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just-a-ghost00 · 5 months ago

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Your next significant relationship - Who? When? Where?

Group 1 - Controler

Letters : N U Z E D M L K I O S Significant words/names/signs : SKZ, nudes, suki, soul, miso, sun, zen, Leo, kids, Nike, Mike, lion, Leon, noise, sound, Link, links, Dion, Zeus, Odin, Oden, onze (french for 11), douze (french for 12), uno, dos/due, dom, Muse, likes, silk, sold, DMs, solid, kudos, doki, slime, smile, Milo, miko

WHO ? - The Empress / STRENGTH / Herkimer diamond : power wash your energy This person is not what they seem. They may look harsh on the surface but deep down they are as fragile as Quartz. People may only judge them based on their looks and not who they are at there core. They are beautiful without a doubt. Extremely sensual and feminine. Their beauty feels ethereal. They are highly sensitive and spiritual. They could be a healer. The Herkimer diamond card mentions New York's Mohawk Valley where it can be found. So maybe this person is a New Yorker or they would like to travel to New York. With the strength card being related to fire, this person could have important fire placements in their chart (Leo, Sagittarius, Aries). They are powerful and determined. They know what they want and they won't back down no matter what you put them through. Though this person is affected by what people think of them, they would rather die than show it. They could have red hair. Their hair is rather long and straight. They like to wear bracelets. They are connected to the stars. They are grounded and protected by the universe. The Empress is also assiocated with Taurus. They present themselves as a woman. They feel close to their ancestors. It might be that there were warriors in their bloodline. Especially women. Their women ancestors were fierce in battle and they like to take after them and ask for their guidance. I'm feeling a strong connection to witches and shamans.

WHERE ? - 9 of swords / UNDERWORLD / Barite : get answers to your biggest questions. Places this person could be from or have been to at some point are : USA -> Nevada, Misouri, Georgia, Texas / China / India / Morocco / Mexico / Iran / Kazakhstan / Canada / Australia / Thailand / Nigeria / Peru / UK -> Scotland The 9 of swords card shows imagery of a woman lying down in the snow, with mountains in the background. So this person could live in a cold climate country/region. I'm thinking of the Alps, Himalaya, Caucasus, Alaska range. I'm thinking about Sweden, Denmark, Netherlands, Russia, Groenland, Iceland. Any city starting with a U or a B. Furthermore the character on the card has a dress with an important amount of stars on it, which reminded me of the European Union flag. In terms of the meeting, it could be through social media. The underworld card gives me a sense of mystery, of something being hidden. So it could be the dark web for some. Or on a website that keeps things hidden from people (i.e. content available only for subscribers or a private account). Also you could meet them in your dreams before you meet in 3D. Also, the underworld could be a metaphor for rave parties, clubs and so on. They could live or you could meet near an important building or monument.

WHEN ? - XXI The World / NATURE / Labradorite : protect your magic. The labradorite card mentions Aurora Borealis and the sign of Pisces. So Winter could be relevant, as well as the period from mid February to mid March. The number 21 could be relevent. So if we think in terms of dates it could be 02.21 or 03.21. The World speaks of cycles as well as the long term. So it could represent several years in terms of timing. When it comes to zodiac signs, The World is related to fixed signs. So Taurus, Leo, Scorpio and Aquarius season could be relevant as well. Which means that you could meet them between mid April to mid May, mid July to mid August, mid October to mid November or mid January to mid February. The World could also represent a time of your life when you are traveling abroad. Again, the character depicted on the card has a lot of stars in their hair. So I'm thinking of the USA as well as the EU. As she is dressed in red, holds red roses and has horns on her head, I'm also being reminded of Spain. The nature card could talk about a time of your life when you are in the wild, connecting with nature, taking a break from the drama of big city life.

Group 2 - Phone

Letters : T E N N U L N O R I S Significant words/names/signs : tennis, Noris, Noe, Noel, runs, Euro, sun, tenor, soul, norns, nine, tunes, Sonne (Rammstein song), Uriel, notes, nuns, trio, route, routines, Riolu (pokémon name), Loire (region in France), Lorie, LOTR, rise, sonnet, soir (french word for evening), nuit (french for night), riots, Lise, lotus

WHO? - IV The Emporor / Sacred Sexuality / Sapphire : find your tranquil place. This person is very masculine and grounded. They could be a father and/or a leader, a mentor, an entrepreneur. The sign of Aries could be significant. They are incredibly determined and strong. Their sexual drive is high. They pay a lot of attention to their health and appearance. They have a lot of sex appeal. This person could be in the fashion industry or could even be that they get money from people watching their body (selling pictures of them, having access to private erotic content). They could have a bit of a bad temper. Piercings also seem significant. On the sacred sexuality card, there’s a full moon and roses. This tell me this person is a romantic and is more of a night owl. They have an important status. We’re talking about company owners, freelance artists, lawyers, head officers, doctors, headmasters of big schools, politicians and so on.

WHERE? - 6 of swords / MOVEMENT / Garnet : get into your depth. -> places they could be from or have gone to : Czekoslovakia, Kenya, Madagascar, India. The 6 of swords depicts a beautiful woman rowing a boat on a lake. Behind her is a white mountain. In her boat are two herons. So Africa seems significant, particularly Tanzania where Kilimandjaro can be found. I’m also thinking of the Mt Fuji in Japan, in Yamanashi. This person lives near an important body of water. Or you might meet them there. Another thing that is significant is movement. So you could meet them where you’re going on a trip, as you travel or relocate. You could meet them on a boat. Anyplace you want to create something (art, music, writing and so on). When looking at « get into your depth » this gives me the feeling you could meet this person in the 5D before meeting them in person, like through dreams or meditation.

WHEN? Queen of wands and VI The Lovers - DARE TO DREAM - Citrine : manifest your masterpiece. First of all I have to say, when I was shuffling the cards for the WHEN? the bells of the nearby Church started ringing. So this tells me when you're going to Church either for communion or for a wedding. Summer is significant, especially from mid June to mid July. I would even say the month of June is the most significant of the two. When you go after your dreams, you will meet this person. On the DARE TO DREAM card, you can see a diamond trapped in an eagle's claw. For some reasons it reminded me of metal and rock bands, of concerts and big events like the Superbowl. So maybe one of your dreams is to go watch your favorite band/artist live or to go to Hellfest or any big convention that is happening in Summer. If there are any French people here, I'm thinking of the Olympics happening this Summer in Paris. And also the Japan Expo convention. In terms of timing, I’d say in a few months.

Group 3 - Mirror

First of all I want to say my coffee spilled as I did your reading. So either you or this person is super clumsy and/or coffee is significant in your relationship. Letters : E L I C O O E U J I A Y

Words/names/signs : Jay, Jey, Joy, Jolie, Julia, Julie, Jule, July, Lucy, cool, jail, Luc, Loïc, Alice, ciel (French for Sky), clue, juice, école (French for school), eco , CEO, Lucie, Lucia, Cloe

WHO? - XVII The Star / Ancestors / Obsidian : protect your soul. Aquarius comes in strongly for this reading. This person is an introvert. They are often seen as a daydreamer, someone that doesn’t care about earthly life. They look like their head is in the stars. Which, in some way is true. This person connects strongly with the Ethers. Social media seems to be important. They could be an influencer or have a certain amount of followers that they help. Think of tarot readings, raising awareness about certain subjects (mental health, disabilities, menstrual cycle, sexuality and so on). This person could be famous in some type of way or they are going to be at some point in their life. Overall they have a good reputation among their peers. They are valued for their work ethic and their deep insights. They are divinely protected. Family business comes to mind. They care about family a lot, especially the deceased ones. This person would be the type to seek out advice from their ancestors or try to honor them as much as they can. Scorpio is also a sign that seems relevant. I don’t know why but I thought of a surgeon. So maybe they have undergone an important surgery. Or they are very sharp. Because I definitely don’t feel this person is a surgeon. Well it could be, but honestly I feel more the energy of influencers and public speakers, like ambassadors of NGOs and stuff like that. Soft and caring, they feel and look rather feminine. Giving more than receiving. They love animals. They draw a lot of attention just from their presence. I think their aura is pretty strong and vibrant. Connected to nature, especially trees and plants.

WHERE? - 7 of pentacles / movement / Herkimer diamond You could meet at work, as you’re changing jobs or they are. During a break at work while you’re printing/scanning papers. In sacred spaces. New York. Somewhere in a lot of greenery like a park or a farm. As for places they could come from or have been to, we have : Norway, Ukraine, Arizona, China, Afghanistan, Herkimer county. If not these places, there could be farms where this person lives. Also they live in a place where there is a lot of activity, especially work wise. So this makes me think of hot spots like La Défense in Paris where a lot of businesses and political administrations can be found. Other places like that would be : Midtown New York, La City London, Marunouchi Tokyo, The Loop Chicago, Bankenviertel Frankfurt, Zuidas Amsterdam, Gangnam Seoul and so on.

