#synthesizer v chorus

[shiweimigi]

JAE VOCAL PROJECT Original Song Shout Out!

"HEISEI TO THE REIWA" by Aotani featuring Marie Ork, Bones, NATA, Canary, Eleanor Forte, GENBU, Yamine Renri, Kyou Hana, Toka Aki, Pinku, Larimar, Mikene Kotarou, Yomino Ashio, Hoshikuzu Yuzuko, Tsukine Lami, Tohoku Kiritan, Yoko, Matsuo Yuri, Utawa Sero, Namine Ritsu, Watarine Niwa, Kemonone Rou, Shirane Kan, Sugar Torque, Sorashido Lemi, Aoki Kazuki, and Kurobousuku

Also available on bilibili and niconico

[spontaneousglitterbees]

This week's is a classic! Ten+ years on I still love this song.

[whis--ker]

KASANE TETO SYNTHV!!!

[fyeahcindie]

Some epic rock from 康士坦的變化球 KST (formerly known as Constant & Change 康士坦的變化球) =D

Warning: there are flashing lights in both of these live clips!

Lyrics/Music/Lead Voc: ARNY Wu 吳穎然 Arranger/Producer: SionC Chorus Arranger 和聲編寫｜ARNY & SionC Chorus Vocals: ARNY, CREED, 小米 GAIL, SionC (arranged by ARNY & SionC) Electric Guitars: ARNY, Creed Zhao Bass: SionC (陳佑祥 Sion Chen) Drums: 張譯云 IYun Chang (Gail 小米) Synthesizer, Sampling: SionC, ARNY full a/v credits at YT

Links:   Instagram,  Constant & Change Spotify,  YouTube,  indievox,  ChangIYun米 YouTube, IYun Chang IG

Gail posts drummer-view live clips - always a treat to watch such power and precision, and hear her vocal towards the end:

[slackcoalition]

Leveraged Dreaming

This song started as the simple riff in the beginning. I liked the uptempo beat and the directness, so I decided to make it a full song. I just added the little pre-chorus for a change of pace, some flair on the second verse, and a Joey-Santiago-esque solo.

I had just finished reading Amusing Ourselves to Death by Neal Postman and wanted to make something as a reaction. I pulled some of the ideas from the book into a general free-verse essay. I wanted a sort of dreamy atmosphere to the lyrics so I just looked up synonyms for some of the words until I got phrases that seemed unnatural.

From there, I used the Moises.ai lyric assistant to help get the lines and rhymes together. I worked out a melody on a keyboard plugin, edited the lyrics to fit, then entered everything into Synthesizer V to make Solaria sing.

Enjoy!

[ultima-producer]

I’ve been trying to use Synthesizer V’s Instant Mode for a chorus part, listened to it and absolutely hated it. I’ll just stick with note splitting and vibrato for now.

[synthvbulletin]

New Synthesizer V JUN Demo

Audiologie has released a new demo song for JUN.

'Outta My Head' uses vocal modes 'Dark' and a combined blend of 'Soul+Power+Chest' in the chorus.

Producer: Anh Duy

Lyrics: Anh Duy

Dominic Tuning: Wasureru

Aria Mixing: Aria

source

[accirax]

Thanks! 😁 I've never even heard of your song choice at all 'til now (currently listening to it as I'm typing this out) but, yeah! I see the vision, this one good too; I can hear Alec's lower range & Dan's higher range blending well together through the chorus.

And for the record, there are plenty of vocaloid songs in English that you could pick. ALSO, songs using *other* vocal synth programs besides vocaloid (but I'm guessing you don't really know much about those...). (SynthV is pretty popular right now, to give an example)

If I had to select something from that category, here's one I've listened to recently. It's one of the demo songs for Eclipsed Sounds' newest vocal for Synthesizer V (the final addition to their "Starry Court" series): https://youtu.be/Smk4z2Mcgz8?si=OcOvUjq7l46rIMHJ

(I really hope I got the link right, you'll have to rearrange the I's and L's otherwise.)

