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lylian333 · 5 months ago

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~Yandere emperor x reader~

warning: read at your own risk, traumatizing, dark historical shits, noncon, force, many misunderstandings,sexual harrest , angst ,age gap, everything here is quite insane, historical au, he's fucking crazy, killing, insults, English is not my first langue(if there's any warning I didn't put, tell me)

words:2180

(this is not my art I found it on Pinterest, and in the comment section it's said that it was made by AI so��)

Princess (y/n) Laurier has been best friends with Princess Alyssa Everett since you both were just 6 years old. You both have many things in common, such as interests, opinions, and much more.

You both would usually hang out around each other's kingdom; you don't have any issues with her except with her father, Emperor Edward Everett. He was the hottest, most handsome man you have ever met, and you still do now.

You have had a huge crush on him that felt like butterflies inside your stomach since the day you met him, but he always has that emotionless face and rarely smiles unless at his wife, your best friend's mother. You know this from Princess Alyssa; she would complain about how cold and serious he is.

You still ignore those and try getting to know him, but he just looks annoyed or just straight-up ignores you, but you ignore it and still continue liking him. Not only that, you're not the only one; it's obvious that everyone that has met him, females and even males, all drool for him.

You still have some sense in you, and you also have to respect the Everett queen and Princess Alyssa since she is your best friend. You can't just let some love ruin the relationship you both had. You can't. She is like a sister to you. She helps you when you're confused; she protects and defends you when you were getting laughed at; she is there when you needed someone the most. It's not worth losing a relationship like this, and so your liking toward his father slowly dies down.

But things change when you grow up and start having features and curves and in the end, you become a gorgeous woman, many people are jealous of you even Princess Alyssa confesses to you about it and some desperately want you. You reject all of them since none of them are worthy of you, and you're disinterested in them.

Your intense gaze and soft complexion, with your structured face and striking presence, are on par with an iconic beauty, paired with the warmth and softness in your expression, which are very delicate. You would struggle to not look at yourself when there is a mirror.

You still have some feelings toward Emperor Edward, but you manage to hide it and be able to not think about him when talking to him.

The worst thing that could have happened was that the Queen of Everett died from childbirth while trying to give birth to the heir to the throne, but it went to a disaster. It was devastating news to hear from everyone.

The emperor was absolutely devastated and even despised the child. From that moment on he would never talk to anyone unless it was part of a duty, but other than that he would ignore the servant's advisers and even his own kids, which left Princess Alyssa depressed since she had to bear her mother's death, her father's coldness, and the baby boy that her mother lost her life to.

That week she came crying to you when you came to visit her and attended the funeral of the Everett Queen death. You decide to stay at Everett Palace for a few months before going back to Laurier Kingdom.

You promised Princess Alyssa that you'd take care of her and her baby brother, and so you did. After all, back at your kingdom and your family, you have 6 siblings, plus you, and you are the third eldest, which makes you the middle You have experience with babies after the experience of you sibling that you swear are more naughtyer when you take care of them.

In those months of staying, Emperor noticed that you had to take care of the baby boy and Princess Alyass when he found you singing a lullaby for them to fall asleep.

At that moment something in him awoke, something dark, horrible, and disgusting. He knew this was wrong, but who was there to stop him? Not even himself could do that.

From that moment on, he would try getting close to you and getting to know you better; by that, he would call you into his office or into his chamber. When talking, he would get close to you, too close, to the point that he's invading your personal space by burying his face in your hair, breathing in that sweet, gentle scent, or sucking and biting your earlobe.

You knew this was wrong. You both knew this was wrong, but you guys still continued. Your brain keeps telling you to stop and that this is your best friend's father, but your gut tells you to continue. For your best friend Princess Alyssa's sake.

At one of those meetings, you confess to him that you don't want to continue these "meetings" to respect your best friend Alyssa and her baby brother Prince James.

But when he hears that you swear you could feel the air getting tense and his face looks tense as well, and with clenched fists, he looks like he could kill someone that might have been you or others.

He then pushes you onto his office desk and forcefully rips your clothes off. All you can remember that day was just horror, pure fucking horror. It haunts your dreams, memories, and everything that you see that can somehow be related to the day you and he were together.

