#stuck in sand

[ramsaybanna]

The surest way to avoid getting stuck in the sand

The surest way to avoid getting stuck in the sand is to not drive on the beach. Which we didn’t.  The instruction should have been a bit more specific – the sand, rather than a beach.  Don’t drive on the sand.  This is what we did. Skipping past the first hour, spent in self-reflection on the rationale that got us into this position ( “How can I be such an idiot!”) mixed with a spousal debate…

[rumov]

they play volleyball and all 3 of them cheat

[withdenim]

How sad to watch him grow

[driftingballoons]

Day 1: First Meeting

First impressions are everything. Unfortunately, waking up on a beach means the sand might be a more pressing issue

@heropartnerweek

[gigizetz]

if you had to pick 1 god to be stranded on an island with, for at least a week and they can't use powers during the time- who would you pick? (no calypso, way too good of an advantage.)

how is calypso an advantage she'd just get me trapped there forever

I would pick Artemis bc she could hunt food for us

[25shadesoffebruary]

I dare you to kiss Top.

[ryssbelle]

Linktober and Inktober day 4: Sage and Dodge, this one was legit so fun sketching and then coloring it all was a blast

click for better quality

[bird-inacage]

Only Friends: Why Ray's reaction speaks volumes about his feelings for Sand, rather than his feelings for Mew

It's natural to think Ray reacted so strongly in the fight with Boston because of his residual feelings and loyalty to Mew. But let's be clear, this revelation doesn't adversely affect Mew in any immediate way if you read this as Ray being upset on Mew's behalf.

Boston's bombshell is instead targeted to hurt Ray specifically. An attempt to make Ray look like a villain and Sand to feel like a victim of Ray's 'deception'. Sand being the unwarranted collateral of this fight.

Why is Ray angry?

So let's break down all the reasons Ray is angry in the first place.

This wasn't Boston's story to tell. He saw and recorded the kiss without their knowledge or consent. He frames it like a 'dirty secret' that Ray intentionally hid from Sand. But it's Ray's right to choose when and if he felt it necessary to share this with Sand, depending on the progression of their relationship.

What Boston is claiming is only partly true. Yes they did kiss. But no, Ray did not 'take Mew's virginity'. Nothing further happened and Boston is embellishing, which implies more gravitas to a 'history' which doesn't exist.

Sand is being fed this information without full context. He doesn't have the benefit of understanding Ray's past (namely his breakdown), the nature of his friendship with Mew. Without it, Ray is going to look categorically bad, especially through the lens of his affectionate behaviour with Sand that day.

The revelation could ruin what potential future there may have been between Ray and Sand, if Sand is driven away. Ray's newfound happiness dashed in an instant.

The initial part of his Ray's reaction is defensive - the shock, the betrayal regarding such an invasion of privacy. Ray's first punch is thrown after "keep track?" The audacity and complete lack of justification felt as to why Boston would even do such a thing. Ray's second attempt to enact violence is when Boston says, "are you going to be two-timing?" I saw the following through his response: 'It's one thing to hurt me. I'm your friend. I know what you're like. But why on earth are you dragging Sand into this? How dare you.'

Attacking Ray's Weak Spot

We can't change our pasts. Whether it was one kiss or years of unrequited feelings - ultimately, nothing became of it. Ray can't erase the fact he did once love Mew (and probably always will in some capacity because of what Mew did for him). But if Ray were to eventually fall in love with Sand, then his romantic feelings for Mew would become past tense. So whatever he felt then would have no bearing on his here and now. Ray shouldn't be made to feel ashamed.

The progress Ray made with Sand this episode has essentially been unravelled through this one act. It's been hugely difficult for Ray to even consider loving anyone other than Mew. He only just started to display inklings of welcoming the idea. We should all be afforded the opportunity to move on. For Boston to use Mew (someone who means so much to Ray symbolically) as ammunition to hurt Sand (someone new he's grown to care about), is pitting his past and future against each other. And it's not fair to do so. Your past doesn't negate what you may do in future. Similarly the future doesn't discredit the past. Both are important for different reasons.

Ray has every right to value both Mew and Sand, because his feelings for each of them will be entirely different in their own right. But what Boston has tried to spin here is a comparison game. 'Ray loves Mew. He's always loved Mew.' The further insinuation being: 'Ray will never find you as important Sand. You're lesser than. You'll never compare in Ray's eyes'. It's simply not Boston's place to say that. How would he know? It's possible that one day Sand could match Ray's love for Mew, surpass it even. But Ray isn't to know that yet.

There's also a palpable air of derision in how Boston delivers this. He makes Ray's feelings out to be a slightly pathetic, sad little obsession, by wording it as "Ray's whole ass is owned by Mew". Reducing Ray's incredibly complex feelings for someone who saved his life to a more superficial pining. The nuances of which Sand won't be aware of.

