#such a good scene and it does make you feel why Cobra would 'believe all that' [per Johan] from the arm about bringing him back | Explore Tumblr posts and blogs

indecisive-behaviors · 3 years ago

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Originally I was just going to add this as a reblog to my previous post about the parking lot scene in KK2 but it’s almost 2k words so now it’s getting it’s own post. Be forewarned- this is fucking long.

TW for discussion of PTSD, child abuse, neglect, injury, and death, in relation to topics surrounding the show, under the cut-

Obviously, Cobra Kai is a show based around the premise of “what happened to that Lawrence kid after he got kicked in the face?”, which is honestly a pretty cool idea for a show. Johnny’s story is never explained past sitting on the sidewalk with his head in his hands at the tournament, and there are no real context clue’s to figure out what may or may not have happened.

In the show we get to learn early on that Johnny’s life spiraled after the tournament, going from bad to worse to “holy shit how are you still alive”-dropping out/never going to college, working jobs he seems to hate, becoming an alcoholic, presumably many dead end relationships, and not being there for his kid. And yeah, obviously, this would be a hard pill to swallow for anyone watching the show if Johnny had just lost the tournament. If we never got the scene in KK2, he would have just been some kid who lost a tournament- we see at the end of the first movie that(through tears holy shit Billy) that Johnny is the one who gives the trophy to Daniel with his famous line, “You’re alright, LaRusso.” There’s a level of grudging respect in that moment that isn’t lost on anyone who sees that movie- that Johnny, who throughout the movie only sees Daniel as some whimpy kid, gets proven wrong and respects that. If we didn’t have that scene, there’s reason to believe Johnny would have apologized, tried to make amends, Something, even if it was just being less of a dick at school.

But then, we get the parking lot. We get a far off shot, intended to distance you from the scene, framed over Daniel’s shoulder. This makes sense, Daniel is the main character, the protagonist, the underdog hero- why wouldn’t it be framed in his perspective? But the scene is about Johnny. We get the shouting match, the back and forth- “No, you’re the loser man.”- and again it’s fairly obvious how Johnny sees this situation. This is a man who we assume(and is later confirmed) to be a surrogate father figure, who set his friend up for failure, and then basically forced him to do the same by targeting an injured opponent, and forcing him to fight without honor. This same man presumably follows a teenager out to the parking lot, to harass him, to tell him he’s off the team, to tell him he’s a loser, that he’s nothing.

But at that point, Johnny knows the truth, even if subconsciously. At the end of the day Johnny knows that Daniel LaRusso was a worthy opponent, and that regardless of the cheating and manipulation, Daniel could have won anyway, and did win, despite of it.

And then Kreese grabs him, too fast to react to, Johnny too surprised even knowing that Kreese is the bad guy here, not believing that he would ever willingly hurt him- and Johnny isn’t strong enough to fight him off, none of the boys are, so Johnny is forced to suffocate for almost a full 30 seconds(which I double checked for the record- also as a reference, 30 seconds is about the average time it takes for a person voluntarily holding their breath to pass out- this does not account for the oxygen lost during a struggle, and the lack of preparation from both surprise and panic. The only silver lining here is the fact that Kreese was most likely compressing his windpipe, not his jugular, which would have made him pass out in about 5-10 seconds, and would have caused permanent brain damage or death in about 15).

Now, PTSD is a complex thing. I’m not a psychiatrist, and what small amount of information we have is all we have to work off of, but I feel fairly comfortable in saying Johnny mostly likely developed it after the incident. This not an uncommon take in the fandom as far as I’m aware either. But, if we assume this, we also have to assume that after the fact nothing would have been done about this. Not just in the sense that we still don’t really know everything that happened right after the tournament, but that in the early 80s, PTSD wasn’t really a thing yet.

Sure it was absolutely a condition that existed, but Post Traumatic Stress Disorder wasn’t even added to the DSM-III until 1980- and for a long time afterward, was only seen as a condition that affected primarily war vets. Even after an event as traumatic as having a man you considered a father trying to kill you, in public, without remorse, would not have been seen as something to warrant the diagnoses, let alone treatment.

Johnny Lawrence was 17 when Kreese tried to kill him, and this boy would have been offered no resources beyond filing charges with the police. And as we see in KK3, either this didn’t happen either, or someone(presumably Silver) got the charges dropped. So on top of almost being murdered, Johnny had to live with the fact that the man who did that to him was still out there, and to top it off, still ran a dojo at least for a few months after the event. The only relief he could have gotten is after Kreese faked his death.

And sure, Mr Miyagi may have gotten Kreese to let go eventually, but as several people have pointed out in comments and tags, left him and the other boys alone with Kreese still standing there in the parking lot and just... drove off. Kreese has already been established to be a psycho with no problem hurting children, a little bit of glass might not have prevented him from trying again.

So why did I talk about all of that? Because it all contributes to why Daniel LaRusso works as a credible antagonist in season 1 of Cobra Kai.

Think about this- Johnny blames losing everything on Daniel in season 1, but we specifically get a shot in KK1 and later KK2(”You’re alright, LaRusso” and “I did my best” come to mind) where he seems to be at least mostly accepting of the fact that he lost(with what was actually an illegal kick but that’s a rant for another time). So why does he blame him for everything 30 years later?

Because 30 years later, Johnny is forced to go outside, go to work, and pretend like he doesn’t see what feels like every street corner(including right outside his apartment mind you), a literal billboard sized reminder of what happened to him.

The rest of this is mostly speculation but it makes sense in my head so bear with me.

When we get introduced to Robby, it’s made pretty clear that Johnny has not been in his life for a bit. In season 2 we get Johnny’s heart to heart with Miguel, where he divulges that he missed the birth, because he spiraled after his mom’s death. This however doesn’t suggest that he stayed gone, especially knowing that it wasn’t long enough for Robby to not consider seeking out his dad. Because tacked up to the fridge, is a picture of Robby in his soccer uniform as a kid. It’s an early detail you can see in previous episodes, and says a lot about how Robby grew up. To be fair, this could have been given to him by Shannon, and not taken himself, but it’s the sport Robby’s playing that makes me question this. KK1 dedicates an entire scene to Johnny being on the soccer team in high school. Soccer, while maybe not as important to him as karate, is still part of his character. Robby does not know karate in season 1, Johnny obviously didn’t share it with him, but that doesn’t mean Johnny didn’t share anything with him.

So Johnny’s back in his kids life, maybe doing better for himself, maybe cutting back on the drinking. LaRusso Auto is already established to exist at this point but it’s in Encino, a place Johnny has no reason to go to, and probably doesn’t want to. He’s trying again and things are okay. But Robby knows enough about Daniel to know that going to him will piss off his dad. So Johnny had to have talked about him at some point. The billboards here are what’s important- they’re in the first episode, the first scene montage, Johnny draws a dick on one of them as some petty revenge.

The first billboard goes up in the late 2000s to mid 2010s. Johnny sees it, maybe he has Robby with him at the time, maybe he goes home and says something there, but he says something in a way that sticks with even a child as being important. More billboards go up. Dealerships starting popping up more and more. Daniel’s face, and by extension, the memories, the flashbacks, become inescapable. Johnny, for a third time, spirals again. Before he even knows what’s happening, he’s lost his relationship with his son. And it’s all Daniel’s fault. Of course Daniel doesn’t do it deliberately, but the constant reminders are enough to send him back into a tailspin and Johnny blames him for it.

Because it’s Daniel who is a constant reminder of his failures- it’s Daniel who caused him to lose the tournament and almost get killed, Daniel who put up the billboards that trigger his flashbacks, it’s always Daniel Daniel Daniel.

And then Johnny gets it in his head that he wants to be better. He opens a dojo, teaches Miguel and the other kids, wants to try again- and he almost succeeds.

Johnny up to this point has not deliberately antagonized Daniel in any way. Sure he named the dojo Cobra Kai, but Cobra Kai is all he knows. Besides Johnny doesn’t blame karate for his failures, his best memories are Cobra Kai and he’s trying to be better than Kreese. So what’s the harm in this really? His building is in Reseda, there’s no reason for Daniel to ever be there, he doesn’t do it out of spite, it’s because he lives there and rent is cheap. He doesn’t know about KK3, doesn’t know about Daniel’s own trauma. This isn’t an attack. Johnny sincerely just doesn’t know.

Enter Daniel, stage left. Daniel makes no attempt to talk to him- he simply makes demands and accusations, before he starts making active attempts to put him out of business.

Sure, we as the audience know Daniel has good reasons to not want Cobra Kai back. But Johnny doesn’t. All Johnny knows is that the kid he picked on in high school- who won, who got everything Johnny wanted, who grew up to be successful, has a wonderful wife, two kids who love him, a thriving business- is doing everything he can to make his life hell 30 years after the fact.

And this could only have happened because in 1986 John G. Avildsen decided to add in a scene meant for the original movie into the sequel, for absolutely no fucking reason.

#meta analysis #ranting about cobra kai cuz I can #johnny lawrence #daniel larusso #cobra kai #karate kid #I will never get over the fact that that was an actual scene that they filmed #and then got no resolution #FOR 30 YEARS #I apologize to everyone for this post #obviously I have a lot of feelings about this

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nyarmand · 3 years ago

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what are your favourite moments in mgs2? and the series as a whole?

also, how would you rank metal gear games?

hmmm favorite moments huh? i'll go in order. i'm leaving out peace walker because i did not actually process enough of that game to talk about it, it was really weird and also i kind of just want to forget that arc ever existed (fuck you, gz. fuck you.)

mgs1:

psycho mantis

everything liquid does ever but special mention goes to:

not knowing how genes work

all his gestures and funny poses and the time he does a full on flip while standing on a railing

'miller' revealing he was liquid all along (rip to the real miller but sacrifices must be made) and of course 'snake... did you like my sunglasses?'

the incredulous way he says 'you'd POINT a WEAPON at your OWN BROTHER?!' even though he's 100% planning to kill snake himself

chaos and honor back to this world gone soft

naomi giving snake foxdie and just leaving him not knowing if he's going to keel over and die in the next second

mgs2:

liquid again

dramatic gestures

'it's been a WHILE, brother. you KNOW who i AM.'

i don't know why but i really like when he says 'just another dead clone of the old man'

'i live on THROUGH THIS ARM!!!'

how excited he is when he says 'BROTHERS!!'

'like surfing? it's a good way to go. hey, snake! you coming?!'

raiden in general

i just like watching him

the initial face reveal

him being snarky with 'pliskin'

they may have cut it but 'good MORNING, lieutenant jg pliskin! did you sleep well?' is still one of my favorite things he's ever said

the little head toss he does after ocelot catches him and his mask gets pulled off

him being the nicest guy ever with emma

the brief time he actually gets mad at rose

speaking of rose i like when she dies in the game overs both because i hate her and just because it's a neat little touch

dead cell. just... dead cell

fatman's rollerblades and drinking wine through a straw

'it's because he's bisexual'

gardening advice with the patriot ai

north american fall webworm past life conversation

'i hear it's amazing when the famous purple stuffed worm in flap-jaw space with the tuning fork does a raw blink on hara-kiri rock. i need scissors! 61!'

olga's dramatic rescue. olga in general, really. mom of the year award. mom of the ever award

solidus having this whole dramatic speech but getting the date of washington's inauguration off by a full two decades

mgs3:

ocelot

ocelot's enormous gay crush

eva getting mad at big boss for not knowing gay people exist

the boss beating the shit out of people

the cobra unit (special mention goes to how the end can just die of old age before you ever fight him)

the little smirk (you know the one, i have the pachislot version of it as my icon). feels like kojima being like HAHA YOU REMEMBER MGS2? I GOT YOU GOOD

controversial perhaps but i actually really love the bit after volgin figures out he's not actually talking to raikov (i don't love how he figures it out, we're going to AFTER that) and immediately is just like you hurt ivan, fuck you, i fucking hate you, i'm going to fucking kill you, and then just beats the shit out of big boss. there's nothing else volgin does in this game that i like but i like that scene

'i can't believe how small it is.' if you know you know

mgs4:

sunny

sunny and her eggs

sunny singing while she makes her eggs

sunny doing a little dance when she makes them right

'you're not watching your n-n-nicotine intake!'

the blue rose

'can we make jack better?'

her little smile when she hears they can

the way she puts herself between him and snake. 'no! jack can't go. he needs to rest!' god i love this kid

her little >:| face

the way she holds on to raiden after he falls (i lose my mind constantly over how he can't even stand on his own and the only person supporting him is the one person who has never once cared about his ability to fight and only wants him to be okay)

THE RETURN OF PSYCHO MANTIS!!!

THE RETURN OF EVA!!!

THE RETURN OF MERYL!!!

vamp's fancy coat

raiden's fancy coat

naomi showing concern for raiden's wellbeing

mount snakemore

everything else ocelot does in this game

it's a russian taunt

raiden becomes god

snake finally taking some fucking responsibility ('we tore the world apart... made your life a living hell') and NOT letting raiden pull another self-sacrificing stunt

raiden meeting john at the end and how happy he is

mgs5:

THE RETURN OF PSYCHO MANTIS!!! BABY MANTIS!!! I LOVE BABY MANTIS!!!

LIQUID TWO ELECTRIC BOOGALOO NOW 100% MORE BABY

OCELOT!!!

ocelot training the soldiers

fultoning a sheep

dd :) especially when he's with ocelot

wow you just hate everybody don't you. awesome. you are my best friend now. here have these parasites i just stole

kingdom of the flies

no more parasites we will now fly away like peter pan or something

revengeance:

raiden in a suit

raiden in sunglasses

raiden actually seeming like he's in a relatively good place for once

n'mani :) rip king miss you every day

mr. lightning bolt

raiden just being badass in the opening

he yeeted the fucking metal gear

'my sword is a tool of justice'

courtney's entire existence

when mistral blows a kiss at him and he blocks it with his sword

blade wolf

'what's the meaning of life? why are we here?' 'i am here to kill you'

'amusing on two levels'

him ordering raiden around

head toss... 2!!!

meeting george

'that's all i needed to hear' (goodbye mr evil scientist, no one will miss you)

raiden's legality =/= morality moment. chaotic good icon

'guess you'd better arrest me then'

i have a very love-hate relationship with the monsoon segment

especially 'jack is back' on the one hand YES!!! KILL!!!!!!! DESTROY!!!!!!!!!!!!!!!! but on the other hand raiden no don't talk about yourself like that

every time he responds to desperado's attempts at psychological warfare just like 'fuck you' and especially the time he literally says 'fuck you'

the meme speech

sam dying. sorry sam fans but iirc when i fought him he said 'pretty boy' eight times and 'show me a good time, jack' twice, i hated it, it creeped me out, i was so glad it was over

SUNNY!!!!!!!!!!!!!!!!!!!!! THE SCENE WITH SUNNY MAKES ME CRY NO MATTER HOW MANY TIMES I WATCH IT

'shaaaaaaake?'

every codec with her too. all the sunny content. your honor they are siblings and she deserves the world

'come on. let me see a smile'

raiden hates capitalism and politicians (i love his sass during the armstrong scene)

'you're not greedy... you're BATSHIT INSANE!'

raiden in a suit again (look. he is so cool in that last scene)

as for my rankings... hmmm... well, i'm heavily biased, but let's go. this list is subject to change as i haven't really thought about ranking them before.

sons of liberty, fucking superb

metal gear solid, the birth of a legend. several legends in fact.

revengeance, i have my criticisms but it's such a fun game (it's also the only one i've actually been able to play... very entertaining gameplay ngl)

guns of the patriots, i'm sorry it's just so damn long and there's a lot of stuff that i think could have been handled differently or even just not included (this is the game that made me hate snake, he is such an asshole in it like he's mean to sunny, that's illegal)

snake eater, i find a lot of the story to be dull and couldn't care less about big boss. as far as i'm concerned ocelot, the boss, and eva carry the whole game.

the phantom pain, it was clearly rushed and needed more time to be spent on the story. also quiet's design sucks. i love her, but her design sucks. also they brought volgin back, i didn't want him back

#ask #anon #many thoughts head full

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dilfbane · 3 years ago

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Your Weeping(Your Need For His Touch)

Summary: When things go south on a mission, you have to confront more than just the sketchy town, cartoon villains, and one-bed hotel room you’re forced to share with Loki. You have to come to terms with not only the consequences of being captured, but also the God of Mischief’s feelings for you - Because for all that he might be an asshole, sometimes, he really does have a heart. Written for the Picture Is Worth A 1,000 Words 6k Follower Writing Challenge by @startrekkingaroundasgard

Pairing: Loki/(Female)Reader

Warnings: Descriptions of injuries and medical treatment, as well as discussions of the inevitable mindset around sacrificing oneself for the mission that I feel like being part of the Avengers would entail. Also swearing, because at its core, this story started out as a bit of a crack! fic.

Word Count: 7.8k.

A/N: So apparently when I have mental breakdowns they result in me writing crack-fic that takes a 180 veer into angst and fluff for absolutely no reason. For the sake of the crack-fic, in this timeline Loki was forced to help the Avengers take down bad guys directly after the end of the first Avengers movie, so… Is that a confusing plot hole I didn’t know how to account for except by making this AU? Maybe. Did I do it anyway?…. Yeah. This really was meant to be a crack-fic about Loki and the reader confessing their feelings set in the bizarre world of meme culture, I didn’t realize there were going to be feels in it until it was three in the morning and all of a sudden this happened. That being said, your girl went there, so enjoy!

“Oh, shit,” You say, as you take in the grimy hotel room. The walls all smeared in what looks like dried blood, the putrid smell of rotten eggs, a crack-screened television with a fine dusting of some suspiciously white powder. And, of course, “There’s one bed.”

“Hmm?” Asks Loki, turning towards you, briefly, from unpacking. He had dumped his suitcase(Magically plucked out of a chaotic liminal space) unceremoniously on the bed’s scratching, pilling coverlet without so much as a second glance at the rest of the room. And why do you need a suitcase, anyways?? You wonder. It isn’t like we’re planning to be here that long. In fact, you hoped with every fiber of your being that you’d be here for as little time as possible, because this town might actually be the sketchiest place you’ve ever seen in your life; no small feat, for a bona-fide member of S.H.I.E.L.D.

You’ve kicked alien ass on a mutated purple Mongolian death-worm three thousand feet over New York City. You’ve run reconnaissance to rescue debatably-magical items sequestered away in an ancient cave labyrinth plastered in paintings and untranslatable runes, gunfire and what could only be described as the baying of hellhounds in the near distance. You’ve fist-fought a gigantic hive-mind robot in a field of artificially sentient feral steel suits - You’ve even survived Tony’s parties.

Yet none of those scenarios hold a candle to this fucking town.

And Loki, the asshat, seems utterly, competently - no, maniacally - unfazed.

“There’s one bed,” You repeat, into the air.

“Ah,” Says Loki, straightening.

“You don’t see that problem with that?!”

“Should I?” He asks you, walking across the room in long, graceful strides to stand in front of you. He wears the same expression he always wears, amused and indifferent, but this time with the addition of a single, elegantly-arched eyebrow. You drop your head, refusing to meet his somewhat-curious gaze. It physically hurts, how attractive Loki is. Not for the first time, you curse whatever god decided that you and him would once again be mission partners - in this case, you belatedly realize, and choke back a thick laugh, said god is, unsurprisingly, Thor.

