#summer 2024 podcast launch

[inyourbenevolence]

Can any world survive a benevolent god?

Coming Summer 2024 from @foggyoutline and @wirelesstheatre:

(not final artwork)

In this upcoming audio drama podcast, each episode is a prayer, some prayers are granted, and a granted prayer can upend the world.

For fans of

Each episode of I Need A Miracle is a short monologue. A new character every episode. Never the same character twice. Always addressing a plea to a listening deity – which never makes a sound.

Play god

You, the listener, stand in for a silently listening god. Hear brazen demands for divine intervention and vulnerable, secret pleas for deliverance. Whose requests would you grant and why? Does anyone deserve a miracle?

Play detective

Which pleas are granted? How does the listening being decide? What are the Upheavals that regularly wrack this world? What threatens to rise from the Depths? And can any being with ultimate power truly be benevolent?

Play the heartstrings

I Need A Miracle is all about the many kinds of wanting, and the many ways of asking for help. How would you make your case to an omnipotent being who grants some miracles but not others, based on ineffable criteria?

Coming Summer 2024

Stay tuned for cast and crew reveals, episode titles, trailers, release dates and more:

here on tumblr by following @inyourbenevolence

(you can also follow writer @merelymatt, producers @wirelesstheatre and publishers @foggyoutline for completism)

on instagram:

at the show homepage:

[leveloneandup]

Christen Press Is Determined to Reimagine the Way Female Athletes Are Seen

For two-time World Cup winner Christen Press, who made her debut in the U.S. Women’s National Team in 2013, it’s no surprise that women’s sports have been having their moment—both before and throughout these Paris Summer Olympics.

Press, along with her teammate and partner Tobin Heath, have bet big on the public’s love of women’s sports. The duo launched their podcast, The Re-Cap Show, during the 2023 Women’s World Cup—the highest attended in history. It wasn’t their first foray into entrepreneurship in the women’s sports space; they are co-CEOs of Re-Inc, a global community for sports fans and changemakers, which launched ahead of the 2019 World Cup. The Re-Cap Show has amassed a dedicated online fan base, with video clips circulated among Re-Inc's 49,000 YouTube subscribers and 123,000-strong Instagram following.

On The Re-Cap Show, the duo bring fans behind the scenes of professional women’s soccer, both at the international level and in the National Women’s Soccer League (NWSL). They debrief games with high-profile guests such as defender Ali Krieger, previous national team head coach Jill Ellis, current national team captain at the Olympics Lindsey Horan, and Angel City FC co-founder Kara Nortman. Press and Heath also break down and share their own perspectives on buzzy topics like scandals in the NWSL, what it’s like to date your teammate, and the recent cheating saga with the Canadian team.

Press and Heath launched Season 3 of the podcast in June, just in time to document the national soccer team’s journey at the Paris Summer Olympics. For Press—who returned to the pitch for Angel City FC on Thursday for the first time in over two years, after four surgeries to repair her torn ACL—it's up to women’s media to meet this moment and capitalize on it.

TIME delved into the Olympics, The Re-Cap Show, and why this moment in women’s sports is so important during a video interview with Press.

TIME: The momentum for women’s sports right now is immense. Caitlin Clark and Angel Reese enjoyed record-breaking performances in the NCAA last year, and the WNBA opened their 2024 season with their highest attendance in 26 years. This is also the first Olympics with gender parity. How is all of this impacting the way you cover the Paris Olympics with The Re-Cap Show?

Press: You're spot-on that women's sports are having insane momentum right now. For us, all the attention has really increased our mission to reimagine the way women are seen and experienced in sports. We started our show during the World Cup because we’re women soccer players, and that's when we committed to turning on a spotlight [and] never turning it off.

But the Olympics is this huge opportunity to inspire and reveal what's already there: lots of leagues, athletes, and players that are doing their job all-year round, but they get to be at the highest stage this summer. From a business perspective, [it’s about] bringing those supporters, fans, and community members into the women's sports world, which is the most inclusive, diverse, and interesting community that uses sport as a vehicle for change.

Take us back to creating Re-Inc with your teammates Tobin Heath, Megan Rapinoe, and Meghan Klingenberg. How far have you all come since then?

We started Re-Inc in 2019 with a single T-shirt before we went to the World Cup and it said “Liberté, Égalité, Défendez.” It was a play on the French motto [“Liberté, Égalité, Fraternité”] as we had headed to France, so we switched the word “fraternity” to “defend” because as the U.S. Women's National Team, we were defending our title, but we were also defending the principles of liberty and equality.

But since then, it’s grown into a community. Watching women play sports is an act of revolution. Not so long ago, women were not allowed to play sports, and until recently, we were not paid to play sports or paid very well. And so I think as women's sports get heightened, it is just the living and breathing symbol of progress in society that women can rise and be stars on the court and on the field. With launching our media division, we saw how the coverage was failing to represent the lifestyle and culture of us, and it was just a copy and paste from the men's side. The broadcast and the commentary was so off-putting that it was spoiling the sport for us. No one knew how to talk about gal culture.

What kinds of commentary were you used to hearing while you were playing with the U.S. Women’s National Team?

Sometimes, when I'm watching people commentate, I feel like they’re a kindergarten teacher explaining the basics of soccer with the assumption that the person who's watching has no idea what they’re watching.

I think there's a lot that needs to be improved. Also, when it comes to addressing social issues and the institutional prejudice that happens within sports, especially how we talk about Black athletes… The media should make sure you're seeing this vision of a woman athlete in a way that can be a badass—not self-conscious, but laughing loud and really proud of her success. So I think all of those lifestyle and social issues are baked into the game.

And then obviously, as the game grows, we're going to have more expertise and fundamental knowledge and that will just make the broadcast so much better. Part of why the Olympics is so great is because you get the best—the best commentators, the best camera angles—and that's another reason why people will fall in love with all the sports, since it's not, you know, just an iPhone shot of the last 50 meters of a race.

Your former teammate Kelley O’Hara is working with Just Women's Sports. Megan Rapinoe and Sue Bird are bringing back their podcast, A Touch More, and your former teammate Sam Mewis is also hosting her own show, The Women’s Game. Why do you think this is the moment where so many female athletes are working in media?

I haven't heard of another market that people are talking about that is successful right now, other than AI and women's sports. I feel very proud to have started this business five years ago and kind of be positioned as ready for the moment as opposed to reacting to the moment. As athletes, we're all inspiring each other and the businesses that are cropping up are inspired by a desire for all of us to raise the game and continue to have an impact. I'm very proud to be about it, to be a part of it, and to be alongside pioneering women. I think the competition is healthy, and it's necessary. It pushes us and I love that.

Many people view women’s sports as a sacred, safe space—something you talk a lot about on your podcast. Is there any fear that as the women’s game becomes more popular and more fans join, that other energies will enter into the space?

I always say the air gets thinner at the top. I think women's sports is a very diverse, inclusive space. And I actually know that members of the community feel very protective of the space. We have our membership community and our members often speak about protecting the space. There will always be challenges as it gets more mainstream.

That’s why I love doing our show: every week, we're talking about the challenges. We’re talking about how the women's sports community feels about someone's bigoted comment or someone who misrepresented them. And it's a two-way dialogue. I think that's really essential to maintain the integrity.

I remember when the social media scandal with midfielder Korbin Albert—who’s currently on the Olympic roster—came out earlier this year. You and Tobin went straight into talking about it. I think a lot of fans were curious to hear from you about it.

It was hard to talk about that, because we were afraid of someone just clipping a tiny piece of the conversation and, like, missing all the nuance and kind of misconstruing our language, but we thought it was important enough to do it anyway. Nuance is something that's consistently missing from the echo chambers.

What are you hoping the Olympics brings to the world of women’s sports?

Kara Nortman, who is the co-founder of Angel City, always tells a story that she was at the 2015 Women’s World Cup, and was completely moved and inspired by us winning. Then, she came home to try to watch us play, and couldn’t find any games, and she couldn't find jerseys. That’s why she started a women's soccer team. I think that story is so beautiful, because it really emulates what's so special at the Olympics.

I think there's a huge opportunity to uplift sports—even the sports that aren't as popular as women's soccer—and for people to go home and become lifelong fans.

[the-conversation-pod]

Summer 2024 Lagniappe (A Minisode)

AND WE'RE BACK!

Summer didn’t give us a lot to say, but we ALWAYS got something to say. Ben, NiNi and Shan talk a highlight of the season, Twig reports from the field, and we award summer’s Girl Who Tried.

Timestamps

The timestamps will now correspond with chapters on Spotify for easier navigation.

00:00:00 - Welcome 00:01:15 - Introduction 00:02:21 - Twig’s Dispatch 00:14:24 - Spotlight: Tadaima, Okaeri 00:20:34 - Girl, You Tried 00:27:08 - Celebrating 50 Episodes

The Conversation Transcripts!

Thanks to the continued efforts of @lurkingshan as an editor and proofreader, we are able to bring you transcripts of the episodes.

We will endeavor to make the transcripts available when the episodes launch, and it is our goal to make them available for past episodes (Coming soon thanks to @wen-kexing-apologist). When transcripts are available, we will attach them to the episode post (like this one) and put the transcript behind a Read More cut to cut down on scrolling.

Please send our volunteers your thanks!

00:00:00 - Welcome

NiNi

Welcome to The Conversation About BL, aka The Brown Liquor Podcast.

Ben

And there it is. I’m Ben.

NiNi

I’m NiNi.

Ben

And we’re you’re drunk Caribbean uncle and auntie here sitting on the porch in the rocking chairs.

NiNi

Four times a year we pop in to talk about what’s going on in the BL world.

Ben

We shoot the shit about stories and all the drama going into them. I review from a queer media lens.

NiNi

And I review from a romance and drama lens.

Ben

So if you like cracked-out takes and really intense emotional analysis…

NiNi

If you like talking about artistry, industry, and the discourse…

Ben

And if you generally just love simping…

NiNi

There is a lot of simping on this podcast…

Ben

We are the show for you!

00:01:15 Introduction and Summer Season Recap

Ben

And we're back. We have reached the end of the summer season. It is hot as hell and hurricane season is active, but we at least still have our shows to watch.

Shan

Wow, what a way to set the mood.

NiNi

That is [laughs] one way to start, for sure. [NiNi and Shan laugh]

Ben

Girl, I’m stressed! [laughs]

NiNi

I feel you. I feel you. I feel you. We are here. The summer has been… it's been a lot. 

Let's just dive right into what we came here to discuss. Shan is here. Say hi, Shan. 

Shan

Hi! 

NiNi

We're going to talk a few things that we didn't talk through this season. Twig’s gonna come in and leave us her dispatch, and then we're gonna round it up and award the Girl, You Tried. There are a lot of girls who tried this season. [laughs]

00:02:20 Twig’s Dispatch

DISPATCH! Thank you for having me back. [music]

While folks were lamenting having nothing to watch this quarter, I was as busy as ever!

In the skip section: Sadly, Korea really dominated this category last season, starting with Blossom Campus. Honestly, this was the biggest disappointment this season for me. This was my��the Korean independent team Strongberry, who I normally love—they released a full length Kdrama that, I don’t understand how it went so wrong. The story is about a university transfer student who works at the library and ends up in a few interactions with a taekwondo major and they fall for each other. It was boring, the story didn’t really flow, the chemistry was flat.The only good thing I can say for it is that when they do kiss, they kiss well. But it was not worth watching to get there.This was the least queer Strongberry has ever felt, and to add insult to injury it ends on a cliffhanger. This is a pass from me, friends. 

Love is Like a Cat. Mew of the newly public MewTul relationship stars in this hybrid Thai/Korean production that did not manage to retain the good qualities of either country. It is bad. And not even in a fun way. The premise is a famous Thai actor is blackmailed into doing a Korean reality series in which he has to work in a dog cafe, despite being afraid of dogs. That sounds like it would be cute and fun, and somehow it was neither. Poor acting, cinematography, chemistry, story, everything was mid. Also, content warning for animal death—way to alienate your target audience. 

Gray Shelter was a Korean short series that barely felt like BL? Honestly, it was trying to walk a trauma narrative and BL line and I don’t think it did that successfully. The romance felt rushed and the trauma part felt like it was being sad for the sake of sad rather than having anything to actually say about trauma. Also had another cliffhanger ending. Not my fav.

Moving away from Korea, Lady Boy Friends is a show that has a high barrier to enjoyment, so judge for yourself. It’s a remake from 2015 and the premise is an ensemble show in an all boys high school in which a good percentage of the cast are actually trans girls in an all boys school. There is a lot of infighting amongst the trans women, they are extremely catty and mean and clique-y to each other. That part I honestly found kind of fun, and I did enjoy them banding together against a common enemy. Unfortunately that common enemy is another trans girl who is looked down on for transitioning “late” which calls her authenticity into question. This show also has sexual assault played as comedy which is honestly the main reason why it’s in this section; there was also a gay couple who got the bulk of the focus in the last few episodes, and while that storyline will likely be the most appealing to this audience, I didn’t particularly like that the trans characters got short shrift in their own show, so. I didn’t fully love it.

Kiseki Chapter 2. This was a production by 9NAA. They have a history of not paying and exploiting their actors, and they’ve done it too many times, so I didn’t watch this one. Pay your actors and hire intimacy coaches and then I’ll talk about your shows. 

The last one in this section is actually a GL Thai channel that I wanted to shout out. It’s just not to my taste, but I don’t like gatekeeping GL ‘cause there’s so little of it and it’s so hard to find. So, if you’re a fan of the melodrama and older, toxic relationship type tropes, give these guys a try. Last quarter they put out “Friend with Benefits the series” and “Sea [as in S-E-A] you soon”, and my favorite of the three was “You Are My Star the series” which I enjoyed because it retread a lot of BL tropes so I watched it and played, sort of, spot the BL parallels. JPC Media Channel on YouTube.

Now onto the shows that you might actually want to consider. There were a few genre BLs this season that were varying degrees of hit or miss so I’ve grouped them together. I love genre stories, so I don’t want to be too harsh on shows that push the boundaries of the BL genre, but all of these had at least one fatal flaw that makes me not able to recommend them without caveats.

Memory in the Letter is a Thai BL sci-fi/fantasy in which a student falls in love with a stranger in the mirror. This is a short series that had real high highs and low lows for me, including some of the best chemistry across a pane of glass I’ve ever seen. But also, the ending was so poorly handled that I had to call poor Ben to watch with me just so that I’d have someone to share my psychic damage with. Without spoiling anything, this show involves an age gap with actors not age-appropriately cast to hide the fact that the age gap is so large? It also doesn’t treat the age gap seriously or engage with the very serious problems that it raises in its own plot, and I found that very frustrating. So. Make your own choices on that one. 

1000 Years Old the series. This show is a Thai vampire show that spends the first three quarters being an extremely low stakes series in which a vampire owns a pork blood soup stand and a glorious umbrella collection, and is in love with a man obsessed with searching for alien life. It is exactly as silly as it sounds. But then the last few episodes everything turns into intense melodrama, and I’m going to spoil this because I don’t know how not to: We find out that the vampire stays friendly with another vampire who murdered his human lover across multiple lifetimes. I was vibing and then I was really not. 

Two Worlds is another Thai series, and a MaxNat vehicle. The premise of this one is as it says on the tin: There are two parallel universes connected by a glowing body of water. Our protagonist loses his love interest and travels to the parallel universe accidentally while grieving, to realize he has the chance to save his boyfriend’s doppelganger in this new world. While he does that, he finds himself falling for someone else instead. This series is a relatively slow burn show. Whoever made this show, they did the most bewilderingly good job of undercutting every dramatic moment so that it had no stakes or impact that I’ve ever seen. This show was almost impressively boring considering how much was happening at any given moment. I liked that it seemed to be saying people weren’t interchangeable, but then in the end the show undermined its own message. Watching this show was informative for learning about pacing and how narrative tension works or doesn’t in shows. 

Last in this section is The Spirealm. This is a chinese danmei adaptation that we almost didn’t get because of censorship; it was heavily adapted so that rather than magic, the core of the unnatural happenings are a Virtual Reality video game in which our leads have to puzzle through dangerous mysteries to figure out the secrets of each level. It’s fun in an “oh this does feel like a video game” kinda way, and I enjoyed puzzling through the mysteries alongside the leads. But the mysteries drag on too long and they’re repetitive, and the ending of the book is actually really undermined from the adaptation choices. Also, if you’re watching for romance subtext, this is a VERY tame story even for censored cdrama. They barely touch, the shipping moments are few and far between in a long series. So, be forewarned.

Moving away from the supernatural and back to more standard QL fare, A Secretly Love. This felt like a very old-school Thai series, a feeling that was helped by the horrifically bad subtitles; about an engineering student who has been in love with this senior for years and watched him fail miserably at romance over and over. This heavily relies on the viewer enjoying the lead pining over someone who treats him badly for most of the series. So, in order to enjoy this, you have to find someone showing affection by being grumpy, rude, jealous, and demanding cute. No judgment, just giving you the information you need to no. Worth watching if you’re nostalgic for 2020s Thai BL. 

Please Teach Me This is a vertical-format microseries from Korea about an aspiring idol trying to attend college that you have to grind through ads in order to watch. Honestly the series was fine, very middle-of-the-road KBL, but the microseries format and the barriers to watching make it not worth sitting through, in my opinion. 

Blank the Series is a Thai GL is in the same universe as GAP, so if you miss Sam and Mon the characters, they do appear, though portrayed by different actresses. The main couple in this story have a 16-year age gap and the romance starts when the younger one is in high school, though due to plot reasons she’s of age. I know that’s a barrier for some, so I wanted to mention it off the jump, especially because she acts young. That’s the part that I actually struggled with most. This story is very lakorn-like in terms of it being very high melodrama; it also, especially in part two, gets quite sexy. The height difference is also really something. It’s in two parts and both are complete, it does have a happy ending with a cute timeskip. So, you know, manage yourselves on that one.

Jazz For Two. High school Korean music BL in which the main couple really fell flat for me and the side couple were a bully-turned-love-interest that I also really did not enjoy. This show tried to incorporate internalized homophobia as part of its main storyline but didn’t engage with characters overcoming it, so everyone feels kind of like they suddenly switch from being in a drama to a romance and it was both jarring and honestly, a little offensive. Trigger warnings are also important for this one, so take care of yourselves if you’re deciding to watch it.

Boys Be Brave. Another KBL in which a man who can’t say no tries to get the person with a crush on him to ask him out, to no avail. This felt like it was trying to be a manic pixie dream boy meets an autistic-coded grump, but they didn’t quite calibrate either of those characters right. The side couple also ended up landing kind of badly in terms of class politics. But it was pretty, and they were cute. I actually had fun with this one despite everything I just said. 

