#studio yotta

[smbhax]

The entire Sonic Mania intro as an animated GIF = P

[ben-miller-art]

Smiling Friend’s post looking for character designers seems to have turned into a lil contest over on twitter, so I had to take a swing at it. Here’s a lineup of some ass-ugly friends.

[supercalloutfragilistic]

Studio Yotta is full of pedophilia sympathizers who are friends with a childpornographer

The owners of Studio Yotta, a company who works on cartoons aimed at children, are friends with a childpornographer nicknamed Shadbase.

In short, Shadbase doesn't just draw porn of fictional kids, he draws real children being raped and violently tortured and has gotten in legal trouble because of this. Anyone who would spare a friendly thought to an adult man who does this are themselves morally depraved and do not belong anywhere near children's media.

Imagine if this man earned money by drawing porn of your own child being raped and tortured while getting pissed on? Would you support people who choose to still be friends with a pedophile who did that to your kid?

We stumbled on a Tumblr post from years ago pointing out that Yotta's official twitter follows Shadbase. Hover over the post and you'll see "posted 5 years ago":

https://bitchydiscourse.tumblr.com/post/168557592469/follower-master-post

Archive in case proof is deleted (though hovering doesn't work here):

http://archive.fo/u76oM

Yotta unfollowed him some time after this post was made, assuredly not for moral reasons since Yotta's founder, Jake Ganz, still follows Shadbase on his personal twitter at the moment of writing.

[NOTE: Moment of writing was over a year ago, this article has not been published until now, so it's possible he has unfollowed Shadbase.]

Imagine how fucked up a company that makes media aimed at kids must be to publicly follow a child pornographer on their official twitter in the first place. It's like if Disney's twitter followed Epstein.

As if it wasn't enough that the studio's founder followed this pedophile, here's Yotta co-owner its_helixD being friends with Shadbase:

http://archive.is/lJ9ix

http://archive.fo/5uLZq

http://archive.fo/ULqN8

http://archive.fo/J15CQ

http://archive.fo/ozpgg

http://archive.fo/Qh3G0

http://archive.fo/SnnIo

http://archive.fo/k8G9P

http://archive.fo/KL1zb

http://archive.fo/ogGbU

http://archive.fo/e1cTi

http://archive.fo/EExiE

http://archive.fo/h9bVn

http://archive.fo/kevWL

http://archive.fo/lhaXs

http://archive.fo/cC9Ny

http://archive.fo/LMU6M

http://archive.fo/S5ybD

http://archive.fo/WdxdI

http://archive.fo/oYQE9

http://archive.fo/DSPTd

http://archive.fo/s9uHV

http://archive.fo/I58WG

Other Yotta co-owner tomamoto, real name Josh Tomar, being friendly with Shadbase as well:

http://archive.fo/D86oL

http://archive.fo/4O5OO

The co-owner's (tomamoto's) wife and Yotta's lead clean up artist jaxamoto, real name Christina Tomar, being friends with Shadbase:

http://archive.fo/zFJhD

http://archive.fo/oWn6l

http://archive.fo/q1H7J

http://archive.fo/GFDh8

http://archive.fo/8ohIS

http://archive.fo/y4g8V

http://archive.fo/0MVzF

http://archive.fo/DeVbH

Yotta artist Blitzwuff, real name Christina Danelon, flirting and being friendly with this child pornographer. Calling him "dad" and "hot":

http://archive.fo/pH5vM

http://archive.fo/IMIMC

http://archive.fo/leIoE

http://archive.fo/ppmrq

http://archive.fo/dkDa5

http://archive.fo/ixWey

http://archive.fo/7OA3g

http://archive.fo/W5fRY

http://archive.fo/AzUuH

http://archive.fo/2iyVr

http://archive.fo/nswdF

http://archive.fo/N8vDI

http://archive.fo/gTO49

Here she is mocking people for calling Shadman a Nazi, when that is how he chooses to present himself:

This woman is unironically calling a child pornographer hot on the same account that she uses to advertise her work on Disney shows.

Imagine if one of Disney's classic animators like Glen Keane had twitter posts up about how unironically "HOT" "DADDY" EPSTEIN is, you can't imagine that would ever happen, it's too absurd, but apparently Disney's modern animators are just this kind of gutter trash.

