#studio jg

[aneysajanis]

‘Kolorowy Shōnen z uroczą kreską - Hanako, Duch ze Szkolnej

Toalety’

Moje pierwsze zetknięcie się z historią Hanako było wtedy, gdy moja przyjaciółka pożyczyła

mi pierwszy tom jej mangi. Dobrze zapamiętałam ten komiks, ponieważ bardzo, ale to

bardzo nie przypadł mi do gustu. Nie mogłam zrozumieć, dlaczego wszyscy tak uwielbiają tę

serię. Nie dawało mi to spokoju. Dlatego właśnie zdecydowałam się wypróbować adaptację

tej mangi, której autorami są Aidalro, w formie 12-odcinkowego anime.

Wyprodukowany przez studio Lerche Shōnen z gatunku komedia, nadprzyrodzone został

wypuszczony na ekrany 9 Stycznia 2020. Pierwszy sezon zakończył się 26 Marca tego

samego roku.

Został wyreżyserowany przez Masaomi Andō a za scenariusz odpowiada Yasuhiro

Nakanishi. Mimo, że papierowa wersja nie przekonała mnie do siebie, to po obejrzeniu

anime jestem naprawdę ciekawa dalszych losów bohaterów.

Główną bohaterką tej historii jest Yashiro Nene. Jej przyjaciółka opowiada o plotkach, jakie

krążą na temat Uczelni Kamome, do której uczęszczają. Jedna z nich dotyczy ducha

dziewczyny Hanako, która przywołana w damskiej toalecie jest w stanie spełnić czyjeś

życzenie, jednak w zamian zabiera od tej osoby coś ważnego.

Yashiro postanawia przywołać tę zjawę, by zbliżyć się do obiektu swoich westchnień ale

zamiast dziewczyny pojawia się duch chłopca, który przedstawia się jako Hanako.

Postanawia on pomóc dziewczynie i tak po pewnych wydarzeniach, wybiera ją na swoją

pomocnicę. W trakcie dalszego rozwoju historii pojawia się też bardzo interesująca postać

chłopca-egzorcysty, Minamoto Kou, którego misją jest przeprowadzenie na Hanako

egzorcyzmów, jednak zaprzyjaźnia się on z duchem i Yashiro.

Brzmi na bardzo pogmatwaną historię i taką właśnie jest. Przez to bardzo ciężko czytało mi

się tom pierwszy mangi, ale w anime wszystko zostało dobrze pokazane. Akcja ciągle idzie

do przodu, a bohaterowie mają zabawne i interesujące przygody.

Bawi mnie sposób, w jaki autorzy prezentują niektóre sceny. Słowo, które od razu

przychodzi mi na myśl, gdy oglądam to kolorowe anime to: 'kawaii'. Sposób przedstawienia

postaci i ich myśli często jest naprawdę uroczy i myślę, że dobrze się to sprzedaje w

przypadku tej serii. Gdyby nie wszechobecne podteksty seksualne, powiedziałabym, że jest

to serial dla młodszej widowni. W fabule znajdziemy bardzo ciekawe elementy, ale według

mnie powtarzalne i przewidywalne.

Tak naprawdę ten tytuł zainteresował mnie dopiero w 8 odcinku, kiedy pojawia się Mitsuba,

który jest moją ulubioną postacią.

Niestety sezon pierwszy urywa się w takim momencie, gdy wspomniany przed chwilą

bohater dopiero jest rozwijany i zresztą nie tylko on sam. To, co mnie najbardziej urzekło to

jego relacja z Kou. Oprócz tego w końcowych odcinkach jest nam dane poznać ducha

chłopca, którego wygląd jest niemal identyczny jak u Hanako. Nie bez powodu... Hola!

Gdybym rzekła coś więcej, mogłabym odsłonić zbyt wiele szczegółów tego anime, a

przecież nie chcemy tu spoilerów, prawda? Jednakże zakończenie sezonu z takimi

wydarzeniami i postaciami przekonuje mnie do rozpoczęcia kolejnego.