Deep Night is a Thai BL in which the son of a club owner is against the host/club business model until he falls for one of his mother’s hosts. He decides to start working there to get closer to him. You might imagine that a setup like that would involve class and power politics, but you would be wrong! That being said, this show has a lot to recommend it: The main couple has great chemistry and the side couple is a canonical throuple, and there is another side couple of older sapphics to enjoy, as well. It is also very prettily shot. 

Lastly, Close Friend 3: Soju Bomb is a beautifully shot and cute friendship drama, another Thai/Korean joint series this time about Thai boys in a Korean band who go on a bender in Korea after their contract is canceled. Honestly, my only caveat about this show is that it is absolutely not a BL. There isn’t a romance subplot at all in this show. I spent the entire time it aired so confused waiting for the romance to appear! It does not. If it hadn’t been advertised as Close Friend 3–a series which was previously all BL shorts–I would have enjoyed this for what it was. As it stands, I hold a grudge for being misled. Go in knowing what you’re getting and you’ll be fine. 

Finally, let’s get to the shows that you might have missed that I actually recommend. To Be Continued, a Thai second chance romance of a famous person and a doctor who were friends when they were in high school. This one tells a lot of the story in flashbacks that are poorly paced at the beginning, so the start of the show really drags. But the reveal for why they broke up was satisfying. The pacing is the barrier in this one–if you can power through the first few episodes it ends up being a good little show. They have great chemistry, the story holds together, and I had fun.

Gym Affairs is an absolutely bonkers but cute mainland China BL in which a guy gets a personal trainer and sparks fly. This show is a silly comedy that is also surprisingly earnest. It goes by extremely fast and I really enjoyed the ride. That one’s on YouTube.

Blue Boys/Lonely Girl. SUKFilm is a Korean YouTube channel putting out short series. Blue Boys was a little disappointing, the couple had too many issues that they cycled through so fast.  The GL though, Lonely Girl, was much more focused with a single main problem between the couple and so it worked much better. And both are really beautifully shot and have some great kisses. 

Fake Buddies is another YouTube miniseries. It’s a 7 episode Korean series about a girl and guy who are dating, ostensibly, but really both using the other as a beard because they’re both in a gay relationship. The first few episodes are very funny comedy as the two of them try to make the other realize what’s happening; and then we get prequel episodes for how the gay couple and the lesbian couple both came to be. It’s a fun use of 45 minutes on the guynextdoor YouTube channel if you’re bored. 

To the X Who Hated Me is a Korean GL produced by Red Q. It’s a series of microseries, there’s two out so far with 2-3 episodes each. They’re both GL and solid short second chance romances that are very fun. 

City of Stars is the last one I’ll be talking about. It’s, in my opinion, the best hidden gem QL from this quarter. A charming celebrity/regular guy romance that tackles shipping, toxic fans, and the unreasonable expectations on people in the spotlight. Acting is a little rough, and it’s not  perfect, but it had some really good things to say and it very smartly sandwiches those things among some pretty good sex scenes. The two leads are my communication kings. And there’s some decent trans side rep as well. This show really uses BL as a vehicle for having something to say and I appreciate it. And the story really holds together in a way that’s a little refreshing in Thai BL, too, so I really liked it.

And that’s the dispatch for this quarter! Thanks again for having me. 

00:14:25 Spotlight: Tadaima Okaeri

Ben

It's time to talk about my favorite show of the season that no one else watched except for Twig. [NiNi laughs] We're going to talk about an animated BL from Japan called Tadaima, Okaeri. It is the best show of the season and I'm begging you, please, to go watch this show. 

Tadaima, Okaeri is a 12 episode BL from Studio Deen that aired on Crunchyroll. Studio Deen is actually fairly important in the BL space. Pretty much all of the BL anime that we're probably going to recommend to you offhand was produced by the studio. In this particular one, they're adapting a manga series about a gay couple in the omegaverse that is trying to raise their kid in the suburbs. Our protagonist's name Fujiyoshi Masaki, that is actually his name, and his husband, Hiromu. Masaki is an omega, his husband is an alpha, and they have a son named Hikari together. He is a little baby and they are living in the burbs away from everybody else because they had a very difficult time getting together. 

The show was not so much about the difficulties these two had getting together, it's about them building a life that they love and are happy with after going through what they did. So, like, this is your favorite leads, married and trying to raise their family now and working on healing some of the relationships that were damaged over the course of them getting together. There's a great deal of healing and growth in this. There's healing between Hiromu and his dad, who was not keen on their romance in the first place. There's the fact that these two guys love each other and love being parents. I am very often amused by how much my dad is still obsessed with my mom. And I really liked seeing that in a gay couple here. It was really restorative in a lot of ways, ‘cause we don't ever really see dads in BL. 

This show was so healing. This was such a peaceful experience of a show to watch. What I like the most out of fluffy shows like this is for there to be a nice arc about what life we’re building for our family and a strong thematic thrust of, we're not trying to get back at anybody who hurt us. We just want our kid to grow up in a world where he—and eventually their daughter too—are loved by the people around them. Each episode was about a specific sort of challenge that the family was facing, and some of them were really huge. Like, how are we going to reconcile with the kids’ grandfather who wants to be part of his grandson's life? Even if it's something as small as, Hikaru is getting older and he wants to run an errand. Okay, we're going to let him deliver a letter to his grandfather to the mailbox, and getting a two year old to deliver something [laughs] successfully to a mailbox was a production unto itself, because he kept getting distracted. 

It was genuinely one of the most delightful and wholesome experiences I have ever had in the genre. I have said for a long time that I've wanted a married gay dads show. I was not expecting it to come from the omegaverse of all places, but this was everything I ever hoped it could be and honestly, so much more. If you can handle omegaverse nonsense, including mpreg and the alpha omega pheromone shit, and rutting behavior. This is one of the best shows I have ever seen.

Shan

Oof. [Ben laughs] You just said so many words that upset me.

Ben

I know. I know!

[all laugh]

NiNi

I was like, “if you can handle” I can handle none of those things. I'm sorry.

Ben

If you're gonna be in genre, you gotta take your shit seriously, and I think that's why it worked. This show was not embarrassed about being an omegaverse show. It's not like [funny voice] we're going to do this in omegaverse because we know the girls will fucking show up for it. It took the conceits of its own genre seriously and incorporated it into the emotional context of their characters. 

And so like I totally get it, mpreg is not easy for a lot of people. The rutting behavior stuff, it's not easy for some people. The way that omegaverse is used to perpetuate some of the heteronormative kinds of misogyny that women face is not for everyone, truly and sincerely. When I say that these are caveats to watching this, I am not being funny. These are real things that are being dealt with in this show, but they're not half-assing it. These are not normally things I enjoy. Tell a good story and take your shit seriously and we can show up for it. And that's what happened for me here. 

So, I wholeheartedly recommend this show, but I do think it's important to not downplay that this is very legitimately an omegaverse story.

Shan

I appreciate that.

Ben

It's a 10, baby! Perfect execution of its own premise, and genuinely, it's the kinda show that was so fun to watch with other people.

Shan

I have been so intrigued by the conversation around this show and I really regret that it has so many of my hard lines in it [laughs[ because I would like to see it. I don't think I'll be able to, but I have heard nothing but praise and love from the people who've watched it.

Ben

I love the show with my whole heart. I do not recommend it at all. [Ben and NiNi laugh] This show had really strong ideas and it wore its whole heart on its sleeves the whole time. Mm mm mm. What an experience. Great show.

00:20:32 Girl, You Tried

Ben

Let's hand out our favorite award on the show: Girl, You Tried.

NiNi

Our nominees this season for a Girl, You Tried are Unknown the series from Taiwan, Love is Better the Second Time Around from Japan, and Living With Him from Japan. Does anybody wanna do propaganda here?

Ben

Ooh…

Shan

Let's start with reminding folks how we think about Girl, You Tried.

Ben

The Girl, You Tried for me is meant to reflect on a production that missed the mark, but we felt like the core work and the intent was there to actually do something good, and for whatever reason stumbled.

Shan

There's different ways that shows can stumble. There are shows that can be very well told and very confident up to a point, and then a mistake is made that is hard to recover from. There are shows that never quite nailed what they were trying to do, but did clearly have aspirations. There are shows that have a solid idea of at least the beginning and endpoints and something in the middle just got messy. So, those are different categories of ways that shows can go sideways. And all of these different ways came up in this season. 

For me, a show like Unknown is not a Girl, You Tried because they actually did succeed at what they were doing for the vast majority of their run. So I wouldn't call that a Girl, You Tried. They made a mistake right at the end—and it was a big mistake—but their level of execution was so good through most of the show that I can't really consider that a Girl, You Tried. 

For our two Japanese BLs here, Love is Better was really solid through about the first four episodes, and then it kind of veered off in a very strange direction that I still don't really understand why that happened. Versus Living With Him had a solid start, had a pretty decent end point that it was trying to get towards, and then got kind of messed up along the way trying to stretch out the story. 

So for me I think I would want to give the Girl, You Tried to Living With Him out of these three, because I do think they had the bones of a good story. They executed parts of it really well. But in their effort to stretch it out into a longer format than the story really supported, they kind of lost track of some of their threads and got a little confused in the way that they landed at the end. So for me that one makes more sense as a Girl, You Tried because I see what they were trying to do. And I think that they just made some execution errors that got in the way.

Ben

An interesting analysis; one I will be pondering. It feels mean to say that Unknown is a Girl, You Tried because they rushed to their sex scene. It ignores how good the family story was around all of that, but I am also torn now if I'm going to choose between Love is Better and Living With Him because I feel like my angst for Living With Him is it doesn't release the implied sexual tension that really irritated me more than anything else, which Love is Better absolutely did. 

Man, this is hard.

Shan

Have we ever had a Girl, You Tried tie?

Ben

We have not.

NiNi

There's usually a fairly clear cut winner once we talk about it, but I think part of the problem is that Love is Better and Living With Him sort of failed in similar ways, so it's hard to choose.

Ben

If I have to choose between the two of them, Love is Better the Second Time Around knew exactly what it was doing and it made very bad choices, and there's a difference between making stupid choices and struggling against something you couldn't do, in my opinion. I will give it to Living With Him because there's so much hang time, it's overly reliant on actor charm to hold itself together, and I do like how well the cast was able to hold this flimsy project together.

I think weaker actors would have made this a more irritating experience than it was, as opposed to just being kind of disappointing. So if I'm backed into a corner and have to choose [Shan laughs], it's going to be Living With Him.

Shan

[laughs] You do. Good job.

NiNi

Oh no, I'm about to throw a spanner in the works because I'm going to go for Love Is Better. [laughs]

Shan

This is very exciting! This is Conversation pod history!

Ben

Go ahead, give us your reasoning. 

NiNi

For me, the original premise of Girl, You Tried was always ‘a strong idea that failed in the execution,’ and I feel like the ideas from Love is Better were stronger to me than the ideas in Living With Him, just in terms of, A, what I was interested in seeing and, B, what they wanted to do. I feel like those ideas were stronger in Love is Better. So the failure of the execution part is not the part that I'm looking at in terms of comparing the two, but the strength of the premise part.

Ben

Because both of these shows had really strong gay themes in them that I was really compelled by, I am going to allow them to tie and both get a Girl, You Tried, because I think both these shows were trying to do something really cool. I think by episode 3 and 4 both of these shows, I was like, “This show's got something in it. This is a real contender!” And then it was like, “Oh no, what happened, girl? Come on.” [laughs]

NiNi

So our first ever Girl, You Tried tie! Girls, you both tried.

Ben

Congratulations to Japan for getting your first Girl, You Tried awards. 

NiNi

Is it?

Shan

And the double at that! Japan, always overachieving.

[Ben and NiNi laugh]

00:27:02 Celebrating 50 Episodes

NiNi

I think we have exorcized the demon of the summer, so let's wrap this up. We are wrapping our summer lagniappe and wrapping our summer season. See you in dot-dot-dot weeks for our fall season beginning as soon as I can get my shit together and edit.

Shan

NiNi, should we shout out that this is the 50th episode of the podcast?

Ben

Oh shit!

NiNi

[gasp] Oh my God, we didn't even talk about that! Yes, congratulate us, guys. This is episode number 50 for The Conversation! 

Ben

Oh my God. [air horn sound]

Shan

There ya go.

Ben

If you are one of our listeners who has listened to us talk for all 50 episodes, please—

Shan

Wow.

Ben

—shout us out on Tumblr. I would love to talk to you and see how you're feeling about what we're doing after all this time.

Shan

You're a trooper if you actually did that.

NiNi

[laughs] Please, please, please. If you love us and you're hearing this, we are 50 episodes old today. Send us a note. Either send us a note on Tumblr if you know how to do that, or send us something in the Spotify down below—whatever…answer the thing thing.

Ben

[laughs] In the doobly-doo.

NiNi

Listen, okay? Auntie's old, okay? She don't remember what things are called. 

We out! Say bye to the people, Shan.

Shan

Bye, people!

NiNi

Ben, say bye to the people.

Ben

Peace.

[black-arcana]

HALESTORM And I PREVAIL Share Performance Video For Collaborative Song 'Can U See Me In The Dark?'

HALESTORM and I PREVAIL have released the official performance video for their collaborative track "Can U See Me In The Dark?" Check it out below.

"Can U See Me In The Dark?" was released in June, prior to the launch of HALESTORM and I PREVAIL's summer 2024 co-headlining tour. Produced by Live Nation, the trek kicked off on July 9 in Raleigh and ran through August 17 in Las Vegas. HOLLYWOOD UNDEAD and FIT FOR A KING served as support.

"Can U See Me In The Dark?" is an epic and explosive pairing, just like the tour itself, thanks to the vocal chemistry between I PREVAIL's Eric Vanlerberghe and HALESTORM's Lzzy Hale, stormy riffs, and unforgettable chorus.

When "Can U See Me In The Dark?" was first made available, Vanlerberghe said in a statement: "We're excited to finally have a song come out. It was a fun challenge to blend the HALESTORM and I PREVAIL sounds together. We really focused on creating a music bed that felt very much I PREVAIL and letting Lzzy just shine and do what she does best. I feel we found a very sick way to blend the two identities of our bands into one massive song."

Hale added: "In celebration of our upcoming tour together, we joined forces with the boys of I PREVAIL and wrote an original song together. 'Can U See Me In The Dark?' is written for our collective fan bases, our community, our family. We want you to know that you are seen and you are not alone shining through life's myriad of joy and pain."

Regarding the inspiration for "Can U See Me In The Dark?", Lzzy told "The Mistress Carrie Podcast": "We were talking a lot about the analogy of we're all in the same circus together, as in this is all of our shows. It's not just we're saddling up our wagon against a band, 'We're playing. Here's your set. Here's my set.' We really wanted to create this this haven, this sanctuary for our collective fan base, be, like, 'Hey, he's my buddy too. We come from different walks of life, but here's how we come together,' [and] really showcase that togetherness, especially considering, we all have this different flavor and these different influences. And so it's a really beautiful, powerful song that we're gonna be able to just kind of, like, 'Hey, here's something special for the tour.' So we're very much looking forward to being out with each other. And those guys inspire me to no end. Every time I hear their songs the radio, I'm, like, 'How did they do that?' I want a drop like that' — you know, that kind of stuff. So I'm looking forward to being inspired every night and hanging out with all those boys."

Having amassed over 2.5 billion streams globally, the Grammy Award-winning band HALESTORM has grown from a childhood dream of siblings Lzzy and Arejay Hale into one of the most celebrated rock bands of the last two decades. Most recently, the band released "Back From The Dead", their fifth full-length studio album which has tallied over 100 million streams worldwide. Rolling Stone called the title track "a biting but cathartic howler about overcoming all obstacles," and that song as well as "The Steeple" marked their fifth and sixth number ones at rock radio, respectively. Associated Press said the album "will definitely be in the running for best hard rock/metal album of the year." Their previous album, "Vicious", earned the band their second Grammy nomination, for "Best Hard Rock Performance" for the song "Uncomfortable", the band's fourth #1 at rock radio, and led Loudwire to name HALESTORM "Rock Artist Of The Decade" in 2019. Fronted by the incomparable Lzzy Hale with drummer Arejay Hale, guitarist Joe Hottinger and bass player Josh Smith, HALESTORM's music has earned multiple platinum and gold certifications from the RIAA, and the band has earned a reputation as a powerful live music force, headlining sold-out shows and topping festival bills around the world, and sharing the stage with icons including HEAVEN & HELL, Alice Cooper, Joan Jett and JUDAS PRIEST. Additionally, Lzzy was named the first female brand ambassador for Gibson and served as host of AXS TV's "A Year In Music".

I PREVAIL have established themselves as the forerunners of the genre in the 21st century. Their latest release, "True Power", once again produced by Tyler Smyth, features the sort of stadium-sized riffs that will rattle your teeth loose from your gums and unforgettable, supremely catchy melodies that will camp out in your brain for weeks at a time. The band also alternately mixes screamed vocals that sound as though they crawled from the depths of hell with soaring, emotional vocals and heartfelt, intimate lyrics that go so deep, they hit marrow. The end result is an album that resonates with the listener in the most personal way. Rising to an arena level and receiving two Grammy nominations — "Best Rock Album" for "Trauma" and "Best Metal Performance" for crushing lead single "Bow Down" — I PREVAIL proved that they were built to last. To date, they've racked up more than 4.1 billion global streams, are approaching 716 million YouTube views, and saw both "Hurricane" and "Bad Things" singles top Billboard's Mainstream Rock Airplay chart in 2020 and 2022, respectively. A number of their singles and album "Lifelines" have now been certified gold and platinum, and they have been praised by press far and wide, including Forbes, Billboard, Hollywood Reporter and NPR.

[limelightllc]

Hello Everyone! We wanted to give you a quick update on things, since things have settled down for the most part. Please give this post a like when you’ve read it! There’s some important information below. 

First, please note that there are only two active mods at the moment, and we both have full time jobs. We have a third person who is helping with smaller tasks but also works full time. Limelight was never expected to grow like this at such a fast rate, and we really appreciate your patience with us. Things will not always get answered immediately and we will try our best to be timely for reserves, applications, forms, etc. 

Secondly, we wanted to give you a bit of a timeline of updates for the group. 

Activity Checks will begin after December 1st, we ask for an original post every three days and dash interaction. These rules may change in 2024. 