Hurting Ray by hurting Sand

Not only is Boston trying to tarnish Ray's character by accusing him of misleading and lying to Sand - but in doing so he's humiliating Sand for not being aware of this. If he can tell that Sand has feelings for Ray, he knew this information would hurt an innocent third party. All 'disguised' under a feat of righteousness.

I'm sure Ray is more than aware of how Sand treats him. Sand has been nothing but kind and accommodating where he's concerned. Willing to bend to his will and soften to his demands. Sand absolutely does not deserve to be dragged into any unnecessary drama, (drama which involves a notable part of Ray's history). So Ray is forced to feel somewhat responsible, based purely on the fact that this very 'drama' concerns him.

It's because Ray cares about Sand's feelings, cares about Sand's opinion of him, cares about what Sand feels towards him, and is also concerned by Sand being caught in this crossfire - that Ray is so clearly flustered. No matter what he's done, Sand shouldn't have to suffer along by association. That's not fair on Sand. It's his past in question. It's his best friend doing the damage. And it's because of him that Sand is now getting hurt too.

He can't outright deny it, because part of what Boston is saying is true. (Trying to vehemently defend yourself can sometimes come across even more as an admission of guilt). He can't apologise to Sand, because he hasn't figured out who Sand is to him yet. (If Ray doesn't deem him as a boyfriend at present, then he can't be sorry for liking someone else). The kiss with Mew also relates closely to an absolute rock bottom period of his life, which he probably wasn't ready to share with Sand just yet.

Ray has been made out to be a liar and a cheat and he's just praying that Sand can give him the benefit of the doubt. There's absolutely no way he can possibly explain all the intricacies to Sand in such an instant, but he's allowing Sand to ask him should he wish to. It's the least he can do. But Sand is going through his own internal battle now, and both need time to process what this has led them to realise about how they feel about each other.

[robo-dino-puppy]

tallneck tamer

[nell0-0]

Walking through route 4 in Unova be like,,,

Emmet “I am Emmet. It’s way too hot. Remind me why are we walking through here.” 

Elesa “I told you to ditch at least the coat.”

Emmet “No.”

[ophidian-bite]

so the writers took the time to highlight the fact that albrecht canonically reads james baldwin and ppl are still out there trying to say he isnt queer...

[skeletalheartattack]

have you posted about gelato before :o ?

honestly, every mention ive made of Gelato in the past month or so has just been through the tags of some posts ive reblogged on here, it's only been until now that ive gotten around to showing him off!

this is Gelato, a Flamingo/Secretarybird mix that my friend @meetthehelper put together!

for a while, i've been wanting to figure out a bird fursona for myself, and i wanted one that had a similar silhouette to that of Scratch (i.e. Scratch & Grounder), and the bird that seemed to make the most sense to me was a flamingo. it was Helper's idea to mix him with another bird species, and i really like what she ended up with :)!

[thesherrinfordfacility]

[pink-key]

Question for the author + Toby what would be his and your favorite songs??

He may dance funnily to Hit the Road Jack in his spare time. Kid Toby followed the trends better.

I like to think killing time fits him. I don't understand why most Toby playlists I came across consist of dying ukuleles with some sappy crying lyrics? He is chaotic and cheery, I would have put a few songs with an energetic guitar or something electro in there, nirvana, three days grace or whatever this is Shameless sharing of few fav songs I have a few energetic songs I associate with Tobs: phonk, modern emo songs, this remix, some good old and classic rock lmao I listen to Breathe Carolina a lot.

[smittyw]

bonus mermay posting, dont wander around the shallows at 4am or youll hear somethin weird and u wont come back

[writer-room]

Honestly Rayla is equally 100% ride or die for Callum too.

That's so true I almost mentioned it in that post. They're so ridiculously feral for each other it's hilarious to watch. Callum's the legitimate "we ride AND die together" whereas Rayla is the "I will ride and die FOR you" sort of deal yknow?

Could be literally any situation, no matter how dangerous, and she's already decided she will die here. Does it ensure Callum lives? Then batter-up buckeroo we're going in swords blazing! Everyone cheer and clap for her human or she'll blow this whole place up. Kinda person who says "even if you hate me I'd still lose everything if it meant you were okay". She thinks they're in a tragic love story where she's always at risk of losing him but that's okay as long as it keeps him safe and happy like y'know Viren parallels, she'd risk losing her very self for him over and over. Except Callum would wait until the end of the world itself, and even beyond, and she wouldn't even have to ask.

The difference between them, really, is that Rayla will die for Callum on any given day. Callum will kill for Rayla on any given day. Something something matching sets