#stupid wizard franchise

[leam1983]

It might be pithy consolation, but as someone who's coming in from literary studies, what seems to really lie behind the sense of wounded pride and spurned attachment that a lot of Potterheads face is the fact that, well, JK Rowling is still alive.

Compare and contrast with HP Lovecraft. Guy was a racist douchecanoe with terribly offensive theories about race, segregation, miscegenation, and the roots and value system of the Western world. In today's world, he probably would've turned full-on Trumpanzee before his death. Thankfully, that never happened. HP Lovecraft died of pancreatic cancer a virtually unknown and forgotten fanzine author, and survived his own literary agony only thanks to the works of friends and fellow literary theoricians who managed to extricate him from his own works - and who preserved them.

Today, his legacy spans all of Weird Fiction and is covered by POC, Native, Trans, Nonbinary or generally Progressive writers of all stripes. Cosmic Horror is appreciated by people from a wide massing of backgrounds and only pays lip service to some of his more contentious themes - usually to denounce them in the same breath, or to flip them around. See Frogwares' The Sinking City and its town of various fish-men and ape-persons in expensive designer suits realizing they harbor a chapter of the KKK, and your only interaction with the group being the act of gunning them down where they stand. You might be facing off against the Spawn of Chtulhu, but you've still got time to fill criminalized bigots full of lead...

Distance, I think, will eventually be a balm to most Potter fans. Unfortunately, that's not something that could just be granted to them just right then and there. Rowling's going to die, her supported charities will peter off, her dissonant tone will settle - and it'll probably be easier to be a Potter fan, from then on. Plus, all it takes is a few surviving fanzines for Rowling's oeuvre to follow the same path as Lovecraft's, where the Wizarding World is divested of her influence. Warner Bros. having a stake in it, it stands to reason the exact year of Rowling's death sees the Potterverse more or less explode with new content.

As distance is good, it could also be good for fans to... maybe take five from all things Potter, too. A better appreciation for the material could then be found, later on.

What makes JKR's shitshow even harder to process is that she didn't just ruin a book series. Harry Potter was an entire subculture. Like Star Wars and Star Trek fans, Harry Potter fans dedicated their lives and careers to the series. I don't know if I'd call it "underground," but liking Harry Potter got you beaten up when I was in school, so it was more of a dedicated indie culture than a mass-appeal fanbase.

Harry Potter was so huge that fan works developed their own followings. Potter Puppet Pals racked up hundreds of thousands of followers and was nearly as relevant as the series itself. For fanfiction, Harry Potter and the Methods of Rationality got so big that it has a Wikipedia page. The band Harry and the Potters spawned the wizard rock music genre. A Very Potter Musical developed a fanbase and launched Darren Criss's career.

Harry Potter also has extensive ties to fandom history. Everyone in my generation (millennials) remembers coming home from school to read Harry Potter fanfiction on the Internet. Today, most people just post their stories on Wattpad or Archive of Our Own. But at the time, the fanbase was splintered between fanfiction.net and dozens of individual websites and forums, some made for specific ships. Since they all had individual hosts, a lot of those sites have been lost to time.

And there's the infamous My Immortal fanfiction, which is an Internet legend with people still searching for the author. Everybody read that one (and laughed at it) in middle school.

Pre-social media, fan sites like The Leaky Cauldron and Mugglenet had massive followings because they were one of few sources for news, theories, essays and fan content. Some of these sites still exist after being around for over a decade and building their own legacy.

Before Deathly Hallows came out, fans were so desperate to know what happened that Mugglenet published a book called What Will Happen in Harry Potter 7: Who Lives, Who Dies, Who Falls in Love and How Will the Adventure Finally End? Yep...Harry Potter was so big that people wrote separate books about what would happen in an upcoming book.

And that's not mentioning all the book release parties, Harry Potter-themed events, monuments, fan films, restaurants and even a theme park. A lot of fandoms have those, but Harry Potter infiltrated every aspect of popular culture.

Today, there's a thriving culture of "Harry Potter adults" with themed weddings, baby showers and Etsy stores. Putting your Hogwarts house in your Instagram bio is pretty much a prerequisite for joining the "bookish" community. Warner still produces new content, like the Fantastic Beasts series, although we've all seen what a disaster that's been.

Everyone has at least a few memories associated with Harry Potter even if it's just watching the movies. I had great memories associated with Harry Potter. But looking back at the subculture, history and thousands of fan works, it doesn't seem fun anymore. Studying the fandom or being part of it comes with an awkward tension because you don't want to seem like you're condoning JKR's bigotry but can't divorce her from the series. This subculture was spawned by a woman who turned her legacy of magic and wonder into one of abuse and hatred.

I don't expect people to write paragraphs about how much they hate JKR every time they post about Harry Potter, but it's still uncomfortable to see people make new content or wear their Harry Potter Etsy tote bags like nothing happened. Even if they clarify that they don't support her, it's just a weird, tense situation for everybody.

People dedicated years of their lives to running Harry Potter fan sites, writing fanfiction, cosplaying characters and making fan movies. If I were in that situation, I'd have a mild identity crisis. I'd ask myself "Did I waste all those years? Should I delete my content? Where do I go from here?"

So ultimately, JKR didn't ruin "just" a book series or even "just" a fandom. She tanked an entire culture, which inspired people to look at Harry Potter more critically. The issues that people brought to the light tainted the series's legacy even without JKR's personal issues.

Once, Harry Potter was a series for generations. Now, former fans hope that the series fades into irrelevancy. Unfortunately, JKR didn't just tarnish her legacy--she took decades of history, millions of fans and a worldwide subculture along with her.

[nuancefan]

i just saw an ad for some new h*rry p*tter media and I just want to make it painfully clear that if i am reminded of its existence in any capacity i'm blocking your braindead ass

[leam1983]

MUDA MUDA WRY and Other Sundries

Them: "What's your Hogwarts house?"