If you survive this, you make a note to beat his head in with Mjolnir. As it is, you are here in this room with Loki, with perhaps twenty IPP agents and a reckless poisoner dogging your every move, and there’s a high chance that you won’t live long enough to navigate whatever the hell sleeping with your crush-who-has-murdered-men. Ok, so ‘murdered men’ isn’t entirely accurate. More like ‘caused the murder of men inadvertently through his schemes’. It doesn’t seem to make much of a difference, right now.

And what about Loki? He is still staring you down, like you’re some wind up toy moments away from going off. Funny, that, you think. If ever there were a time to not have a mental breakdown, it would be here, with him. You’ve crossed a lot of moral lines in your life, but you will be damned if you let Loki Laufeysson see you cry. Loki is graceful. Composed. Sarcastic. Lithe. Rolls his eyes at almost every statement that comes out of somebody’s mouth. But he is, also, beautiful. Shockingly comforting, in his own nihilistic way. You don’t know what it says about you that you find comfort in statements like, Try not to die, you know that I hate funerals. Part of you - most of you - doesn’t want to. But it gives you strength, somehow, to shrug off the day and ground your flailing mind in evading Loki’s calculated manipulation. I won’t show you my weakness, you think to yourself. It’s not enough, but it’s a start.

“No,” You tell him - too quickly, he’ll pick up on that - “You’re right, you shouldn’t. It’s fine. We have - a lot to deal with, is all.”

Loki nods, seemingly accepting your answer, but his eyes are still narrowed, watching you like he’s calling your bluff. You talk right past that look - have to, to keep yourself sane, to not think about the one bed that looms large over this entire conversation. It doesn’t even look like a comfortable bed.

“We have two days,” You say, to stop yourself thinking of it. And, also, to talk your way through your disarmingly disjointed thoughts. Loki nods. It would really help if you said something, you think. Swallow the thought, hot and thick, down your throat. What’s the point of a mission partner if you can’t even soundboard off them? “The Pink Cobra could strike anyone, anytime. The IPP is planning something in New York - “

“Isn’t everyone, these days, planning something in New York?”

He sounds regretful, and for half a second you want to offer him the reassurance that his very presence offers you. But you are sure he doesn’t know what he does to you - with his words, with the sidelong glances that you’ve felt linger on your form far too long in the heat of a fight. If you didn’t know any better, you would say Loki worries about you.

“We have to shut him down,” You say. Focus on the Pink Cobra, because honestly, that’s easier. “Find out where he manufactures. Not get poisoned,” You add, at the end.

“Yes,” Loki says, tone dripping with sarcasm, “We should certainly try not to get ourselves killed. Failing that, I suppose, we can at least request that no one in H.Y.D.R.A gets autopsy access.”

“Loki?” You ask. Rhetorically. “You’re not helping.”

He smirks at you, then. He knows.

“What do you propose that we do then?” He asks, taking a step towards you, getting so close that you can feel his hot breath. “About the Pink Cobra?”

“Find him.” You say, fumbling, blush rising high on your cheeks.

Tonight?

One bed?

You are screwed.

***

When you were a kid - think really little, Capri Sun pouches and still believing that true love wasn’t complicated - your father told you that every story needed a good supervillain. You aren’t sure if the Pink Cobra counts as a good supervillain, but he’s the least confusing one that you have to deal with - and, as far as villains go, a fine enough challenge to face. He’s like a madman out of some high fantasy novel, with dark eyes and a sable-sewn cloak and a penchant for poisoning. He is adept in all the arts of the woman’s murder; he has a keen grasp on the side-effects of arsenic and camphor and tansy and cyanide and strychnine. He’s been found to have dropped crystal phials filled with belladonna and ricin while fleeing a scene. If all else fails, he’s more than practiced with daggers.

In other words, he’s the kind of villain that none of you, with your flying suits and telekinesis and super-strength, are anywhere near prepared to waylay.

The plan, as far as team Avengers is concerned, is easy:

You and Loki. This town, where the webs of his manufacturing production and the few glimpses of information that Thor has totally legally excavated out of his captured minions has led to. Two days until some undefined grand attack bears down on the city you live in. Two days to find the Pink Cobra and kill him. The more time passes with no headway, the more you think that this is an impossible task, but you know what Tony would say. We have our best minds on it.

The thing is, you aren’t sure that that’s true. The minds that have been set to this task are you and the God of Lies. It’s hardly the best they could have come up with, considering your track records. Actually, you take that back - Loki was a good choice for this mission, because, not three hours after arriving in this hellhole of a city, he seems to have somehow developed the ability to read minds. More specifically, yours. And that could prove stunningly useful.

The scene, as it stands: Loki, sprawled across the lumpy bed, three pairs of crisp white shirts, a plaid scarf, and a full set of Asgardian battle armor neatly hung in the mothball-infested closet, flicking through channels on the grain, cracked television with an apathetic expression and one arm thrown haphazardly over bent leg. Propped up in such a way that he could jump or spin or parry at a moment’s notice, yet perfectly, devastatingly languid, leafing through Nick Fury’s dossier on the Pink Cobra. He looks at you like a god, you think, and then remember. He is one.

You, on the floor, because on top of all the other things this hotel doesn’t have, like two beds, there isn’t anything even resembling a desk, shifting through a glowing, holographed file archive from headquarters that barely runs on your severely outdated laptop. It’s a point of pride to you, keeping the laptop - not because it’s good, but because it’s survived five years of being an Avenger, which is something not even all the Avengers can claim to have done. You’re also fairly certain that Tony’s attempts to update the firmware had infested it with some sort of renegade virus. Elevated above your screen, the files are split into two groups, the sum total of everything that you know about both of the groups that are avidly trying to kill you.

There’s the wealth of information containing the Pink Cobra’s poisoning sprees, but those aren’t the files that interest you, and you know that Loki’s not much interested in them either. That honor falls to the fanatics at the IPP, the Imminently Predictable Psyops organization, which you know even less about than you do about the Pink Cobra, chief among which the fact that they need a new name. Imminently Predictable Psyops?, Tony had said, when you’d finally apprehended one of their proxies. What do they think this is? Some type of ARG?

What you’ve gleaned, from months worth of studying the network, is that they operate as a sort of cringe-oriented death cult intent on ‘reshaping the universe through meme agents’. They’d been on S.H.I.E.L.D’s radar for a long time - upwards of a year - before anyone at team base learned they existed - which, you can almost hear Loki saying, was a failure in the extreme. Currently, it was your job to obsessively worry over whether they were going to send ‘meme agents’ to bust through the door of your seedy hotel room and off you both. You hated - truly loathed - how casually Loki was taking it all.

He’s acting like nothing was wrong with this situation, when, in fact, you’re ninety-nine-point-nine percent sure that this night will end up with one or both of you dead. It is, to say the least, disconcerting.

Kill switch, the holograph files read. Cross-referential Neil Cicierega acoustic weaponry. Your mind sees the words, but doesn’t comprehend them, and you run a hand up to rub at your bleary eyes with annoyance. You risk a glance upwards; on the bed, Loki scans page after page after page with disinterested nonchalance, punctuating the flipping over of each document with a noncommittal hum; as if to say, I understand you. As it to say, This could be worse. You try to slip into that mindset. Certainly, things could be worse.

Actually, though? Not really.

Because, for all the world, the holo-file in front of you just said ‘Pepe The Frog Chaos Banking Laser Initiative’.

“What the fuck does that even mean?!”

“Sorry?”

You whip your head around. Loki, raising an eyebrow. Damn that - perfect - eyebrow.

“Sorry,” You echo back at him, rubbing your eyes again, perversely glad for the break, even if it is this awkward. “I … said that out loud, didn’t I?”

“Marginally,” He tells you. “Yes.”

“Sorry,” You - well, it’s not a whine, not exactly. You’re tired, and there’s no way you’re going to sleep tonight, so you feel like your tone’s justified. “I didn’t mean to do that. I think I’m just - this is. Completely nonsensical.”

“Show me?” He asks, and you snort. He could totally just look up, but -

“Do you have a P.h.d in memes?” You ask him, and, before he can answer, “Because unless you have a P.h.d in memes, I don’t think you’ll be able to help.”

“You’d be surprised,” Loki says. Vaults over the bed with the speed and grace of a panther, filling the air with a cringing wheeze as the rusty springs bend underneath him, and landing in front of the holo-file, pushing you aside slightly to get a better view. When his fingers brush against your side, cool and firm, you flinch.

“Tired,” You offer, when he shoots you a momentarily concerned look. “Just. Need to sleep, later, I think.”

But Loki is already scanning the file, and when he looks up, not five seconds later, you want to hit somebody. Preferably, you think, him.

“I would assume,” Loki says, “That they’re using time travel in order to obtain and store monetary value by way of a Pepe-the-frog inspired laser array.”

“Oh,” You say. You blink once. Blink twice. Still have no idea what that means. “Right.”

“Do you not know your memes, love?” He asks you, smirking. And oh, if you don’t feel things.

“I don’t go on the internet, much,” You tell him. “Too busy, you know, trying not to get killed.”

Loki shrugs. Sidles away from the file. The groan and squeak of those springs tells you he’s back on the bed, giving you some well-needed space, but you can’t bring yourself to look.

“You can sleep,” He says, “If you want.”

“Ha!” You yelp/choke/embarrassingly bleat out into the room’s stale silence. Underneath the rotten eggs, you catch a whiff of bong-water. “No.”

“There’s a bed,” Loki says, cocking his head pointedly and patting the lumpy covers.

“Yeah, that’s - kind of the problem.”

“Why?” He asks you.

“You - really?”

“I was only asking,” Says Loki, re-focusing his attention on whichever Pink Cobra document’s next in the folder. “If you aren’t comfortable telling me - I merely thought, seeing as you were tired, you might take this opportunity to rest.”

“Yeah,” You tell him, “Of course, that’s - nice of you.”

It comes out stilted. Patently off. If he notices, he doesn’t say.

“Are you going to - um. Do you need help, with the rest? The ones I have seem kind of hopeless. I mean,” You say, when he doesn’t look up, “I don’t think that we have to worry about getting demolished by trans-dimensional Agarthian wormholes.”

“Of course not,”” Loki says, scoffing and incredulous, gaze, you are sure, on his page. “If they wanted to kill us, they’d send someone with a gun.”

In reality, it’s several someones.

***

“You jinxed it,” Is the first thing you tell him, when the men leave you. They’ve thrown you into a one-room warehouse, rickety shelves stacked with cartoonish tubs of green goop and mildewing boxes filled with grenades and machine guns and what appears, at second-glance, to be twelve-fingered latex gloves. You’re tied wrist to wrist, ankle to ankle, and your throat feels uncharacteristically parched. Fear, you tell yourself. Apprehension. “Can’t you just - use your seidr to magic us out of this?”

If you could see him - which you can’t, because you’ve been tied back to back - you’d swear that Loki was glaring.

“Do you - do you have a plan?” You ask, after a moment.

“I’m working on it,” He says.

“That’s all?” You say. “We were dragged out of our drug-dealer’s hotel room by a bunch of robed men with guns and the only thing you have to say is ‘I’m working on it?’”

“I’d get it done faster,” Says Loki, “If you wouldn’t interrupt me.”

“Ok,” You tell him, “No interrupting you. Got it. That’s - Alright.”

Unfortunately, not interrupting him is easier said than done, because without the sound of your voice, you are left to your thoughts.

The men had broken in nearly immediately after Loki’s glib, sardonic retort to your worries, shooting the glass out of the room’s already half-smashed-in window and kicking the door in simultaneously. A bit much, isn’t it?, Loki’d asked, and you had wanted to smack yourself on the forehead. Really not the time, you had hissed, but Loki hadn’t seemed to hear you. Do you do this with everyone they send you to assassinate?, he had asked, instead. The men had been dressed in long, billowing cloaks of bright red, embroidered with orange snakes framing a picture of Beaker from the muppets with early 2000’s emo hair. Chaotic meme agents, you had thought to yourself. So that’s what they’re supposed to look like.

You hadn’t picked up, until now, on the snakes.

“They’re working together,” You say, when you can’t stand the playback of Loki being disarmed after spinning and tossing his silver daggers at the men, of the men kneeing him in the balls and twisting your arms behind your back, holding a gun to your head to stop you from trying to fight. Waking up in the back of a van that smelled like microwaved fish. Being tossed like garbage onto the floor of the warehouse, painted in bruises and cuts from the small pieces of glass that had dug their way into your skin. “The IPP and the Pink Cobra.”

“Obviously,” Loki says. Sharply.

“Did Tony not -“

“Stark,” Loki practically growls, and, ok, you’re not losing it but that did make you jump in your skin, “Is an idiot. He wouldn’t know how to connect the dots if they were presented to him in a Buzzfeed Unsolved episode.”

“That’s - You had that on Asgard?” You ask him, momentarily distracted. You wish that you could see Loki’s face, and are very glad that you can’t.

“That isn’t the point,” Loki says.

“I know,” You tell him. You’re scared that your voice is trembling. Scared that he can tell, even though he’s not facing you, how badly your fingers are shaking. Scared that he knows your worst, biggest secret -

That, despite being an Avenger, you are anxious. That, despite him being Loki, despite him being here, and wonderfully, infuriatingly himself, he cannot help you, this time.

You are going to die, covered in cuts and abrasions, on the floor of a meme network’s headquarters, at three a.m in the morning. They are going to come in with umbrellas that shoot poison darts or the ex-presidents Point Break masks and mow you down, and Loki has no fucking plan. You feel the ropes tighten where they’re knotted, itchy and fierce, and you have to fight to keep yourself from whining in terror and nerves. Whining isn’t what Loki needs right now. Whining’s not going to save you.

What is going to save you, you try and remind yourself, is Loki. If you can shut up. If you can let him decipher what needs to be done. If he can figure out some way to do it before the blowtorch-wielding robed vigilantes or some disincarnate meme god comes back and draws their electronically-sharpened fingernails across your throat hard enough to split skin and sinew, send waves of blood down the front of your shirt like a river of sweet, thick red honey and toss your corpse in a ditch by a highway and -

“Y/N?” It is foggy, barely-heard. Posh. “Y/N!” Louder, this time. There are fingers on your wrist, bent backwards to grip you. Squeezing, insistent and there. “Breathe.”

Fuck, you think. You’d started to hyperventilate. To shake, with a full-body tremor that forecasts a great, unstoppable wave of sobbing panic. And Loki had noticed. “I need you to trust me,” He says. “Trust me to get us out of this. Can you do that for me, darling?”

He has never called you darling before, but God how you’ve wanted him to. You feel like you’re being stabbed in the heart - because there is no way he means it, no way that this is anything other than a desperate and cruel attempt to get you to calm down. Something that belies how obvious you are. How needy you are. How pathetic. And yet -

And yet, he doesn’t say it meanly. He speaks like he cares about you, and in the face of your impending death, you want to think Loki cares. You’d let him say anything, do anything to you, right now. More than that, though, more than any of that - as you think back to meeting him, to your blossoming late-night friendship and twitchy banter and the quiet moments you’ve shared with him in-between battles -

“I trust you, Loki,” You tell him, and feel your breath quiet in you. Feel yourself growing still and calm with the certainty that Loki will do as he’s said.

That you will survive this.

That -

“Good,” Loki says. Not relieved, but determined. Leaving you no room to argue.

“So what do we do?” You ask him.

“Nothing,” Says Loki, and you can hear his wide grin.

“Nothing?” You ask him, gawking.

“Nothing,” Says Loki. He gives your hand a tight squeeze.

And then the Pink Cobra walks in.

***

This will end badly, you think. It’s about the only thing that you can think, preoccupied as you are with -

It might be easier not to -

Fuck.

The thing is - and you really do try not to move, not to groan, not to scream - the thing is, you thought that when Loki said he had a plan, that said plan wouldn’t involve you being collateral damage for a LARP-er who’d most likely broken out of an asylum. I wish that we could be back in that shitty one-bed hotel room, you think to yourself, and - alright, not the best timing, but it rips a laugh out of you, spiraling and unhinged, before you feel the Pink Cobra, resplendent in coral cloak and villainous swagger, slug you one in the jaw. It hurts worse than you’d thought it would - you’ve never really gotten injured on missions, you’re usually good at talking yourself out of things, which is why the Avengers keep you around. You can speak any language, as long as you’ve heard it once, and your customary daily awkwardness can shift into persuasion like flicking a light-switch on.

Usually, though, you had an opportunity to speak, and weren’t rendered speechless by -

Loki, if you’re being honest. How much you want to kiss him. How much of an asshole he is. Trust me, he’d asked you. Can you do that for me? The Pink Cobra’s grip is sharp and bruising on your side; he’s slipped his fingers up your shirt and is pressing the point on your side that threatens to make your knees buckle, making bile rise up in your throat, driving you wild with the aching need to flee. He has one hand clasped over your mouth, now that you’ve quieted, and you can feel something - pain, and a pill - pressed snugly into his palm. He will force it down you, you know, if Loki so much as sighs wrong.

You’ll never trust him again.

You wish that you knew what the time was. If you end up dying at 4:20, you’re going to throw fists with somebody in hell.

You wish, also, for aspirin. Avengers training has left you woefully unprepared for the reality of getting punched in the face. You can already feel your jaw starting to swell, taste an egregious amount of blood. You’re pretty sure that the force of the blow knocked a tooth out.

What strikes fear into you, though - a fear somehow deeper than the absolutely bone-chilling, blood-curdling knowledge of what the Pink Cobra might do to you - is the look you’d seen on Loki’s face in the seconds after he’d grabbed you, before it fell into practiced, amused apathy. He’d gone white, and his eyes had blown wide. His fingers had spasmed with anger.

He’d looked as scared as you feel.

And you have no idea why.

It isn’t like you’re anyone special. Not any more than the rest of the team. Less so than most of them. You aren’t a god, like Loki and Thor are. You don’t have stealth-assassin training, like Bucky, or super-strength like Steve. You can’t seamlessly pilot mechanical suits over the New York skyline like Tony, or use a crossbow like Clint, or beat thirty people in single-hand combat like Nat, or change into a nitro-fueled rage machine like Bruce.

You can’t do anything, much.

Except, apparently, die.

You squeeze your eyes shut, not letting yourself look at him. You won’t let Loki’s disinterested face be the last thing that you see. It makes the Pink Cobra’s words all the worse, when he speaks. His voice is dark and sick and timbered, and you feel maggots crawling over your skin as he slots you closer to his body, tightening his already painful grip on you so that you can’t move even an inch away from his tensed, coiled muscles.

“So,” He says, “You are superheroes? How long did it take me, to apprehend you? Ah - three and a half hours? Tell your boss-man, do better next time.”

“I’ll pass it along,” Loki says. His voice sounds different. You can’t place why. Still won’t look.

