#stop fucking asking us this

[knifearo]

ultimately when it comes to shipping and fandom space treatment of aspec characters i just don't accept "aro/ace people can still date/have sex" as an answer from nonaspecs. like yeah. mhm. okay. now i think we both know that you're not saying that out of real interest in the diversity of aspec experiences. so you can turn in your seventeen-page essay on why and how you plan to examine this character's aspec identity within the context of a romantic or sexual relationship complete with evidence from canon and peer reviews from multiple aspec people within the next week or i'm putting you in the pit from the edgar allen poe story

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a ���hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[lightbulb-warning]

shit man he's downright POSTITNOTE'D

[tonydaddingham]

so... do we finally realize that the metraton chose aziraphale for his plan maybe, in part, because he literally declared war with hell??? by throwing his halo??? which makes him "a leader"

............OH.

[snipsnipsnippy]

Organa-Solo my ass. You can’t tell me Han isn’t begging to take Organa as his name. Think of the stunts he could pull, the places he could get into, the fucking swagger this man would have as Mr. fucking Organa.

[essektheylyss]

I am once again knitting which means I'm back to the Nein rewatch and happened to be on Midnight Espionage, and truly INSANE episode. The egg dick, both break-ins, the Zauber Spire attack, and the first time a beacon is on screen in like four hours flat. Trent Ikithon is there. The episode ends with Liam and Marisha yelling, "TRUST THE PORN."

[jesteringbug]

Wow! Your Ignihyde redesigns are so fucking ugly! So hideous and uninspired, and their ugliness is only amplified by your very poor drawing skills and even uglier art style! And it's laughable how you really believe that you did better than the official designs, never do that again, you can't design or draw for shit.

too late i'm already planning a heartslabyul redesign lmao

[carlyraejepsans]

hibiscia!!! Sorry if youve explained before but is there something specific about reset-remember fics that you hate? I don't really like them either but for me it's just because I feel like a lot of authors type sans in very ooc ways

They're completely antithetical to Sans' character arc for the sake of cheap and easy angst. The nature of his brand of cosmic horror isn't in reliving his life again and again, that's Flowey's. Sans knows OF the anomaly, knows that it's manipulating time and knows it's a threat to the entire universe, but he doesn't know how or why, because he doesn't remember.

And that's crucial! him being mostly in the dark in spite of the MANY warning signs about us... because it's in that doubt that he remains hopeful. YES we could potentially end the world... but what if we don't? yes we have unimaginable power over everyone else and we can bring back time, but what if we're just.... sad? he needs that gap in his knowledge so he can take a leap of faith across it, it's his entire character arc in the pacifist run. sans THINKS he's given up, he wants to have given up, he chose to do it because there's a comfort in that. in contenting yourself with good food and bad laughs. there's peace. but he hasn't given up, not really. on himself? maybe. but not in us.

there's no way to have that arc if he remembers resets.

[kyonshi-8610]

naninyu naglalaro nga lang po sila 🥺

[ocpder]

Non-traumagenics stop acting oppressed for being a system/disabled when you are not disabled because you're not a system challenge

[inkskinned]

maybe i'm a bitch but if i hear you go out of your way to judge someone's weight, i immediately lose trust in you & will probably forever find you a little unbearable . yes also the little floating bar over my head will start reading [hostile]. this is natural and u caused it.

[starry-bi-sky]

Just so you know, I've reread your answer to my ask about how you'd rewrite "Double Cross My Heart" in your Danyal Al Ghul au several times over. And I'll just say, your whole breakdown and revision of that trainwreck of a Sam centered episode is the very reason why when it comes to the phandom, both alone and in dpxdc crossovers I tend to lean more towards fanon Sam instead of canon.

Because the people that like her yet acknowledge her glaring flaws do a far better job of bringing her to task when she's being unreasonable or hypocritical in a way that's fair than the supposedly professional storyboard writers.

Anyway, you mentioned that you don't like amethyst ocean and prefer gray ghost. Same here. (though I also like pink astronaut) Since then, I can't stop imagining Danyal/Danny with the "Damian experiencing his first crush" headcanon applied to him. The idea of him treating Valerie with suspicion under the assumption she somehow poisoned or hit him with some kind of hidden anti ghost tech that affects both his human and ghost side, when in reality it's simply him developing feelings for her is just absolute hilarity. To me if no one else.