Me: "No. Stop trying to figure out who to block on here and go back to living your life knowing your choices as a consumer are meaningful and consciously performed. Don't read who you don't want to support, read whoever it is that makes you feel good about yourself or this fucking shitty dust ball we live on, and free yourself from the shame and dishonor incurred by an author whom you don't even like anymore.

You want her business to flounder? Then stop thinking about it. Stop posting about it. Stop demanding that others stop thinking about it. Stop expecting fandom to be a moral litmus test. Focus on your goddamn own, personal battles and be aware of how much you can take. Caring too much leads to madness.

Also, incidentally, my Hogwarts House is a 1967 Montreal bungalow with a cathedral roof and a spacious back yard with room enough for a pool, a few brick paths and some floral arrangements."

[pinkshgum]

my friend got really mad at me bc i told her to boycott harry potter...

wow no wonder i, a trans person, told her to not give money to infamous transphobic author jk rowling. she kept telling me "just let me watch harry potter!" bitch you know that supporting that shitty little franchise actually harms people right? trans lives are worth more than a stupid movie. now she won't talk to me because i "annoyed" her

i've got some friendships to reconsider becauss wtf

[infinitelilith]

It's actually so incredibly easy to not support R*wling or her stupid ass wizard franchise unless you're a cis person in which case it's apparently fucking impossible

[bluescluesposting]

So in recent years, I've been seeing a LOT of posts, especially on Tumblr, about how "weird" it is that adults (or even teens) are into kids shows, how anyone over 25 that still watches kids shows are "cringe", and just overall a lot of people making fun of anyone who likes something aimed at a younger demographic when it's all harmless.

I'm not going to sugarcoat it. If you're saying stuff like this, you're an asshole.

You don't have to still like kids shows as an adult. You do you. Just as we're doing us. There's nothing wrong with being over 12 and loving kids shows. There's nothing wrong with being over 18 or 25 or WHATEVER and loving kids shows or any kids media. If it's not hurting anyone, it's fine (read: this is NOT about the crappy wizard boy franchise since it's giving a known TERF profit, so yes, engaging with it IS hurting people. This is just about most kids stuff in general). Why the hell should you or anyone else care? I'm 27. I run a Blue's Clues blog. I also love horror movies, Johnny the Homicidal Maniac, and The Kids in the Hall. Most adults who love kids shows love other things not for kids, too. And if they don't...who cares, really? It's what they enjoy. All of you who make posts like that just sound like those high school assholes who gave you a hard time for liking something, so now you want to do the same to everyone else.

Keep loving kids shows. Keep loving Blue's Clues. Keep loving Bluey or SpongeBob or My Little Pony or whatever. Anyone who says otherwise is a jerk and an idiot who hate to see anyone enjoying themselves in anyway that isn't "acceptable" to their tastes. Just screw 'em.

(I know this isn't completely Blue's Clues related but I keep seeing those stupid posts so I felt like this blog was the place to say it).

[autumnalhalcyon]

the cass report, and all of the fallout its liable to cause (i;e puberty blockers and gender affirming care for minors potentially being outlawed) is exactly what support for JK Rowling was always going to result in. and i will always be pissed at the fragile cis people who refused to listen to the pleas and warnings of literally any marginalized group about dropping her and her stupid wizard franchise.

to all of the trans youth in the uk and beyond that are liable to be affected by this, i am so sorry that this has happened, and i pray that you manage to escape terf island if or when you can or want to.

[brownieblob]

Be Careful Not to Mess With the Balance of Things"

Introductory post !!!

Max Russo x Fem!Reader

Chapter 1 (more coming soon...)

Synopsis:

When the usual becomes unusual all because of one girl…

Professor Crumbs never dropped by for casual visits. His sudden arrival carried grave news: A soul transfer by a nymph to a mortal girl, giving the mortal magical abilities. The girl, unaware of her new powers could fall victim to death or insanity if her powers were left untrained or weren't fully removed.

The Russo's weren't sure how exactly they played into this but once told that the only clue on finding this girl was her recent move to New York, alongside her family- things made more sense.

"So you want us to kidnap her?"

Naturally, none of the Russo's expected to actually bump into this girl, especially not Max. But upon bumping into the new girl at school, things took a sharp turn.

That girl was you.

Caught in a whirlwind of cheesy romance, clichéd tropes, and something as unreal as magic was you, painfully aware of how ridiculous everything seemed to be.

"Why does it feel like we're in a sitcom?"

But this wasn't a sitcom. Behind the sandwiches and spells was an ugly truth.

"You might die. Emphasis on the 'might'."

The 'might' didn't make it feel any better when everyone was so serious.

___ * ___

Y/N L/N

"What in the bippity boppity boo is this..?"

"So you kidnapped me?"

"Oh no. I have magical powers. What a catastrophe."

"Why does it feel like we're in a sit-com?

Max Russo

"So yeah, we need to not not kidnap you. So I think that means we need to kidnap you."

"You like sandwiches too?"

"I can't believe you guys thought I wouldn't do something so stupid."

"You have beautiful eyes...like olives. I think I'm hungry."

Justin Russo

"Does it not get through your thick skull? You have magic powers and need our help to help you control them. Thus, you should totally follow us into this cramped corridor. So what if we're strangers?"

"You might die. Emphasis on the 'might'."

"Since I'm the student body president, your actions affect my reputation. SO STOP THIS. Thank you"

Alex Russo

"When did the music get so romantic and WHY IS MAX HOLDING A BOUQUET?"

"Isn't it fun? You have magical powers, so what if you might explode. Yeah no, that sounded better in my head."

"Relax, without stupid people we wouldn't have anyone to laugh at, right Max?"

"Try this spell, it might work. I found it in this book- "Definitely Not Curses". See, they aren't curses."

Harper Finkle

"Like my new outfit?  Only made of bubblewrap and cardboard."

"I don't think anyone needed to see that.."

"Why does she get magic powers and I don't? Oh, she might die? Nevermind."

Jerry & Theresa Russo

"They'd make a cute couple, right Jerry?" "Agreed"

"That's it Jerry. I need an explanation, now." "Argh..! Max, word your sentences better..!"