We plan on creating a resources blog, where we hope to connect writers looking for specific plots or help folks check out new supernatural species/powers to use! We will also announce birthdays here. This will likely launch January 1st. 2024

We will have a gossip blog! This gossip blog will be known as Blacklight, with a podcast-like feel. A few things to note: 

There will be updates on music releases, achievements, big games, etc. for current members. The key to these updates will be based on group members submitting information to upkeep everyone having a chance in the spotlight. 

The gossip will also be in charge of announcing events run by members of the group (parties, get togethers, group trips, etc).

For those of you who opted to be part of it, there will be a monthly randomized group of members who will be selected for various themed interviews. When you have been interviewed, your name will be removed from the randomizer for the next few months to avoid repeats. 

The gossip will play games and interact with members as well. Please just remember to keep things light and respectful. 

We are hoping to launch this by February 1st. 

We also have plans for events, but we will likely start those in the summer of 2024, and will begin with short 3-4 day trips. These events will not be monthly. 

Lastly, we currently do not have plans to add another member to our team. We just ask for your patience and understanding!

[griffinequestrian]

2024 overall was another lame riding year for me (I am however very hopeful for Mikey's triumphant return in 2025🤞). But career-wise, this year was very busy.

Between two hurricanes, the ongoing Ray's saga, the fall of Big Storm Brewing to an owner who stole money from the medically needy and a presidential election, I am so proud to work for and contribute to the stellar journalism of the Tampa Bay Times.

Two of my business reporters spent the year producing Buying Up The Bay, a special report from the Times examining the growing control private equity has over the single-family rental pool in Tampa Bay and beyond. This important work has the power to change and create legislation that can help homeowners and diverse communities at risk of being gobbled up by corporations with histories of jacking up rent and evicting at skyrocketing rates. I am so proud of this work, and it's too early to say, but I have a lot of hope that these reporters will be recognized nationally for their reporting.

https://project.tampabay.com/buying-up-the-bay/

Over the summer I covered three-day eventing at the Paris Olympic Games for the Horse Network and had an absolute blast working with the team there.

I spent the year with the Chronicle of the Horse as a digital and breaking news consultant, working through the Kentucky Three-Day Event and launched a brand-new newsletter product: The Warm-Up. It's delivered every Friday morning and you can sign up for it here: https://www.chronofhorse.com/subscribe-to-newsletter/

But probably the biggest news of all is this time last year, I took over Heels Down Magazine. I worked for Patricia and Heels Down in a part-time capacity for almost a decade, and learned so much. This year I incorporated my very own small business and kept Heels Down going, producing 12 podcast episodes with co-hosts who've become very good friends, worked with brands from Amelia Newcomb Dressage to Purina, to pulling together our own original Holiday Gift Guide complete with an all-day photoshoot and more.

I've been busy! But happy! And thrilled to see how I can continue to grow all these media happenings into 2025. So please, as I always say, subscribe and support the magazines, newspapers and brands you love if you want them to continue to exist into the future. Cheers!

[mariacallous]

Across nearly 30 videos, TikTokker @kiera.ln has gotten tens of millions of views. They started rolling in when she posted a clip of herself—in a silk robe, wearing sunglasses in bed—lip-syncing Donald Trump’s almost-infamous comments about Florida governor Ron DeSantis (whom he calls “Ron DeSanctimonious”) needing “a personality transplant.” That was in late September. The latest, posted Wednesday, is a lip sync of Trump on Fox News saying he would give himself “an A+.”

That most recent video felt like a full-circle moment. Trump’s “A+” comment came from an appearance on Fox and Friends in response to a question about how he handled the Covid-19 pandemic. The last person (give or take) to go mega-viral for lip-syncing the former president was Sarah Cooper, whose “How to Medical” video was a send-up of Trump’s suggestions that coronavirus be treated with disinfectant or UV light.

Released in April of 2020, Cooper’s TikTok went viral everywhere, from YouTube to X. They had nowhere else to go. It was the height of the Covid-19 lockdowns and everyone was stuck inside, doomscrolling for something to laugh at. She ended up getting an agent, a Netflix special, and a role in an off-Broadway play. She wrote three books, including a memoir she released last year. Cooper is the epitome of the viral TikTok star who parlayed her internet fame into a career.

@kiera.ln could do the same. But her videos, nearly all of which are titled “‘Trump Was Born to Be a Teenage Girl,” are lip syncs for a completely different era. The 2024 election cycle is all about being “brat”; Democrats are coming out and calling Trump “weird” now. Whereas Cooper’s videos felt like an attempt to fact-check the then-president by way of humor, @kiera.ln’s strategy of making him look like a Mean Girl goes straight to his insults. Four years ago, or even eight, Democrats—and those who support them on the internet—were loath to go that low. Calling his “nasty” comments nasty is now a frequent occurrence.

Comparing the former president to a teenage girl has a long history. Nylon did it in 2016 with Trump’s tweets, highlighting the perceived pettiness or immaturity in his comments. But even then there were those who pointed out it was almost unfair to teenage girls, who, in the opinion of one commenter, at least “have the chance of growing up and realizing just how terrible they've been.” Trump, at 78 years old, doesn’t have as much time left for emotional growth. Campaign emails from his presidential opponent, Vice President Kamala Harris, suggest he’s “old and quite weird,” presumably having already reached his final form.

Over the summer, Charli XCX, whose album Brat launched an entire craze, tweeted “kamala IS brat” shortly after Harris announced she would be running for president. It shifted the course of the election and turned mudslinging slime green. In Charli’s estimation, to be brat is to be vulnerable and messy—and admit it. Mean girls aren’t brats, but brats know how to be honest about who they are. Brats will meet you on your internet turf and call you a clown while applying their own lipstick. Brats go on the Call Her Daddy podcast and say many women are “not aspiring to be humble.”

Election Day in the US is 18 days away. Then, presumably, Americans will know which meme, er, candidate won. Maybe @kiera.ln will leverage her viral TikToks into something new. Maybe she’ll find herself in 2026 looking back the way Cooper did last year, telling The New York Times amid her Off Broadway debut that she was thankful for the support she got for her Trump lip syncs, even if she feared being known as Trump Girl long after the meme was over, “even though I know that if I die right now, my obituary would have the name Donald Trump in it, which is not great, but what are you going to do?”

Following the Trump-Harris debate in September, Cooper released a new video, lip-syncing Trump’s performance. After it went up, she wrote in her newsletter that the decision was regrettable. “I truly feel like this may be my last one,” she wrote. A new TikTokker can come grab the torch.

[jurassicparkpodcast]

Is A New Jurassic Park Survival Trailer Around The Corner?

Players on Xbox consoles were treated to a dinosaur-sized surprise today when Jurassic Park: Survival appeared for pre-install on the Xbox Mobile App. I think this means the release of the upcoming action-adventure game is much closer than many of us realise.

‘Pre-Install Now Available’ is often a marketing strapline which we see used on videogames as they get closer to their release date – appealing to the fact that the release is right around the corner, and fans can install content now so they are ready for when that release happens.

What this suggests to me is that we are likely to get a new trailer for Survival this Summer (possibly as soon as the Xbox Showcase on June 8th), and that a key strapline for this new marketing material will be the ability to pre-install the game. This is exciting in itself if accurate as this kind of messaging tends to appear in the final portions of a marketing cycle – which would suggest a release for the game could be as soon as September.

It is important to note that a lot of this is conjecture, but it would seem like a logical release cycle for this game and would also allow Universal to release a game in 2024 and 2025, if recent reports around a third entry in the Jurassic World Evolution franchise are to be believed.

So, what do I think we’re likely to see if another trailer is around the corner, and if it is indeed announcing that we’re much closer to launch than we realise?

Well, trailers at this point in the release timeline will genuinely be packed-full of much more gameplay to give us an idea of some of the features present in the game. We’re likely to get a flavour for some of the tools Maya has at her disposal, some of the ways she can traverse the environments of Isla Nublar, and also a sense for some of the other environments we might get to explore in the game. New details have revealed that the game will be 70GB in size – comparable to titles like Quantum Break and The Division 2 – so we can assume a substantial chunk of Nublar will be explorable in this title.

I also think we are likely to get a sense for the broader narrative here – with an idea of how Maya’s story will play out, and where it intersects the events of the 1993 film and builds on them in new ways. This is personally the element of this game I am most excited for – so I can’t wait to see what direction it takes.

Now it’s important to note this is SPECULATION, but I think this pre-install gives us a very good indication that something will be happening with Jurassic Park: Survival very soon. If you’re anything like me, then I can’t wait!

Are you looking forward to the new game? Let us know in the comments below, and stay tuned to The Jurassic Park Podcast for all the latest news on the release!

Written by: Tom Jurassic

[literalcatpod]

2023 Year In Review

So, here we are at the end of our first full year as an active podcast. It's been an interesting experience so far, doing this show. Growth is slow, but that's alright since we're having fun. With 27 new episodes and something like 40 new cats (lightning rounds count for a lot of extras), we had a lot of firsts this year!

For instance, we had our first legitimate usage of the Cat-Tana in Episode 16 - Making a Mugger with a Cat-Tana in Marvel Multiverse (Feat. James Anderson).

With a running bit receiving payoff so early in the year, it'd seem impossible to top, but we kept going, and our next episode had us help Cat McDonald promote her charity bundle!

We also did our first themed seasonal event with Anime Summer Season! Six back-to-back episodes, all using anime/manga-themed TTRPGs!

The final big first of the year was our first episode to receive more than 30 downloads in a 30-day period! That honor goes to Episode 21 - Making a Big, Strong, Focused, Dumb Boy in Warriors Adventure Game. And we can't really mention that without mentioning Twitch streamer FinnOcellaris, who recommended the game and then got everyone he knew to listen to that episode.

And last but certainly not least, we launched our Patreon this year, and got our first patron! Thank you for your continued support, patreon user TheZMage!

Now, onto some numbers:

Our most popular episode of the year was Episode 34 - Making a Familiar Face Around the Skate Park (in space) in Hard Wired Island, which was downloaded 37 times in its first 30 days.

Our most popular episode with a guest appearance was Episode 33 - Making a Biker Gang Leader You Can't Look Away From in Vampire: The Masquerade Feat. Meghan Murphy, (@murphypopart) which was downloaded 25 times in its first 30 days.

Our most popular Anime Summer Season episode was Episode 24 - Making a Cringefail Otaku Maid in Maid Feat. FinnOcellaris, which was downloaded 19 times in its first 30 days.

And finally, our overall most-downloaded episode of the entire year was Episode 18 - Making a Special-Ops Saboteur in Lancer, which has been downloaded a total of 54 times since its publication!

Looking Ahead:

It's a new year, and while it'll continue to be the same show, we do have some new goals!

First and foremost, while the themed event of the year didn't bring in any new listeners by my estimation, it WAS a lot of fun, so we're gonna keep doing it. Right now we're considering a fall theme. We probably know what that theme is but we've got plenty of time to decide on that so we'll hold off on announcing it for the moment.

We came close to this in 2023, but for 2024, if at all possible, I'd like to have exactly one guest per month. And to be fair, we're already off to a pretty good start. January will just be me and Austin, but from February to May, we already have recordings booked for every single month! (which you can see if you join our Patreon!) That's 4/11 months already covered!

I'd also like to try and do a better job of highlighting indie games. I know "big" is relative when it comes to any TTRPG that wasn't published by Hasbro, but even so, most of our attention typically goes to small-press RPGs rather than the REAL indies (whatever that means). So like. Indie devs. So long as your game has chargen, put it on our radar. Even if it's too short of a process for its own episode, we can make it work in a lightning round eventually!

Finally, I (Joel), am gonna try to be better about our video content! I signed up for Headliner and everything, and yet I still haven't managed to make a single shareable clip. That's on me, and I know that!

And for our other goals, we're gonna need your help!

Growth on this show thus far has been slow. We'd like to change that. And so, we have three calls to action for you, and we'd be thrilled if every listener that sees this would do one!

First, if you haven't already, tell a friend! While we did do a lightning round episode highlighting solo RPGs, most of us don't play these alone. If nothing else, bring a Cat along for a one-off! They're all available here!

Don't have friends? the next best thing you could do to help is leave a rating/review on the app you listen to your podcasts on! If your podcast app doesn't let you do that and you, for obvious reasons, don't want to touch Apple-made software, you could always go to Podchaser and review us there! Currently we have a handful of ratings, but so far no reviews! It'd be great to hear what y'all like about the show and most importantly, positive ratings and reviews get fed into your app's algorithms and increase the likelihood that the show gets recommended to new listeners!

And finally.

More importantly than ANYTHING else I've asked of you.

I've done the math. we have somewhere between 20 and 30 active listeners.

But do you know how many emails we have received containing cat pictures?

Would you like to hazard a guess?

3!!!

All things considered, one tenth of you at most have sent us pictures of your cats! AT BEST!

There is NO way only 3 of our listeners have pet cats. That's just not the kind of show we run! Y'all get your toxoplasmosis-riddled brains in gear and SEND US PICTURES OF YOUR CATS!!!

[the-conversation-pod]

Tens and Chops, Vol. 1 (A Grab Bag Episode)

We gotta clear the decks ahead of the VIIB Awards, so it’s a grab bag episode! Ben, NiNi, and Shan talk a bunch of shows that we couldn’t NOT talk about, and award the fall’s Girl You Tried.

Grab a drink and a snack and join us for one of the most varied episodes we've had on the show.

Timestamps

The timestamps will now correspond with chapters on Spotify for easier navigation.

00:00:00 - Introduction 00:01:15 - Kiseki: Dear To Me 00:12:20 - Dangerous Romance 00:26:05 - Love In Translation 00:41:14 - I Cannot Reach You 00:54:43 - My Personal Weatherman 01:07:01 - If It's With You 01:15:38 - Absolute Zero 01:21:05 - My Dear Gangster Oppa 01:33:32 - Middleman's Love 01:49:07 - Final Thoughts, and Girl, You Tried

The Conversation Transcripts!

Thanks to the continued efforts of @ginnymoonbeam as transcriber, and @lurkingshan as an editor and proofreader, we are able to bring you transcripts of the episodes.

We will endeavor to make the transcripts available when the episodes launch, and it is our goal to make them available for past episodes (Coming soon thanks to @wen-kexing-apologist). When transcripts are available, we will attach them to the episode post (like this one) and put the transcript behind a Read More cut to cut down on scrolling.

Please send our volunteers your thanks!

00:00:00 - Welcome

NiNi

Welcome to The Conversation About BL, aka The Brown Liquor Podcast.

Ben

And there it is. I’m Ben.

NiNi

I’m NiNi.

Ben

And we’re you’re drunk Caribbean uncle and auntie here sitting on the porch in the rocking chairs.

NiNi

Four times a year we pop in to talk about what’s going on in the BL world.

Ben

We shoot the shit about stories and all the drama going into them. I review from a queer media lens.

NiNi

And I review from a romance and drama lens.

Ben

So if you like cracked-out takes and really intense emotional analysis…

NiNi

If you like talking about artistry, industry, and the discourse…

Ben

And if you generally just love simping…

NiNi

There is a lot of simping on this podcast…

Ben

We are the show for you!

00:01:15 - Tens and Chops

Ben

And we're back! We've made it to the Grab Bag for this season of The Conversation. We've named this one “Tens and Chops: Volume 1.” I really hope we have a collection of these to do a smash cut off in the future.

NiNi

So looking forward to it. Definitely looking forward to it. Absolutely looking forward to it. I named it Volume 1 for a reason.

Ben

We have nine shows to talk about plus a bonus segment. Because there are nine shows to talk about, we have brought in help for this one. We have brought in our drama expert, Shan, who is with us again.

Shan

Hello people.

NiNi

Ah, that sweet, sweet smell of a great guest. I love it. Okay, all right, let's dive in, people.

Ben

All right. So, Shan, we're finally into the winter. Let's discuss the fall shows as an experience. As you know, I was grumpy as hell coming out of the summer through the fall with the state of BL. 

How are you feeling about all these various shows?

Shan

Your grumpiness was not unfounded. I don't think the fall season was particularly strong. We hit a slump. A lot of shows just flopped right at the end after strong starts, a lot of shows just didn't take off. There were some things that we were really excited about and then when we actually got to them it was…just so fucking disappointing. [laughs]

I think the strong start to the year and some of our expectations for these shows maybe set us up to be a little extra disappointed in how the season went.

Ben

Before we get into all of the shows individually, NiNi, for the sake of our audience, who may want to skip around this episode, please read the list of shows we're about to discuss.

NiNi

[clears throat] Don't mind if I do! So, in this episode we shall be discussing Kiseki: Dear To Me from Taiwan, Dangerous Romance from Thailand, Love In Translation also from Thailand, I Cannot Reach You from Japan, My Personal Weatherman also from Japan, If It's With You also from, you guessed it, Japan, Absolute Zero from Thailand, My Dear Gangsta Oppa from Thailand-ish, and Middleman's Love the most Thai thing I have seen. [laughs]

Ben

All right. So we're going to be here for a while. I hope you grabbed your drinks and a snack.

NiNi

Put us on pause. Go pee, come back. Or you could just take your phone to the bathroom. Whatever you're doing, I'm not judging you.

Ben

I am, don't worry.

[NiNi laughs]

00:04:20 - Kiseki: Dear To Me

NiNi

Alright, let's start with Kiseki. Ben, what is Kiseki about?

Ben

It's about how nothing was learned from HIStory 3: Make Our Days Count, and that once again I have been made to suffer for things I did not do. 

Kiseki: Dear to Me is a Taiwanese BL about a well-performing high school student late in his studies who gets wrapped up in the gang politics of his local area, falls in love with a gangster, and complications ensue? There's a side couple that's also a bunch of gangsters who end up stealing the show.

Shan

[laughs] I was going to say, I'm pretty sure this show is actually about Ai Di, but okay.

Ben

It is a Lin Pei Yu joint, and we were expecting so much more from her, and yet here we are talking about it in the Grab Bag.

NiNi

Mm-mm-mm. So, Shan, come on in here. Give me, like, a word or a short phrase—something pithy—for the audience.

Shan

Hmm… The pithy description of this show? “Chaotic, but in an awesome way.”

NiNi

Interesting…

Ben

I will agree with that. This show was fun as hell to watch when it wasn't enraging for me.

NiNi

[laughs] I don't know. I was watching it and literally losing the thread while I was watching it.

Shan

Your mistake was ever trying to grasp the thread in the first place.

NiNi

You right, you're right. I made a mistake. My bad. I shouldn't have tried. But—[laughs]—the show was clearly trying, so I thought I had to try, too. 

Listen, I often find Taiwanese shows hard to follow, personally, and I know that's a me thing. But it's something about where they choose to start and end their episodes, I think. I lose the thread.