The cherry on top is Emperor Endward sends an arranged marriage to your kingdom between you both; you pray that your parents would reject this offer, but no. Instead, they accept it and send you a letter telling you the reasons that this could help our kingdom very much and this could give you a better future and more, but all you care about is that you're trapped with him. They also added in that they would be unable to see because of the distance of the two kingdoms and that it is time to set you free.

Oh, how you wish it were true to let you spread your wings and have your own freedom.

You hated everything, mostly yourself. You hated yourself for not being more alert and not telling anyone, not even your own family or close ones; you—you can't even describe the feeling that you're feeling at that point. You quite literally were disgusted by yourself.

You cry all day long to the point where Princess Alyssa hears it and finds you, and you vomit out all the things that happened while still crying. You wish the earth could just eat you whole, make you disappear from the earth, from this world, from this life.

You keep pressuring yourself that this is your fault for days till your hair has a few strands of white hair that you have noticed.

The wedding was within the week, and you both got married and wed. That very day and night of the "honeymoon," he slams you against the bed carelessly and forcibly spears open your legs with his hand while another pins both your head on top of your head.

You whisper near your ear,True to be told, I have actually noticed that since you were just a little girl, you always had a crush on me, so technically you wanted this to happen, so don't cry like last time, dear."

Your eyes go wide when you hear that he actually noticed. He knows that you have no words—absolutely no words.

That night was as horrible and traumatizing as the night you both had together. Princess Alyssa personally tries to help you escape; even after the marriage, she still supports you, even knowing the fact you are technically her stepmother.

But she accepted you, and you were quite stunned at how she handled the situation. Even though it was like hell, she still helped, whether by holding you while you were crying or whatever she was still there. It felt like she was starting to take care of you instead of you taking care of her like how you first promised.

In one of the many attempts of you trying to escape and her helping you with it, you both were caught, and Emperor Edward decided to punish you by isolating you and sentencing Princess Alyssa to be beheaded, his own daughter.

And you were forbidden to give her any visits after the situation. You didn't get the chance to even give her the last hug or talk or anything, not even a goodbye. You even threatened to kill yourself if he didn't allow you to see her, but he just laughs at you and tells the guards to throw you inside a dungeon where there's nothing, not even a window, so you have to rely on the fire outside.

Just like that, she's gone forever. You cry for days and refuse to eat, sleep, or even drink. The king himself has to personally force-feed you so that you don't die. You even scream and beat him as hard as you can in rage whenever you see him, but he just stands there, not unbothered. You might as well think that he doesn't even care or feel anything anymore, no remorse, no nothing, just disgusting lovesick eyes looking at you.

"I just can't get enough of you, love~"

Your life goes on until you have had enough, like enough one more year of this. You seriously don't think you want to be reincarnated into another life. You desperately want to feel things instead of being trapped in the shared chamber all day long, only allowed to go out to the garden for 1 hour to get fresh air with a few ladies in waiting and your own trusted servants near you to keep being aware of you and make sure you're not doing anything harmful to yourself or escaping.

You came up with the stupidest and most shameful idea. You decide to frame yourself for cheating on Emperor Edward and confess to him that you cheated. Making up fake clues for others to notice and gossip about, but the emperor refuses to believe it, so you told him personally.

"I cheated on you, Edward."

"You must be joking, dear. How would you even be able to do that, hm?"

but you just keep repeating the sentence, "I cheated on you."

This makes him overthink and triggers him, and he ends up struggling with you to death in the process. You still keep repeating the sentence, which forces him to grip your neck even harder till you are no longer breathing—not even a single movement, just soulless eyes staring straight.

When he realized that it was too late and there was no turning back, he let go of your neck, and you collapsed onto the ground, dead. He kneeled down next to you; finally, at this moment, he felt guilty for everything. He reflected on the things he had done to you, the amount of damage. Why didn't he think about this earlier? Maybe that could help him.

No, it's your fault for cheating on him. How dare you filthy women cheat on an emperor that has done everything for her sake? To this day he still blames you, but part of him does regret not caring what you felt and thought. He only treated you like a toy, a glass doll that would easily be broken. But he just couldn't help but love you with all his might, even if it meant hurting you.