“You won’t,” The Pink Cobra says. You can feel his shoulders rise, then fall. Feel him smirk. You love Loki’s smirk - secretly delight in drawing it from him, sometimes - but the Pink Cobra’s only fills you with yet more terror. You’ve pursed your lips tightly shut against the intrusion of his hand, but when Loki speaks he forces your bruised, bleeding jaw open and shoves the pill into your mouth. The pain of your injury tears through you like white lightning and you thrash, trying to escape. A keening sound claws its way out of you, fevered and anguished, and you feel your hands, still bound up in ropes, trying in vain to push off and away. The man behind you sighs, and then aims a swift kick at the back of your knees, which sends you down before you can so much as yelp. Your knees hit the floor, and he’s holding you by your hair now, twisting it so hard that you’re almost sure he’ll scalp you. He’s pulled something - too big to be be a knife, some kind of shortsword?! - Out from beneath his cloak, and is pressing it up against the column of your throat. You feel the weight of the capsule between your teeth heavily now, and realize what it means in the split-second before the Pink Cobra bends and whispers, Your choice; stale and rancid into the shell of your ear.

Next, he addresses Loki.

“You’ll be wanting to know what our plan is,” He says. Our, you think. We were right. “Hmm? I know how you people are. Always wanting to know. Tell me this, Mischief Man. What will I get, if I tell you? What price are you willing to pay?”

You know what this is. You know it like the ache in your heart when Loki brushes you off. Like the safety you feel in his arms. You open your eyes. Take in Loki’s face - he’s trying to hide, but you know, you know how he feels. You know what he’s going to choose.

And you know that you can’t let him choose it.

“You’ll let her go,” Loki asks, “If we let you leave here?”

“The thing could be managed.”

No, you think. No, Loki, don’t! Whatever the Pink Cobra’s going to do, whatever the IPP’s planning, knowing’s worth more than your life.

“One thing I want to know,” Loki says. He’s twirling a knife of his own, a slim silver number he keeps on him at all times, and you feel the blade on your own throat start to dig in - not enough to draw blood, but enough for you to feel it. The threat of it. The promise of it, and the coldness of the gleaming metal. “You and the IPP? How does it fit?”

“You want information from me?” The Pink Cobra asks. Lets his blade bite you, just barely, and the strength it takes for you not to scream is more strength then you’d known you possess.

“Yes,” Says Loki. “It’s not like I’m asking for much.”

He meets your gaze. You meet his. You hope that he cannot read it. His eyes are so worried, so desperate, you nearly break down.

“I suppose,” The Pink Cobra says, “That you’ve earned it. Getting here - getting this far - it must have been no easy task. Fine. There is no Imminently Predictable Psyops organization. They were a - what do you call it? Red herring? A scent of blood for the shark.”

“You fabricated them,” Loki says. “Why would you fabricate them?”

He is losing his composure, you can tell. You will never be ready for this. He will never be ready for this. You hope that he will forgive you, and you know that he never will, and you swallow the pill in your mouth.

“Because it was fun,” The Pink Cobra says.

And then your body knows pain.

***

“He didn’t think I would do it,” You say. Your mouth feels thick, clotted with blood and shock, and your body is one raw, gaping wound, but the giddy feeling of victory has begun to course through your veins. Pure, unfiltered adrenaline. You had waited for the moment of death to come, and it hadn’t. The pill is fake, your mind had screamed. But there’d been one thing left, that might work. You had breathed as slowly as you possibly could, forced every muscle of your scared, writhing body into single-minded limpness, rolled your eyes backwards into your head, drew one last breath in, and fallen. Twitched, for a few seconds, like a rag-doll. Then made yourself still.

Loki had slit the Pink Cobra ear to ear, beaten him within an inch of his life as he bled out, screaming like a man deranged. He’d left him a wet, bloody mess on the floor, and the blood had run down the not-quite-steady plane of it, pooling around you and mixing with the blood from your jaw, from the evening’s earlier glass cuts, from the deep, burning stab wound the Cobra had got on your arm.

You breathe, and your body knows pain.

You look at Loki, and your body knows pain.

He is shaking. Visibly shaking. His hands are clenched into fists at his side, and he looks as pale as bleached bones. His eyes are shot red - he had sobbed, when you fell, and a howl had torn through his body. You don’t know what to do, what it means, what the hell even to say to him. His cheeks are tear-stained, his breaths ragged.

You blink, and your body feels pain.

“We won,” You croak out. “Loki, we won.” It hurts worse than anything you’ve ever felt in your life. “I think he broke one of my ribs.”

You don’t mean to say that last part, but you do, and you are the one crying now, because it feels like he probably has, and you can barely even stay awake through this pain. It feels like the Hulk is pulling you limb from limb. Like all of those nightmares you’ve had where Loki decided to leave you - to go back to Asgard, and never speak to you again.

Stupid, you think. He won’t, again. Not after this.

Loki still hasn’t spoken. He’s looking at you, and his eyes are wild. Desperately, jaggedly roaming your body. His fists twitch with every new part of your body they land on.

“That bad, huh - Oh, fuck.”

And just like that, the tension leaves Loki’s body. The dam that had held him firmly in place is broken, and he’s running towards you with none of his usual grace. Dropping down by your side. He hoists you, and you hiss, and the tears won’t stop coming, so you bury your face in his shirt, nose pressed at the crisply ironed collar. Don’t care that it’s bleeding, because Loki’s here now. Holding you. Keeping you real. He’s got one hand stroking your hair and his touch feels right, nothing like the Pink Cobra’s, and he’s whispering: You brave, precious, idiot, how dare you, how dare you throw your life away like that?!

“It worked,” You exhale - it’s the most you can manage. You would laugh, if it wouldn’t shred you to pieces. Loki cradles you fiercely, hands grasping at the sweat-and-blood soaked fabric of your shirt, running over you as if he doesn’t believe you’re alive. “It - hurts,” You get out. Barely. “Loki, it - I can’t -“

“Don’t,” He tells you. His voice has gone brittle, choked with thorns. “Don’t talk. Don’t - Don’t ever do that again. Do you hear me? You will never do that again.”

If I need to, I will, you think. And you wonder if that’s why you’re here. Wonder if that’s why you’re strong. You wonder, and hurt, and believe. Feel the strength of him, clutching you like you’re the only thing in the world, taking in greedy lungfuls of your weeping, your need for his touch.

You can’t talk, anymore. It hurts too badly. But you surge, upwards, up into where he’s holding the back of your head, pressing your forehead into the dark, warm space under his jaw that smells like smoke and peppermint. Loki is taller than you are - you fit right into the curve of his neck, and his long curls curtain you in a bubble of warmth and content.

“Promise,” You say, but it comes out unintelligible, and Loki’s hands are running, so gently, over your skin.

“What was your plan?” You ask him, forcing it out of your body.

“Hush,” Loki says, “Later.”

There might not be any later, you think. Not like this.

***

In the hotel room, an ocean of scattered pages and ceiling mold and blessed privacy, you balance, cross-legged, on the bed. The wind blows wet and cold from an earlier rain through the busted out window. You have managed this out of sheer stubborn-ness, because it is the most that Loki allowed you to do. You’d passed out, twice, on the journey back - he had magicked you there, though it had taken a considerable amount of effort that you weren’t sure you really deserved - and had immediately propped you up on the pillows and stooped to ruffle through his suitcase, emerging not long after with binding tape, cat-gut thread, and a needle so sharp you could feel it slicing your flesh. You had opened your mouth to protest, but Loki had silenced you with a glare that could fell Director Fury. So you had gone quiet, and caved, letting him kneel over you on the distinctly lumpy mattress and begin inspecting your wounds. It had taken a few tries and a Please to convince him to let you sit on your own, and it hurt much more than the manner in which he’d arranged you. You were starting to, slightly, regret it.

“You don’t have to do this,” You say, pulling it from bleeding lips. He shushes you with a harsh, stern tut. “You’re not my mother,” You tell him.

“You could have died,” Loki says. There’s a snarling undercurrent to it that you can’t even start dissecting. “What were you thinking?” He asks. It is easier, though still painful, for you to answer him - he had used nearly half of his Thor-limited magic reserve to perform a basic stasis spell on your injuries, but the spell wouldn’t last forever. You’ll need stitches, he’d said, choking it out like he was the hurt one when he’d seen the number the Cobra’s blade had done to your arm.

“I’ve had worse,” You say, grinning weakly.

“Are you lying to me?” He asks you, with the tone of someone who’s distinctly not in the mood for joking.

“I thought,” You say. Steel yourself. “I thought you weren’t going to do what needed to be done. So I - Did it myself.”

“What needed to be done.” Loki says, enunciating every word.

“We couldn’t let him walk away,” You say, meeting his eyes. Emerald, clouded with fury. You don’t let yourself flinch from that anger. You don’t let yourself run from your choice. “You know what he would have done.”

“I don’t,” Loki says. “I know nothing. I know - I know that you think that your life means so little I wouldn’t care if you were gone. That I could - Live, without you.”

That’s… different.

“And I know,” Loki continues, “That I told you to trust me, and I meant it.”

“I do,” You say. There is no hesitation. “I trust you - Loki. Of course I trust you. It’s not - it wasn’t -“

“Stop talking,” He snaps. Gentles, when you jerk your head away, blink back a fresh wave of tears. “You need rest,” He says. “And - This is. This is going to hurt.”

You nod.

“Best get it over with, then.”

“You should keep your eyes closed,” He says.

“No! I want - I need to look.” You bring your eyes up to your arm, which he’s settled onto bed’s chewed, scratchy quilt without you realizing, but Loki tilts your head up with a barely-there graze of his fingers, achingly gentle to avoid aggravating your swollen jaw. He holds your gaze for a long time. Doesn’t look mad, anymore.

“Are you sure?” He asks you. Like all of this could be over with, if you wanted.

“How bad it could it be?” You ask back.

The injury is horrendous. You’d thought - honest-to-God, you’d thought the pain was terrible, but you weren’t ready for what your arm has become. The line of the wound runs in a craggy jigsaw from just under your shoulder to the tip of your elbow. Small wonder you can’t move it, can barely think through it at all.

“Y/N?” Loki asks, “Are you -“

“Fine,” You say. Blink, and your body knows pain. Try not to let how scared you are show, when you look back up at Loki. The Pink Cobra’s dead. You shouldn’t be scared, anymore. “It’s really bad, isn’t it?”

Loki sighs. Long and low and sad.

“Will I have to - “

“Bite,” Loki says, and shoves something - the sleeve of his shirt, crusted in blood which you realize, sickeningly, is yours - into your mouth. “It’ll help.”

It doesn’t, but he holds your hand through it, hushing you through the pain with furrowed eyebrows, thread and needle flying deftly through skin, air, skin again. His fingers move precisely, deliberate, quick, and when, on one stitch, you audibly whimper, he pauses to lean down and press a soft, utterly unexpected kiss to your hairline. You are unable to fully express how much it means to you, so you do the next best thing and kiss him yourself, pressing him back once he’s finished the last of his stitches and breathing all the the words you can’t say into him. You press every fear and gratitude and lingering nerve into the warmth of his lips, wending your fingers through his dark hair despite the pangs of agony still thrumming through every inch of your body. Your face hurts, but the kiss is all you’ve ever needed and more, and Loki is so, so gentle with you, pulling away with creased eyebrows and a look of genuine concern.

“I wanted to,” You tell him, mustering all of your strength. “It didn’t hurt.”

“Stop,” He tells you, voice cracking, “Stop lying.”

“I’m not,” You say. “I wanted to, Loki, I did.”

“And you wanted to -“

“No.” You are vehement about it, for a broken-ribbed, broken-jawed, freshly-stitched person coming off the high of his teeth and his tongue. “Not that, I swear, never that.”

“Why did you do it, then?” Loki asks. He has steepled his fingers under his chin, and his narrowed eyes pierce through you to the soul. You couldn’t lie to this man, you think, if your life depended on it.

You know that you have to tell him, this time. Really tell him. You don’t.

“”Why didn’t you use your magic?”

“You know why,” He says, and you do. You’d remembered it as the white pill turned to white powder in your gums, as the Pink Cobra’s knife had carved its way into your flesh. Thor had put a set limit on it, as condition of Loki’s release - Proof, he had said, We can trust you. Loki had thought to save it for later, that you wouldn’t need him right then. He had thought you’d talk them out, to safety.

You’d failed him.

“You didn’t,” He tells you, voice raw. He goes to grip your chin, to force you to listen to him, but with a glance and ill-concealed wince at your purpled jaw he thinks better of it. “You think that you failed me? You let yourself be - be beaten and stabbed - just so people you’ve never met in your life wouldn’t die, and you call that a failure?” He runs a hand through his hair. Bites back a snarl. Drops your arm. “I need you to listen to me,” Loki says, “Very, very carefully. You’re going to tell me why now, love. And then we’re going to fix it.”

You raise an eyebrow. Worse than he does, you’re aware.

“Sleep,” He amends, with a pointed look at the bed underneath you, “And then we’re going to fix it.”

“There’s only one bed,” You tell him, “And I feel like I just got run over by a truck.”

Loki huffs, a puff of warm air that you feel, from how close he still is. A grin twitches at the edge of his lips. It sets off sparks inside you.

“I thought -“ You say. Shake your head, and restart. “You would have let the Pink Cobra attack. You would have let him just walk away, and I couldn’t just - let that happen.”

“Enlightening.”

“No,” You tell him, “I mean it. I couldn’t - I’m not - I’m not worth more than anyone else. We’re the Avengers. It’s our job to save people, Loki.”

He’s regarding you carefully, eyes still narrowed, all vestiges of softness gone from his face. When he opens his mouth, it’s to close it. Form thoughts. Discard them. Exhale.

“My mother once told me,” He finally says, “That I would never know what it meant to be human until I found the person who made me want to bleed the world dry. Take all of its’ suffering, all of its’ cruelty, and leech it out of the very fabric of time, just to keep that person from anguish, from harm.”

“I don’t -“

He holds a hand up. You still.

“She never said they would infuriate me,” Loki says. “She never said they would make me laugh, or smile, or question my sanity on a regular basis. She never said that they’d try and get themselves killed, and that I’d have to watch, and that I would feel like my heart was being ripped from my body and torn to a bloody pulp; that I would make the sky rain blood and fire at the sight of it alone. But she was right about one thing - Many things, but also this. She told me that it wouldn’t matter. That I would - love you - anyway.”

“You don’t,” You say, not daring to hope. It’s an automatic retort.

“Foolish girl,” Loki chides, and you blink back fresh, stinging tears. How long have you wanted to hear Loki say that to you? How many sneaky looks have you stolen in the heat of your missions, just to see his smart mind and tricky magic at work? How many nights have you sat up together, sequestered from your insomnia in a bubble of hard-earned banter and peppermint tea, fighting the tight, coiling urge to push aside your steaming mugs and pull him into your needing?

He could not - he can’t - feel the same.

“Loki,” You say, stumbling over the words, “You can’t - This is - This is me we’re talking about.”

“Is there anyone else here,” Loki asks you, “That I could be talking about?” He seems nonchalant, now, as if this - this cruel fucking joke, when you already feel you’re on fire - is merely a fact of his life. “We’re going to leave this excuse of a town, and get you - proper care. Fix it. Because I will not, on my honor, watch you suffer in pain. But first, you’re going to sleep.”

“There’s only one bed,” You tell him, and feel your resolve as it shatters. You cling to the statement like it’s the last remnant of the girl you were and the woman that you’ll never be, “And the shower doesn’t work. And I’m covered in blood.”

But when you look at Loki, his eyes twinkle, mischievous.

“Will you stay with me?,” You ask him, biting your lip.

“You astound me,” He tells you, and rolls his eyes, and it feels - it feels normal. Good. A tender heat unfurls in your heart like orchid petals in the sun, numbing the persistent ache in your ribcage. “To even think that I would do anything else.”

Later, you will ask him why. Why do you love me?, you will ask, and Loki will hum, low in his throat, curled around you just like this first night; your back pressed into his chest, your legs tangled up hopelessly, his fingers tracing nonsense patterns onto your spine in the dawn-light’s syrupy gold. Because, he will tell you, trailing a line of soft kisses up the scar on your arm - an ugly thing, but it functions, mostly, and only ever seems to hurt on the days when he isn’t there - I was given no choice.

But if you’d had one?”, You will ask, and spin around, propping yourself on your elbow.

You tempt me, He’ll tell you, baring his sharp teeth. Shouldn’t you know better than that?

You will lie there, next to each other, not needing a single word. Because you will know. Because he will have told you, a thousand times, a thousand ways, exactly how he feels about you.

Tonight, though, isn’t that night. It takes a moment to get settled in his hold, and the rain spits and drums against what glass remains in your window, slicking the carpet with dark, greasy splotches. It figures, you think, that even the rain in this city has the smell and the texture of oil. You feel like a bag of bones, stretched too thin. But safe, in his arms, in a way that you’ve never felt, before now. Loki is with you, you realize. Wrapped around you like a traveler’s cloak, the comforting weight of a slim, balanced blade at your side in a fight. He is cool, around your afraid. Warm, where his clever fingers whine and needle their way through your skin to your heart.

“I hate you,” You tell him, “You know that?”

Loki laughs, a deep, rumbling purr.

“Go to sleep.”

#picture1000wordswc #pic 4 #loki/reader #female reader #crack #so much crack #just a lot of references to bad memes and cringe movies that turns into all the angst #because for some reason i’m like this #guess which character from another popular franchise i based my crack villain off #soundtrack to this was 800 percent mouth moods #in all seriousness though huge congrats to @startrekkingaroundasgard #you deserve all the love #unfortunately i showed my love by writing insane crack fic but HEY #loki is in it so hopefully that makes up for the c r i n g e

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ljf613 · 4 years ago

Text

Why Azula Doesn’t Need a “Redemption”

I recently read this fabulous meta by @deliciousmeta about some of the issues with saying that Azula needs a “redemption,” and I completely agree and wanted to expound on it.

The term redemption arc is so ubiquitous in fandom, especially when talking about Azula, and I hate it, but I can’t get away from it. If I want people to recognize that what I write is in any way about understanding or humanizing Azula, let alone about working on her healing or actively trying to do better, I have to tag it with “Azula Redemption,” or people won’t know what I’m talking about.

So let’s talk a little more about the concept of “redemption” within the Avatar world.

The show does use the term redemption, particularly with Zuko and the Fire Nation, but it’s not talking about some arbitrary concept of “good person” vs “bad person.” No, words like “redemption” and “restoration” are specifically used regarding one thing: honor.

Before we go any further, let’s define our terms:

[ID: Dictionary definition of the word “Redemption”: Noun 1. the action of saving or being saved from sin, error, or evil. 2. the action of regaining or gaining possession of something in exchange for payment, or clearing a debt. End ID]

Redemption has two separate meanings. The first is about being saved from sin/evil, and @deliciousmeta already went into many of the issues with this, but I’ll add one more point: it’s passive. There’s a person being saved, and another person doing the saving-- and the show itself rejects this. Iroh, no matter how hard he tries, can’t save Zuko. Zuko has to make his own decision to leave on his own terms.

The second definition is the one that’s important right now-- regaining something lost. Zuko (and the Fire Nation) has (or at least, believes he has) lost his honor, and he wants it back.

(Side note: That idea of reclamation/repossession is also something to consider when talking about Aang/the Air Nomads, the Water Tribes, and the Earth Kingdom regaining everything they’ve lost in the war. (I might discuss that in another post.) Redemption isn’t generally the word you hear in regards to victims, but it does apply.)

[ID: Dictionary definition of the word “Honor”: Noun 1. high respect; great esteem. 2. adherence to what is right or to a conventional standard of conduct. Verb 1. regard with great respect. 2. fulfil (an obligation) or keep (an agreement). End ID]

From Zuko’s very introduction, we see that he does honor his word, even when his opponents don’t. He told Aang he would leave the Water Tribe village in peace, and he kept his word, even when Aang did not.