WHEN? - 4 of swords / Death / Aquamarine : Keep your cool. You could meet on the fourth of a month, in April. At a time when you’ve lost your voice or when you are going Hermit mode, when you are sick or when you are mourning a loss. During a period of depression. During Scorpio season. In several weeks. Also it could be when someone or something pushes your buttons but you can’t express your frustration somehow. That could be anything really. Like queueing for registration in a building and someone is trying to take your spot. Or shopping at the mall and a customer is being super rude but since there are children around you can’t fully tell this person what you think of their attitude. Stuff like that.

#pick a card #pac reading #spiritual pac #spiritual guidance #tarot #oracle cards

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memecucker · 8 months ago

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Weird how no one ever does this to Swedes that answer a survey about not believing in God or not finding religion important in their life. Sweden even has an official state church and iirc a plurality of Swedes even get their children baptized despite being irreligious because of tradition but when it comes to Japan suddenly it’s all “visiting your grandparents grave means you can’t be atheist the Japanese people that answered this survey must’ve been confused”

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jamiesansible · 10 months ago

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I’m sure everyone remembers the article from 2020 where researches found three-ply cordage made by Neanderthals.^

But did you know that in the supplemental material for the article, it mentions that pine needles can be made into textiles?^^ As someone who works with textiles myself, I had come across pine needles as a dye stuff, but not as a fibre.

The source is listed as "L’acquisition des matières textiles d’origine végétale en Préhistoire" by Fabinne Médard. It talks about how other fibres, including brambles and broom could have been used prehistorically for a similar purpose, as well as flax. However, it contains only one metion of pine needles.

“Les aiguilles du pin sylvestre (Pinus sylvestris L.) fournissaient, après rouissage, une matière textile appelée « laine des forêts » qui remplaçait la ouate et l’étoupe dont on faisait également des tissus (Mathieu [1858] 1897)" * The needles of the Scots pine (Pinus sylvestris L.) provided, after retting, a textile material called “forest wool” which replaced wadding and tow from which fabrics were also made.

So Scots pine needles were processed, spun and woven, or simply used directly after processing, potentially prehistorically.

If you follow the source for the quote above, it takes you to a book from 1860 called Flore forestière; description et histoire des végétaux ligneux qui croissent spontanément en France et des essences importantes de l'Algérie. It says:

“On fabrique depuis quelques années, avec les faisceaux fibreux, allongés, et tenaces des aiguilles, une espèce de drap grossier.” ** For several years, we have been making a kind of coarse cloth using the fibrous, elongated and stiff bundles of the needles.

So this processing of pine needles was also happening in the 1800s.

Another souce from the 1840s describes the texture of forest wool as resembling "...horsehair, and has been used for stuffing mattresses"** and that an industry sprung up in Humboldtsau, near Breslau for processing it. Manufacturies for forest wool then spread to Sweden, Holland and France, which may explain the mention in the 1860 Flore forestière.

Despite looking a bit more, but couldn't find much else on the subject expect a recent masters thesis in German (which I couldn't access) and an article on the designer Tamara Orjola.

Orjola's work investigates the modern use of pine needle fabric, showing there is still interest in it. She says:

"Forest Wool began with research on the forgotten value of plants. Valuable local materials and techniques are left behind due to the unwillingness of mass-production to adopt more sustainable practices. In the old days the pine tree was used as food, remedies, to build homes and furniture and for many other purposes. Nowadays, it is only valuable for its timber." ***

I find the line from prehistory to now facinating - that people have looked to something as mundane as a pine needle to spin, especially as researchers are discovering a lot of what they thought was linen fabric is actually ramie (from nettles).

As far as I can tell, only Pinus sylvestris L. and one other variety was used. I am not sure what makes that tree more suitable than other pine trees, or if it was simply a question of availability. In terms of processing, the answer as far as I can tell is retting, presumably followed by scutching and hackling - similar to how flax is processed. However I have not done that myself and cannot speak to the specifics.

It would be something intresting to try though.

________

^ https://www.nature.com/articles/s41598-020-61839-w#MOESM1

^^ https://static-content.springer.com/esm/art%3A10.1038%2Fs41598-020-61839-w/MediaObjects/41598_2020_61839_MOESM1_ESM.pdf

* https://journals.openedition.org/nda/602

** https://www.proquest.com/openview/276605d708970d416923b94e8856d20b/1?pq-origsite=gscholar&cbl=41445

*** https://lampoonmagazine.com/article/2021/05/15/recycled-wood-pine-needles-byproduct/

#fabric #history #i was consumed by the spirit of academia and could not stop reading french articles #please excuse the use of Google translate #my French is okay but not academic article good #it’s just a super interesting topic #the variety of plant fibres used for textiles is always larger than I think

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inthenameofsverige · 2 months ago

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CONGRATS ON PRESSURE SOLO even i havent done that yet wthhhh /lh

theoretically it was lightless but also i did pick up light sources, they just were not used

#it is. slightly too much effort to get to the number key row to select an item #so i just. simply do not.#unless i need to heal or use a codebreaker #sweden has answers #shadowthian #<- the person who kiddie-leashed me through it

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malcriada · 3 months ago

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URGENT: GFM ORGANIZER NEEDED

are you living in one of these following countries?

Canada

Australia

Mexico

Germany, Italy, Spain, France, Ireland, Netherlands, Belgium, Portugal, Austria, Luxembourg, or Finland

Denmark, Norway, Sweden, or Switzerland

do you have experience setting up a GFM campaign or know someone who does? do you want to help a person suffering in Palestine? if the answer to these questions is yes, please read on further: Nesma @nesmamomen reached out to me and asked if i knew anyone who could organize a GFM campaign for her friend Tamer, who also lives in Gaza. Tamer lost his house and his father, sister and children died because of the bombing. he is in a desperate situation and needs support urgently Tamer has gone through unimaginable suffering and would need a trustworthy and experienced GFM organizer that can help him set up a campaign.

please get in contact with @nesmamomen if you fit this description or know someone that could help! if you are seriously considering this, please be aware that exchanging sensitive information needed for setting up a gfm campaign is not safe to do via tumblr messaging, please use more encrypted chat spaces (Nesma has whatsapp and you can contact her there!)

taglist for reach under the cut (if you'd like to not be put into these lists, please let me know and i will remove you)

@timetravellingkitty @meaganfoster @briarhips @mazzikah @mahoushojoe

@schoolhater @pcktknife @transmutationisms @sawasawako

@feluka @terroristiraqi @irhabiya @commissions4aid-international @wellwaterhysteria

@deepspaceboytoy @post-brahminism @junglejim4322 @kibumkim @neechees

@mangocheesecakes @kyra45 @marnota @7bitter @tortiefrancis

@toiletpotato @fromjannah @omegaversereloaded @vague-humanoid @criptochecca

@aristotels @komsomolka @neptunerings @riding-with-the-wild-hunt @heritageposts

@ot3 @amygdalae @ankle-beez @communistchilchuck @dykesbat

@watermotif @stuckinapril @violentrevolution @mavigator @lacecap

@socalgal @chilewithcarnage @ghelgheli @sayruq @northgazaupdates

#from the river to the sea palestine will be free #free gaza #gaza strip #free palestine #gazaunderattack

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sflow-er · 5 months ago

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Friendly reminder to vote against the far right in the European elections

If you are an EU citizen, you have probably noticed that the European elections will be held in the new week, 6 to 9 June depending on where you are. In some countries, early voting is already underway.

The polls are predicting a landslide for the far and extreme right, reflecting the current political trend across Europe. They may even outnumber the conservatives' EPP.

The good news is that they are currently splintered into a few different parliament groups and unaffiliated/non-inscrit parties. The bad news is that the EPP is now willing to work with some of them instead of reaching out to the centre or left. This cooperation between the conservative and far right will significantly impact the legislation that can be passed by the new Parliament, as well as the agenda of the new Commission (similar to a national government; the presumptive head of the Commission will negotiate with the groups after the election to gain their support).

If that sounds concerning to you, find out how to vote here.

If you don't know who to vote for, here are my three tips:

1 - Each party in your country probably has a platform/agenda listing their main objectives/focus areas for the EU elections on their website. Compare the parties that might appeal to you. Due to how the votes are counted (more info here), the choice of party is more important than the choice of candidate!

2 - Look to NGOs for guidance. They often list focus areas for each election, publish research on how individual MEPs voted in the previous term, and draft pledges that candidates can sign. For example, check out which candidates from your country have signed the ILGA Europe pledge for LGBTQIA+ rights and if others in their party signed it too. Or browse the EU Parliament Scoreboard ranking parliament groups and national parties on climate, nature and pollution legislation in the 2019-2024 election cycle.

3 - In some countries, there are also "Find your candidate" type quizzes that compare your answers to the candidates' answers. E.g. Wahl-O-Mat in Germany, Candidator in France, WhichCandidate in Ireland, valkompasser in Sweden / vaalikoneet in Finland (too many to link). If you know of any others, please put them in the reblogs! Remember to check if the quiz or its provider has a political affiliation (the ones linked above seemed impartial, but it's good to double check). I also recommend taking a look at the best-matched candidates' websites/social media to confirm your choice.