(To any of you "drawing lolicon isn't the same as producing child porn" shitheads, it definitely is when the child rape drawings are based directly on real children whose families get so upset they hire lawyers to go after the pedophile producing them.)

Yotta animator Sandra D Rivas being friendly with this pedophile:

http://archive.fo/8ax1u

http://archive.fo/xNSqQ

http://archive.fo/afR2S

http://archive.fo/ZwwRA

Yotta animator AtroxChobatsu complimenting Shadbase on his house. Did she actually visit the home of this child pornographer in person? WTF?

http://archive.fo/ifCXp

It bears mention that any excuses from Shad's friends along the lines of "Shad wasn't a gross pedophile in the past when I started being friends with him" are bullshit. Drawing torture porn of kids has been Shadbase's brand ever since he first started, as can be proven by his decades old kiddie snuff porn of "The World Ends With You", see evidence of it in the original Shadman callout.

Similarily, any excuses that "he's a nice guy if you ignore the whole producing childporn thing" are bullshit too (not to mention you'd have to be insane to ignore that part of him), Shadbase frequently uses slurs like "nigger" and "spic", his avatar used to be a Nazi and he draws Nazi porn, he publicly harasses and mocks disabled children, and most telling about the sort of person he is...

When an animator named Edd Gould died of cancer Shadbase drew and shared rape porn of him while the family and friends of Edd were still in mourning, before they even had time for a funeral, just to harass them. When he was blocked by the animator's friend on twitter for this, Shadbase and his fans continued harassing him until the guy unblocked him just to get Shad's whiny ass to fuck off. Somehow, despite all this, Shad's braindead fans are still convinced he's a nice guy.

Another revolting thing is that Yotta hired yet another pedophile who has drawn toddler porn and produced what legally may fall under real child pornography, to work on a Cartoon Network show. That pedophile uses the nickname Zone.

Proof Zone worked on the Cartoon Network show Ok Ko, on one of the shorts Yotta made for the show:

https://archive.is/HvIxe

Proof Zone has drawn toddler porn of Rugrats and childporn of other kids like Lisa Simpson:

https://supercalloutfragilistic.tumblr.com/post/712594446547648512/zone-used-a-real-childs-voice-in-his-pedophile

The worst is that Zone took the voice of a real child and used it in one of his drawn childporn videos depicting the 12 year old Toph from Avatar sucking the dick of another kid. Toph's voice actress was a kid when she acted in the show. Zone remixed this child's voice to sound like she was saying sexual things and sucking cock, just so adult men could masturbate over her voice. This would likely legally be considered real childporn. Yotta hired the man who produced this childporn to work in children's television.

Here's Yotta using their official twitter to thank Shadbase's business partner and fellow drawn childporn producer Spazkid for drawing them porn:

http://archive.fo/THp7y

The porn Yotta is thanking him for and Yotta's owner Jake Ganz commenting on it:

http://archive.fo/ImCNy

http://archive.fo/Ug6Na

This (probably?) isn't porn of a child but it's still notable for how creepy it is that they used Yotta's official twitter to thank Shadbase's business partner who also draws childporn and bestiality for it. Spazkid earns money by putting his porn on Shadbase and he draws shit like children engaging in incest with their parents and kids fucking dogs.

Spazkid seems to be good friends with Jake Ganz despite being a pedophile who draws kiddie porn, at the moment of writing he's one of Jake's favorite people on his Newgrounds page:

https://jakeganz.newgrounds.com/favorites/following/sort/name

These connections Yotta have with a childpornographer are unsurprising, as it seems the owners of the studio also work for the youtuber OneyNG, real name Chris O'Neill, producing merchandise for him and participating in his videos. OneyNG has publicly declared he is completely okay with adult men drawing rape porn of real children, when confronted over his support of Shadbase.

Parents, these are the people making stories for your children.

These are people working for Disney and Cartoon Network while being friendly with childpornographers. If they become showrunners these are the people your children are going to idolize and want to meet, and who your children are going to be influenced by.

Do you want your ten year old thinking adults making porn of children is alright because "cool" cartoonist Chris O'Neill said so? Do you want Disney animator Christina Danelon telling your kids that adults who make rape porn of children are "hot"?

