#surya temple

[mysticalblizzardcolor]

Konark Sundial : Konark Sun Temple, Konark, Odisha. Sun Temple in Konark was built in 1250 CE by Narasimhadeva I of Eastern Ganga dynasty in Kalinga Style of Architecture. This beautiful temple is dedicated to Sun God Surya & is a UNESCO World Heritage Site.

[tripcounselors]

Top Famous Temples in India

The Akshardham Temple, which has 20,000 figurines of Indian spiritual luminaries, nine intricate domes, twenty quadrangle spires, and more than 234 beautifully carved pillars, is one of the main sights in Delhi. The intricately sculpted honey-colored Somnath temple on the western edge of the state is said to be the birthplace of the first of India's twelve holy jyotirlingas. There is a legend that Shiva appeared as a flaming column of light. The Sun Temple is a striking physical monument of the Hindu Kingdom of Orissa during the reign of Narasimha Deva I in the thirteenth century (AD 1238–1264). Its grandeur, elegance, and architecture serve as symbols of the era's dominant moral values as well as the strength and stability of the Ganga Empire. Known for its whole golden dome, the Golden Temple is one of the most sacred Sikh pilgrimage destinations. Situated on a 67-foot square of marble, The Mandir is a two-story edifice consisting of two levels. Maharaja Ranjit Singh used almost four hundred kilograms of gold leaf to build the top part of the palace.

For more Info Please visit our site: Trip Counselors

[siryl]

"Amravati Temple Exterior" and "Interior" by Alexander Thümler.

[townpostin]

Surya Mandir Committee's Registration Safe as Govt Panel Rejects Cancellation

Committee debunks allegations, Surya Mandir leaders celebrate ‘victory for truth’ Jharkhand Government’s investigation committee dismisses Deputy Commissioner’s recommendation to cancel Sun Temple’s registration. JAMSHEDPUR – A three-member investigation committee from the Jharkhand Government has rejected the proposal to cancel the Surya Mandir Committee’s registration, overruling the Deputy…

[nomadman108]

My Visit to the Beach, and a Poem Shared

Greetings friends One of the key elements of the current temporary hermitage, the current safe-haven by the side of the road, is that it is literally two minutes walk from a very uncrowded and quiet coastal beach. It is a place of golden sands (I know that’s a cliche but in this case I have the evidence!), gentle wave action, and the promise of a possible serenity of a kind I’ve not been close…

[bhagavanbhakthi]

Konark, Surya Temple (Odisha) Unknown Facts

#suntemple #photography #india #konark #temple #modhera #incredibleindia #gujarat #gujarattourism #architecture #odisha #travelphotography #konarksuntemple #templesofindia #travel #suntemplemodhera #photooftheday #heritage #history #templearchitecture #odishatourism #modherasuntemple #travelgram #travelindia #ancientindia #art #instagood #sun #instagram #puri

Know more about #Hinduism from here: https://bhagavanbhakthi.com/

[telomeke]

THE SIGN – CULTURAL REFERENCES, MYTHOLOGY AND META

‌

This post comes on the heels of the one by @respectthepetty about mythology and meta of The Sign, linked here. 😍👍 If you've not read it yet, I recommend you do before watching any more of this series, because it will help things make more sense (especially if you're not familiar with some of the cultural references thrumming in the background).

Anyway, I'd previously done some research on the legend(s) of the Garuda and the Naga in Southeast Asia, and so I'm writing this post to share what I've found because it does have relevance to at least some of what we're seeing onscreen in The Sign, and elaborates on @respectthepetty's post.

‌

The Garuda and the Naga are mythical beings with origins in Indian mythology that have been transposed into cultures across Southeast Asia.

In Hinduism, Garuda is a single deity, depicted in either full-bird form or part-bird and part-human, and is the king of birds and also a divine sun-bird (with physical attributes similar to an eagle's). His elder brother, Aruna, is the chariot driver for Surya the sun-god, while Garuda himself is the mount of Vishnu.

In Buddhist mythology, the garudas (sometimes also spelt garulas) are a society and race of gigantic predatory birds, sometimes also depicted as part-human in form. The garudas are intelligent, social and blessed with might and magical powers.

Thailand may be predominantly Buddhist, but it has also been strongly influenced by ancient Indian culture and Hinduism, and thus both the concept of a single deity Garuda and the race of garudas co-exist in Thai mythological beliefs.

The nagas on the other hand, are snake-like or dragon-like creatures, whose realm is the water world. (The word naga is derived from Sanskrit and is also etymologically related to the English word snake.)

In mythology nagas and garudas are perpetual enemies, although neither side is actually identified with good or evil – they are simply two groups eternally at war with each other (so occidental-leaning minds should dispel any preconception that the water serpents are necessarily the bad guys in The Sign, even though the narrative seems to be tilting in that direction).

