#sundered spirits

[evienyx]

Fractures: Sundered Spirits, Book Two, Chapter Two: Swordsworn

Fractures: Sundered Spirits, Chapter Two

Fractures: Sundered Spirits, from the Beginning

Fractures, from the Beginning

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Memories often bring out things that were meant to be kept hidden. Perhaps, though, this can be a good thing.

- - -

Whoa, what's that I smell? A new Fractures chapter?

I've made the executive decision to not actually make any promises about update dates anymore. They never work out, and then I just feel embarrassed. I don't even remember if I made a promise on this one. Who cares, it's here now.

Anyway, if you haven't checked it out already, the first chapter of the Fractures Rewrite is up! You can check it out with the link to the Beginning above, or just by going to the first chapter of the original Fractures work.

Okay, enjoy the chapter! This one was a slog to get through mostly because I'm so excited to get to future stuff. As is my constant curse. Ah, well.

[leori-the-unlearned]

the way digimon does conflict/drama between two characters who should be or are close: chef’s kiss <3

the way sonic idw handles creating conflict/drama between two characters who should be or are close: *wilting flower*

[ekourege]

listen to me. what is the void sea like. would traveling mean the knight was submerged throughout the entire exploration? or does it open into twisting caverns and ruins buried under the sea? Pockets of times gone smothered by the silent, all-consuming ocean?

[apostatefeverdream]

going absolutely fucking insane over solas dragonage. he used to be a spirit. he was meant to be bisexual. he hates tea but still drinks it. he murdered the two people he loved most in the world. he pissed magic once (maybe). he pondered an orb. he played strip poker with blackwall. he sundered the fade from the waking world. he created the blight. he sent bitchy letters to elgar'nan. he's great at chess but then lost to a random named after a chess piece. he co-parented a spirit. he murdered the other co-parent. he speaks in iambic pentameter. he imagines the sight of you being dominated would be fascinating. he ghosted his ex for a year and then yanked their arm off. he loves frilly cakes. his greatest fear is dying alone. he's bald.

[yes-these-obsessions-are-healthy]

With his romance with Lavellan, Solas learned a horrific truth—that him simply as a humble man was enough to be lovable. He had been plied out of the Fade by Mythal because of her need for him, and out of devotion, he became something more and dreadful for himself, for her. And she never reciprocated that devotion with the same intensity. He spent millennia fighting for her as a thing he detested—a man of war and death, a being whose mortal body imbued him with innate qualities and emotions that would further twist his Wisdom nature. He was producing the very poisons that would normally corrupt a spirit by virtue of [Being a Person]. The external influences now harbored inside him.

But Lavellan showed him. That being you are, the one that wished to ponder and reminisce of spirits, who valued liberty and freedom and knowledge and the wry observation? That was enough. That was always enough. But he can’t accept it, because millennia of being Fen Harel, being devoted to Mythal and her cause.. to sunder it from himself would feel like a magnificent loss. He has been that for so long, is there anything yet truly left of the Wisdom spirit that once was?

Not only that, but given corporeality, Solas is compelled by the operant [If I can, I must]. He CAN do something about the Veil, so he will. If he doesn’t, then he is forsaking the memory of he destroyed with his choice. He is forsaking his own principles. To do nothing in the face of injustice and cruelty is a sin he cannot bear.

He comes to the Inquisition as a “humble apostate”, both as disguise and because in his de-powered state he is of little greater use (if he had greater power I’m certain he would have nudged the Inquisition toward their goals). This is a costume he is wearing, or so he tells himself. He exists to advise, to suggest, to subtly direct toward more peaceful and humanitarian and spirit-friendly directives. He operates as his former [Wisdom] spirit state.

And Lavellan grows to love it, to appreciate it. She grows to appreciate [Solas as Wisdom]. That part of him, the part of him that he has put aside for thousands upon thousands of years, though his nature craves to return to it. Without his ability to be Fen’Harel, it is pretty much all he has. And oh, this mayfly mortal born of a “forsaken ignorant people”, she is drawn to him, seeing him as a [man], seeing him at his (comparatively) weakest, most ineffectual state and finding it pleasing. Desirable. [Enough].

Enough. He is enough as Solas, simply Solas. But if it is enough for Lavellan, why was it not enough for Mythal? No, no, there was a reason. There was a war. War requires more of people. It requires limits to be broken and terrible mantles to be donned.

But Lavellan is fighting an existential war against Corypheus. And she does not demand more of him. She values what little he is able to provide—guidance, insight, his magic. It is [Enough].

We Solavellans have dissected and discussed at length about the nature of the relationship being one built on deceit, the moral and ethical quandary of love cultivated under a false identity. Veilguard has confirmed the existential struggle and quiet agony that Solas experienced by transitioning into [Being]. While Lavellan should of course had been informed of his ‘true identity’ before falling in love with him, an argument could still be made that Fen’Harel is not his true identity but a long-worn mask that he wishes he could ditch. The man Lavellan fell in love with is who he should be, who he wants to be. Far more underpowered than he’s comfortable with, sure, but the personality for certain. Just a person giving advice, discussing at length about topics he enioys, exploring memories and ruminating over them, smirking over small verbal sleights of hand and sly tricks, engaging in philosophical debates. All of that is already there, that is who he is in peacetime. The man has known war and conflict for so long that he has mentally split Solas and Fen’Harel as two people, because he needed to, but they are the same. Solas who wields the martial prowess of Fen’Harel. Fen’Harel who possesses the wry levity and artistic sentimentality of Solas. SOLAS YOU ARE BOTH AND MORE THAN THESE TWO HALVES.

[macenlace]

Thinking about how in "All New, Faded for Her" when the Inquisitor asks Solas why he thinks the circle mages forcefully summoned his Wisdom spirit friend, he says something like "well maybe for knowledge or wisdom but if that's the case, they could have just talked to it in the fade and it would happily share that. If they summoned it against it's will, they likely wanted info it didn't want to share"

The implications behind him being coerced into coming into the physical world for his "Wisdom" when that could have easily, happily even, been shared by his spirit form in the fade.... I wonder what the info was they wanted from him. Probably how to sunder the titans if I had to guess.