He tried to keep your body from decomposing and rotting and would soak you in water to slow down the decomposing. He even went mad and brought you to the throne room for events, dressed you properly, stuffed you with cotton to keep you looking more alive, and said to others, "My wife is doing well; look at her, she's such a sleepy head; look at her sleeping, hehe…"

Sadly, eventually, he had no other choice but to finally bury you because your body was decomposing and smelling really bad. At the funeral, he gives a speech on how she was in his life and how he can't believe she died before him from 'sickness' and oh how sad he was and how he saw her glowing up into an elegant woman and more.

Prince James also gave a speech about how you try helping out, that he always sees her as a mother figure, and how (y/n) has always tried her best. He was innocent in all of these; as well, he even balled his eyes out when he found out that you died.

At the very last moment of seeing your face, he cupped your cheek one last time.

"Oh, how much I will miss you oh how I wish that I could go with you as well, but it's fine you don't need to worry love In my will, when I die, I'm going to be buried right next to you." He says that while chuckling while feeling remorse.

omg, there are so many things I want to comment on but erm yeah this is how it is??? it could have been worse

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alienssstufff · 4 months ago

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This Should've Been an Email

His mouth moved without it telling it to, then closed like whoever was possessing him didn’t know what to say either. There was something going on, something Etho could feel but didn’t understand. They were standing on the edge of the world, and Etho didn’t know how to tell Bdubs he was out of time. Was he out of time? Maybe he was just going insane again. Maybe-

“Etho, there’s a lot of void energy going on right now, can you focus-”

You can’t outsmart a god. You can only run.

[ READ HERE ] Latest addition to the Should've Could've Would've series and sequel to the YCAOverse byyyy incredible great @goingdownorup cinemaaaa is HERE and we are BACK IN THE BUILDING!!!

[rambling undercut]

you've fallen for my trap card, ramblings not about the actual fic yet sorry - I'm going to talk about art technicalities at you now :]

Ver without the text:

I drew this up on a whim immediately after finishing the first chapter. Other than it being fanart, this year I want to think smarter when making elaborate pieces - this being the one of the first experiments on it.

sketches have always been my starting foundation I usually go through a few iterations gradually building off the rough thumbnail all the way to lineart. Here I'm establishing perspective and rhythm (movement), using background and props to better frame the emphasis (focal) rather than overwhelm the eye with unnecessary detail.

Shirahama's Witch Hat Atelier manga panels were an inspiration for the lineart (reoccuring character. WHA changed my life)

I even started actually putting base colours instead of skipping to shading... BASE COLOURS. BASE COLOURS WITHOUT SHADING? Crazy world we live in. Above were me testing which colours worked best for the background and purpose. Ethubs look a little out of place atm - this changes in solid filters

Shading itself was a lot of back and forth in constant fumbles to maintain the rhythm instructed in the lineart, adding emphasis how values needed to carry the visual communication of this piece especially with a line heavy background because of the wheatfields. Everything uses either cel shading, filters, or gradients - I wanted to find a way to add complexity to my regular rendering style without needing to manually blend/paint (takes too long)

During this stage, Heikala's watercolour art was the study in crowd control (backgrounds with organic repetition)

Smaller misc details that couldn't fit anywhere in the previous pages. Overall while there are some things I still would change/redo, overall very pleased as a first (second) attempt ^_^

#stufffsart #character concept stufff #stufff rambles #ycao au #<- Going to be my catch all tag for everything of that tl #This Shouldve Been an Email #ethoslab #etho #bdoubleo100 #bdoubleo #bdubs #ethubs #(theres a third person if you can spot them)#hermitcraft #hermitblr #mcytblr #theres still other things from the sequel i wanna draw (jizzie designs - gem and cleo etc) thatll have to wait #this cover and my other fancover are so stylistically different whwhwh

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dabisqueen · 1 year ago

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Pornstar!Dabi (Touya Todoroki) x female reader

⇢ word count: roughly 7K

⇢ plot: as a broke student, you sign up for an assistant job at a movie set. It turns out the job is more than you bargained for.