"That girl could die." "I know."

Professor Crumbs

"No Justin, I am not taking you on an escapade."

"Oh, I didn't expect them to actually find you."

"This is quite an interesting case, truly. I just don't understand why the Nymph chose you."

"Anyone for some tea?"

__ * __

Disclaimer: I do not own any of the character's from Wizard's Of Waverly Place, all credits go to Disney for the character's used from their franchise. The only characters I claim ownership of are one's I invented myself. 

Author's Note: Hello guys, I'm Brownie and this is my first story on this fandom (or anything Disney really). This is supposed to be a crack-fic but it still has a plot and is still taken seriously by me. When I say 'crack', I mean that the MC (you) is VERY self-aware- and obviously Y/N isn't Candace but that's the kind of vibe I'm going for. I'm talking about the "this is the eleventh time we've bumped into each other today" OR "Why does it feel like we're in a rom-com movie" kind of humor. BUT because I'm recently in LOVE with Max Russo, the character, I JUST HAD to start writing this. Not to mention, there's a lack of fics on this fandom and him specifically (I'm on a mission to change that)

To read it on Wattpad

My other blog (main)

[cringefaecompilation]

Re: C4

Honestly so many people are ready for a C4 announcement if and only if it’s Daggerheart and certain segments of the fandom would be all too happy to run with “see BH were serving Matt’s agenda all along of course it was bad”.

But the evidence of that just isn’t there. Matt contributed to the Wizards DM’s guide but there are people still out on the internet saying he’s been distancing himself. Brennan, famously anti-corporation himself, was in official D&D stuff just this year along with Aabria. Show me the proof of the distance cuz it ain’t there.

gonna be honest, i got an anon ask a week ago and it confused me up until i got this one. it's a little long, but yours put these bits in particular into perspective:

i had no idea people were saying "oh obviously the last campaign was bad and fucked everything up was on purpose because they were ending the story there!" like that would be a lethally fucking stupid thing to do. literally no single media franchise has ever done that or would think to intentionally make the last one "bad on purpose" just to justify not making anything more from it

anyways yeah i am cool with waiting for c4 because A) they deserve to take their time after c3 got rushed to completion and all the wildfires and crap and B) it's more fun if we wait for it

[most-datable-undatable]

Your Match-Ups!

Because I am a complete mess of a person, I forgot to put a few on my original list, so good news for the person who suggested Wizard from Stardew Valley a bit late: Because of my stupidity, he is now on the bracket!

We have a total of 104 contestants! This will be a standard single-elimination tournament. Match-ups were completely randomized, although for the first round I did not allow match-ups between two characters from the same franchise.

Voting will begin tomorrow morning at 9am PST. I will post one poll every ten or so minutes. I will do 26 tomorrow and 26 on Tuesday. Be sure to follow so you don't miss out on a vote for your favorite!

Without further ado: Your Most Datable Undatable Character Round 1 Match-Ups!

Day One

Kai (Harvest Moon: Back to Nature)/Hytham (AC: Valhalla)

Aphrodite (Stray Gods)/Robin (Stardew Valley)

Cole (Dragon Age: Inquisition)/Dame Aylin (Baldur’s Gate 3)

Sten (Dragon Age: Origins)/Helena Blake (Mass Effect)

Kent Connolly (Fallout 4)/Asterius (Hades)

Serana (Skyrim)/Bo Calloway (Scarlet Hollow)

Perry (Harvest Moon: Animal Parade)/Cliff Holden (Our Life: Beginning & Always)

EDI (Mass Effect 2 and 3)/Soma Jarlskona (Assassin’s Creed: Valhalla)

Kasumi Goto (Mass Effect 2)/Shandra Jerro (Neverwinter Nights 2)

Mel (Fallout 4)/Neeshka (Neverwinter Nights 2)

Vivienne de Fer (Dragon Age: Inquisition)/Pasqal Haneumann (Rogue Trader)

Carlos (Rune Factory 4)/Hypnos (Hades)

Scout Lace Harding (Dragon Age: Inquisition)/Bishop (Neverwinter Nights 2)

Deacon (Fallout 4)/Theseus (Hades)

Virgil (Arcanum: Of Steamworks and Magick Obscura)/Avitus Rix (Mass Effect: Andromeda)

Nathaniel Howe (Dragon Age: Awakening/Dragon Age 2)/Wynert (Assassin’s Creed: Syndicate)

Quinn (Dream Daddy)/Karliah (Skyrim)

Nick Valentine (Fallout 4)/Nakmor Drack (Mass Effect: Andromeda)

Dagna (Dragon Age: Inquisition)/Terry (Rune Factory 5)

Rolan (Baldur’s Gate 3)/Talos Drellik (Star Wars: The Old Republic)

Shiala (Mass Effect)/Jodi (Stardew Valley)

Tiran Kandros (Mass Effect: Andromeda)/Trickster (Hooked on You)

Arthur Maxson (Fallout 4)/Brassidas (Assassin’s Creed: Odyssey)

Brynjolf (Skyrim)/Briala (Dragon Age: Inquisition)

Mary Christiansen (Dream Daddy)/Chaos (Hades)

Olgierd von Everestu (The Witcher 3)/Wizard (Stardew Valley)

Day Two

Frea (Skyrim)/Rose of Sharon Cassidy (Fallout: New Vegas)

Legion (Mass Effect 2 and 3)/Yuthura Ban (Knights of the Old Republic)

Qyzen Fess (Knights of the Old Republic)/Dammon (Baldur’s Gate 3)

Isobel Thorm (Baldur’s Gate 3)/Athena (Stray Gods)

Sandy (Stardew Valley)/Vincent Valentine (Final Fantasy VII)

Kaelyn the Dove (Neverwinter Nights 2)/Medusa (Stray Gods)

Bao Dur (Knights of the Old Republic)/Evfra (Mass Effect: Andromeda)

Arcade Gannon (Fallout: New Vegas)/Jeremus (Mount and Blade: Warband)