Jeśli chodzi o kreskę to mogę powiedzieć, że według mojej opinii jest trochę nietypowa.

Choć może 'charakterystyczna' będzie tu lepszym słowem. Ze względu na uroczo

wykreowane postacie kojarzy mi się ona ze stylem kawaii. Pastelowe kolory tego dzieła są

bardzo ładnie ze sobą skomponowane. Myślę, że sama oprawa wizualna jest jednym z

najciekawszych elementów w tym tytule.

Podsumowując, "Hanako, Duch ze Szkolnej Toalety" mogę polecić osobom, które szukają

shōnena do obejrzenia na luzie oraz wszystkim, którzy gustują w dziecinnych klimatach i nie

mają zbyt wielkich wymagań co do fabuły. Mi osobiście historia przypadła do gustu i na

pewno z ciekawości wypróbuję kolejny sezon :)

~Aneysa

[aninreh]

Nieporozumienia to ich specjalność. „OMG! Mój kumpel z gry online okazał się moim potwornym szefem!!!” #2 Nmury

Jeśli tęskniłyście za historiami obudowanymi wokół nieporozumień, mających swoje korzenie w tym, że bohaterowie czy bohaterki po prostu nie otwierają buzi w odpowiednim momencie, by powiedzieć, co trzeba, to dłużej czekać nie musicie. Po bardzo długim czekaniu na czytelnicze półki trafił drugi tom OMG! Mój kumpel z gry online okazał się moim potwornym szefem!!! Nmury – mangi w zasadzie…

[autochops]

The Foetus of Excellence

[foetalmania]

JG Thirlwell during production of Shotgun Wedding by Rowland S Howard and Lydia Lunch, 1991. Source: Easley McCain Recording

[pollackpatrol]

the leftism leaving people's bodies as soon as they're told the movie they've been asked to boycott is gay

[80ssuperstar]

How do you guys love my Fanart Drawing of my sweetheart Mordecai from Regular Show 💖💖💖🐦🐦🐦

By Me @80ssuperstar 💕💕💕

[jgthirlwell]

The incredible Sami Stevens came by Self Immolation Studios to put vocals on two songs on the forthcoming project by JG Thirlwell and Simon Hanes. She has a new solo album coming out on July 28, check it out!

[suosage]

ini color directornya baru dipanggil pas ngerjain blu-ray po piye si

[biglisbonnews]