Be aware of the sort of people whose careers you are furthering when you pay for media. Piracy is always a possibility if you want to enjoy something without supporting the gross people behind it. Here's a list of things Yotta's members proudly announce they work on:

https://en.wikipedia.org/wiki/Studio_Yotta

Before the inevitable "cancel culture is going too far" screeching comes from Yotta fans and employees over this post, as it always does when gross people get called out, let's point out that the Yotta crew themselves engage in "cancel culture". Yotta employees "cancelled" the streamer Destiny just because he said animators were privileged over construction workers (Destiny has said lots of gross pedo shit too but that isn't why they got angry at him).

Yotta founder Jake Ganz suddenly thinks rape jokes are problematic when someone he doesn't like made them in the past, despite him and his animation crew following a pedophile who draws child rape porn:

http://archive.fo/L3Bpx

Yotta animator AtroxChobatsu telling people to archive a clip of Destiny telling pedophilia supporter Psychicpebbles (another friend of Shad) to off himself, assuredly to spread it in an attempt to call out and ruin Destiny's career going by the ominous "He's done.", with Sandra D Rivas chiming in on how problematic Destiny's privilege comment was.

http://archive.fo/ARhTa

What fucking world do these people live in where saying "off yourself" and "animators earn too much compared to blue collar workers" is worse than producing childporn? (Also gotta agree that animators earn too much considering how many of them are ok with kiddie porn.)

Jaxamoto calling out Destiny for being a "HUGE FUCKING CREEPO GROSS EW" while still palling around with childporn producer Shadbase:

http://archive.is/CUQrs

Note she's also slyly (by spreading this info while telling people you shouldn't say it) making callout posts on Destiny for supporting pedophilia, rape, bestiality, incest- oh, Christina, you mean, LIKE YOUR BUDDY SHAD?

Hey Tomamoto and Jaxamoto, Josh and Christina, if you two have a child, would you still be friends with Shad if he drew porn of your kid getting raped by dogs and dirty old pedos while sucking their assholes? Just wondering, just a bit concerned here, seeing how you don't give a damn when he does it to other people's kids 🤔

Btw here’s what these people look like so you know who to avoid, public info, taken from the Sonic Wiki:

The point here isn't for us to defend Destiny, he's a legitimately creepy pedo sympathizer who deserves to be called out. Point is the Yotta crew is perfectly okay with engaging in "cancel culture" if you piss them off in a minor way like by saying animators don't deserve loads of money, they'll drag up comments you've made in the past, archive things, and will try ruining your career over it, calling you out if you've showed sympathy to pedophilia.

So... the point we’re making here is that people who are friends with childpornographers shouldn't be supported.

[dennistamayo]

I didn’t let hand-drawn animation die for good

With Snipple Animation in Quezon City, Metro Manila, Philippines being the main animation studio for my future projects, I will use 8 additional animation studios. Double Plus Productions & Renegade Animation in Glendale, California, Creative Capers Entertainment in Altadena, California, Studio Yotta in Vancouver, Washington, Tonic DNA in Montreal, Canada, Yowza! Animation in Toronto, Canada, Titmouse, Inc. in Vancouver, Canada & Brazen Animation in Richardson, Texas. Oh! & one more thing, Toon City in Manila don’t do overseas animation work for Cartoon Network shows ether.

[curzec]

Got the OK to share my roughs for the Craig Before The Creek movie! Had a blast working on these. Big thanks to Studio Yotta for having me!

[evanwhosjusthere]

Video Game Artist Spotlight: Tyson Hesse

Tyson Hesse is an American artist and illustrator mostly known for his work on SEGA's Sonic the Hedgehog franchise. Born in 1984, Hesse would start making webcomics around the mid-2000's. One of these comics titled "Sonic’s Big Fat Adventure" would go viral. Leading him to be hired by Archie Comics and becoming an official artist on the Sonic The Hedgehog comic. He would later serve as the animation director for Sonic Mania's opening animation working alongside Studio Yotta. He would later be involved in future Sonic multimedia projects like Sonic Mania Adventures, Team Sonic Racing Overdrive, Sonic Frontiers Prologue: Divergence, and the IDW Sonic comics. He was also responsible for redesigning Sonic for the 2020 live-action animation hybrid adaptation of "Sonic The Hedgehog" after the original design received massive backlash. Leading to him becoming a producer and character designer for it's subsequent films.