Reblogs for wider reach are much appreciated! Every vote counts, especially in an election with low turnout.

#european elections #eu elections #european elections 2024 #eu elections 2024 #european parliament #politics #eu politics #remember to vote #vote in the eu elections

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shidouryusm · 11 months ago

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One new notification from Reddit

・❥・Toji x f!reader

・❥・content -> nsfw, minors dni, sugar daddy-sugar baby dynamic, ceo!Toji, explicit smut, lore and lore, manipulation kinda, roleplay, kinda voice kink if you squint, spanking, blowjob, cunnilingu$, t!tplay, p -> v penetration, m@ting press, kinda mirror sex(?) , a liddol plot around megumi, creampie, lmk what I missed

・❥・word count -> 5.5k (mwuah mwuah)

・❥・a.n: here’s my first take on @k9nto ‘s reddit collaboration (Tal baby Im so sorry it took like half our lifespan to submit lol). Entries are open, participate! and find the masterlist here . It took so long than I expected it to be sobs. I got into a massive toji brainrot and just poured every rotting thought in my brain in this. dividers by @/cafekitsune . Hope y'all like it

“Weren’t you supposed to be in Sweden today for a business meeting or something?” Megumi’s drawling voice was what broke the layer of silence on the breakfast table. Toji peeks from the shield of newspaper, eyebrows raised in a gesture of mulling over the question before he spoke out.

“Ahh yes. I cancelled the flight.”, his tone nonchalant as if he was explaining why he skipped breakfast. The words, simple as they might sound, held a sense of power and unbending authority as if mere words of his are capable of turning the tide. Which is true considering most businesses in vicinity are under the palm of his hand ;therefore, cancelling such meeting, losing few million yens of deal here and there isn’t gonna bother him in the slightest.

The board is majorly his and what he says goes around that circular mahogany table. Besides, staying at home today was more of his priority than listening to some mind numbing presentation of a business which earns meagre profit to live by.

No, he had something important on his mind.

“Are you sure? Last time I heard, this meeting seemed important for the merger or something”, Megumi’s inquisitive voice once again drew Toji’s attention. His dark teal eyes twinkles with amusement at his son’s newfound curiosity.

“Showing interest in business, Megumi? How about you go instead of me, what say?” His teasing, booming voice flustering Megumi as he ignored the comment, suddenly being ten times more interested in his breakfast.

“You usually don’t cancel meetings like these, that’s why.” he mumbles, earning a gruff laughter and a pat on the back from his father.

“The managing director can handle it well enough. Besides, I get to sit with you for breakfast after so long. I’d say it’s much better than some boring meeting, isn’t it?” Megumi nods, a tight smile on his lips at the silky warmth of his Toji’s voice.

Toji folded the newspaper, setting it aside and concentrating on the breakfast table for the first time ever since he sat down. Tsumiki’s chair is empty, indicating she already left for her work. Megumi stalls his breakfast, seemingly waiting for something. He fiddles the spoon around the soup bowl, silent engulfing them once again before a ping of his phone reverberates through the dining hall.Toji flickers his eyes at his son, who answered his phone quite eagerly, but no sooner than that, his face was crestfallen.

“Anything on mind, Megumi?” his voice is soft yet carrying. Megumi shakes his head quickly, denying any disturbance that ever flashed across his face.

“Nothing…’m off to college. See you later.” his voice ebbs away even before he finishes his sentence as he steps out of the house in one go, leaving the older man in his extravagant dining all by himself.

Megumi has always been a little inside his shell, not wearing emotions on his sleeve so such behaviour wasn’t new for Toji. However, seeing that flicker of sadness in his eyes sparked curiousity in the elder Fushiguro’s mind and he almost guesses what piqued that reaction off him. Toji finishes up the leftover tea before a sharp shrill of the doorbell rang through the house as the househelp scutters toward the door to open it.

Moments later, Toji’s eyes catches the sight of a girl, around Megumi’s age, wandering around the vast space in living room right across. A face anyone would call exceedingly gorgeous and beautiful eyes which are zooming, scanning for something or someone, a thin line peaking between her brows. She is gorgeous, not to mention the way Toji’s eyes wandered all over her figure, one of the very few instances in his life where a woman captivated his attention for longer than a minute. Toji prods closer towards the girl, who still hasn’t noticed his presence; or rather is pretending not to.

The woman being Megumi’s one and only bestfriend throughout his sad 21 years of life – you.

Meanwhile, your eyes drank the expanse of the house. High ceilings connected with neutral coloured walls gave an aura of extravagance yet not too flashy. The grandeur of it catching you off guard. Your heart leaps with faith and hope.

“May I help you?” a deep cough followed by this question startles you as you turn around. Your eyes level with a broad expanse of chest before you trail them upwards, a small scar slashing the lip coming into view before finally meeting the set of dark, emerald teal eyes.

“Ummm…is Megumi at home?”, your voice is laced with timidness which intrigues as well as entertains Toji. He steps closer, invading your space, your eyes widen at his closeness but you stay silent.

“No, he left just now. You might be?” If voices could be measured in depth, this would surpass Mariana Trench. It seeps down the skin, melting with every fiber of your being, the resonance of his voice almost soothing your body, reaching into parts where it shouldn’t.

You give out your introduction, voice shaky from the arm’s distance Toji is at. He hums at your reply, “Well Megumi left not so long ago, if you want I can give him a call and–”.

“WAIT! NO.”, your cried out, not noticing you grabbed Toji’s forearm on the pretext. “I…I actually hoped he’d be out. I wanted to talk to you.” you mumble, voice not rising over few decibels, stark contrast to his abysmal apmplitude. Toji quirks an eyebrow, not pointing that you are still holding on to his arm. Tight.

“And what that might be, sweets?” you squirm a little at the petname. A little apprehensive on how to address the situation, “Actually…”

You attempt to cower yourself by rubbing your arm with your left hand. Toji notices the tension that is radiating off you, your eyes darting everywhere but on him, your legs are pressed against each other, covered with a pleated skirt barely covering till your mid-thighs. You lick your lips a few times, an action that sets Toji’s mind into a drive of inappropriate train of thoughts. You look so diffident, like a turtle without its shell desperately finding a shelter to mask itself. And he’d be happy to provide you that.

He wanted to pause you there, catch your lips in between his slightly chapped ones. Hands that itched to roam and explore around your body, surely that baggy hoodie is hiding an exquisite piece of art underneath.

Yet, he stops himself from swaying out of conversation, listening to your pleas of despair.

“Y’know, college fees are due by this month…and it’s pretty expensive too. I-I thought I'd apply for some financial scholarship but it got rejected.” you mumble. Toji has an inkling of what your issue might be and solving it with a snap of his finger wouldn’t be of any issue. But the devil on his left was at its peak, enveloping Toji’s mind with an idea that could only be called sinister.

“I-I really tried to apply again but I keep getting rejected. Plus there’s my house rent and a debt I took-” your voice was breaking off in the middle, trying hard to suppress the sobs that threatened to spill out. Toji understood your dilemma.

“If you could grant me any well paying job, I’d take it. No matter how hard it might be. Just please, anything works. I will be homeless otherwise. I could even work here as a househelp. Megumi wouldn’t know, I’d come when he got classes-” you were rambling, desperation dripping out of syllables.

Toji felt a little pinch in his heart. You were in dire need of money. He could help if he wanted, any intern job would put your issues at ease but having a girl as pretty as you slave around anywhere, under anyone (but him) was blasphemous for him. You look like you were meant to be taken care of, to be spoiled with the riches there is. Your trembling lips needed love and it looked nothing less than an enticing invite for the older man. Your tears and soft sniffles shot a wave of arousal directly down his cock.

Fuck. who looks this hot while crying.

Toji is an influential man. His sense of leadership and commands in a rich baritone forced anyone to comply with no rebuttal. His shrewd mind knew all sorts of cards in a dirty business and his ability to play them and naturally bring the ball in his court made him what he is today. And like the cunning businessman he is, Toji knew when to make the best of the situation. Just like now.

“Well, you say you could work any job but any high paying job requires expertise. Are you sure you can cope with the little experience of a retail store you have? I can only appoint you somewhere but who says you wouldn’t be fired within the first week”, your eyes flew open in panic, heart dropping like free fall. Facing rejection at his hands was like the last nail on the coffin.

“n-no no no, please, please! I promise I won’t. I told you even helping around your house would do. Surely it will suffice.” Toji could only laugh. Oh how naive you are, readily walking towards the trap Toji is discretely luring you in.

Toji contemplates with closed eyes for a while. A deep hum leaving his throat as if he’s actually pondering over how to help you. He opens his eyes. A layer of darkness now shrouding his orbs. His face scrunches into a smirk as he leans in even more close.

“Come to my room. There might be something of your interest.” your face lightens with hope. Fuck. Anything will interest you as long as you can pay your bills and repay that loan. You follow suit, mindlessly getting yourself into the fox’s burrow.