When borrowed into popular culture (as has been done for The Sign) you may sometimes see influences of Chinese dragon and phoenix mythology (as Chinese cultural influence is also present in Thailand, and the dragon/phoenix motif of Sinitic culture nicely parallels the naga/garuda conflict pairing). And because of Garuda's association with the sun in Hinduism, and a parallel with the fiery phoenix of Western mythology, you may sometimes see garudas portrayed as aligned with the sun and/or flame as well.

There are some hints of these in The Sign. The naga that Phaya encounters while struggling underwater during the open sea training challenge in Ep.1 is very Thai in appearance (especially with the curved, forward-pointing crest, making it look much like the nagas that adorn Thai temple architecture). But the array of pronged, backward-pointing horns and trailing antennae appear to be a design nod at Chinese or Japanese dragons (East Asian dragons are also strongly identified with the watery realm, by the way). And in the graphics of the series (e.g., in the poster at the start of this post), the sky (the realm of Garuda) is suffused with sunlight and speckled with what look like drifting sparks, referencing sun and flame.

Because of the wings tattooed on his back and his time in the air force, Phaya is most likely the reincarnation of a garuda in human form (and this is why he struggled with the water challenge, as he was completely out of his element).

This is also possibly why we see him smoking early on in the series (because of the alignment of Garuda with the element of fire), and significantly he does this while Naga Tharn (irked by Yai's teasing at the dining table) seeks refuge in the washroom (which is ห้องน้ำ/hong naam in Thai, literally water room):

‌Billy also describes Phaya's character in the promo video for the series (linked here) as being "like fire, always hot and burning... quite hot-headed." 👍

Elsewhere in the same promo video (linked here), Tharn's good friend Chalothon is explicitly identified as the reincarnation of an important naga, which immediately signals that he and Phaya will be at odds in the series:

‌

The water deity that saves Phaya during the open sea challenge – Wansarat, whom he drew in his sketchbook – is not just Freen Sarocha in a fancy scuba suit. 😂

If you look at her arm and hand when she reaches out to save Phaya (before she turns into Tharn) the green scales meld into the skin of her human wrist – they're part of her natural covering, and she's really a nakhee/nagin/nagini, a female naga, appearing in human form to save Phaya.

The narrative has made it strongly obvious that Phaya is a reincarnated garuda, while Tharn is the reincarnation of Wansarat, from the lineage of the nagas. And the teaser-trailer (linked here) tells us that Phaya and Tharn/Wansarat are lovers bound to each other through time:

‌

However, the special promo video (released 24 November 2023) also tells us (in Heng's interview linked here) that Chalothon and Wansarat were lovers in past lives, even while it is Phaya and Wansarat (reincarnated as Tharn) who are paired by fate in The Sign.

And as the nagas and garudas are bitter enemies, the love story between Phaya and Tharn/Wansarat that transcends time and reincarnation cycles is also one that must have been (and will continue to be) forbidden by their respective naga and garuda tribes (especially since Tharn/Wansarat also used to be naga Chalothon's lover), and will undoubtedly be a source of conflict in the series. This is way beyond the Montagues and Capulets! 😍

‌

So with this as the base, I took a look at the characters' names, and those belonging to Phaya, Chalothon, Tharn and Wansarat especially also reflect their garuda/naga origins. 🤩

Phaya's name (พญา) means lord, king or leader. While it can be applied to the nagas (พญานาค/phaya naak refers to the King of the Nagas) it is also used for Garuda (the Thai national symbol) – พญาครุฑ/phaya khroot, or Lord Garuda (and is what his name references in The Sign).

(above) Billy Patchanon as Phaya

‌

Chalothon's name (ชโลทร) is rare, but it is derived from Pali/Sanskrit and means river, sea or body of water, reflecting the watery homeland of his naga persona.

(above) Heng Asavarid as Chalothon

‌

Tharn's name (ธาร) also has a connection to his water-dwelling naga roots. Tharn/ธาร is short for ลำธาร/lam thaan and means stream, brook or creek (and he is thus a naga nong to Chalothon's phi).

(above) Babe Tanatat as Tharn/Wansa

However, Tharn is his chue len. His formal name is Wansa, and is the same Wansa in Wansarat (which the narrative lets us know at Ep.1 [3‌/4] 9.35).

(above) Freen Sarocha as Wansarat

Now Wansarat is spelt วรรณษารัตน์ in the subtitles (at Ep.1 [3‌/4] 9.02), and I can't find any translation of it that makes sense in the context of The Sign's world-building.

But Wansarat's name is spelt differently elsewhere on the Internet (on Thai drama websites, and movie databases, etc. like thaimovie.org), and I assume they've all based it on official releases from Idol Factory because the spelling is consistent across these other sources – it's วรรษารัตน์ there.