[literaryvein-reblogs]

Word List: Jane Eyre

A List of Beautiful Words used by Charlotte Brontë in "Jane Eyre"

Animosity - a strong feeling of dislike or hatred; ill will or resentment tending toward active hostility; an antagonistic attitude

Assimilates - to take into the mind and thoroughly understand

Boisterous - noisily turbulent

Ciphering - to use figures in a mathematical process

Circlet - a circular ornament

Deglutition - the act or process of swallowing

Destitute - lacking something needed or desirable

Ensnares - to take in or as if in a snare

Evince - to display clearly; reveal

Extirpate - to destroy completely

Inanition - the quality or state of being empty

Infinitude - the quality or state of being infinite

Inmost - deepest within

Kindling - easily combustible material for starting a fire

Miry - a troublesome or intractable situation

Objectionable - undesirable, offensive

Omnipresence - the quality or state of being omnipresent; ubiquity

Plume - a feather of a bird

Preternatural - existing outside of nature

Rigour - harsh inflexibility in opinion, temper, or judgment

Sundered - to become parted, disunited, or severed

Superciliousness - coolly and patronizingly haughty

Unclouded - not covered by clouds; not darkened or obscured; clear

Vivacious - lively in temper, conduct, or spirit; sprightly

Wrought - worked into shape by artistry or effort

More: Word Lists

[littlestpersimmon]

Guy with cataracts and scarred from an explosion has a fail toymaking shop in front of a rundown temple and he has a crush on a disfigured lowly priestess whom he suspects is a stealth trans guy because she always picks the boy option when they play board games (he’s right btw)

He's from Kalantiaw, but his mom is diaspora, and I thought her to be half "Japanese" (coded) - still trying to figure out how japanese ethnicities come to play.

She was a sailor turned pirate. She didn't know the language spoken in Kalantiaw (more akin to Khmer), and she spoke a different language (more austronesian), and she named him Kahilingan, which means "wish". But in Kalantiaw, where she settled, his name means "curse" or "bad omen" 💀 it doesn't help that her life ended with the beginning of his. So.

Kahi spends much of his life chasing the image of his mom and trying to.... live up to her- because sailing is the most esteemed occupation in their world. Only very very very very very few people have managed to work on "dragonships".

Basically, their world is physically broken (like living on an asteroid belt) and they sail to and fro each sundering / country on specialized stone ships called "dragonships" / "bakunawa"- and the ships themselves are semi-alive? They're like.. Stone ships laminated with the spirits of devas and dragons and other great beings who have all died because of (redacted).

Anyway, his mom, Maaya, was a renowned sailor- she tamed a dragonship that was imbued with an infamously wild dragon called Duksa- Dragonships are Sponsored, but those who sponsor the ships are almost never in command, and they also easily lose ownership to their hired captains- because the ships themselves are sentient, and they never obey anyone who they deem are incapable of commanding them. Only Maaya could control Duksa hehe. So she became known throughout all their world as this wild woman who loved fast boats and only accepted voyage commissions "if they are very fun". Anyways blah blah blah she fell in love w Kahi's other parent (who is nonbinary) and she got pregnet with him. And they eventually settled in Kalantiaw, in it's countryside near the subterranean capital (Kamharik).

Kahi always annoyed his other parent abt his mom because he too wanted to meet Duksa, but his parent kept warning him not to go near the ship because after Maaya died, it went even more mad with grief. Kahi more of an engineer than a captain like his mom, but his goal was simply to acquaintance with Duksa rather than actually captain her. But Duksa did not accept anyone, not even anyone who was part of Maaya's original crew.. Kahi went to an apprenticeship on shipbuilding-

he became somewhat popular for being clever with his hands, and all around Kalantiaw, everyone thought of him as reliable and very creative when it came to problem solving. So he went from normal ships to fixing dragonships.. ..

The Greatest dragonships are ones that are imbued with the spirits of actual ancient dragons and qilin, bc some are imbued with "lesser" dragons or false dragons, and some are with non-dragon albeit great spirits- like minor gods, wind spirits, phoenix,naga, etc etc..

Duksa was a true and great dragon, and Kahi knew that she was suffering from severe neglect, so all he wanted was to patch her up-

Everyone, every single one of Kahi's peers discouraged him, bc it is known that anyone who even approaches her is immediately kilIed by her; but Kahi, he is different. When he approaches Duksa, she was a shadow of herself, a ghost ship- She senses Maaya, and she even thought that Kahi was her at first- so she lets Kahi patch her big crabclaw sails, fixed her boilers and really tried to replicate how she used to look when Maaya lived.. and Duksa didn't know it wasn't her, because her eyes were covered in barnacles.. The "eyes" of a dragonship is its lodestar, and Kahi was purposefully saving it for last because he is frightened of what Duksa could do to him;;

But before that, Duksa spoke to him, joked like "ah beauty, what happened to you?! Your voice sounds like you swallowed a frog.. are you ill? Why did you abandon me?" Fhjsjs

"Why are your hands so gentle now? I want you to be rough!! Stop this at once! I am not old!"

But when Kahi started scraping finally at the lodestar, and he opened Duksa's eyes to the world once more, she cried in great anger because who tf was this intruder! And why did he carry Maaya's spirit with him !!!

Her entire deck creaked so hard the floorboards broke again, and she swayed her whole body so Kahi nearly fell from the lodestar;; he tried to reason with her, and it sort of mirrors how his mom tamed Duksa. She barrelled in head on and confidently, but Kahi was meek and gentle.

Eitherway.. an angry dragonship is like highly radioactive, its like being in a storm in a contained environment, and she started puffing steam- it's like microdosing being in fukushima; And she called Kahi a fool, he'll never measure up to Maaya, he will never be her- aaaah, but she didn't kiIl him. Maybe because she knew he was Maaya's boy. She warned him never to return, and tossed him into the open shallows. So, he was absolutely brokenhearted. He was 19.

~intense lonely lovestory between him and a closeted trans guy raised by mean transphobic priestesses in a cult the antithesis of a loving and wise lesbian death goddess occurs.~

There she is.. her name is Viharana Magayarin

Names-

Maaya's name is spelled a certain way in kanji, I want it to mean "True"

Duksa's name is Tagalog, it means "grief"

Kahilingan's name is tagalog- and it means "wish". Inspired from.. in tagalog, "curse" is a contronym of sorts- "curse" and "promise" is the same word ("sumpa")

Kahi's trans boyfriend's name is Tala, and it means "star" 😌

[apoloadonisandnarcissus]

The Physicality of Sauron x Galadriel: Cosmic Connection and Physical Attraction

We already heard the expression “cosmical connection” a million times, and even I already discussed that in this post. Expressions like “higher beings” and such have been used by the actors and show producers to describe Sauron and Galadriel’s connection.