Tyson Hesse is a perfect example of a fan hitting the big time and becoming an essential part of what they love. SEGA has become well known for nurturing their fans and encouraging their creativity.

Tyson's Social Media:

Twitter, Tumblr, Instagram.

Titles Worked On (Gaming Titles Only)

Skullgirls (2012) - Animator

Namco High (2013) - Character Artist

Sonic Mania (2017) - Animation Director, Producer, Director, Art Director, Storyboard, Animation Lead

Dream Daddy: A Dad Dating Simulator (2017) - Pinup Artists

Sonic Origins (2022) - Director (for intro animation)

Sonic Dream Team (2023) - Director (for intro animation)

[masonic-critical]

x - Double Toasted Interview Pre-Helluva Boss Prouction

Seeing vivzie flub her numbers and mouth over her """team""" within this video is very telling.

"40 or 50 people or so I think i would have to check and make sure on discord--we have sorta 10-ish people in my core team with my animators. I'm a main compositor with my friend while my background artist and cleanup team of 15 or so is just so-big it's so Huge its so large! We have so many people working on this project and just handling with so many key components over backgrounds and key framing the lip syncs, my background artists doing so much work. I feel like and hope people will really stay on"

Interviewee Joke: 'Oh how many animators do I have [again], no-oh god no!!!'

It's insane to think Helluva Boss has over 80+ animation credits which is definitely not a good thing. It's one thing in industry to have a large studio but it's another thing of collaborating artists coming and going to work on an ongoing series is not a good thing to flaunt. Even if your show has won two independent animation awards you should take pride over producing to actually make something good instead of flaunting the fact that you acknowledge the bare minimum of abuse, rape, misogyny, supremacy, classism, sexism, or gender critical writing fails face first in every episode.

Her favorite movies being Cat's Don't Dance/Who Framed Roger Rabbit and referencing BoJack Horseman even referencing that they anthropomorphize their themes being prejudice and STORYTELLING DEVICES, so what story is Helluva Boss even telling right now???? She claimed to even want to write about dark themes and mature adult topics about prejudice and yet has nothing to show for it after 6 years of nothing burger that is Helluva Boss and Hazbin Production :/

She fully admits that patreon and merch hauls fund hazbin/helluva production and that she fully handles the patreon money herself she budgets to push towards 'Hazbin' to 'Pay her small team'. She wanted to try to promote a Kickstarter over the pilot pre-A24 pickup before she made it big-time which is weird to hear when she didn't even have hazbin finished while boarding out 4 episodes of helluva bosses' first season. Even if it was supposed to allegedly be a 1 season show only. It's weird to try to discern which show she's trying to elaborate/talk about which one.

X - Evidence of the promotional videos for Helluva Boss/Hazbin. Strangely enough it has always been together instead of separated meaning she was attempting to garner hype for her series through Helluva Boss Merchandising and attempting to cyphen even more money over small Hazbin merchandising.

X - Here is Vivs' patreon promo earlier before the Hazbin pilot. Discussing how much she wanted to have a bigger budget at the time to fund her animation. Talks about Zoophobia Reboot and there has never been discussion since. Originally charged 10$ for private qna's. 50$ for discord access calls, unsure if this is still a Patreon feature. Also unsure over the 100$/500$ speeddraw commissions she promo'd... There is another production patreon she teases that holds nothing beside the Vivziepop name.

The show being placed upon rehabilitation and redemption despite the focus only being towards 'A Disney/Tim Burton Princess in Hell' goes to show that she had no direction of where she wanted to take Angel or Charlie. Charlie always being based on a porcelain doll? Greek/Religious Context/Egyptian mythology where???

"The best animation in it, is not done by me"

Within full admission of her nervous attitude without naming anyone within her team and just referred to everyone as 'My team/Crew' is very telling of how humbling she really even is.