Ben

I do agree with that. I don't think that, at least the BL tradition we've been exposed to, values episodic structure in a way that is recognizable to those of us who are probably grounded in the American sitcom tradition. A lot of their shows, we tend to remember as a whole, not as individual parts, and that did not work very well here. 

You were not the only person struggling from episode to episode remembering what the fuck was going on. I struggled as well. It was difficult watching this show because I didn't really know thematically what the show wanted to be about. While I really liked the work everyone did—I think all of the actors at every level were really dialed in and it was fun for some of the cameos. I will never return to this particular show because this show involves Wayne Song and Huang Chun Chih as gangsters who are rivals with the leads we care about. 

They have Wayne playing this super-violent, kind of out-of-control gang leader who has to die, and he does, and this is a bad choice because it's not like the rest of us fucking forgot about HIStory 3: Make Our Days Count, and then they released a special episode that is just, “By the way, Chun Chih's character was mooning after him the whole time and now he's sad.” Why? Why was this the choice? Have you not learned that we don't want you to kill these guys? Shit!

NiNi

I think definitely the cameos across the board lost me—A, because I don't watch that much Taiwanese BL, so a lot of it was like, “Wait, who's this guy? Who's this guy? Who's this guy? Why are they here? What are they doing?” I recognize a couple of faces from a couple of things, but mostly I was just confused.

Shan

This show was like 50% powered by cameos. That is what kept people excited week over week and talking about the show. Spotting the faces was really fun. 

So, NiNi, as the resident Taiwanese BL apologist around here, you are absolutely correct that it is often hard to follow the story. The writing is always the weakest point. What has always been my favorite thing about the shows we get from Taiwan is that there is a real connection, I think, between the physical stuff, the intimacy work, and the emotions of the characters, and they kind of really nail those relationship dynamics and that kind of character work. 

But the stories—the plots—have always been kind of a mess, even in my favorite Taiwanese BLs? And this one really took the cake. It was all over the place. I could not at any point in this show, find my footing in the plot, or what was supposed to be happening, or why I was supposed to care. 

That didn't really bother me because this is definitely a show that encourages you to just be along for the ride, and kind of react to scenes, and not worry too much about the overarching story. And that worked for me in this show enough that I had a good time. Would I say that it's good or well written? Absolutely not. [laughs] 

And Ben's complaints about the way that they used those actors from Make Our Days Count are absolutely valid. I kind of couldn't believe the audacity, putting Wayne Song in the show just to kill him off.

Ben

Audacity is the right call, bestie. Thank you very much.

Shan

Right, the audacity! Like, it was not a cool thing to do, and they shouldn’t have done it. So those criticisms are completely fair about this show.

NiNi

There are things about this that I absolutely liked. I did enjoy the couples. I enjoyed the unhinged-ness of them, but I couldn't follow their story, so I was just kind of vibing—which, totally my style. And when I was just vibing I was havin’ a good time. 

If I had to score Kiseki: Dear to Me. The couples are great, the story’s a mess. I'd give it a 6 ½.

Ben

Shan?

Shan

I gave it a 7.5, which was probably generous because I just had so much fun watching it, but I can't claim that it is structurally sound.

Ben

Shan, like the rest of MDL, rated this show with her coochie.

NiNi

That is staying in.

[all laugh]

Shan

What did you score it, Ben?

Ben

What do you think I scored it, bestie? 

Shan

I feel like you scored it real low, because you were pissed about Wayne Song. [laughs]

Ben

I was pissed.

NiNi

Ben was definitely offended, so it got a 5 or less.

Shan

Oh yeah, for sure.

Ben

What do you think I gave it?

Shan

3.

Ben

NiNi

5.

Ben

I gave it a 5. We're laughing a little bit, but legitimately that was so upsetting. And your show was stupid! There wasn't even a point to it. It was just shock, and it felt mean, like you're still salty with us about the HIStory franchise. You are not getting above a 5 from me, despite the fact that Louis Chang and Nat Chen were so much fun to watch, and how much I enjoyed the work between Taro Lin and Hsu Kai. I had a great time watching all four of these men and all the people who cameoed in this.

NiNi

Why do you think there was no Tang Yi and Shao Fei?

Ben

Because there's a cash grab for doing HIStory 6: Freed.

Shan

I want HIStory 6: Freed, and I want it fucking yesterday. Where is our show? [Ben laughs]

NiNi

Alright, so Ben gave it a 5. I gave it a 6.5. Shan gave it a very generous 7.5. Somebody do math.

Ben

That's a 6. 

Shan

You can call it a 6.

NiNi

It's a 6 for Kiseki: Dear to Me. Shoving it off, let's move on to the next one, which we are about to trash.

00:12:20 - Dangerous Romance

NiNi

Ben, tell the world about Dangerous Romance.

Shan

Oh, ho ho ho! Here we go!

Ben

Dangerous Romance—[sighs]—is about how a windmill… cannot be powered…without the wind.

[all break down for prolonged laughing fit]

NiNi

Please! I can’t stand your ass! 

Shan

Had to be done.

NiNi

Okay, bring it back, guys. Bring it back.

Ben

Dangerous Romance purports to be an inter class romance set in a high school between a very smart scholarship student who's super poor, because his parents are dead and it’s just him and his older brother, who's kind of irresponsible with money; and a rich kid who's kind of a pompous bully in school—has no valuable skills of any sort to bring to the table. The two of them crossed paths and are drawn to each other. There are things that happen in the show, I guess. Soccer is a big deal, at some point in this. There's very much a repeated High School Musical TROYYY bit that happens multiple times over three episodes.

[NiNi and Shan laugh]

NiNi

Oh, God, you shady bitch. Carry on.

Ben

It's trash. This show was fucking horrible. This show started out being so fucking interesting. There was the whole notion about Kanghan being just a stupid as hell bully, who only had money on his side, who was getting wrecked constantly by Sailom, this very smart, poor kid. 

And then after episode 2, it all went away, and it was about how Kanghan is a sad rich boy whose mom is dead. And so because his mom is dead, his dad just spoils him rotten, and he just wants his dad to treat him like a real boy, or whatever. I don't give a fuck. This show was so fucking trash. 

[NiNi laughs]

Shan, you're a fan of Shameless. Please explain to the people why this show was so offensive to you.

Shan

For the record, I think I dropped this show Week 4, because I was just so fucking pissed [laughs] about what they were doing with Sailom. 

A little background here: I grew up as a poor person—lived in poverty for like the first 20 years of my life. And I have always had a big interest in stories about class disparity, stories about surviving poverty, stories about families that get through those kinds of challenges because I lived it. And so I'm always very interested to see how it's depicted in fiction. So when the show started, I was so thrilled to finally see a Thai BL that seemed to be taking class disparity seriously? That seemed to want to explore what it actually means when a wealthy person and a poor person are kind of thrown together and have to figure out how to get on the same page across their differences. 

Sailom had some really serious shit set up for him. Him and his brother are in really hard times. They're in deep, deep debt. He's working multiple jobs to try to pay off this debt that they've inherited, and he has this fucking rich bitch bully on his ass, causing him problems, fucking with his jobs, fucking with his money, spreading rumors about him, costing him work! 

I think a lot of people who fell for this show maybe forgot—but I sure fucking didn't—that Kang spread rumors that Sailom was a fucking pedophile, and cost him all of his tutoring students. This is not minor shit that they set up at the beginning of this show to explain the adversarial relationship between these two characters. So I expected them to take it seriously. I expected this to be a serious narrative about how those two could get past those conflicts and come together in a romance—which obviously they were going to. But, that's not what we got at all. 

We didn't get a realistic look at what it means to be poor and to be living with a crushing debt that weighs you down every single day. We didn't get a realistic look at the dynamics between somebody who's grown up like Sailom with the experiences that he's had and the issues that he has to carry every single day, and how he might think about someone like Kang and how he might view him with disdain, and with resentment. We didn't get any of that. We didn't get a realistic look at how these two could come past the initial bullying and the initial things that Kang did to fuck with his life and his money. 

This is life-or-death stakes. They showed us that. Him and his brother are actually getting beat because of this debt on a regular basis. This is not a light issue. And so to set up all of that in the first two episodes, and then immediately pivot, by the third episode, to a bog-standard BL with these two just kind of flirtin’ with each other, and doing all the classic tropes, and Sailom apparently just fucking forgetting all the things that Kang did to him because of one isolated moment? 

None of it made any sense to me. I felt like they flipped a switch and changed Sailom's character from episode 2 to 3, and he never came back. I stopped watching the show in episode 4, but I continued to follow the discourse, so I know that the real Sailom never came back. 

I just don't understand what happened with this show. I don't understand how the same writers could have written those initial episodes and that set up and then carried out the show in the way that they did. I actually found it offensive. I am still pissed off about it! You can hear it in my voice, I'm sure! This was not a joke to me. I was very upset with what this show did. It's inexcusable.

Ben

Kill ‘em, bestie. [laughs]

NiNi

Murder them.

For me, the problem—the main problem with the show—was that the show was about Kanghan and it should have been about Sailom. That's really it in a nutshell. If the show was about Sailom, if it was about Sailom being the main character and you getting into Sailom’s head, and seeing Sailom’s life through Sailom’s eyes, and seeing how Sailom deals with his life, then that's the show that I wanted to see. 

You're talking about the serious shit that's going down. Kang literally shows up at Sailom’s house with a gun! Have we forgotten about this?

Ben

After his friend said, “Bruh, I think the whole gun thing is maybe going too far.”

NiNi

None of these characters are consistent. The characters that are set up in the beginning, the ones that you are interested in, the stories that you think, “Okay, this is what they're setting up.” None of that happens. Those characters vanish basically overnight. 

Saifah was set up to be this kind of charming, feckless older brother who can't be relied upon, but Sailom really loves him. He works with old people, and he kind of steals from them, and scams them a little bit. That's an interesting character. And then one day his debt collector sends a new guy, and the new guy is somebody he went to high school with. And I was like, “Well, this is about to be interesting!” [buzzer sound], I was wrong. No, it was not interesting.

Ben

It's really frustrating, because there's actually a fairly decent small plot in the middle of the show where Saifah has schemed his way into working for the same family. He's been dealing with a work related injury, and the grandma pays for some expensive European medicine for him. He doesn't realize this is for him, and he thinks about stealing it and replacing it with a generic. There’s a really interesting moment where he chooses not to steal from them and then learns that it was a gift intended for him, that is this really decent moment in the show which only further pisses me off. 

Every now and then, this show seemed to understand some of the complex dynamics it was about, and then went right back to fuckin’ it up for no reason.

Shan

I think NiNi is right that the main problem was that the show should have been Sailom’s show and instead they made it about Kanghan, and I don't know why they did that. The first two episodes were clearly rooted in Sailom’s story, and that's what really, I think, threw me.

Ben

Chimon is also the older, veteran actor. Why didn't they believe in him? Like, he could have carried this show. I do not know why they decided to lean on Perth. This is the second time this year they have tried to lean on Perth and it has not been a good choice.

NiNi

I think that Perth is a good actor but he needs a strong lead. He's a follow, but he's a good follow if he has a strong lead. Trying to put him in the lead position? He works best when he's pulling off of somebody.

Shan

Mhmm. If they had let Chimon anchor this, and him follow, I agree with you, NiNi.

NiNi

And then why did they even bother View and June? Why did they make them get out of bed?

Ben

Ohh, are we talking about the teacher-student line between View and June? I'm not.

Shan

I'm so glad I was already gone for that! Whew! I don't even want to know.

NiNi

It wasn't even a thing, though!

Ben

I'm not discussing it, I will not.

NiNi

Listen, honestly, the best parts of the show were, A, the first two episodes, B, everything that Euro did? Euro was great. I loved Euro.

Ben

Okay. I will say that. Let us not walk away from this without shouting out Euro. They do not give big boys a lot of love and respect in this field and, Euro. You did good work, sir. You should have been allowed to kiss—which of the twins was in this?

NiNi

I think it was JJ.

Ben

JJ! You should have been allowed to kiss JJ in this show!

NiNi

I also did not hate Marc and Pawin in this. They were not bad.

Ben

They were not good. [laughs]

NiNi

I didn't say they—I said I didn't hate them, and they were not bad.

Shan

Damning with faint praise indeed.

NiNi

And you know how I feel about Pawin!

Ben

The problem with this is, again, like the pieces were there. But, did you know that a windmill—[all laugh]—cannot function without the wind? If you're tired of this bit in the podcast, watch the show!

Shan

You can only imagine the horrors awaiting you.

Ben

There's a class difference between Kanghan—did you know his name means ‘windmill’?—anyway. 

And so there's a class difference between the two of them. And there's a class difference between Nawa, Pawin's character who's rich, and Guy, Marc's character who was poor. They're friends with the other leads. There was a real opportunity to tell a story about, how do these dynamics play out where people mix? There's an egalitarian aspect to all going to the same schooling system together, even if some of you are there by scholarship, or because your mom works for the place in the case of Euro's character Auto. Marc's character Guy, he's probably there on a football related scholarship because he's an athlete. 

Like there's an interesting thing to say here, but they did nothing with it. It is such a waste of all the goddamn talent on this show, and it was a waste of 12 weeks of my life. This show was bad. This show was offensive. And this show was stupid.

All right, ratings.

NiNi

I gave it a…5.

Ben

Shan?

Shan

Well, since I didn't actually finish the show, I didn't give it a formal rating, but y'all should know that it's, like, a 2 in my heart.

Ben

It is a 3 formally from me. I watched the whole fucking thing. It was shit and offensive. You get a 3 for that.

NiNi

So with 2, a 3, and a 5, I think that pulls you down towards the end of 3.5. 

Ben

Oh yeah, it's bad. 

NiNi

It's not good.

Ben

It's a 3. 

Shan

Do not watch it.

Ben

Unless you need to understand that windmills require the wind to function.

NiNi

[Laughs] Oh, no.

Ben

And let's talk about the fucking ending of this trash piece of shit. The tag of this show is these two characters engaged in sex work play where the poor kid is playing an escort who has to take care of his rich client. 

What the absolute fuck was this?

NiNi

I wanted to vomit.

Shan

I actually can't believe that happened. I saw it. I saw the GIFs on Tumblr, and I thought I was having a fucking hallucination or something.

NiNi

Sex work role play…Okay, anyway. So, on that note—

Ben

It's a chop!

Shan

Well that was a definite chop.

NiNi

Chop.

Ben

Three chops. [slams desk] It's over.

[NiNi laughs]

00:26:05 - Love In Translation

Ben 

On to the next show—oh, good, it finally gets better. [laughs]

Shan

This is a good one!

Ben

All right, great. 

NiNi 

The next show on the list, now that we've gotten that out of the way, is Love in Translation. Ben, what is Love in Translation about? 

Ben 

Love in Translation is a workplace BL in which two characters from different backgrounds come together to run a convenience store in Bangkok. One of them's name is Phumjai. He is a Thai national who comes from a seemingly well off family, who is obsessed with an idol named Tammy. He learns that Tammy is interested in picking up a potential partner in Thailand, but she wants that partner to be able to speak Mandarin and she would like for that character to also be an entrepreneur. Seeing that there's a chance here with Tammy, he decides he wants to formally learn Chinese and goes to a, like, small business association meeting or whatever, to see about starting something up. 

Meanwhile, we have Yang Yan Feng, who is a Chinese national who is here to open up a shop in a very specific point because of backstory reasons involving his dad, I guess. The two of these characters cross paths and don't end up liking each other at first, but circumstances come together, and the only Black character in Thai BL this year ends up connecting the two of them and they form a little shop together. Yang agrees to also teach Phumjai Mandarin and flirt with Tammy on his behalf. Very many hijinks ensue, but this show ended up being one of my favorites of the year. 

Shan, you ended up really enjoying this show. Tell us the things you liked about the show in the early weeks when we were deciding whether or not we needed to give ourselves La Pluie-level brainrot over it to convince people to watch it. 

Shan 

It ended up being really enjoyable. I was a little bit more skeptical going in than Ben. I'm not as inclined to sitcom style in BL as Ben is. Like, I think you kind of find it very comforting and familiar, whereas I kind of feel it's sometimes an awkward match of styles, and so I wasn't quite as convinced going in that I was gonna love it. But I enjoyed it a lot, and I think what I liked so much about this show is that, at its core, it's really just about kind people who are mostly just doing their best to be decent to each other and do right by each other. And they have misunderstandings. And there's a lot of comedy in those misunderstandings. There's silly stuff. There's fights, including physical fights that get pretty outrageous. There's characters making mistakes, but it feels like everybody's really well-intentioned and really earnestly trying their best. And I just think it's kind of impossible not to like a show like that. 

I also just really appreciated that this show—it had a good cast of characters. There was a lot of quirky folks. When I was watching it, I was reminded of shows like Superstore, where it's a little bit sitcom-y, you're in a store, you've got this big cast of personalities that you can kind of call on for comedy bits, as needed. And I thought it worked really, really well. 

And the romance between Phumjai and Yang, it was really nice. They just kinda liked each other once they got past their initial misunderstandings, and they got more comfortable with each other over time as they worked together on this project—on this store. They really got to know each other. 

Phumjai was fixated with this influencer Tammy originally, and he had a really natural progression away from that crush and toward developing feelings for Yang because of the authentic time that they were spending together and the real bond that they were building. And I always just find those kinds of romances really compelling. They're making something together, and that makes them want to be good to each other, and it makes them see the best in each other, and then become interested in each other. And I just think we don't get enough naturally building romances like that in the genre. 

Ben 

NiNi, since we successfully bullied you into watching this show, what did you think of it? 

[NiNi laughs]

NiNi 

It was deathly cute. I enjoyed every single minute of the show. I liked the internationalist perspective of it because you've got Odo and then one of the workers in the store, I think, is part Thai? And then Yang is Chinese, so there's some fun internationalist stuff happening in the show that you don't always see coming out of Thailand. Ngern was there. 

Ben 

Oh, are we talking about that now? For those of you who give a shit, who have been in the genre before 2gether the series, who were there before even SOTUS, Ngern Anupart, who played Earn in Love Sick the series, and also played the lead role in Waterboyy the movie, and was in a terrible Thai drama called Part Time this series, which we all attempted just for him. 

Shan 

Did you memorize that man's resume? 

Ben 

Of course.

NiNi 

He did. 

Ben

Ngern Anupart is back with us in BL, and he's swole now, girls. You should watch. 

[NiNi laughs]

Shan 

I will say, I'm a Love Sick girlie. I did love Earn, the character in that. I love Ngern, the actor. I was very happy to see him in this. His character was perhaps the most annoying in this show. [laughs] 

NiNi 

I loved it! 