And, then, we have this iconic moment:

What does this “cosmic connection” means? Both Galadriel and Sauron/Mairon are immortal spirits. Mairon, as a Maia, is one of the Ainur, and one of the forces who first shaped the world, alongside the Valar (Ainulindalë or “Music of the Ainur”). He’s ancient, being around since the Days before Days (before the world was created).

Galadriel was born during the Years of the Trees, thousands of years later. And she’s of one the Children of Ilúvatar, an Elf. Her grandparents were among the first Elves created by Eru to live in Valinor.

What’s the difference?

Mairon belongs to the Unseen world, because he is, up and foremost, a spiritual being. And like all Maiar and Valar, he can choose his physical form (Halbrand, Annatar, etc.) in the Seen world. And he’s not bound to it, but these forms are all the same spirit. Hence the big focus on “Halbrand is Sauron” in Season 2, and even Charlie Vickers said many times in recent interviews how he wanted to show that continuity between both characters in his interpretation of Sauron in Season 2.

Galadriel belongs to the Seen world, and cannot chose her physical form. She’s bound to the one she was born with (in this sense, Elves are pretty much like Men, who are also Children of Ilúvatar). In the Third age, Galadriel can move between the Seen and Unseen world, but that’s not the case when she and Mairon first meet.

Let’s see what happens when Maiar and Elves fall in love:

Melian and Thingol

In the Valaquenta, we were introduced to some Maiar of interest. Melian was one of these. She’s a Maia to Vána (Vala of preserving youth and of fauna and flora on Middle-earth, also known as “Queen of Flowers”) and Estë (Vala of healing and purveyor or restful sleep). Melian dwells on the gardens of Lórien, and has a magical voice, great wisdom and was beloved by all. Birds, especially nightingales (her signature friends) surround her at all times. Around the time the Elves are created by Eru, she ventures across the Sundering Seas and arrives on Middle-earth.

Centuries later, the Teleri are the third or the Elf clans (alongside the Noldor and the Vanyar) to take the Great Journey, from Valinor to Middle-earth. Their leader, Elwë (Thingol) has the habit of wandering the woods by himself. One day, he ventures a forest called Nan Elmoth, in Beleriand. And there she meets Melian, and he was absolutely smitten.

“Enchantment” falls on him, and when he actually hears Melian’s voice, it’s all over. Her song fills “all his heart with wonder and desire.” And this is before he actually sees her: when he finally does set eyes on her, he’s at awe, because the “light of Aman” is reflected in her face.

Love overtakes Thingol, completely. He takes Melina’s hand, and “straightway a spell is laid on him.” Suddenly his plans (to reunite with his friend Finwë, to lead his people to Valinor, to dwell again in the light of the Two Trees) just disappear. He forgets everyone and everything. Thingol and Melian just stand there, looking at each others’ eyes, hands clasped, and perfectly still, for (according to some sources) 200 years. The trees grown tall around them. And no one knows Thingol is there, so his people search for him in Beleriand, in vain.

Since this event seem so over the top, many speculate that an actual spell, indeed, fall upon Thingol, even thought Tolkien gives no indication of him being “enslaved” or joining with Melian against his will. Anyway, one theory is that this meeting was orchestrated by Eru himself, because many key events happened because of it. Meaning, they were “doomed” to meet and fall in love:

Thingol and Melian will go on to establish the first of the organized Elven kingdoms of Middle-earth, in Beleriand, and rule it as Queen and King: Doriath (and their people are known as the “Sindar”);

They will have a child, described as “fairest of all the Children of Ilúvatar that ever was or shall ever be”: Lúthien, who would help in defeating both Morgoth and Sauron in the future.

In order to be with Thingol (= have sex with him), Melian retained her physical form, and became bound to it after conceiving a child with him. Meaning she couldn’t access the Unseen world, anymore (= return to her true spiritual form).

“Rings of Power” created a parallel of Thingol and Melian’s first meeting with Galadriel and Mairon, throughout Season 1:

Then an enchantment fell on him, and he stood still; and afar off beyond the voices of the lómelindi he heard the voice of Melian, and it filled all his heart with wonder and desire.

He forgot then utterly all his people and all the purposes of his mind, and following [the sound] and was lost

But he came at last to a glade open to the stars, and there Melian stood; and out of the darkness he looked at her, and the light of Aman was in her face. She spoke no word;

[…] but being filled with love Elwë came to her and took her hand,

[…] and straightway a spell was laid on him so that they stood.

[…] thus while long years were measured by the wheeling stars above them; [not only are they outside, but Galadriel armor has a star sigil – and, no, this is not Fëanor’s sigil, it’s a different design] 

[...]; and the trees of Nan Elmoth grew tall and dark before they spoke any word

Like Thingol and Melian, there is no need for words between them. They look into each others’ eyes and feel it (“I’ve felt it too”). This makes it hard for the audience to understand what is happening between them, but it is what it is.

However, I think this was *the moment* when they truly saw the extent of their mutual feelings for each other; when their souls are merging due to being bound together (via Morgoth’s crown). Which explains their reactions here: Galadriel is shocked, and Mairon is in happy disbelief. “Wait- you’re actually in love with me?”

Galadriel thinks Sauron is evil incarnate, she’s not shocked because he stabbed her, come on.

Which, again, explains this expression over here. This is pure joy, and he has tears on his eyes: Mairon believes that Galadriel is about to join him, and they are going to run into Mordor the sunset together.

Cosmic connection and Physical attraction

Galadriel belongs to the Seen world, the same as Thingol. But their Maiar pair, Melian and Mairon, are from the Unseen world. Meaning: are these connections only spiritual (“cosmically”) or they have a physical component (“lust”), too?

We know that Thingol and Melian went physical with theirs, because they had a child together. Since Thingol is from the Seen world (and cannot access the Unseen world) he’s both a physical and spiritual being (Elf) but he’s only spiritual after the death of his physical body. The same with Galadriel.

Both Maiar and Valar are capable of feeling love and lust in Tolkien lore. We see this not only with Melian, but with all Valar couples. We also see Melkor/Morgoth lusting after Lúthien when he saw her dancing for him (this implies a very physical sentiment).

