#sysex

[borekdothu]

Prőbálkozásaim a kontrollerrel - vasárnapi live mix.

[sleepingangelmusic]

youtube Liven Lo Fi 12 Tutorial 

[descensos]

ten people I'd like to know tag

tagged by dear mutual fren @riverbaptism

last song: libertango - ástor piazzolla

favorite color: green, blue, black

last book: the bibble (+ my life in Christ by st john of kronstadt)

last movie: can't remember, probably some sad shit

last TV show: sopranos (this is the only right answer)

sweet/spicy/savory: bitter

relationship status: damned

last thing I googled: cenefa

current obsession: chasing this one sound (spent a whole night trying to convert hexadecimal values into sysex data just to remotely send some shitty value changes into a 22yr old keyboard)

looking forward to: eternity

tagging: @atu433b @antipsychoticstare @franceskaromana @rangerearlmcgraw @ameretat @dakotaking @cristanizada @fieldsofeden + everybody

[ambienthousewife]

tagged by @xltl for 10 favorite albums/10 mutuals (in no particular order)

burial - untrue

dj shadow - entroducing

frank ocean - blonde

radiohead - kid a

dj sprinkles - midtown 120 blues

slowdive - souvlaki

playboi carti - die lit

todd edwards - prima edizione

nick drake - pink moon

solange - when i get home

tagging @deirdreskye @dilleater @august-sysex @nid0 @pam3s @preesistersswallowingadonkeyseye @gnostic-coffee @ape-of-naples @divafit @pugetsounds (it is ok if you decide not to do it)

[portal2myfantasy]

#Sunday + @august-sysex

[songoftrillium]

I'm trying to look at Dead Mountain on PodBean, but I keep being redirected to sign in and locked out by capcha. Is there anywhere else to watch the podcast? Are there known browser incompatibilities?

I took the podcast offline; podbean hosting gets expensive fast. But you can still listen in to the first episode here:

[dj-ki]

A SIDE :

[00:00] Siro "Polygam" [03:24] Locust  "All My Sadness" [08:52] Riou  "Ekamo" [18:21] Rancho Relaxo "Pluto 2" [29:23] Cold "Strobe Light Network" [43:55] "Tension Music 4" [49:21] BPMF "Liza" [55:04] Vapour Space "Paradox of Time Dilatation"

B SIDE :

[00:00] Mundo Muzique "Neuro Playground" [05:28] Locust "Air Secondary" [11:09] Teste "The Wipe (Sysex rmx)" [14:51] Zanov "Green Ray" [24:29] Schizophrenia "Schizophrenia" [33:02] Multicast "Way Station" [39:53] BPMF "Button" [48:28] Random XS "Fading Away"

Carefully selected and assembled by Triceratops Djs @ LBA Studio, Lozère.

[radiophd]

beaumont hannant -- sysex

[prdzx]

Autechre 2008 Elektrons Backup || Sysex from AE Store

[tasiturney]

sol2 was made for yamaha stuff but it lets u add any sysex string so now im thinking about sequencing roland sc-88 music in it for tracks where sequencing in the mc-50 might be impractically slow

[autechres]

@oldlovecassette saves the day once again and tags me on these little funsies. here goes my 10 most listened songs for the past while. would like to hear from @cowboyinthesand, @august-sysex, @ambienthousewife, @moonteases and whoever wants to do this :] 

spinetta - cantata de puentes amarillos

jim o’rourke - the workplace

fito páez - un vestido y un amor

gustavo cerati - tabú

fellini - funziona senza vapore

chairlift - no such thing as illusion

imogen heap - hide and seek

boygenius - without you without them

serú girán - salir de la melancolía

nick drake - road

[mendelpalace]