Zuko’s obsession with redeeming his honor (again, that second definiton of redemption) is because he has conflated the two meanings of “honor”; he lost his esteem (read: privilege), and he thinks that somehow means he’s lost his integrity. In his obsession with regaining the first, he loses the second. This culminates in “The Crossroads of Destiny.” When he turns his back on Iroh in Ba Sing Se, he has broken the trust Iroh had in him-- he’s dishonored himself.

(Which, in a sense, is a microcosm for how the Fire Nation lost their honor-- they broke the trust all four of the nations had for each other.)

When he returns to the Fire Nation, he has what he thinks he wanted-- esteem and respect (read: his father’s “love”). But it’s a hollow shell of what it should be. He’s always been a person of integrity-- the person who’s being honored isn’t him. (Or, at least, it isn’t who he wants to be.)

And so this time, he rejects that first definition of honor. In essence, he says that respect is useless if the person’s actions aren’t deserving of respect.

In doing so, he takes back-- he redeems-- his real honor.

That’s what Zuko’s redemption arc is about. It’s not about “becoming a good person” or “being saved from evil,” it’s about taking back what he already had.

So I have no problem with calling Zuko’s story a redemption arc, because that’s what it is: a tale of a boy, and eventually, a nation, taking back what they’ve lost-- their honor-- through his own hands.

Any narrative about Azula, however, can’t be about that.

There are two reasons for this.

First off, Azula herself doesn’t care about honor. Unlike Zuko, her honor has never been something she valued. In “The Chase,” she rejects the very notion of honor when, after claiming that “a princess surrenders with honor,” she breaks her word. For Zuko, his honor is an integral part of his value system and who he is, but Azula has never even entertained the question-- if it doesn’t help her acheive her goals, it’s worthless.

Second, as I’ve mentioned, true redemption is about regaining something that’s been lost. What does Azula have to regain? Azula’s drive has always been about getting things she doesn’t have. (See Mirror & Misdirection - The Distortions of the Mirror Scene from @cobra-diamond for more on Azula’s goals and motivations.)

And the most of the things she’s lost are things she can’t get back:

Her relationships with Mai and Ty Lee were flawed from the beginning. Even if she does build new ones with them, they can’t be the same. Her relationship with Zuko might not have started wrong, but it’s become so warped and deformed, I don’t think either of them could get it back to the way it was-- nor should they. Most people have a different type of relationship with their siblings as adults than they did when they were children, and that’s okay. Her relationship with her mother is fractured and messy-- even if they did want to make up, it would, again, have to be a different kind of relationship. (And if you’ve been following me for any period of time, you also know my feelings on her relationship with Lu Ten, which, obviously, she can’t get back.)

Anything else-- her relationship with Ozai, her title and status, and that expectation of being a perfect princess-- are things she probably shouldn’t get back, because they would do more harm than good.

So no, an Azula story would not-- could not-- be about redemption.

Ideally, a narrative focusing on Azula would focus on two things: healing and atonement.

[ID: Dictionary definition of the word “Healing”: Noun the process of making or becoming sound or healthy again. Adjective tending to heal; therapeutic. End ID]

[ID: Dictionary definition of the word “Atonement”: Noun 1. reparation for a wrong or injury. 2. (in religious contexts) reparation or expiation for sin. End ID]

(Read @deliciousmeta‘s take on the difference between “redemption” and “atonement.” In short, redemption is about “being saved” from “inherent badness,” while atonement is about taking responsibility for your actions and doing the best you can to try and fix the wrongs you’ve done.)

At the end of ATLA, Azula has what, in layman’s terms, is commonly referred to as a mental (or nervous) breakdown. I’ve seen arguments about how that “proves” she’s a “horrible person” (coming back to OP’s argument about our obsession with categorizing people as “good” or “bad”), and I’ve seen competing arguments calling this ableist and furthering the stigmatization of mental illness.

I’ve talked about nervous breakdowns before, but here’s the gist: they are a body’s way of crying out for help. In real life, mental breakdowns are meant to be followed with the sick person (because mental illness is just as much an illness as cancer or sickle-cell anemia) actually getting the help they need.

What Azula needs is help-- preferably from an adult who hasn’t been personally affected by her actions, and who she doesn’t have pre-existing negative feelings about. She needs to be willing to accept that help (because you cannot help someone who refuses to be helped). And she needs to come to the realization that she has made mistakes-- that her actions have hurt people.

Only then will she be able to start making atonement for her actions.

What would that look like? I’m not sure, but I’ve got some ideas......

(No, I’m not going to tell you what they are, I have to leave some surprises for my future fics!)

#avatar the last airbender #meta #azula #zuko #azula's redemption arc #or not #zuko's redemption arc #mental illness #mental breakdown #thoughts #honor #healing #atonement

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magic-and-moonlit-wings · 4 years ago

Text

Chapter 55: Movie Night

Lots of quotes from the movie Lilo & Stitch ahead! Fewer quotes, but some, from Trolls and Frozen.

Bold italics are trollish, ~tildes~ indicate goblin.

Content warnings for this chapter: Swearing. Here we reach the story's first F-bomb.

Also, there is some talk between characters about the harshness of life in the Darklands, how Changelings are treated by the Gumm-Gumms, and mentions of cannibalism.

This was supposed to be a light-happy chapter that got feels-y at the end, but then it went and got all dark on me.

Oh, also-also, (Not) Enrique finds out Claire flirted with Jim a while ago and misinterprets what exactly happened between them, but that gets cleared up fast.

Becoming The Mask

Once again, Javier and Ophelia Nuñez were out for the evening, leaving Claire in charge of Enrique. Claire had gotten permission to invite "some friends" over to watch movies. Jim and Toby arrived to find Mary and Darci already there – Jim suspected, like the time he'd 'babysat', that Claire had purposefully asked him to arrive after she knew her parents would be gone.

They set up piles of cushions and blankets on the floor between the couch and the TV. Jim propped the Amulet up on the coffee table they'd pushed to one side. Maybe some of the ghost Trollhunters would be interested in human movies.

"Finally get your fill of the touchy-feelies?" Enrique teased Jim, seeing how they were all seated separately. Jim snorted.

"Not hardly." He pulled the smaller Changeling in for a hug. "Humans just have different rules about casual touching, is all. Freezing to death's not really a concern in this climate."

"Wait, what?" said Toby, dropping the pillow he'd been holding. Jim looked up to see all the humans staring at him.

"Darklands thing," said Enrique easily. "Gets cold there."

"We'd sleep in piles," Jim explained. "I had a bit of a reputation for being … clingy."

"If you weren't good at finding food and soft stuff, we'd never've put up with ya." Enrique proved himself a liar by climbing onto Jim's shoulders instead of jumping back to the floor. He fluffed the hair on Jim's scalp. "Jimmy-boy got his first nickname for that."

"Shut up," said Jim playfully. "Anyway, humans get weird about touching around puberty. I can still hug Mom whenever I want, but Toby gets embarrassed if I hug him around other people, and Claire, Mary, and Darci haven't given me permission to touch them casually yet."

"… Did you … want permission?" asked Claire. "You, kinda, said you were uncomfortable with that, I thought."

"No, it was more wondering if you were flirting with me that felt weird," Jim assured her. "After that conversation I felt like it'd be awkward to bring up that I was open to hugging and such."

Jim thought he felt Enrique growl, to quietly to properly hear. His hand, still in Jim's hair, changed position so the tips of Enrique's claws were on Jim's scalp.

"When exactly did this happen?" Enrique asked.

"Claire kissed Jim on the cheek on his birthday and then Jim said he wasn't interested in dating her," said Mary.

"Also that I realized she might not have meant it in a flirty way and if I was misinterpreting things she could ignore what I was saying," Jim added. The claws retreated.

Claire looked away. "So what movie did we want to start with?"

"Lilo & Stitch!" exclaimed Darci, looking through the shelves. "I haven't watched this in forever!"

"That's a good one." Jim tilted his head to get Enrique back in his peripheral vision. "Enrique, have you seen it yet?"

"… Yeah."

"Isn't that the one that always makes you cry?" asked Toby.

"It's beautiful. Of course I cry."

Stitch was a constructed 'abomination', who shapeshifted to blend in, and his adopted family found out what he truly was and still wanted him. How could Jim be expected to keep his composure in the face of that?

"So, quick question," said Jim. "Is talking during the movie a crime, or is commentary what makes it a group activity?"

"Commentary," said all three girls together.

"Okay, good." Jim and Toby usually talked during movies, unless one or both of them were seeing it for the first time. Sometimes even then.

+=+

"Not guilty! My experiments are only theoretical, and completely within legal boundaries."

"We believe you actually created something."

"Created something? Ha! But that would be irresponsible, and, unethical. I would never, ever – make more than one."

"What is that monstrosity?"

"Monstrosity?! What you see before you is the first of a new species!"

"You have to wonder if she and Merlin ever had a talk like this," Enrique muttered in Jim's ear. Jim snickered.

"And as for that abomination … it is the flawed product of a deranged mind. It has no place among us."

Jim stopped laughing and cringed. He loved this movie a lot, but some of it stung.

+=+

"A quiet capture would require an understanding of 626 that we do not possess! Who, then, Mr Pleakley, would you send for his extraction?"

"… Does he have a brother? Close grandmother, perhaps?"

"Fun fact," said Darci, "in early drafts Stitch was a career criminal and Jumba was an old accomplice."

"Friendly cousin? Neighbour with a beard?"

+=+

"Surely the teacher won't notice I was late if he doesn't see me come in!" Claire narrated sarcastically.

+=+

"I'm sorry, Scrump!" Mary wailed, as Lilo ran back to retrieve the doll she'd angrily thrown aside.

+=+

"Let me illuminate to you the precarious situation in which you have found yourself. I am the one they call when things go wrong. And things have indeed gone wrong."

"As a cook, that kitchen horrifies me," said Jim.

+=+

"If you promise not to fight anymore, I promise not to yell at you – except on special occasions."

"Tuesdays and bank holidays would be good."

The entire group cracked up.

"How does kid Lilo's age even know what a bank holiday is?" said Claire. "I don't even know what a bank holiday is!"

"Maybe she saw it printed on a calendar?" said Toby.

+=+

A raindrop fell on Stitch's head. He fired his ray gun into the sky. It started raining, hard.

"Oh, no, I broke the sky!" Darci cried.

+=+

"Does it have to be this dog?"

"He survived getting hit by a truck, how much more sturdy and not-gonna-die do you want?" asked Jim.

"Yes. He's good. I can tell."

+=+

"I'm sorry I bit you. And pulled your hair. And punched you in the face."

Mary nudged Claire. "Remind you of anyone?"

Like sunflowers, everyone else popped up and turned towards them.

Claire blushed. "We got into a fight in first grade and for like two days we decided we didn't want to be friends anymore, then our moms made us say sorry."

"He will be irresistibly drawn to large cities, where he will back up sewers, reverse street signs, and steal everyone's left shoe."

"It's weird they get in trouble for everything but this," commented Enrique. "Human grown ups might not believe a dog stole a trike, but wouldn't they think Lilo did it? She's fought the other kid before."

"It's nice to live on an island with no large cities."

+=+

"It's not an angel, Lilo, I don't even think it's a dog!"

"Isn't that the rolling thing Draal can do?" said Toby.

"Yeah, more or less," said Jim. "I mean, I don't think Draal bites his feet – but maybe that's the trick."

"At least with those stick legs you've got," said Enrique. He curled into a ball and rolled in a circle around the group. "Face it, you're out of proportion for this move."

+=+

"626 was designed to be a monster. But now, there is nothing to destroy. You see, I never gave him a greater purpose. What must it be like, to have nothing? Not even memories to visit, in the middle of the night?"

"Now, this next bit I don't care for," said Jim. "The Ugly Duckling is a messed-up story."

"What've you got against The Ugly Duckling?" asked Mary.

"The blatant segregationist propaganda? 'A swan will never fit in with ducks and everyone is better off sticking with their own kind'. You don't even have to read it as a race metaphor. Between that and The Little Mermaid, I thought for while that Hans Christian Anderson was a Changeling writing cautionary tales about why we shouldn't get attached to humans."

"… Was he?" asked Claire.

"Probably not. I couldn't find any real evidence and the rest of his work doesn't match the pattern."

"Counterpoint," said Darci. "The Ugly Duckling is pro-integration. Everyone thought he was an ugly duckling because they didn't know what swans look like. If he'd grown up with ducks and swans around, they could've judged him for what he was instead of what he couldn't measure up to, and he might've had a happy childhood instead of only finding a community that accepted him as an adult."

Jim considered this, and nodded. "I guess I can see that, too."

+=+

"Heard you lost your job."

"Well, uh, actually, I just quit. That job. Because, you know, the hours are just not conducive to the challenges of raising a child –"

"Nani, no!" Jim begged. "I know almost nothing about Social Services but I'm pretty sure choosing to leave your only source of income looks worse to them than just losing it!"

"Thus far you have been adrift in the sheltered harbour of my patience; but I cannot ignore you being jobless. Do I make myself clear?"

"Perfectly."

"And next time I see this dog, I expect it to be a model citizen. Capiche?"

"Uh … yes?"

"New job. Model citizen. Good day."

+=+

"So, we saw Cobra on the beach after all the tourists got scared off … D'you think he was just standing there watching them the whole time?" Mary wondered out loud after the surfing sequence.

+=+

"Until we meet again …"

Lilo was about to tell Stitch about her parents. Without thinking, Jim grabbed the remote – on the coffee table, next to the amulet – to fast forward.

"What are you doing?" Darci cried. "This is one of the big emotional turning points of the film!"

Jim paused it. "Sorry. Uh … Tobes and I usually skip this scene."

"I think I can handle it," Toby assured Jim. To the girls and Enrique, he explained, "My parents died in a storm when I was two. A cruise ship, not a car accident. I got kind of upset the first time we watched this as kids, and, we got in the habit fast forwarding this part. I think I'm okay with it now."

"You're sure?" asked Jim.

"I'm sure."

"Okay …" He rewound to the point where he'd started fast forwarding.

"That's us before. It was rainy, and they went for a drive. What happened to yours?"

Jim watched Toby more than the movie for the next few minutes.

"I'll remember you, though. I remember everyone that leaves."

"Do you remember them?" Claire asked quietly.

"Only the stuff Nana tells me." Toby shrugged, and readjusted the cushions he'd propped up his arms on. "I've seen lots of pictures. A couple home movies."

+=+

"Don't run. Don't make me shoot you. You were expensive. Yes, yes, that's it, come quietly."

"I'm … waiting."

"For what?"

"Family."

"Ah. You don't have one. I made you."

"Maybe … I could –"

"You were built to destroy. You can never belong."

Jim blinked fast to keep the tears back. He sniffed, and pulled the blankets more tightly around him.

+=+

"Okay, talk! I know you had something to do with this, now where's Lilo? Talk! I know you can."

"Claire?" said Mary. "You okay?"

Jim looked over. Claire's jaw was clenched, and her hands were tight on the blanket, and her eyes were huge and fixed on the screen, and she was shaking.

"Ah … maybe the little sib getting snatched by otherworldly forces wasn't the best movie choice," Enrique said. He reached out like he was about to go to Claire, then pulled back his hand and hunkered down where he was.

"LILO! She's a little girl this big, she has black hair and brown eyes, and she hangs around with that THING!"

"I'm. Fine," Claire insisted.

"You're sure?"

"We can just fast forward."

"I said I'm fine!"

"Okay …"

Mary and Darci each scooted their blanket and cushion piles closer to Claire's, bracketing her on either side. Jim tactfully retreated to the Nuñezes kitchen to microwave a few more bags of popcorn. Enrique went with him. They could still hear the TV.

"What? After all you put me through, you expect me to help you just like that? Just like that?!"

"Ih."

"Fine."

"Fine? You're doing what he says?"

"Ah, he is very persuasive."

"Is it normal to feel bad for her?" Enrique asked.

"I think so? It's an awkward situation for both of you." Jim selected the white cheddar flavour. "But it's not like there's an alternative. You're not a polymorph. And really, the only reason she's upset is because she found out."

The Nuñezes had the same microwave as the Lakes. Jim didn't find the popcorn setting especially useful for this brand of popcorn – it tended to burn a third of the kernels– so he used the timer instead.

"I never apologized to you for that, did I?" Jim asked.

"It wasn't all your fault."

"Still, I'm sorry for my part in getting you caught."

The Changelings got back to the living room in time to see the unfortunate tourist lose his ice cream for the third time.

+=+

"Does Stitch have to go in the ship?"

"Yes."

"Can Stitch say goodbye?"

"… Yes."

Like he always did during this scene, Jim cried. He let himself do it this time.

+=+

"Wait, how is Little Mermaid a cautionary tale?" asked Enrique during the credits. The camera panned over a photo of Stitch reading to a flock of ducklings. "For getting attached, I mean. I thought the moral of that one was to control yer temper and be careful who you made deals with?"

"Sure, the Disney version," said Jim. "They adapted it to make a more dramatic, less depressing story. And give the characters names. In the older version, the sea witch is actually a neutral character. The terms of the mermaid's transformation are that she's traded her tongue for legs, but walking on land hurts, and she'll become fully human if the prince marries her, but if he marries anybody else, she'll die."

"That doesn't sound neutral."

"Wait for it. The prince gets engaged to a human princess, so the mermaid's older sisters trade their hair to the sea witch for a magic knife and a loophole; if the little mermaid kills the prince before the wedding, she can turn back into a mermaid and survive."

"Kay, I see it now."

"Except she doesn't go through with the kill, so she dies, and because she wasn't really human, she doesn't have a proper soul, so her spirit's not allowed to go to Heaven."

"… Whoa."

"I know, right?"

"I mean," Mary commented, "not murdering somebody is kind of a low bar for moral decency. It's not as if the prince owed her anything just because she was attracted to him."

"No, no, whether the prince deserved to die or not is irrelevant," said Jim. "The point is that the mermaid had a chance to, objectively, trade one life for another, and because she was attached to the particular person she'd have to kill, she didn't prioritize her own survival, and therefore suffered."

"Wouldn't the guilt of murder have caused suffering anyway?" Toby pointed out.

"Not if she wasn't attached," Jim insisted. How were they not getting this? "If she could've just cut the throat of any random human, she'd've been fine. The moral of the story is that caring about people causes pain. That's what makes it depressing."

"Do you like any fairy tales?" asked Darci.

"Sure. Just not most of Anderson's work."

"What should we watch next?" said Claire hospitably. "If we're on a 'sister movies' theme, I've got Frozen."

"Isn't that one also based on an Anderson fairy tale?" said Mary.

"Not really," said Jim. "The Snow Queen was more 'inspiration' than 'source material'. Elsa never kidnaps anyone, and they left out the broken enchanted mirror. Plus it's fun to see all the different ways humans think trolls are like."

"We also have the Trolls movie," said Claire. "I haven't watched it yet. My dad got it for Mom's birthday because she used to collect the dolls."

"I haven't seen that one yet, either," Darci commented.

"Should we?" said Mary. "Any other votes?"