Then Morgoth looking upon her beauty [Lúthien] conceived in his thought an evil lust, and a design more dark than any that had yet come into his heart since he fled from Valinor. Thus he was beguiled by his own malice, for he watched her, leaving her free for a while, and taking secret pleasure in his thought. Lúthien dances for Morgoth on his Dark Throne [before she puts him and all the host of Angband to sleep with her magic singing]

In other works describing this episode, Tolkien goes on using words like “lust”, “hunger”, “blinding thrist”, “pleasure”, and stressing the importance of Morgoth trying to reach out for Lúthien with his hand (= he wants to touch her). Meaning, there is a real physical element at play here (even if it’s evil and diabolical).

Mairon himself got pretty “touchy” with Galadriel back in Season 1. This is not random, and this implies the connection between them was not only “cosmical”; Mairon, a spiritual being, wanted to touch Galadriel, meaning, there was as a physical element/attraction there, too.

We also saw this with Mirdania in Season 2, the she-elf of Eregion who reminded him of Galadriel, and was used as a plot device for the audience to see that Galadriel is always on Mairon’s mind.

Meaning: yes, Mairon wants to “shake the sheets” (or the table forge) with Galadriel. It’s not only “cosmical” or “spiritual”. He desires her, on a physical level, too.

Mairon, the Maia of Aulë

To understand the physical attraction, we need to go back to the beginning of Mairon himself.

Mairon was created by Eru as a Maia of Aulë, the Vala of smithing and handiwork. He was among the most powerful Maiar, and the purest one, too. Eru created him to be good and loyal, but also to love several things: crafting and creation (smithing), beauty, order and perfection, and to dislike wastefulness. These were, most likely, Mairon’s contributions to shape the world in the Ainulindalë.

Melkor/Morgoth used Mairon’s love of order and perfection to corrupt him, and turned it into an obsession with domination and control. Morgoth corrupted his goodness and loyalty into evil and treachery (turning him into “the great deceiver”). His love of beauty corrupted into ugliness, by the breeding of the Orcs. Mairon’s greatest virtues became his downfall.

And who better embodies the qualities of “beauty” and “perfection” than Galadriel herself? Her beauty is the stuff of legends, and everyone is at awe when they first meet her. Her very gold/silver hair inspired the most legendary jewels in existence: the Silmarils. The light of the Two Trees of Valinor shine on her hair and eyes.

We also see Galadriel connected with “smithing”: she’s the object of the love and lust of the two legendary Elven smiths: Fëanor and Celebrimbor (Brimby in Tolkien lore, not in “Rings of Power”). Fëanor was inspired by how the light caught her hair to create the Silmarils; and he asked her for a few strands of hair, three times, and three times she denied him. In the Third age, Galadriel would gift strands of her hair to Gimli, a Dwarf, a Child of Aulë (the Dwarves were created by Aulë himself; another connection to smithing and to Mairon’s original Vala).

Yes, "Rings of Power" really went there. All the paralells.

Galadriel is also connected with power, something Mairon liked from the beginning, too (which caused Melkor to target him and get him to his side). She's not only power-hungry, but she's powerful, herself, and will only grow in power as the years go by. She's a natural leader, proud and rebellious; she was born to rule (literally, because her father was High King of the Noldor in Valinor, she’s an actual princess).

Just like Thingol and Melian!

Galadriel was also a pupil of Aulë and his wife Yavanna, back in Valinor. Which means, that if Mairon wasn’t corrupted by Morgoth/Melkor and he didn’t betray the Valar, they would have met, then. And what would have happened? Galadriel would never marry Celeborn, in the first place, that’s for sure (they met on Middle-earth, not in Valinor). And if sparkles happened in Middle-earth, in the most antagonist of scenarios (with Mairon already corrupted), OG Mairon and Artanis (Galadriel’s original name) meeting would set Aulë’s forge on fire. Artanis would have the most enviable jewelry collection in all of Arda. Because Mairon would gift her and worship her, nonstop: I will place crown(s) upon your head. I will never rest until all Arda had been brought to its knees, to worship the light of its Queen.

The “what ifs” don’t stop here. Because Artanis and Mairon power couple would parallel Yavanna and Aulë, too. Yavanna, Aulë’s wife and queen, “Queen of the Earth”, physical form is described: “in the form of a woman she is tall, and robed in green (…) crowned with the Sun; and from all its branches there spilled a golden dew upon the earth.”

Wild how “Rings of Power” already went there. Several times:

In fact, the first regal outfit we see Galadriel wear in "Rings of Power" is a teal (greenish-blue) cape and a gold dress. And she's wearing a gold flower crown. All hail, Queen Artanis, stronger than the foundations of the earth? Interesting choice of words, because Aulë created the "foundations of the earth" (= mountains).

In 2x02, we see Galadriel planting flowers, while wearing green and with a gold leaf crown on her head (as she was meant to be):

How could Mairon not love her? That’s the real question. Galadriel is the materialization, the physical form, of everything he was designed to love. And she can’t change her physical form, mind you. She belongs to the Seen world.

And this was probably the reason why Eru brought them together, in the first place: for Mairon to recall his original purpose. And probably to rub on his face what he lost for being a evil b*tch and side with Melkor. Galadriel is already bound to another (Celeborn) in the eyes of the Valar and the Eldar. The only way to “undone” that is for the Valar themselves to give permission.

[blackvahana]

"You learned the Vykeen word for locus" offfff course I did. And of course it flashed for a second and then disappeared before I could screenshot that was so fast. Guess I will have to understand my word is something that should be believed as anyone else's should

SItting here thinking "Wow. suddenly all that practice w bb pcp things has come back"

nms shut up. also why did youtube pull the "are you still watching?" as soon as I hit the screenshot button

[evienyx]

Fractures: Sundered Spirits, Book Two, Chapter Three: Golden Child

Fractures, Sundered Spirits, Chapter Three

Fractures, Sundered Spirits, from the Beginning

Fractures, from the Beginning

- - -

Parents and their children, in more ways than one.

- - -

Here it is, Chapter Three of Book 2, right when the world needed it most! Kinda.

Whatever, I'm mostly impressed with myself for getting this out in just over a month. Give thanks to my friend who I sat with for about four hours yesterday. We were meant to study. I finished this chapter instead. Never would've happened if not for him, what an icon.

Anyway, we've also got the poll for the Chapter 5 Interlude in Book 2. The options are the top four from the previous poll. Link can be found in the notes of Chapter Three, so make sure to check it out.

Okay. That's all. Enjoy!

[thepsychonyx]

The Dagger is a representation of Solas Duty and Trauma

DRAGON AGE THE VEILGUARD SPOILERS AHEAD

I believe the dagger being left behind in Redemption endings symbolise Solas finally being freed of his duty & trauma whilst non-redemption endings force that pain to go with him. The dagger reminds him all he lost & sacrificed vs in Redemption he is free and regains his autonomy.