But here are some other choices too:

https://youtu.be/N1-Z8usIlsI?si=3QCEO_qm1kjPm_-9

https://youtu.be/HV70kQnDur8?si=kXqvr8wL7h2wsrBa

https://youtu.be/5u1CVs31OYM?si=ybKBR8mgPbH_GNtV

https://youtu.be/-nhwTI1w7cU?si=YJrAxTezqV7HZP4b

https://youtu.be/8M4_BGV9hUg?si=TbN_eXKjxwpUeQ05

(since it's been a hot minute since my last post, here's a link for anyone who doesn't know the context)

you are definitely right about the english vsynth* songs, although comparatively there are far fewer to choose from than japanese songs. i got too distracted by Conquerors and Fake Hearts and other things that (in my opinion) clearly don't work to put together what you proposed in some of your links, which is that Dex and Alec are actually a really good match. although, the Dex songs that i've heard prior probably wouldn't work super well with Dan-- i feel that Dan's nerdy vibes wouldn't mesh super well with something like Honey I'm Home, and his voice is too different from Gumi's to sound natural on A Crow's Trial.

within my limited catalogue, i might choose Pathological Facade? although, i can't deny that i might just be biased by the MV's aesthetic. i like the options you provided, though, especially #2 on your list! and, of course, we always have to stan a RIProducer banger.

*i would say that i both do and don't know a lot about non-vocaloid voice bank-based music. however, what i really don't know is what words to use to describe it. i know that there's a difference between Vocaloid vs SynthV vs CeVIO vs UTAU vs Vocal Synth vs whatever else, but i can't exactly put into words what it is, or which singers go into which categories.

like, i know that the reason why the virtual singers in project sekai are called "virtual singers" and not "vocaloids" was about a brand dispute about the use of the term "vocaloid," but does that make (for example) Miku not a vocaloid anymore? does "vocaloid" then apply to someone like Gumi-- who i thought was a SynthV? i know i saw a clip of Gumi, Una, and Gakupo singing in a concert together, so i assume that whatever they are, it's the same thing, if they can have a concert together like the Crypton 6 do. i think Teto used to be an UTAU, but recently became a SynthV? Solaria/Asterion/Saros/now Nyl are apparently SynthV if their website is anything to go off of. where did all of the voice banks Flavor Foley have been using-- Yi Xi, Hayden, Eleanor Forte, Feng Yi-- come from? i think Kafu is CeVIO; does that make Sekai one too if they're on Sekai-chan to Kafu-chan no Otsukai Gensokyoku together? where does Kaai Yuki go? what about Avanna? what the fuck is a Zundamon??? (/j)

i know that explanations for these terms are out there, i just haven't totally taken the time to sort out who's what and what that means yet. i did at least learn a bit more about UTAUs the other day when i watched VocaStats' video on the top 100 most viewed UTAU songs on youtube the other day, but it's still pretty hazy. hence, i was using "vocaloid" as an umbrella term for any sort of virtual singing software-- possibly a habit i picked up from watching VocaStats' videos. sorry for not being clear. i knew very little about vsynths before december 2021 (when project sekai's EN server came out), and only really started looking into the history of virtual singers in recent months. further apologies in advance if i phrase anything else wrong 😅

[shuesueichiyu]

LastVerse (​.​.​.​and 5 billion​-​year waiting list) (feat. Kevin , Synthesizer V) 【Alternative, Shoegaze Rock, Original Song】

---BandCamp (include a streaming full free sample)

---Youtube

---Subscription service links (nodee)

https://nodee.net/a/epk28stm

【About this song】

This is an alternative rock song with a chorus-effected arpeggio and fuzzy guitar. Its sound was tuned atmospherically.

Main theme of the song is "Mitreya devotion and remaining life of Sun". In some of Buddhism, it is said Mitreya finishs his training to become Tathagata after 5 billion years, and will save people. While, life of Sun is thought left only 5 billion years.

From distant past until then, Ksitigarbha will have been saving pepole on behalf of Mitreya. Ksitigarbha is popular as Jizo(地蔵) in Japan. You can see familiar statues of Jizo all around Japan

Subscription services ver. is before remake.

【Story】 5 billion years later, the sun will disappear and Maitreya's salvation will arrive. Thanks to Jizo(Ksitigarbha), who have been with me in this world of impermanence.

【Artworks】

[paiganzero]

Kleins By Space or Sea | "Don't Go" |fractals and blues rock with Synthesizer V vocals from Stephen Sink on Vimeo.

Funky rock bluesy jam with electric clavinet, Hammond organ, wah guitar, acoustic fingerstyle guitar, crunchy high-gain lead guitars, funky bass, and drumming with a funky swing.