Toji’s bedroom is vast. Long white curtains frame the window, sunlight dancing through them, giving the room a warm golden hue. A massive bed is placed in the middle, opposite to a wall length mirror, reflecting both you and Toji. You notice how small you look compared to his muscled back donned in just a cashmere grandma sweater. Still, he looks ridiculously handsome and enticing.

You swallow a gulp, his presence is as alluring as he is, taking up every air in the room, leaving you breathing heavily for the lack of it.

Your sea of thoughts are so deep that you don’t notice how Toji is just inches away from you now, his hands rest on your shoulders, jolting you back to the reality of your predicament. You glance at him, his eyes are were blazed with a newfound passion.

“You know that you are extremely beautiful? Probably one of the hottest women I’ve seen so far.” his voice is low, a whisper that swirls around your ear.

You feel goosebumps flesh out all over your neck. His hands on your shoulder still firm, thumb rubbing over the junction of skin where your clavicle ends. The pads of his thumb is calloused yet glides smoothly across your skin.

“Sir?” you tilt your head, not understanding where he is going. He doesn’t reply, rather dips down his head, bringing his face closer to you, directly underneath your ears. Meanwhile, his hands trail back, the tips of his finger ticking the skin of your back until it rests over your tailbone. He pulls you closer, flush against him. You squeak out of surprise yet don’t act against it.

“A pretty girl like you slaving away? Tsk tsk tsk”, he teases, “lemme take care of you the way you need, princess.” his murmurs were salacious. words dipped in a pot of sins.

“B-but-”

“Sshh..” Toji presses a feathered kiss over your jaw. A small whimper escapes your lips as you felt his lips gloss over your skin. He is so close, you can see every detail of the side of his skin. The hint of his cologne tickling your nose. The scent is subtle, not noticeable until he came this close. It’s woody – with a hint of burnt caramel and notes of amber and spice blends in with it perfectly. The perfume complements him like perfection, as if the flavours were hand-picked and specially concocted for him. Toji continues pressing light kisses over your jaw, till he reaches upwards, hovering beside your right ear.

“You know, I can and I will pay your full tuition fees till the end of your graduation as well as repay whatever that stupid loan was” his sudden offer dropped you off a height, a choked out gasp leaves your lips and Toji couldn’t conceal his amusement. His hand coming up to your cheek, cupping it gently.

“Wha-, sir? What’s going on?” you were falling short on words. Hearing his offer, you think he might be some sort of guardian angel, offering to banish every financial barriers you had in your life. Who does that?

Toji laughs under his breath, one of his hand cups your cheek while the other snakes down your waist. “But…” he trails off.

“But?”

“Don’t I deserve something in return as well? See, I am only just a man. A man with riches way bigger than I expected myself to have. I provide my kids with all the comfort they need but a man like me also needs some loving, what say?” Toji nips at your earlobe, wanting some sort of response from you. you nod.

He’s right. Toji has always been somewhat of a star in your eyes, as heard from Megumi. He had taken up the role of a father as well as a professional businessman with effortless ease ever since the demise of toji’s mom when Megumi merely joined middle-school. Such multitask would sure wear anyone out and considering this man never involved himself in relationships or such. He also must crave love, some desires, some unfulfilled wants.

“So…I propose you a transaction of being my whatever that term is – sugar baby or something. Main thing is, I’ll give you whatever you want or need anytime and in return, you provide me of my desires.”

To say you were flabbergasted would be an understatement. Having a sugar daddy who pays for every worldly desires there is was almost like a fairytale to you. Never in your wildest dreams you thought such an incident would ever occur in your life. Such a transaction that woud not only free you from your debt shackles but also indulge you in every brands you’ve only seen from the other side of the glass. Every set of clothing that a mannequin dons on can now be fitted in your body.

“There’s win for you too, princess. You’ll get to know how a real man treats a woman. Especially a woman like you deserves it just as much as I. Do you agree?” Toji cajoles you silkily. His honeyed words fucking with the second voice in your head. Your heart melts at his compliments, almost coaxing yourself into the offer.

But, it comes with a price of your body, of your chastity. Then again, a man like Toji, with hands such burly and veiny. Back toned with muscles that are even prominent with loose clothing, such confident aura and sweet words, could only have a gifted member down below, right?.

A man you could only imagine participating in the lecherous acts with you. But would you let yourself participate? Did you have it in you?

Fate plays different. Fate plays dirty because here you are, on your knees, engulfing the entirety of his cock down your throat. Morales flying right across his large window.

Toji watches you from the mirror, sitting on the edge of his bed. Your head bobs up and down asyou smear spit all over his shaft. Your lips wraps around his cock while your brows furrow together as you concentrate on relaxing your muscles to fit more of him. The curve of his vein hits your tongue and you let out a gargled sound, almost relishing the taste.

Toji is well blessed down there, with equal measures of girth and length, ending with a fat mushroom tip. The tip which occasionally imprints on your throat while you deepthroat him. A gag leaves your mouth as you feel his cock drives past your uvula.

Your skirt is hiked up from behind and Toji notices the peek of red underneath. His hands were stretched behind his back, to buck his hips up towards your face. They now go down towards your skirt, flipping it upright to expose the flesh of your ass in the mirror. The rounded mound was laced with a red thong that barely ran across the crack, hiding the pretty pussy underneath it.

“F-fuck…baby your mouth feels like heaven on my dick. You suck like a slut.” Toji groans, burying himself deeper into you as he feels you move faster on his length.

Hands pawed his balls, which were heavy with his load. You release his cock with a pop, a string of spit connecting you with his tip, oozing out pre-cum.

You gather a glob of spit on your mouth before dropping it right across his shaft. Your hands work along his length as you pump ferociously. Switching your roles, your mouth takes over his balls, giving each of them a long suck, tongue flicking out to kitten lick across the skin. You hear Toji hiss, his hands finds your hair, grabbing a handful of your locks in his palm.

“You were sent for me, angel. Look at your mouth and hand fitting my cock so well. God, I wanna dump my load inside your mouth.” the room was filled with the occasional gags and moans while you generously sucked from his tip to base. Nose tickling with the little tufts of pubes when you bottom out. Hands that never stopped to either stroke his length or fondle his balls.

Toji could feel himself busting anytime, hips raised more against your face, his hands grab both the sides your face, taking charge. He thrusts inside your face with a pace that was animalistic. His own eyes rolls at the scrape of your teeth, the sensation doubling up his orgasm that was already rushing. Tears pooled at your waterline but the sensation of his dick imprinted on your mouth was heavenly. Your panties were drenched around your slit as you try to rub your heels against your cunt for some added friction. You look up at him, sweater raised over his chest to expose the skin of the stomach, taut with the tension.

With one final thrust, he shoots his warm load inside your mouth, spilling inside your cavern with ropes of milk. Your lips and chin is painted white while some shoots right down your throat as you feel the taste of his cum – salty with a bitter aftertaste. But it wasn’t unpleasant, rather there was a pleasurable sensation. Something raw and unforbidden but still so rousing.

Toji releases your head. His hands dips down under your sticky chin, thumb tracing your lower lip as he pulls it down, urging you to open your mouth. You do as instructed, showing him the lewd view of your cum filled mouth before he orders you to swallow, which once again you do wordlessly. Toji hikes you up from your seating position, hands resting on your ass while he kneads your flesh. He turns your around, with you facing the bed. He pushes you against the pillowy mattress. You fall face first, head hitting the cloudy pillows. You feel Toji behind you, not doing anything but staring at your lace clad ass that was bared open.

Soon, you feel his textured palm on your ass and before you know it, his hand leaves and connects against you again, followed by a resounding smack filling the air mixed with your loud squeak.

“Ahh..mr.fushigu-” . another smack. You fall silent as the impact of his hand hits you again. But why was this so titilating? Why, with each of his smack, you could feel more arousal drooling out of your pussy lips?

“It’s daddy for you, princess.” He rubs the area where he just spanked you earlier, massaging the skin for some comfort. His hands work slow, tantalising, that makes you whine. Like a game of push and pull. He pushes away while you pull for him.His hands reach your thin panties, tracing over the fabric and reaching towards your pussy lips. His hands carress you through the fabric, two fingers dips down on each side while his middle finger prods in your slit, right over the damp lace.

His hands fit perfectly against your hips as he grabs your sides, harshly hiking your ass up in the air, back arched in the most posture ever. The position causes your hoodie to slip up, showing the same shade of bra. It didn’t take him more than two second to snap open the hook, baring the entirety of your back and causing the straps to slip down your shoulders. Your lower back dimples greet him and he couldn’t help but place kisses all over your lower back, gradually gliding down. He removes the skirt that obstructed his ministrations in one go, finally facing your pussy from behind. His warm breath falls over your inner thigh as you feel his finger hook around the thin cloth, putting it in a side to face your clenching cunt.

Toji nuzzles his face against your cunt, his nose hitting right against your clit as he once again blows breath, this time right over your aching slit. You let out a moan, feeling him slowly place kisses all over from the gaping hole to your hood, smothering his face with your juices.

You head tips back from the numbing sensation of his mouth on you. His tongue laps up every drop of arousal that seeps out of you, and diving inside your cunt, thrusting in your gummy walls. His hands continues to massage the globes of your ass mixed with soft smack over the mounds.