Before anyone yells at me that this is a reach, I get it- but walk with me. The dagger was commissioned by Mythal, he was against its creation and against its purpose to sunder the Titans, it was also used to kill Mythal and is essentially a symbol of all of Solas' original sins

Though some of us agree that none of these things sit solely on his head, they do sit on his conscience.

The grief of having a part of your autonomy irreversibly altered as they did with the Titans is a reflection of how he was forever condemned to himself. His one salve? Duty.

I've never thought Mythal's words in the Redemption endings were an indication of him prizing her affection above the chance Rook gave or Lavellan's pleading, she mutilated his spirit and perverted his purpose. For which, her taking accountability unbinds him of the emotional and mental toll. This is only one aspect of why the dagger is key to redemption. The important thing is he needed to be freed of his duty, he feels he has gone too far and taken too much. He knows the price has been too high and that is why he wants to be stopped, one way or another. Hence leaving hints for Inquisitor and Varric, as well as stating to Rook he fears becoming like Elgar'nan, too powerful with no one to check him. He never wanted to be this, and he is ready to die. Solas is exhausted of what this duty has taken from him as it has costed him everything.

Crucially, freeing him from his duty finally allows him to let go of the purpose he made himself physical for. He was brought into the world to give her wisdom, wisdom she denied and without her to unbind, his reason for being physical is left to trying to heal the wounds he made.

In DAI, if you drink from the Well, thus putting you into Mythals service, Solas is incredibly angry for valid reason. He just watched you make the same error he did!

He bears these words so heavily because this is also the burden he bears - he is stuck in the cycle of what this duty demands of him.

Solas asks you what will you do after Corypheus and he only *Approves* if you say "I'll restore what was" - he associates bettering the world with undoing the condition his actions have forced it into.

"You honor the past and work to recover what was lost, even if the cost is high." It is not all about Mythal, it is about fixing his biggest mistakes and restoring the world to what he, someone duty bound to the people for causing the problems, took away from *everyone.*

He knows the cost is high, that's why he wants to be stopped. That's why he leaves hints for Inquisitor. It's why he says to a friend, "I would treasure the chance to be wrong again" - he just cannot see another way because he is bound by his purpose for why he entered the world.

This is why the Trick ending also works because it forced Solas to see another way to atone, but the dagger - the grief and trauma - goes with him. The bad ending is him completely forced (stabbed) into becoming a manifestation of pride. His duty completely corrupting his values.

Whilst the Redemption ending is the most fulfilling as it finally let's him allow himself to let go. He is forgiven, for the first time ever by his friend or true love, he is absolved of the burdens and duty that haunted him, he is given the wisdom he has always been denied.

Someone who only wanted to free others finally being freed themselves, who endeavoured to unshackle the chains of others finally being unbound of his own, isn't that a beautiful ending? He is just a man, a faulted haunted man who did his best and I think that is worth something.

The beautiful thing, is with the Solavellan ending, Inquisitor Lavellan gives him more than just atonement to live for. Bereft of his original purpose of bestowing wisdom as he has confined himself to atone, she posits a new purpose. Their love, eternally, will be their new fate. He will never be alone again, and together work towards his new purpose. For a man who was enslaved by a friend (he wore Mythal's valaslin!) who used him and ignored him, to be given salvation from the love of his life who listened to him and wants to be beside him through everything - I cannot imagine a better conclusion and retirement from his Duty and the first crucial step into healing from his Trauma.

(Ignore me in the corner teary eyed lol)

This post by Trick states that the endings with the dagger mean it’ll be harder for him mentally to become free - it may be a simple association that no dagger = redemption, but this is DA it has to mean more. At least, it does to me.

[thebaldursmouthgazette]

The dagger that sundered the titans is made of lyrium

The rite of tranquility involves a lyrium brand

The blight started in the abyss, which is deep within the titans. But it’s not just because it was the titans who were made tranquil

When you sunder someone’s spirit, what you’ve removed goes into the abyss

That’s why lyrium (the conduit between all three realms) is required

That’s why being made tranquil and then cured gives you titan magic

Because it connects you to the abyss as well as the fade and the unchanging world

[vir-bellanaris]

Uttering the battle cry of her people, Lavellan launched herself toward the sundering goliath of rock and fractured spirit.

Solas shouted a surprised curse, making a gesture and covering her body in a magical barrier right before she impacted.

He transformed into wolf-form and leapt into the fray, taking advantage of the opening Lavellan had created.

His jaws clenched around the semblance of a brittle neck, cracking it like dry grass under a boot.

Shards of lyrium shattered icelike from the massive creature’s form, pulsing veins of red oozed magma blood which ran in rivulets down its distorted and crumbling body.

The Dread Wolf paced between it and where Lavellan stood recovering.

She braced hands on knees, catching her breath.  Solas’ magic had protected her from the brunt of the blows, shielding her from the massive clublike hands.

It was a sentient construct of twisting shadow and pulsing blue lyrium, that much she knew.  Lavellan could also ascertain it was tied to the unrest of the Titans somehow and had sensed their presence enter the Fade, particularly that of Solas.

She gathered herself, walking to where the great wolf stood gazing at the smoldering heap.

She reached out tentatively at first, her fingers pushing through black smoking energy roiling off him.  

Her hand found his flank, the tough hide surprisingly sensitive as it twitched at the touch.  The Dread Wolf’s head turned from its vigil, three glowing blue eyes shone upon her, the milky pupils moving individually until they rested upon her face.  

The snarl twisting the canine mouth eased, the glint of his long fangs disappeared.

Lavellan stepped forward, running her hand up his body like a guide, her eyes never wavering from his.  

When she was inches from his snout she smiled, his presence filling her with a sense of comfort rather than that of mortal dread.  

She moved her mechanical hand up, reaching the palm of it towards the large wolven nose, the green flaring of the anchor sputtering once up her shoulder and neck.

Only when she hesitated, a hair’s breadth from the long nose, did his many eyes close and he pushed gently into her palm.

“Solas.” A low murmur left her, awe and love welling pools of emotion in her eyes.

Cyan light shimmered around his form which twisted and shrunk until it was his cheek that her palm cupped, his familiar smile her thumb traced.

A slow grin spread across Lavellan’s face. “Just like old times, huh?  With some added dramatics.”

