#storytell

[robotlyra]

Since we keep getting "live action" CGI remakes of already perfectly adequate animated movies, and because people need to understand that animation is a medium and not a genre, I have prepared this primer about the importance of Visual Language for Conveying Information.

Can you tell what the personalities of these two mice are?

Can you tell now?

Which of these two tigers feels safer to be around?

Which of these three dogs is the funniest one?

If you can answer these questions, then you already have experience with the idea of visual language and stylistic choices being used to impart narrative meaning. If you can understand why these choices were made to impart meaning, then you can understand why animation is a medium for telling stories that has its own inherent value, and is not merely a "placeholder" for the eventual implementation of photorealistic presentation (aka "Live Action" CGI). Animation does not need to be "corrected" or "legitimized" by remaking it into the most representational simulation of observable reality.

[rudamaruda520]

me as a writer

[corpish]

in recognition of World Down Syndrome Day on March 21

[life-in-toontown]

Sure it’s soulless and only exists to be a lazy cashgrab but at least now it’s a REAL movie unlike that toddler cartoon /s

[prokopetz]

My controversial game design opinion is that "environmental storytelling" should be actually, tangibly present within the game's environments. Hitting the player with a paragraph of lore every time they click on a random item in their inventory is not environmental storytelling – it's just hiding an epistolary novel in your game's UI.

[beardedmrbean]

[basketcasemp3]

downsizing seasons from 22 episodes to 13 to 8. describing miniseries as "8 hour movies". loudly declaring that shows with 20+ episodes per season cannot truly be good. complaining that "it couldve been a movie". complaining about filler episodes. complaining about bottle episodes. complaining about episodes that prioritize character over plot. fr i think y'all just dont like television

[s-soulwriter]

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.

[creepyclothdoll]

The Devil's Wheel

The Devil’s Wheel

“If you say yes,” said the Devil, “a single man, somewhere in the world, will be killed on the spot. But three million dollars is nothing to sneeze at, missus.”

“What’s the catch?” You squint at him suspiciously over the red-and-black striped carnival booth. You’re smarter than he thinks you are– a devil deal always has a catch, and you’re determined to catch him before he catches you. 

“Well, the catch is that you’ll know you did it. And I’ll know, too. And the big man upstairs’ll know, I ‘spose. But what’s the chariot of salvation without a little sin to grease the wheels? You can repent from your mansion balcony, looking out at your waterfront views, sipping a bellini in your eighties. But hey, it’s up to you– take my deal or leave it.”

The Devil lights a cigar without a match, taking an inhale, and blowing out a cloud of deep, sweet-smelling tobacco laced faintly with something that reminds you of rotten eggs. If he does have horns, they’re hidden under his lemon yellow carnival barker hat. He wears a clean pinstripe suit and a red bowtie. No cloven hooves, no big pointy fork, but you know he’s the Devil without having to be told. Though he did introduce himself.

He’s been perfectly polite. 

You know you need the money. He knows it too, or he wouldn’t have brought you here, to this strange dark room, whisking you away from your new house in the suburbs as fast as a wish. Now you’re in some sort of warehouse, where all the windows seem to be blacked out– or, maybe, they simply look out into pitch darkness, though it is the middle of the day. A single white spotlight shines down on the two of you. 

“Wait a minute, wait a minute,” you say. “I bet the man is someone I know, right? My husband?”

“Could be,” the Devil says with a pointed grin. “That’s for the wheel to decide.”

He steps back and raises his black-gloved hand as the tarp flies off of the large veiled object behind him. The light of the carnival wheel nearly blinds you. Blinking lights line the sides. Jingling music blares over speakers you can’t see. The flickering sign above it reads:

THE DEVIL’S WHEEL

“Step right up and claim your fortune,” the Devil barks. “Spin the wheel and pay the price! Or leave now, and a man keeps his life.”

You examine the wheel. 

The gambling addict

The doting boyfriend

The escaped convict

The dog dad

The secretive sadist

“These are all the possible men I can kill?” You ask, thumbing the side of the wheel. It rolls smoothly in your hand. Then you quickly stop, realizing that this might constitute a spin under the Devil’s rules. He flashes a smile at you, watching you halt its motion. 