⇢ warnings: 18+, minors DNI, swearing, size kink, pierced big-cock Touya, fingering, cunnilingus (f receiving), multiple orgasms, loss of virginity, overstimulation, exhibitionism (sex in front of other people (movie set)), creampie, sweet aftercare

⇢ personal note: thank you @/blankexpressions-and-falsefires for bring my beta again! As for what you're all about to read – I have no regrets. Virgin kink goes brrr

"College has always been so crucial, such an essential part of what measures a person’s worth and determines their future."

They say college life is quite challenging. That it can help you come to realize your potential, that you learn more about yourself while in it. That the challenges you experience in university help you grow into a mature person in society.

You have several challenges to face. There's the problem that you focus entirely too much on your studies. In some ways, it’s to secure your future and to compensate for your lack of private life. In other ways, it makes you, because of inexperience, too naive for your own good. Or, as your friends have called it: too innocent. You've never had anyone touch you, never been with anyone in that way. Thus, you never get the hint when someone hits on you or finds you attractive. You have excellent grades – but unlike many of your peers, you’re still a virgin.

Another challenge you are facing is that you aren't wealthy. One semester into your studies, you are closer to the end than you expected. Leaving your landlord's buro, you take a few steps before coming to a halt and close your eyes as if to gain some semblance of composure. You're broke and desperately need money to cover your rent and living expenses. The bank isn't going to give you another loan, and you find yourself on the verge of having to leave college without a family to support your education.

They say you have to fail first to be successful in the future. But you are beyond failing – you are simply screwed.

You are very aware of your financial predicament. And you loathe having to live day to day on just pennies. To put it short—you are sick of being a broke-ass, loser virgin.

You sigh.

Giving up is not a choice. So you do the next best thing: grab life by the horns and start looking for a job. Searching under your bed, clothing pockets, and between couch cushions, you scrounge up enough money to get a local newspaper. In its classified ads, only a few offers deem themselves feasible with your busy school schedule: a late-night shift at a local diner, pizza delivery, or a job doing telemarketing. None of those sound too appealing, but there might not be a choice. Then, your gaze stops at an offer that sounds too good. A movie company is looking for a production assistant on a film set; you don't need prior experience, work hours are during the weekends, and pay is double what the other jobs offer.

You don’t think before hastily grabbing your phone, punching in the number, and waiting while the dial tone rings.

After a distinct click over the other line, a man hisses, "Shimura?"

"Uhm, hi. I- I am calling about the assistant job offer. I was wondering—"

"You're hired. Tomorrow at 5 pm," the man at the other end interrupts in an annoyed tone.

He rattles off the address as you fumble around for a pen, hastily writing it down when you find it.

Before you can reply, he finishes with Don't be late and hangs up unceremoniously.

You exhale, realizing you’ve been holding your breath since he started speaking.

What the hell just happened?

***

The path to the location is littered with brown leaves, and you struggle to keep from slipping as you walk toward the building. The address given to you is an old warehouse on the edge of town. Its monotonous, featureless walls covered in graffiti make it feel abandoned. There are no visible signs that anything is happening inside at all.

As you walk across the parking lot, you start to see small indications of life: fancy cars—far too fancy for this area- and sensual music permeating through the corrugated steel walls.

You weren’t sure how to dress for a job you knew nothing about, so you opted for blue jeans, a white blouse, and pointy shoes with heels. Your hair is tied into a neat ponytail, and simple smokey eyes complete the look.

You aim for a large steel door that the cars are all parked close to. As you lift your head, you take in the old brick building you are standing in front of, lined with large casement metal windows.

There is a single doorbell, no name on it, and you hesitate before inhaling and pressing it with the tip of your finger.

You hear a clicking sound, and then the heavy door swings inwards.

Alright, here goes nothing.

***

The set is surprisingly professional—like a luxurious bedroom sliced in half. A row of chairs faces the set on a concrete floor behind multiple cameras and some sound equipment, with the crew standing around talking.