FIRST OFF YOU ARE SO SWEET <33 the fact that you've read my post about Double Cross My Heart SEVERAL TIMES means I'm now morally obligated to die for you. I'll admit! I was a bit harsh on Sam a little in my original response, because I was irritated by some depictions of her in fanon painting her as someone who could do no wrong and had the only braincell in the group. So I was kinda picking on her a little bit. Would I change a thing? No, I love her character, I just love dissecting her flaws even more.

AND ALSO YOU'RE SO RIGHT ABOUT THE DANYAL THING. That's so cute and so funny, effective immediately it is now canon🧑‍⚖️ . He fought Red Huntress earlier that day and she got a lucky good hit on him, and it's literally that one Marina reaction image where the first panel she looks shocked, the next she looks into it. At least part of it. That's literally what happened, and the next time Danny runs into Valerie at school his heart flutters.

Danny puts up this whole conspiracy board because Valerie smiled at him and his heart went all flippy-floppy and what is this FEELING. He shows it to Sam and Tucker and they both are doing that hands folded prayer-style pressed against their mouths in concern thing, and they don't know whether they should laugh or cry.

Because on one hand: oh my GOD, Danny. But on the OTHER: on my god, Danny. He's never gonna live this one down but that's because if they don't tease him about it, they're gonna get all mopey and sad about it. Just another reminder of their best friend's tragic, mysterious background.

aaa. There are some headcanons I wanna go over (like how when they go on a date, Danny and Valerie have this cute heart to heart where Danny admits that he's not used to being open with people, but he wants to try to be with Valerie because she makes him really happy. He's so shy and almost flustered, and Valerie is so charmed by this side of Danyal Fenton that she's not used to.) but I REALLY wanna think about this in terms of episodic because it was super fun doing it last time, and I really enjoyed it.

If you remember (and you prolly do since you mentioned you read the last ask you sent me several times) I said in the Gregory post that I deleted a (frankly good chunk) of writing that included how i would change the Valerie episodes leading up to the Gregory one, but I deleted it because it was kinda irrelevant to the ask, and admittedly I was getting myself all twisted in knots about it.

But I kinda wanna do that now.

So. If you don't mind I am. Gonna do that. And luckily for me! I found the website I can do. that for free, and have it pulled up! It's the same one I used for the last post to chart out the gregory episode.

So, Shades of Gray! I lowkey want this episode to be like, subtly hinting at the idea that Valerie might develop a crush on Danny first. But ultimately it gets the two of them properly introduced and established with each other, and Red Huntress going.

The episode starts out with Danny being chased by Dash because he got a bad grade in a spelling, obviously if he tried that with Danyal he's gonna get his shit wiped. So! Change! It's Danny heading to his next class, he's texting Sam and Tucker, expertly maneuvering around people in a combination of teen-texting-habit and assassin training awareness. Kinda aware of what's around him, but also not and just trusting instinct.

We meet Valerie when she's showing off a (frankly unflattering) purple polo shirt that costs, AND I QUOTE: "$579, and worth every one of my dad's pennies." to Paulina and Kwan. Girl, this shirt is a few shades off from that NEON "error, image not found" magenta. It looks incredibly unflattering on her considering it's neon-y-ness and the orange skirt and headband she's wearing. Sweetheart, get your damn money back, or at least pick a different pair of pants.

I'm telling you this because I can't resist changing the design. So instead of. that.

She is INSTEAD wearing like, this cute, ruffled, soft pastel purple crop top and some cute jean shorts. Her hair is in like, passion twist braids with little gold cuffs in them. She looks SO cute guys, so cute.

Of course maybe they made it look ugly on purpose because in the show she gets coffee dumped on her 30 seconds later from Danny crashing into Paulina while running from Dash.

I've thought of three different ways this could go, and can't pick which so I'm just gonna write them out and see which one I'm drawn to more.

Kwan, Paulina, and Valerie are standing in the hallway. Not next to a corner but close to one. Danny turns the corner, does not run into them. He briefly looks up from his phone when he hears, they kinda stare at each other, and Danny idly, disinterestedly looks at Valeria, then compliments her with a single; "Nice shirt." Pretty anticlimatic ngl, but it startles the trio a little bit because Danny doesn't often talk to other people outside his circle unless he's in some kind of group project or has to. So for him to compliment Valerie unprompted is startling. This could or could not end with one of them snarkily saying "thanks its worth more than your entire wardrobe" which Danny would take offense to because, lets not kid ourselves, Danyal and Damian Al Ghul were raised as pseudo-princes in the League. Without missing a beat he shoots back: "at least i have a personality beyond being rich." and then disappears down the hallway.