Nyreen Kandros (Mass Effect)/Shale (Dragon Age: Origins)

Urdnot Wrex (Mass Effect Series)/Marnie (Stardew Valley)

Talvas Fathryon (Skyrim)/Nihlus Kryik (Mass Effect)

Cremisius “Krem” Aclassi (Dragon Age: Inquisition)/Gatekeeper (Fire Emblem: Three Houses)

Keldorn (Baldur’s Gate 2)/Lin Fa (Rune Factory 4)

Johnny Silverhand (Cyberpunk 2077)/Veronica Santangelo (Fallout: New Vegas)

Tarquin Victus (Mass Effect 3)/Aveline (Dragon Age 2)

Judith (Fire Emblem: Three Houses)/Varric Tethras (Dragon Age 2/Dragon Age: Inquisition)

Evelyn (Rune Factory 3)/Sagacious Zu (Jade Empire)

Jarun Tann (Mass Effect: Andromeda)/J’Zargo (Skyrim)

Joker (Mass Effect Series)/Vault Tec Rep (Fallout 4)

Eder (Pillars of Eternity 2)/Iorveth (The Witcher 2)

Atris (Knights of the Old Republic 2)/Vernon Roche (The Witcher 2)

Kharjo (Skyrim)/Lambert (The Witcher 3)

Mordin Solus (Mass Effect 2 and 3)/Eskiel (The Witcher 3)

Raphael (Baldur’s Gate 3)/Takemura (Cyberpunk 2077)

Craig Boone (Fallout: New Vegas)/Canderous Ordo (Knights of the Old Republic)

Mira (Knights of the Old Republic 2)/Wistful Deviless (Sunless Sea)

[llunarpotter]

I honestly am getting sick and tired of so much negativity going around now. It's not just the Potterheads adding to the headache, it's the people who only care about complaints. Who gives a flying fuck? Like honestly, all I care about is just enjoying the franchise. I'm not here for stupid ass politics but everyone is making it into politics now. That's not what this fandom is about people. It's about L O V E. Not fucking hate. I don't care what you believe in, I don't take sides, but the side I will take is peace and spreading positive vibes like what this franchise represents. Let's just focus on the wizarding world because THAT'S WHY WE ARE HERE - to escape the real world, is it not?

The hate on each other. Man. It's rough here.

And on that note, it's time to mute more hashtags.

[marine-indie-gal]

Been awhile since I haven't drawn any Tabaluga lately, not since that I've finally got a chance to watch the Kristin Fairlie version online since I first found the Mackenzie Ziegler version from it's Alternate Stupid Title, "Ice Princess Lilly" only to fool a lot of people into thinking it was a Frozen knock-off from a Regular Old Dollar Store. Though it's still not a big surprise from Me for the US to give out some CGI Movie Adaptations of Kids Shows from an Old Decade under their own Cheap Titles like "Here Comes The Grump" to "A Wizard's Tale" and even "The Magic Roundabout" to "Doogal" (seriously, the last one sucked ass. Even though I haven't had a chance to watch the British version, I heard a lot of good things about the OG version of that Other Adaptation much better than how Weinstein butchered it with their own Pop Culture references).

So I had a small talk with my Friend, @djinarocks of how we loved Tabaluga and how that Arktos is one of our Favorite Villains of Musical Theatres (compare to Von Rothbart from "Swan Lake" and even The Mouse King from "The Nutcracker") after I introduced her to this German Franchise.

While that both Me and My Friend love Obscure Media a whole lot, we both ship Tabaluga/Lilli together as a Romeo and Juliet like pairing (since these Two Elemental Kids did reminded Me a lot of that Other Elemental Romeo and Juliet Movie made by Sanrio (not to be confused with the Pixar one that is)). During in one of our conversations, we talked about on how we wondered if Lilli didn't leave Iceland and started her own New Life up in Space if Arktos did raised her and treated her as his own Actual Heir (something as if his own Mother would've liked to have Grandchildren if the Son were to pass the Whole "Dictator" thing to his own Children like a Family Thing).

If you're one of the Fans who both love the Musical and the Show other than the Movie, you'd probably would know that Arktos created Her, only to lure Tabaluga in for exchange of his Fire (in which the 2018 Adaptation did by its own self, but without the Whole "Give Your Own Fire to Me" thing and replace it into having "One Last Hero to be Killed" scenario that made Arktos into a much more Sinister Creepy Dragon Genocidal Monster as an Akin Contrast to the OG Arktos). But since Me and My Friend had this "Thought" if Lilli didn't leave Iceland, what if Arktos had a different way with her? Something like raising a Heir and make them a Future Dictator for your own Country. If anything, that could've had make Lilli give her so much more character other than just a "Love Interest" (akin to the Movie's Lilli as well).

Basically, Arktos creates Lilli through Sculpture (but it goes different than the last one than in the show through a twist), instead of creating a Trap for Dragon Bait, he actually creates Lilli as a single heir of his own so that way she'd beat Tabaluga to rule all over the lands one day. After trying to wind her up with a Wind-Up Key, Arktos thought of a better solution by breathing her into Life to make her Real. He names his own Daughter, "Lilli" because after researching through a Book about Humans, he mispronounced the name "Lilith" (The First Wife of Adam) into "Lilli" and mistaken Her as Eve (Adam's True Wife) (because that's clearly how he created her according to some of the Musical's lore from what I can remember). Although while Tabaluga was deeply in love with Arktos' Humanoid Daughter, Arktos forbid their own love and didn't want to be a Father-In-Law to his own Arch-Nemesis (whose the Son of his First Enemy).

Teaching his own Child everything about Iceland Life, Lilli was somehow fascinated by the World of Greenland and wanted to explore around Other Countries instead invading to in which, She and Her Father have a Huge Conflict about. Unlike the Movie's Lilli, this AU Lilli has more personality than the one in the show of her single appearance; She is more Meek and Shy with a Quiet Personality but is still Curious about the Entire World that she demands to ask a Whole Lot of Questions (even if her Father dares to answer one of them). Despite their own disagreements, Arktos loved his own Daughter deeply similar to how his own Mother passed on her Son's Spoiled Love to Another (even James would still have to be Lilli's own Manny whenever his Penguin Butler would have to keep an eye on her whenever the Father's not around).