Ben 

It was so funny that he was so annoying! I loved him in this! 

Shan 

He played Phumjai’s brother, Phojai, who was a classic overbearing older sibling who just could not let Phumjai have any space to live and learn and make mistakes. He just was so on top of him all the time and making him lose confidence in a way that I think was well-intentioned, but just extremely wrong-headed. Just getting in the way of his brother's success as he was constantly professing his intention to do the opposite. It was a really good storyline, to be clear, like it was really well done. 

NiNi 

It was really great and the other great part is that the whole time he's dating Phumjai’s good friend who also works at the store, and they're kinda working together to make the store a success in the background but they're doing it all wrong. Phojai and Tag are adorable together, but Phojai’s a little closeted. So it gets a little complicated. But overall, it ended up being real cute. There is a fantastic gag with some disguises that I swear to God was so hilarious. 

Ben 

Highlight of the year for me. [laughs]

NiNi 

This show was funny. It was sweet. It was… pretty hot, actually. 

Shan

Right! High heat.

Ben 

This show does comedy really well. The comedic timing of this show is so intentional. It was intentional when they were filming it, and it was intentional when they were editing it. It isn't perfect, but it's intentional and it lands really well. This show was so funny in the early episodes when it was leaning more into the sitcom bits. 

NiNi 

I found it funny all the way through, because I always find some of the humor in the pathos that comes later down the line. Like it was so funny when Phumjai and Yang went on the practice date because Phumjai is getting ready to go on this date with Tammy. And he's going on this practice date, and all he's thinking about on this practice date is, “What does Yang want to do?” 

So he shows up at the practice date with green bread, a baseball mitt, like. [laughs] That's like, so much going on, and I'm like looking at it like, “Oh, this is so sweet and so funny because of course he would bring a freaking baseball mitt because he thinks that Yang would have a good time. This is adorable.” 

And then the end, when Phojai gets kidnapped—follow us, girlies. Phojai gets kidnapped because Phumjai is paying off this debt—there's a little mafia shit going down in the end. But Phojai gets kidnapped for, like, months, and then when they finally pay off the kidnappers and they've released Phojai, you discover that Phojai has actually been kind of running the shit in the mafia for the last two months! [laughs] He’s become, like, a trusted lieutenant. 

Of course you took over, because you are an elder sibling. This is what you do. You got them organized. You made them respect you. I respect that as an elder sibling myself. I was just like, “That's exactly what I would do.” It was so funny. I enjoyed it entirely all the way through. I did not mind Daou’s wig. 

Shan 

Thank you! Can we talk about the wig? This is very important to me. 

[NiNi laughs]

Ben 

No, because first I have to get very serious about how good the show actually was. We will undercut the seriousness of which I will talk about how good the show was with you talking about how terrible Daou’s wig was. 

[NiNi laughs]

So, for those of you who listen to The Conversation podcast, you know that NiNi and I don't always see eye-to-eye when it comes to really huge power dynamic differentials between characters. This show is one of the very rare examples of a workplace set show where the workplace mattered and also the leads were equal to each other. One of the caveats of Thai economic politics is that foreigners cannot hold majority stake ownership in a Thai corporation. So despite Yang's wealth that he brings to the table and determination to open up a store in Thailand, he cannot have majority stake. 

Phumjai, who doesn't bring any money to the table, brings the fact that he is a Thai national to the table. So the two of them have equal ownership in the store—Phumjai slightly has more. We think Phumjai might be a bumbling idiot, but when asked to hire people because Yang, even though he has business sense, he doesn't know anyone. Phumjai actually hires competent people to help out in the store. Yeah, sure, he hired a bunch of femmes, but he hired really competent people to work in their store, and was actively engaged with trying to make the store successful. He was doing rapid iteration of various marketing strategies to try to get customers to engage with their store. He doesn't use the formal language that Yang does, but he is trying his best, and bringing even his own little money he has to try and make the store’s opening as successful as possible. 

His interest in Tammy is also grounded in something real. We thought he was just lusting after an idol, but he had had a weird meet-cute with her when she had visited Thailand as a tourist. She asked him just to show her around because she was a little bit lost, and he basically went on a date with Tammy when she first came to Thailand. So his crush on her wasn't grounded on just the persona she presents in her show as an idol. He had had a genuine interaction with her and connection with her. And when he finally approaches her properly, Tammy is also receptive to his advances. Sure, they get complicated by the fact that this is a BL and she's a girl—she can't win. But she also takes that in stride. She is a character that is not dismissed along the way despite being a girl in a BL. 

This show was legitimately so good at managing its character dynamics and how the characters played with each other. The growth between Yang and Phumjai together and personally was really well handled. This show struggles a little bit on the back end by getting a little bit silly with Yang's debt and the [sigh] mafia shit, but legitimately, this is one of the better shows that aired this year. 

Now let's talk about Daou's wig. 

Shan

Thank you! I've been holding it in so bravely. 

[NiNi laughs]

Shan 

Listen, listen! This is about respect. I need to pay respect to Daou, because that man had to wear this monstrosity of a bowl cut on his head. This horrible wig. The sideburns looked so fake. Every time you got a slight angle on the wig, you could tell that it was just a mop sitting on his head. Somehow he managed to deliver some of the hottest scenes of the entire year while he had that wig on his head. And you know, I just think that that deserves recognition. 

Ben 

Let's talk about the hottest scene of the year. 

[NiNi laughs] 

These people recognized that this was a show set in a convenience store—

Shan

Mmhmm.

Ben

—and they said, “Offroad and Daou,” and they were like, “Yeah, what's up?” “We need you guys to knock down these fucking shelves in this fucking convenience store, banging it out, because it's definitely a kink thing for Yang.” And they said, “Bet.” 

Shan 

In front of the security camera!

Ben 

Yang absolutely has that footage saved somewhere. 

Shan 

[laughs] 100% he does. 

Ben 

I had an absolute blast with this show. This was legitimately one of my favorite shows of the year. 

NiNi 

I must concur, and I actually scored it a 10. 

Ben 

Holy shit.

NiNi 

And the reason I scored it at 10 was that at the end they turned the store into a workers cooperative. So that gets 10 for me. 

Shan 

Bonus points from NiNi. [Shan and NiNi laugh]

Ben 

All right, Shan, let's give it the real drama rankings. 

Shan

I gave it an 8. I loved the show. I had a great time with it. Is undeniably messy, and the writing really went off the rails in the final couple episodes, and I can't pretend that that didn't happen. But I really loved it. 

Ben 

I gave the show an 8.5. The writing does unfortunately get a little bit messy towards the end. They didn't really know how to do the epilogue episode as cleanly as some of the more experienced teams do. But that's me being, like, fair from the drama ranking scale. In my heart, this show is a 9. 

[Ben and Shan laugh]

This show was really good! It was a lot of fun to watch. People should go watch this show. It's a lot of fun. 

NiNi 

I am calling producer privilege to give the show a 9 from The Conversation. 

Ben 

I'm okay with it. 

Shan 

I'm good with it. 

NiNi 

We have an accord. Love in Translation gets a 9 from The Conversation. Daou and Offroad, thank you so much. 

Ben 

If you are a fan of BL, but you say you've gotten burned out on all of the school-based stuff, this is probably one of the better workplace shows. 

But, at least you know, that a windmill… 

[all laugh]

All right!

NiNi 

Moving on.

00:41:14 - I Cannot Reach You

NiNi

Our next show—we have officially reached the Japanese portion.

Ben

Bangers Only section of this episode!

NiNi

The first show that we're going to talk about is an absolute banger: I Cannot Reach You. Ben, what is I Cannot Reach You about?

Ben

Oh, Shan gets this one. 

NiNi

Shan!

Ben

Oh yeah!

NiNi

What is I Cannot Reach You about?

Shan

I Cannot Reach You Is a friends-to-lovers BL about two childhood friends who are in high school together, one of whom is a long-suffering pining gay boy, and one who is kind of an oblivious little chaos muffin. These character types might sound familiar to you, they are very common in Japanese BL. But what makes this story feel a little different is that it really sets out to deal with the deep angst that really comes in when you take friends to lovers seriously. 

This is not a fluffy show, even though it is light throughout, they're really digging into the pain of being in love with your friend, the confusion of feeling your feelings for your friend start to change, the shock that can come along with it. Kakeru, who is the main character here, learns in episode one that his longtime best friend Yamato is in love with him, and this whole show is about his journey to accept and understand that, and then also figure out how he feels about it and how he might be open to their relationship changing. 

It is, bar none, the best friends-to-lovers drama that I've ever seen in the BL genre. It is one of my absolute favorites of the year and on a short list of perfect shows that we got this year in BL.

Ben

NiNi?

NiNi

Well, damn. I love this unreservedly. I have, seriously, no notes. Actually, I have one note and the note that I wrote—I'm just gonna read it verbatim: I Cannot Reach You, to all of Japan, “Hey, guys, I'd like to introduce you all to this wonderful concept called talking. Please look at this adorable story about how talking can make your life better, and even help you find love.” [laughs] And that's my only note on I Cannot Reach You. 

I agree with Shan. I think it's a perfect show. It's so cute. It's so deeply felt. It is so centrally angsty. It had me deep in my feelings in a way that I have not really felt since His - I Didn't Think I Would Fall in Love, which is another Japanese banger that I love. It's a great show, easy to catch up on. It's not very long. It is so perfect. It's perfectly balanced, perfectly paced, perfectly written, perfectly acted. I love it, unreservedly.

Ben

This was probably one of the best shows that I have ever watched in all of BL. Very few BLs actually properly capture the experience of being closeted as a kid in a way that is not triggering. I was closeted—we talked about this on the show. It sucks. Ohara Yamato was in love with his friend Ashiya Kakeru, and he did not make his attraction to Kakeru something that Kakeru had to deal with. It's other people, who are so irritated watching the two of them interact, who intervene and sort of force them to deal with this issue between them. 

But here's the big thing. We can yell all day long about how characters should talk to each other and all this other stuff, and how communication is really important in romance and all these sorts of things. This is very true, but the thing is: when you're queer and you know the consequences of being publicly queer in this horrible, racist, homophobic hellscape, you don't want to force that on your friend. That's the crux of friends-to-lovers angst that is so critical. 

Yamato really does love Kakeru, and he doesn't want to force Kakeru to deal with being queer. They don't say it directly, but that is a huge part of the hang up here. That is so perfectly captured in a way that is not triggering. It is so hard to be gay and alone when you're a teenager. There is a real complex restraint that grips you when you're 17 and gay and struggling, and in love with your best friend, where you don't want to be alone, and you really want to be with your friend. But being gay hurts, and you don't want to be responsible for inflicting that hurt on them, that I connected to directly in Yamato, that is portrayed so, so well by Maeda Kentaro. 

And this show doesn't just do the whole “I love you” thing and then they make out or whatever. Like, “I liked you the whole time!” We watch Kakeru deal with the reality that he has to reframe his own relationship with one of his closest childhood friends. And he ends up finding attraction in himself as well, and he goes through the difficult process of that. That is not a switch that turns on. It's like, “Oh, shit, I guess I'm gay now because your desire for me is so strong.” What this show gets correct is, when you have a friends-to-lovers story, there's the drama of, “This relationship is really important to me, and most romances fail. Do I want to lose one of my critical relationships that underpins my understanding of who I am as myself for booty?” The answer in a lot of cases is no. That's a scary threshold to cross—your bestie is not your partner. 

He considers what this means for their friendship and their relationship, and how there is a genuine need to respond to someone's feelings. That, even if he is your best friend, the way that he's felt like this about you for a long time means you can't just pretend that that wasn't there the whole time. Just because you were wrong about what you were perceiving in your friend doesn't mean you can just bottle it up and walk that shit back. It's so expertly handled in a way that is adorable. 

Like both of you describe the show as cute, and that's sort of the point. This show managed to make some of the most difficult things about coming of age and being queer kind of palatable, and adorable, and really interesting to engage with. And it's so well done, the way that these boys play out the complexities here. 

And then we get to Episode 6, and Shan will remember when Episode 6 aired, because I almost called her on her personal phone line after I finished Episode 6. 

[NiNi and Shan laugh]

Shan

He was like, “sound the alarm, holy shit!” [laughs]

[NiNi laughs]

Ben

I was like, “Shan, There's a BL emergency! Get home quick!”

Shan

I was waiting to watch it until we had all the episodes and he was like, “Nope, no more waiting! Get on it right now!”

Ben

Episode 6 is probably the best single episode of BL of the whole year. Kakeru has a lot of self doubt as part of his character—really well executed—and he expresses that he can't understand why Yamato might like him, and Yamato gets angry about this, and is like, “Don't you know what you're worth?” and he throws Kakeru on the bed and has this moment where he crosses the line with him. And you can see possibly years of restraint breaking, and he kind of scares Kakeru. When he gets his senses back, he scares himself and flees, and has this whole breakdown where he despairs about this. This is so perfectly executed because that's how it feels when you're in the closet and you make a mistake and reveal yourself.

Shan

What's wild is that, that's just the end scene of episode 6. Episode 6 does so much shit even before that. This is the episode where Kakeru and Yamato have this conversation on the roof, where Yamato confesses. At this point they both kind of know what's going on, but Yamato comes right out and says, “This is how I feel. This is what's going on.” And then he does the classic BL thing of immediately after confessing, he tries to walk away because he doesn't wanna stick around to be rejected. 

And, something amazing happens in that scene, which is that Kakeru is like, “Hey, bitch, get back over here! You gotta listen to what I have to say now. You don't get to just confess and then run away.” And I was, like, fist pumping when that happened because it was, first of all, just a brilliant subversion of a classic trope. And he says, “I wasn't gonna reject you. I am still kind of processing this. I'm not sure how I feel about it yet, but I want to think about it. You're important to me.” And I just love that. 

Like NiNi said earlier, “Wow, the power of talking to each other instead of just having your emotional outburst and then running away—actually trying to communicate.” And that's so much of what this show is about. The moments where these two characters are able to communicate with each other clearly and get their real feelings across, that is when they are able to make progress in their relationship, and there are lots of characters in the show who are reinforcing that along the way. 

Hosaka is probably the fan-favorite character. He's kind of the wise queer kid off to the side. He's got his little barrette in his hair. He's watching, he's perceiving, and he's really pushing—quite forcefully, actually [laughs]—the two lead characters to, like, talk to each other and get their shit together. 

My personal favorite side character is Yamato's sister: Mikoto. She is just this quiet presence who has always had her brother's number on this, and knows exactly what's going on, and really chooses her moments to show up and be a mirror to him of what she's seeing, what he's doing, and make him think, and even give him some courage. She even has a couple scenes where she does the same for Kakeru. She's a great sister character of a type that we don't get to see very much and I really appreciated her.

NiNi

This show’s a banger. There's no reason not to watch it. Watch the damn show.

Ben

This show also released the sexual tension in a way that J-BLs very rarely do, particularly not in this lane of J-BL.

Shan

And it did it beautifully. 

And I feel like we should talk a little bit about the visuals of this show. I'm not someone who normally even notices a lot of visual style. I’m a words person. I really am pretty dialogue-focused, and I don't usually notice a lot that's going on with the visual effects in the show, but this one used them so effectively that even I kind of keyed in.

Ben

So this show uses a bokeh effect, which is this thing where you play with the focus of the camera to make these blurry lights appear. This is very common in anime to show that a character is experiencing heightened emotion. Like the emotions are sparkling out of them, and the show color-coded the boys's visual effect to reflect when they were experiencing intense emotion. It’s very obvious to the audience when the moment turns for Kakeru. Yamato is bursting with emotion from the first goddamn episode, and when it starts to happen for Kakeru, we're finally—“Oh, finally, these bitches are both on the same page.” 

The other fun visual gag in the show is, very early on there’s this moment at, like, an arcade or whatever, where Yamato gets a stuffed animal for Kakeru, which is part of him thinking he wants to be with this girl. He ends up keeping the stuffed animal and the stuffed animal ends up becoming the audience stand in. So, like, whenever a moment happens between the boys, they cut to the stuffed animal whose arms they've moved to create a different expression—him either being, like, overwhelmed with kilig feelings about the boys being cute, or aghast feelings [laughs] about something untoward suddenly going on. It's a great running visual gag.

NiNi

This show is awesome. It gets at 10. What were you guys’ scores?

Shan

Perfect 10, baby!

Ben

For those of you who don't know, NiNi and I are far more loose with our 10s than Shan. Shan is a stingy bitch when it comes to 10s.

[Ben and Shan laugh]

Shan

Understatement. I have watched over 400 dramas. I have given out eleven 10s total, but this show is one of them.

Ben

I also gave this show a 10.

NiNi

Okay, so I Cannot Reach You gets a 10 from The Conversation and we are on to the next one.

00:54:43 - My Personal Weatherman

NiNi

The next show that we're going to talk about on this what is definitely going to be a monster episode is My Personal Weatherman. Who wants to take this one? Ben or Shan, who is telling us what My Personal Weatherman is about?

Shan

Ben’s definitely gotta do this one.

Ben

My Personal Weatherman is a very kinky BL where a local weather forecaster has a live-in boyfriend who is an erotic manga artist. They have a very Dom/sub, and they are not very good at talking to each other. They actually do say a lot to each other in this show. They just constantly misunderstand each other—very refreshing for Japan. Segasaki is the weatherman who provides for them. Yoh is the manga artist who is very much struggling. Yoh sees himself as kind of a slave—he doesn't really necessarily enjoy the sort of housewife role he's been placed into, and resents that they seem to only have sex when it [doesn’t] rains? 

He pretends like he doesn't want to have sex with Segasaki, but then he has a whole blow up because they end up in a sunny [rainy] season where it doesn't rain a lot and has a whole breakdown episode where he just masturbates furiously for a whole afternoon because they haven't had sex in a while. It's a very fun reveal that the reason why they don't have sex is because that's what Segasaki thought they needed to do, which has really good payoff in, like, the next episode or two later. 

This show was a little bit complicated to talk about and watch. This very obvious kink dynamics going on in this, but people who are more familiar with Japanese home dynamics say some of this is actually fairly normal for husband and wife dynamics. And the show ends a little bit abruptly, which is part of my consternation with it. I kind of liked a lot of what the show was doing. I unfortunately watch too much BTS stuff, and it was revealed that some of the things that were going on with Segasaki were kind of improvised by a Higuchi Kohei, who plays Segasaki, which I think muddles some of the messaging of the show. 

But before we get deeper into that sort of stuff, NiNi, I know I bullied you to watch the show, and Japanese BL is not always your forte—reactions and thoughts on this show?