And Wansa/Wansarat spelt this way also reflects the nagas' dominion over water, because วรรษา/wansa (an archaic word, referenced in an older dictionary but not newer ones) means rain or rainy season (from the Sanskrit varsha) – in Thailand the nagas are also associated with rain control, and prayers are offered to them for timely and abundant rainfall when it is needed. (The -rat part of Wansarat is a feminine ending meaning jewel or gemstone, and may echo with meaning for speakers of Indian and Sri Lankan languages, since it's derived from the Pali/Sanskrit ratna).

‌

Just out of interest (because nobody asked 😂) some of these naga/garuda elements were also present in the early episodes of KinnPorsche – the den of the Theerapanyakuls (nagas, wealthy beings of the underworld) was full of watery elements (e.g., the waterfall, the various pools, and Tankhun's carp – which in Chinese belief are the original, natal form of dragons). The -nak in Kinn's formal first name Anakin (which is not a traditional Thai name) is also a nod at the word naga. Porsche had the tattoo of a fiery phoenix on his back, and was out of his element whenever water was concerned (e.g., his failed pool challenge, the mermaid costume punishment, his misadventure with the sprinkler when he tried to smoke in the store room – water vanquishing the flame). Kinn was unable to make fire when they were trapped in the forest, despite claiming to be friends with the flame, while Porsche could immediately do it.

But I didn't see the KinnPorsche narrative taking the naga/garuda themes much further than these random nods in the earlier episodes. Maybe it did (like Kinn and Porsche could be seen acclimatizing to each other's realms more), but I just couldn't be bothered to look at the show more closely since it didn't really stand up to deeper scrutiny, and after the first few episodes I just went along for the exhilaration of the ride instead. 👍

‌

Anyway, I'm totally bedazzled by the level of world-building going on in The Sign and look forward to more from the series. If the first episode is anything to go by, I think Executive Producer Saint Suppapong may be on to something! 😍

[the-art-of-witnessing-the-cosmos]

Vedic Remedies & healing approach towards energies of planets.

🌙Monday - Ruled by Moon.

🤍Start a day with a spoon of curd.

🤍Meditate for 10 mins.

🤍Sing om Namah Shivaya .

🤍Wear white colored clothes .

🤍 Flow white flowers, white rice into water to balance your mind & get the benefits of moon.

🤍 Feel your feminine side and acknowledge it's beauty & sacredness. Honor your emotional needs , feel , flow & create .

🤍 Love and allow yourself to receive, to be loved in return too.

Tuesday - Ruled by Mars.

🔥Do some workout, exercise, gym , running or yoga .

🔥Wear red colored clothes to energise yourself of this energy.

🔥 Acknowledge your & others wrong doings and let it help you create healthy boundaries for yourself.

🔥 Stand up for the right causes , for your & others well being. Be courageous enough to have faith in yourself.

🔥Cut off unhealthy habits , thought processes & unhealthy relationships. And be brave enough to accept your mistakes too.

🔥Run , shake your body , write an angry letter ( do not send it ) & burn it. Maintain an healthy outlet for your anger . It has it's right & necessary own place. 🌸

🔥Donate red lentils , red flowers into a river or ocean .

☘️Wednesday - Ruled by Mercury.

💚Wear green colored clothes more . Write , read & knit.

💚Do some puzzles .

💚Connect with your sisters and siblings , friends. Laughter & light-heartedness. Sing.

💚Flow green coloured clothes , green dal into a river , ocean.

💚Spend some time with mother nature , greenery.

⚜️Thursday ruled by Jupiter.

💛Pray , connect with your higher self. Read spiritual texts.

💛Be kind to yourself and others.

💛Feel gratitude genuinely for even little things. Meditate , go to a temple or a high spiritual energy place.

💛Wear something new ;). Wear yellow colored clothes or accessories to increase its essence.

💛Respect yourself & everyone.

💛Remember your Guru in your heart.

💛Feel the golden energy totally engulfing you. Feel hope for yourself.

💛Flow yellow colored flowers , yellow dal into rivers , ocean etc.

🕊️Friday ruled by Venus.

🌸Deeply appreciate yourself, your inner heart , inner self , talents , physical appearance. Self care day. Sing , dance , create , paint , feel beautiful.

🌸Meditate, sit in silence, connect with your true self :). Pray to female deities.

🌸Spend quality time with your female friends. Dive into your intuition & feminine spirit.

🌸Wear a flower in your hair . Jasmine fragrance. White or pink clothes.

🌸Accept yourself, acknowledge your light & dark side and forgive yourself.

🌸Lighter & brighter.

🌸Flow white flowers , white colored clothes, ghee etc into an ocean or river to balance it's energy.

Saturday ruled by Saturn 🪐

💙Light a sesame oil diya / lamp 🪔 .

💙Give yourself a sesame oil massage.

💙Keep yourself accountable and be impartial. Follow the right path of karma.

💙 Embody more self discipline in life. Respect people who work below your designations , bosses .

💙Donate to orphanges & old age homes.