The producer, Tenko, as he introduces himself to you–with tufts of pale hair and seemingly chronic dry lips in dire need of some chapstick – explains that your job will consist of helping around the set, distributing beverages, and handing out the script. Simple work you could do. After introducing you to the crew, he hands you a stack of papers, instructing you to pass them out.

Then you see her—the actress. She is gorgeous, dressed in an ivory-colored silk robe. Her hair is the color of the sun. Her skin is flawless and tanned, and her body is perfect- although almost definitely sculpted by a professional surgeon.

"Where the fuck is he?" You hear Tenko grumble, pulling a phone from his pocket, thumb tapping against the screen.

A flurry of activity breaks your concentration. A door flies open, and a man strides through—the leading actor, you gather, from how everyone else suddenly perks up.

"Fucking finally," the pale-haired director groans, tucking his cell back into the pocket of his jacket.

The man's hair is coal-colored, falling in messy strands into his face. His eyes remind you of the bright ocean, almost glowing in the dim light of the set. His sharp lips pull into a wide grin, his canines peeking out. He is casually dressed, wearing a pair of dark, ripped jeans and a white t-shirt, allowing you to notice just how well-toned his arms are. He is handsome, with delicate yet masculine features and sharp angles set in his face. His eyes are heavy-lidded, and his thin lips form a troublesome grin when his eyes meet yours.

Shit.

He holds your gaze before dragging his sinfully blue eyes over your figure and looking away again. Your heart skips a beat because even in the low light, you can see that the actor is incredibly hot. Totally your type. You can't help but stare at him, watching how he moves, the way his muscles ripple under the thin fabric of his shirt, the way his thighs bulge in his tight pants.

Speaking of bulge.

It's the biggest one you've ever seen, and the sight of it sends a pang straight to your core. Your cheeks heat up automatically.

Stop it!

You curse inwardly a few times for thinking lewd thoughts on a professional movie set.

But—you can't help it. He just looks too handsome. It stirs something inside of you you've never felt before. You sigh, knowing that this man has already made his way into your dreams, but in the end, they’ll stay just that— dreams.

Someone like him would never want to lay a hand on you.

As he approaches the stage, the man stops dead in his tracks, staring at the actress with a bored expression.

“Not her again.” You hear him groan.

The actress snaps her head around, a stunned expression on her face. “Pardon me?”

"The script calls for an innocent girl." The actor deadpans. "No one's gonna believe that with you in the female role."

The actress jumps to her feet. “How dare you talk about me like that!”

Tenko hisses, “Didn't you read the script? You would have known you film with her today, Touya—"

“I told you not to use my real name on set,” he says with a blase, somewhat impatient gaze.

“And I told you not to let out your frustration on the set, Dabi.” The director retorts.

“Frustration caused by your actions.” Dabi deadpans.

You hold your breath as your eyes dart from the director to Dabi and back to the actress. The rest of the crew acts like this is an everyday commotion on the set.

“This is not a request— I'm not doing the scene with her, " Dabi says, crossing his arms in front of his chest.

The actress jumps from her chair, visibly outraged, as her cheeks flare red with anger. “You're such a dick!”

“Yeah, you're right. But I’m the best dick in the industry.” He turns around, a sardonic finality in his tone.

You stare at the scene before you, the forgotten papers clutched tightly to your chest. The blonde woman stares at the dark-haired man, infuriated.

“So, it's either me—or her.” Dabi addresses Tenko, who isn't even trying to de-escalate the situation. “That's my final say.”

“I can't believe you're doing this to me!" The woman wails exaggeratedly.

"Sweetheart, we need someone who conveys innocence. Not some chick as fake-looking as you," Dabi purrs with false care. “Go carry your plastic off the stage already.”

Tenko scratches his neck in annoyance. He watches as the actress slings an array of profanities at Dabi before storming off with quick strides toward the door, slamming it shut behind her.

The dark-haired man stands at ease, reaching into his pants pocket to retrieve a cigarette, lighting it, and taking a deep drag. “Thank god she's gone. What were you thinking, Tenko?”

“Dabi, she's the most requested—”

“I don't give a fuck.” he runs a free hand through his dark bangs. “She sucks.”

You listen to them bicker, getting more confused by the second.