Thr 'Yotta' she refers to is in reference to Studio Yotta, Helluva Boss is funded and produced alongside Horseless Cowboy with Horvitz towards the Casting Direction, meaning she's been funded with a major video game industry since day 1 of Helluva Bosses' production ergo, Vivziepop/Spindlehorse/Vivienne Medranno has never been independent in her entire production malpractice. She stated to be aware and know of wanting to work under SAG is very intriguing given that since Moxxie has been absent for half of season 2 its probably due to Richard striking as my best guess to the messy writing of broken railroad tracks that was supposed to be Helluva Boss production.

While it is one thing to have connections in industry to connect and come together and credit within your artists and studios, Vivzie does not have a studio. The merch sales/Patreon/YouTube QnA's directly go towards paying her animators, voice actors, and production management but not at all a 'Studio' she promotes herself as. All animation work and shots are handled through Discord and emails online this has been proven time and time again.

The fact that the pilot has been pushed aside so much over Helluva Boss and not a genuine interest to have redemption or care and love within the disguised nightmare that is Helluva Bosses' writing. She loves to flaunt demonology and love towards hell of aesthetics with demons/monsters she fails to actually represent the actual Demons of folklore/hell world building in HB leaves me to be worried... That she discredits actual Demon culture by stating

'I don't know have you seen one? They don't exist its just been human mysticism, Demons can be anything. Have you been to Hell?' Without realizinf she will fail to depict the Lord of the Flies as Gluttony....

"--It might not ever happen to work together with [Ke$ha] professionally would be a dream honestly. --The next Ke$ha song I want to animate is either is going to be official or is something that she wrote for one of MY projects or something"

She did and she made her state 'There's like, a rainbow inside my vagina.' Wooow so professional, "Cotton Candy" so originally produced to be so professionally Disney-Grade. The fact that she halted and couldn't release season 1's full finale due to having Ke$ha break her contract with legal battles and corporate music industry bindings during the Dr. Luke 2016 trial, waiting until 2020 to finally release it within this year and have Lukewarm perception because Rose cannot even sing within the episode its a replacement actor to sing for her! She just wrote the bare minimum draft of a song to submit for you to animate! Time and time again viv just flaunts herself to throw herself out there over 'Look at my projects aren't they neat!" And then be a monster during production of hoarding artists to herself and trash talking/harboring a group of bullies within her 'Core Crew'.

"Zoophobia is my Childhood project, it had everything and it was a mess. It was the magic of a childhood story told by an adult because I was in college while working on it at the time. It's the incubation chamber for all of my projects now. When I go back to it, it will be a complete reboot but for now it's on the shelf.... I lost all passion for it but I love my characters in it."

... And yet she hasn't talked about the comic since Bad-Luck Jacks' animation release nearly 4 years ago? All merchandising she promotes is about Helluva Boss and barely anything towards Hazbin or Zoophobia which is supposedly 'In-Production' while these merchandising of stickers, pins, skateboards, switch cases, posters, sketchbooks covers of Demonic stickers, sexualized hornybait, racist and transphobic enamel pins that can't keep character skin colors correct, and puzzles because of course! All of which, is merchandising of HELLUVA BOSS!

Vivziepop only views her characters as dollar signs. She still features her old Zoophobia designs within her Redbubble account goes to show how much profit she loves to make with other peoples' character designs.

X X Evidence of the Above Statement with the character KiKi/Christine [Cherry Bomb] originally being from Zoophobia before redesigned into Hazbin

X

Zoophobia concepts of what we lost rambling from Viv herself....

X

An interview of 7 years I didn't get to discuss over

X - A Season 1 Helluva Boss poor promotional trailer trying to garner hype for the series acting as if it was telling a cohesive story with actual plot happening with little Stolas screen time. It makes me wonder if season 1 was an entirely different drive of writing thoughts and artist drafts compared to season 2's production.

X - Helluva Boss Season 2 promotional storyboard conception, Two years ahead of time and finally all the boards make sense for season 2 and there still is no eventual plot besides setting up Fizz and Ozzy over Belzebub and Tex or any returning season 1 villain akin to D.H.O.R.K. or Cherub/Verrosika and especially no sight of Moxxie and Millie development besides fight scenes.

It makes me think of however much season 3 will suffer to spiral into production.

[avasdemonedits]

AYYYY YO??? STUDIO YOTTA ANIM??