💙Have a healthy sense of responsibility towards yourself and others.

💙Believe in higher justice power of the universe.

💙Work hard and learn to be patient with yourself & others.

💙Maintain Persistence , acknowledge your & others hardships and also grow through them so that you get the true gift of maturity.

💙Value time , efforts . Face your fears , accept your shortcomings and smile because you are still valuable & beautiful with it :).

💙Small menial work is no less a job. Respect your servants . Follow your ethics.

💙Be true 🙂

💙Feed food to black dogs.

💙Flow , black dal into a river or ocean.

Sunday ruled by sun.

��️Give Surya jal to early rising sun.

☀️Acknowledge your divinity & true essence.

☀️Feel gratitude for the energy of sun that gives everyone its light & love.

☀️Create something, laugh & have fun.

☀️Wear red . Feel gratitude for the masculine energies within you.

☀️Spend some quality time with your father or father like figures or our universal father - the sun god.

☀️Perform , theatre acting, center stage singer of your room , innovative and be an authority unto your own self. Choose a Nobel path.

☀️Eat jaggery .

☀️Flow wheat grains ,jaggery into ocean , rivers etc.

PS : whenever you flow these specific items into rivers or oceans , you are balancing off your negative energies.

Thus be grateful and pray to your source of faith or Deity Varun Dev ( god of water & much more ) for his help & love 💕

DM to book a reading with me 🌻

[venerawrites]

Can you do Neji x YN headcanons when you ask him for a kiss 🥺?

author's note: this is literally such a cute request, I'm so happy about all the love my boy Neji receives recently on this blog <3 Hope you enjoy and thank you so much for your request!

Now before we start, I should say that I always imagined Neji with some sort of “femme fatale”/“home fatale” type of partner - someone who is confident, cunning, and knows how to use their looks to demand attention of those around them.

Being such a person, you would be the initiator of a lot of things in your relationship with the Hyuga.

You don’t shy from public displays of affection, quite the opposite - it is always funny for you how flustered and red Neji gets every time you grab his hand or hug him while you are out with your friends.

Surprisingly, he was the one that actually initiated your first kiss - I imagine it was in the heat of the moment, while you were both arguing and he grabbed your wrist, pulling you close to him and smashing his lips onto yours, successfully shutting you up.

But that was a one-time thing and since then he rarely is the one to kiss you first - it takes you being in a very distressed state or in need of comfort for him to do it, and even then he prefers to press his mouth against your temples or neck.

As someone who is quite keen on physical touch, these pecks are not enough - you need real kisses from him. However, you still respect his space and boundaries, so you always approach the subject more discreetly.

You would at first lean toward him, before brushing your fingers up and down his arm, and burying your head in his chest.

Neji is not stupid so he knows your games and what you want pretty well - so the moment you start being touchy with him, he immediately goes red as a tomato in the face. He loudly gulps, while trying to calm his heartbeat.

"Can I have a kiss?"

The way you say it with a slight smirk on your face, he knows the questions is far from innocent.

If you are in private, he would playfully roll his eyes, before leaning his head and giving you a small peck on your lips. More often than not, you have to wrap your hands around his neck to keep him in place, so the kiss can last longer than two seconds.

He would always blush afterward, giving you an awkward comment about how "this is not appropriate", before biting his lip and stealing one more kiss from you.

You just taste so good, he cannot control himself.

Now if you ask him while you guys are out... sheesh! poor Neji almost has a heart attack :(

He would definitely reject the idea at first, saying that this is "not the time or the place" and he would look around to make sure nobody has heard what you said.

If you are persistent, he would eventually give up and would try to sneak out with you somewhere private, so he can give you a kiss, together with a warning "to behave!"

If you guys get caught (which eventually you would, given how nosy Naruto and Kiba can be), he is never living it down.

cc artwork: Surya Murugesan

[ramayantika]

The dance of the devi

Flowers for the goddess 

in my alta-dyed hands,

I offer them at the lotus feet

of the Mother of the Universe.

***

Gentle blues of the skies move out 

And Surya slowly rises from slumber

in its captivating regal glory,

its golden rays adorning

the Devi’s forehead.

***

I behold the golden complexioned goddess

set in stone with a benevolent smile.

My anklets lay at her feet

with turmeric and vermillion coating

some of those melodious bells.

***

A sweet summer breeze blows by.

A bell jingles and a lotus from her garland

falls to the brown earth at my dust laden feet.

A jingle of bangles and anklets,

A low hum of a mysterious yet beautiful tune,

And a voice sings,

A voice that I can recognize anywhere –

The Devi has risen!

***

Draped in silks and gold,

fragrant garlands around her limbs,

She steps outside to my courtyard,

A very humble stage for the one

who is the abode of this entire Universe.

The sun makes her ornaments gleam, 

yet her moon-like face is the brightest.

My anklets are around her feet

But what truly do I own 

in this illusionary world?