Solas shook his head, fond but stern. “If by that you mean throwing yourself bodily at the enemy, then yes.”

“I’m efficient.”  Her smile didn’t fade.  She felt his fingers caressing gently along her chin and under her bottom lip.

“You’re reckless.”

“Same thing most of the time.”

“Vhenan.”

She mimicked his exasperated tone. “Solas.”

He kissed her, rubbing his nose against hers, allowing himself a moment to really taste her and feel her breath on his tongue.

When he pulled back, Lavellan felt slightly dazed. “Besides, I have you.”

He stared down at her, his lips twitching at the winded expression on her face. “You do have me.”  He conceded with a soft sigh.  “Better still, I have you.”

A faint glimmering caught Lavellan’s attention, her face turning as she squinted in the direction of the crumbled titanesque body.

Read the rest here

To Where Your Soul Travels, There Go I - Chapter 8 - MysticAwareness - Dragon Age: Inquisition [Archive of Our Own]

[comicaurora]

Looks at old urban fantasy vending machine. Offers quarter.

you get a perfectly smooth circular stone etched with the words "the five sister-spirits of the Great Lakes are mighty and inscrutable, but they are nothing compared to the warrior of winter they used to be before they were sundered into five parts and thawed."

[nadas-dirthalen]

Dragon Age: the Veilguard Was Packed with Lore — But Many of Us Overlooked It

— PART TWO —

[ 1 ]

Welcome back, friends and travellers. If you've been here a while, you'll know that I wrote 30,000 words of predictions in the week and a half before DA:tV released. But here's the most surprising thing—I was right, for the most part.

I spent my first Veilguard playthrough grinning (and then sobbing) at all the lore reveals. And here's the thing: I think most of us missed a lot of them, including even me.

So let's unpack some more.

Titans and Spirits: Dark and Light, Abyss and Fade, the Eternal Hymn and its Endless Listeners (2/2)

This is your warning: This post will contain spoilers for the entirety of Dragon Age: the Veilguard, and all Dragon Age content made before Veilguard.

I've spoken a lot about the titans before. In fact, they make up the bedrock (lol) of many of my pre-Veilguard theories. While a lot of what I said a month ago has since become canon in Veilguard, there's a lot that remains as speculation.

Today, I'm going to talk about why I still stand by my theory from October: that the titans and the spirits have far, far more in common than we think, and that this is of vital importance for the next game(s).

Today's Discussion:

What Solas' Creation and Harding's Personal Quest Have in Common

Not Only Do Titans Behave as Spirits... Spirits Behave as Titans

The Dark and the Light, Sundered

Atonement Solas' Promise: He (Still) Seeks Regeneration

What Solas' Creation and Harding's Personal Quest Have in Common

Thanks to Veilguard (and the hints that came before it, if you're coming here from my previous posts), we know that Solas and Harding have far more in common than they think. Both are inexorably connected to the titans: Solas because his body was crafted from lyrium, and Harding because of how her Stone magic awoke after touching Solas' lyrium dagger.

I've theorized before that I think Solas is still connected to Isatunoll, but that the creation of the Veil altered or harmed this connection somehow. Veilguard touches on this with its implications: Solas says the blight senses his presence during the Minrathous portion of the endgame, and says during his Atonement ending that he is able to soothe the titans' anger. It also asserts, during Solas' Memory #3, that the ritual to create the Veil went wrong, wounding Solas in the process.

Both Solas and Harding, then, have to do with both the titans' past and their future. The Temple of Solasan is referenced when this codex in Trespasser mentions the titans needing to be forgotten, and we know now that Mythal and Solas would come to sunder the titans with the lyrium dagger. Solas is the reason the titans were forgotten, and is likely the source of the song "I am the One."

Harding, by contrast, is one of few dwarves whose magic has awoken. The Titan Shade in her personal quest demands that the world remember the anger and pain it has forgotten: the titans' sundering (as well as her own anger). The titans have no future without acknowledgement of their past, and so both Solas and Harding have instrumental roles to play going forward (assuming both are alive and have agreed to this).

It is evident, also, that the pain of being forgotten is traumatic to the titans. Cole mentions this several times in Inquisition, as referenced in the last post. Songs that once sang the same; titans stuck asleep, forgetting how to wake.

And here is where Solas and Harding's parallels really come to light.

This trauma forces Harding to make a choice with her Titan Shade. In every scenario, she acknowledges the Shade's pain. Her choice, then, is to embrace that pain and carry it in Compassion... or embrace the titans' anger, as well as her own. In other words, as is referenced by Stalgard...

I drew close, and the sound became something more. I could feel it, Lace Harding…. Rage, sorrow, and a vast loneliness. — Codex: Letter for Lace Harding

Rage. Harding must choose between Compassion and Rage. We've seen this before. It comes up in Down Among the Dead Men, a story in the Tevinter Nights anthology:

Following a trauma, spirits are pushed toward changing. For so long in this franchise, we called these changes "demons," and still do. But the creature itself is not different—it just exists in a different state.

Emmrich says exactly this, equating spirits and the Titan Shade.

I once communed with a soul who shared a tale of deep sorrow from his youth. "So that the truth wouldn't be lost," he said. Interestingly enough, he could only bear to recall the event after death, when the memory had lost its sting. (l cannot share the tale. A Watcher must keep the confidences of the dead.) Your experience with what you call "the Titan's Shade" brought this anecdote to mind. As you say, in the first moments of your transformation, you were unable or unwilling to confront the depth of the Titans' sorrow. But unlike my friend, this pain was never quite your own. Instead of being trapped within, it fled elsewhere. — Codex: From Emmrich, on Sorrow Denied

We see, now, that the titans do the same thing. The only difference is that Harding is connected to the titan through Isatunoll; her spirit is not, itself, inside the titan. Put through a trauma, though, the titans turn. This is something I theorized as happening to Solas' titan upon his creation, because the trauma of the elves making bodies from its lyrium caused the titan to lash out and fight back, just like Cole says in DAI.

This is why both Solas and Harding are capable of soothing the titans' anger. It doesn't matter that Harding is a dwarf and Solas is one of the elvhen: both are still connected to their titan.

But as much as Veilguard tells us about the Titans being more similar to spirits than previously thought, it does not stop there. No: if you listen closely, Veilguard whispers to you that this similarity goes both ways. Spirits are more similar to titans than we ever could have imagined.

Not Only Do Titans Behave as Spirits... Spirits Behave as Titans

Something caught my eye during my very first Veilguard playthrough, super early on. Of course, I played the whole game through the lens of my own theories, wondering if there could be a connection between titans and spirits.