“So—what do you expect me to do now?” Tenko's scratching increases as he starts pacing up and down the set. “Production costs will double if we cut and pick things up on a different day. Not to mention the cost of finding a new replacement.”

He jumps off his chair, pacing around the set. Then he grumbles, “We’ll take a ten-minute break. I need to come up with a solution or else—”

“We need someone Pretty, no makeup, normal clothes.” Dabi suggests, "That won't be too expensive. Someone who looks undefiled, innocent.” Dabi's gaze wanders across the room. “Like a student or something.”

Then he sees you, and a smirk tugs at his lips. His stunning sapphire eyes look you up and down. You swallow hard, your shaking hands almost crumpling the papers in their tight grip.

"Like her." Teal eyes narrow as they focus on you.

You blink back at him dumbly, the room around you completely silent.

"Me?" You answer, his words catching you off guard.

"Yep. You." Dabi's smirk returns, a playfulness in his eyes.

The director stares at you with the same baffled expression written on your face. "Her?"

"Yep. Her." His grin widens.

"B-But, I can't!" You counter. " I'm a simple student, not an actress—"

"That's exactly what we need." The twinkle in his eyes is still there, "And you have a pussy, don't you?"

"Yes, I—” You catch yourself, your cheeks flaring hot. “W- What does that even have to do with this movie?"

Suddenly, the room goes alive with murmurs and whispers.

Dabi quirks a brow. "You're telling me you don't know?"

"Don't know what?" You helplessly look around.

The dark-haired man turns to his director, "You didn't tell her?!"

Tenko mumbles something about how you would have found out eventually.

Dabi steps toward you and crosses his arms in front of his chest. "Doll, this is an adult film set."

"A what?" You dumbly blink at him.

"An adult film set. You know, where people fuck." He leans forward, deep azures sparkling salaciously. "You know how fucking works, don't you?"

"Yes, I mean—in theory?" A heat washes over your face and flushes down your entire body.

"Yes or no. What is it?" Dabi asks teasingly, raising an eyebrow.

The heat in your face has reached the tip of your ears as you stammer. "It's none of your business."

He steps even closer. "C’mon, sweetheart, tell us."

He smirks, eyes narrowing as he leans closer. He looks at your lips, then back at your eyes. You can smell him with how close he is leaning in. His deep, masculine scent surrounds you, sending a jolt of heat straight through your core. Even though your mind wants to scream at him, to tell him off, you hear a timid voice whisper, "I’ve used my fingers? Maybe some toys?"

It is your voice.

"You're telling me you've never done it with another person?" This time, it is Dabi’s turn to sound baffled as he leans back, taking you in. "That you're a virgin."

"I-I…" You stammer, swallowing dryly.

Looking over his shoulders, he calls over to his director, "It'll break records if we film this. You're aware of that, right?"

"I am." Tenko snaps, scratching at his neck irritably, "You don't need to tell me."

"Ok, then it's a deal.” He nods towards you. “I want her—or I'm leaving."

"You little piece of—" Tenko growls. "That's extortion."

"You won't regret it," Dabi says, shrugging nonchalantly.

"Shouldn’t I have a say on this too?" You ask, but both men ignore your words.

"Ok, it's a deal," Tenko murmurs. "How much do we pay her?"

Dabi turns his gaze back to you. "You need money, right? Or else you wouldn't be here.”

"That’s none of your business."

"C'mon, sweetheart, This is your chance."

“Yes, I mean… " a sound of annoyance bubbles up your throat. "I can't afford my rent anymore, and my landlord will kick me out if I don't pay up soon."

“I sense an opportunity here," Dabi smirks. "Tenko, how much will you pay her if she agrees to do this with me?"

"How much do you want?" Tenko asks you.

“I-I don't know. I've never thought about it." You shyly add.

"Pay her rent plus an allowance," Dabi suggests. "Tenko, you know she's worth it."

"That’s too m—" You swallow hard.

Tenko mumbles disgruntledly: "OK, I'll do it.”

“You what?" His words leave you stunned.

Dabi interrupts quickly. "What he's saying, sweetheart, is that he'll pay for your rent - if you let me fuck you.”