[chaifootsteps]

Heya! I'm an animator and I noticed something recently. So I'm in a couple of Discord servers dedicated to animation. A lot of the members in there are professional animators who've worked for studios like Nickelodeon and Studio Yotta etc.

So far I've seen NOBODY talk about Hazbin Hotel. Like, there doesn't seem to be any interest for it between the professional animators. That could change of course once the show is released, but it does strike me as odd, and a little bit funny as well.

- Animator Anon

It's always nice to be reminded that Viv's nowhere near as big as she thinks she is.

[sadewoo]

Post-animation : Animaniacs

Back in 2020 i got very lucky to work on my very first big project with Studio Yotta , Animaniacs✨

When i am start working on it i was suprised that the character design made by that the same person who made skullgirls character, Alex Ahad.I think they are awesome !!

Here are the shots i animated :

Here is the final version i found on Youtube : https://youtu.be/nHXw6XxP2d0

Although the final result on some of my shots kinda looks a bit different from my animation,but i am still very happy specially with that bow summoning scene, everyone did awesome job !

[ptbf2002]

Warner Bros. Animation Characters

Animaniacs Belongs To Tom Ruegger, Steven Spielberg, TMS Entertainment Co., Ltd. Shanghai Morning Sun Animation Co., Ltd. Wang Film Productions Co., Ltd. StarToons International, LLC, AKOM Production, Ltd. Freelance Animators Co., Ltd. Varga Studio, Ltd. CNK International Co, Ltd. Phillippine Animation Studio Inc. Amblin Entertainment, Inc. Amblin Partners, LLC. Warner Bros. Animation Inc. FOX KIDS, FOX Family Worldwide Inc. FOX Broadcasting Company, FOX Entertainment, FOX Corporation, Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Animaniacs (2020 Reboot) Belongs To Tom Ruegger, Wellesley Wild, Steven Spielberg, Digital eMation, Inc. Saerom Animation, Inc. Snipple Animation Studios, Tiger Animation, Titmouse Animation, Inc. Tonic DNA Animation, Toon City Animation, Inc. Yowza! Animation, Giant Ant Animation, Studio Yotta, Birdo Studio, Flystudio, Screen Novelties, Amblin Television, Amblin Entertainment, Inc. Amblin Partners, LLC. Warner Bros. Animation Inc. Hulu, LLC. Disney Streaming, Disney Entertainment, The Walt Disney Company, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Bunnicula (TV series) Belongs To James Howe, Deborah Howe, Jessica Borutski, Snipple Animation Studios, Toon City Animation, Inc. Warner Bros. Animation Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Tom and Jerry Belongs To William Hanna, Joseph Barbera, Wang Film Productions Co., Ltd. Fil-Cartoons, Mr. Big Cartoons, Bardel Entertainment, Inc. Baer Animation Company, CNK International, Seoul Movie Co., Ltd. Toon City Animation Inc. Yearim Productions Co., Ltd. Hanho Heung-Up Co., Ltd. Rough Draft Korea Co. Ltd. Rough Draft Studios, Inc. Lotto Animation, Inc. Renegade Animation, PIP Animation Services Inc. Slap Happy Cartoons Inc. Digital eMation, Inc. Duncan Studio, Rembrandt Films, Sib Tower 12, Inc. MGM Animation/Visual Arts, Metro-Goldwyn-Mayer Cartoon Studio, Harman-Ising Productions, Metro-Goldwyn-Mayer Studios, Inc. MGM Holdings, Inc. Amazon MGM Studios, Amazon.com, Inc. Turner Entertainment Company, Turner Broadcasting System, Inc. Hanna-Barbera Cartoons, Inc. Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Tom and Jerry Tales Belongs To William Hanna, Joseph Barbera, Rob LaDuca, Jeff Davison, Toon City Animation Inc. Yearim Productions Co., Ltd. Rough Draft Korea Co. Ltd. Rough Draft Studios, Inc. Lotto Animation, Inc. Turner Entertainment Company, Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