"I'm game for whatever," said Toby. "This one's a musical, right? Those are always fun."

Jim squirmed.

He hadn't watched this movie despite his curiosity, after an online clip of the opening had explained the premise. Getting eaten alive was his greatest fear. Did he want to watch a movie about trolls narrowly avoiding being eaten? Did he want to explain why he didn't want to watch it?

While he debated, the movie got put in.

"Once upon a time, in a happy forest, in the happiest tree, lived the happiest creatures the world has ever known: the trolls. They loved nothing more than to sing, and dance, and hug, and dance and hug and sing and dance and sing and hug –"

Enrique started laughing.

Oh, shit, Jim hadn't warned him.

"Uh, Enrique –"

"Ssh! This is ridiculous. I mean, the huggy bit's kind of like you, but the rest of it – ha!"

"But then one day, the trolls were discovered by – a Bergen!"

"The trolls are gonna –"

"Ji-im! Spoilers!" Toby hissed.

"They were the most miserable creatures in all the land."

Jim grabbed Enrique and covered his eyes. The smaller Changeling yelped and squirmed. Jim switched forms so his fingers wouldn't bleed from the clawing.

Enrique got his eyes uncovered just in time to see the Bergen flick a troll into its mouth.

The onscreen troll's exclamation of "Oh my god!" was drowned out by Enrique's much more lurid cursing.

"What the –?" The girls and Toby all turned to stare. Claire pointed at Enrique accusingly. "I knew that didn't mean 'I'm sorry'!"

"The hell kinda movie is this?! Why would you watch this?!" He twisted to look at Jim, who let go of him rather than risk yanking his scruff by accident. "You knew?!"

"I saw a bit of it on the internet when it first came out. That's why I froze up when Claire suggested it."

That … that was the wrong thing to say. Enrique rounded on Claire. A techno-rock cover of In The Hall Of The Mountain King boomed from the movie soundtrack.

"Why in FUCK'S NAME would you think we'd WANT to watch trolls get EATEN? Is this some kind of threat?"

"How the fuck would it be a threat?" Claire shot back, stealing some cushions from Mary to prop herself up taller without getting out of her blanket cocoon.

"Most Changelings –" Jim started to say.

"DO YOU KNOW HOW MANY TIMES I'VE ALMOST BEEN EATEN?" Enrique roared. "I DON'T! CAUSE IT'S A LOT!"

"We've all had close calls," Jim finished. "Nyarlagroths, Hellheetis, goblins if you catch them in the wrong mood, Gruesomes if you're already hurt, Stalklings, and it's a … popular threat from Gumm-Gumms."

"You forgot the sloorbeasts," said Enrique bitterly.

"Nobody's gotten lichen patches that bad." At least, they hadn't when Jim got out. "Have they?"

"Still counts."

"Uh, excuse me." Toby raised his hand. "I think I speak for us all when I say, what?"

"The Darklands are a hostile environment with predators and scavengers," explained Jim. "That's the other reason we slept in groups."

"Bigger targets, but we could have lookouts."

"Okay, that's its own kind of horrifying, but I was more reacting to the cannibalism?"

"Changelings don't count as real trolls," Enrique said sarcastically. "We're Impure."

He left out the part where they'd eaten their own dead. Jim didn't add it.

(It wasn't like they'd hunted each other for food. Sometimes a Changeling just died, somehow, in a way that didn't get them eaten by something else, and … well, food was scarce in the Darklands. They couldn't afford to be picky.

It also paid to keep watch over the sentry posts. Gunmar occasionally used the Decimaar Blade to post a sentry and then forgot to order them to rest and eat. Once they died, the average adult Gumm-Gumm was a meal for twenty Changelings, easily, if they could get to the body before the Gruesomes did.)

"Okay, we're switching to Frozen." Mary made the executive decision. "Wait," she said, while exchanging the disks. "If Changelings aren't trolls, how does Jim's adoption work?"

Because of course this was the perfect moment to tell Enrique about that, right in the middle of a squabble with his adopted sister.

"For one thing, most of Trollmarket still thinks I'm human." Jim switched back to human shape to illustrate the point.

"You got adopted?"

"AAARRRGGHH and Blinky thought I should have legal standing in Trollmarket outside of my job."

Enrique stared at him. Green diamond-shaped ears were pinned back. Buggy, slit-pupil eyes were wide and hurt.

"You get everything," he grumbled. "Two nicknames, and the goblins liked you, and you could always find food, and here you're the boss's favourite even when you're a traitor, and your human family still likes you, and now you get a troll family too? S'not fair."

"Hey, the goblins liked you, too." Jim was fully aware that wasn't much comfort compared to all the rest of it. "They gave you your nickname, remember?"

"They gave you one, too."

"Yeah, but you got yours first."

They probably weren't supposed to hear Darci when she muttered, "I feel like we're missing a lot of context."

"Shit," Claire muttered back. "Not Enrique told me a bit of the name part. They don't remember their names from before they were Changelings, and they don't get real names until they have Familiars, so they use nicknames instead. From each other or from goblins, he said."

"They don't get names?" Darci's voice went squeaky at the end of that.

"We're trying to come up with something other than 'Enrique' for him."

"You're trying," Enrique corrected. Darci squeaked again.

"Can we maybe circle back to the cannibalism thing?" said Toby. "That feels like the kind of trauma that should get unpacked at some point."

"I would rather leave it packed," said Jim.

"The way you blurted it out like that feels like you need to talk about it."

"Not all psychology is Freudian, Tobes."

"Do your parents still have baby name books from when they were picking Enrique's name?" Mary asked Claire. "Real Enrique, I mean."

"They didn't use one. He was named after our abuelo."

"Okay, so what about your other grandfather? What was his name?"

"Jose María." Defensively, "It's gender neutral in Spanish."

On the television screen, the movie menu finished another loop and started again.

"I tried spelling my name like it sounds, en are ee kay, but Claire said it spelled 'Nrek'. You get why I couldn't use that."

Jim laughed.

"What's funny?" asked Toby. "Is that an insult or something?"

"No, it's goblin, in English it means 'bottle'," Jim translated. "Or possibly 'container of food'." The only bottles he's seen them use held formula for the Familiars, and the word hadn't come up on the surface, so the distinction was unclear. "It's either a silly name or a really morbid one."

"Aaand we're back to the cannibalism."

"No we are not!"

"Na na na heyana, Hahiyaha naha …"

Either somebody had decided to start the movie, or the DVD had that feature where it automatically began playing if nothing was selected after a few loops of the menu.

The conversation went in circles a couple more times, then faded out.

+=+

"And who's the funky-looking donkey over there?"

"That's Sven."

"Uh-huh; and who's the reindeer?"

"… Sven."

"Oh, they're – ? Oh! Okay! Makes things easier for me."

"~Riot~," said Enrique.

"Huh?"

"My nickname. Before. It meant 'riot'."

What are you doing? Jim wanted to demand. Was Enrique just – just giving up on a real name?

"You can call me that for now. Till we work out a for-real one. Better than 'Not Enrique'."

Jim stuffed some burnt popcorn kernels into his mouth to keep from protesting. He couldn't undermine Enrique's – Riot's – chosen name, right in front of a bunch of humans, when he'd been arguing with them about how rude that was for weeks now.

"Oh. Okay." Claire half-smiled. "Riot."

Jim shut his eyes to hide the flaring glow.

+=+

Previous Chapter (Angor Rot gets treated much better, and more sensibly, than in canon, and is correspondingly less vengeful)

Table of Contents

Next Chapter (Featuring either Otto or Gatto)

A quick thank you to Taycin on AO3 for providing some name-gender context when this chapter first went up.

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marnie1964 · 4 years ago

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Karate Kid/Cobra Kai survey

i'm gonna consider myself tagged

It’s the year 2021 and you’re obsessed with The Karate Kid. How are you feeling?: an unexpected turn of events but it's passing the quarantine, i guess!

Did you grow up with TKK or are you new to the series?: to be completely honest, i don't really like the movies? i didn't vibe with them as a kid and when i went back and tried to watch them this year i couldn't make it all the way through.* i think they're well crafted movies, but i've never liked relatable young boy wish fulfillment (i couldn't even get thru harry potter as a kid), and i think the first one is guilty of burying the lede twice over with regards to mr. miyagi and later the relationship between kreese and johnny. and lucky me--these are exactly the areas that cobra kai delivers on.

*except for the third one, which imo is a camp masterpiece and also genuinely heartbreaking. it's the only one that allows daniel to be an genuine pain in the ass. i think i've finally figured out what the target audience for cobra kai is: people who's favorite karate kid movie was tkk3 (me).

We gotta do the basics. Favorite character: johnny! what is a man but a miserable pile of bruce springsteen lyrics? or aimee mann lyrics? or mountain goats lyrics? or otis redding lyrics? or--fuck, have americans ever written songs about anyone else? i have an unreal amount of good will towards this man and his late-life struggle for recuperation. he's the heart of the show both in terms of his relationships with other characters and in terms of zabka's chemistry with the other actors.

my deep dark double secret fave is kreese. he makes me feel real anger in a way that's usually reserved for characters in vince gilligan shows. i'm a bit obsessed with him and his preoccupation with johnny and later johnny's teenaged son (I Have Thoughts). the show does a great job of making what he did to johnny--and all the years and years and years of fallout from that--feel really real, which makes him one of the most viscerally despicable villains i've ever come across . it's unironically among the best portrayals of domestic abuse i've seen, may god have mercy on our souls. the decision to pop out from behind a fucking cardboard cutout of himself to scare daniel in tkk3 was also a hilarious galaxy brain move. aspirational stuff.

also--shout out to daniel-san. the writers really had to work their asses off to make him into a character that appeals to me, and i think they did a great job of it. he's a cringey tool who's capable of displaying a surprising amount of integrity under the right circumstances! he's tom wambsgans! he's pete campbell! he's wonderful i love him!

Favorite ship: johnny & daniel (what if mysterious skin was a sports comedy??)

Underrated character: the True and Correct answer to this question can only be aisha, although i don't think she was actually underrated by anyone besides the writers. chozen is also lowkey my favorite katate child because c'mon, he had everything (spear fights! ziplines! teen death matches! formfitting disco-era polyester button down shirts worn with gold chains!)

Underrated ship (don’t say therapy, lol): uhhhh... the only teen couple that could have been interesting is tory/aisha. they were cute together and their friendship rang true to me. it's that thing where you're the new girl and you're conventionally attractive, but on the inside you know you're a freak so you immediately gravitate towards the most obvious female outsider. i lived it, bay-bey!

i also think there are interesting things to explore with carmen and johnny's relationship. i don't know if the writers are even aware of it (i lean towards no b/c men amirite) but the entire premise of carmen's character is that she chose to live in poverty to protect herself and her son from a bad man with power. she's thereby the exact opposite of johnny's mother, who (at least by his understanding) married hollywood film producer shmarvey shmeinstein to provide her son with a better life. so, there's a lot to unpack in his attraction to her. also they're super hot hur hur i like sexy nurse thing hur hur.

Wax On, Wax Off or Sweep the Leg?: i can't look directly at it, but sweep the leg. zabka what the fuck man.

Which of Daniel’s dumb little outfits is your favorite?: i don't think i've seen anyone mention this one yet, but the football jersey with the sweatpants. it makes him look so small and huggable, i wanna pick him up and set him on my shelf or something.

Character from the films you most want to return, who’s not Terry Silver: bring back ali's lesbian girl gang!!! or else--dutch. he was funny and iconic, i loved his exaggerated offended reaction to everything daniel said or did in tkk. also, i'm tacky so i'm a sucker for aggressively bleach blonde hair. the SCANDALIZED wasp couple standing behind ali and johnny in the spaghetti scene will also do. or terry's secretary (an mvp--i believe the original actress has passed away so in my heart of hearts she's portrayed by j. smith-cameron).

Scene that lives in your head rent-free: the whole character development speed run that johnny does from sweep the leg to crying while handing daniel the trophy to getting strangled in the parking lot by his beloved teacher. i'm especially transfixed by that last bit--what's the thought process of a man who decides to publicly execute his teenage student via strangulation? why did none of the many bystanders call the police? johnny is the real kitty genovese, prison for everyone.

from the cobra kai series proper: daniel's decision to greet johnny with a big hug after not seeing him for 35 years and never actually being friends with him (I Have Thoughts), the heinously creepy scene where johnny is repeating the cobra kai mantra for miguel and his entire disposition completely changes (demonic possession shit), and johnny's tiny go-ahead-and-kill-my-abuser nod (his face is so stoney after being so animated at dinner) coupled with daniel's shaky little sign of relief (macchio is really the cutest when he looks scared).

it goes without saying that every johnny & miguel scene lives rent free in my HEART.

Will Anthony LaRusso ever be relevant?: anthony becomes relevant for one (1) episode next season when amanda and daniel finally get around to putting him up for adoption.

You live in The Valley and are forced into the karate gang war. Which dojo do you join?: i enter the cobra kai dojo decked out in all of my snake-themed clothing and jewelry (it's a lot). i approach kreese and explain to him that the open mouth of a snake, viewed head-on, is a yonic symbol. i am permanently banned from the cobra kai dojo.

(seriously though, assuming i'm a teen in this scenario i think i would have vibed with tory/miguel/aisha. dimitri and sam would have driven high school me up the fucking wall though. the cobra kai style looks like more fun/better exercise. do i also genuinely believe most young girls could actually benefit from someone yelling no mercy down their neck? maybe so 💖)

What’s your training montage song?: 50ft queenie - pj harvey (it takes place in the alison bechdel feminist karate dojo ofc)

It’s the crossover event of the century! Which TV show are you combining with Cobra Kai for an hour-long Saturday night special?: it's a full episode flashback to the time johnny got arrested in albuquerque, new mexico. johnny's court-appointed attorney is a weirdly hot babe who seems like a super straight laced killjoy at first, but soon reveals herself to be an unhinged woman. one thing leads to another, and johnny winds up in bed with her and her loser husband. there are lots of great themes about punitive justice, people's ability to change for the better (and worse), and what makes someone "good" or "bad" to begin with, but mostly it's just really hot sex. the husband tries to sell johnny a prepaid cellphone and johnny tell's him that cellphones are never gonna catch on, cause who want's to be bothered by people all the time like that?

better call saul. it's a better call saul crossover ep.

(fwiw think that greg 'hbo succession' hirsch should also be terry's cousin greg on the non-roy side. think about it--the roys are small people, but cousin greg is really tall?? and who else is really tall, and a blue eyed brunette to boot? terry silver. it all adds up! this never becomes relevant to the plot, in any case, i'm just considering it canon until the writers come to my house and explicitly tell me i'm wrong.)

Tagging: anyone who's interested 😘

#cobra kai #tag game #johnny lawrence #carmen diaz #john kreese #daniel larusso #those tags are just so i can find my word vomit again god bless #about specific characters

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shireness-says · 4 years ago

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Birthday fic recs: @welllpthisishappening

It was @welllpthisishappening‘s birthday yesterday! Laura is consistently one of my favorite authors, and a dear friend to boot. So, for her birthday, I’d like to recommend some of her deep-cut, hidden gem fics - favorites of mine I think everyone should be reading all the time. Go read them and check out her seriously impressive fic page. The organization is downright inspiring.

Thank you for your friendship and your fics and your willingness to listen to me have a conniption about not-your-hockey-team, darling - I hope the next year gives you all the joy that you deserve!

Start Spreading the News

Emma Swan is just looking for something that’s hers. She’s fairly certain she’s found it in New York, with a group of friends and a good job and picture frames on her apartment walls. But then the past she’s spent so long trying to ignore shows up where she least expects to find it – wearing pinstripes in right field at Yankee Stadium.

More Famous Than A Yankee Can

He knows it’s not a dream. He’s had this dream before. Finding her again and talking to her again and wearing pinstripes. They usually aren’t all the same dream. So this has to be real. But the last place Killian Jones ever expected to see Emma Swan was while he was wearing those pinstripes. With her standing on the bleachers in Yankee Stadium.

I’ve read these fics three times this year. Maybe four. I love it every time - there’s romantic type miracles and pining and fate and I can’t resist it. It’s everything you need to cheer yourself up in these weird stressful times. Every time I read one these, I immediately have to go tell Laura that it’s So Good because I just can’t resist. That good.

What Used to Be Limes

Killian Jones is ready for his rookie season in the NHL. He's got a hell of a shot. An almost acceptable amount of confidence. And a roommate he doesn't want to check. Plus, his best friend. Who he's hopelessly in love with.

A Rooting Interest

Emma's only doing Ruby a favor. And playing bartender is kind of funy — especially when the guy in front of her keeps smiling and looking up how to make drinks. She doesn't want to make a fool of herself. That seems inevitable, though. Once he leaves the tip. Two tickets to a hockey game. And the good-looking guy from the bar turns out to be the star of the New York Rangers.

Look, obviously Laura has proved she’s the master of hockey fics with her Blue Line stuff. But! These are a great pair of hockey fics not from that ‘verse. Disaster rookies! Emma who doesn’t know a thing about hockey! Flirting galore! If you haven’t read these already - you need to get on that right away. And then join me in my quest to remind Laura that if she ever has hockey feelings that don’t fit into Blue Line, she could totally add on to these ‘verses and no one would complain. Or at least I wouldn’t.

Feeling As Good As Love

Emma is excited about this weekend. It's always good — this thing they do, with the house and the ocean and the friendship that seems to stand the test of time. But now, there's an added bonus. Because this year she and Killian aren't just coming to the house on the beach with that friendship moniker hanging over them. They're coming as a couple. A real couple. That kisses. Regularly. And Emma's excited about that too. She just didn't expect her friends not to believe her.

I am, admittedly, biased, because I all but demanded that Laura write this. But that’s only because it’s so up her alley, as demonstrated by the masterpiece that ensued. The banter! The cliches list! Emma’s righteous (and warranted) anger! It’s everything the prompt demanded and more than I could have imagined. Perfect.

In Case of Emergency, Call...

Killian Jones does several things on Thanksgiving: breaks his ankle, meets a very loud redhead in the ER, tells his best friend he loves her. None of them were part of his plan. The plan only involved cookies.

This is a little bit of an odd one - because Emma’s not even there for half the fic. But her presence and her absence and her impact is just so palpable. That pining, man! I live for that pining. The best kind of friends-to-lovers, with plenty of Killian and Ariel banter and a little dose of fake married because why not. What else could you ask for?

Gone the Way of the Dinosaurs

Emma doesn't entirely understand the town of Storybrooke. It is, apparently, the kind of place with story time at the library and spring festivals on Friday night and unfairly attractive people with blue eyes who know all the words to the dinosaur song her kid is also inexplicably singing. She doesn't understand the town of Storybrooke yet, but maybe Emma is willing to do a little research.

I love librarian!Killian. I love tiny!Henry. Put them together? I’m a sucker for it. It reads so believably, both for Emma and for Storybrooke. And I think Laura might have been channeling her own shoe collection, which I find so charming. And you can learn about dinosaurs! And what names they have! Read it in the name of paleontology.

Wrap Around Your Dreams

Emma Swan is not a very good witch. She’s emotional and prone to immediate reactions and neither one of those things are currently helping her when the body count in Storybrooke is on the rise. And there’s far too much blood at each crime scene and far too much magic and Emma has no idea where to look next. So she does the almost human thing; she starts making a list. Of clues and ideas and the absolute desperate hope that the killer isn’t what she’s certain it absolutely has to be. The last thing she expects is for the notebook to start writing back.