NiNi

So you're right that they are communicating, they're just willfully misunderstanding each other. I found that incredibly frustrating. But I still like the show. I did. I did like the show. I think that the miscommunications that they're having, because they are talking and miscommunicating that way, I am less annoyed by the miscommunication. If they were just not talking, it would be like a completely different thing. 

And then I like the settings. I like the side characters. I like the main characters. I like that Yoh cannot cook and Segasaki loves to eat his food anyway. Yoh’s a terrible cook, like terrible, like— [laughs] it's so bad, and Segasaki literally eats everything that Yoh will make with a smile on his face because he loves him so much.

Shan

He ruined a curry. I don't even know how you do that.

Ben

That's really impressive. Curry’s so easy. His curry was crunchy! Gurl.

NiNi

I think the thing that I'm not sure comes across, but in your description of the show, is that they've been together for a while. This show stretches on a little bit. It shows how they ended up together?

Ben

One of the things we got clarification on is like their cohabitation is fairly recent. The offer was made when they were still students, but the cohabitation is recent.

Shan

Which we didn't find out until almost the end of the show.

NiNi

Segaki thinks that he's being clear with Yoh. Yoh, because of, I guess, self-esteem issues or whatever it is is completely misreading the very direct words I think that Segasaki is using, but Segasaki is also being direct, but not entirely clear. So it's not that it's easy to misunderstand, but you could see how misunderstandings could happen. Yoh is kind of withholding even if he's saying things. 

Segasaki is picking up a completely different kind of thing from what Yoh is saying, because he thinks that they're in a loving relationship, while Yoh thinks that they're in a weird master-servant dynamic. So, they're in a relationship. They're just, they're in two different relationships. And so they're talking past each other. 

Yoh doesn't understand why Segasaki won’t be certain affectionate ways with him, and the minute that it becomes that Yoh actually expresses that in a way that Segasaki understands, he completely changes the way that he behaves towards Yoh. And he does do that softness and affection and stuff with him because he didn't know that that was what Yoh wanted. He thought that what he was doing was what Yoh wanted. It's similar to how Yoh is reading Segasaki. 

I found it interesting. Frustrating, yes, I will not deny that I found it frustrating. But I found the way that they chose to deal with the miscommunication trope, which is a big trope that Japan uses—which is a lot of times why I have trouble with Japanese BL, because miscommunication frustrates the shit out of me—but I think that the way that it was used in this show was very clever, and I liked how they move past it. I think that how they moved past it was also very interesting. 

So yeah, I think the show was pretty good. I would score it highly.

Ben

Shan, thoughts on the show?

Shan

So [sigh], sometimes, in BL fandom, I think that we as an audience latch on to the idea of a show, and then kind of give a show credit for our idea of what it's doing instead of what it's actually doing. And this is one of those shows for me. It's not a fave. 

I liked a lot about the show—a lot of the things that NiNi just mentioned—I thought were interesting. Like, miscommunication trope is not my favorite, but it's hugely Japanese for cultural reasons, for language reasons, so I'm very used to it—and I've seen really good executions of it. This show, I feel, did not have the quality of writing that it needed to support the complexities of what it was trying to do with these characters. And that showed through a lot, there were a lot of cracks in this show. 

You kind of alluded to one earlier, Ben, about how there were—what I perceived while watching—there were some inconsistencies in characterization in Segasaki in particular. And we learned from the BTS that that actually probably was an actual inconsistency, because it wasn't in the writing, these differences in how he was appearing in these different time periods. It was something the actor was just trying out on his own, and they kind of just let him do that. 

There were lots of instances of dropped threads or missing context to understand the characters' reactions and things. I read some awesome gap filler, thoughts, explanations, and interpretations of what we could make of the characters behaving in certain ways. To use an old Internet term: that's called ‘fanwanking,’ and that is when the fans of a thing have to do a lot of extra work to figure it out and explain it because the show has not done that work itself. And that, for me, was kind of the bottom line with this show. It didn't do all of its work, and I think that a lot of us were so intrigued by the premise—were so into the visuals of the show, liked the pair, liked the characters enough, to fill in those gaps and still really enjoy it. But for me, the show didn't get to the level of quality that it was aspiring to, and it didn't quite work for me, in the end. 

On top of some of those gaps that I think were kind of there throughout the show. You said earlier, Ben, I think, that it ended abruptly. It's not just that it ended abruptly, it didn't finish its story. It felt very unfinished. To me it felt like an intentional grab for a season 2—a play to try to get the fans wanting more so that they could maybe get funding for a season 2? And hey, if that's what they're going for, power to them. I hope they get the money. I'd really like to see them finish the story. But, I would have liked more if they would have actually finished the story initially that they were trying to tell. This show for me, it tried some things. It was interesting. It was enjoyable to watch.

Ben

[laughs] She said, “Girl, you tried.”

Shan

It’s a little bit of a Girl, You Tried for me! I'm not gonna lie, it is!

Ben

Here's what I'll say. I don't think all of the pieces of the show work together as seamlessly as they wanted them to. However…I don't care. [laughs] 

I liked what the show is trying to do. I really liked the really messy relationship between them. I like that Drama Shower went with a show about two people who are trying to be together and failing miserably at it. I do like what the show was attempting to do. I find myself far more forgiving to the show because it was trying things that BL doesn't do very often. I also just really liked episode 4, where Man-san comes to their house.

Shan

Yes, let's talk about Man-san, best character in the show. [laughs]

Ben

It was one of my favorite moments of the year, the bit where she knocked at the door and Yoh panics, and Segasaki’s  like, “Oh so she’s here?” and he starts stretching. He's like, “Don’t worry.” Like he’s ready to fight this woman [NiNi laughs] who he believes that Yoh was having a secret romance with on the side, and then the door opens and—she's been a Segasaki stan for a while. And they have this really great comedic overlay of [laughs], “Oh my God. I'm at my idol's house.” And all he does is charm the shit out of her for the whole episode, and piss Yoh off because he thinks Segasaki's flirting with her. 

I had so much fun with this show. This is the closest I come to a vibes rating. I tend to be forgiving with shows that are trying things that are fresh in the genre—or at least underexplored. And so, we’re mostly rating this show on the fact that it executes high heat in a believable way, for the most part, and was generally a really watchable eight weeks. I had a lot of fun with this show.

Shan

Mmhmm. I hope they get their season 2. I wanna see them finish it.

NiNi

I ended up giving this an 8. I think it was pretty good. The parts that I liked I really liked, and the other parts were just kind of a meh for me. ‘Meh’ is always going to be worse than ‘bad,’ for me anyway, unless it's offensive. So it drags it down from what could have been a 9 to an 8 for me. 

Shan, how about you?

Shan

In a shocking twist, I gave it a higher score than NiNi. I gave it an 8.5. Maybe because I, like you, Ben, appreciated what it was trying to do and wanted to give it a little credit for that.

Ben

I gave My Personal Weatherman an 8.5. So it can get an 8 from The Conversation. It's fine.

NiNi

So My Personal Weatherman gets an 8 from The Conversation, and on we go.

01:07:01 - If It's With You

NiNi

Our next show that we're talking about is If It's With You.

Ben

Oh! We're back to bangers! Let's continue!

Shan 

I got it!

If It's With You is about Amane, a high school student who fucks… You want me to say more than that?

Ben

No. You are correct, bestie, and this show is perfect. 

[NiNi laughs]

This show opens up with a high schooler having ill-advised sex with an older character, who's about to move to the countryside with his grandma. And his last hookup is like, “It's been really fun tearing that ass up. But maybe, when you move to this little, small seaside town, you can have a normal high school romance.” And he scoffs at the notion of someone like him ever having a high school romance, but little does he know he's in a five-episode MBS BL, and that's exactly what's in store for him! 

And it's great! He moves to the little seaside town. He immediately runs into a really hot guy who's super sweet, falls for him, and it ends up being mutual.

Shan

I like that this show is a twist on the classic romance trope of goin’ to a little seaside town, meetin’ someone unexpected, fallin’ in love. Like, there's hardly a more classic romance trope—we've all seen it a million times. But what was nice about it is that we had this young character who was already kind of jaded, and just didn't think that love was something he was interested in. And we got to see him form a really genuine connection with somebody—that was initially based on thinking he was hot and wanting to fuck him. Yeah, Amane definitely wanted to have sex with Ryuji. He made it kind of clear. 

One of my favorite things the show did was Amane is not in the closet. He's not ashamed of who he is, and he made sure that Ryuji knew, first that he was gay, and second that he wanted to be physically involved with Ryuji. He told him that straight up, and kind of braced himself for rejection because, as we learned, he had been rejected for that in the past by other friends. And then we get to see Ryuji react to that, and process it, and be like, “Okay, that's cool. I don't know that I can really reciprocate that right now, but I want to keep hanging out. Is that alright with you?” What a cool response to that. What a way to be, Ryuji, I love that! And then we got to just see them build a relationship from there. It felt very genuine.

NiNi

Amane is one of my favorite types, which is a masking sad boy. He's a sad boy who is pretending to be happy, and pretending to not care. Basically, he's putting on this front of being carefree when he's actually a very sad, very hurt boy, and Ryuji clocks that immediately and tells him, “Yo, you don't gotta do all of that around me. It's fine if you’re sad.” At that point I was not only in love with the show, I was in love with Amane. 

In fact, my only critique of the show is, I think, at the very, very end it pulled its punch. But… basically, Amane is one of my favorite characters of the year, and there's so much about Ryuji, too. Ryuji is a kid who's lost his dad, and he works with his mom in the restaurant where his dad used to cook. Literally, his dad is the one who taught him to cook, and now he cooks in the restaurant, and sometimes he doesn't go to school because he has to work in the restaurant, and his house is a little chaotic. But there's one corner where his dad's shrine is, which is spotless. 

Guys, if I start thinking about this show too much, I'm actually gonna cry. I think the show touched me somewhere very deep, and it's a thing that I'm still thinking about, even if, as I said, I think it pulled its punches a little bit at the end, it stayed with me. Also, some of the greatest set design. Y’all know I love Japanese set design. It's a fantastic example of set design.

Ben

Continuing the conversation we had with I Cannot Reach You about how it's very difficult to be gay when you're young. Amane tried to have the youth thing that Heartstopper indicates that we could potentially have, and Amane is crushed for it—the way many of us are crushed—accidentally! The best thing about the way Amane gets crushed is that his friend crushes him without realizing he did—excellent gay angst. Top tier. I feel the old wounds festering. It's great. 

NiNi

[laughs] Why are you like this?

Ben

[laughs]

So Amane is not well, and he's doing what many of us do: he skips it. Gay people who are closeted do not get to have high school romances. We don't get used to people perceiving us and what it means to be a couple. We skip so much of this, and then you become an adult, and these anonymous hookups—that are not very meaningful—and they can feel weird, because you're trying to be vulnerable with someone, and they don't want that. And it sucks to try and have intimate moments with other gay people that feel like transactions. It makes you feel cheap about yourself, and Amane understood that. And he's gorgeous. He's a funny, thoughtful, heartfelt little boy, and he already thinks he is just someone else for other people to hook up with.

Shan

I just want to say NiNi’s right that they pulled their punch at the end, and it's why this show isn't perfect for me. I loved it a lot, but the show started, as we’ve mentioned, with a character for whom sexual intimacy—sexual desire—was a big part of just how he lived, how he thought of himself, what he liked to do. And I don't like it when shows explicitly or implicitly imply that serious relationships, true love, do not have a sexual component. That sex is something salacious and dirty, and that love is something pure. And I think, because the show pulled its punches at the end here on the sexual relationship between Amane and Ryuji, I think that's a little bit of the implicit message that they put out there. And I don't love that. So I do have to ding them for that. They didn't finish strong.

Ben

I do agree in that regard and it was very unfortunate for this show that I Cannot Reach You finished, like, two weeks later. [laughs]

Shan

It really didn't help this show that I Cannot Reach You came up on its tail and did it better.

Ben

I really like the show. I really like the way that it set up a very initial premise of “maybe you should try a real romance, kid.” Like, you're still a kid. You can still have a good romance. It doesn't matter that you failed once: A great message to all the little gays out there, old and young. You can still have worthwhile romance. Shiro got to have a great relationship with Kenji at like 47!

Shan

There it is! I've been waiting for it! It's amazing! You made it two hours without it. Two whole hours before you did it.

Ben

I was trying so hard, bestie. I really was. I was really trying not to mention What Did You Eat Yesterday? in this episode. [laughs]

NiNi

I knew once we hit Japanese BL, it was only a matter of time.

Ben

I was trying so hard, y’all. Like, they were talking about the way this man couldn't cook, and I was like, “Ooh, I can't mention What Did You Eat Yesterday?” 

[Ben and Shan laugh]

Y’all got me so conscious about my favorite show! They dragged me, y'all! They ate me up! They tore me to pieces! 

But seriously, in terms of, like, messaging, I agree. They muddled it a little bit, but I really like Amane's arc. 

It's good! One of my favorites of the year. Let's go around the room. Ratings! NiNi?

NiNi

I give it a 10.

Ben

Shan?

Shan

I gave it a 9.5.

Ben

I also gave it a 9.5. I think it is a Conversation 9.5 because we all agree that it muddled the waters on Amane’s relationship with sex as it pertains to Ryuji.

NiNi

I concur. So, it's a 9.5 from The Conversation for If It's With You.

01:15:38 - Absolute Zero

NiNi

And now we are into the shit. [laughs]

Ben

Oh, oh shit! Oh fuck! It's two hours into this! I have almost finished my daiquiri. I am drunk. 

[NiNi laughs]

Let's talk about Absolute Zero!

NiNi

You're gonna get exactly three minutes on Absolute Zero, okay?

Ben

Oh, sure, that's all I need.

NiNi

I'm not letting you get into another New Siwaj thing. [laughs] Should be easy, because I didn't watch it, and Shan and Ben did not finish it. Ben, tell us what Absolute Zero is about.

Ben

Absolute Zero is a time travel BL in which a gay man in his 30s… No, he's technically 26. Oh my God. A 26 year-old gay man! His partner, who he lives with, has an accident. He's in a coma. He's having a bad time. And then a magic taxi takes him to the past, and then he does nothing for six episodes except date the younger version [laughs] of his boyfriend, and confuse the fuck out of them. And then apparently a bunch of time travel nonsense happens after this, and I had to be forcibly dragged off of this show [Shan laughs] because the clowns were worried for me. 

We don't need to talk about the show. Shan, you don't need to talk about it? NiNi, you don’t need to talk about it. I'm gonna look directly into the camera. 

[NiNi laughs]

New Siwaj, you had multiple opportunities this year to do something meaningful. I have had to sit here across from NiNi for over a year as Tee Bundit has put out three different shows, 2 and one half of which I thought flopped in one way or another. [Shan laughs] You had multiple opportunities to give me something useful to talk about with NiNi on this podcast, and you failed me, sir. 

This was your chance to do Until We Meet Again-style BL again, and you should have given us all something sad and melancholy to reflect over as a real good capstone of this year and you [starts yelling] fucking blew it for all of us! 

I cannot believe you, sir. You've wasted so much of our goddamn time. I cannot believe you embarrassed me on this podcast like this. 

[NiNi laughs]

Shan

New Siwaj is having whatever the opposite of a renaissance year is. 

NiNi

Ooh.

Ben

So bad. Like, you should have thrived under these circumstances. This is your bread and butter: caring way too much about little shit, but you didn't get any of the big shit right. This was a terrible experience. Literally, only two other people we know of finished your goddamn show.

Shan

And they hated it, every minute!

Ben

They had nothing positive to say about it. For over two months, this was horrible. What an absolute waste of genuinely good talent at every level of this production. Reportedly, everyone gave decent performances, and you wasted them on this empty drivel. What the fuck was this? You had four years of having the rights of the story. You had the actual writer of the novel on staff helping you write the goddamn script. And it was still this stupid empty mess, which apparently ends at none of it really occurring, but everyone having some sort of form of temporal PTSD? Like this was a 12 week Star Trek episode? What the absolute fuck was this?

[NiNi laughs]

Shan

I have nothing to add. 

NiNi

Hydrate, baby, hydrate.

Ben

Oh, girl you know I got my water right here. 

This show gets no rating from The Conversation. We DNF’d this show. We will never be going back to this show. 

I will allow the rest of you to offer additional commentary. Proceed.

NiNi

So, Ben, is this breakup gonna stick?

Shan

Yeah, right. 

Ben

We have talked about this girl. 

[NiNi laughs]

He's got a whole college BL with all of the B- and C-listers at GMMTV coming out in the spring. I gotta watch this fucking shithow, don't you worry. 

[Ben and NiNi laugh]

Shan

There never has been a break up, and there never will be a breakup. Let’s just be clear.

NiNi

They’re the couple that fights in the street, and then the next day they're all boo’d up. I hate you so much.

Ben

We are what they thought they were doing with Cher and Top in Only Friends.

Shan

Mew and Top.

NiNi

[laughs] I’m so mad that you called it Cher in Only Friends!

Ben

Oh, Mew and Top. Right, right, right, right, right, right. 

[NiNi laughs]

It gets a 0 from The Conversation!

Shan

An Absolute Zero.

NiNi

An Absolute Zero.

Ben

Oh man, I didn't make another windmill joke during If It's With You—If It's With You is about how— [laughs]

A windmill!

[laughs harder]

NiNi

I am so done with you. I am moving on. We are moving on.

01:21:05 - My Dear Gangster Oppa

NiNi

We're moving on to—I am just calling it ‘the main event.’

Ben

No, no, I'll do it, because you have to describe this one. You're gonna take this L, bestie.

[NiNi laughs]

On to our next show: My Dear Gangster Oppa. NiNi, tell us about [laughs] My Dear Gangster Oppa.

NiNi

My Dear Gangster Oppa is the B-movie’s B-movie. My Dear Gangster Oppa is a Thai BL based on a Korean webtoon that I have not read—because I never read these things—but I do know that it's based on a Korean webtoon, so I get a point for that. It is about the titular gangster oppa, Tew, and the titular dear, Guy. 

They meet playing some kind of mobile game virtually and they somehow become sort of close, or at least close enough that when the gaming team decides that they're going to meet in real life, all the other gamers are like, “Guy, you ask Oppa to come to the meet up, because he'll come if you ask him to.” Well, at that point they thought it was a her because Oppa plays with a female avatar because of reasons.

Ben

Naive assumptions.

NiNi

[laughs] The point of the matter is Oppa’s a gangster, like legit—guns, beatings, stabbings.

Ben

He has murdered people!