When Tabaluga got over his own crush for her after their first meeting, he basically decided on how to teach Lilli to be more "Independent" whenever she'd come and visit Greenland (either with or without her own Father), even with the help of her own Friends. Although that while most of the Greenlanders didn't like Lilli at first, the Ice Princess then expand more of her Kindness to her Surroundings as throughout her own Arc between Seasons 2-3, She and Tabaluga develop more of their Romance (instead of having a Rushed One). After the Frozen Defeat of Arktos, Lilli then decides for her own life that it is best to join her own Boyfriend and become the Rulers of both their own Lands after a Long Journey ahead of having Each of The Four Seasons be released every year as they start their own New Life together, thus, ending their own Families' hate feud.

I've probably should've had put this in my version of Tabaluga but oh well, at least this is probably from a Simple AU where if Lilli did had more Character than just being the Main Character's Love Interest. 🤷‍♀️

BTW, when I finally got a chance to watch the First English Dub Movie online, I was so Happy that I got a chance to seeing the Scene where Tabaluga and Lilli sing their own Love for Each Other from one of the Musicals and let me tell you it was sooooooo Adorable to see Tabaluga and Lilli's love for each other, which makes my Love for the Both of Them even more 🥰

And while that I still haven't checked out the Rest of the Musicals and their Songs (since I still can't understand German as Someone who wishes to learn more about Any Foreign Language for the Same Person who watches Foreign Cartoons all the time), I did try out the Original versions for "Devil In White" and "I'm Feeling You" as I still need to practice more of my own Tabaluga homework. XP

I was also afraid on how I would deal with my own first time drawing with Canon Arktos after doing my own version of Him (since his Left Arm was a bit hard for Me), but I think I nailed it after trying to draw out their own Canon Designs from the Franchise.

Arktos and Lilli (c)��Peter Maffay, Rolf Zuckowski, and Gregor Rottschalk.

[impassioned-ships]

i really hate that i always go through these feelings of profound self discovery and self love and its always without fail through noticing soemthing about these stupid glup shittos from this stupid baka space wizard franchise

[themushroomgoesyeet]

Questions about wizarding world building: what happens in the other wizarding schools and why aren't there more of them

Shhhhhh this post isn't a day late & I definitely didn't forget to do it

What with the - somewhat - recent releases of the fantastic beasts movies, I feel like there's been a bit of a hype about wizarding schools in other countries, specifically Ilvermourney (I really hope I spelled that right) in America. As we all know, there was a brief period of time where you could get sorted into Ilvermourney houses on the official website and read some lore tidbits about the school, but realistically we don't really know much about what goes on there.

Nor do we know anything about Beubaxtons (France why do you spell like this) or Durmstrang, or any of the other wizarding schools throughout the world. Seeing as there's at least one book in this franchise where information like that is fairly relevant, I honestly feel like we got cheated on this subject.

How do the other schools teach their kids? What do they look like? Why don't they have any exchange programs? And yes, I realize that question may be kinda stupid bc many schools don't have exchange programs, but since there seems to be a significantly smaller number of wizarding schools I think that question is still justified.

Speaking of, why are there so few schools? One school for the entire UK I can understand since it's roughly the size of Utah state, but one school for the entire US? or the entirety of France? France May still be smaller than the US, but that doesn't negate how huge it is compared to the UK. To be fair, we don't know that each of these countries have only one school, but at this point I would not be surprised if that were the case. You simply cannot assign one school to the US, it's so ridiculous and impractical! At the very very least, we would need maybe seven big schools across the country based on the size of wizarding populations in the US and really how willing you are to stretch this thing out, but it would be even more practical to have at least one school for every state.

It also sounds to me like there are different learning rates for different schools - or at least between Hogwarts and Ilvermourney (seriously? You wrote a whole ass book about two other schools but the school that gets name dropped exactly once in the first FB movie is the one that gets the spotlight?) - I remember reading on the official site that Ilvermourney kids start at a much younger age than the Hogwarts kids - I might be remembering wrong but I'm pretty sure it was kindergarten age (5-6 years for those who don't know), which means that the Ilvermourney kids would progress a lot sooner and faster than the ones at Hogwarts; if these schools did to exchange programs it would be very annoying for both parties bc the Americans have to relearn stuff they already know & the British kids have to try and catch up ons things that would normally be considered "too advanced" for them (advanced my ass, if Harry Potter, the dumbass who lived, can master a patronus in third grade then so can the rest of his peers)

[jellogram]

Today on "Things about harry potter that suck but not enough people talk about" I need to rant about quidditch. That's a stupid fucking sport. The rules are stupid. It is literally just a battle between two people to catch the snitch and everything else is pointless. And because it all depends on the snitch, the game can literally end five minutes after starting.

I paid $106 to see the Warriors play the Clippers. If the game ended after five minutes because Steph Curry happened to make an early half-court shot, I'd be pissed.

How do they sell tickets to these things when it might only last a few minutes? How do you schedule play-offs when the games could be five minutes or five hours? Why are the rest of the players taking bowling balls to the face for points that won't mean anything the second someone grabs the snitch? The only reason this passed as a legitimate sport among franchise fans is because none of them have watched or played an actual sport in their lives.

All of the magic and mystique and creativity in this universe and this was the best she could come up with? Jowling Kowling Rowling can't even use the "it wasn't relevant to Harry's journey" excuse on this one because it very much was.

And can we just, for a moment, reflect on the fact that JKR, good ole bitch ass terf JKR, who believes trans girls shouldn't be allowed on girls teams, made the sole sport in her universe fucking CO-ED.

Also why is it the only sport? The most popular sport in the wizarding world doesn't even involve any magic, aside from broomsticks? No spells or wands? And you're telling me that none of these British kids watch muggle football?