Your whines were bouncing off the walls, the euphoric feeling of his tongue was keeping you afloat. You try your best to not cross your eyes from the overwhelming actions. Toji also ensures to give equal attention to your clit, the buttoned nub swollen and aching for some release. He wraps his lips around the hood, his tongue circling around the bundle of nerve endings, releasing a hundred sparks inside your body. You moan wantonly, teeth digging inside your lips to leave it red. Your hands grip the sheets like death, grounding yourself.

Toji keeps on flicking his tongue over the clit, adding the work of his middle finger to dive right into your pussy. The dance of his tongue, lips and fingers create the perfect dance of debauchery. The sensation being too much for you as you try to scutter away before the harsh tug of his hands brings you closer. His mouth not leaving your cunt.

“Don’t run, princess. You signed up for this.” words ending with a smirk right against your skin, he releases your clit before getting at your inner thighs. He nips at the flesh, sucking the skin for a while before a dark purple splotch brands itself on your skin.

You whimper in pain and pleasure as you hear his gravelly voice, vibrating right against your skin. “This is for trying to run away, princess. Don’t do it, ‘kay?”

You knew you were close, his fingers were relentlessly pumping inside you, bringing more and more closer to the edge. His mouth was doing wonders all over the thighs and along the flesh of your cunt, replacing his fingers once in a while to prod his tongue against your squishy walls. His pace was chronic, increasing with every passing moment, and before you knew it, the tug on your stomach snapped and your whole body shook to release the built up orgasm that Toji artistically brought to action.

Your juices sprayed in his mouth while Toji shamelessly laps at it, his tongue working you through your orgasm, bordering overstimulation. His other hand smoothes your thighs from the shaking. Your head dips down to hide yourself from the embarrassment but Toji couldn’t give a damn. To him, you were never any more beautiful than now, all spent under him. For him. By him.

Toji flips you on your back, your tongue lolls out when you breathe heavily, bringing yourself back to this Earth which you were sure you left momentarily. Toji leans down to capture your lips between his, feeling both his and your taste on his tongue. His hands comes to massage every crevice of your waist and hips. He tugs at your hoodie, breaking the kiss for a while to remove this material off of you.

Your already opened bra follows suit, leaving your breasts to spill out in front of the man, who feels his cock stirring. His head dips down to take one nipple in his mouth, sucking the bud harshly while his other hand plays with the other breast, fondling the mass and tugging the nipple between his thick fingers. Slapping the fleshy mound to watch it jiggle. Making his exposed cock twitch. He alternates his treatment on other tit, leaving the nipples to form hard, swollen buds.

“Some pretty pair you got, darling.” Toji smothers his spit all over your breasts, leaving it glistening under the golden light of the day that veils his room. His hardened length grinds against your cunt, the tip smacking your clit at times.

“D-daddy…put…put it in.please.” you whine, yearning for something to fill up your walls again. Toji smirks, hooking his hand under the band of your underwear before he tugs it out of your hips. The bunched up fabric curled in his hand as he shamelessly gawks at them.

“These are some expensive lingerie, princess. This is where you blew money off? Being a little slut?” Toji bunches the panties before stuffing them in his pant pockets. You turn your head to the side, from sheer embarrassment. A scene of beautiful vulgarity unfolds itself in front of you.

Toji separates your legs by your knees, your slick covered pussy clenching at the sudden wave of air that brushes past them. Toji’s cock jumps at the sight, his thick length sliding against your lips, drenching itself with pre-cum and remnants of your previous orgasm. He nudges the tip into your slit, slowly pushing the head inside.

You throws your head back against the sheet as you moan, the intrusion of his head alone stuffing your cunt. You clench around him, hips subconsciously bucking to add the extra pressure.

Toji hisses at you squeezing him, bullying more of his girth into your walls. He has half the wish to ram the whole cock in you, till the tip bruises your cervix but he goes steady, closing his eyes and moving painfully slow to stretch the time. He grabs you by the under of your knees, propping both legs on each of his arms to get more leverage as he pushes inside. Bottoming out to the hilt.

Once he feels himself completely sheathed inside you, he opens his eyes, meeting your already fucked face, his mouth hangs open while your left arm drapes over your eyes, head tipping back to expose the dainty collarbone, he bends down to press kisses over the clavicle just as his cock nudges more inside of you, making you whine.

“You sucked me in right like a champ, princess. Too eager for this cock. Well, can’t deny the feeling of this pretty pussy either. Making me bust a nut right now.” Toji groans, talking you through it while he begins to rock himself against you, pulling out completely till the tip before fucking inside of you with one thrust.

His thrusts were slow and powerful, making your body jerk from top to bottom. Your tits lurched and bounced from the intensity and Toji wanted to burn this image in his mind. He increases his pace, letting you feel the veiny shaft of his cock all over your cushiony walls. He adjust himself in the middle, angling the tip in a way which made you drawl a precarious moan. His cockhead settles right against a bundle of muscle sending sparks of shockwave to your brain before it moves away again. Only to assault there again.

“you feel so good inside me….ahhh…” moans fills the air along with the lewd slick sounds of skin slapping against each other. You could feel his balls hitting your ass as he bends you in half, knees squashed against your tits to get a better look at his cock slipping right inside you. Your arm splays over your head, eyes squeezed shut just as you feel the familiar tug building up inside your stomach. Is he gonna make you squirt again?

Toji sloppily thrusts in you, your insides clenching down on his dick causing his orgasm to roll down as well. His thrusts are erratic, constantly hitting on that sweet spot inside. You mewl loudly, craving and craving for more. Your body turning limp under the burly weight of his as he turns your brain into a puddle of mush with his long strokes.

“Wanna cum, daddy…hnnghh.” Toji goes at an animalistic pace, wanting to make you squirt again, “whatever angel says”, he husks. You feel your insides almost bruise, firstly for how thick he is already and secondly, from the power at which he slams himself inside you. His tip brushing your cervix at the position he had you in.

You feel your body shake from the pleasure as one last thrust of his snaps every rope inside you and lets your orgams flow like a dam breaking down. You squirt for the second time, not long after the previous one. You finish right on him as he languidly fucks you, coming at the same time. Warm ropes of cum paint your insides white.

Toji could feel his body shake from the amount of cum he releases inside you. Gripping the back of your thighs with enough force to leave marks and dips. A myriad of whines and whimpers and moans fill the room as you feel him filling your insides with white. Toji gently plants your feet down on the bed, watching as pools of his cum dribble out of you, staining your thighs and sheets. He takes two of his fingers, scooping them out to push it back inside you, the feel of his fingers overstimulating.

“Got plan b, baby?” you nod, words unable to escape from your throat as you try to bring yourself down from the fervour. Toji rolls off you, laying by your side as his chest heaves with the strenuous workout he had in a while. Once you feel composed, you prop your arm on your elbow, one hand gently tracing the ridges and contours of his abs with your finger.

“Didn’t know you were that good at acting,darling.Should have landed into acting.” you giggle, pressing a small kiss to the side of his lips, right above his scar. Toji breathily chuckles, grabbing you by the waist to pull your upper body flush on top of him, “Says you. “Something of your interest?” Almost tearing the lingerie that you brought me in the first place. Which porn did you watch before?”

“I don’t know. Maybe our first ever endeavour 8 months ago. Didn’t it eerily go like this?” your chortles fills the room as Toji lazily joins in, a gentle kiss placed right on your temple. Comfortable silence blankets you both before Toji speaks up,

“Was it you who texted Megumi at that time?” he inquires as you gently hum and nod.

“I told him I won’t be coming to class today. Why?” you nuzzle on his chest as his hand rubs circle on your bare back as he continues, “he looked quite down with your text, I had half the mind to let him know you would be here.”

You lift your head to meet his gaze, “Thought you didn’t kiss and tell?” you quip yet deep down a tinge of sadness peeked at your heart as you had a slight idea about how Megumi actually feels about you. Capitalising off you best friend’s dad, especially when the said bestfriend might have some sort of feelings for you isn’t exactly an ideal situation.

Likewise, Toji ponders over this whole setting, without a clue on how, out of everyone, his son’s bestfriend ended up being his sugar baby after years of almost zero sexual endeavours. And simultaneously catching slight feelings over the girl he knows his son has a slight pining for. The whole situation is as fucked up as it can without any conclusions that isn’t ugly.

Yet, the bodily desire. One of the seven deadly sins- lust, becomes too powerful to cloud him of any moral judgement as he pulls you over to his lap. Straddling you right over his crotch, he grabs one of your tits, “Oh honey, I do a lot more than kiss.”, you smirk, indulging for the second round before a familiar voice rang through the house and through both your ears like an alarm.

“I’m home.”

a.n-> as long as you get the bag girl 🫡🤚🏽

event -> @k9nto’s reddit collaboration.

comments, likes, reblogs are appreciated

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mysunshinetemptress · 1 year ago

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Hi, Can't wait for the fics that you write I lover them all. But can I request a Katrina Gorry x wife reader, where the reader is a footballer too but in England or Spain team. Thanks....