NiNi

He has absolutely killed people, and Guy is just a sad gay boy in love with his bestie since high school… 

I'm sorry guys, I'm doing a terrible job of describing the show.

Shan

It's not you, NiNi, it's the show!

Ben

I'll back you up. It starts off as a show about gamers, and two of them falling for each other, and then decides to become a shitty mafia BL.

NiNi

[gasps]

Shan

A boring mafia BL.

Ben

There it is. It becomes a boring mafia BL.

NiNi

Shan and Ben are stabbing me through the heart right now. I just want to let you, the listeners, know.

Ben

Well, how about you climb over the wall wearing your kneepads and drop onto—[Ben and NiNi laughs]—the mattress?

NiNi

That's why it's a B-movie’s B-movie, Ben!

Shan

No, listen. NO!

NiNi

Okay, the show had—the show had ideas.

Ben

Did it?

NiNi

It had ideas. Some of the ideas were really good. The execution of the show is terrible. Some of it is terrible. I—okay, it's all terrible by accident. Like none of this is done on purpose. Do not get me wrong. It is very, very bad.

Ben

They hired the most juiceless boys, and then pretended that they had juice. That was not good. Like if you had— 

Oof. I have my own read. Finish talking about your little show you had fun with before I cut it to pieces.

NiNi

This show is not good. It's not good. I am not defending it on any type of quality grounds. I just enjoyed the fuck out of it. That's all I'm saying. It was trash. You could see all the seams, as Ben has intimated. You can see the stuntee's knee pads and elbow pads. You can see them throwing themselves off of things and falling onto the barely-hidden mats. Oh my God, it's so bad. It's so bad that I laughed my ass off for eight weeks. I'm sorry, I had a good time.

Shan

Let me give NiNi some credit. I just binged this show this week, and I was genuinely having fun with it for the first half—the same vibe that NiNi’s talking about. Like I was, like, “This is hilariously bad, but it's kind of funny.” 

[laughs] We have to talk about the bright orange scar makeup. 

Ben

Do we?

Shan

Did they not have red or black in their makeup kits? They put these fucking neon orange scars on him [laughs], and it was the worst thing I've ever seen. But it’s like, that kind of shit is funny, it was a good time. But the show's biggest sin to me is not that it wasn't good. It was never going to be good. It's that it got so fucking boring, because it abandoned all the funny elements—the fun and silly and wacky things it was doing in the beginning with, like, the gamers—and treating the difference between them in some ways so seriously, and in some ways so deeply unseriously. That dichotomy was kind of fun. 

But then in the second-half of the show, it becomes all about this fucking mafia plot, and it was terrible. Like, it—it was terrible because it was so boring. The energy just sucked straight out of the screen every time I had to sit through these long ass scenes of Oppa talking to these different mafia guys about what they were mad about and why. I never gave a single shit. It was horrible. And that is why the show pissed me off, because it was fun, and then it decided to just be this dull nothing. 

This show, like Oppa, needed to quit the gangster life.

NiNi

[laughs] When I tell you, I actually screamed. Like, my sister had to come check on me.

Shan

It was all downhill from that line. That was the peak of the show.

NiNi

[laughs] How dare you? The show had a budget of $47.18 and it spent all of it on that scar prosthetic.

Ben

I watched this with Aiden, who you may have heard on the I Told Sunset About You episode. Aiden could not remember Tew’s name, and once he started wearing those horrible suspenders [laughs] Aiden just started calling him Urkel for the rest of our watches. 

NiNi

Now you see, that's fun.

Ben

Shan refused to learn his name and just called him ‘Oppa’ the whole time.

Shan

I stand by it.

NiNi

It's the B-movie’s B-movie. It's like B-exponential, like B-to-the-power-of-B. Okay, I'm sorry. I am that girl.

Ben

You heard many a Gay Rant from me over the last year. New rant unlocked for The Conversation: Gamer Rant.

NiNi

Oh, no.

Shan

Oh, boy.

Ben

We don't talk about this on the podcast, but I have a very long history of being very involved with a very specific video game. I have deep and meaningful relationships with other gamers. I was the best man at a gamer wedding where sixteen of us showed up. We were deep at that wedding—we had our own goddamn table. And I showed up as the only representative at a smaller wedding to make sure that one of us was present to witness the event. 

Gaming relationships are so important to me because when you're a weirdo and you don't fit in, It's easy to become close with people very quickly online because you're anonymous. They don't know anything about you. This show ends up abandoning all the interesting things about this weird collection of people who had found each other through this game, and decided to meet up together and extend that relationship into meatspace, to then become the weirdly worst mafia BL we've seen in a while, which was so twisted because the show clearly likes action film, and then embarrassed itself trying to mimic them. And clearly cared about violence, because Tew has a legitimately violent history that is handled with far more seriousness than even something like KinnPorsche did. 

There was so much that was way more interesting than being a shitty action schlock BL that this show could have been by starting with the gaming component, and it was legitimately infuriating for me to see this show use it as a cheap way to say these guys know each other, to then do nothing interesting with the mafia shit. 

I hate this show, so much. This is one of the worst shows we watched this season because this show could have been a fun action schlock B-movie if it was a fucking movie. But it asked for eight fucking weeks from me. I spent eight hours with this motherfucker—I had a lot of time to think about this shit. This show sucks way more than it even realizes that it sucks, and that's really the sad part about it all. This show is one of the worst [laughs] shows I watched in this season and I hate it.

NiNi

Shan, Ben is gamer offended, among other things.

Shan

I do think this show would have been a lot better if it was about the gamers instead of about the mafia.

Ben

There was a real opportunity for them to just only talk about their team stuff and for all of Tew’s gangster shit to be lore going on in the background, cause when you're hanging out with your homies online, their real lives are lore. Like, NiNi is in school. That means nothing to me.

[NiNi laughs]

“Is she gonna be present for this show? Oh, wait. No. She's gotta worry about, like, her real life stuff with her family or her school or our podcast. Well, shit, NiNi's busy. I guess I can't bug her to watch this tiny Taiwanese BL that I really like. It's not that important.” 

Shan does really cool shit in her real life. That means nothing to me! “Shan, are you available to watch this Japanese BL that I really like?” That's all I care about.

Shan

Always bestie, always.

Ben

That's the point. Gaming friendships—we don't really know what people do in their day-to-day lives. Like it would have been legitimately funny if Tew was, like, never lying about shit. Like, “Yeah, we just had a really weird stuff. Like, a guy came into the store. I had to, like, beat the shit out of four guys. I might have killed one of them. Whatever. We got rid of his body.” And they would be like, “Haha! Whatever! It’s time for practice.” If they had legitimately focused on whatever gaming shit they were concerned about and all of Tew’s mafia shit happened in the background as just fan fiction we all made-up, this would have been a fucking excellent show. 

But instead it was this disaster that ended up offending me way more than I expected it to. Fuck this show! 

On to Wahl, who was one of the characters I hate the most this year. Oh, I got words for that motherfucker. Don't think we're getting out of this recording without me going off about Wahl. Fuck that dude. I hate this dude so much. This character is not redeemable to me. Wahl only cares about Guy at the point at which Guy remains under his control. And the grossest thing this show did was have him accept that he can no longer control Guy, and then imply that he ends up with another guy at the end to perpetuate this cycle he has. He is so fucking vile. I hate him so fucking much.

Shan

I would just like to say that I concur on Wahl. That guy fucking sucks, and I hated him from maybe the second episode.

Ben

As soon as he did that stupid seal dance, I was like, “I hate this man!” [laughs]

Shan

You are done.

Ben

I'm like, “That's not even a whale, you stupid son of a bitch! Get outta here!”

Shan

He was a shitty friend, and as always, I got salty about him being forgiven without having to pay any consequences for his shitty behavior.

NiNi

We all agree that Wahl sucks. [laughs] We can agree on that. [laughs]

Ben

Does anyone have anything else to say about this terrible show before we move on?

NiNi

I am continuing to defend it. I will give it a 6.5.

Ben

Shan?

Shan

I gave it a 5.

Ben

I gave it a 4.

NiNi

So, Shan, by The Price is Right rules, you win [laughs] and the show gets a 5.

Shan

Feels right.

01:33:32 - Middleman's Love

NiNi

Moving on to our final show, and the one we all just finished today—well Ben and I finished. Shan watched the beginning and the end, which I think is a delightful way to watch this show.

Shan

I am very happy with my choices.

NiNi

So we all watched Middleman's Love. Yes, you might have heard me say on an earlier episode of this podcast that I would not be watching Middleman's Love. However, you should mind your business, because just because I said it doesn't mean it's happening.

Ben

I say I break up with New Siwaj every single season of the show. [NiNi and Shan laugh] It's whatever. We don't care.

NiNi

So I watched Middleman's Love, and I have actual real thoughts. But first we gotta tell the people what Middleman's Love is about. So, Ben, take it away.

Ben

Middleman's Love is a spin off from Bed Friend. Jade is a middle child and used to being overlooked by his family and his friends. They've got some interns at work. He doesn't realize that his intern has an enormous crush on him, and so is using his fudanshi eyes to try and hook him up with another intern, and slowly comes to realize the intern actually has legitimate feelings for him as we unpack Jade's own hang ups as it comes to love. 

While there are a lot of things I ended up enjoying, the show attempts to be comedic in a way that was really divisive and it ends up being kind of a mixed bag. Bed Friend is a really dramatic show, and while I don't think all of us currently here agree about how well Bed Friend did these things, Middleman's Love as a really comedic tonal shift doesn't always work because they're relying on Yim to be comedic as Jade in a way that makes you ask legitimately as Shan likes to say, “Why would anyone want to fuck this man?”

Shan

[laughs] Well, I did wonder why anyone would want to fuck this guy.

Ben

And that is honestly a legitimate question to ask early on in this. This ends up getting a little bit of Cheewin’s stuff—and I’ll let NiNi have that part—’cause she's much kinder to Cheewin about this than I am. But that's basically the gist of it. Jade is a middle child who's used to being overlooked and playing supporting role to other people who comes to realize that he can have love, too. 

NiNi, your thoughts on the show?

NiNi

That's it in a nutshell. I have a lot of thoughts on this show because it helped me clarify a lot of things about Cheewin. 

Now I get to say some lore and some BTS stuff because I know things too, Ben. This was originally cast with Jimmy and Tommy, with Tommy as Jade and Jimmy as Mai.

Ben

That would have been way better. [laughs] That would have been way better!

NiNi

Hold on. Hold on. Let me finish. While I think that Tommy would have made a better Jade, I actually prefer Tutor’s Mai to what we probably might have gotten out of Jimmy. 

I have a lot of Cheewin feelings about this show, because some of the things that I enjoy about Cheewin is that he likes to examine artifice and performance, and the things that we're hiding when we put on these big personas and personalities. And he explores that through a lot of sometimes-cringey humor, which I really like. It's the Secret Crush on You thing. It's certain parts of Make It Right. It's certain bits of Bed Friend? 

Basically, Cheewin likes to look at artifice and then puncture it. Cheewin likes to look at what makes people present weird and unpack that, and he likes to unpack that using sex because I think that Cheewin thinks—and I kind of agree—that sex is a revelatory experience. I suppose you can hide while you're having sex, but it's incredibly difficult, especially if you feel something for the person that you're having sex with. I personally find it interesting to watch that. 

I think that this show was miscalibrated, and not just in the acting or the tone. Unlike a lot of people, I actually do like cringe humor and some of the slapstick that we get in Thai comedy. I actually enjoy that stuff. It doesn't put me off. I think that the way that Cheewin uses humor in Middleman's Love is way better than how he used it in Bed Friend, and how he built it in Bed Friend. I think that the humor here, the comedy here, has done better. I think that Yim is not great at the comedy, and since Yim's character is the central character of Middleman's Love, it doesn't work. 

Plus, the story doesn't need eight episodes and Ben and I often talk about when something's too long, because I like a long show—Ben does not. This story was eight episodes and I think it could have been done in four. I like parts of the show. I like some of the things that the show is trying to do. I think that it mostly does not succeed.

Ben

Shan, you watched the first episode. [laughs] You were horrified by bobble heads in the intro—

Shan

[moans] I still have nightmares.

Ben

—and the general cringey humor. And then you came back for the finale. How about you talk about your experience with this show?

Shan

Definitely accurate to say that I bounced hard off this show after watching the first episode, and I definitely wasn't alone in that. In talking to other people we know who are watching it, a lot of folks had that reaction. 

NiNi has already touched on why—the humor was not quite calibrated correctly, and the performer who had to hold up the whole show wasn't really up to the task, unfortunately. That's just what happened here. And so, for some of us, I think getting through that super uncomfortable cringe humor with a performer who wasn't quite able to carry it was just really difficult. 

I struggled through the first episode. The bobbleheads really got me off on a terrible start. I hated those fucking things [laughs]—they still haunt me. And just throughout, I didn't really understand what I was supposed to be taking from the way Jade was being presented to me. He didn't feel like a real person. It was way too much. I didn't understand why this hot guy in the office was supposed to be looking at him with interest, given what we had seen of him. It just wasn't computing for me and I wasn't buying it. 

I didn't intend to fully drop the show, but then the following week I left on a long trip. And while I was gone, I missed the next three episodes. By the time I got back, I was just like, “You know what? No, I'm not taking this back up. I'm just gonna wait and see what you all told me after it finished.” And so, I kind of knew the show wasn't for me, but I wasn't opposed to the idea of it. I like an ugly duckling story. I like a story about someone finding their confidence and being able to accept that they are worthy of love. Like, that's a worthwhile story to tell. And so I'm not anti-The Middleman's Love. It just didn't quite work for me. 

The show finished this week. I decided to come back and watch the finale, just to kind of see where it landed, and [laughs] I actually think that was a great way to watch the show. If you, like me, are just not into the show's style and humor, you can watch the first episode and then you can watch the last episode, and you really won't miss any narrative beats—like it's super clear. The plot is very straightforward. You will be able to pick up in the last episode and understand everything important that has happened, and why the characters are where they are now. And you'll get to see Jade and Mai kind of settle into this relationship. 

And I thought that was nice. I enjoyed watching the finale. I liked getting to see a Jade who had seriously toned down some of the quirks of the first episode—a Jade, who seemed a little bit more confident—but still the same character. And I really enjoyed what they did with the physical intimacy in this episode. 

First of all, let me just give a cautionary note. If you are not watching this show on iQIYI, you are not seeing the whole show. I watched the finale on Gaga and got to the end and was like, “Where are these sex scenes that I heard about?”

Ben

The trust that Shan has in me [Shan laughs] she watched the whole show cut and was like, “Ben would never lie to me about sex scenes.”

Shan

You told me there were sex scenes in this!

Ben

“He used the Rihanna GIF. There is sex in the show.” [laughs]

Shan

And I will find it! So I did find it. [NiNi laughs] I went to iQIYI and I found it. So definitely watch it there. 

But I loved what they did with it because they really used the intimacy scenes well to convey these two settling into their relationship to convey Jade over time becoming more comfortable with their physical intimacy—finding his own power in it, finding his own agency in it. The performers did a great job on those scenes. I was incredibly impressed by it, impressed by the show's ability to take those characters from point A to B like that. 

If this show maybe wasn't entirely for you—if you, like me, dropped it in the beginning—I'd say maybe dip back in for the finale and enjoy a good time.

Ben

I like the idea of Jade a lot. I like the idea of a character who's had negative experiences feeling like he doesn't get priority from his family, ‘cause he's not the oldest and he's not the baby, not expecting a whole lot. And I like the idea of Jade having two really fucking hot friends in King and Uea, and just getting used to people being more interested in them, so not really seeing himself as a priority. And then he had like one relationship where he was literally told, “You were so weird and disgusting that no one wants to be with you.” 

I kind of get it with Mai. It structurally works. Mai is very pretty. He's generally very good at his job. He's kind of charming, but not overwhelmingly so. He's just naturally very pretty and nice to people, and fairly amenable and good at what he does. And he's really into Jade because he thought Jade was really kind and competent the first time he saw him. The flavor of this could have been correct, but then, like, they added way too much sugar. It’s just not great as a result. 

It's frustrating because Cheewin's ideas, as they're exemplified through the characters created for this show in Gus and Tong—and what he does with Jade and Mail—work really well. But the show is unfortunately really inessential. The people who watched this show were coming from Bed Friend, and I don't feel like this show really plays well as a Bed Friend extension or side story sort of experience. I think a lot of people brought the wrong energy to this show, and it took us weeks of recalibration to find something meaningful in it. And I don't think it finishes strong, because while I appreciate Cheewin’s giving the gays an extended boyfriend epilogue, an hour of watching people just be kind of cute boyfriends with no real drama on the table is kind of boring to watch in a TV show? And there's way more drama in watching people try to be boyfriends and deal with the consequences of actually being together. 

There's a great moment where they talk about their past exes and what that means for them, what they're bringing to the current relationship. How they want to handle drama going forward. I thought that was really good. I thought the fact that Jade asked for sex was really good, and then he got it. I don't approve of Mai biting that man's motherfucking glasses—

NiNi 

[laughs] I approve!

Ben

—and then tossing them around.

Shan

Ben, he licked his glasses off! Licked! [NiNi laughs] It’s a very important detail! I don't want you to get it wrong!

NiNi

[laughs] Shan, I don't know about you but personally I approve.

Shan

I did approve. I was very into that!

Ben

I actually liked when Mail wore the glasses in the second sex scene we got.

NiNi

Yeah, yeah, yeah, yeah.

Shan

A lot of good glasses material in these scenes.

NiNi

Top-tier, absolutely no notes, no complaints there, none whatsoever.

Ben

This show was a lot of fun when it wanted to be. And when it wasn't, it kind of sucked. NiNi, you don't spend a lot of time in the pulps, but My Dear Gangster Oppa and Middleman's Love? This is what the pulps are like. There are things that are worth talking about, and then there are things that are not. These shows are almost always kind of bad, but there's kind of something interesting that won't happen in the big network shows.

NiNi

I have been convinced into pulps before. I have enjoyed pulps before. We have discussed this before. I am not opposed to a good pulp, but it's gotta be a good pulp. The flaws of these two shows aside, I had a really good time with them, and I found things not just to enjoy, but also to give me a little bit to think about. Not like a ton to think about, granted, but they give me stuff to think about in both of these shows. And, for me, that's why I landed up more or less in the same place with them. 

I gave Middleman's Love a 7. I think that's a perfectly reasonable score for it.

Ben

I gave this show a 6, not because I think it's bad or necessarily boring, but as I've explained with my rating system before, a 6 means the show is not offensive but I really truly think the only people who gain value from giving this show the eight hours-plus that it asks for is people who really give a shit about BL as a genre.