What I receive –

Beauty, intelligence, riches and power,

All comes from her.

***

And by the bright yellows of dawn

I see her dance in my courtyard.

Wherever her feet travel, little blooms arise

and where her hands softly touch,

Golden dust flies.

She twirls round and round

And I see the might cosmic Gods

Swirling around her magnificence.

Her veil, the illusionary veil,

which she playfully casts 

around this world

escapes the clutches 

of her beautiful braided hair.

And now I see. Clearly.

***

She leaps into the air,

Resembling a warrior

and a warrior she is,

for she is the Devi,

The ferocious Bhairavi,

The invincible Durga,

the slayer of Mahishasura.

She is the dark one, Kali,

The slayer of Raktabija.

***

Her dance of grace and elegance

transforms to a dance of death and destruction.

She is Shivatrinayani and Maheshwari.

She leaps and twirls with her trident

and her anklets and the temple bells ring 

harmoniously,

Just like the eternal forces of nature.

Devi is Nitya, the eternal one.

***

I, a mere mortal woman, a devotee

akin to the turmeric and vermillion on her feet

watch the goddess dance in all her glory.

I see all the worlds and this vast universe 

dance with her,

And maybe it is really true:

That everything in the world dances.

Laasya performs in every object,

in the largest to the very smallest.

***

And then I see the radiant one

stretch her palm to me.

I see my world in her hand

And clasp her hand tightly.

Which daughter lets go of her mother’s hand?

So we dance.

***

Stars and galaxies, planets and cosmic bodies,

Fire and snow, gods, demons and mortals,

I see her in everything

And this is the Dance of Realisation.

The music, the drums and the bells slowly fade 

But the dancing soul now awakened

dances in ecstasy.

I see, I hear, I dance, I understand everything now.

***

The Devi twirls, spins, sings, smiles and laughs

And finally heads to her abode, to Shiva, her life.

My life, a thread in her hands,

I now submit to her eternal play 

of this Life’s Dance.

***

I haven't written poetry in a while now. Somehow I couldn't capture this in a story format, it felt bland and very large and long. I didn't like it. The poem format perhaps gives me a little peace to form the vision I once had a few years ago while meditating on the goddess. I will obviously edit this later for the book, but for now here's the first draft poem for the book

Tagging: @swayamev @indiansapphic @jukti-torko-golpo (big thank you to you for the devi content!) @navaratna @rhysaka @krishna-priyatama @krsnaradhika @inexhaustible-sources-of-magic @alhad-si-simran @ramcharantitties @kaal-naagin

[whencyclopedia]

Chidambaram

Chidambaram (Cidambaram) is an important Chola temple site in Tamil Nadu, southern India. Most of the temples at Chidambaram were built in the 12th and 13th centuries CE. The site is dominated by the huge gateway tower of the Nataraja temple but Chidambaram also boasts the first Devi or Amman shrine, the first Surya shrine with the distinctive stone chariot wheels which would adorn many subsequent temples, and the first large Siva Ganga tank. In this respect Chidambaram is something of a transitional site, linking elements of the old and new styles of Indian temple architecture.

The name Chidambaram, one of several from antiquity, derives from the Tamil Cirrambalam, meaning 'little hall'. The site was chosen because according to mythology it was the precise spot where the Hindu god Shiva had once danced in a grove of tillai trees. The dance was, in fact, a competition between Shiva and Parvati and naturally the great Shiva won. The story became a popular subject in Hindu art over the centuries.

The site is enclosed within four perimeter walls and covers a rectangular area of 55 acres. Within the compound are shrines, halls, temples, ornamental gateways, and a large ritual bathing pool, known as a Siva Ganga tank, which is surrounded by cloisters. Inscriptions claim the site was built by various Pandya kings and local rulers but none are contemporary with the dates the buildings were actually first constructed. The walls and east gopura (gateway) may be ascribed with greater certainty, and were probably built by Kulottunga III, who reigned from 1178 to 1218 CE.

The Nataraja temple was constructed between c. 1175 and c. 1200 CE. The actual temple shrine is relatively modest as by now in Indian architecture the gopuras had become the most important structures, at least in terms of aesthetics. The twin sacred chamber was, however, adorned with copper sheets covered in gold by successive Chola kings. The shrine is preceded by a dance hall and large entrance porch with columns (mandapa).

The massive granite and brick east gopura dominates the site but there are three other gopuras on the north, south and west sides (the earliest). The corbelled roofs diminish as the structures rise and are finally topped with the usual barrel-vaulted roof (sala), the eastern gopura also having a row of 13 decorative finials. The east gopura has a proper interior floor at each of its nine levels and there is an interior staircase which climbs to the very top of the building. All four gopuras have false windows on their facades, typical for this kind of structure, and pairs of pilaster columns set at regular intervals. The second floor of each gopura also has a passageway which worshippers ritually walked around. The entrance archways all have coffered ceilings decorated with relief panels.