His lewd words and the deep blue pools of his stunning eyes send a flutter through your stomach.

“In front of all these people?!"

“That's what porn is all about, doll.” Dabi chuckles, studying your reaction.

You swallow hard.

"So? What's it gonna be?" He cocks his head, waiting.

You have always prioritized safety, so common sense tells you to stick to your usual way of life. However, look where common sense has led you: You're almost broke and may need to drop out of college.

This could be a bad decision. But, it's time to throw safety to the sea.

"OK, I'll do it," you proclaim, and a round of applause and cheers erupt on the set while Dabi nods appreciatively.

“Congratulations, you're hired. Now, get ready before I change my mind.” Tenko waves a hand. “We still have a movie to film here.”

Your heart starts to race, a crushing weight bearing down on your chest. But you know that you have no choice. It's either a free porn loan—or being a forced college dropout. Taking a deep breath, you ball your hands into fists, trying to ignore the signs of panic your body is giving you.

"Okay, everyone, resume positions. And hand her the script.” Tenko moves to his chair, sitting down in it. “Let's do the first take."

"Hold on," Dabi says. "Why not do it a bit differently this time? No script, no acting— just raw footage. The whole thing.”

“You mean a one-shot film?” Tenko looks surprised. “I suppose that would work. Especially with a new actress.”

“Are you okay with that, doll?” Dabi smiles at you, and there's a warmth in his voice that wasn't there before.

“Do I have a choice?” you sigh.

“Not really.” He winks.

"Are you two lovebirds done flirting over there? " Tenko asks, " Because we're ready to film.”

“We weren't flir—” you protest, but Dabi bridges the distance between you.

"So, sweetheart?" He leans in, his face hovering close, sharing a breath with you. "How are you feeling about being fucked on camera?"

“Nervous.” you bite your lips, your face starting to burn.

"Doll, don't be; just focus on me," he soothes, stroking your cheek. “Forget about everyone else; I'll take care of you.”

He takes your hand and pulls you towards the bedroom set.

“Quiet!” Tenko raises a hand, and complete silence falls over the set as the crew prepares to film you both.

Tenko calls out a set of commands, which different crew members around the room answer.

“Sound?”

“Set.”

“Camera?”

“Set.”

“Roll sound.”

“Sound rolling.”

“Roll camera.”

“Camera Speed.”

“Marker.”

A man with a clapper board enters the scene and calls, "Scene one. Take—uhm— whatever."

Dabi nods, and that is the cue. The lights dim, and the cameras vanish into the darkness; only the red lights betray their existence.

You glance around, your stomach in knots, as you realize that this is no game, that this is it. The only thing visibly lit was the bed standing a few feet away. The crew's faces are barely visible as everyone watches you, the man behind the camera tilting it, filming you from bottom to top.

“Hey baby, you alright?” You hear Dabi's voice.

“N-No, not really.” You stammer, your hands trembling, your breathing picking up, as your eyes frantically dart around the dark set. “I don't know if I can do this.”

“Sweetheart, look at me.” You feel a finger hook under your chin when Dabi tilts your head to meet his gaze. It's intense, the turquoise of his irises gleaming almost unnaturally.

You feel your heart sink into your stomach as his thumb caresses your skin. When he closes the already minimal distance between you, your eyes flutter close in reflex. His lips are sensually warm and addicting against your cheek, and your heart starts thrashing wildly inside your chest in response. Something changes between you, an intimacy blooming as the voices of the people mute.

It's all you need to distract your mind, to make your body heat up. Not with anxiety—

—but in anticipation.

“Are you ready to give me your virginity?” His low voice rumbles close to your ear.

You nod, like in a haze, every caress of his lips causes your skin to tingle, to burn with passion. He shifts, and you feel him faintly brush your lips, and a zap of electricity courses through your veins. Then, your lips are united in his first tentative kiss. They are so soft, and the way he kisses you is so delicate, almost tender— deliberately slow.

You relax, giving in to how wonderful this feels. His tongue slowly traces the shape of your lips, and you feel your brain short-circuiting. Angling your head to the side, you part your lips, begging him to enter. Dabi reacts instantly, his tongue slipping your mouth, delving deeper, tasting you, consuming you.