NiNi

Shan, what about you? How are you rating your short version BL cut?

Shan

I mean, obviously I didn't fully watch the show properly, so take it with a grain of salt, but this feels like a 6 show to me. That's what my heart is telling me it's a six.

NiNi

I will allow y'all to fully average down to 6.5 under protest.

Ben

That's not how math works, but okay.

NiNi

Listen, we gave up on math a long time ago on this show. Okay, just accept it and move on.

Ben

I think 6.5 is fair.

NiNi

If you like cringe comedy, I'm not saying that this show does cringe comedy as well as some other shows have done cringe comedy. And I bring up here Secret Crush on You because it's by the same creator, and it is some pinnacle cringe comedy—like some fantastic cringe comedy—that is just not replicated here. But if you like cringe comedy, there's something in here for you. If you like Thai-style slapstick, there's something in here for you. 

That's all I'll say about it.

01:49:07 - Final Thoughts and Girl, You Tried

Ben

On to the final event: Girl, You Tried Winter 2023.

NiNi

So the Fall shows, there were some that tried and succeeded. They don't count for this award. Bye-bye, two-out-of-three Japanese BLs that we just talked about. So, My Personal Weatherman is in contention for Girl, You Tried.

Ben

Oh, then it wins.

NiNi

[laughs] Let's see what else we have here. We have Kiseki, which didn't try. Shan, do you think that Kiseki tried?

Shan

No, it did not try to be a coherent show. It cannot get the Girl, You Tried.

Ben

Thank you, Shan.

NiNi

So Kiseki is out of contention. Dangerous Romance sucked. It's not in contention for anything. Love in Translation is too good to be in contention for Girl, You Tried—that goes. Absolute Zero? Pfft, forget about it. My Dear Gangster Oppa, it definitely tried something.

Shan

Did it?

NiNi

I think it did. 

Ben

Hmm.

NiNi

Ben really just unmuted just to go “Hmm” and go back on mute. Okay, fine. It's going into contention. And Middleman's Love. I think Middleman's Love did try, and I think that the execution of it was off. Not that it was necessarily bad, but that it was off. So if I had to put a Girl, You Tried contest together right now, it would be between My Personal Weatherman and Middleman's Love. 

So, Shan, for you, very important vote now. My Personal Weatherman versus Middleman's Love for Girl, You Tried.

Shan

Oh, this is a hard one, ‘cause I think of the Girl, You Tried designation as, like, being for a show that got really close to being what it wanted to be—like almost got the execution right and then kind of just missed the mark. So for me, I think I'm going to have to give that to My Personal Weatherman between these two shows. I think it did have ambitions, and I think it did know what it wanted to be with clarity, and it just fell a little short on the execution. Whereas, I think Middleman's Love was a little bit messier and didn't have as clear of a vision of what it was doing?

NiNi

Okay, that's one for My Personal Weatherman. Ben, I already know your answer, but come on. Explain it to the people.

Ben

Hello, people. 

[Ben and NiNi laugh]

So when we were first planning this episode, the Girl, You Tried debate was between My Dear Gangster Oppa and Middleman's Love, but I didn't realize how much I fucking hated My Dear Gangster Oppa until we got here and I was talking about it. And I was, like, “You know what, actually.” 

I would have given it to Middleman's Love because Cheewin was trying to do the things that he likes to do, but now that you put My Personal Weatherman in contention, I gotta give it to that one. I think My Personal Weatherman is trying things that are harder to do than Middleman's Love. I think the ideas of that show are way more cogent, and easier to access and have a conversation about with people than something like Middleman's Love.

NiNi

Okay, so for me, if I had to choose who attempted the higher degree of difficulty, it would be Middleman's Love. It's a high wire act. It's so easy to fall off. If I have to think about who got closer to their intentions, I would say it's My Personal Weatherman. 

Girl, You Tried has a criterion, which is a strong premise with some sort of flaw/failure in the execution. But it has also become somewhat of a personal Rorschach test for us as we go through the shows, and attempt to unpack what it is that we think they did well, what it is we think they did badly, what it is we enjoyed and didn't enjoy. And that enjoyment component does have something to do with how we end up on a Girl, You Tried. 

If they're tied right now based on those other criteria, and I have to think about what I personally enjoyed more, I would have to give it to Middleman's Love. 

Shan and Ben outvote me. Boohoo. I'm gonna go cry about it.

Ben

I don't want to walk away from this particular recording pretending like I don't like Middleman's Love. The spirit inside of it is worth acknowledging.

Shan

I think both of these shows are worthy of talking about as shows that tried to do somethin’. I think for me, My Personal Weatherman just gets a little bit closer there and it's doing a little bit more.

NiNi

I think that's a good place to leave it, so that's going to wrap us up on Tens and Chops, our first ever full grab bag episode. So this is Volume One, hopefully with many more to come. 

Next up, the VIIB Awards. I'm looking forward to that. I'm excited. 

Anyway, we out. Say “bye” to the people, Ben. 

Ben

Peace! 

NiNi

Shan, say “bye” to the people.

Shan

Bye, people.

[ear-worthy]

Butternomics: A New Culture Podcast; Haunting Paranormal: Olympics Podcasts in High Gear

 Butternomics: A New Culture Podcast about Atlanta

  I'm excited about this new iHeart podcast because it's about Atlanta, where I lived for 11 years. It is the hub of culture and commerce in the South.

iHeartPodcasts and Butter ATL, an Atlanta-based media company, announced the launch of Butternomics: The Business of Culture Podcast, a new series that will offer unique cultural business insights through an Atlanta lens. The first episode was released on July 30. Hosted by Brandon Butler, the founder and CEO of Butter.ATL,"Butternomics: The Business of Culture Podcast” will bring together creatives, business owners, entrepreneurs, designers, and more to share their insights and strategies, making it an invaluable resource for anyone looking to grow existing businesses or cultivate new, fresh ideas.

"Atlanta influences everything," says Butler, who has built and launched multiple seven-figure brands that use culture to create impactful and relevant businesses. "We believe that Atlanta's chief export is culture. While our podcast is based in Atlanta, it's not limited to this city. We're bringing in guests from all over the country—and potentially the world—who have built culture-focused businesses. Our goal is to provide our audience with the tools they need to learn and grow from the experiences of others who have done amazing things." New episodes of "Butternomics: The Business of Culture Podcast” will be available on Tuesdays and Thursdays everywhere podcasts are heard. ****************************************************

iHeart Podcasts cover the Olympics

 It's been a fascinating Olympic Games after one week. Simone Biles, France's strong showing in medal count, and, of course, the U.S. Women's Fencing Team.

Like NBC, iHeart has a plethora of podcasts to keep you in the know about this summer’s Olympic Games. From news to behind-the-scenes content to commentary, check out the Olympics Category on iHeartRadio. Whether it's the more comedic coverage of Bowen Yang and Matt Rogers’ “Two Guys, Five Rings” or the official NBC Olympic podcasts “The Podium” and “In the Village,” iHeartPodcasts has you covered throughout this global event. And, iHeartMedia is NBCU’s exclusive audio partner for the 2024 Summer Olympics and will bring the games to you as they happen. Tune-in to these events live on iHeartMedia broadcast radio stations as well as anywhere you are through dedicated 24-7 digital stations on the iHeart app including, NBC Olympics Radio Plus and NBC Olympics Radio. ************************************************** Brace yourself for the Paranormal podcast Haunting

 Lauren Lapkus first gained notoriety in the Netflix series Orange Is The New Black in 2013 and won The Screen Actors Guild Award for Outstanding Performance by a Cast (or Ensemble) in a Comedy Series. Since then, she's been a constant presence on TV, from Star Trek Lower Decks to The Big Bang Theory.

In the paranormal podcast Haunting, host Lauren Lapkus plays Theresa (Teh-rez-ah), a dead “influencer” in purgatory who takes it upon herself to share the stories of those dead with the living.

The podcast, which launched on July 9, sees Lapkus play Therésa, a dead influencer from the “other side.” Believing that nothing says lifeless like a paranormal podcast hosted by a mere mortal, Lauren AKA Therésa presents real first-hand accounts and immersive audio to bring listeners face to face with the unexplainable. 

Sharing actual stories of the weird and deadly each week through the lens of a comedic character, this podcast is for fans of all things spooky to check out.

Brace yourself for new tales from beyond the grave every Tuesday.

[black-arcana]

HALESTORM's LZZY HALE Explains How She Ended Up Moving To Nashville

During a recent appearance on the "Life In The Stocks" podcast, HALESTORM frontwoman Lzzy Hale spoke about her decision to relocate to Nashville, Tennessee after spending most of her living in Red Lion, Pennsylvania. Asked if Nashville is truly the music Mecca of America right now, Lzzy said (as transcribed by BLABBERMOUTH.NET): "I think it is. I think that there's a lot of us from like the coasts and stuff like that. And even my friends from New York, it's cheaper to have a yard here, and especially people that wanna have a family life, but also still tour. But there's so many different walks of life. That was what surprised me when I first got here a decade ago or something like that. 'Cause I came out of here kind of sight unseen. I'd kind of visited here, but it was more out of necessity. We were making, I think it was 'The Strange Case Of...' [HALESTORM's second album] or doing something in California, and all of our family that was in Pennsylvania area decided to all move to Florida. They were all in cahoots. And so, so they all kind of called us while we were stranded in California and were, like, 'Hey, we packed up all your stuff,' because truth be told, we way overstayed our welcome living with our parents, like well into as long as we could. So, we get back from making a record, and now I'm pretty much amongst my boxes in a spare room in my parents' place in Florida. I'm, like, 'We've gotta get outta here.' So, Joe [Hottinger, HALESTORM guitarist] and I ended up just renting a U-Haul and just driving from Florida to Nashville. We called our friends that were kind of already here. Actually, our buds in NEW MEDICINE were living out here. And we were, like, 'Hey, can you check out this apartment that we're looking at? Just make sure it doesn't smell funny. But we're coming to just stay here until we figure it out.' And then I got this house that I'm staying in right now about seven, six years ago, something like that. And so, yeah, just putting some roots down here."

Earlier this month, HALESTORM and I PREVAIL kicked off their summer 2024 co-headlining tour. Produced by Live Nation, the trek launched on July 9 in Raleigh and will run through August 17 in Las Vegas. HOLLYWOOD UNDEAD and FIT FOR A KING are serving as support. The tour is also the catalyst and the creative spark for HALESTORM and I PREVAIL's collaborative track "Can U See Me In The Dark?", which was released earlier in the month.

HALESTORM has partnered with mental health organization Sound Mind Live to engage fans to pledge support that will provide free-to-the-community mental health programming across the country for fans and the broader community.

Having amassed over 2.5 billion streams globally, the Grammy Award-winning band HALESTORM has grown from a childhood dream of siblings Lzzy and Arejay Hale into one of the most celebrated rock bands of the last two decades. Most recently, the band released "Back From The Dead", their fifth full-length studio album which has tallied over 100 million streams worldwide. Rolling Stone called the title track "a biting but cathartic howler about overcoming all obstacles," and that song as well as "The Steeple" marked their fifth and sixth number ones at rock radio, respectively. Associated Press said the album "will definitely be in the running for best hard rock/metal album of the year." Their previous album, "Vicious", earned the band their second Grammy nomination, for "Best Hard Rock Performance" for the song "Uncomfortable", the band's fourth #1 at rock radio, and led Loudwire to name HALESTORM "Rock Artist Of The Decade" in 2019. Fronted by Lzzy with drummer Arejay, guitarist Joe Hottinger and bass player Josh Smith, HALESTORM's music has earned multiple platinum and gold certifications from the RIAA, and the band has earned a reputation as a powerful live music force, headlining sold-out shows and topping festival bills around the world, and sharing the stage with icons including HEAVEN & HELL, Alice Cooper, Joan Jett and JUDAS PRIEST. Additionally, Lzzy was named the first female brand ambassador for Gibson and served as host of AXS TV's "A Year In Music".

[coldcasemysteries]

TEEN SUMMER PODCAST WORKSHOP LAUNCH

https://podcasters.spotify.com/pod/show/lys47/episodes/ArtsQuest--BAPL---CCM-Teen-Summer-Podcast-Workshop-2024-e2l4n16

 https://www.coldcasemysterieslv.com/podcast

Tune in to hear the voices of tomorrow!

During the 5-day Summer Podcast Workshop, students actively engaged in all stages of podcast creation. They began by sharing their favorite podcasts and brainstorming topics, leading to the creation of their shows: "Talk To Us" on friendship, "Geek Gamers" on Minecraft, "The AMBER Alert Podcast" on the alert system, and "So Many Sounds" on music genres. They learned about podcast formats, outlined scripts, and received peer feedback. They practiced using podcasting equipment and software, recorded their episodes, and edited them with guidance. Students were introduced to concepts regarding promotional content for social media, writing bios, and developing a marketing strategy. The workshop culminated in a launch party, where they presented their polished podcasts to an audience, celebrating their achievements and newly acquired skills.

[dtba]

GOLD-CERTIFIED HIT MAKER BIG BOSS VETTE RELEASES NEW SINGLE “ICE ME”

Follow Big Boss Vette on Instagram, TikTok, Twitter, YouTube, and Spotify

New York, NY June 14, 2024 – Igniting another chapter, gold-certified St. Louis rapper, singer, and phenomenom, Big Boss Vette returns with a brand new single entitled “Ice Me” out now via Beatstaz/Amigo Records/Republic Records. It notably marks her first release of 2024! Listen to “Ice Me”—HERE.

Big Boss Vette sent fans into a frenzy after initially teasing “Ice Me” on social media, generating tens of thousands of views and likes. The track laces a thick 808 stomp with a boisterous horn loop. She alternates between a red-hot flow and an anthemic chorus, “Make him ice me.” It boasts her signature braggadocios bars and fiery attitude all-around.

Last year, she flexed her mic prowess on her 2023 debut EP, RESILENCE. Anchored by “Get It,” it piled up millions of streams and landed looks from ESSENCE, UPROXX, and more. St. Louis Magazine applauded her “incredible versatility,” while Popdust proclaimed, “These seven brand new songs have star-quality melodies and hooks that will be stuck in your head forever.” In other big news, her breakout smash “Pretty Girls Walk” just received a Gold Certification from the RIAA. It’s no wonder REVOLT touted her among the “13 Female Rappers to Watch in 2024.” Plus, she chopped it up with Lil Duval on the Conversations With Unc podcast, and River Front Times profiled her.

The Boss is back, and she’s colder than ever with “Ice Me.”

Listen to “Ice Me”—HERE.

ABOUT BIG BOSS VETTE: Big Boss Vette exudes classic underdog hunger spiked with a fresh, fearless, and fiery approach to hip-hop. The St, Louis-born rapper toggles between airtight bars, slippery melodies, and irresistible hooks. She has documented this growth in real-time with one banger after another. After achieving viral buzz in high school, she popped off with a procession of anthems, including “Outside” and “Snatched.” In 2022, the latter set TikTok on fire, racking up 2 billion views across half-a-million creates by everyone from Kylie Jenner and Khloe Kardashian to Halle Bailey and JT of City Girls. Meanwhile, Flo Milli and Saucy Santana jumped on the Official Remix.

Expanding her presence, she turned up at the 2022 BET Hip Hop Awards Cypher and starred in the 2022 Hip-Hop Awards edition of BET’s Rate the Bars in addition to earning high-profile syncs on HULU’s The D’Amelio Show and HBO’s EMMY® Award-nominated Insecure from creator Issa Rae. Additionally, she launched her own popular online series, Big Boss Vette Show. Simultaneously, she progressed as a performer, headlining Nick Cannon’s coast-to-coast Future “Superstar Tour” tour with Live Nation and gracing the bills of 2023 festivals such as Lollapalooza and Rolling Loud. The breakthrough single “Pretty Girls Walk” lit up social media and piled up over 140 million streams between the original and Coi Leray Remix. The song notably reached RIAA gold status in addition to appearing everywhere from the movie Summer Camp to an election campaign video for the Scottish National Party.

In the wake of her fan favorite debut album RESILIENCE, REVOLT pegged her as one of “13 Female Rappers to Watch in 2024.” Generating over 250 million streams, attracting over 500k Instagram followers, and earning widespread acclaim from Pitchfork, E!, UPROXX, XXL, and more, she shows out on a series of 2024 singles for Beatstaz/Amigo Records/Republic Records and much more coming soon.

[obsessiveviewer]

OV432 - The Watchers (2024) & Tuesday (2024)

This week, I ride solo to review Ishana Shyamalan’s The Watchers in both a non-spoiler and spoiler feature review. Then, in this week’s secondary review, I share my thoughts on the new A24 film, Tuesday. I also talk about recent news regarding Rebel Moon’s director’s cuts, The Office sequel series, and more.

  Timestamps

Show Start - 00:28

News - 03:56

Feature Review

The Watchers (2024) - 19:54

Spoiler - 41:30

  Secondary Review

Tuesday (2024) - 56:43

  Potpourri

The Blue Angels (2024) - 1:15:55

How I Met Your Mother - 1:21:05

  Closing the Ep - 1:29:19

Patreon Clip - 1:30:21

  Related Links

  Start Your Podcast with Libsyn Using Promo Code OBSESS

‘Isn’t It Scary’ – Rom-Com ‘Isn’t It Romantic’ Getting a Horror-Themed Sequel

‘Rebel Moon’: Zack Snyder’s Director’s Cuts Set Late Summer Launch On Netflix

Steve Carell Says Domhnall Gleeson Reached Out To Him To Ask About ‘The Office’: “He’s Great”

  My 2024 Podcast and Writing Archive

One Year of Criterion Channel - Dec 24, 2023 - Dec 23, 2024

Movies I Own But Haven't Watched/Rated Yet

  Follow Us on Social Media

My Letterboxd | YouTube | Facebook | Twitter/X

Instagram | Threads | Bluesky | TikTok | Tiny’s Letterboxd

  Subscribe to the Podcast

Apple Podcasts | Spotify | Audible

  Support Us on Patreon for Exclusive Content

Official OV Merch 

Obsessive Viewer

Obsessive Viewer Presents: Anthology

Obsessive Viewer Presents: Tower Junkies

As Good As It Gets - Linktree

  Mic Info

Matt: ElectroVoice RE20 into RØDEcaster Pro II (Firmware: 1.3.4)

  Episode Homepage: ObsessiveViewer.com/OV432

  Next Week on the Podcast

OV433 - Bad Boys: Ride or Die (2024) & MoviePass, MovieCrash (2024)

Check out this episode!