The Tom And Jerry Show Belongs To William Hanna, Joseph Barbera, Darrell Van Citters, Renegade Animation, PIP Animation Services Inc. Slap Happy Cartoons Inc. Turner Entertainment Company, Warner Bros. Animation Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Tom and Jerry in New York Belongs To William Hanna, Joseph Barbera, Darrell Van Citters, Renegade Animation, Turner Entertainment Company, Warner Bros. Animation Inc. HBO Max, WarnerMedia Direct, LLC. Warner Bros. Discovery Global Streaming and Interactive Entertainment, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Looney Tunes Belongs To Tex Avery, Chuck Jones, Ben Hardaway, Robert McKimson, Bob Clampett, Bob Givens Harman-Ising Productions, Leon Schlesinger Productions, Warner Bros. Cartoons, Inc. DePatie–Freleng Enterprises, Format Productions, Warner Bros.-Seven Arts Animation, The Vitaphone Corporation, Vitagraph Company of America, Turner Entertainment Company, Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

The Looney Tunes Show Belongs To Sam Register, Spike Brandt, Tony Cervone, Yearim Productions Co., Ltd. Toon City Animation Inc. Lotto Animation, Inc. Rough Draft Korea Co., Ltd. Crew 972 Ltd. Warner Bros. Animation Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Baby Looney Tunes Belongs to Sander Schwartz, BigStar Enterprise, Inc. Wang Film Productions Co., Ltd. DongWoo Animation Co. Ltd. Rough Draft Korea Co., Ltd. Toon Town Animation, Yearim Productions Co., Ltd. Yeson Entertainment, Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

DC Super Hero Girls Belongs To Shea Fontana, Lisa Yee, Aria Moffly, Lauren Faust, KAP Movies, Renegade Animation, Jam Filled Entertainment, Boat Rocker Media Inc. Mattel Television, Mattel, Inc. DC Comics, Inc. DC Entertainment, Warner Bros. Animation Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Unikitty! Belongs To Phil Lord, Christopher Miller, Ed Skudder, Lynn Wang, Renegade Animation, Snipple Animation Studios, Rideback, Lord Miller Productions, VERTIGO Entertainment, LEGO System A/S, Warner Bros. Animation Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, HBO Max, WarnerMedia Direct, LLC. Warner Bros. Discovery Global Streaming and Interactive Entertainment, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Teen Titans Belongs To Bob Haney, Bruno Premiani, Glen Murakami, David Slack, Sam Register, MOI Animation Co., Ltd. Lotto Animation, Inc. DongWoo Animation Co. Ltd. DC Comics, Inc. DC Entertainment, Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Tiny Toon Adventures Belongs to Tom Ruegger, Steven Spielberg, AKOM Production, Ltd. Wang Film Productions Co., Ltd. Freelance Animators Co., Ltd. Island Animation, Kennedy Cartoons, Mook DLE, TMS Entertainment Co., Ltd. StarToons International, LLC. Fil Cartoons Inc. Amblin Entertainment, Inc. Amblin Partners, LLC. Warner Bros. Animation Inc. FOX KIDS, FOX Family Worldwide Inc. FOX Broadcasting Company, FOX Entertainment, FOX Corporation, CBS Broadcasting Inc. CBS Entertainment Group, Paramount Global, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Superman: The Animated Series Belongs To Jerry Siegel, Joe Shuster, Alan Burnett, Bruce Timm, Koko Enterprises Ltd. TMS Entertainment Co., Ltd. Dong Yang Animation Co., Ltd. Group TAC Co., Ltd. DC Comics, Inc. DC Entertainment, Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Batman: The Animated Series Belongs To Bob Kane, Bill Finger, Eric Radomski, Bruce W. Timm, Spectrum Animation, Bandai Namco Filmworks Inc. Bandai Namco Holdings Inc. TMS Entertainment Co., Ltd. Dong Yang Animation Co., Ltd. Koko Enterprises Ltd. AKOM Production, Ltd. Jade Animation, DC Comics, Inc. DC Entertainment, Warner Bros. Animation Inc. FOX KIDS, FOX Family Worldwide Inc. FOX Broadcasting Company, FOX Entertainment, FOX Corporation, Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Krypto the Superdog Belongs To Otto Binder, Curt Swan, Alan Burnett, Paul Dini, DongWoo Animation Co. Ltd. Studio B Productions, Inc. DHX Media Vancouver, WildBrain Studios, Starburst Animation Studios Co., Ltd. Top Draw Animation Inc. Mercury Filmworks, DC Comics, Inc. DC Entertainment, Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

[sturner-artblog]

Check it out! The Grottobeasts commercial!