Featuring the vocals talents of Synthesizer V's emulated singers Asterian (Baritone and lead), Hayden, (Tenor BG), Natalie (Alto BG), Solaria (Soprano BG). “Don’t Go” by Stephen Sink Intro Crooning

So know bro, flow grow slow Show crow below, no yellow snow Show hello, po faux glow Escrow, oh no, oh no no Bro go slow, chateau flow, yo

Chorus: Wah-ah-ee go, yo Wah-ah-ee go, oh no no Don’t go Wah-ah-ee oh, bro Wah-ah-ee oh, if you go Go slow

Overflow bio dough Quid pro quo, fellow mellow foe Hoe agro, mow fro toe Tarot, oh no, oh no no Bro go slow, Merlot flow, yo

Chorus

Nouveau crow, tableau glow Know dough forgo, pro although slow So shallow, flow fallow Shadow, oh no, oh no no Bro go slow, Cabot flow yo

Chorus

So know bro, flow grow slow Show crow below, no yellow snow Show hello, po faux glow Escrow, oh no, oh no no Bro go slow, chateau flow, yo

Bridge (X4): Na na nani nani Na nan ni nani Na na nani nani Don’t Go

Chorus X2 Ending (Woe, Don’t Go)

[concerthopperblog]

Review: Kitchen Dwellers- 'Seven Devils'

Bluegrass has a lot of common themes. Liquor, poverty, infidelity manual labor, and the devil are just a few. Dante Alighieri's epic poem “The Divine Comedy” isn't one of those common themes. But perhaps it should be. Many of those common bluegrass themes can be found in the Seven Deadly Sins, a large part of Aligheri's work. On their new concept album Seven Devils, Kitchen Dwellers explores the seven deadly sins, and some others, with gusto.

Aside from a brief instrumental “Prelude,” Seven Devils begins and ends with alternate versions of the title track. The opener, “Seven Devils (Limbo)” is a six minute slab of jamgrass goodness, featuring not only the standard bluegrass instruments, but also the Buchla synthesizer. Bettering that is the album closer “Seven Devils (Full Version)” which is a ten minute jamgrass clinic, using the same lyrics but stretching the instrumental interludes even further. As for those lyrics, it's a great way to bookend a story of the Seven Deadly Sins. “I might return an unclean spirit seeking rest,” vocalist Joe Funk belts, “a breath of old-fashioneds and foreign cigarettes.” Later, he insists “Let's start digging holes before my demons come / Make seven canyons for to bury each one.���

Aside from “Seven Devils,” the album's highlight track is “Waterford Son (II).” Tackling the second Deadly Sin, greed, it's the tale of an Irish immigrant who gets tied up in gang activity and eventually the westward expansion. With a Celtic vibe throughout (courtesy of Dermot Sheedy's bodhran and Doug Berch's penny whistle), it's a lyrically dense song without a chorus, but it works. A chorus would break up the storyline and the story is the sell here.

Another winner is as brief as “Seven Devils” is long. “Meagher's Reel (I)” explores Pride, the first deadly sin, in the best way possible, with barely a minute of pure Celtic virtuosity. Pride might be a sin in places, but Kitchen Dwellers have plenty of reason to be proud with skills like this.

Album single “Pendulum (V)” finds the band musing on addiction, and addiction replacement. “I’ve long had a theory that everyone has a baseline addictive tendency that must be satisfied, and it is up to the mind to decide at which point on the 'good' and 'bad' spectrum that habit is chosen,” Funk says in the album's press release, and the song's lyrics bear that up. “It ain't easy being sober in the life that we chose / Vices swing like diamonds on a pendulum.”

Seven Devils is a bold undertaking for any band. The material is weighty and concept albums are hit or miss in roots music as a whole. Kitchen Dwellers score a definite hit here. If you can call any album about the Nine Levels of Hell fun, this one is it.

Seven Devils releases March 1 on No Coincidence Records.

[kalaplugin22]

Arturia – SQ-80 V (MAC Only) Download

Introducing Arturia SQ-80 V (MAC Only): A Vintage Synth Reimagined for the Modern Creative

Unleash the power of nostalgia and innovation with the Arturia SQ-80 V, an exquisite software emulation of the legendary Ensoniq SQ-80 synthesizer. Designed exclusively for Mac users, this virtual instrument takes you on a sonic journey, blending the best of the past with cutting-edge technology to fuel your creative endeavors.

Vintage Inspiration, Modern Implementation: The Arturia SQ-80 V faithfully captures the essence of the iconic Ensoniq SQ-80, a vintage synthesizer known for its warm analog tones and distinctive wavetable synthesis capabilities. Arturia's meticulous emulation ensures that every nuance of the original hardware is preserved, allowing you to experience the same rich textures and character that defined the sound of the '80s.

Expanded Sonic Palette: Building upon the foundation of the Ensoniq SQ-80, Arturia has enhanced the SQ-80 V with modern features and expanded sonic possibilities. Explore an extensive library of meticulously sampled waveforms, including classic analog waveforms and unique wavetables, giving you access to a diverse range of sounds for your music production.