The trio begin walking down the hallway, crash into Danny. HE gets coffee splattered all over him and he immediately reels back, instinctively reverting back to his mother tongue and hissing out arabian curses as coffee drips down the front of his red hoodie and shirt. It's even in his hair. Thankfully the coffee is not as hot as it started out, but it's still uncomfortably warm. He wipes the drink from his eyes, flicks it onto the ground, and hisses out; "watch where you're going!". The trio? Kinda unsure of how to react at first; Danny is unpopular, but not unpopular enough to be worth bullying -- besides, everyone knows he wouldn't tolerate it. But then I think Paulina finds her tongue and says "what did you say?". Danny turns to her and says; "I said; watch where you're going. Need me to say it in Spanish? Mira por donde vas!" He flicks off his hoodie, grumbling in arabic about how he's going to smell like coffee all day, and stalks off. I'm pretty partial to this idea.

Valerie still gets coffee dumped on her. But instead of sic'ing Kwan on him (because she knows that won't work), she just says a few choice words to Danny and stalks off with Paulina and Kwan to go find somewhere to clean off the coffee. Danny approaches her later and gives her a list of cleaning stuff that can get coffee stains out of her shirt. And when she tells him it's made of like, this super specific fabric that needs this really specific stuff to clean, Danny raises his eyebrow at her and says that he knows, and it is a list of stuff that can clean out the stain without damaging the shirt. He says he's not an idiot, and he knows how to recognize X-Fabric when he sees it. Just because I'm fond of pseudo-prince Al Ghul here being a bit of a snob and has an extensive care and hygiene routine. He uses this moisturizer or cologne that makes him smell faintly like sandalwood and vanilla because that is my favorite scent. Tucker jokingly handed him a 13-in-1 once while they were doing a quick supply run with Sam, and Danny literally dropped it like it burned him.

I'm really partial to two and three. So i'm going to get a second opinion. [...] Second one wins! Thank you, Naviii~ <3.

Danny could just intangible the stuff off him, but that would raise questions and also I want him to go the rest of the day stained with coffee. So it stays, and he's in a sour mood for a good chunk of the day. He runs into Cujo when he disappears down an empty hallway, and gets even more irritated when his ghost sense goes off - but hey! If it's Skulker, he can at least pulverize the dude and let off some steam. But nope! It's a puppy!

And Danyal Al Ghul, local ex-member of the world's most deadliest "we speak for the trees, the trees say fuck you" group of environmentalists ever, immediately feels his troubles melt away, and he croons at Cujo. "Oh hello, habibi. Who do you belong to?" And drops down to the ground to let Cujo sniff his hand. Cujo does so, and then starts vying for his attention, and Danny is grinning very wide and very genuinely and is more than happy to give it. "You are a much better surprise than that wretched poacher. Do you have a name, pretty thing?"

Cujo has a collar on, so Danny touches it, lifts the tag, and sees the Axion labs "A" symbol on it. He hums, narrows his eyes, and murmurs "Where have I seen this before?" But before he can flip it around, Cujo then turns monstrous. We cut to the title screen!

I want to say, the next scene is in Axion labs. The way that Damon (Val's dad), Valerie, those two guards, and his boss reacts, it heavily implies that the existence of ghosts have not reached the whole of Amity Park, and that the city itself is still largely unaware of their existence. Considering that Damon's security system doesn't allocate for ghosts, and when Danny crashes at their feet, Valerie literally asks him; "What are you!?" and she seems surprised when tucker later tells her its ghosts, and is even unaware that Danny's parents are ghost hunters.

When Valerie gets coated in dog ecto-slobber, Danny does grin a little under his little half-face balaclava. Because yes, karma! He is petty, and he can't help but flip to his feet and snarkily, smugly say; "I know what I'm not," and as he says this, he leans forward and plucks some of it out of her hair, "Covered in dog slobber." and then he flicks it away.

Before Valerie can retort, Cujo breaks into the lab, and Danyal mutters curses and bounds after him. The lab gets destroyed as per canon, and Damon gets fired.

The garage sale scene happens pretty normally, when Valerie says her little "oh great, word has already oozed down to the bottom of the social grapevine." Danny's response is snarkier than in canon.

"And here Tucker was just offering some simple help to you, you looked like you needed it." He says icily, and Tucker pipes up and says "we all just want to help!" because I don't fully see Danyal being that generous especially to someone being rude to his friends.