It's fucking STUPID and it has bothered me ever since I was a small child reading the books. It makes no sense as a sport and I hate it. Thanks for coming to my ted talk.

[ptbf2002]

Everyone Hates Miraculous Tales Of LadyBug And Cat Noir

because of that shit, i stopped watching Disney Channel nowadays, proving that miraculous became Disney Chamberlain Cash Grabbing Machine. Marinette is the Mary Sue in this show. miraculous ladybug is keeps on milking the show all over again. it's also like Star Vs. The Forces Of Evil, which was fallen apart and turned into a romantic drama. because of only focusing on Star Butterfly And Marco Diaz. over a stupid Starco. Starco now became my guilty pleasure. i mean seriously?! what in the name of Mickey Mouse is going, airing Miraculous all over again?! this is ridiculous! Disney Channel was like a masterpiece that made a lot of great shows, such as, The Replacements, American Dragon: Jake Long, Recess, Kim Possible, Lilo And Stitch, House Of Mouse, Phineas And Ferb, Kick Buttowski and etc. even great live-action shows like The Suite Like Of Zack And Cody, Jonas, The wizards of waverly place, zeek and luther, aaron stone, K.C Undercover, and others. and now it's nothing but filling up Disney Channel with stupid Miraculous shit. this is why i stopped watching Disney Channel nowadays, and this is why i should move to Disney XD since i want to watch good Disney shows, or watch Disney+. i mean why would Disney has acquired Mediawan and The ZAG franchise, i almost feel embarassed

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Credit Goes To @Tagirovo

SpongeBob SquarePants Belongs To Stephen Hillenburg, Rough Draft Studios, Inc. Carbunkle Cartoons, SEK Animation Studio, Wang Film Productions Co., Ltd. Rough Draft Korea Co., Ltd. United Plankton Pictures Inc. Joe Murray Productions Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Mickey Mouse (2013) Belongs To Walt Disney, Ub Iwerks, Paul Rudish, Mercury Filmworks, Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

The Looney Tunes Show Belongs To Leon Schlesinger, Hugh Harman, Rudolf Ising, Sam Register, Spike Brandt, Tony Cervone, Yearim Productions Co., Ltd. Toon City Animation Inc. Lotto Animation, Inc. Rough Draft Korea Co., Ltd. Crew 972 Ltd. Warner Bros. Animation Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Oggy and the Cockroaches Belongs To Jean-Yves Raimbaud, Big Star Enterprise, Armada TMT, Digital Emation, Inc. Neon Pumpkin, DongWoo Animation Co. Ltd. Gaumont Multimedia, The Gaumont Film Company, Xilam Animation, France 3, France Télévisions S.A. CANAL+ Family, CANAL+ S.A. Groupe CANAL+ S.A. Vivendi SE, Gulli, Canal J, Metropole Télévision S.A. And Groupe M6

The Simpsons Belongs To Matt Groening, Anivision, DR Movie, Film Roman, LLC Hanho Heung-Up Company, Klasky-Csupo, Inc. Rough Draft Korea Co., Ltd. Toon Boom Animation, Toonzone Entertainment, Wild Horse Animation Group, Gracie Films, 20th Television Animation, 20th Television, Disney Television Studios, Disney General Entertainment Content, Disney Entertainment, FOX Broadcasting Company, FOX Entertainment, FOX Corporation, And The Walt Disney Company

The New Woody Woodpecker Show Belongs To Walter Lantz, Bob Jaques, Kelly Armstrong, Big Star Enterprise, Inc. Studio B Productions, Inc. DHX Media Vancouver, WildBrain Studios, DHX Media, Ltd. WildBrain Ltd. Duck Soup Studios, Mercury Filmworks, Sunwoo & Company Co., Ltd. Walter Lantz Productions, Universal Cartoon Studios, Universal Animation Studios LLC, Universal Television LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, And Comcast Corporation

Pink Panther and Pals Belongs To Blake Edwards, Maurice Richlin, David H. DePatie, Friz Freleng, Toon City Animation, Inc. DQ Entertainment Animation Studio, DQ Entertainment International Limited, Desert Panther Productions, Mirish-Geoffrey-DePatie-Freleng, Rubicon Studios, Rubicon Group Holding, MGM Worldwide Television Distribution, MGM Television, Metro-Goldwyn-Mayer Studios, Inc. MGM Holdings, Inc. Amazon MGM Studios, Amazon, Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Entertainment Inc. WarnerMedia And Warner Bros. Discovery, Inc.

Hilda Belongs To Luke Pearson, Mercury Filmworks, Atomic Cartoons Inc. Thunderbird Entertainment Group Inc. Nobrow Press, Flying Eye Books, Silvergate Media Limited, Sony Pictures Television Kids, Sony Pictures Television Studios, Sony Pictures Television Inc. Sony Pictures Entertainment Inc. Sony Entertainment, Inc. Sony Corporation of America, Sony Group Corporation, And Netflix, Inc.

Animaniacs (2020 Reboot) Belongs To Tom Ruegger, Wellesley Wild, Steven Spielberg, Digital eMation, Inc. Saerom Animation, Inc. Snipple Animation Studios, Tiger Animation, Titmouse Animation, Inc. Tonic DNA Animation, Toon City Animation, Inc. Yowza! Animation, Giant Ant Animation, Studio Yotta, Birdo Studio, Flystudio, Screen Novelties, Amblin Television, Amblin Entertainment, Inc. Amblin Partners, LLC. Warner Bros. Animation Inc. Hulu, LLC. Disney Streaming, Disney Entertainment, The Walt Disney Company, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Danger Mouse (2015 TV series) Belongs To Brian Cosgrove, Mark Hall, Cosgrove Hall Fitzpatrick Entertainment, CHF Entertainment, FremantleMedia Kids & Family Entertainment, Fremantle Limited, Boulder Media Limited, Boat Rocker Media Inc. CBBC Production, Windmill Lane Studios, CBBC, BBC Television, BBC Worldwide Ltd. BBC Studios Ltd. And British Broadcasting Corporation (BBC)

Trolls The Beat Goes On! Belongs To Jonathan Aibel, Glenn Berger, Erica Rivinoja, Matthew Beans, Hannah Friedman, Sam Friedman, Digital emation, Inc. NE4U, Inc. DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, Comcast Corporation And Netflix Inc.