Mi Vida

Katrina Gorry x Reader

Angst fluff

Falling in love with your wife has been the easiest thing you had ever done, telling her you loved her was nerve wracking but not hard, asking her to marry you was an easy decision planning out how you where going to do it not so much, organising the wedding was complicated but ultimately you both had decided to marry at La Fortaleza in Mallorca and finally the decision to start a family had been the quickest yes you had said in your life finally feeling your life align the way you had always hoped.

That changed when your wife had been signed to a team in Sweden and had ultimately decided that she would be the one to take your 6 month old daughter with her. Both your girls where three hours away by plane and the only way you got to speak to them was through a phone most of the time. You couldn’t help but feel deflated after you hung up every night, looking over the videos you had been sent of Harpers first steps to her first words and little sentences she was still trying to string together.

You spent every break you could in Sweden trying to make up for lost time but every time you saw them both your heart broke at how much had changed how big Harper was getting so quickly, and with that her interests something you didn’t catch on to until she had been a screaming mess shouting how much she hated paw patrol when you had tried to give her the presents you had brought over. What hurt even more was how little Spanish she had or understood compared to her understanding of Swedish “Osa puedes decir te amo mamá ?.” Harper had stood clueless babbling before you tried again and she began to get frustrated a tantrum ensuing after as Katrina watched heart breaking at your crest fallen features realising what was happening to her family.

Leaving was never easy you felt guilty watching Harper beg and cry for you to stay to not leave her and how hopeless she slowly became to your promises to return “too long mama stay.” You of course would only answer in Spanish wanting to surround her in as much of it as possible during such a short time, “lo sé, osa, lo siento, te prometo te veré pronto mi niña.” Harper would begin getting frustrated shouting for you to speak English.

Katrina had been a bystander during these moments, she had felt her heart break the minute she told you she had signed to play in Sweden and would be taking Harper with her, she was surprised you hadn’t fought for her to stay in Spain with you surrounded by her Tías instead when she had begun shouting at you to say something about her decision you had grabbed her into your arms and told her it was ok, having Harper move from place to place wouldn’t be good for her at all and if Katrina thought Sweden would be best for your daughter then you would support her. But she couldn’t deny she felt regret and guilt creep in watching you try to hold back tears on FaceTime or hear you cry every night you where home as you tried to hide it.

After talking to her agent Katrina decided that the 2023 season would be her last in Sweden, but she had decided to keep it a surprise from you wanting to bring some spark back in your eyes since she had left. But first was the Women’s World Cup.

Australia and New Zealand had been chosen to co host this years World Cup and the Matilda’s had been hopeful that they would win it on home soil, whereas the Spanish team La Rojas as they where fondly called had been shadowed in controversy and had come into the tournament wanting to prove the world they where more than what the news projected them to be.

Your contract with Barcelona was set to end while you where playing at the World Cup and you had made the decision to leave the club on a high of winning a champions league and leave for a new league the WSL, what team you would been signing to was get to be made known to the press wanting to tell you close family and friends before the big announcement.

The Spanish federation hadn’t been as accommodating as you hoped, refusing to allow you to fly over two days ahead of the team in order to see your wife and daughter or even letting you see them once you arrived over stating they didn’t want any distractions, Alexia and Ona stood beside just off camera as you called Katrina “Hola Mi Amor.” Katrina knew something was wrong the minute your face appeared “everything ok my love.” You looked at your teammates before sighing “they won’t let me fly out two days early or see you during the tournament, I don’t know how you say eh distracción.” Katrina eyes softened “distraction love.” You nodded “I just want to see her and to see you too.” Katrina felt the guilt come back “I know I’m sorry my love it won’t be much longer.” You nodded “is she there my little osa.” Katrina smiled sadly at the hope in your eyes at seeing your daughter “mums taken her to the park y/n I’m sorry.” You could only smile sadly at her “it’s ok, I have something to tell you though.” Katrina hummed letting you know she was listening “I’m leaving Barcelona, I want to go to England to play plus flight times are less I get to you both quicker no.” Katrina was overjoyed at the news “oh darling I’m…really but you love Barcelona.” You nodded “I do but it’s the right time.” Katrina smiled at you before she was interrupted by your older two children Kyra and Charli “hola ma how are you.” You smiled at the younger girls. “I’m good but I have to go I’ll see you all soon and please give my osa a big hug and kiss from me tell her I love her.” Katrina could see the heart break in your eyes at your words “she knows my love but I’ll remind her.”

The tournament had been a nightmare for the Matilda’s, they had been knocked out by England and would now battle Sweden for the bronze while you faced England at the hopes of winning it all. The team had gathered in the screening room to watch match hopping for your wife to win. Anytime Katrina came on screen your team cheered and your heart swelled every time of course those cheers got so much louder when your daughter appeared on screen as they all talked about how cute she was you felt tears form in your eyes seeing her dressed in her Australia jersey waving a flag. You texted the Australian girls after stating how proud you where of and that deserved so much more but that she should be proud of leaving it all out on the pitch and creating history.

You stood in the tunnel holding your mascots hand when you felt a tap on your shoulder turning to see Alessia Russo “Rumour has it your joining the WSL.” You nodded smiling “that rumour would be true.” Alessia smiled Turing to face the front “I look forward to it then.” You smiled before squeezing your mascots hand asking if she was ready to go. Walking out you stood proud giving your jacket to the young girl shivering in front of you before singing the national anthem and saying good by taking your place on the back line with Ona.

You had done your best making sure your back line stayed strong against such a strong English squad. You found an opportunity in the 29 minute the lioness gravitating to the left wing gave you the chance to break into the middle right before calling for the pass from Bonmatí seeing Mary just off her mark you sent a rocket to the top left holding your breath as it nestled in the back turning you ran to your bench jumping onto Alexia as she screamed in excitement before you looked past the bench to see the Matilda’s standing behind it, you spotted your wife and daughter pointing at the letting them know it was for them before Alexia pushed you back down to the pitch telling you to get a move on.

The minute the final whistle blew you dropped to the ground before feeling your teammates pile on top of you before you shook them off walking straight to the lionesses, congratulating them on their performance before Lotte Wubben moy grabbed you “we need you holy shit mate.” You laughed pulling her into a hug “I’m Spanish but ooh to be a gooner.” Lotte squealed pulling you tighter “can’t wait mate.” You nodded before excusing your self.

You ran right past your management team before jumping the Barrier as fans around you tried to grab you but you ignored them running up the steps “salto de Osa.” Harper jumped from Charli’s arms “oh mi Osa te amo.” Katrina pushed through the girls congratulating you pulling you down to kiss her “I’m so proud of you of all of you you did it Y/n.” You felt tears well in your eyes “I couldn’t do it without you it is all for you I’m sorry you didn’t win but what’s mine is yours sí.”

Harper wouldn’t let you go for the trophy ceremony, Katrina stating she was jealous of the mascot the minute you walked out holding her hand screaming that you where her Mama and only hers. You took your medal with Harper on your hip as well as threw her in the air when they raised the trophy before letting the girls take her away briefly as Katrina made her way on to the pitch “for you.” You took your medal off putting it over your wife’s head kissing her softly. Katrina held you as you watched Harper laugh with the girls “ lm leaving.” You froze “leaving what.” Katrina could see the worry in your face “Sweden I’ve decided I’m done splitting this family apart so at the end of this season I’m leaving and I’m following you to England.” You felt your heart swell “really.” Katrina nodded “my life is with you and Harper no where else I can’t live through that or put you both through that again it broke my heart seeing her cry every night knowing you where doing the same in Spain.” You held her as she gave you her reasoning “I’m going to Arsenal.” Kyra squealed from behind you “I am too oh we are going to be a real family in England.” Charli nodded “yeah cause I decide I wasn’t being left out either.” You felt content finally creep back in as you looked around at your little family “oh mi Vida es Bella.”

#leah williamson #awfc #woso fanfics #woso one shot #woso #woso imagine #harper Gorry #charli grant #kyra cooney cross #katrina gorry x reader #katrina gorry #Katrina Gorry x y/n #Katrina Gorry x you

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slavghoul · 1 year ago

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Interview from Sweden Rock Magazine 10/2023

Hi, hi. There is an interview with Tobias in SRM’s newest issue, but it’s in the subscribers only section, so I thought I’d translate/share since I guess not many people will be able to get their hands on it. It is about Prequelle and it’s part of SRM’s „200 best Swedish hard rock albums of all time” series. Prequelle placed #68. The other albums may have scored higher, but for now we don’t know the whole list. Either way, enjoy. Very insightful.

„Do you think that "Prequelle" is Ghost's worst album?” Now that’s an unusual opening question. Especially when the interview is about an album that Sweden Rock Magazine's writers and qualified Swedish hard rock musicians (including Tobias Forge) have voted as one of the 200 best Swedish hard rock albums of all time. The question wasn’t planned, but comes spontaneously, as a reaction to the first thing Tobias Forge says when we sit down on opposite sofas in the record company office. I'm here for a two-part interview, partly about the EP "Phantomime" (published in #6 2023), partly about "Prequelle". Neither record companies, artists, voters, nor even our writers who conduct interviews for this series of articles have any idea what placement an album has received. Interviews are often done well in advance and we simply don't want placements to leak and become public long before publication.

