#stitch marks

[whisperingexecutioner]

Karl Ruprecht Kroenen official fullbody art.

Source

[simp4frogs]

was that the bite of ‘87???

cross stitch of markiplier and fnaf by me!!

[lupins-hehim-pussy]

[ ID in ALT ]

he giggles

[egophiliac]

Waittt, what did you mean with your last post?? I don't want to spoil myself so I'm waiting for the nightmare before christmas event to arrive on the eng server before diving deep into the wiki. But I HAVE to know; were there hints of Lilia joining in for a rerun or a sequel ??? Your big "OR IS IT???" filled me with way too much hope !! please tell me it wasn't a bit : (

there was a little teaser at the end that implied there'll be a sequel event, though we don't really know anything beyond that! I do think it's likely we'll get the other half of the cast in it, even if it's just wishful thinking on my part. 🤞🤞 NIGHTMARE SUITS FOR EVERYONE!!!!

as far as I know there's been no confirmation on whether it's going to be next year's Halloween event or a separate thing (the snow makes me think it'll be more Christmas-themed, or otherwise more related to the plot of the original movie) so. we're probably going to have to wait quite a while before we find out anything solid. :') they really do love just dropping these things on us and then watching us go absolutely wild with speculation while they watch like

[uncanny-tranny]

Another bonus to learning a fiber art is being able to speak to others in a Lovecraftian language that nobody else understands...

...and also being able to read things like THIS:

[dgaftilwedie]

amanda's ghost laughing at hoffman getting reverse bear trapped

[the-imaginative-hobbyist]

The Wild Robot is beautiful, funny, touching, charming, and fun. I highly recommend it.

[lunareclipse06]

I think it was about time for a redraw

Stitched Up will be 5 years old in October! :DD

[gh0st-4ss]

[whisperingexecutioner]

Karl Ruprecht Kroenen official fullbody art II.

Source

[irregularm4ngo]

hoffman on a revision sheet

[bliss-in-the-void]

I think the reason we can tell that it’s Kenjaku behind those eyes instead of Suguru is that there’s no sadness or weight in them the way that Suguru used to have.

[renirae]

I can't properly draw rn because of medical issues, but here's a quick slapdash rendition of Jon's scar from this fic!!

(it's supposed to be an Eye+Web+Spiral combination, and I took inspiration from the TMA logo of course :))

[letthewhumpbegin]

The Outfit (2022)

[sceebybeeby]

"why did you do it?"

a quick cross stitch i did bc the dunmesh sampler i was working on was making me evil, self drafted lol

(the back under read more for the ppl who care about that kinda thing lol)

[ladyylavenderrr]

Talked about this in an ao3 comment so I’m repeating myself, but I always interpreted Mila’s rant to Garak in A Stitch In Time about assimilating into Cardassian society as very telling about what the nature of her relationship with Tain might be like.

Tw: sexual assault and a whole lot of internalized racism

After Garak returns from Bamarren, he’s being forced into the Obsidian Order and Mila is the one to walk him to their headquarters. She tells him “Understand, Elim-you are being given the opportunity to move above the service class.” The opportunity here is emphasized again and again in this scene.

When Garak tries to contradict her implication that the service class isn’t valuable or desirable, she becomes furious, speaking with a passion we haven’t seen her express ever before and don’t see expressed again. I just want to highlight the exact passage I find most important.

"Listen to me!" she said with a passion that startled me. "You are my son and you are a Cardassian. Not a Hebitian. Look around you!" she commanded. I did. We were in the great public area which is surrounded by the buildings that house the power of the Union.

"Hebitians did not build this. Cardassians did. Your father and I serve and maintain, but we do not influence or guide the destiny of the Union. You could. That's why you must submit right now! Do you understand me, Elim? Once we walk through that door," she indicated the one that led to the subterranean levels of the Assembly building-to the Obsidian Order-"you must submit to your fate."

Mila is a Hebitian woman and yet she obviously rejects that heritage and culture. She’s directly juxtaposed with her brother, Tolan, who is desperately trying to keep his identity alive. Meanwhile, Mila assimilates as much as she can. She demands Garak do the exact same. She glorifies the acts of Cardassians (in this case I’m using “Cardassian” to mean non-Hebitians). Most importantly, she tells Elim to submit, submit, submit. Whatever is about to happen to him, it’s going to elevate him from service class and Hebitian to upper class and Cardassian, the dominant and powerful racial category in their society. The message is obvious. The best thing a Hebitian can do is assimilate and submit to Cardassians.

I always saw this scene as a sort of extension of her relationship with Tain, or what it could be like. Her dialogue here obviously reads as her projecting onto Garak in some way, that’s very clear. She’s telling him to submit to the Order, yes, and the racial and class divide of their society, but more importantly, to Tain and his whims. After all, he’s the one at the very core of Garak being forced into the Order. And Tain very much represents this racial hegemony of Cardassians. He’s directly contrasted with Mila, Garak’s other parent, he literally lives above her and her Hebitian family, he has a collection of ancient artifacts from other cultures collecting dust in his study like some kind of commodity.

Mila wants Garak to submit to the racial and class hierarchy by assimilating, just like she does. She also wants him to submit to Tain, because he and that hierarchy are the same. So then, can we assume she has also submitted to Tain?

We don’t know much about the relationship between Tain and Mila, and what we do know (her being his employee) doesn’t scream perfectly consensual. This interpretation makes that dubious consent a lot more dubious I know.

To me, this scene makes me view the relationship between the couple as Mila having more directly submitted to Tain by being his lover, because it’s an opportunity (there’s that word again) to have some kind of power, to be near that racial ideal, to be more than a mere Hebitian, and more importantly, because she simply won’t ever fight back against the racial and class hierarchy (Tain) she’s trapped in, unlike her brother. What Tain wants, Tain gets. What Cardassians want from Hebitians, they get, so why fight back? This is the only way to survive for Mila and it might just bring her some kind of power, no matter how small.

Their relationship is a sort of microcosm of how Mila navigates being Hebitian. Cardassians dominate her and she doesn’t fight back. And even if she cares about Tain (the way she talks about him in TDIC makes this likely to me), they both know she can never be his equal and she’ll always be expendable to him.

I hope this analysis and interpretation makes sense