The Loud House Belongs To Chris Savino, Jam Filled Entertainment, Boat Rocker Media Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

The Casagrandes Belongs To Chris Savino, Michael Rubiner, Miguel Puga, Jam Filled Entertainment, Boat Rocker Media Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Magiki Belongs To Eryk Casemiro, Cyril Deydier, Pegbar Animation, Animasia Studio, Rainbow S.P.A. Paramount Media Networks, Inc. Paramount Global, DeAgostini Publishing Italy S.P.A. DeAgostini Editore S.P.A. DeAKids, DeA Junior, DeAgostini S.P.A. DeAPlaneta Kids And Family, DeAPlaneta Entertainment, Télé Images Productions, Zodiak Kids Studios France, Zodiak Kids & Family, Banijay Kids & Family, Banijay Entertainment S.A. Banijay Group N.V. Ketchup TV, KidsMe S.R.L. Gulli, TiJi, Metropole Télévision S.A. Groupe M6, Frisbee, Switchover Media, Discovery Italia S.R.L. Discovery Networks Italia, Discovery Networks EMEA, Discovery Networks International, Discovery, Inc. And Warner Bros. Discovery, Inc.

Amphibia Belongs To Matt Braly, Saerom Animation, Inc. Sunmin Image Pictures Co., Ltd. Sugarcube Animation Studio, Rough Draft Korea Co., Ltd. Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Harvey Street Kids/Harvey Girls Forever! Belongs To Alfred Harvey, Emily Brundige, Dave Enterprises, Digital Emation, Inc. NE4U, Inc. The Harvey Entertainment Company, Classic Media, LLC, DreamWorks Classics, DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, Comcast Corporation And Netflix Inc.

South Park Belongs To Trey Parker, Matt Stone, Bardel Entertainment, Inc. Titmouse Canada Animation Inc. Titmouse, Inc. Celluloid Studios, Braniff Productions, Parker-Stone Productions, South Park Studios, MTV Entertainment Studios, Comedy Central, Comedy Partners, MTV Entertainment Group, Paramount+, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Paramount Streaming And Paramount Global

Rise of the Teenage Mutant Ninja Turtles Belongs To Kevin Eastman, Peter Laird, Andy Suriano, Ant Ward, Digitoonz Media & Entertainment Pvt. Ltd. Flying Bark Productions Pty. Ltd. Studio 100 N.V. Mirage Studios, Image Comics, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Atomic Betty Belongs To Trevor Bentley, Mauro Casalese, Rob Davies, Olaf Miller, 2 Minutes Animation, Hong Guang Animation (Su Zhou), Caribara, Atomic Cartoons Inc. Thunderbird Entertainment Group Inc. Breakthrough Entertainment, Télé Images Kids, Télé Images Productions, Marathon Media, Marathon Animation, Marathon Productions, Marathon Media Group, Zodiak Kids, Zodiak Kids Studios France, Zodiak Kids & Family, Banijay Kids & Family, Banijay S.A. TELETOON, TELETOON Canada, Inc. Corus Entertainment Inc. M6 (TV channel), Metropole Télévision S.A. Groupe M6, TÉLÉTOON+, CANAL+ S.A. Groupe CANAL+ S.A. Vivendi SE, Phil Roman Entertainment, Breakthrough Distribution, Cartoon Network, The Cartoon Network, Inc. Turner Broadcasting System, Inc. WarnerMedia Entertainment, WarnerMedia Studios & Networks, Warner Bros. Entertainment Inc. WarnerMedia, AT&T Inc. The Hub, Hub Network, Discovery Family, Hasbro Entertainment, Hasbro, Inc. Discovery Networks U.S. Discovery Networks International, Discovery, Inc. And Warner Bros. Discovery, Inc.

The Owl House Belongs To Dana Terrace, Sunmin Image Pictures Co., Ltd. Sugarcube Animation Studio, Rough Draft Korea Co., Ltd. Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Sonic Prime Belongs To Yuji Naka, Naoto Ohshima, Hirokazu Yasuhara, Joe Kelly, Joe Casey, Duncan Rouleau, Steven T. Seagle, Jam Filled Entertainment, Boat Rocker Media Inc. Flixzilla Aura, Sonic Team, SEGA of America, SEGA Corporation, SEGA Sammy Holdings Inc. Man of Action Entertainment, WildBrain Studios, WildBrain Ltd. Netflix Animation Studios, Netflix Worldwide Entertainment, LLC, And Netflix, Inc.

Cleopatra in Space (TV series) Belongs To Doug Langdale, Fitzy Fitzmaurice, Titmouse, Inc. Inspidea Sdn. Bhd. Digitoonz Media & Entertainment Pvt. Ltd. DreamWorks Animation Television, DreamWorks Animation LLC, Hulu, LLC. Disney Streaming, Disney Entertainment, The Walt Disney Company, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, And Comcast Corporation

Avatar: The Last Airbender Belongs To Michael Dante DiMartino, Bryan Konietzko, DR Movie Co., Ltd. JM Animation Co., Ltd. MOI Animation, Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Paramount+ Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. Paramount Streaming, And Paramount Global

The Legend of Korra Belongs To Michael Dante DiMartino, Bryan Konietzko, Studio Mir Co., Ltd. Pierrot Co., Ltd. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

The Curse of Molly McGee/The Ghost and Molly McGee Belongs To Bill Motz, Bob Roth, Mercury Filmworks, Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

The Proud Family: Louder and Prouder Belongs To Bruce W. Smith, Ralph Farquhar, Snipple Animation Studios, WildBrain Studios, WildBrain Ltd. Bar Productions, Disney Television Animation, Disney+, Disney Streaming, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Hazbin Hotel Belongs To Vivienne Medrano, Bento Box Animation, Princess Pictures, SpindleHorse Toons, Bento Box Entertainment, FOX Entertainment, FOX Corporation, A24 Television, A24 Films LLC, Amazon Prime Video, Amazon MGM Studios, Amazon Content Services, LLC, And Amazon, Inc.