Sylvan Esso Isn't Making Their Mirror Face Anymore Sylvan Esso, the North Carolina-based electro-pop duo, kicked down industry doors in 2014 with their eponymous debut studio album, Sylvan Esso. It's one of those special captures-a-moment-in-time records, where escaping into the rousing, body-moving tracklist, a folksy mixture of skillful (yet unpretentious) electronic production, felt like discovering an untapped reserve of talent. The album has since accumulated over 250 million streams on Spotify and propelled the band into mainstream success.Ten years into their career as Sylvan Esso, singer Amelia Meath and engineer/producer Nick Sanborn have gotten married, toured the country and sold out shows around the globe. Yet somehow they feel like they're just getting started.I meet Meath and Sanborn — "Sandy," as she calls him — for lunch at preppy Upper East Side institution J.G. Melon. Squeezing puffer coats and backpacks through the tightly arranged floor plan, we wedge ourselves into a corner table with views of East 74th Street. The band is in town for a whirlwind visit of record signing, an Electric Lady Studios Spotify session, a CBS Saturday Morning live show and, most importantly, to see the physical release of their most recent record, No Rules Sandy. Even in the mustard-tinged lighting, the two glow with the frenetic flush of maneuvering a tightly scheduled press trip. No Rules Sandy, Sylvan Esso's fourth studio album, which dropped this summer, was immortalized on January 20th in its physical form. Now, the band is gearing up for their summer tour (with major venues like Red Rocks and London's Electric Brixton already selling out) and has newfound confidence in the longevity and durability of the band."Can I have a dirty Beefeater martini?" Meath asks the aproned waiter. She turns back to us and says, "I know it’s only three, but we did TV already." They’ve just come uptown from a CBS live taping in Times Square. "Fucking genius," Sanborn says, smiling from across the table. They decide to split a cheeseburger with a "fuck yeah" and a satisfying menu pile. "Your hair is just crazy," Sanborn says jokingly to Meath, who tousles her wispy, blonde hair into a more chaotic position."There's something exciting about being a band, coming up on 10 years old, and feeling like there’s still so much for us to discover together," Sanborn tells me. There was a period of time before they started working on No Rules Sandy where he began to worry about playing decade-old songs and fighting to reclaim and relate to a distant version of himself. "This feels like a completely new way of working together, like cracking the knuckles of our band," he says. In January 2022, Meath and Sanborn road-tripped from North Carolina to Los Angeles to attend the Grammys, as they'd been nominated for Best Dance/Electronic Music Album. With a spike in the Omicron COVID-19 variant, the Grammys were postponed, plans and hangouts dashed and the pair was left in their California rental with nothing to do. Three short weeks later, they had recorded the first version of No Rules Sandy. "It was a complete accident," Sanborn says. "It began as just something to do that day," Sanborn says, sipping his Budweiser with raised eyebrows. "We were just playing around to make the other laugh or to be impressed.""They're the most personal songs I've ever written," Meath says. "The first taste of every idea we had, we would just follow." Sanborn recalls that he’s never seen her write lyrics so fast, explaining that nearly all of the vocals on the album were from the first take, even sometimes the first time she ever sang them aloud. "Whatever microphone we had, wherever she was sitting in the house, we would record there. There's like leaf blowers and shit on the album," Sanborn says, laughing. "And birds!" Meath adds. "I would write something and we would both be shocked by it," Meath says. "And then I'd be like, 'Well, we need to change this because it's too close." After multiple rewrites in hopes to distance herself from some of the more vulnerable lyrics, Meath says the songs would always end up worse. "I had to stop doing my mirror face at them," she says. "And even if it wasn’t as ‘cool,’ it’s what I was feeling.""If we re-recorded anything, it just wouldn’t be the moment," Sanborn says. "It was true improvisation. And with improv, if you're doing it right, I think you’re being your most honest, raw self." Witnessing how the polishing and refining of their improvisational work was always to the detriment of the track, both Meath and Sanborn relaxed into the process and let go. "The craziest thing... is that it worked," Sanborn says. The two sneak a glance across the table, a check-in or a shared moment of gratitude. The waiter comes over and Meath orders the cheeseburger. "Just from the tone of your voice, I’m detecting you want your own," Sanborn says with a chuckle. The symbiosis of the pair can be felt in the adventurous nature of the record, intensely intimate and uniquely experimental, created by a partnership that thrives on trust and playfulness. The name of the album, partially an homage to Sanborn's nickname, is a representation of the band's new mentality that accepts and even welcomes the uncertainty of sonic risk-taking and improvisation. If their first record embodied joyfulness and exultation, this album invites unabashed exploration. The epitome of Sylvan Esso's new ethos can be found in the track "Your Reality," an enigmatic synth-pop song with a swelling string quartet that holds the prophetic and titular hook, "Surreal but free?/ It's your reality (no rules lately, no rules Sandy)."When Sanborn first produced the track, the two discovered that each had heard the downbeat differently. Meath had already written lyrics exploring the individual experience of one’s perceived reality and so, in an audacious gamble, decided to protect the disputed downbeat, constructing the baseline and vocal track in a way that validated both interpretations. The song quickly became the symbolic apex of the album — evidence of the duo's playful philosophy and keen experimentation. "Ninety-nine percent of people who listen to the track won't ever think about this. But it made the song both really simple and massively complex. And I think that's the hallmark of our band at this point," Sanborn says. "There's a way to hear our band and kind of dismiss it. For better or worse, we write the type of songs that allow you to enjoy them on a surface level if you want. But if you want to dig into it, every step you go, there’s something for you to find," Sanborn says of the album. "I'm too Midwestern to be this cocky, but it’s a song I don't think any other band could have written."It’s a stark contrast to their last album Free Love, an earnest and tidy project that relied dutifully on the structured tradition of indie-pop. "In a lot of ways, it feels like this record is deeply a return to our first record, in that our first project was really asking, Well, what sounds good? What does this mean to me?" Sanborn says. "I really don't feel like we're confined anymore," Sanborn says. "It feels like we can keep changing because no matter what we do, if the two of us make it, it's gonna sound like a Sylvan Esso record. And knowing that makes all of the other questions go away," Sanborn says. The album still remains acutely close to the two, as it’s yet to be performed in front of their fans. "Songs creep up on me. And I’m still so deeply in the record because we haven't gotten to tour it yet," Meath says. "There's so much more to be discovered."Photos by Alessandra Schade https://www.papermag.com/sylvan-esso-no-rules-sandy-2659297999.html

