later and despite doing everything that was asked of him, he doesn't earn it. he's quick to anger because he's done everything the gods have asked of him since he was twelve. he's quick to anger because he fought in a war on his sixteenth birthday to dismantle a neglectful system that still exists. he's quick to anger because he never wanted to be a half-blood. he just wanted to save his mom and got trapped in a vicious cycle. and as angry as he is, he does not lead a revolt or attempt to destroy the gods. instead, he gives up his sword and asks his father to remove his powers because all he wants is a normal life, and he's going to get that with or without the gods' help.

[lin-onehalf]

Chapter 385

How Ranma runs to answer the door when he thinks Akane is coming.

here are the panels before it as well that way you folls can see the switch up:

[my-coven-is-claudia]

a moment that’s really stuck with me from the trial is during lestat’s apology when claudia reminds louis of his possible insincerity and the futility of his apology. what’s most significant is that in the face of danger claudia is the one out of the two who takes the lead. claudia always as louis’s protector. nursing him after being brutally beaten by lestat. conceiving the plan to murder their maker. leading them through war-torn europe. claudia’s fearlessness and determination is what urges louis to continue moving forward. to leave america behind and all the pain it signifies and find others like them. to start a new life and finally (try to) escape lestat’s grasp. claudia was louis’s spark in the dark but that spark was his life-force. his willingness to continue living was tied to her existence. his anchor amidst the chaos. if claudia was not by his side then what was the point in hiding from the sun anymore. it takes a failing relationship, two interviews and suppressing his grief for over half a century for louis to be able to speak of how much he loved and adored claudia. and learning to live without her will surely take more than a thousand sunsets.

[variksel]

god. bits of human trudy. yall she was 10 years old at one point and our trudy never was

our trudy is like an obituary to human trudy and we only get to find out what the original trudy was like when shes already gone

[iridescentmirrorsgenshin]

The parallels between Kaveh and his mother and what this implies for Kaveh and Alhaitham

(This is an excerpt taken from my Haikaveh essay! If you're interested you can check it out here or as a pdf <3)

When discussing Kaveh’s mother, Faranak, with her old teacher Zaha Hadi in order to discover the password that will unlock Faranak’s journal, “companionship” is given as the password over “understanding”. This is due to Faranak placing more value in the companionship of Kaveh’s father over him understanding her artistry, as despite his lack of understanding, he stayed at her side regardless in order to “support” her. Zaha Hadi states that Kaveh’s father’s support was likely the reason that Faranak chose him over her “many admirers”, which Kaveh then equates to “companionship”:

A romantic connotation is created by the association of “companionship” with the relationship between Kaveh’s mother and father. Although companionship is also assigned to a platonic connection, pictured in Faranak’s journal of the gathering consisting of Tighnari’s parents, Alhaitham’s parents, and Cyno’s adoptive father. Her advice to Kaveh of pursuing companionship, too, falls in the platonic category, as she states for him to: “seek a friend” in order to gain support. Companionship, then, becomes dually used for romantic and platonic connections.

It is interesting then, that Faranak herself can be used as an allusion to Kaveh. This is emanated in how the two share many similarities, not only in physical attributes, their studying in Kshahrewar, and their shared profession as an architect, but also in their mannerisms and their method of working.

Just as Faranak keeps a diary, Kaveh writes in an ‘Old Sketchbook’. Faranak is described as a “perfectionist” who insisted on redesigning drafts, just as Kaveh designs six drafts for a singular client.

She is also described to have a “sensitive and vulnerable heart”, just as Kaveh is described to be “sensitive” due to his empathetic nature.

Just like Kaveh, she is said to have gotten into a “heated argument” with a friend, presumably over conflicting viewpoints on art. As an artist, her woes are that of Kaveh’s, stemming from being misunderstood by others.

As she is directly compared with Kaveh and as their similarities are listed, it can be inferred that the two are to be paralleled due to their resemblance. It is relevant then to look to her view of her relationship with Kaveh’s father as it provides a perspective of an ideal companion for a struggling artist:

This is interesting in regard to the relationship presented here to that which exists between Kaveh and Alhaitham.