No Ghost album has ever been on the list before. The idea is actually to end the day with the "Prequelle" talk, but when Tobias Forge suddenly starts with a funny little comment that this album is probably the one that those who have voted think is Ghost's worst or least popular album, I just have to take the opportunity to ask the question: Do you think that "Prequelle" is Ghost's worst album?

No, absolutely not, he says and laughs. If I'm going to be completely pragmatic, I'd say: "How many songs do we actually play from that record?" There are songs that work damn well live and sit where they should. So it's a pretty strong album.

But is this what you are basing it on? "Prequelle" was released after Ghost had become really big so it can't be compared to "Opus Eponymous" and "Infestissumam" which you don't play many songs from. I mean, no matter what kind of record you had released when "Prequelle" came out, you would still have played many songs from it and they would have worked precisely because Ghost's songs nowadays are moulded more to the arena format.

I don't know how to answer that, it's difficult. If the album had been different, it would have been. If I'm going to talk somehow both artistically and practically, I know that for every record we have become exponentially bigger. "Prequelle" was definitely no exception, but it also took us a big step forward and upwards and we became bigger and broader. To the extent that when we introduce old songs in the live set, you notice that there are elements on albums one and two that make some songs more difficult to play. Not technically, we can play the songs, but they don't work in quite the same way as the later songs, which means that there is a slight favouritism.

I asked the original question about whether you think it's Ghost's worst album only because you directly said that this means it's the least popular one.

I'm just so full of myself I assumed all the other albums are also in the top 200, which may actually be incorrect. This might be the best album and the others aren't even there, haha.

It wasn't long after "Prequelle" was released that you were self-critical of the album in interviews, saying that it was too ballad-heavy and a bit too soft. I haven't noticed that before, you being so self-critical shortly after the release.

Yes, but I still feel that way. If, as an artist, I am only going to look at the work with the criticism that one can feel towards one's own work, I think that if things had been different or if I had more time, I might have wished that I had managed to get maybe two more hard songs. Maybe one more hard song would have fit on the album and another harder song might have phased out one of the ballads. Now five years after the album came out, I know that the two ballads ("Pro Memoria" and "Life Eternal"), which I may not think are bad, are one too many. But I know that many of the people who like the band like both of them, so it's kind of a useless argument.

Who sets the length of an album? Have you set a limit, that it can't be longer than this and have no more songs than that?

No, but it must fit on an LP disc and there is a physical limit. I think the absolute pain threshold is 46 minutes and that's 23 minutes on each side. Now maybe Mikkey Dee (co-owner of Spinroad Vinyl Factory) will raise his hand here: "But I can make it longer!" And it's maybe 48 minutes, I don't know, but I do know that when a disc starts getting so full that you start getting close to the sticker, it starts to sound bad. Especially nowadays, because recordings today are so very maximalist in scope. It's one thing if you record 60s music with drums, a guitar and bass where the sound is cleaner and finer or if you play acoustic stuff with just vocals. Bob Dylan records could have eight songs on each side and it worked all the way through. But this kind of fairly compact music doesn't work well. Not only am I a militant vinyl advocate, I think we should respect the fact that most artists don't manage to create more than 45 minutes of good music on a regular basis. A lot of famous double records are not that good. I don't think the Rolling Stones "Exile On Main St" is very good. It might as well have been on one disc. And if I'm actually going to turn it into something completely mundane, I'd say that I think it's irresponsible to sit and make records with twelve songs if it results in the record being 63 minutes long and you automatically have to make a double record. It's pretty wasteful.

When you said that it's irresponsible, I thought you were going to say that it's irresponsible to print a double vinyl because of the environmental destruction that it entails.

Of course, if we're going to be completely straightforward and not do anything that harms nature, we shouldn't even release any records, so I say this with reservation. But with that in mind and for the sake of art, I think more people should embrace the actual given format that has been the most prevalent in rock history. There is a reason why a film is usually one hour and 30 minutes. You can’t take any more. There's a certain dramaturgical structure and there’s a certain comfort in it. Then the CDs came along they screwed that up, and suddenly there weren't two sides anymore but it started one way and ended another. Now that the CD is no longer important and we've gone back to vinyl, creators should follow suit and start embracing the physical rules.

Are there songs that have been rounded off just because you thought „I have to round off here, because if I continue, it won't fit on the vinyl disc"?

We actually had that problem on the last album. „Watcher In The Sky” ended the A-side and the outro is much longer on the CD and digitally. Two minutes longer I think. Much, much, much longer. It's long, noisy and has all these dives. It's a very chaotic soundscape. You get the feeling that it goes on and on, and on the vinyl it's just the beginning of an outro and then it drops almost immediately. I think that was a huge mistake.

So the overall sound quality was more important than vinyl buyers getting everything? Because you could have pressed the vinyl and it would have fit, but you would have had to compromise the sound quality.

Yes, exactly. You can get the song to just keep going until the vinyl simply runs out. Then it just starts spinning in the middle, depending on what kind of record player you have. But the problem then, if you want to anticipate events at a creative stage, is that people today buy and listen to vinyl records and are sensitive. It's quite common for people to complain that the record is broken. I don't just mean our records, but people complain a lot about the presses. If you make ten songs, it's therefore stupid to have a too thick soundscape towards the end of song number five and song number ten. If you want to be really good and old school, that's where you put a piano ballad because it's an easier sound to handle so far into the record. This is what I think about when I make records. But clearly sometimes I miscalculate.

This must cut right through the record collector Tobias Forge's whole body and soul, that "Watcher In The Sky” is shortened by two minutes on the vinyl of all versions.

Well... I don't toss and turn and wake up in the middle of the night thinking about it anymore. But when it happened, I was livid. Luckily it was just an outro. It would have been worse if it had continued with some kind of narrative into the next song. Now I can't remember in my head how long "Prequelle" is, but if I'd had to go back in time and just re-construct it, the re-construction wouldn't have had much to do with the existing material, I would have just wanted to add a scene. And it's not a scene that's missing, it's just for the sake of balance. It became asymmetrical in a way that bothers me a bit.

You've talked about this before, but it was before "Prequelle" that you really started to talk a lot about how you were thinking about what kind of new songs might suit the live show. Can you get stuck in that mindset, thinking more about what songs are needed live right now rather than creating an album that will last 30 years?

Hmm... (long pause)... The reason I'm sitting here thinking is because I'm trying to come up with examples of other bands that I think might have gone through something similar. I’m looking for examples to the answer I'm about to formulate and that is that: yes, I think there comes a point in the career when most bands make a record because they simply feel they need to… Because what we're talking about is that when you go from playing in small smoky clubs in front of an already inveterate audience that already understands the perhaps a little more chewy expression, that experience can change if you start playing in front of a larger and especially a different type of audience. When a different type of audience comes and you play in a different format, you discover that this song doesn't work very well, it doesn't sound very good and it's difficult to get the sound right. Then there's usually a record or two or three during your career when this transition happens where you start filling in with songs that work better live. Look at Piece of mind", "Powerslave" and "Somewhere in time". There's a reason why Iron Maiden didn't play a lot of the first two albums there and then, because it was easier to play the new songs. You get to that point somewhere in your career and it's very difficult to say when it is - there's no given rule and there are artists who continue to release relevant records and have an amazing ability to release new records and just play the whole new record. Well, now Iron Maiden does that and tests their audience a little bit in that way, but then they will always compensate by doing like a "best of" set the following year so everything is forgiven. Now we're in the middle of the "Impera" period here and have a very strong set, but I'm starting to feel that now that I'm about to start writing a new album, it feels like it's not really on my agenda to write three more albums that will change the live setlist ten years ahead. I think we already have the blueprint for what is Ghost's setlist, especially if you include the entire catalogue. After a while, each new record you make becomes a little less important. It's really hard to know when that point comes, but the truth is that new records don't matter in the same way. Slayer didn't have to release "Divine Intervention”. They definitely didn't have to release "Diabolus In Musica". I didn't care about it and I just wanted to hear the old stuff. If they had just come up and played "Reign In Blood" I would have been soooo happy. And that's the way it is with most bands. Nobody would be sad if the Rolling Stones came up and didn't play anything from "Emotional Rescue". And that's just the way it is. In the future, I can see a scenario where there is probably a basis to possibly build up an alternative setlist. There are so many songs that we do not play and that I have nothing against - I love them too! But it would almost be easier to build up a completely alternative setlist and run a show with only the odd songs. There are so many songs now. There's no reason not to build on that. But when I want to make a new record, it's irresponsible for me not to consider that there might have to be some songs that are a bit more direct. But it doesn't hurt me if we have more songs that we don't play live. I don't know if this answers your question...

I would actually like to ask exactly the same question again, because I wonder if you yourself feel that you get stuck during the making of the record. You said that you would have liked to include another hard song because "Prequelle" doesn't have the balance that you would have liked to have in retrospect.