[szalonykasztan00]

And all my money is gone.

Good job Studio JG 👍

[aneysajanis]

‘Kolorowy Shōnen z uroczą kreską - Hanako, Duch ze Szkolnej

Toalety’

Moje pierwsze zetknięcie się z historią Hanako było wtedy, gdy moja przyjaciółka pożyczyła

mi pierwszy tom jej mangi. Dobrze zapamiętałam ten komiks, ponieważ bardzo, ale to

bardzo nie przypadł mi do gustu. Nie mogłam zrozumieć, dlaczego wszyscy tak uwielbiają tę

serię. Nie dawało mi to spokoju. Dlatego właśnie zdecydowałam się wypróbować adaptację

tej mangi, której autorami są Aidalro, w formie 12-odcinkowego anime.

Wyprodukowany przez studio Lerche Shōnen z gatunku komedia, nadprzyrodzone został

wypuszczony na ekrany 9 Stycznia 2020. Pierwszy sezon zakończył się 26 Marca tego

samego roku.

Został wyreżyserowany przez Masaomi Andō a za scenariusz odpowiada Yasuhiro

Nakanishi. Mimo, że papierowa wersja nie przekonała mnie do siebie, to po obejrzeniu

anime jestem naprawdę ciekawa dalszych losów bohaterów.

Główną bohaterką tej historii jest Yashiro Nene. Jej przyjaciółka opowiada o plotkach, jakie

krążą na temat Uczelni Kamome, do której uczęszczają. Jedna z nich dotyczy ducha

dziewczyny Hanako, która przywołana w damskiej toalecie jest w stanie spełnić czyjeś

życzenie, jednak w zamian zabiera od tej osoby coś ważnego.

Yashiro postanawia przywołać tę zjawę, by zbliżyć się do obiektu swoich westchnień ale

zamiast dziewczyny pojawia się duch chłopca, który przedstawia się jako Hanako.

Postanawia on pomóc dziewczynie i tak po pewnych wydarzeniach, wybiera ją na swoją

pomocnicę. W trakcie dalszego rozwoju historii pojawia się też bardzo interesująca postać

chłopca-egzorcysty, Minamoto Kou, którego misją jest przeprowadzenie na Hanako

egzorcyzmów, jednak zaprzyjaźnia się on z duchem i Yashiro.

Brzmi na bardzo pogmatwaną historię i taką właśnie jest. Przez to bardzo ciężko czytało mi

się tom pierwszy mangi, ale w anime wszystko zostało dobrze pokazane. Akcja ciągle idzie

do przodu, a bohaterowie mają zabawne i interesujące przygody.

Bawi mnie sposób, w jaki autorzy prezentują niektóre sceny. Słowo, które od razu

przychodzi mi na myśl, gdy oglądam to kolorowe anime to: 'kawaii'. Sposób przedstawienia

postaci i ich myśli często jest naprawdę uroczy i myślę, że dobrze się to sprzedaje w

przypadku tej serii. Gdyby nie wszechobecne podteksty seksualne, powiedziałabym, że jest

to serial dla młodszej widowni. W fabule znajdziemy bardzo ciekawe elementy, ale według

mnie powtarzalne i przewidywalne.