This is a perfect Halloween-type fic. I love epistolary fics and pen pal fics, but I’ve never seen anything like this before or since. The idea of them reaching out across all kinds of magical barriers because fate just gets me, man. Plus, the suspense is absolutely palpable. And the ending! Perfect. Another of my regular rereads.

All Was Golden In The Sky

Magic is dying. Emma knows it. She can feel it, the emptiness rattling around in her, like it’s trying to make sure she disappears as well. What she doesn’t know is what to do about it, because, suddenly, there is a man in Storybrooke claiming she’s the Savior and a seeress certain a prophecy promises the same and the last thing she expects is for her minimal amount of lingering power to pull her away. To New York City. And another oddly familiar man with blue eyes and a smile that sinks under her skin and makes magic bloom in the air around her. Things are about to get interesting.

I was just enthralled the whole time this was posting. There were so many twists and turns, but everything still weaves together absolutely perfectly. Plus, canon has been adapted so well in this. I don’t even know how to start describing this fic - but trust me, you’ve got to read it.

Out Of The Frying Pan

Emma Swan is only doing this for one reason, well, make that two. To get her show's numbers back up and, maybe, impress her son. She doesn't like admitting to that second one though. Killian Jones is doing this for absolutely, positively, just one reason. To expand his restaurant. And maybe get Regina off his back. So that's kind of two reasons. Neither one of them is doing a year-long Food Network all-star competition because they're celebrity chefs and there's not really any other choice. Of course not. And neither one of them is enjoying it because they maybe, kind of, sort of enjoy each other. That would be insane.

Ok, this one may not be that overlooked as much as it’s my FAVORITE THING ON THE PLANET. This is a perfect fic. Every time she posts another sequel one-/two-shot, my heart sings. It’s so good. The way Laura paints this competition, and lets everything grow over the course of weeks and month, is perfect - plus, there’s all the romance and Captain Cobra feels you could ever want. If you haven’t read this yet - Get On It Today.

Check out her fics on Tumblr and Ao3, and make sure to give her and them lots of love!

#happy birthday babe friend #welllpthisishappening #cs fic recs

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writers-blogck · 4 years ago

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All [HC-01] Hogwarts Houses

Gryffindor

Katsuki Bakugo Eijiro Kirishima Hanata Sero Tenya Iida Mashirao Ojiro Yuga Aoyama Mina Ashido Hitoshi Shinso Tetsutetsu Tetsutetsu Yosetsu Awase All-Might Oboro Shirakumo Miruko Dabi (Touya Todoroki)

Ravenclaw

Shoto Todoroki Tokoyami Fujikage Momo Yaoyorozu Mei Hatsume Itsuka Kendo Shota Aizawa Mustard

Hufflepuff

Denki Kaminari Mezo Shoji Ochako Uraraka Inasa Yoarashi Mirio Togata Camie Utusushimi Neijire Hado Fatgum Ms.Joke Twice Himiko Toga

Slytherin

Izuku Midoriya Tsuyu Asui Kyoka Jiro Yo Shido Tamaki Amajiki Best Jeanist Endeavor Hawks Tomura Shigaraki Overhaul

1-A

📘 Izuku Midoriya: Slytherin

-Blood: Halfblood (Mother is Muggle)

-Explanation of House: Izuku has the quality of heroism that fits in with Gryffindor but he is filled with that determination. He keeps his journal and has battle plans memorized. He is able to think on his feet and adapt easily to a situation. He is a perfect example to show that Slytherin doesn't mean bad, even if we only really saw bad examples in the series.

-Patronus: Brown Bear - Bears are known for being protective and brave to those they care about (Mother and cubs).

-Partner: Hufflepuff -(Y/N) comes from a pureblood family with their elder brother being a Slytherin (Shigaraki). They aren't very heroic in any way, which keeps them out of Gryffindor, unlike Nevil. Once they have been shown kindness, they develop a strong connection and become very loyal. They would die for those that they care for. -Blood: Pureblood -Patronus: Netherland Dwarf Rabbit -They are meek but are humble in their abilities. They are a symbol of rebirth and second chances.

💥 Katsuki Bakugo: Gryffindor

-Blood: Halfblood (Father is Muggle)

-Explanation of House: Are you going to tell me this boy just doesn't scream Gryffindor? He often acts before thinking when he is emotional and he is filled with confidence in himself. He would be the type of person who puts himself in danger to save someone else. He comes off as harsh but he means well.

-Patronus: Wild Boar -Symbols being fearless and the embodiment of power.

-Partner: Gryffindor -(Y/N) is focused on helping others and puts themselves in danger to protect others. They put others before themselves which is a classic Gryffindor move. They may not be as outgoing as other Gryffindors (Kiri) but they are definitely a lion at heart. -Blood: Pureblood -Patronus: King Cobra -Snakes, especially poisonous ones, are known for being the duality of healing and hurting.

🍜 Shoto Todoroki: Ravenclaw

-Blood: Pureblood

-Explanation of House: In my mind, Todoroki is always taking in information when he is silent. He obviously eavesdrops with how he heard Toru after the USJ attack. He does have the cunning of a Slytherin (and I believe his father would be a Slytherin) but he is very intelligent and his clever nature is what got him into this house.

-Patronus: Panther -Panthers are known for being contemplative and keeping their emotions hidden.

-Partner: Ravenclaw -(Y/N) has had to rely on creative ideas and their ingenuity to keep them equal to others. It is hard enough being a muggleborn so they have to prove to others that they are just as good as a pureblood. It doesn't help that their s/o is a Pureblood. He isn't tied by the blood hierarchy but his father believes strongly in it. -Blood: Muggleborn -Patronus: Ram -Rams can be seen as stubborn but they are filled with determination and will not let themselves be pushed around.

🦈 Eijiro Kirishima: Gryffindor

-Blood: Half-Blood ( Both parents are half-bloods themselves )

-Explanation of House: I'm sure this is no surprise to any of you. Kiri is the poster child of the red and gold house. He is definitely chivalrous and is filled with bravery. He does have the loyalty of a Hufflepuff but his stronger traits fall into Gryffindor. He is what everyone thinks of when they hear Gryffindor.

-Patronus: Bull -Bulls are known to be impulsive in their actions but they symbolize raw emotion and confidence.

-Partner: Ravenclaw -(Y/N) could fit into Hufflepuff with how kind they are but they have such a passion for learning that they fall into Ravenclaw. They try to stay under the radar to keep from being a target due to not having any powers. They are only allowed in Hogwarts due to their father being the Defense Against Dark Arts teacher. -Blood: Muggle, no powers. -Patronus: Chameleon - Chameleons use their camouflage to keep hidden from predators but symbol hidden talents and defenses.

⚡ Denki Kaminari: Hufflepuff

-Blood: Half-Blood ( Father is a Muggle )

-Explanation of House: Is it really shocking (lol) that I put him in Hufflepuff? To be honest, he isn't the smartest (not necessarily with memorization stuff) when it comes to wisdom. He is a dumb dudebro who would jump from the roof onto the beer pong table. He could fall into Gryffindor with his impulsive nature but he puts being kind and helping others above all else, which is why he is placed in Hufflepuff.

-Patronus: Coyote - Coyotes are believed to be one of the trickster animals who focus on the enjoyment of life. They also are able to see things from both sides and have unique intelligence.

-Partner: Ravenclaw - (Y/N) relies on their luck a lot but they do have a quick wit. They are the kind of person who can easily figure out riddles, having their own special kind of intelligence. They are the best at solving any type of puzzle and have a very clever mind. -Blood: Pureblood -Patronus: Fox - One of the other trickster creatures, the fox is known for its good luck which gets it out of many tight spots.

🌹 Hanta Sero: Gryffindor

-Blood: Half-Blood ( Two Half-Blood Parents )

-Explanation of House: I see this boy being filled with courage and the desire to help. He reminds me of a mix of Kirishima and Denki. He deeply cares for his friends like Denki but also has more courage than the blonde like Kiri. He may not be as vocal as his sharp-toothed friend but he fits in Gryffindor just as well.

-Patronus: Spider - Spiders are believed to symbolize protection and creativity.

-Partner: Ravenclaw - (Y/N) is filled with that creative spirit and loves to design different outfits for people. They are known for making patches for the other students to put on their robes for some individuality. At first, it was an issue but the headmaster ended up deciding that small changes like that in the uniform were allowed. -Blood: Half-Blood ( Mother is a Muggle ) -Patronus: Dragonfly - Dragonflies are known for being carefree and filled with imagination. They carry themselves with lightness.

💨 Tenya Iida: Gryffindor

-Blood: Pureblood

-Explanation of House: I thought about putting him in Ravenclaw because of the obvious but after thinking about it for a bit, I think he fits as a Gryffindor more. He reminds me of a knight and they would definitely fit in Gryffindor's house. He is the only one of the Dekusquad who is in the red and gold house.

-Patronus: Clydesdale Horse - The horse symbolizes carrying the burdens of others and strength. They also are a sign of nobility.

-Partner: Gryffindor - (Y/N) is filled with determination to help those that can't protect themselves. They have a rather optimistic outlook on life which gives them a few Hufflepuff traits but it is their self-sacrificing nature that was the final decision in their house placement. -Blood: Pureblood -Patronus: Pelican - Pelicans symbolize being unselfish and responsible as well as safety for others.

🕯️��Tokoyami Fumikage: Ravenclaw

-Blood: Pureblood

-Explanation of House: Many would see him as Slytherin but he relies on his intelligence quite a bit when it comes to fighting. He isn't as cunning a Slytherin and he isn't very outgoing and friendly like a Hufflepuff. Dark shadow would be considered a Griffindor due to how impulsive he is.

-Patronus: Owl - Owls are believed to be filled with wit and have a special connection to the magic and the astral plane.

-Partner: Hufflepuff - (Y/N) is the perfect example of a Hufflepuff. They are filled with kindness and it seems like everyone likes them. They are willing to stand up for the little guy and want to make sure that everyone is happy. They have a talent when it comes to reading people's emotions. -Blood: Half-Blood ( Father is a Muggle) -Patronus: Dove - A dove symbols peace and hope in things moving forward. It is believed to show the gentleness and be a messenger to the spirit plane.

🥋 Mashirao Ojiro: Gryffindor

-Blood: Muggleborn

-Explanation of House: He has the patience of a Hufflepuff but he feels more like a Gryffindor to me. He is both valiant and filled with chivalry. He reminds me of such a gentleman and the perfect candidate to become a hero. His head is level-headed enough so he doesn't panic but he has enough bravery to act in the moment.

-Patronus: Puma - Pumas are known for having a silent strength and graceful/deliberate movements.

-Partner: Hufflepuff -(Y/N) sees the world in a different way than most do, similar to that of Luna Lovegood. They are always trying to experience the five different senses and like to experiment with different things like texture and taste. They are very loyal to those that they care about. -Blood: Pureblood -Patronus: Raccoon - While Raccoons can be known for being tricksters, they also are known to be explorative and curious.

👁️ Mezo Shoji: Hufflepuff

-Blood: Half-Blood (Father is a Muggle)

-Explanation of House: What am I basing this belief on? Well, it has been shown that he will do anything for his friends. He had his scene with Asui where he makes sure to keep her warm and he straight up loses one of his hands to Tokoyami when Dark Shadow takes over. He has a deep loyalty to those that he cares about.

-Patronus: Quail - Quails symbolize team-work and group harmony. They also are very protective.

-Partner: Slytherin - (Y/N) is a very tricky person to deal with as their emotions can change with the turn of the wind. Just like a cat, they are quite cunning and tend to focus more on their own desires than others. They are trying to learn to be a bit more selfless from Shoji. -Blood: Pureblood -Patronus: Cat - Obviously, the cat family is known for being cunning and independent from others.

🌟 Yuga Aoyama: Gryffindor

-Blood: Pureblood

-Explanation of House: Surprised? I am basing this on his interactions with Midoriya in the anime in that one episode, ignoring his creepy cheese obsession. When he pulls Deku aside and gets serious, I feel like we see him for the first time and he isn't a comic relief character. He is showing that he truly wants to be a hero and that gets him into Gryffindor for me.

-Patronus: Peacock - Peacocks represent the feeling of being self-assured and the recognition of pride when it is due.

-Partner: Ravenclaw - They like to focus more on the creative side of things and aren't as brave as others. They like to go with the flow and hate for too much pressure to be put on them. They fit into Hufflepuff but their natural curiosity for things they don't understand puts them in Ravenclaw. -Blood: Half-Blood (Two Half-Blood Parents) -Patronus: Seal - Seals are known for being close to their family as well as symbolize creativity and imagination.

🌸 Ochako Uraraka: Hufflepuff

-Blood: Muggleborn

-Explanation of House: There is no one more hard-working then Uraraka. She does have traits of both Slytherin with her determination and Gryffindor with her courage but her loyalty and determination she possesses to be able to provide for her family is what got her into the yellow and black house.

-Patronus: Otter - Otters are an important symbol for empathy and the joy that life can bring.

-Partner: Hufflepuff -(Y/N) is focused most of their friends and helping them with what they need. Their elder brother Tenya was placed in Gryffindor, the same house that their elder brother Tensei was in. They are both impulsive and brave but one of their main traits is the kindness they have for others. -Blood: Pureblood -Patronus: Hummingbird - Hummingbirds represent energy and the vitality of youth. They are also warriors who can be playful.

👽 Mina Ashido: Gryffindor

-Blood: Pureblood

-Explanation of House: Mina definitely has a creative side which could have gotten her into Ravenclaw and she loves her friends but she is impulsive and filled with courage. Think of that scene when she was in middle school. That villain was giant but she didn't even think twice about going to help those girls!

-Patronus: Cougar - Cougars symbolize courage as well as loyalty. They are able to take the leadership position if needed.

-Partner: Slytherin - (Y/N) has a lot of house pride and refuses to be seen as a villain. They simply are cunning and able to talk circles around people when they need to. Their older brother (Hawks) was also in Slytherin, which shocked many as they expected him to be in Gryffindor. -Blood: Muggleborn -Patronus: Raven - Ravens are known for their intelligence and are often believed to be cunning creatures.

🐸 Tsuyu Asui: Slytherin

-Blood: Half-Blood (Mother is a Muggle)

-Explanation of House: Tsu is always shown to be level-headed even in the most chaotic of situations. She is filled with determination to help those around her and is very resourceful when necessary. She can come up with plans and change them quickly to fit the situation better.

-Patronus: Eagle - Eagles are meant to symbolize a clear goal and the determination to succeed in plans.

-Partner: Gryffindor - (Y/N) is one of the most impulsive people Tsu has ever met. They are bouncing off of the walls a lot of the time but they have such a sense of justice and protectiveness towards others that they were placed in the red and gold house filled with heroes. -Blood: Unknown heritage. -Patronus: Moose - Moose are known for being strongwilled in what they believe and protective of those around them.

🎵 Kyoka Jiro: Slytherin

-Blood: Half-Blood (Mother is a Muggle)

-Explanation of House: Jiro fits the creativity that comes with Ravenclaw but I view her as more cunning and resourceful. She definitely is a Slytherin when compared to her other classmates. She is smart and can come up with plans that work to the strengths of her teammates.

-Patronus: Tiger - They are known to speak the duality of being a creator as well as a destroyer.

-Partner: Ravenclaw - (Y/N) is a rather quiet person who only really opens up around those they trust. Their best friend is in Gryffindor and they often hide behind them when situations get too much for them. They have their own unique type of intelligence. -Blood: Pureblood -Patronus: Hedgehog - A hedgehog is meant to symbolize self-preservation and the shyness of meeting new people before opening up.

☕ Momo Yaoyorozu: Ravenclaw

-Blood: Pureblood

-Explanation of House: This one shouldn't be shocking to anyone. The girl is filled with intelligence and often tries to be logical in the moment. She is able to make plans using the facts but she isn't tied down by them. She knows how dangerous it was to get Bakugo but she still went with the others to save him.

-Patronus: Swan - Swans are elegant and filled with grace. They are shown to strive for perfection.

-Partner: Ravenclaw - They have just as much determination as their sister Uraraka but they are more focused on having a plan than acting out of instinct. They are filled with bravery but they look at the world like a problem needing to be solved, similar to that of a riddle or puzzle. -Blood: Muggleborn -Patronus: Mouse - The mouse is meant to be the symbol for the importance of detail and being careful with plans.

Misc.

💜 Hitoshi Shinso: Gryffindor

-Blood: Muggleborn

-Explanation of House: This was a tossup between him going into Gryffindor or Slytherin so I took the Harry Potter decision. Harry spoke out when he was being sorted which is what ultimately got him into Gryffindor and I think Shinso would be the same. Just remember how he went to 1-A just to straight-up tell them he was going to take one of their places? A Gryffindor would definitely do that. A Slytherin would be more discreet and work behind the scenes to get what they want.

-Patronus: Weasel - Weasels have a hidden strength to them and hold a commanding and powerful aura.

-Partner: Slytherin - Everyone always thought that (Y/N) would end up in Ravenclaw due to how much they value knowledge but it was their cunning nature that was the final decision. They do not merely memorize facts like a Ravenclaw might. They use all their knowledge to get what they want which is why they fall into the serpent house. -Blood: Pureblood -Patronus: Skunk - Skunks symbolize the demanding of respect and taking time with your actions.

☁️ Inasa Yoarashi: Hufflepuff

-Blood: Muggleborn

-Explanation of House: Inasa has the heroism that any good Gryffindor student has but he has such a welcoming presence that I think that he fits better with Hufflepuff. He is one of the many examples that show that Hufflepuffs can be strong and soft at the same time.

-Patronus: Canine - Dogs are known for being loyal to those they care about and filled with love to share.

-Partner: Gryffindor - Even without any powers on their side, (Y/N) is filled with innate bravery. They do feel fear but they have learned how to push past that if it means saving someone. -Blood: Pureblood, a genetic malfunction that gives them no powers. -Patronus: N/A - N/A

⛓️ Tetsutetsu Tetsutetsu: Gryffindor

-Blood: Half-Blood (Both Half-Blood Parents)

-Explanation of House: He was close to getting into Hufflepuff (just like Kiri) but his brave nature overruled his immense amount of care he has for his friends. He is very loyal but one of his big aspects is how brave he is. He isn't only brave for his friends, which pushed him to be a lion. He would stand up for a stranger if he thought it was the right thing to do.

-Patronus: Armadillo - Known for trusting in others but being tough when they need to.

-Partner: Hufflepuff - (Y/N)'s main focus is helping others but they are focused more on a pacifistic approach than other houses like Gryffindor. They focus on their bonds with their friends and those around them. They are an expert when it comes to making someone feel better. -Blood: Pureblood -Patronus: Frog - Frogs are said to represent healing and medicine, as well as being peaceful.

🌵 Yo Shido: Slytherin

-Blood: Pureblood

-Explanation of House: I just get the feeling that he would be a Slytherin. He takes the leader position when it comes to both his friendships and his teammates in battle. He is able to come up with a plan and isn't against using slightly underhanded tactics to do the right thing.

-Patronus: Rooster - Roosters are very self-assured and filled with pride. They are also known for being honest to a T.