Sam dryly says "I don't." and Danny just stays silent, neither confirming nor denying anything. He just raises an eyebrow and turns his eyes to Tucker, who is laughing nervously.

"Well, Danny hasn't said no. So most of us want to help! That's two thirds." And he gestures awkwardly to Danny, who is wearing a red muscle tee hoodie, showing that he's rather lean. "And Danny's the strongest between the three of us, so he could be a big help! There could get a lot more work done."

Valerie is not convinced, as in canon. Although for my Gray Ghost heart she does check out Danny a little bit -- but quickly shakes it off because she's still very deeply entrenched in the status quo. "Thanks, but I'll pass."

Before Danny's ghost sense goes off, I do want him to wander around the yard sale for a moment just to see what's to offer -- collector of trinkets and pretty things, he is. Projecting, I am. Slightly GNC Danny ftw, it is. There's a table of jewelry up for sale that he's drawn over to -- and almost immediately disappointed by. It's pretty, and extravagant and very obviously expensive, that's for sure, but that's not the problem. Valerie sees him looking and marches over to him, still upset that he and his friends are still there.

"Put that down, that stuff is worth more than your own wardrobe." She snaps at him, and tries to snatch an expensive, luxury sapphire necklace from his hands, and is immediately met with an icy glare from Danny as he yanks it away from her fingers.

"Who says I can't afford it?" He says -- and he can't, not really, not with the allowance he gets from the Fentons and not with their funds. However, despite their limited contact, Danny still does meet with his beloved mother. One word from him to her, and she'd ensure he got a hundred of the very same necklace. "You? You can't either, Gray. Not anymore."

Valerie looks embarrassed and furious, but Danny continues, and tosses the necklace to her. She fumbles, but manages to catch it. "I don't want this junk anyways. It's gaudy and too western. I look better in gold."

Now his ghost sense goes off, and he turns away from Valerie. He doesn't run off immediately, lingers long enough to see who the ghost is and what the danger is. And when the ground begins to shake, he grabs onto the table and reaches out on protective instinct to hold onto Valerie before she can fall over.

As you can tell, this is for my gray ghost heart. Although valerie's clothes do still get destroyed by the street water, unfortunately. And Cujo shrinks down to size by the time Valerie makes it over to her dresser to try and grab it.

Danny audibly mutters, "Its that dog again." and hurries over to scruff the thing before it can wander off. Cujo is wagging his tail and immediately, enthusiastically licks his face once he's got him up to eye level. Danny cracks a little smile, "Hello habibi, you're a little troublemaker, aren't you?"

"you know this dog?" Valerie demands, and stomps over as Danny gets Cujo settled into his arms. Sam and Tucker hurry over as well, looking mildly frazzled.

Danny scoffs at her; "Don't be ridiculous. I met him a few days ago-- wait;" and he pauses to check to see if Cujo is a boy, "--ah, yep. Him. -- I met him a few days ago in the hallway after Sanchez dumped her coffee all over me. He was rather friendly, but he ran off before I could see who he belonged to."

Sam leans over to look at Cujo, and wiggles her finger at him; "He's kinda cute, and he likes you."

Dannny has a moment where he wants to boast, of course he does, I'm fantastic with animals. But instead he keeps mum. His smile just kinda softens proudly, and he hoists Cujo into his arms a little better.

The moment is shattered by Valerie, who points accusingly at Cujo. "Whatever it is, get it out of here before it ruins anymore of my stuff!"

Annnd before Danny can do just that, Cujo begins wiggling to get out of his arms and run around. He manages to, with his ghostly strength drag Danny across the lawn before yanking himself out of his arms and knocking them both onto the sidewalk -- scraping Danny's arm in the process -- and running around.

Rather than his leg, Cujo bites Danny's arm -- and has a strong enough grip on it that he unintentionally pierces flesh and causes him to start bleeding -- and begins dragging him. But before they can reach the moving van, Danny gets his fingers wrapped around Cujo's collar, finds some purchase -- even if it means his bare arm is being dragged against the sidewalk, and yanks hard on Cujo's collar with a harsh; "HEEL."

Cujo immediately stops, and sits. Danny honestly wasn't expecting that to work immediately, but it does! And with Cujo still, he keeps one firm hand on the collar and uses his other arm -- which is now painfully road rash'd and bleeding -- to help sit up.