Tak naprawdę ten tytuł zainteresował mnie dopiero w 8 odcinku, kiedy pojawia się Mitsuba,

który jest moją ulubioną postacią.

Niestety sezon pierwszy urywa się w takim momencie, gdy wspomniany przed chwilą

bohater dopiero jest rozwijany i zresztą nie tylko on sam. To, co mnie najbardziej urzekło to

jego relacja z Kou. Oprócz tego w końcowych odcinkach jest nam dane poznać ducha

chłopca, którego wygląd jest niemal identyczny jak u Hanako. Nie bez powodu... Hola!

Gdybym rzekła coś więcej, mogłabym odsłonić zbyt wiele szczegółów tego anime, a

przecież nie chcemy tu spoilerów, prawda? Jednakże zakończenie sezonu z takimi

wydarzeniami i postaciami przekonuje mnie do rozpoczęcia kolejnego.

Jeśli chodzi o kreskę to mogę powiedzieć, że według mojej opinii jest trochę nietypowa.

Choć może 'charakterystyczna' będzie tu lepszym słowem. Ze względu na uroczo

wykreowane postacie kojarzy mi się ona ze stylem kawaii. Pastelowe kolory tego dzieła są

bardzo ładnie ze sobą skomponowane. Myślę, że sama oprawa wizualna jest jednym z

najciekawszych elementów w tym tytule.

Podsumowując, "Hanako, Duch ze Szkolnej Toalety" mogę polecić osobom, które szukają

shōnena do obejrzenia na luzie oraz wszystkim, którzy gustują w dziecinnych klimatach i nie

mają zbyt wielkich wymagań co do fabuły. Mi osobiście historia przypadła do gustu i na

pewno z ciekawości wypróbuję kolejny sezon :)

~Aneysa

[aninreh]

Takiej wygranej w grze online nikt się nie spodziewał, czyli czytamy „OMG! Mój kumpel z gry online okazał się moim potwornym szefem!!!” #1 Nmury

Kiedy głosowałyśmy i głosowaliśmy na najlepszą mangę BL wydana w Polsce w zeszłym roku, okazało się, że OMG! Mój kumpel z gry online okazał się moim potwornym szefem zdobyło wasze serduszka szturmem. Na pierwszy rzut oka nie prezentuje się ona jednak jakoś specjalnie interesująco – między innymi dlatego przy pierwszym podejściu odłożyłam ją po kilkunastu stronach. Po przeczytaniu całości, chyba…

[autochops]

Clint Ruin - The definitive 80’s it-boy

[chaifootsteps]

Something that confuses and disgusts me about Spindlehorse is how POSSESSIVE they apparently are of some of their animators…specifically the screenshots of viv asking people not to hire anyone working on her projects, and the studio talking shit about other animated projects like far fetched and Lackadaisy….b/c literally how we get more wonderful animation is when creators mentor and support the people on their staff!!!

Here’s the whole “Thurop Van Orman/Flapjack Family of Cartoons” as an example:

https://www.reddit.com/r/gravityfalls/comments/nwizfg/the_flapjack_family_of_cartoons/

Imagine if Orman had told other companies not to hire Pendleton Ward or JG Quintel. We wouldn’t have adventure time, which means we wouldn’t have Steven universe, or over the garden wall, or OK, KO!, or GRAVITY FALLS!!

And because we wouldn’t have gotten THOSE shows we also wouldn’t have got Craig of the Creek, The Owl House, Amphibia, Infinity Train, and more!!!

I hope that those screenshots of Viv asking other higher ups not to hire Spindlehorse employees and stuff are older, and I hope that she’s changed…but I doubt it.

I wonder what other opportunities she’s taken from her animators out of pettiness, jealousy, and spite???