Studio Yotta killed it :' o

[goldeaglefire1]

so uh. new Vampire Survivors crossover with Among Us!

I'm certainly not complaining about the DLC but like. why is Pugnala so whitewashed in the trailer

like the original design may be pixels but she does not look even remotely that white. come on. Studio Yotta you worked on the Animaniacs reboot you can do better than this

[victoriaorolfoart]

✨Happy to announce panel "Background Paint: Touching Grass and Painting It" this year with some super strong 💪 AAPI lady background painters✨

at @lightboxexpo#lightboxexpo2023

.

⛰️🌾Panelists: @sheeprilyn@its.greychen@q_sketches@victoriaorolfoart

.

✨Panelist #1✨

Aprilyn Cunanan @sheeprilyn 🌾

Filipino-American Background Painter, Designer and Visual Dev Artist in TV, feature and indie animation. Clients: Warner Bros, Netflix, Cartoon Network, Broken Arrow, Studio Yotta.

.

✨Panelist #2✨

Grey Chen @its.greychen _ 🌾

Chinese-American Background Painter and Color Stylist in TV animation. Clients: Netflix, Green Portal LLC, DreamWorks TV, Warner Bros, Cartoon Network, Nickelodeon, Titmouse.

.

✨Panelist #3✨

Qianjiao "Q" Ma @q_sketches 🌾

Chinese Background Painter and Vis Dev Artist in TV animation. Clients: Netflix, HBO, Warner Bros, Titmouse.

.

✨Panelist #4✨

Victoria Orolfo @victoriaorolfoart 🌾

Chinese-Filipino-American Background Painter and Color Supervisor in TV animation and Games. Clients: Netflix, Jim Henson, Honda, Riot, and more!

[piggybankstomfoolery]

a journal entry rambling about feeling overwhelmed and business and Valve and stuff

bleugh, I think I'm starting to feel overwhelmed over here. there's a lot of stuff suddenly happening in a short amount of time, and I think I'm starting to feel the fatigue, even though I'm used to running multiple accounts on many sites.

it's hard to focus on my work when I'm seeing so many other people taking advantage of others for purely their own gain, not giving them the same respect you'd expect them to give you. value for the customer feels like it's at an all-time low.

there's gotta be something better than this, right?

Anyway, I was digging through a backup college hard drive from 2011-2015 looking for pencil tests to share, and found a saved copy from 2012 of the Valve Employee Handbook (which you can check out for yourself on archive.org here).

I love reading business books (the most enthralling of reading material, I know xP), but I never actually read the entirety of this book back in 2012, which is probably part of why I struggled for years to understand the "flat" structure of the company and how it all worked.

Reading it years later after working in freelance, I think it suddenly clicked: It's a guide to running your own studio, because that's effectively your job at Valve. Everyone runs the studio. Everyone is at an executive level and required to be generally proficient in a number of relevant fields (while being best-in-class at maybe one niche track), because you have to be able to hop in and help on or start a project with a level of competency... if I'm understanding it correctly. From my layman's perspective, you might stand a decent chance at getting a job there if you were to, for example, start up a small indie game studio, build a solid title with a small staff, and find success with it.

Some of the notable sections to me are this bit, which talks about how to decide on what projects to work on (something I struggle with every day, heck I just tried to sort out a list last week of about 25 projects that I was poking at in some level but kept struggling on which ones to prioritize):

and also this bit that talks about crunch, and why it generally doesn't (or shouldn't) happen there, again applicable to my own experience and something I usually avoid whenever I pace myself properly:

I'm intimidated by the idea of running my own studio, but the more I continue to climb, the more intriguing the idea becomes, and it gets harder to ignore. there's forming a studio just to initially make it possible to work on larger projects ala Studio Grackle & Studio Yotta, and there's also growing it bigger into something more grand.

Before I head off for lunch, I'll drop this section off too, because I like it a lot:

[pockethexapod]

A couple OCs I made to apply at Studio Yotta. I’m particularly proud of Squizz.