Sam and tucker and Valerie rush over to help. "Oh my god, Danny, are you okay?" only for Danny to hold his bad arm up to stop them from getting closer, and whirling on Cujo to scold him. He's upset enough that he reverts back to Arabic, but Cujo seems to get the point across and wilts.

Danny feels bad, but can't show Cujo any affection unless he wants to accidentally reinforce the behavior. He points to his side, and Cujo obediently goes to sit but his feet. Now he turns to the other three.

"To answer your question." He looks down to his arm and very gently brushes his fingers against the road rash, brushing out the little pebbles stuck in his skin. it stings like a bitch, and he faintly grimaces. Then he inspects the dog bite on his wrist "I'll be fine."

Even Valerie looks worried; "That looks really bad, Fenton. I think you should go to the hospital--"

"No." Danny immediately cuts her off, "No hospital. Mr. and Mrs. Fenton keep a first aid kit at home, I'll just use that."

"And what about the dog?"

"I'll figure something out."

And then they scoot off.

Cafeteria scene goes as canon, nothing much to change there other than the fact that when Valerie sees Danny, his arm is all bandaged up and he's wearing a batman merch t-shirt rather than a muscle tee, she feels a little guilty. A small part of her kinda wants to ask how he is, but the larger part that's still big on the status quo and is still humiliated by being shunned by her friends, just wants to go eat in peace. So she doesn't say anything.

(although i am thinking that if she runs into him again later after the cafeteria scene, she asks him what he did with the ghost dog, and he lies and says Phantom swooped in and took Cujo from him.)

The park scene goes relatively the same as well, at least in the beginning. But instead of Sam and Phantom being all "he's an untrained dog" they're instead all "let's see what training he does have. Maybe it can be refined."

"You're good with animals Danny, and you're the only ghost in the area. You handle it." and then she tosses the dog obedience book at him and wanders off.

Danny doesn't need the dog obedience book, so he tucks it into a pocket dimension in his cape and whistles for Cujo. There's that whole tumble down the hill, that whole chase scene happens.

I do wanna say, I actually really like how inexperienced Valerie is here. Idk maybe it's because I haven't watched a tv show in a long while, but it's nice to see that she's not immediately good at it. She wobbles on the hoverboard, two out of the three disks she threw at Danny missed, and the third only hit him by chance. She's amateurish, and I really appreciate that.

"Let me guess, first day on the job, isn't it?" and he still gets cut by the third disk like in canon. He's not impressed or convinced when she says she's going to take him down -- it's one quick once over that tells him enough.

Wobbly feet, unsteady balance on the board. -- Her first time using it, she's unconfident and doesn't trust her own tech, as if she didn't even make it herself. She's unused to the board.

Improper trigger discipline, and shaky hands on her gun. She's holding it with one hand and far away from her like she's afraid of it going off, despite the fact that she's the one on the other end of it.

Tense all the way up to her shoulders, her voice is full of false bravado. She has no idea what she's doing. Danny's thoroughly unimpressed. At least the Drs. Fenton and Walker (maddie got her doctorate with her maiden name) trust their tech wholeheartedly and treat them as an extension of themself, just as Danny does with his blades. Just as this new ghost hunter does not.

And, of course, the way she goes flying off her board the moment she fires her bazooka. Although Cujo does still come to the rescue, although like in canon, he grabs Danny by the foot. Danny manages to recollect himself though and hoist himself over Cujo's back like he's riding a horse.

This is the biggest scene change and possibly my favorite change. The fakeout makeout scene. Now, let me preface this by saying that I love the fakeout makeout concept. I think it's hilarious, and I think it's even funnier if Danny is actually rather down with the concept because the assassin-undercover part of his brain thinks it's a simple-in-a-clever way in order to brush off suspicion. I think Sam and Tucker both are very down to kiss their very attractive best friend, and whenever it comes up there have been arguments over whose turn it is to kiss Danny.

BUT. I have an image in mind for this scene, so I want Danny to be alone for this. So Cujo takes him to a cluster of trees and bushes where Sam isn't at, and Danny sends him off with a ball as per canon, but rather than get tackled by Sam, he dives up into a tree and transforms back to Al Ghul before Valerie can reach him.

He is reading the Dog Obedience book, and scares the absolute shit out of Valerie. And it's never a bad day to hurt Danny, so little miss firstie over here fires into the trees, and juuuust about skims Danny's arm. The same one that has the road rash and dog bite on it, that he's forcibly prevented himself from rapidly healing because that would arouse suspicion.