Unikitty! Belongs To Phil Lord, Christopher Miller, Ed Skudder, Lynn Wang, Renegade Animation, Snipple Animation Studios, Rideback, Lord Miller Productions, VERTIGO Entertainment, LEGO System A/S, Warner Bros. Animation Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, HBO Max, WarnerMedia Direct, LLC. Warner Bros. Discovery Global Streaming and Interactive Entertainment, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Star vs the Forces of Evil Belongs To Daron Nefcy, Mercury Filmworks Toon City Animation, Inc. Rough Draft Korea Co, Ltd. Sugarcube Animation, Disney Television Animation, Disney Channel, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Rocko's Modern Life Belongs To Joe Murray, Animal-Ya, Klasky-Csupo, Inc. Pacific Rim Productions, Inc. Rough Draft Korea Co., Ltd. Wang Film Productions Co., Ltd. Sunwoo Entertainment, Co., Ltd. Shanghai Rainbow Animation Tama Production, Wang Film Productions Company, Joe Murray Productions Inc. Games Animation Inc. Nickelodeon Animation Studio, Nickelodeon, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Angry Birds: Summer Madness Belongs To Rob Doherty, Scott Sonneborn, Yowza! Animation, Kickstart Entertainment, CAKE Entertainment Ltd. Rovio Animation, Ltd. Rovio Entertainment Corporation, SEGA Corporation, SEGA Sammy Holdings Inc. Sony Pictures Television Studios, Sony Pictures Television Inc. Sony Pictures Entertainment Inc. Sony Entertainment, Inc. Sony Corporation of America, Sony Group Corporation, And Netflix, Inc.

Moon Girl and Devil Dinosaur Belongs To Brandon Montclare, Amy Reeder, Natacha Bustos, Jack Kirby, Steve Loter, Jeffrey M. Howard, Kate Kondell, Flying Bark Productions Pty. Ltd. Studio 100 N.V. Cinema Gypsy Productions, MARVEL Animation, Inc. MARVEL Television, MARVEL Studios, LLC, MARVEL Entertainment, LLC, Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Family Guy Belongs To Seth MacFarlane, Digital eMation, Inc. Film Roman, LLC, CNK International, Grimsaem Animation Co. Ltd. Sunwoo Entertainment, Co., Ltd. Rough Draft Korea Co., Ltd. Rough Draft Studios, Inc. Toon Boom Animation Inc. Yeson Entertainment, Yearim Productions Co., Ltd. Fuzzy Door Productions, Inc. 20th Television Animation, 20th Television, Disney Television Studios, Disney General Entertainment Content, Disney Entertainment, FOX Broadcasting Company, FOX Entertainment, FOX Corporation, And The Walt Disney Company

Teen Titans Belongs To Bob Haney, Bruno Premiani, Glen Murakami, David Slack, Sam Register, MOI Animation Co., Ltd. Lotto Animation, Inc. DongWoo Animation Co. Ltd. DC Comics, Inc. DC Studios, DC Entertainment, Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

My Life as a Teenage Robot Belongs To Rob Renzetti, Rough Draft Studios, Inc. Frederator Studios, Frederator Networks, Inc. WOW! Unlimited Media Inc. Kartoon Studios, Inc. Nelvana Limited, Corus Entertainment Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Ninjago Belongs To Thomas Sørensen, Tommy Andreasen, Thomas Kristensen, Simon Lucas, Nelson LaMonica, Menelaos Florides, William Stahl, Scott Godon-Decoteau, Maarten Simons, Michael Svane Knap, Toby Dutkiewicz, Brian Nielsen, Lars Danielsen, Tommy Kalmar, Cerim Manovi, Robert May, Heidi Rathschau Nielsen, Kevin Burke, Chris "Doc" Wyatt, LEGO System A/S, WILFilm ApS, WildBrain Studios, WildBrain Ltd. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Lego Monkie Kid Belongs To Simon Lucas, LEGO System A/S, Flying Bark Productions Pty. Ltd. Studio 100 N.V. WildBrain Studios, WildBrain Ltd. Tencent Video, Tencent Holdings Ltd. Youku Tudou Inc. Alibaba Group Holding Limited, iQIYI, Baidu, Inc. 9Go! Nine Network, Nine Entertainment Co. Holdings Limited, Cartoon Network (Australia & New Zealand), Discovery NZ Limited, Turner Broadcasting System Asia Pacific, WarnerMedia Entertainment Networks Asia Pacific, Turner Broadcasting System International, WarnerMedia International, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Kung Fu Panda: The Dragon Knight Belongs To Mitch Watson, Peter Hastings, Technicolor Animation Productions, Mikros Animation, Dave Enterprises, Stellar Creative Labs, 88 Pictures, DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, Comcast Corporation And Netflix Inc.

Hailey's On It! Belongs To Devin Bunje, Nick Stanton, Saerom Animation, Inc. Rough Draft Korea Co., Ltd. Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Bravest Warriors Belongs To Pendleton Ward, Breehn Burns, Will McRobb, Chris Viscardi, Portfolio Animation, Portfolio Entertainment Inc. 9 Story Media Group Inc. Frederator Studios, Frederator Networks, Inc. WOW! Unlimited Media Inc. Kartoon Studios, Inc. Nelvana Limited, Corus Entertainment Inc. YouTube Studio, YouTube, Google LLC, Alphabet Inc. TELETOON, TELETOON Canada, Inc. VRV, Crunchyroll, LLC, Aniplex, Inc. Sony Music Entertainment (Japan) Inc. Sony Group Corporation, Disney XD (Canada), Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, The Walt Disney Company Cartoon Network (Japan), Discovery Japan, Turner Broadcasting System Asia Pacific, WarnerMedia Entertainment Networks Asia Pacific, Turner Broadcasting System International, WarnerMedia International, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.