Immediately I saw, on the floor of a cell in the Ossuary:

I am Nyrys I was Nyrys I we were we are Nyrys — Note: Inmate Scribbling

Immediately, I was reminded of Harding's description of Isatunoll: "It means 'I am here.' But no, not 'I.' 'I' is singular. But it isn't 'we,' either. 'We' is multiple, but also separate... Isatunoll is the eternal hymn that encompasses all time. All spaces. I am. We are. This. That. Here. There. Now. And forever."

That seems to suggest that Nyrys, an inmate who was probably turned into an abomination, might be connected to Isatunoll. The note is written almost the exact same way that Harding is speaking. "But Lore," I hear you saying, "Couldn't that just be an abomination thing, a spirit struggling to share a body?"

I thought so, too. Right up until this.

Late after— (the handwriting abruptly alters:) a PEACE cut from the ALL golden stranded weaves PROTECTION CAGE keep them OUT keep me IN (Drawn below is a decagonal diagram of perfectly even, intersecting geometric lines.) — Codex: Lucanis' Logbook, 2

Understanding that Spite is likely writing with a phonetic understanding of the common tongue, we can interpret his words as 'a PIECE, cut from the ALL.' While I cannot say for certain what the rest describes (it could be Spite's opinion on the Ossuary, a reference to the titan's sundered dreams, or anything in between)... I know that these two first lines clearly talk about a spirit who has been cut away from something larger and grander than itself. The "all."

Now that sounds like Isatunoll, to me.

If you've been here since my October posts, you know where this is going. I've got to find a way to check this idea against other sources. And the first place I go, usually? The Chant of Light, for all the Chantry's evident faults.

I'm reminded of the creation of the Maker's first and second children.

Then the Voice of the Maker rang out, The first Word, And His Word became all that might be: Dream and idea, hope and fear, Endless possibilities. And from it made his firstborn. — Threnodies 5:1

That exact phrasing—"dream and idea, hope and fear, endless possibilities"—is used both in the creation of the Maker's first and second children. The spirits and the second children's souls. It is not used anywhere else in the Chant of Light.

At last did the Maker From the living world Make men. Immutable, as the substance of the earth, With souls made of dream and idea, hope and fear, Endless possibilities. — Threnodies 5:5

I've said before that I believe that all spirits originate as thoughts—namely, the thoughts of one or more of the titans. I think that even the souls of living people apply, here, despite what some of Emmrich's codices discuss. When you consider how Solas speaks about the Inquistor's spirit in DAI, it seems apparent that (at least to Solas) spirits and souls are interchangeable terms, when they belong to a living person.

Additionally, there is a manor in the Hossberg Wetlands that features an Obsession demon locked away that Rook must kill once they get to its location. The party speculates how the demon may have gotten there, and (I believe Rook) comments on how it is possible that the person from the manor themself may have become the demon.

That would imply that their soul was capable of doing so.

Now, let's go back to how spirits (the Maker's first children) and dwarves (the Maker's second children) are in possession of the same souls, per the Chant of Light. Understanding that the Chant of Light is flawed and that I do not believe that Solas is the Maker (rather, that Solas may have come from the titan that Andraste spoke to), I want to draw attention to this verse.

Then the Maker said: "To you, My second-born, I grant this gift: In your heart shall burn An unquenchable flame All-consuming, and never satisfied. From the Fade I crafted you, And to the Fade you shall return Each night in dreams That you may always remember Me." — Threnodies 5:5

It's important to note that the Maker says to his second-born (the dwarves) that they shall return to the Fade each night in dreams. Remember: the dwarves were once able to dream. More than that, though, the Maker says that the dwarves may visit the Fade each night in dreams to be able to connect with the Maker. They were, in fact, crafted with the "flesh of the Fade," a reference made to lyrium.

That implies a direct connection between the titans and the Fade. It suggests that, once, the titans also shared the Fade with other living creatures—or, perhaps, even more. I still believe that the Fade is the collective consciousness of the titans, and that reconnecting with the Fade is part of reconnecting with the titans because of that fact.

The Dark and the Light, Sundered

In a previous post, I theorized that, because Solas created the Veil and it seemed to have sundered the titans in addition to separating the Fade from the waking world, the Fade must be the titans' shared consciousness. We know now that those were two separate acts: Solas sundered the titans and put part of their dreams into the orbs that became the Evanuris' foci. For a time, I thought that this theory must be wrong.

However, in the same series of memories, we learned one more fact: his ritual to create the Veil went wrong. In Memory #3 (Blackened Hearts), he cries out in pain during the moment the Veil is created. This not only hurt the world, but exhausted Solas. Hurt Solas.

"He broke the dreams to stop the old dreams from waking. The wolf chews its leg off to escape the trap." — Cole dialogue

This refers to the creation of the Veil. We know now that Solas created it, in part, to stop the blight from escaping—that would be the old dreams waking that Cole refers to. What's interesting is that Cole refers to this as Solas chewing off his own metaphorical leg to escape the trap. There was always a personal consequence for Solas referenced here.

But why? Why would being cut off from the Fade outside of dreams hurt him? Spirits exist on Thedas all the time. It is only the trauma of being pulled through the Veil against their will that turns them to demons.

To understand that, we must understand what the Fade even is. How it relates to the titans, and what that means going forward.

First, I want to take a look at this codex from Inquisition, which suggests that the water in the Abyss (the realm of the titans) may be the exact same thing as the emerald waters in the Fade.

It is possible—even likely—that the "emerald waters" Andraste refers to are the substance of the Fade, which began as an "ocean of dreams" (Threnodies 1:1) and was reduced to a well—bottomless but limited in scope—by the Maker's creation of our world. —Codex Entry: Here Lies the Abyss

There are other similarities between these two things that come up in Veilguard, if you're looking for them. The first, for me, is a codex.

What determines which sections of the physical world are echoed in the Fade? Is there an underlying logic, or glacial patterns past comprehension? Do our collective fears and longings craft what we see? The will of a mage is especially potent. We may learn to shape the Fade's pathways, if we are ever-mindful of the dangers this invites. — Codex entry: The Obverse of Reality

The phrasing here is very interesting. We know that Shaping is something that the titans once did. The dwarves, to this day, have the Shaperate, in charge of the Memories. To see that language applied to a mage's influence on the Fade implies that mages may exist the same power to manipulate the Fade as the titans did on the Stone, which suggests that the Fade and the Stone can be Shaped in the same ways. The similarity here does lend itself to a theory where the titans and the Fade are parts of the same being/collective.