"ماذا بحق الجحيم كان ذلك!؟" ("What the hell was that!?")

Valerie knows that voice, and instantly turns ashen. "Oh no." She flies up the tree and finds Danyal sitting snug amongst the larger limbs, the dog obedience book in his lap, and he's hunched slightly and holding onto his burned arm tightly.

"Oh my god, I-- I am so sorry--" she doesn't have the time to be upset (or snarky or mean) about why he's there, considering she just shot him. Danny snaps his head up and glowers furiously at her.

"Wh- why did you do that!?" He stammers over himself, trying to find his english. Part of it is an act, part of it is genuine anger because she could've killed him with that thing. He loathes incompetence, and she has it in buckets. "Watch where you're aiming that, Trigger Finger, you could've killed me!"

Valerie is all flustered and mortified, can't even find it to get angry back. "i- I am so sorry, Fenton. I thought you were something else--"

"Something else!?" Danny yells, "So you blindly shoot?! What is wrong with you!? Don't you know any trigger discipline!?"

Iiit's. a mess? Valerie offers him a lift to the hospital, or at least out of the tree, and Danny snarls at her not to touch him, and that he's not going anywhere with her on that hunk of sheet metal. He tosses the book at her and says to make herself useful and hold that while he gets down. Valerie feels really guilty -- too guilty to protest or be mad about how angry he is with her.

When he gets down from the tree he takes the book back from her, and then asks her how she even knows his name anyways. They've never met before. "Actually, now that I think about it," he narrows his eyes at her, "you sound like someone I know."

And then he reaches for her mask.

Valerie flies back, stammering over herself and briefly forgets to feel guilty in order to feel panicked and indignant, and then just goes "What are you doing!? You're crazy, we've never met before!" And then flies off.

And, before I continue, I will say right now. Danny, as himself, forever and always from then on refers to Red Huntress (or Scarlett Hunt, as I'm thinking of as an alternative) as "Trigger" or "Trigger Finger" respectively. Whenever they run into each other as Scarlett and Danny, he always calls her Trigger and asks if she's killed anyone yet. Valerie feels really bad from then on about hitting him, because where she hit him ends up scarring.

When she's gone, Danny mutters to himself that that sounded like Valerie, and goes ghost to go find Sam and tell her what happened.

Hallway scene stays the same, and -- actually, I was gonna make fun of the fact that Valerie didn't know the Fentons were ghost hunters when it's the whole reason the family is ostracized. But you know what? I can believe it. Kids will follow the crowds' lead. Witch hunts and all that.

"So, Tucker tells me your parents are ghost hunters!"

"Yeah? What else has he told you?"

Before Cujo shows up, they do actually manage to hold some kind of conversation. However, Danny uses the time to go: "Look, if you're planning on getting into ghost hunting, try not being like the hack I met yesterday."

Valerie laughs nervously, "Ah-hah, no of course not! But uh, hack?"

Danny scowls, and twists towards her with his arms crossed -- he's wearing a red hoodie today, and a band tee. -- "Yeah! I met some chick yesterday while at the park, and Little Miss Trigger Finger shot me." He says, "Your weapon should be like an extension of yourself, not something you just use! Trigger Finger was flailing that gun in her hands like it was a ribbon, and incompetence like that will get someone killed. Your weapon -- whether it be a blade or a firearm or a blunt object -- should be as easy to move as curling your fingers, and just as easy to trust. It should not be a stranger, but a part of you. A weapon must know how to use itself if it wants to be of any use to anyone else."

Sam cuts him off with a high pitched, nervous giggle, and wraps her fingers lightly around his shoulders and tugs him back, sliding her arms around the front of his chest like an anchor. "Danny." she hisses at him quietly, and Danny snaps his jaw shut and looks away.

Tucker also laughs uneasily, "Sorry," he says, leaning around Valerie to get her attention, "Dan here uh, gets really passionate about improper weapon handling. It's one of his quirks."

Danny looks away and mutters something under his breath in arabic.

(You know this already, but Sam and Tucker still don't know about Danny's past. But they've heard him talk about weapon mishandling enough times -- and have seen him fight -- to know that the way he talks is more than just theory. He has personal experience with weapons, and has unintentionally before referred to himself as one. But whenever they ask about it, he clams up and denies any sort of involvement.)

Valerie doesn't really know what to say to that, but Danny seems to know a lot about proper weapon discipline. So she might try her chances with getting to know more about it from him later, if she can catch him. She also silently makes note to get herself acquainted to her own tools like Danny was implying.