Kaveh and Alhaitham have a mutually deep understanding of each other, which creates a sense of intimacy that they share with no other character. Additionally, Kaveh has the similar struggle of being eclipsed by a “dream” in his heart, as in, his ideals conflicting with his own self-interest. Kaveh’s father, rather than understanding Kaveh's mother's ideals in relation to himself, seeks to support her, “listen[ing] to her joys and share[ing] in her sorrows”. This is a similar statement to Alhaitham’s “listen[ing] intently” to Kaveh’s troubles when meeting in a tavern, calling to question Kaveh’s pursuit of his ideals: “How has realising your ideals gone for you?”

Where Faranak writes of meeting her future husband for the first time, Kaveh’s meeting Alhaitham is recorded in a similar instance:

When comparing Faranak’s first impression of her future husband with that of Kaveh’s impression upon first meeting Alhaitham, the two are dissimilar. Kaveh notes that it is rare to meet someone of his intellect, and therefore appears to treasure the bond, whereas Faranak is seemingly indifferent to Kaveh’s father, but he appears to grow on her. In regard to Kaveh and Alhaitham’s relationship history as a whole, however, similarities can be noted.

Where Kaveh and Alhaitham fell out due to differing viewpoints and their inability to effectively communicate, Kaveh can be seen to not “think much” of Alhaitham’s perspective. When the two meet again in the future, this perception of Kaveh’s has the potential to become applicable only to a “younger [Kaveh]”, as Alhaitham is the only person whom he has formed an “intimate bond” with. Although Alhaitham will not be able to understand him in terms of empathy, Alhaitham can provide companionship, just as Kaveh’s father did for Faranak, which in turn, caused their relationship to develop into that of an “intimate bond”.

A parallel can be drawn between the bond Kaveh’s mother and father had, and the bond between Kaveh and Alhaitham. As although Alhaitham cannot understand Kaveh’s artistic struggles and his personal struggles of empathy, he supports Kaveh in trying to alleviate Kaveh’s suffering and his willingness to listen.

As Kaveh’s mother specifically highlights that it is not understanding which will help Kaveh, it is companionship, which draws strong links to the identified message in A Parade of Providence. As Alhaitham states that he knows that Kaveh will never understand Alhaitham’s way of thinking in regard to his own ideals, but that their relationship is not based upon who is right or wrong. A more in-depth analysis regarding this can be found here.

Alhaitham and Kaveh cannot understand each other in the sense that they can properly empathise and relate with each other’s way of thinking, but they can support one another in the progression of self, and ultimately be a constant source of support for the other. This is demonstrated in the elaboration of the bond between Kaveh’s mother and father, and the parallels drawn between Kaveh and his mother. Companionship is a solution for Kaveh’s mother just as it is for Kaveh.

This can be seen in Faranak’s drawing of a gathering and the picture obtained at Kaveh’s Hangout ending, ‘Leisurely Gathering’. The player is prompted to draw parallels between the people in the picture and the characters the player has met:

The photo shown parallels the ‘Leisurely Gathering’ ending route picture, as Kaveh is positioned where his father sat, and Tighnari, Alhaitham, and Cyno placed in accordance to where their fathers are placed. Rather than being turned away from Alhaitham, like Kaveh’s father is to Alhaitham’s father in the drawing, Kaveh and Alhaitham are centre frame, and their focus is on each other. Companionship then, whilst being this particular group of friends, particularly refers to that of the bond between Kaveh and Alhaitham. The dual meaning assigned to “companionship” means that both a romantic and platonic interpretation has been generated to apply here - another example of methods used to queercode Kaveh and Alhaitham's relationship.

[addamvelaryon]

The Mice & The Snakes

Artist: cerasusarbour

[deadlydelicious]

Who the fuck were Lila's family? Her backstory in season 2 was that her parents are brits, but in this timeline she just has like 3 or 4 random american aunties and uncles and it's never explained? We're just expected to accept that she has this gaggle of family who are ready to babysit her plot device children.

And why are her and Allison the only one's who get other family members? it doesn't make sense and it feels like we were so cheated out of seeing the Hargreeves sruggle to fit in with whatever nuclear family dynamic this new timeline dumped them in