(In particular, I specifically hope that Ashley Nichol’s show succeeds and does well. She, Michael, and Ed did so much for Viv’s shows, and she seems to resent them so so much for it and I can’t understand why? I try to give everyone as much benefit of the doubt as I can, but when I see ALL the people she used to be associated with and then burned??? Michael, Ashley, Erin, Kyra, and who knows who else…I just don’t understand)

Absolutely. There's zero excuse for a creator going behind their employees' backs and asking other creators not to hire them, especially when freelance animators frequently have to juggle multiple jobs to make ends meet.

You want to keep as many of your employees as possible, Viv? Pay them the wage we all know goddamn well you can afford.

[saintbleeding]

You know what you have to do now. (write the jg au for it)

Gerry doesn’t really like nerds, as a rule.

Gerry also doesn’t really like rules.

So you see the problem.

Like, okay, obviously if the rules fall within “safe and sanitary tattooing practices” then they’re inviolable, but if the rules are the only things stopping him from admitting he’s crushing a little bit on the dweeby audio engineer who works next door, then they were made to be broken.

The guy’s got a nice voice, even if he does dress like a divorced geography teacher. Mind you, Gerry’s only heard his voice in two contexts: sometimes, snatches of it drifting sonorously through the wall—which doesn’t bode well for the supposed soundproofing—as he… records? Rehearses? Whatever it is an archival audio engineer does.

Oh, and other times, while the guy is smoking out the front on his break, he’ll be on the phone, either with this treacly, measured tone that drips customer service, or in a much more genuine and irritated one, seemingly complaining about whoever he’s got to use the fake voice on. The duality of nerd, Gerry sometimes thinks, and smiles to himself as he works. It’s like there’s a silent, unacknowledged solidarity between them—strangers, but near enough that they can share the thought that people are a right bunch of dickheads.

It’s comfy. Companionable.

Easier than the mess of trying to do anything mental like having a conversation. He might be a wanker. He might be a Tory. Not worth the risk.

Or, rather, not till Sasha comes in one day. Gerry knows her. She’s come in more often as a hand-holder for her mates who are getting their first tats, but he’s worked on her once or twice too. On this day—on her lunch break, she says, but tells Gerry not to rush, she doesn’t mind being late back—she’s come in for text on her inner forearm. I am here, it’s going to say, in all-caps, with an arrow pointing up the arm, towards her. Gerry asks, genuinely curious, what it means.

“Easy to get lost,” she says. “‘Specially in my job. So it’s kind of a compass.”

Cool.

Gerry thinks that’s cool.

So they get to work on it. It’s not exactly painstaking, but given she said so, he takes his time on it. Lot of straight lines.

“Do you talk to Jon much?” Sasha says out of the blue.

“Who’s Jon?” Gerry says, without looking up.

“Oh! Works in the studio, next door?”

Gerry smiles without meaning to. “Oh, Mr A-Levels-History? Nah, haven’t had a chance.”

Sasha turns her head, sniggering. “I’ll tell him you said that.”

They lapse back into silence for a bit.

“Friend of yours?” Gerry asks breezily after what he sincerely hopes isn’t an awkwardly timed pause.

“Mm. Sort of,” Sasha says, in the same tone someone might insist they’re sort of friends with a panther. “He does a lot of recording for my company, and I’m usually the one who brings him our documents. He’s nicer than he looks.”

Gerry’s smile grows. “Doesn’t seem all that chatty.”

Sasha grins back. “Get him complaining and you won’t be able to shut him up.”

Gerry nods thoughtfully, and then the conversation drifts away from the topic.

But that evening, as he’s about to go, the nerd—sorry, Jon, apparently—is standing out the front, smoking, but not on the phone.

Gerry locks the door, pockets his keys, and turns around to face him in a way he hopes doesn’t look too orchestrated.

“Oh,” he says, “Could I bum one?”

Jon looks up like he’s surprised to remember he’s still on the physical plane, then exhales.

“Um,” he says, “Uh. Yes.”

He fumbles in his coat for a second, then pulls out his carton, which he hands over, looking away with a frown. Gerry takes a cigarette and puts it between his lips. When Jon takes the carton back, Gerry mimes for a light, and unthinkingly, rather than handing it over, Jon produces a zippo from somewhere and ignites it, holding it to the tip of Gerry’s smoke.