Exactly, but the explanation for that has more to do with my mental capacity there and then. I simply couldn't cope. I felt that I had probably maxed out… It was probably about as much as I could do that year. That's the simple explanation. To get another song that would have fit and that would have fulfilled this requirement that I now in retrospect would have wished I had, it would have required something that I did not have there and then. The only thing that could have made it easier is if I had more time. It is difficult to reason about it, you see.

I was in the studio for a few days during the recording and it's one of the few times in all these years that I've done interviews where someone has started crying during an interview. It was quite obvious that everything that had happened with the split of the band affected you.

Yes. Of course. It did.

Is "Prequelle" a difficult album to listen to for you? Can you sit and listen to it all the way through?

Well, at the moment I have to do that from time to time, and listen to all the records, because we're just about to start rehearsing again and then I sometimes have to go back and just listen to the record to go: "Fuck, is that really how I sing?" Especially when we start rehearsing, I can be a bit like: "Damn, who changed this bit?” Then I usually sit down and it hits me: "Oh, it's me who has changed my song!" You simply do that over the years, you start singing it in a slightly different way. So sometimes I have to go back and listen, but it’s more practical. I don't think it's fun to listen them. I do it until they are finished. I listen over and over and over again and really try to listen with all the imaginary ears and all the imaginary perspectives you can have. "How would I have listened to this if I had heard it from this perspective?" Just to get as "objective" a perspective as I can until I'm satisfied, but then it's like „No, I don't want to hear this anymore". But I have to say that I think "Prequelle" is a very tolerable disc despite everything that interfered with the process. Therapeutically, it works quite well considering that we are still playing at least half of the album. For every artist there are songs that you want to play, and there are songs that you don’t want to play because they feel too personal. I don't feel that way about this one, it's more like: "Ah hell, they're part of the setlist and people like it and it sounds good. So that's what we're doing."

On a personal level, was Tom Dalgety the perfect producer for you, the way you were feeling at the time? Tom feels like the kindest, sweetest producer you can meet. He wasn't the kind of producer who pushed you very much, it was more of a nice atmosphere between you.

Yes, really, and it would have been different if Klas Åhlund, who is more confrontational, had been in the room. Now Klas and I are great mates, so it would certainly have been very therapeutic also, but it would have been a different process. If an artist comes in who is in such bad shape that they can't make a record, or a band where the main songwriter has just left them, then a Bob Ezrin goes in and says: "If you don't make the record, I'll make the record myself.” And he goes and makes Kiss "Destroyer" or Alice Cooper records. I'm not saying they didn't make them, just that you hear that Bob Ezrin made "Beth". It's a type of producer that's very different from a lot of other producers who maybe act a little bit more like buddies and cheerleaders and make the atmosphere good. Bob Ezrin doesn't care so much about the atmosphere in the room. Klas is somewhere in between, I would say. Given the condition I was in during "Prequelle", the result could probably have been different if Klas had come in. Ironically, there was actually talk of him doing it, but he didn't have the time and we'll never know how it would have turned out. I only know that it would have been different, but right there and then Tom was fantastic. I know that a lot of bands like to work with him because he is technically brilliant. He's really good at those typical sounds that people like: cool drums, guitar, bass, tone and clarity. He is also very "happy go lucky", a nice guy who sits and jokes all the time. Even if he has a bad day, it doesn't affect anyone else, which is convenient.

Let me compare it to when a writer contacts me after an interview and says "that was such a nice interview". For me, "nice" is not something positive in such a work situation and the result is often better when there is a little friction.

Mmm, and that is more Klas. There is more friction and more confrontation. And I was much better equipped for that at "Meliora" and later at "Impera". I felt better and was simply stronger. There wasn't the same survival instinct as on "Prequelle". If I think back, not about how the album turned out and how I have to live with it, but if I think back to the situation I was in, I was very anxious all the time. Even though I'm happy with the result, I wouldn't want to go through the recording again, even though Tom was great. Because it's hard to work when you're under attack. I realised that now when I made "Impera", when it was no longer like that. You are much more comfortable, it doesn't feel the same, you are more mature, you make better decisions, you are more controlled or dare to be uncontrolled. When things are this serious, you can end up in a freeze mode. Maybe that's also why there wasn't another song. The song that I miss doesn't exist because I simply squeezed out everything I had. If I had been in a different emotional state, I might have been more comfortable working out something at the last second from bits and pieces. But I felt that I really just wanted to get it done, deliver it, get back out on tour and start over again.

When you described being more mature during "Impera" you sounded like a 70-year-old, kind of like all the Aerosmith-like bands that have been fighting all their lives and now that they're in their 70s they say "we're soooo mature,” haha.

I think with all artists, especially when they're required to work in a group, there are many recordings that have been a collision with a wall because you're expected to function in a context all the time, whatever and whenever. But you do change and from one year to a few years down the line there can be a huge difference in a person's drive, hunger and priorities in life. Whether you have the same band structure as I do or whether you play in Metallica, people come in one state and they may end up in another, because you have different priorities at different times. It's unfortunately against the whole rock myth. I think that's the biggest problem for bands and businesses, that you always have this idea that if you just get to a certain stage - not just monetarily or career-wise, but you get to a certain stage of fun - then we've reached the status quo. But that is never the case! Never! There’s always something. Even in the best moments when everything is working, the band is awesome, everyone is working well, the crew is awesome, everyone is laughing, it's just a party all the time mentally, you have the world's best tour manager, everything is flowing and the tickets are selling, there will always be someone who doesn't like it and then has to break away and want to do their thing because it's no longer fun. It's usually somewhere in the lead-up to a stage where it's interesting and then once you've achieved it, it all becomes a bit boring. Just like in a relationship some people may eventually think, "well, that's a bit boring, I have to go out and do something else".

Since I was in the studio when you were laying down guitars on "Witch Image", my heart beats a little extra for that song and I thought it would be a great live song, but you've barely played it (at the time of writing it's Ghost's forty-fourth most played song live).

We did it during the "Prequelle" tour, or "A Pale Tour Named Death" as it was called. Then we did quite a few "an evening with" concerts, for better or worse. The advantage was that if you were a big fan of the band we actually played a lot of songs and actually a lot of the first albums, like "Idolatrine" - or "Witch Image". We did a set, a break and then a whole other set. That was a bit of a taste of what I was talking about earlier: doing a slightly larger set and then a slightly smaller one. You just shouldn't do it on the same night because it gets a bit stale. We played for two hours and 30 minutes or something and that wasn’t a good idea, haha. At least we did "Witch Image", but it has fallen behind a bit and it doesn't mean that we will never play it again, just that we don't do it right now. What I've been happy about is that there has been a feeling for the records that we've made recently, "Prequelle" and "Impera", that people still want to hear the new stuff. We haven't gotten to that stage that I talked about earlier when it doesn't matter anymore. Then it's very fun to try to find a new way to perform the songs, not technically, but suddenly a song like "Witch Image" might fulfill a very nice purpose between a completely new song and another song.

Let me speculate: in 30 years, I think "Rats" will be considered the great hard rock song, "Dance Macabre" the great hit and "Life Eternal" the great ballad. What do you think? Will this in the future be seen as the three big songs of the album?

Yes, that makes sense, I think. I understand that an instrumental song automatically ends up in the wake of a "best of" collection, in the sense that you do one in 30 years. I realise it's not a hit but the instrumental "Miasma" is a big part of our live show. It's strong and feels like such a keeper. Now we don't play "Life Eternal" very often actually, but it was very well received. For some reason people like to get married to it, I don’t know why, hehe. It's nice but it's also a bit like U2’s „I still haven't found what I'm looking for" and you don't use that one at a wedding. But people like it and I guess interpret it differently to me. It’s also a song that I don't think is fun to play live.

And why not?

Because I find it hard to play ballads. Physically, they don't feel the same as rock songs. I miss the "dunka dunka". Now everyone who plays music today knows what I mean - sorry, readers who don't play music - and it's that there's a small problem with having in-ear monitors. This means that you have to reach a certain frequency of beats in order to feel the music, unlike when you played at clubs with only a guitar amp behind you. You felt every single note you made and it just went through your body. Nowadays, I think it's sometimes hard when you play slow songs, because you have to trust that it sounds good, whereas when you play a rock song, you feel that it sounds good.

Does it also apply to "He Is” which is such a huge ballad, not least live?

Well, just the intro and then it gets going quite quickly and suddenly becomes a hard and rather fast-paced song. The classic ballad concept has always been that you play so-called edge beats to make it sound soft, while "He Is” is actually a rather hard-played song considering that it is a ballad. Once the drums come in – boom, boom – it's got AC/DC bite to it. It has a rock feel to it that "Life Eternal" doesn't really have. As I said, I don't think that "Life Eternal" is a lot of fun to perform, but that doesn't mean that it isn't quite good to listen to. It’s just that when I play "Dance Macabre" or "Mummy Dust" I feel that I can express myself physically more in line with what the text says and what it means.

#the band ghost #tobias forge #interview #prequelle era

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