Wavetable Synthesis Reinvented: The SQ-80 V takes wavetable synthesis to new heights, offering advanced modulation options and real-time control over waveforms. Dive into the world of evolving textures and dynamic soundscapes as you manipulate wavetables with precision. The intuitive interface empowers you to sculpt and shape your sound effortlessly, unleashing your creativity without limitations.

Intuitive User Interface: Arturia is renowned for its user-friendly interfaces, and the SQ-80 V is no exception. The sleek design and intuitive layout make it easy for both beginners and seasoned professionals to navigate and explore the vast sonic capabilities of this virtual instrument. The resizable interface ensures a comfortable and customizable workspace, adapting to your workflow seamlessly.

Enhanced Modulation and Effects: Elevate your sound design with the SQ-80 V's comprehensive modulation matrix. Shape your sounds with precision using envelopes, LFOs, and modulation sources, providing unparalleled control over every aspect of your patches. The built-in effects section adds the final polish to your creations, offering a selection of high-quality processors, including reverb, delay, chorus, and more.

Seamless Integration with your DAW: Arturia SQ-80 V seamlessly integrates into your Mac-based digital audio workstation (DAW), allowing for smooth workflow integration. Whether you're using Logic Pro, Ableton Live, or any other compatible DAW, the SQ-80 V enhances your production experience with its plug-and-play compatibility.

Vintage Vibes, Modern Convenience: While the Arturia SQ-80 V captures the vintage charm of its hardware predecessor, it also brings modern conveniences to the table. Enjoy the convenience of unlimited polyphony, instant preset recall, and advanced automation capabilities, making it a versatile tool for modern music production.

Conclusion: Arturia SQ-80 V (MAC Only) is not just a virtual instrument; it's a sonic time machine that transports you to the golden era of synthesizers while providing the flexibility and power needed for contemporary music creation. Whether you're a synth enthusiast, a producer looking for that nostalgic touch, or a modern musician pushing sonic boundaries, the SQ-80 V is a must-have in your virtual instrument arsenal. Elevate your sound with Arturia SQ-80 V – where vintage meets visionary.

[solplparty]

구원찬(Kuonechan) - '흔들의자' Official Music Video https://youtu.be/TgiKh6ltgDY 구원찬(Kuonechan) - 흔들의자 난 너에게 항상 미소를 띠고 싶다. 그 곡선 안에서 너를 달래주고 싶다. 너의 마음이 왔다 갔다 할때 같이 움직여 안전하다고 말하고 싶다. 비록 이게 해결이 아닐지라도. [Object Album Track] 01.유리잔 02.EXIT 03.흔들의자 *Title 04.번역기 05.GAME BOY 06.거짓말탐지기 07.허수아비 (Feat. 원슈타인) *Title 08.Incense [M/V] Director : Kim minjae Assistant Director : Koh eunjin D.O.P : Lee jinhyuk Focus Puller : Ryu seunggyu 2nd A.C : Jeon juhwan DIT : Jang seungki 3rd A.C : Hong kyungui Gaffer : Jung joonghyuk Lighting Team : Kim hyunsuk, Baek minhyeok, Chung hwayong, Sin dongyun, Han yusung Art Director : Shin hoseung Art Team : Park duhyun, Seo gayoung, Kim minkyu H/M : Choi yoonjung Styling : Son serin Artist Syling Team : Kwak sky, Ko jihyuk, Kwak minsung Artist Hair : Kwon chaerim Artist Make Up : Oh nahyeon Management : Jo seungbeom, Hong taesik, Choi jeonghwa, Kang eunseo Starring : Lee jinwoo, Kim hanseo, Lee jiyoung, Choi sunyoung, Shin dongho, Son serin, Koh eunjin, Lee simaec, Kuonechan [Credits] Produced by Kuonechan Composed by Kuonechan, haventseenyou, 권지윤 Lyrics by Kuonechan Arranged by haventseenyou, 권지윤 Drum : haventseenyou Bass : 권지윤, haventseenyou Piano : 권지윤 EP : 권지윤, haventseenyou Synthesizer : 권지윤, haventseenyou Strings : 권지윤 Chorus : Kuonechan Recorded by Hyunju Kim @Studio 505 Mixed by 이청무 @Studio 505 Mastered by Shuv @Rapha Sound Lab [MAGIC STRAWBERRY SOUND] Management Director 홍달님 A&R Director 정준구 A&R Direction & Coordination 강동훈 A&R Assistant 홍태식, 강은서 Artist Management 김유재, 최정화 Promotion Video 김태환, 홍태식 Management MAGIC STRAWBERRY SOUND Listen 𝄞 Melon ▶ Genie ▶ Bugs ▶ FLO ▶ VIBE ▶ Apple Music ▶ Spotify ▶ YT Music ▶ [구원찬 Official SNS] Instagram : https://www.instagram.com/kuonechan/ Homepage : http://www.msbsound.com/artist/kuonec... [ MAGIC STRAWBERRY SOUND ] Homepage : https://www.msbsound.com Facebook : https://www.facebook.com/msbsound Instagram : https://www.instagram.com/msbsound Twitter : https://twitter.com/msbsound #구원찬 #Kuonechan #object #흔들의자 #thechair MAGIC STRAWBERRY SOUND