Not that Gerry is complaining about this, obviously. It gives him ample excuse to really properly look at Jon’s face for the first time. Stubbly chin, lines beneath his eyes and in the corners of his mouth, glasses in need of a polish. Their eyes meet, and Jon smiles awkwardly.

It’s right about then that Gerry decides fuck the rules, he’s got a crush.

“Long day?” he asks as Jon turns away, taking a drag of his own smoke.

“They’re all long,” Jon says wearily, then clears his throat. “I—mm. Yeah. Yes, you could say that.”

“And here I thought archiving reports from weird faceless organisations would be a barrel of laughs.”

Jon gives him a weird, silent look.

Classic bloody Gerry.

“Oh,” he continues, glancing away. “Um, you know Sasha? She, uh, talks about work a lot.”

When he dares to glance back, Jon is nodding, and if he’s still perturbed, he’s going to efforts not to look it.

“Friend of yours?” Jon asks.

Gerry smiles. “Sort of, yeah.”

They smoke in silence for a minute.

“I’m Jon, by the way,” Jon says, and Gerry nearly says I know, until he remembers what a weird fucking response that would be.

“Gerard,” he says instead, then, after a second, “Um, Gerry. I’m Gerry.”

They don’t shake hands.

“Strange,” Jon says, “That you spend all day jabbing people with needles, and I’m still hard-pressed to convince myself that my work is less violent.”

Gerry laughs. “How violent can things get in a recording studio, exactly?”

Jon smirks ruefully. “You might be surprised.”

Oh, cool, so he’s a freak. That’s kind of a huge relief.

“Anyway,” Gerry says, running a hand through his hair. “I’ve only ever had, like, three people pass out, so I’m doing pretty well. I’m basically a pacifist of tattooing.”

“You deserve the Need-el Peace Prize,” Jon says, then immediately cringes. “Sorry. Sorry. Christ, I tried to do something with needle and Nobel. Jesus Christ.”

Gerry laughs anyway.

“Not my finest work,” Jon concludes, lifting his glasses to pinch the bridge of his nose.

“Eh, it’s fine. You’ll just have to keep trying.”

Jon gives a bemused smile, bending to butt out his cigarette on the concrete.

“I suppose I will,” he says, and straightens his coat. “In the meantime, though, I’ve got some life choices to go home and question.”

They smile, and Gerry instantly prefers the kind of companionable solidarity the two of them share when they have actually had a conversation.

“Nice to meet you, Jon,” Gerry says.

“Likewise,” Jon replies, then he turns and goes.

Gerry watches him till he’s out of sight, and as he walks home alone that night, he nails down the preference list.

He likes nerds a lot more than he likes rules.

[80ssuperstar]

Here's another Story Script I wanted to do which is a part from Madagascar Escape 2 Africa 🌍 When Alex and Marty tries to find the Water from the Humans and Gloria Rescuing Melman from the Volcano Sacrifice 🔥

This Time I want to change the characters from Regular Show which is the following:

Benson as Alex

Rigby as Marty

Mordecai as Melman

Samantha ( @80ssuperstar ) as Gloria

Hot Dog Leader as King Julien

Fat Hot Dog as Maurice

"Operation Water Rescue: The Volcano Dilemma"

[In the woods, Benson and Rigby go to look for the clog.]

Rigby: Is this place starting to freak you out?

Benson: We'll slip in, find the problem. Hunters will never know we were here.

Rigby: Why are we doing this?

Benson: Look Rigby, maybe my dad will think I'm... I just want to show him I'm a real Boss.

Rigby: As opposed to a chocolate Boss.

Benson: Shh. I know this may sound hard to believe; but apparently, Bosses don't dance.

Rigby: [shocked] WHAT?!?

Benson: SHH!! As far as my dad is concerned.

Rigby: As far as people are concerned, you're a huge hit.

Benson: That was California. This is Africa... it's much tougher crowd. Rigby! Rigby, this is it! This is the clog! Come on.

Rigby: Well, there's the water.