“Addicts, convicts, murderers– plenty of terrible options for you to land on, missus!”

“Serial wife murderer?”

“Now who would miss a fellow like that? I can guarantee that the whole world would be better off without him in it, and that’s a fact.”

The hard worker

The compulsive liar

The animal torturer

The widower

The desperate businessman

The failed musician

The beloved son

“My husband is on here too,” you say. 

“Your husband Dave, yes. The wheel has to be fair, otherwise there’s simply no stakes.”

“I know what’s gonna happen,” you say, crossing your arms. “This wheel is rigged. I’m gonna spin it around, and it’ll go through all the killers and stuff, and then it’s gonna land on my husband no matter what.”

“Why, I would never disgrace the wheel that way,” the Devil says, wounded. “I swear on my own mother’s grave– may she never escape it. In fact, take one free spin, just to test it out! This one’s on me, no death, no dollars.”

You cautiously reach up to the top of the wheel and feel its heaviness in your hand. The weight of hundreds of lives. But also, millions of dollars. You pull the wheel down and let it go.

Clackity-clackity-clackity-clackity

Round and round it goes. 

The college graduate

The hockey fan

The Eagle Scout

The cold older brother

The charming younger brother

The two-faced middle child

The perfectionist

The slob 

Your husband Dave

Clackity-clackity-clackity.

Finally, the wheel lands on a name. A title, really.

The photographer

“Hmm, tough, missus, but that’s the way of the wheel. But hey, look! Your husband is allllll the way over here,” he points with his cane to the very bottom of the wheel, all the way on the other side from where the arrow landed. “As you can see, it’s not rigged. The wheel truly is random.”

“So… there really isn’t another catch?” You ask. 

“Isn’t it enough for you to end a man’s life? You need a steeper price? If you’re really such a glutton for punishment, I’ll gladly re-negotiate the terms.”

“No, no… wait.” You examine the wheel, glancing between it and the Devil.

You really could use that three million dollars. Newly married, new house, you and your husband’s combined debt– those student loans really follow you around. He’s quite a bit older than you, and even he hasn’t paid them off yet, to the point where the whole time you were dating you watched him stress out about money. You had to have a small, budget wedding, and a small, budget honeymoon. Three million dollars could be big for the two of you. You could re-do your honeymoon and go somewhere nice, like Hawaii, instead of just taking two weeks in Atlantic City. You deserve it. 

Even so, do you really want to kill an innocent photographer? Or an innocent seasonal allergy sufferer? Or an innocent blogger? Just because you don’t know or love these people doesn’t mean that someone doesn’t. 

The cancer survivor

The bereaved

The applicant

Some of these were so vague. They could be anyone, honestly. Your neighbors, your father, your friends…

The newlywed

The ex-gifted kid

The uncle

The Badgers fan

“My husband is a Badgers fan,” you say.

“How lovely,” the Devil says. 

Then it hits you.

Of course.

The weightlifter.

The careful driver.

The manager.

The claustrophobe.

Your husband Dave lifts weights at the gym twice a month. You wouldn’t call him a pro, but he does it. He also drives like he’s got a bowl of hot soup in his lap all the time, because he’s afraid of being pulled over. He just got promoted to management at his company, and he takes the stairs to his seventh-story office because he hates how small and cramped the elevator is.

“I get your game,” you announce. “You thought you could get me, but I figured you out, jackass!” “Oh really? What is my game, pray tell?” The Devil responds, leaning against his cane.

“All these different titles– they’re all just different ways to describe the same guy. My husband isn’t one notch on the wheel, he’s every notch. No matter what I land on, Dave dies. I’m wise to your tricks!” 

The Devil cackles. 

“You’re a clever one, that’s for sure. I thought you’d never figure it out.”

“Thanks but no thanks, man,” you say with a triumphant smirk. “I’m no rube. No deal. Take me back home.”