-Partner: Gryffindor - (Y/N) has a hard time with impulse control, which pushes them toward the house of the lion. They also are filled with bravery, often rushing into things without thinking them through first. This is where Shido comes in handy to keep them from doing anything too dangerous. -Blood: Pureblood -Patronus: Roadrunner - Roadrunners are known for their speed and are seen as symbolizing opportunistic opportunities.

🎌 Yosetsu Awase: Gryffindor

-Blood: Half-Blood (Father is a Muggle)

-Explanation of House: His scene with Momo convinces me that he would be in Gryffindor. He didn't leave her when she was hurt and he was ready to die before being a coward. He is less impulsive than some Gryffindors but he is as brave as any of them. I love him, he is such a brave boi.

-Patronus: Beaver - Beavers are intelligent and symbolize being strong-willed and determined.

-Partner: Hufflepuff - (Y/N) is a kind student who gets along with most of their classmates. They like to take care of others in a maternal/paternal way. They believe that one of the most important things for someone to be is kind. Sometimes kindness is enough. -Blood: Pureblood -Patronus: Porcupine - Porcupines symbolize innocence.

✨ Mirio Togata: Hufflepuff

-Blood: Half-Blood (Mother is a Muggle)

-Explanation of House: Mirio could fit into Griffindor with how heroic and self-sacrificing he can be but he ended up in Hufflepuff due to how important his friends are to him. He is one of the most loyal people to exist as well as being a ball of sunshine. Hufflepuffs can be just as much of a hero as a Gryffindor, look at Newt!

-Patronus: Lion - Though Mirio isn't in Gryffindor, his Patronus is a lion as they are known for their protective nature and loud beliefs.

-Partner: Ravenclaw - (Y/N) was terrified of being placed in Slytherin as Nightmare would be considered to fit in that house. They, on the other hand, fit more into Ravenclaw due to the creativity they possess. They have learned many skills in their time of trying to ignore their other side. -Blood: Half-Blood (Unknown) -Patronus: Zebra - Zebras symbolize illusions as well as a sense of individuality.

🐙 Tamaki Amajiki: Slytherin

-Blood: Pureblood

-Explanation of House: Another good example of the side of Slytherin not shown in the series. It is canonically shown that Tamaki is able to run through multiple plans in his head and can change his plan of attack in seconds to accommodate for the new information he has on his enemy.

-Patronus: Opposum -Opossums symbolize being intelligent and quick-witted. They are believed to be strategic creatures.

-Partner: Hufflepuff - (Y/N) is very open-hearted and is ready to take anyone under their wing if they need someone to lean on. They are similar to Mirio in their kindness. They are brave but not impulsive on such a belief. They will always want to help someone but will take time to come up with a plan. -Blood: Muggleborn -Patronus: Monkey - The monkey is one of the trickster deities (Especially in Chinese Mythos) and are known to be very curious.

🛠️ Mei Hatsume: Ravenclaw

-Blood: Half-Blood (Two Half-Blood Parents)

-Explanation of House: Mei is an example of the more rare version of a Ravenclaw which is the chaotic creative student. She also has quite a bit of knowledge and is rather intelligent. Just look at how much she knows about technology and how well she is able to use that to make her 'babies'.

-Patronus: Ferret - Ferrets are mischievous creatures who are self-reliant.

-Partner: Hufflepuff - Just like Mei, (Y/N) is in the chaotic subtype of their house. They are unable to keep themselves in one place and don't always think over what they are doing before actually doing it. This is why they end up covered in bruises and small cuts. -Blood: Muggleborn -Patronus: Chipmunk - Chipmunks symbolize being energetic and curious independence.

🍙 Itsuka Kendo: Ravenclaw

-Blood: Pureblood

-Explanation of House: Kendo could fit into Gryffindor but she is too calm and logical in my mind. Yes, there is Hermione but her bravery overweighed her intelligence. Kendo's quick-thinking mind overweighs her more knightly characteristics. Ravenclaws can be heroes too.

-Patronus: Jackel - Jackels are symbols for intelligence and tenacity. They also are known to be courageous.

-Partner: Slytherin - (Y/N) is known for being mischievous as well as having a very cunning mind. They can be dangerous to those that they don't like because they can easily trick someone in one way or another. Make sure not to get on their bad side and make them plan revenge. They hold a grudge. -Blood: Half-Blood (Two Half-Blood Parents) -Patronus: Fox - Foxes are a trickster creature who are known for their magic and talent in illusions.

🍥 Camie Utsushimi: Hufflepuff

-Blood: Half-Blood (Father is a Muggle)

-Explanation of House: She is a stereotypical Hufflepuff, where she is just shoved into a house since she doesn't fit the others. In reality, she is very loyal to those that she cares about and has a naturally kind personality. I also see Camie being patient to those she cares for.

-Patronus: Hyena - Hyenas are known for not taking themselves too seriously and have a good sense of humor.

-Partner: Gryffindor - Everyone thinks (Y/N) is going to be placed in Slytherin due to their quirk but they are really a Gryffindor. They are filled with courage and while they doubt themselves at times, they always come back with high self-esteem in the end. -Blood: Pureblood -Patronus: Orca - Orcas represent powerful and thoughtful individuals.

🌊 Neijire Hoda: Hufflepuff

-Blood: Muggleborn

-Explanation of House: This shouldn't be surprising, just look back at the first time she meets 1-A. That girl is filled with so much energy and is giving off so much of a kind aura that she fits perfectly as a Hufflepuff. Yes, she does have a desire for knowledge but she fits more with Hufflepuff than Ravenclaw.

-Patronus: Bee -Bees are said to enjoy life as well as being defensive. They are said to symbolize energy.

-Partner: Ravenclaw - While Neijire doesn't fit fully, (Y/N) is a better match for Ravenclaw. They are a quiet and shy person who has a hard time expressing themselves. They rely on things such as art and other creative outlets to express themselves properly. -Blood: Muggleborn -Patronus: Snail - Snails are said to be solitary yet still protective.

Pros

⭐ All-Might: Gryffindor

-Blood: Muggleborn

-Explanation of House: This is one of the easiest ones to pick. Of course, he is in Gryffindor, he is the definition of being impulsive, especially in his younger days. He is filled with bravery and courage as much as the next hero. He is self-sacrificing which helps place him in this house.

-Patronus: Rhino - Rhinos are said to be protective and tenacious.

-Partner: Gryffindor - (Y/N), while not as extreme as their s/o, has heroic personality traits that put them in this house. They are outgoing and while they are not as impulsive as All-Might, they are able to push through their fear to do something if it is going to help someone else. -Blood: Half-Blood (Father was a Muggle) -Patronus: Magpie - Magpies are said to be very perceptive and outgoing.

👖 Best Jeanist: Slytherin

-Blood: Half-Blood (Two Half-blood parents)

-Explanation of House: Best Jeanist seems to be very calculated when it comes to his plans. He knows the importance of having a friendly image like a Gryffindor but with how much of a leader he is, he is more of a serpent. He is a perfect example of Slytherin not being a bad house.

-Patronus: Heron - Herons are patient and creatures filled with agility.

-Partner: Ravenclaw - (Y/N) is a logical individual with a good dose of quick-wit which allows them to work with even the toughest hero, aka Endeavor. They don't take crap from anyone. They are known to be kind as long as someone doesn't lose their trust and respect. -Blood: Muggleborn -Patronus: Lioness - Lionesses are known to symbolize determination as well as persistence.

🔥 Endeavor: Slytherin

-Blood: Pureblood

-Explanation of House: Of course he is a Slytherin but that isn't just because he is seen as a bad person. He has shown heroic qualities at times but he has shown that he will do whatever he needs to so he can get what he wants. He can be selfish at times, though he is trying to get better.

-Patronus: Wolverine - Wolverines are known to be passionate and assertive in what they believe in.

-Partner: Gryffindor - (Y/N) follows a strict code that they believe in which mainly involves protecting those that can't protect themselves. They haven't been tainted by the world (Endeavor's Words) and still have that bright-eyed stare. They truly only want to help people and have no underlying desires. -Blood: Half-Blood (Two Half-Blood Parents) -Patronus: Manatee - Manatees are said to represent trust as well as feeling content.

🍡 Fatgum: Hufflepuff

-Blood: Half-Blood (Father was a Muggle)

-Explanation of House: A strong Hufflepuff, one of my favorites! Look at how he treats Tamaki and Kirishima. He is firecly loyal to those boys and would die for them if he had to. He also is filled with a truly kind personality, he makes people ease up around him and trust him.

-Patronus: Wild Dog/Painted Dog - The wild dog/painted dog is said to represent the importance of family.

-Partner: Hufflepuff -(Y/N) has no powers but would fit under Hufflepuff if they went to Hogwarts. They enjoy more domestic activities such as baking and any creative activities. -Blood: Muggle, no powers -Patronus: N/A - N/A

🍗 Hawks: Slytherin

-Blood: Muggleborn

-Explanation of House: Hawks has shown that he is willing to do some bad things if it means that the right thing happens in the end. He has heroic qualities and is often mistaken to be a Gryffindor but he is more cunning than the average lion. He will do whatever needs to be done.

-Patronus: Macaw - Loud and filled with pride in themselves, Macaws could be said to be overcompensating for something.

-Partner: Hufflepuff - While they do have as heroic spirit in them, they are more focused on the care of others to be placed in Gryffindor. They never thought they were going to be placed in that house, which was one reason the sorting hat decided they were in Hufflepuff. They were not overly egotistical in themselves. -Blood: Half-Blood (Unknown) -Patronus: Scarab - Scarabs are known for accepting people as well as being open to rebirth and renewal.

🌀 Oboro Shirakumo: Gryffindor

-Blood: Muggleborn

-Explanation of House: I see Oboro as a mix between All-Might and Mirio. His reckless nature is what pushes him over from Hufflepuff into Gryffindor. He is willing to do whatever he needs to (self-sacrificing wise) to protect the innocent. He doesn't always think his actions all the way through.

-Patronus: Griffin - Griffins are said to be filled with pride and are vigilant to a T.

-Partner: Hufflepuff - (Y/N) just wishes that everyone can get along. They tend to be more pacifistic then their elder brother Aizawa. They are willing to fight if they need to but they prefer to keep things peaceful if that is an option. They use their quirk to make people calm down. -Blood: Muggleborn -Patronus: Ladybug - Ladybugs are said to be good luck and offer protection to those that see them.

💤 Shota Aizawa: Ravenclaw

-Blood: Muggleborn

-Explanation of House: Aizawa is as cunning as any Slytherin and can come up with plans as well as them as well. The thing that keeps Aizawa from being a Slytherin is that his emotions control his actions more than logic does at times. He has to do what his heart tells him is right.

-Patronus: Lynx - Lynx are known for being sharp-sighted and secretive with a cunning mind.

-Partner: Gryfinndor - (Y/N) may hide it but they are a true hero at heart. They come off as friendly and one would assume they are a Hufflepuff until any type of danger presents itself. They quickly turn into a protector and take control of the situation to keep as many people safe as possible. -Blood: Half-Blood (Both Parents are Half-Blood) -Patronus: Red Panda - Red Pandas are known for being trusting and very patient.

🥕 Miruko: Gryffindor

-Blood: Half-Blood (Mother is a Muggle)

-Explanation of House: Does this really need to be explained? She is filled with confidence in herself and is known for many of her heroic personality traits. She is able to defend those when needed and can fight without being crippled in fear like some think she would due to her quirk.

-Patronus: Rat - Rats are ambitious and are able to change when necessary. They are also known for being sociable.

-Partner: Slytherin -(Y/N) had to learn how to be cunning at a young age due to their quirk. They also had to learn to be careful so as not to hurt anyone too badly by accident. They have learned how to twist their words to get what they want. A heroic Slytherin. -Blood: Pureblood -Patronus: Squirrel - Squirrels symbolize having everything planned out and can be a bit obsessive at times.

🍭 Ms.Joke: Hufflepuff

-Blood: Half-Blood (Father was a Muggle)

-Explanation of House: Again, this one seems like it doesn't need to be explained. Ms.Joke's entire quirk is focused on humor and has let her be a kind person as she has grown. She is a hero, so she could fit in Gryffindor but she isn't impulsive enough or recklessly brave.

-Patronus: Dolphin - Dolphins are symbols for emotional intelligence and empathy.

-Partner: Gryffindor -Unlike Joke, (Y/N) can't help but be impulsive with their actions. With their quirk, it has allowed them to get away with a lot more without repercussions which has caused them to be a bit too reckless at times. They do well with someone else by their side to keep them in line. -Blood: Pureblood -Patronus: Fennec Fox - These are like their bigger counterpart with a trickster aspect but they are more light-hearted.

Villains

🎮 Tomura Shigaraki: Slytherin

-Blood: Halfblood (Mother is Muggle)

-Explanation of House: I know, the classic villain is a Slytherin but he does fit. He is willing to go to any lengths that he needs to get what he wants in the end. In his younger days, he could have been Gryffindor. While he is protective of those around him, in the end, the most important thing to him is his goal.

-Patronus: Elk - One version of the symbols that elk represents is power and majesty.

-Partner: Gryffindor - (Y/N) has a very heroic set of ideals and beliefs. They fight for the weak, which is how they got themselves wrapped up with the league. What they are worried about is that the longer they stay with the LOV, the more they are beginning to question their beliefs. -Blood: Half-Blood (Father is a Muggle) -Patronus: Gazelle - Gazelles are known for their awareness and cautious personality.

💀 Dabi: Gryffindor

-Blood: Pureblood

-Explanation of House: NOW LISTEN, I know he has burned people up and has been a terrible person but there is nothing saying Gryffindors can't be bad. As Touya, he definitely would be a Gryffindor. As Dabi, he would lean toward Slytherin but he is quite daring and he is confident in himself. He wouldn't get expelled but he would run away.

-Patronus: Scorpion - Scorpions symbolize self-preservation and defense as well as sharp spitting-wit.

-Partner: Ravenclaw - (Y/N) had to take care of themselves from a very young age which left them to learn everything on their own. This led to their small obsession with information. They feel safer the more that they know, it allows them to be ready for more situations so they can protect themselves. -Blood: Unknown -Patronus: Sheep - Sheep are often seen as a sacrificial animal that can be used with no real remorse.

⏳ Overhaul: Slytherin

-Blood: Pureblood

-Explanation of House: So here we have the classic Slytherin. Yes he is evil but it is his cunning nature that puts him in Slytherin. He has an entire group working under him and knows how to negotiate as shown with Shigaraki. He would probably end up getting expelled for some experiment.

-Patronus: Cheetah - Cheetah's symbolize someone always moving forward with a set goal in mind.

-Partner: Hufflepuff - (Y/N) is very loyal to a very few amount of people, but would fight for them, until they die. They like to be around those that they trust and tend to be very timid. They are close to being in fight or flight mode at all moments as if ready for any threat. -Blood: Muggleborn -Patronus: Deer - Deer are known for their innocence and are meant to symbolize a light for others to guide them home.

🎭 Twice: Hufflepuff

-Blood: Muggleborn

-Explanation of House: Twice is shown to be fiercely loyal to the League. He is definitely the most loyal of the bunch. He also has a naturally good heart, even if his mind is a bit cracked. He hasn't gone out of his way to hurt others unless they threaten his self-made family.

-Patronus: Elephant - Elephants symbolize loyalty and commitment.

-Partner: Gryffindor - (Y/N) used to be much braver when they had their quirk. They still possess some of that bravery but there is always a small amount of nervousness and pause when it comes to making a decision. They are learning how to feel safe again with the league and are slowly regaining that confidence they used to possess. -Blood: Half-Blood (Mother is a Half-Blood) -Patronus: Robin - A robin is a symbol of growth and renewal.

🍚 Mustard: Ravenclaw

-Blood: Half-Blood (Father is a Muggle)

-Explanation of House: I like to think Mustard is actually pretty smart, especially when it comes to chemistry. Due to his own quirk, he would be interested in other chemical reactions and such which would cause him to study them when he was younger. He uses logic and intelligence when it comes to fighting.

-Patronus: -

-Partner: Slytherin - They had to grow up rather quickly which taught them that one of the only ways to live was to lie to get what you want. They do not lie to those that they get close to. They have high walls but with enough determination, one can get close to them in which they become attached to the person. (Y/N) becomes very fierce if it comes to protecting those they care about. -Blood: Muggleborn -Patronus: Chameleon - Chameleons are able to change what they are to suit the situation, ever-changing.

🔪 Himiko Toga: Hufflepuff

-Blood: Half-Blood (Father is a Muggle)

-Explanation of House: She is easily loyal to those that she cares about and she relies on her emotions heavily. While she is threatening and crazy, she is friendly in her own strange way. She can be hardworking when she wants to, oftentimes when one of her friends needs help.

-Patronus: Bat - Bats are known to symbolize good luck and rebirth.

-Partner: Gryffindor - (Y/N) is quite impulsive due to their own quirk. They are brave and self-sacrificing when it comes to those that they are close to. They have their own code that they live by, such as the one that Stain believed in. This is what puts them in Gryffindor instead of another house like Slytherin. -Blood: Half-Blood (Both Parents are Half-Blood) -Patronus: Honey Badger -(Y/N) may not be in Hufflepuff, but their Patronus is a Honey Badger. They symbol fierce loyalty and passion.

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365days365movies · 4 years ago

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January 15, 2021: Casino Royale (2006) (Part 1)

So...we meet again, Bond. What’ve you been doing for the past few years?

...What. Not who, James, WHAT. Jeez.

Whatever. BrosBond had 3 movies after GoldenEye, and they were...not great, from what I’ve heard. Remember, I wasn’t as big of a fan of GoldenEye as many critics and fans were; so, I can’t imagine what I’d think of the latter three. Maybe one day, but not today!

Today, I’m focusing my sights on the revitalization of the brand. See, in 2002, Die Another Day came out, and that movie was apparently crazy. TOO crazy. So crazy, in fact, that audiences and critics accused it of losing the plot, and the production studio in charge (Eon Productions) had a yearning to change direction. And their inspiration came from...a surprising place.

See, Joel Schumacher’s campy, over-the-top Batman films were basically wiped out by Christopher Nolan’s 2005 reinvention of the character in Batman Begins. Which is, in my opinion, a highly underrated classic, Seriously. And in 2005, this film was absolutely a smash-hit. Batman was cool again, which a lot of people never thought would happen in film. Eon saw this, and thought...how can we apply that to Bond?

Out with Brosnan...in with Craig.

The first of the new, darker, reinvented Bond films is planned for release in 2006, starring Daniel Craig as the suave, sophisticated spy. And the director of the film was selected to be...Martin Campbell? From GoldenEye? The guy who kinda sorta started the modern over-the-top Bond? Really? I mean, OK. The writers this time are different...except for one. I didn’t talk about the writers last time because I don’t like putting people on blast if I don’t gotta. This time...maybe. We’ll see.

If this Casino Royale is basically Bond Begins, I’m definitely interested. Maybe this’ll revitalize that Bond-love from the Connery days. Let’s find out! We’re also gonna look at the Bond checklist again!

Gadgets: better have more cool gadgets than GoldenEye, I swear...

Bond Girl: GoldenEye’s Natalya wasn’t bad, to be honest; let’s see who his Inevitable Love Interest is this time.