And then Cujo shows up, and things happen as canon. Oh but wait Tucker lands on Valerie while she's trying to figure out how to open the thermos, and I want to say that she hears him say "I can help you. valerie!" before he lands on her. So her confronting him after she gets out of the basketball hoop, and practically beegs him not to tell Danny about being the same girl who shot him. She really does think his help could be valuable in the long run because of his knowledge on ghosts and weapons.

Lovestruck Tuck of course, agrees. Not without some tentative hemming and going; "I don't know Val, Danny's really clever. He'll figure it out eventually if you don't do something to hide your voice, it's pretty recognizable."

For this episode, her voice stays the same but in the future she'll be working on a voice mod, and until then refuses to speak around Danny if she knows he's present. If she has to talk, then she forcibly tries deepening it.

Anyways things proceed as canon, Danny overhears the boss with Damon say "I know we should've never gotten rid of those guard dogs."

He mutters to himself "Guard dogs? Wait..." and he holds up Cujo, peering at his collar, and finally realizing where he recognizes the symbol on the tag. Immediately his expression darkens, "Oh fuck no, they did not."

Things go as canon, although Danny sneaks in not only to find what Cujo is looking for, but to hack in and get records of their guard dogs to confirm his theory and to steal them -- plus confirmation of termination of said dogs. So he can blackmail the shit out of Axion Labs later. He stays invisible and uses his league training to sneak around, and actually gets the guard dog records and confirmation before he runs into Valerie and they fight. Danny purposely keeps his distance and focuses more on dodging.

"you're a pretty lousy shot" Valerie says when he blasts above her a metal support beam above her.

Danny retorts sharply, "I could say the same." And although she can't see it, he bares his fangs at her. "Or have you forgotten about what you did to the ghost hunters' boy a few days ago?"

(He can be VERY petty)

Which, of course, infuriates and embarrasses Val. Things remain as is, Danny finds the squeaky toy, he tells Valerie he doesn't own the dog -- although he also says that he belongs to the very same Lab that fired her dad -- she refuses his apology, Tucker pretends to get caught by the Axion security lab. Etc etc.

Danny later reveals that he also stole the records about the guard dogs and how Axion Lab wrongfully euthanized all of them in favor of a security system they didn't even end up using, and was planning on anonymously releasing it online so that Axion could face the consequences for their abuse. Tucker has to beg him not to, because then that would reveal that someone else had gotten into the lab that night and would put Valerie's dad in hot water again.

Danny... reluctantly agrees. For now. But he'll be holding onto it, and keeping his eye on Axion Labs. This sort of cruelty will not go unpunished forever, he'll make sure of it.

ending goes as ending does. They go to the dumpty humpty concert, they speculate where Valerie got her suit. Etc etc. At the lunch table I think Valerie stops by Tucker and co's table to talk to Tucker -- they seemed to end on a good note that night -- and she asks Danny how his arm is.

Danny eyes her quietly, and turns his head away. "It'll heal, so long as Trigger Finger stays away from me." and he does see Valerie wilt a little, and kinda feels bad. But also, she fucking shot him. He's lowkey less angry about that tho and more angry about her total weapon incompetence

-------

When its just Tucker -- and ykw, Sam too, who Valerie would know knows she's Red since she was yk, right there next to Tucker when he fell on Valerie -- and Valerie, he tries to reassure her about Danny's apparently grudge against Scarlett Hunt.

"Aw, chin up Val, I'm sure Danny will come around to your alter ego eventually! He just.. needs some time to heal! Literally, because you... shot him."

and when Valerie realizes Sam knows too, Sam points her pen at her and goes: "The only reason I haven't told Danny is because Tucker is also my best friend," she leans into Valerie's space; "But so help me Moses, if you shoot Danny again, I will not hesitate to tell him. And i will, in a heartbeat."

She leans back, crossing her arms; "So you better learn to control your finger, Trigger."

-

Danny having beef with Red Huntress in his civilian form was not actually in the original cards for this episode, but it came to me as I was writing and I could not pass it up. I think it'd be hilarious and also like, a real point of idk conflict for Valerie. Just one more reason she wants to be abetter ghost hunter because otherwise she'll hurt people -- shooting Danny left a mark on her, and she feels really really guilty about it. Especially after finding out it scarred.

And also it's like, objectively hilarious? It's like the Love Square from MLB but its more like a Hate Square instead. Granted Val and Danny don't hate each other but my point still stands! It's there if you squint.