Siren Spine Sysex, Proc Fiskal's second album sees a reorientation of the source elements of his music. While Insula hung around samples of the ramblings of his friends and sounds of his hometown, SSS is laden with an inner voice of sampled Gaelic, Irish and English Folk Music, contorted and imbued into the futurist body of modern pop; the ghostly anima image of the female folk voice, the lamenting wheeze of the accordion rub against the rush of icey 808s and angles of Grime. Proc Fiskal aka Joe Power’s family history is in Folk Music, his paternal grandfather Archie Fisher was active in the Scottish Folk revival of the 60s, his grandfather Al Fraser a Bagpipe player & his great aunt, the singer in iconic children's Folk group 'The Singing Kettle'. It's this cultural baggage, the ’Caledonian antisyzygy’ of the constructed, earnest folk tradition he was raised under, beside the modernist dance music he makes that brings a personal element to the album. The music of Siren Spine Sysex examines dance music as folk music, rerouting them comparatively. His productions were also inspired by the music of The Cocteau Twins, The Roches and Kate Bush, the prominent chopped and screwed Gaelic vocals, like Elizabeth Fraser cut into a UK Garage Lilt - their wordless emoting echoing into joyous twisted pop songs like '8 megapixel phone' and 'Leith Tornn Canal'." Even though it's fast and detailed, Siren Spine Sysex feels relaxed and pastoral at times. The sino-grime present on Insula are here alongside more folk oriented elements, but the edits and drums are more sensual, swelling and reactive to the music. The album's texture is also influenced by the FM synthesis of computer games and wacky soundtracks. Siren Spine Sysex feels warm, inviting and sunny, exciting thoroughly modern album as well as a manic dissection of personal and cultural baggage. 

[untidymusic]

Roland Jog Wheel Fix Encoder Hack Roland VS880 DAW

Roland Roland Jog Wheel Fix VS880 DAW Jog Wheel Encoder Hack Intermittent, jerky, glitchy jog wheel encoder on the Roland VS880 digital workstation is a common problem – it renders the machine difficult to operate – there are software workarounds but even those are problematic as I have witnessed myself trying to create one with a CTRLR controller and sysex. A replacement part is difficult to…

[sylvyspritii]

Hello, have you tried sending SysEx messages to MIDIs in FL Studio (like changing channel bank in the middle of the track)? If yes, could you tell how to do it?

Nope, i don't know how to do that i think

[portal2myfantasy]

@august-sysex curating my morning

[dustedmagazine]

Dean Spunt — Basic Editions (Drag City)

Photo by Penny Spunt

There’s quite a lot of synthesizer in No Age, so it should, perhaps, come as no surprise that Dean Spunt’s solo project would explore synthetic sounds. Basic Editions comes out of a period he spent exploring vintage1990s EM-U synth Romplers from No Age. The Romplers (“ROM” for computer memory, “plers” for samplers) are filled with pre-set sampled sounds, which can be played through buttons and manipulated in various ways. You can go down any number of rabbit holes (try here and here for starters) and still not understand exactly how the apparatus works. So let’s stipulate the shorthand: Spunt bought a new set of toys and spent a certain amount of time bending them to his will.

We can, at least, gather that the EMU-Romplers came in a variety of editions, each with distinct palettes of sampled sound. The “Mo Phatt” version featured blasts and blats of hip hop textures; you can hear it at work here in the robot funky “Boom Times at the Phatt Farm.”  Other versions delivered more ethereal, ambient friendly tones. Opener “Gonzo Bop” is really neither very gonzo or much of a bop; it floats and hovers over a twitching synthetic bass groove. The amusingly named “Confusion Is SysEx” drops watery bloops into fizzing electric-shocked noise blasts. It’s austere, cerebral, and maybe having a laugh at us.

The tracks, then, are very different from each other, so much so that you wonder how much is Spunt and how much is the instrument he’s playing. “Highlighter Bombast” rolls out a glassy beat, all transparent tones and shushing, syncopating glitch percussion; it would be right at home on a Kompakt comp.  “Fructose,” though is lush and tropical, all sinuous curves and hand-drum patter, though with the sound of a wire sculpture exploding laid over it. And what to make of “The Eternal Present”’s multicolored 1970s optimism? You expect Karen Carpenter to come in singing at any moment.

None of this matters if the music isn’t good — not the unusual instruments, not the variety of sonic textures, not the technical challenges turning pre-set tones into tunes. But in fact, it is quite good, full of airy atmospherics and shifting moods and intricate layers of percussion and tone. It’s quite different from No Age, not to mention from the post-punk rough-housers Spunt highlights on his PPM label, but enjoyable on its own terms. If these are the basic editions, we can only anticipate the deluxe ones.

Jennifer Kelly