[thebandcampdiaries]

Maithili is back at it with a brand new studio release: "Falling For You".

December 2022 - Maithili (Also known as Tilly) is an artist with a focus on creating beautiful melodies, interlaced with pop and R&B influences.

The artist is all about keeping a broad creative mindset, as well as exploring different creative avenues, without ever losing sight of their roots. Maithili’s most recent studio effort, "Falling For You", definitely speaks for itself. "Falling For You" is a masterful release, featuring music that speaks about the artist’s fondness of retro aesthetics, with a more contemporary twist. The thing that you will notice about this release is an essential component of groove and melody, which gets even more personal as the vocals jump in. One of the smoothest elements on this release is definitely the electric piano, which adds some gentle melodies while allowing the vocals to stand out. This arrangement seems to be the perfect bridge between the other tracks, tying the vision together to perfection. Last but not least, the artist’s amazing vocal performance is just the last sprinkle on top, which serves as a perfect conclusion to this fantastic release. The beat has a four-on-the-floor vibe, which adds to the groove and dance-friendliness of this song. The synthesizer melodies are really charming, because they have a unique retro feel, while still portraying a very contemporary sound. There is also room for some cool guitar parts that add a staccato funkiness to the mix! The synth leads in the chorus add extra ambience, perfectly crowning the vocals, but never overpowering the main singing, which is arguably a very crucial element in the mix. "Falling For You" is a really balanced track. On one end, it is really fun and catchy, an instant feel-good hit! On the other, the romantic lyrics add some extra depth to the song, making for a fun and vibrant listening experience.

You will immediately savor the fragrance of this production, with a crisp top, and a softer texture as you reach deeper into the arrangement. The instruments collide together beautifully, and there is a lot of room to let everything breathe, like air bubbles in a perfectly expanded skyline. In addition to that, the zesty tone of the lead vocals is truly remarkable, adding a distinctive, yet subtle flavor that gives the material its distinctive signature. Once you have a first taste of "Falling For You", you’ll want to dig in deeper and even give the whole project a second spin right away, just so that you can keep the flow going. As they say, things can get a little messy when there are too many chefs in the kitchen, but in this case, Maithili managed to pull it off to perfection. The artist displays the confidence and skills necessary to produce something worth sharing with others. This particular studio work is most definitely a must for fans of artists as diverse as Doja Cat, as well as Ariana Grande, Dua Lipa, Camilla Cabelo, and so many more. Not only is Maithili  a larger-than-life personality who has everything it takes to stand out, but her music is a huge component of the story, highlighting her skills and her talent for connecting with people on a much more direct and genuine plane. If "Falling For You" is any indication, we’re definitely in for something special with this one!

It definitely took some heat to create this material, but the end result is far from being just “in-your-face.” You can expect a varied fabric of sounds and sonic flavors, highlighting Maithili’s talent for baking great material in the studio.

Find out more about Maithili and do not miss out on "Falling For You", which is freshly available on all the best music streaming platforms on the web.

https://www.youtube.com/watch?v=rEBvCKbrDLU

[unknownpleasures68]

Me improvising for my new album (PART II)

[dmdokuro]

i guess to drown out the passively dismal nature of the previous post, here’s something pretty great.

I can use Synthesizer V to do stuff like this now. it’s been a while since i last heard this 125-year-old track, but working with SynthV kinda made me feel like i was my high school chorus conductor for a brief moment- the same one that saved my life through the power of music.

hopefully there will be even more voices. a whole virtual choir that could be meticulously arranged voice by voice would be something i’d see myself working with often.

you can take a bass out of a choir, but you can’t take the choir out of the bass.

.  .  .  except Kevin, Kevin might need a little bit more range work as a second bass. 9.9 times out of 10 his voice cracks. f to pay respects.