“As you wish, missus,” the Devil says. He snaps his fingers, and you’re gone, back to your brand-new house with your new husband. “Don’t say I never tried to help anyone.”

[zevarcollan]

[kleefkruid]

Oskars ancient Greek curse is that every day he wakes up convinced that this time he can totally walk on the drying rack

[elexuscal]

Danny Phantom, The Show:

geeky kid gets super powers from his parents' weird inventions! now he has to fight a rogue gallery of ghosts... but uh-oh! he still has to keep his grades up, deal with his embarrassing parents, and navigate girl troubles! rap theme song!

Danny Phantom, the Fandom, After 19 Years of Fermentation:

a child dies. but not quite. the inherent tension between life and death. the obsession of the dead for faded remnants of the living. warped green shadows on the walls of a dark laboratory. having to hide your true nature from those who should be your greatest allies. the fear of the monster you could become if you let yourself. being a ghost as a metaphor for the trans experience. a cold breath on the back of your neck in the dead of the night. rap theme song!

[podargus-strigoides]

every image of a tawny frogmouth is perfection. i've never seen a single picture of a tawny that dissapoints.

[heedra]

talking to preschoolers is awesome bc they have not fully differentiated stories into 'true stories' and 'imaginary stories' yet so you will tell them about something that happened you once (coyote came out of a bush right in front of you and got startled) and they will tell you about how one time their house was full of coyotes in every room 'including five in the garage' and they're not even like, aware i think of the idea that they are technically 'lying'. they are simply telling stories about coyotes bc its time to tell stories about coyotes.

[misdeliriosmentales]

Metáforas de la vida diaria: gingivitis y el amor.

Hace unos meses me perforé debajo del labio inferior, me gustaba el toque que le daba a mi rostro y que nadie que conociera la tuviera (porque tener algo distintivo nos infla el ego y nos hace sentir especiales). El problema empezó cuando empezó a rozar mis encías, con el tiempo comenzaron a sangrar cada vez más, a hincharse, oler mal e incluso perdí parte de la misma. Hasta no llegar a ese punto no me la saqué, y los problemas siguieron hasta que decidí ir a la dentista a hacerme una limpieza profunda que no me hiciera sentir que tenía un banco de sangre podrida en la boca. Menos mal que no besé a nadie.

Llegué a casa con la dentadura limpiecita y sintiéndome en paz por fin, las encías volvieron a sentirse parte de mí y no como un parásito invasor que me incitaba a rascarme con una navaja (resistí el impulso). Aun así y aunque de afuera no se notaba, me dio tristeza haberme quedado sin la mitad de mi encía inferior, y también miedo de que cuando sea vieja se me fueran a caer los dientes de abajo más fácil. Bueno, no sé si funciona así. La cuestión es, que en ese momento me puse a pensar, ¿por qué no me saqué el piercing antes? podría haberme ahorrado muchos problemas, malos olores, incomodidades y la pregunta rondante en mi cabeza de si mi boca olería a mierda o no.

Y la respuesta es: porque me hacía sentir bien conmigo, especial, y aunque en el interior me estaba destruyendo se veía bien en mi boca. Como mi ex.

Sabía que era lo correcto dejarlo ir y sin embargo lo mantuve conmigo hasta que me quitó una parte de mí, y fue cuando por fin me lo saqué de encima que dejó de sentirse como un invasor de mi paz. La dentista (ahora hablando de nuevo de mi gingivitis, claro) me dijo que la razón por la cual la condición empeoraba es porque la gente -yo incluida-, al ver sangrar cierta parte de la encía, deciden mejor no cepillarla, no tocarla por miedo a que se torne peor; y eso terminaba generando el efecto contrario. La sangre queda acumulada y se pudre dentro generando infecciones por la creencia de que si se lidia con la parte fea, las cosas se ponen peor. Y ahí, con toda la boca y mitad de la cara llena de sangre y una luz blanca encima mío encandilándome se me ocurrió que la gingivitis es como el mal amor.

Lo que no se toca por miedo, se pudre adentro tuyo.