Of particular note at Chidambaram are the thousands of sculptures adorning its buildings. In particular there are many statues of women in a wide variety of dance postures. Many statues are accompanied by quotations from Hindu literature which provide an invaluable reference for scholars. There are also figures of the four dvarapalas (guardian demons), the dikpalas (cardinal directions), many figures of Shiva performing heroic deeds, various other deities such as Vishnu, Devi, Sarasvati, and, unusually in southern architecture, river goddesses.

Finally, Chidambaram is also famous for its 17th century CE Nayaka ceiling paintings which decorate the Shivakamasundari shrine of the Nataraja Temple. More than 40 panels depict scenes from the life of the saint Manikkavachakar, a devotee of Shiva.

Continue reading...

[talonabraxas]

Solar Diety

A solar deity (also sun god(dess)) is a deity who represents the sun, or an aspect of it, usually by its perceived power and strength. Solar deities and sun worship can be found throughout most of recorded history in various forms. Hence, many beliefs have formed around this worship, such as the "missing sun" found in many cultures.

Solar deities throughout cultures

In different religions solarised supreme deities carry different names and are associated with different aspects of the cultural universe of the society, but for the most part its raw image remains identical.

The Neolithic concept of a solar barge, the sun as traversing the sky in a boat, is found in the later myths of ancient Egypt, with Ra and Horus. Earlier Egyptian myths imply that the sun is within the lioness, Sekhmet, at night and can be seen reflected in her eyes or that it is within the cow, Hathor during the night, being reborn each morning as her son (bull). Proto-Indo-European religion has a solar chariot, the sun as traversing the sky in a chariot.

During the Roman Empire, a festival of the birth of the Unconquered Sun (or Dies Natalis Solis Invicti) was celebrated on the winter solstice — the "rebirth" of the sun. In Germanic mythology this is Sol, in Vedic Surya, and in Greek Helios (occasionally referred to as Titan) and (sometimes) as Apollo. Mesopotamian Shamash plays an important role during the Bronze Age, and "my Sun" is eventually used as an address to royalty. Similarly, South American cultures have emphatic Sun worship, see Inti.

During the later periods of Roman history, sun worship gained in importance and ultimately led to what has been called a “solar monotheism.” Nearly all the gods of the period were possessed of solar qualities, and both Christ and Mithra acquired the traits of solar deities. The feast of Sol Invictus (Unconquered Sun) on December 25 was celebrated with great joy, and eventually this date was taken over by the Christians as Christmas, the birthday of Christ.[1]

Hinduism

The Ādityas are one of the principal deities of the Vedic classical Hinduism belonging to Solar class. In the Vedas, numerous hymns are dedicated to Mitra, Varuna and Savitr.

Even the Gayatri mantra, which is regarded as one of the most sacred of the Vedic hymns is dedicated to Savitr, one of the principal Ādityas. The Adityas are a group of solar deities, from the Brahmana period numbering twelve. The ritual of sandhyavandanam, performed by Hindus, is an elaborate set of hand gestures and body movements, designed to greet and revere the sun.

The sun god in Hinduism is an ancient and revered deity. In later Hindu usage, all the Vedic Ādityas lost identity and metamorphosed into one composite deity, Surya, the sun. The attributes of all other Ādityas merged into that of Surya and the names of all other Ādityas became synonymous with or epithets of Surya.

The Ramayana has Lord Rama as a descendant of the Surya, thus belonging to the Surya Vansh or the clan of the Sun. The Mahabharata describes one of its warrior heroes Karna as being the son of the Pandava mother Kunti and Surya.

The sun god is said to married to the goddess Ranaadeh, also known as Sanjnya. She is depicted in dual form, being both sunlight and shadow, personified. The goddess is revered in Gujarat and Rajasthan.

The charioteer of Surya is Aruna, who is also personified as the redness that accompanies the sunlight in dawn and dusk. The Sun God is driven by a seven-horsed Chariot depicting the seven days of the week.

In India, at Konark, in the state of Orissa, a temple is dedicated to Surya. The Konark temple has also been declared a UNESCO world heritage site. Surya is the most prominent of the navagrahas or nine celestial objects of the Hindus. Navagrahas can be found in almost all Hindu temples. There are further temples dedicated to Surya, one in Arasavilli, Srikakulam District in AndhraPradesh, one in Gujarat and another in Rajasthan. The temple at Arasavilli was constructed in such a way that on the day of Radhasaptami, the sun's rays directly fall on the feet of the Sri Suryanarayana Swami, the deity at the temple.

Chhath (Hindi: छठ, also called Dala Chhath) is an ancient Hindu festival dedicated to Surya, the chief solar deity, unique to Bihar, Jharkhand and the Terai. This major festival is also celebrated in the northeast region of India, Madhya Pradesh, Uttar Pradesh, and parts of Chhattisgarh.Hymns praying to the sun can be found in the Vedas, the oldest sacred texts of Hinduism. Practiced in different parts of India, the worship of the sun has been described in the Rigveda.