(Rigby drinks some of the water. While Rigby is drinking the water, Benson notices Nana)

Benson: Rigby, stay down. Look at that.

Nana: Knit one, purl two.

Benson: It's her.

Man: Is this right?

Nana: Very good.

Man: Nana, slow down.

Nana: You're a little tangled, aren't you? No, don't pull. I'll do it.

Benson: We need dynamite. Got any dynamite?

Rigby: (loudly) Oh, snap! I just used my last stick this morning!

[Benson tells to quiet down, but an arrow hits the fruit hat of shame 🏹]

Rigby: Savages!

Benson: Evasive maneuvers!

Rigby: Serpentine, serpentine!

Benson: Squiggly squid maneuver!

Rigby: Zag, zig-zag, zig ziggy zag!

Benson: No, no! Squiggly squid!

Rigby: Etch A Sketch! Etch A Sketch! Etch A Sketch!

Benson: That's too complex! Octopus, octopus!

Rigby: Benson!

Benson: Run, Rigby!

Rigby: Come on, I can't leave you here!

Benson: Go get help! Squiggly squid maneuver! Go! Go! Squiggly squid!

Rigby: ETCH A SKETCH!!! ETCH A SKETCH!!!

[The camera changes to the volcano where Mordecai, Wearing a White Orchid Flower Cowrie Shells Veil Headwear, 4 Flower Lei's, Black and White Feathers on his Ankles and Wrist, is about to go into the lava, but he is looking to the deep of the volcano.]

Mordecai: OK. OK, OK, OK. OK, here we go. OK, OK. Here we go! Here we go!

Joe: What's all the hoopla about?

Blue Jay: Joe?

Blue Jay 2: Joe the Witch Doctor? We thought you were dead!

Joe: So did I. Then I realized I'm covered in brown spots.

Blue Jay: So, Mordecai's not dying! [suddenly realizing the truth] Mordecai's not dying!

Blue Jay 1: Oh, no!

Samantha: Excuse me! Mordecai!! Move! Don't do this! Hot Dog Leader, stop this! This is crazy!

Hot Dog Leader: Oh, suddenly throwing a blue jay into a volcano to make water is crazy!

Samantha: Yes! Please, Mordecai! STOOOP!!!! 😱😱

Mordecai: Samantha? 😯

Samantha: You can't do this! 😭😭

Mordecai: Why not?

Samantha: Because...Oh! 😯😯

[But as she could finish, she trips which causes cracks to come out, Mordecai is shocked at what he's seeing, he runs up, but begins to fall. Samantha stops him from falling]

Samantha: You can't do this, Mordecai. 😢😢

Mordecai: First of all, that hurts. Second of all, I've only got 18 hours to live, anyway. 😢😢

Samantha: Mordecai, I gotta know...did you really mean those things you said about me? 🥹🥰

Mordecai: Of course I did. 🥲🥲

Samantha: That's crazy 😧😧

Mordecai: It Is? 😟😟

Samantha: It's crazy to think I had to go halfway around the world... to find out that the perfect guy for me lived right next door. 🥹🥹☺️😊

Mordecai: Then I guess it's you and me, neighbor. You and me for the next 18 hours. 😻😻😻

Samantha: I'll take whatever you got 🥹❤️🩵

Hot Dog Leader: WHOA WHOA WHOA Fat Hot Dog, what just happened?! 😱😱😱

Fat Hot Dog: I believe the Hot Sassy lady has sung. 😏❤️

HERE'S THE END TO THE PART! 〽️ I Hope you guys love it!!!

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For: @fxe4596 , @nicomxm23 , @mordorigs , @jgquintelslut , @pinkcandycatmakesart , @anifaz , @isrrael120 , @notadumbdog , @martingeekermmd , @eeveepalooza , @apollothedeity , @sidoresca , @siinhorhy , @insomniacz , @rhyliethecaterfly , @yeetafry , @at-weeb96 , @kiwithekool11437 , @kiko2032 , @orchestralauthor , @untitled14360 , @loudlyhappycupcake