Every single time Danny runs into Scarlett he calls her Trigger and asks her how her aim is, and whether she knows how to use that weapon of hers. Valerie is both very frustrated by his unwillingness to forgive her and very ashamed by the fact that she's frustrated by it. He has every right to be mad at her, she could've seriously hurt him -- and she did -- but still, his animosity is grating sometimes.

Danny does eventually get over her shooting him in his civilian form -- considering she shoots him all the time as a ghost. But what he refuses to get over is the fact that it happened at all and her lack of proper discipline before she decided to jump into the fray.

No no no, that he is still burning furious about. Tucker wasn't kidding when he said that Danny was passionate about proper weapon handling. The fact that Valerie didn't even acquaint herself with her weapons and learn how to use them properly before deciding to hunt down Cujo and Phantom is the thing that keeps his burning "hatred" against Scarlett as Fenton going.

Idk if it's ever actually confirmed that Valerie and Tucker are dating, its kinda implied that they started. But I'm gonna say that they were only in a talking stage (one that Valerie only initiated for her own needs) and after this episode it doesn't go anywhere, but they remain kinda friends. That way, Valerie can show up a few more times prior to Flirting With Disaster and lowkey hang with the gang without Tucker and Valerie actually dating.

So i was actually going to share a few more headcanons too with Gray Ghost, and delve into the "Flirting with Disaster" episode, but this got... really long, and took me all evening to write (curse adhd) so I am. not going to go into that jadlfh. Plus I have to think more about them and come up with more cute headcanons.

Like how Danny calls her affectionate petnames when they're dating/sorta-dating the moment he settles into the relationship and becomes comfortable with it. One morning when he walked into a class that they shared, he smiled at her all warm and fondly said "Good morning, beloved."

And normally that might sound too strong in the fledgling beginning of a relationship, but Danny somehow manages to make it sound super natural and not at all too-much-too-soon.

Literally everyone's jaw dropped in that room. They've never seen Danny act that way, and Valerie somehow manages to invent a new shade of maroon on her dark skin. She does this cute little giggle-snort and waves her hand at him bashfully. Danny looks very endeared.

Paulina turns to Dash and angrily demands to know why he doesn't call her any cute petnames that aren't babe.

Oh and before I forget: As Phantom, Danny calls Scarlett Hunt either "Scar" or "Little Red Riding Hood" (or some variant). It pisses her off, which he does really like doing. Also, compared to how he fights ghosts, he goes remarkably easy on her. He doesn't even unsheathe his sword for her -- which she does eventually notice and gets angry about. She thinks he's doing it to look down on her.

When it's not. She is Squishy Fragile Living Human In A Meat Shell. He is Immortal Ghost With Powers. And A Sword. And A Decade Of Assassin Training. He could kill her a dozen different ways if he didn't hold back like he is, and he doesn't want her dead.

okay okay that's all I've got for now BUT, as a bonus, while I was making those three different scenes for the coffee splash scene, I stopped midway because I got art bunnies for danny for the first time in forever, and went ahead and drew him. So!! Things in Threes Danyal doodle be Upon Ye!

[frobby]

I think it would be really funny if rin was the more helpful one around his house. Like u would think rin would be the disrespectful one who always bails on housework or mass but its actually yukio who would always have an excuse not to go or forget about chores to the point that rin just does them instinctively now

[fauvester]

THE PRINCES OF THE NORTH!

i thought my little moshang kid could benefit from a baby brother

[femboypussy420]

You're correct for tagging me ty and anon is kind of lying bc they have very deliberately Not confirmed they're in a relationship in an interview. They do have a joint mortgage in a house they built, they did both come out as gay and have lived together for over a decade and never dated anyone else, they've referred to each other as soulmates and more than romantic and make jokes about it but they have not unequivocally stated that they are In a Romantic Relationship and imo good for them and also they'd never hard launch in an interview lmao

Lol idk if you care but Dan and Phil are actually in a relationship they’ve confirmed in an interview and in Dan’s coming out video and they took out a mortgage to custom build what they call their “forever home” together not joking

[insert that one gif] good for them!

[fluffypotatey]

Can we please see Javy (Top Gun) and Javi (Twisters) in a fic or blurb?

hm well i haven’t written their official intro to each other yet (and i do plan to in Jake’s pov) but i got memes for how it would go down!

it’s literally just two different memes but one’s edited two more times lol