Ancient Egypt

Sun worship was exceptionally prevalent in ancient Egyptian religion. The earliest deities associated with the sun are Wadjet, Sekhmet, Hathor, Nut, Bastet, Bat, and Menhit. First Hathor, and then Isis, give birth to and nurse Horus and Ra. Hathor the horned-cow is one of the twelve daughters of Ra, gifted with joy and is a wet-nurse to Horus.

The sun's movement across the sky represents a struggle between the Pharaoh's soul and an avatar of Osiris. Ra travels across the sky in his solar-boat; at dawn he drives away the demon apep of darkness. The "solarisation" of several local gods (Hnum-Re, Min-Re, Amon-Re) reaches its peak in the period of the fifth dynasty.

In the eighteenth dynasty, Akhenaten changed the polytheistic religion of Egypt to a monotheistic one, Atenism of the solar-disk and is the first recorded state monotheism. All other deities were replaced by the Aten, including, Amun-Ra, the reigning sun god of Akhenaten's own region. Unlike other deities, the Aten did not have multiple forms. His only image was a disk—a symbol of the sun.

Soon after Akhenaten's death, worship of the traditional deities was reestablished by the religious leaders (Ay the High-Priest of Amen-Ra, mentor of Tutankhaten/Tutankhamen) who had adopted the Aten during the reign of Akhenaten.

Chinese mythology

In Chinese mythological cosmology, there were originally ten suns in the sky, who were all brothers. They were supposed to emerge one at a time as commanded by the Jade Emperor. They were all very young and loved to fool around. Once they decided to all go into the sky to play, all at once. This made the world too hot and nothing grew. A hero named Hou Yi shot down nine of them with a bow and arrow to save the people of the earth. He is still honored to this day. In another myth, the solar eclipse was caused by the magical dog of heaven biting off a piece of the sun. The referenced event is said to have occurred around 2,160BCE. There was a tradition in China to make lots of loud celebratory sounds during a solar eclipse to scare the sacred "dog" away. The Deity of the Sun in Chinese mythology is Ri Gong Tai Yang Xing Jun (Tai Yang Gong / Grandfather Sun) or Star Lord of the Solar Palace, Lord of the Sun. In some mythologies, Tai Yang Xing Jun is believed to be Hou Yi. Tai Yang Xing Jun is usually decipted with the Star Lord of the Lunar Palace, Lord of the Moon, Yue Gong Tai Yin Xing Jun (Tai Yin Niang Niang / Lady Tai Yin).

Buddhism

In Buddhist cosmology, the bodhisattva of the sun is known as Ri Gong Ri Guang Pu Sa (The Bright Solar Boddhisattva of the Solar Palace) / Ri Gong Ri Guang Tian Zi (The Bright Solar Prince of the Solar Palace) / Ri Gong Ri Guang Zun Tian Pu Sa (The Greatly Revered Bright Solar Prince of the Solar Palace / one of the 20 or 24 guardian devas). In Sanskrit, He is known as Suryaprabha. He is usually decipted with Yue Gong Yue Guang Pu Sa (The Bright Lunar Boddhisattva of the Lunar Palace) / Yue Gong Yue Guang Tian Zi ( The Bright Lunar Prince of the Lunar Palace) / Yue Gong Yue Guang Zun Tian Pu Sa (The Greatly Revered Bright Lunar Prince of the Lunar Palace / one of the 20 or 24 guardian devas) or known as Candraprabha in Sanskrit. With Yao Shi Fo / Bhaisajyaguru Buddha (Medicine Buddha), these two boddhisattvas create the Dong Fang San Sheng or the Three Holy Sages of the East.

Africa

The Munshi tribe considers the sun to be the son of the supreme being Awondo and the moon is Awondo's daughter. The Barotse tribe believes that the Sun is inhabited by the sky god Nyambi and the Moon is his wife. Even where the sun god is equated with the supreme being, in some African mythologies he or she does not have any special functions or privileges as compared to other deities.

Aztec mythology

In Aztec mythology, Tonatiuh (Nahuatl:Ollin Tonatiuh "Movement of the Sun") was the sun god. The Aztec people considered him the leader of Tollan, heaven. He was also known as the fifth sun, because the Aztecs believed that he was the sun that took over when the fourth sun was expelled from the sky. According to their cosmology, each sun was a god with its own cosmic era. According to the Aztecs, they were still in Tonatiuh's era. According to the Aztec creation myth, the god demanded human sacrifice as tribute and without it would refuse to move through the sky. It is said that 20,000 people were sacrificed each year to Tonatiuh and other gods, though this number is thought to be inflated either by the Aztecs, who wanted to inspire fear in their enemies, or the Spaniards, who wanted to vilify the Aztecs. The Aztecs were fascinated by the sun and carefully observed it, and had a solar calendar second only in accuracy to the Mayan's. Many of today's remaining Aztec monuments have structures aligned with the sun.