The second is that one of the revenants—the Slaughtered Pillars, from Elvhenan's Haven—have a line of dialogue that jarred me the first time I heard it.

"Light and song, stolen."

We know that the titans being sundered took their songs away, for the dwarves (save for a few, now) do not hear the titans' songs anymore. It's the word light that gave me pause.

Three guesses as to where I looked for more instances of the word light. If you guessed the Chant of Light, the gigantic piece of lore with light in its title, you are correct!

The first mention I want to note is the very early in the Chant

Opposition in all things: For earth, sky For winter, summer For darkness, Light. — Threnodies 5:4

Note that Light is capitalized here, implying significance. Again, it appears here. Here, we're implying that capitalized Light refers directly to the Fade.

(11) Above them, a river of Light, Before them the throne of Heaven, waiting — Threnodies 8:11

And, lastly, and most prominently in Veilguard: the Lighthouse. Its name, in the elven language, is "Vhen'Theneras." Translated, though, that would mean, "core of dreams." Unless, of course, dreams and Light are the same thing.

But if the Light is indeed the Fade, and there must be opposition in all things according to the Maker, then where have we seen dark before?

We've seen it in the Abyss—aka, the Void. We've seen it in the darkspawn. Those blighted beings that emerge from the Deep Roads, aka the Abyss/Void. Remember that the blight itself is the escaped maddened dreams of the sundered titans. Darkspawn refers to the product of those escaped dreams—the ones not in the Fade/Light.

Crucially, the darkspawn behave in much the same way as anything connected to Isatunoll. They hear a Calling that, at first, belonged to the archdemons, but Antoine now says is coming from somewhere else, as well.

It's the description of Isatunoll that ties this all together for me: titans/their children and spirits, Abyss and Fade, dark and Light.

In a letter from Dagna to Harding, she describes Isatunoll — but in that description, she focuses on this idea that beings connected to a hivemind "know their purpose." Purpose is a word used by Solas all the time in DAI. Spirits have their own purpose.

Think about ants. Ants know what they are. They know their purpose, and they must understand, instinctually, how that purpose fits within the whole. But what if it doesn't end there? What if their consciousness isn't just individual? What if the nest itself knew what it was? A collective sentience of some kind. Nothing says the ants don't have a collective sentience. We just assume they don't, because they're ants. Ants. Or bees. Or darkspawn. Now, there's a thought. — Codex Entry: Thoughts on "Isatunoll"

What if consciousness itself is not individual? asks Dagna. What if the nest itself knew what it was? This explains the darkspawn, after all: the blighted beings who are all connected to the song of the Calling, and the maddened dreams the blight originates from.

The nest, except for that small trickle of escaped blight, is the Fade. The Fade, which is a place that responds to the collective wants and memories of those inside it. The Fade, whose pathways are shaped by the thoughts and wants of the people—especially mages—within it.

My theory is this: the creation of the Veil may have hurt Solas because Solas was still connected to his titan, and to Isatunoll. Some of his love of the Fade may be because he misses the titans' shared dreams—and, by extension, the shared dreams of every living person on Thedas (except the dwarves, and we know why that is).

Atonement Solas' Promise: He (Still) Seeks Regeneration

We know that the Fade is the collective consciousness of the Titans. Their shared dreams. We also know that not all titans are blighted, because the one in Descent is not. Harding's titan also is not, by the end of DA:tV. I posit that this is why much of the Fade, according to Solas in DAI, is far preferable to the Nightmare's domain that we get to see in DAI. Some of that shared consciousness is still healthy.

Easing the titans' anger, therefore, means fixing all of the Fade. Reconnecting the two might mean that the collective consciousness between all spirits could return to Thedas—and since at least elves' and dwarves' souls likely come from the same origin, it could do a lot to bring some of the people of Thedas together.

This, to me, is part of Solas' grand plan. It is not only to bring back the world from Mythal's time—it is to bring back the world before they broke so much of it, before the titans were sundered by his hand. After all: Solas seeks... regeneration. And that's something he promises us after Mythal leaves.

It's important to me, therefore, that Solas says the blight can feel his presence during the fighting in Minrathous. Not that Elgar'nan can detect Solas through the blight, but that the blight itself can feel him. Neve/Bellara, depending on who is taken, can reach out to protect Solas the very same way: by communing with the blight itself, feeling what it wants, and redirecting its course. We see, here, a hivemind in action.

We also know that Atoned!Solas promises to "soothe the titans' anger." This is something he promises to do from Fade Jail, implying that he is able to interact with the titans and their anger from the Black/Golden City. This implies that the Fade itself, as a realm, is a means of communing with the titans, not just a specific spot within it.

The Veil coming down was always going to un-sunder the titans, and that was always one of the true aims of Solas' goals. Even if it meant blighting the world at first and effectively causing the apocalypse, the titans would eventually feel soothed. The Veil is a wound inflicted on this world, Solas has said before... and we know now that it was.

This section, short as it is, is just me telling you that Solas is still able to achieve those ends from Fade Jail. Just because the Veil is now bound to Solas' life force does not mean that the titans can no longer heal.

This buys us valuable time, allowing the titans' anger to soothe before their consciousness is restored, so that the transition is gentler. It promises hope for all of Thedas going forward. It might even promise a healthier, more stable Fade, shaped by dream, idea, and hope more than fear.

But what will that mean for future games? What could the Fade have to do with what's to come?

Why is now the time that the Executors and "those across the sea" want to make their big planned move on Thedas? Why is now when the "poison fruit" has ripened?

Like many of you, I hope to figure it out—and I feel that every day, I get closer.

Stay tuned. :)

___

If you read this far, you're a hero, now and always.

Like I keep saying: I have to absorb this lore day by day! I cannot inhale the entire wiki in a day, much as I'd like to believe I could! That means that future posts can't adhere to a strict schedule, as they depend on me unearthing enough codices, notes, and connecting threads to provide a post's worth of material.

In future, I'm hoping to learn more about: the Forgotten and Forbidden ones, as well as the connections between them; the Executors, those across the sea, and the connections between THEM; the areas across the sea; the Devouring Storm and what it could mean for Thedas' existence... and maybe how Ghilan'nain was ever connected to any of it.

Stick with me on this journey, if you like. It's fun to keep theorycrafting and yelling with you all. <3