Villain: Alec Trevelyan had so much potential. I need my dastardly villain, let’s do this. Oh, and let’s throw the henchman in here, too. Xenia Onatopp was...a lot...but she was a memorable henchman, at least.

Music: Of course. GoldenEye’s theme was good, and we’ll see how 2006 does.

OK, movie time. SPOILERS AHEAD!!!

Recap

We start at an office building in Prague, where a man makes his way up to his office. Waiting there for him is, of course, James Bond (Daniel Craig). The man is Dryden, section chief at the British Embassy in Prague, whom M has accused of selling secrets, a big no-no. But Bond...isn’t a double-0 agent. Huh. You got me interested.

Apparently, agents get the two zeroes once they’ve killed two people on file. James hadn’t killed anyone...until recently. Which is when we get this.

OH SHIT

This is an absolutely BRUTAL fight. It’s not choreographed flashily, it’s not pretty...it’s rough. It’s intense. And it’s...oh my God, wow. Made me feel it. And what’s astonishing is that it’s SO short.

On learning this, Dryden tells him not to worry, the second one is...

...YOU GOT ME. I’M IN FOR THE FUCKIN’ RIDE

HOW??? How is it that in 3 minutes of screentime, I’m already more satisfied by Craig’s Bond than I was for the ENTIRETY of GoldenEye? That is masterfully done, right off the bat. WOW. We even get a smooth-as-silk segue into the classic bullet turret sequence, and that takes us right into the song and opening credits. And...wow.

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Here’s the thing about Bond openings, as I mentioned last time: they were all directed by one guy up until GoldenEye, and were basically all silhouetted women with themes and scenes from the movie projected around them. The Brosnan movies followed suit, always having silhouetted women in one way or another. Die Another Day used CGI women and...a really bad Madonna song. It was...it is NOT GOOD, guys. Look it up, it’s the most 2002 thing I’ve ever heard.

But here’s the fin bit about Casino Royale. This is the first Bond movie opening with no women in it. Yeah. It’s the first one. And the song is Chris Cornell’s You Know My Name, and it’s good! Not sure it’s going in my soundtrack, though.

Finally, the opening credits sequence itself: it’s once again Daniel Kleinman doing it, and it’s actually inspired by the first James Bond book Casino Royale, which had already had a TV special and unofficial Bond movie made from it! The cover had a playing card motif, and the opening carries over that motif creatively. I really dig it, if I’m honest! Definitely a welcome break from the 44 years of Bond films preceding it.

Uganda! And we meet the villain of this film: Le Chiffre (Mads Mikkelsen). And GODDAMN if that isn’t a Bond villain! He’s a banker, making a deal with a rebel leader, Steven Obanno (Isaach de Bankole), via their liason Mr. White (Jesper Christiensen). Setting up an attack by supplying Obanno with money, he sells his stocks of a company called Skyfleet, knowing that they’re about to fail.

Meanwhile, a ferret’s fighting an Asian species of cobra. In Madagascar. My zoology senses are EXPLODING, OH my God. So much wrong there. Anyway, there’s a bombmaker in the crowd watching the fight. He’s being tailed by Bond and another agent, Carter, who tips off the guy by being a bad spy. Bond chases him to a construction yard. What now, James?

Awesome. Why is this awesome when I said that the tank was dumb? Because at least it makes sense for a bulldozer to go haywire in a construction yard, just sayin’. Plus, this dude clearly isn’t the best, as he fires on construction workers and cops.

Eventually, this chase sequence brings us to the top of a crane, where this exchange happens.

I, uh...I love this movie already. That’s goddamn great.

The chase scene as a whole is also fantastic, as it continues off the bridge and into an abandoned building, then escalates into the streets, brings in law enforcement, and eventually ends with Bond at an embassy, facing down both the military and the bomb maker. He kills the guy, shoots some gas tanks, grabs the bomb, and then gets the hell out of there.

...Y’know what, that was fucking amazing, but he also almost certainly caused an international incident there. And I should be annoyed about that, but guess what! It makes sense! This is an inexperienced Bond, one who’s JUST been promoted to 00 status as 007, as the prologue explained. So, y’know what? I’m into it!

Cut to a yacht, like you do in a Martin Campbell Bond film. There, we have our villain, Le Chiffre, playing a card game. Also, he weeps blood. Yeah. HE WEEPS BLOOD.

OK, if that isn’t some Bond villain shit, I don’t know WHAT is. He’s also asthmatic, because I love it. I love it so much. He’s a mathematically-brilliant asthmatic that weeps blood. More, please.

He’s also a person aware of what Bond did at the embassy, as it’s already become an international incident! Thank you for showing consequences, movie! Damn! I love it! This has two additional consequences. One, Le Chiffre notes that the code “Ellipsis” used by the bomber may be soon to expire, indicating a connection between the two. And the second consequence? M’s pissed.

M! DAME JUDI DENCH! One of my favorite things about GoldenEye was bringing in Judi Dench as M, and she made it through the reboot! And she’s still as entertaining as she was before, calling Bond out for his stupidity, and explaining that she misses the Cold War.

In her apartment, M does her normal exposition schtick, and her interactions with Bond are fantastic here. She’s understandably angry at him, and gives him what for, but she’s also clearly impressed that he FIGURED OUT WHERE SHE LIVES, as well as her REAL NAME. Shows her opinion of Bond and aspects of Bond’s character in a single, masterful stroke.

Well. Goddamn. Done.

The Bahamas! Bond’s here to find Alex Dimitrios (Simon Abkarian), a Greek businessman who’s believed to have a connection with Le Chiffre himself. And, as James Bond is wont to do, he finds him at a party, playing cards. And here’s where the reinvention of Bond comes full circle.

See, Bond’s doing all the typical Bond things, yeah. But there are some differences present here, as well as some neat nuances. Bond isn’t wearing the suit, first of all. He actually hasn’t worn a suit the whole movie, which makes perfect sense for a spy. Suits aren’t exactly the least conspicuous thing in the world; bound to get you noticed if you don’t want to be.

And then, there’s the girl. This is Solange Dimitrios (Catherina Murino), the wife of Alex who was treated BADLY by him at the party. That gives her a reason to take Bond’s offer for a ride to his place, outside of just his raw animalistic charm that he seems to have in some of these movies. Look at that, already more chemistry than he had with Natalya in GoldenEye.

And yes, this results in her cheating on Alex. Is her cheating justified from a moral standpoint? No, of course it isn’t. And of course, this leads to the typical Bond-handsome-sex-GOOD sequence, but again, some nuance here! First of all, he doesn’t win her over with corny clever lines, like what we saw in GoldenEye multiple ties. Second, this is actually all an attempt to get some infomation from her about her husband. Bond might be enjoying it, but his womanizing here actually has a purpose. And that’s rare!

That’s further punctuated by the fact that he STRAIGHT UP LEAVES BEFORE ANYTHING HAPPENS. Yeah, she tells him that Alex just made his way to Miami, and he leaves! Dick move, yeah, but it makes sense! James isn’t here for pleasure, he’s here for work!

He follows Alex to a Bodies at Work exhibit (you know, the preserved and skinned cadavers put into poses that used to tour around the USA? I saw it in Times Square at the end of its popularity. A little ghoulish, maybe, but I think it’s pretty cool), where the two of them get in a very tense close-up knife fight in public.

Alex is dead, but not before passing off a package to someone else at the exhibition. Bond tails the guy to Miami International Airport, where the largest airplane in the world is set to be unveiled. Using the code sent to the bombers, Bond gets into the back, and goes to intercept the disguised bomber who’s set to blow up the SkyChonk (I mean it, that giant airplane is THICCC).

Time for another cool chase sequence! Some luggage is destroyed, along with a bus, the cops join in on the chase, an airplane is prevented from landing (making someone on that plane probably very upset), and Bond somehow manages to prevent the plane from blowing up. And it’s by the SKIN of his teeth, lemme tell you. Also, he blows up a dude with his own flashlight bomb.

Nice. Somehow, Bond isn’t arrested, and makes his way back to the Bahamas. And it looks like Solange isn’t the Bond girl after all. Because she was thought to be the information leak (which she was, to an extent), she was tortured to death. Whoof.

M’s in the Bahamas now, and the exposition continues. She’s done with Bond’s bullshit, and she plants a tracker under his skin. She explains that with the big boi plane destroyed, somebody stood a lot to gain financially from the stock crash to come. Except that the plane wasn’t destroyed, and that person lost $100 million by “betting the wrong way.”

That person, of course, was Le Chiffre, a manthematical genius and chess prodigy, who plays poker for fun, and plays the stock market with his clients’ money. Bond’s the best poker player in MI6 (a good addition that we already saw foreshadowed earlier! See what I mean?), and she’s sending him to a high stakes poker game that Le Chiffre’s looking to regain his money from.

Bond FINALLY dons his suit, and gets on a train in Montenegro, where he meets...

Vesper Lynd (Eva Green). THERE’S our Bond girl! Although, there’s a reference to Miss Moneypenny in their introduction, which is interesting. But Vesper is an agent for the British Treasury, supplying the money for the buy-in for the tournament. And their conversation on the train...wow. Now THIS is chemistry, seriously.

Vesper’s a great character, and she gives Bond NO quarter. She reads his character, and calls him out very accurately. They also explain why both Bond and Vesper are good at poker: it’s all about reading people. I’m genuinely impressed by how this movie is put together, and how well-thought out Bond is as a character. And this is the dimension I love to see in a Bond girl as well!

GODDAMN, I am in love with this movie. More coming in Part 2!

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danwhobrowses · 4 years ago

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Why ‘The Karate Kid Part II’ Deserves More Respect

So guess what film I finished watching today? Of course, the Karate Kid franchise is considered iconic mainly for its first entry; Wax on Wax off, Skeleton fights, Sweep the Leg and the Crane Kick all cemented its legacy that allowed Cobra Kai to also be such a success. But imagine my shock when the approval rating on Rotten Tomatoes for Part II is 45% - 21% lower than the Jaden Smith ‘The Karate Kung Fu Kid’ version (and Part III is scored 15%, which is also super harsh but hard to debate outside of the magnificence of Terry Silver). Originally this was just gonna be a general post of how much I enjoyed retreading Part II, but upon seeing that score I had to give it my ‘Deserves More Respect’ posts.

It is an off-chance, but if you haven’t watched this film there will be spoilers within, I encourage you to watch it before reading, and maybe watch it again if you have so it’s fresh in the mind

Let’s start with a controversial point shall we? There are several parts where Part II is actually better than the original. Now I know! There’s a lot about the original which is iconic, but nostalgia does blind you to other shortcomings and while it’s easy to sell the first part because of its mystique, a sequel has the added pressure of rising above and developing on old and new themes set by the predecessor. The Premise In case you decided against refreshing your memory. Karate Kid Part II starts with a recap of Part I, a bit of content that was meant to be Part I’s final scene (in the script, not for filming) and then a timeskip. Ali with an i is gone - brutally dumping Daniel for some Football Player before Senior Prom and after crashing his car, Daniel’s mother is in Fresno for work and Miyagi has received a letter from his home Okinawa in news of his father’s fading health. The stage is set for Daniel and the audience to learn more about the iconic Mr. Miyagi and the life he left behind. Okay, so there is bad in this film Part II deserves respect, but it’s not perfect. It definitely gets messy near the end with Daniel’s antagonist Chozen, he mainly took beats from Johnny Lawrence in physically confronting Daniel when he could with a bunch of no-named goons and he fought pretty similarly to Johnny in catch counters and leg strikes. The opening recap did take a lot of time too, while the ending remained somewhat abrupt having just beaten up Chozen to embrace Kumiko (who had a delayed recovery after being punched once). While not bad, a fair amount of retreaded content felt like downgrades of the original; Chozen and Sato lacked the charisma of Johnny and Kreese, the crane kick was far more impressive than the drum technique and the Tournament setting was grander than the O-Bon festival. But, there are Iconic Moments in this film too Part I may have the Crane Kick and the Skeletons and the Training and Sweep the Leg. But people may forget that Part II had awesome moments too.

Like Daniel chopping through 6 Sheets of Ice! If that isn’t one hell of a power play I don’t know what is. It is a moment genuinely impressive in and outside of the 80s cheese universe of Karate Kid, and it gets referenced in Season 2 of Cobra Kai.

Also referenced in Season 2 is Miyagi vs Kreese. While this is the intended ending for Part I, it certainly acted better at the start of Part II, especially given that is foreshadows the situation Daniel finds himself in at the end of the movie. This moment is equally iconic as it completely encapsulates the character of both senseis - Kreese the confident brute brought to a sniveling mouse when size and power failed him and Miyagi the cool-headed and vastly more intelligent fighter still with the cheeky prankster lightness to him as he honks the scared shitless Kreese on the nose. Perfect.

While I did want to cite the Tea Ceremony as well I think the more iconic moment for Part II had to be Miyagi chopping the log during the storm. The storm itself is a very well-done scene which unmasks several characters in the face of adversity. True tension, worry and stakes are sold as the village are in danger of the cruel whims of nature, an act which is all too real for Sato when the house he’s in collapses on him in the calm before his scheduled deathmatch with Miyagi. Not only is this again some great foreshadowing by the rule of three (Daniel asking if Miyagi can chop a log like Sato is doing with a banner and then Miyagi and Sato meeting and seeing Sato fail to chop a log) it proves a pivotal point where Sato turns from aggrieved antagonist to repenting ally. A great show of power and friendship as Miyagi metaphorically breaks the rift between their friendship that weighs Sato down. Okay, we hear you, but how is it better? I do have to preface that I do still love Part I, I have to because in pointing out where Part II is better I have to pick at Part I’s faults. While the ending is messy Part II definitely has much better pacing, until the skeletons scene Part I doesn’t really pick up because it has to set up, Part II while it does recap doesn’t need to worry about it. Giving Miyagi the main plot was definitely Part II’s strongest suit. Part I profited from Miyagi being the ‘mysterious old teacher’ but learning a lot more about his humanity and history was engrossing and it allowed positive development for Miyagi and Daniel, especially their bond as a surrogate father and son when Daniel personally goes out of his way to support Miyagi on a very personal matter. The main characters maintain their charm as well, still a lovely array of life lessons in Part II more than just finding balance, Miyagi teaches Daniel through words and action on taking time to breathe, to refocus when imbalanced, to forgive rather than to harbour hate, mercy, selflessness and humbleness

“never put passion before principle. Even if win, you lose.” - Mr. Miyagi

The scenes involving Miyagi and his father were some of the most deep and emotive of the series up until Cobra Kai, some still haven’t been topped such as Miyagi’s dad’s first words to his son or when Daniel talked about when his father died. And say what you will about Chozen, he does have a lot of Johnny vibes but a lot of the character we believed was Johnny due to nostalgia goggles was more fitting of Chozen’s manner. The story did a great job in making sure Chozen was always an asshole, at times Johnny did at least display honour and grace but Chozen was always sore about stuff and quick to claim dishonour even when he was in the wrong. Contrary to Johnny it’s more about his family than it is about a girl, which allowed a lot more freedom in the plot. Whether you felt Elizabeth Shue’s Ali with an i was prettier than Tamlyn Tomita’s Kumiko is up to personal preference, but the messy-haired Kumiko definitely had a slightly improved presence in Part II than Ali did, with actual focus on her own feelings outside of attraction to Daniel, her ambition to become a dancer directly linking to the O-Bon Festival - which in turn related to the Drum technique - as well as the delicately beautiful Tea Ceremony scene and actually contributing to the final fight (granted Ali wouldn’t be allowed to). Also Daniel didn’t try to eat her face which is a general improvement to the romantic subplot, extra applause has to go to Tomita here too because this was legitimately her first role - Shue had her second so that’s impressive too - and both women had good careers going forward. The increased stakes definitely worked in the favour of Part II as well, as sequel culture is forced to do, but by moving to Okinawa (actually filmed in Hawaii) we opened the door to better suit Miyagi’s world while keeping Daniel the fish out of water. I can’t speak too much for appropriation because there is still kinda some ‘white saviour’ undertones but I didn’t feel like Japan was treated negatively in this light, its culture of the O-Bon Festival and the Tea Ceremony was treated with the utmost respect and explained without pandering, the flute music had definitely stepped up its game for the soundtrack as did the imagery. Can also appreciate that Daniel does go for the Crane kick when fighting Chozen but is parried. Added hat tip has to go to costuming too. A lot of costumes would have to have distinct Kamon such as Sato’s twin fish and Miyagi’s bonsai on a lot of their clothing

Between Sato and Miyagi the colours of their clothes often code their emotions towards each other, with Sato usually in grey and Miyagi in white or cream, when Sato and Miyagi prepare for death they are in black and when Sato wants forgiveness he moves to a lighter shade. While Part I also used black and white to differ Johnny and Daniel, Part II put Chozen and Daniel in the more Japanese-themed Red and Blue. While both men wear red, blue and whites at time, Chozen’s clothes almost devolve from the white he debuts in as his darker side comes out before flat out embracing yellow after his chance to prove his honour in the storm is refused (and he’s in white then), while Daniel often moves to Red or red tones even in his blue shirt. Kumiko also moves from white to blue, sometimes even purple, in set up to the final fight to have the primary colours stand out in the colourful crowd of the O-Bon festival, but even in the blue Kumiko had red to pair her connection with Daniel. Also her Yukata at the festival is just stunning, the Great Wave off Kanagawa print is a nice touch.

Anything else we should know? It might not be much else about the film itself I can tell you, but I do appreciate something I’m starting to call ‘The Rocky Connection’ when it comes to Karate Kid. Like Part I’s ‘You’re the Best (Around)’ was shortlisted for Rocky III, Part II’s song ‘Glory of Love’ was shortlisted for Rocky IV’s theme, losing to ‘Hearts on Fire’, Bill Conti also chose to score this film instead of Rocky IV. I like to pair this with Daniel’s Rocky-esque character, he has that same kind of swagger but a lot more naive and childlike. Martin Kove also gets a nod because those bleeding hands were legit, he had an accident on-set and the footage was kept for the final cut. Tamlyn Tomita wasn’t the only film debut for Part II, B.D. Wong of...well, several famous roles including but not limited to Shang in the animated Mulan, Dr. Wu in the Jurassic Park franchise, Hugo Strange in Gotham and many more, also had his debut here in a minor speaking role when he’s handing out flyers for the dance party to Kumiko and Daniel before the Ice Chopping Scene. So, why does it deserve respect A film that adds to a beloved character in a respectful fashion without having really any god awful moments does not deserve a 4.5/10 rating. It may not have as emphatic an ending or as great a villain but it has a captivating plot and a good pace, better stakes and much more emotionally driven and responsive scenes. A lot of effort and dedication went into this film to explore new dimensions of the main characters in a fashion which was enjoyable and at times heartwarming. And characters are given human moments, even Miyagi confesses himself not to be perfect and it keeps each character grounded. Even to this day parts of Part II are remembered fondly rather than the campness that Part III had outside of Terry Silver and his magnificent ponytail, the fondness also continues to reflect in Cobra Kai with homages and fan theories of Daniel going to Okinawa again and even re-encountering Chozen. Not to mention it grossed $113m on a $13m budget and got nominated for a Best Original Song Oscar (losing to Top Gun) Part II was a good and enjoyable film which deserves far more credit than to be rated this low, for that it deserves respect.

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