In the Aztec calendar, Tonatiuh is the lord of the thirteen days from 1 Death to 13 Flint. The preceding thirteen days are ruled over by Chalchiuhtlicue, and the following thirteen by Tlaloc.

Indonesian mythology

The same swapping process is seen in Indonesia. The solar gods have a stronger presence in Indonesia's religious life and myth. In some cases the sun is revered as a "father" or "founder" of the tribe. This may apply for the whole tribe or only for the royal and ruling families. This practise is more common in Australia and on the island of Timor, where the tribal leaders are seen as direct heirs to the sun god.

Some of the initiation rites include the second reincarnation of the rite's subject as a "son of the sun", through a symbolic death and a rebirth in the form of a sun. These rituals hint that the Sun may have an important role in the sphere of funerary beliefs. Watching the un's path has given birth to the idea in some societies that the deity of the Sun descends in to the underworld without dying and is capable of returning afterward. This is the reason for the Sun being associated with functions such as guide of the deceased tribe members to the underworld, as well as with revival of perished. The sun is a mediator between the planes of the living and the dead.

Theosophy The primary local deity in Theosophy is the Solar Logos, i.e., the consciousness of the sun.

[yandere-1-fandom]

An Extraterrestrial Disaster!

XxXxX

After a malfunction onboard her spaceship, astronaut Y/F/N awakens from a 300-year cryosleep to find herself in an alien temple on a distant planet far from Earth. She is both awed and terrified to discover that she has become the central figure in an ancient tribal war between extraterrestrial beings: four-armed, four-eyed alien primates called the Macaquar.

Their society is divided into two factions: The Surya, led by the charismatic and cunning Sun Wukong, who venerate the sun; and the Nyx, led by the wise and stoic Liùěr Míhóu, who pay their respects to the moon. The two factions are at a constant war, their rivalry fueled by their mutual obsession with Y/N, whom they believe is the Goddess of Light prophesied in legends.

While Y/N had been encapsulated in her hibernation pod, referred to by the Macaquar as the 'Crystal Egg', generations of leaders from both factions have struggled to free her, convinced that a matrimonious union with the Light would bring eternal prosperity to their clan. Y/N's sudden awakening has only intensified their infatuation and power struggle.

Y/N's only friend is A.N.G.E.L., her intelligent, fish-like AI companion; who managed against all odds to survive the crash. A.N.G.E.L. is not only her guide in this foreign land, but also her only possible chance of escape.

As Y/N navigates this strange world and it people, she learns more about the root of their conflict, and in a twist of fate, Y/N discovers hidden secrets that might ultimately save her or end in bloodshed.

In the midst of her daring plan, Y/N finds that both Sun Wukong and Liùěr Míhóu infatuation with her adds more opposition on her journey for freedom.

Will Y/N escape the clutches of obsession?

Or...

Will she become forever trapped as a pawn in someone else's game?

The fate of an entire civilization and her own hangs in the balance.

XxXxX

I'm finally set on the idea of making this into a story. I don't know how long it will be, but i'm gonna try... key word there.

[townpostin]

Grand Aarti Held at Surya Mandir Ghat Amidst Heavy Rainfall

Devotees mesmerized by the grand aarti at Surya Mandir Ghat, similar to the famous Ganga Aarti in Varanasi. The Sidhgora Surya Mandir Committee organized a grand aarti on Tuesday evening, inspired by the renowned Ganga Aarti of Varanasi, attracting a huge crowd despite heavy rainfall. JAMSHEDPUR – A grand aarti at Surya Mandir Ghat in Sidhgora, inspired by Varanasi’s Ganga Aarti, mesmerized…

[forgotten-bharat]

The Martand Sun Temple, Kashmir

Dedicated to Lord Surya, Hinduism's principal sun god; Surya Dev is also recognized through his Sanskrit name Martand.

It was made by King Lalitaditya in around 5th Century A.D. and it was destructed by Muslim ruler Sikander Butshikan, under the advice of Sufi preacher Mir Muhammad Hamadani. It is believed that the was so strongly built that it took many days for its destruction.

The temple has a colonnaded courtyard, with its primary shrine in its center and surrounded by 84 smaller shrines, stretching to be 220 feet long and 142 feet broad total and incorporating a smaller temple that was previously built.

The primary shrine is located in a centralised structure (the temple proper) that is thought to have had a pyramidal top - a common feature of the temples in Kashmir. Various wall carvings in the antechamber of the temple proper depict other gods, such as Vishnu Ji and river goddesses, such as Mata Ganga and Mata Yamuna, in addition to the sun-god Surya Dev.

How it must’ve looked ->