You groan—how could a man taste so good?

It makes your knees buckle, and you start panting into his mouth, your instincts taking over, your body reacting to his touch. A desire, a passion, awakens like a wild animal roaring, and you feel a wave of arousal pool in your panties. You can't help it, and you slide your hand underneath his shirt, your other hand circling his neck. You can feel him smirking into the kiss, but the sound carries off into a groan when you rake your nails down the small of his back.

As he breaks away, a warmth lingers between you and him while he admires your wet, pink, swollen lips, "A little eager for your first time, huh?"

The kiss leaves you dizzy, and you can't seem to form an answer, too stricken by his closeness and intoxicating scent.

The moment passes, and then his lips smash against yours so fast you don't even have time to react. He presses his hips against yours, his clothed hardness grazing against your heat, letting you feel just how hard you’ve made him.

Holy shit.

He's not gentle anymore; he's rough and demanding now. He is taking you, enjoying the shaky gasps that leave your lips. Dabi’s hands trail down your side to find your ass cheeks. He lifts you by the thighs onto his waist skillfully, never breaking the kiss. Carrying you easily toward the bed he releases his hold and you topple onto it, panting heavily.

The lights around you heat the air, and you notice one camera panning across the set while the other tracks toward you on a dolly. Just as your heart starts picking up an anxious speed again, you see a movement to the side. Dabi yanks his shirt above his head, the muscles in his stomach flexing with every movement.

The second the fabric touches the floor, he's on you with his lips pressed to yours and his tongue in your mouth. You feel yourself getting lost in the moment of passion and all you can see is him. Your stomach somersaults and the world around you ceases to exist; it is just you and him— the people around you and the cameras wholly forgotten. The world, right now, only revolves around the two of you.

“You taste so fucking good,” he breathes into your mouth, hazy eyes glowing with arousal. "How do you taste so fucking good?”

You feel his hand sneak underneath your shirt to slowly pull it off over your head. Next, he skillfully removes the rest of your clothes off until you are lying below him, sex and breasts cupped by delicate cotton underwear.

“Look at that,” he muses. “So innocent.”

Sliding his hand behind your back, he unhooks the bra with an expert pinch of his fingers. Your breasts spill out as he slides the straps off your shoulders, tossing it aside. Then his gaze lingers on your soft, round tits.

“Damn,” he cups them and squeezes them gently, “Where have you been hiding, girl? You're perfect.”

He slides his fingers over your nipples and a low moan tears from your throat. Dabi lets out a low rumble as his hands continue to work your breasts, rubbing and plucking at your stiffening nipples. There’s a deep throb low in your body, pulsing between your thighs, and you're startled at the way you’re reacting. You are so turned on—his touch only adds to your body’s cravings, and as his large palms glide over your breasts; it pulls the breath from your lungs as it simultaneously fuels your desire. His thumbs drag over your nipples again, rolling it between his fingers before leaning down to lick at your pebbled nub. He makes you feel breathless with excitement the more he focuses on toying with your breasts, rolling the tips back and forth between his thumb and forefinger.

It makes you crazy with need until you're aching, shivering throughout your entire body. You're gasping for breath the entire time Dabi has his lips wrapped around your erect nub, sucking it to send a tingling sensation straight through to your core. Then he's biting just hard enough to make you squeal before soothing the puckered nub with a flick of his tongue.

“You’ve got the most amazing tits,’ Dabi murmurs against your skin. “So soft and full. So natural.”

While he switches from pliant nipple to pliant nipple, you feel a stray hand hook its fingers under the seams of your panties. He releases your nipple with a pop and peppers kisses down to your tummy while he adeptly pulls the little piece of fabric down and off your legs. You're now utterly naked below him while Dabi continues revering your body with wet kisses and nibbles, moving downward until you feel his warm breath on your pubic mound. He spreads your trembling legs, his eyes glazing over your pussy, pupils expanding and then retracting into pin slits.

"Look at that pretty pussy." His breath is hot against your soaked folds. "And so fucking wet—you're dripping."

A shameful sound spills from your lips at his words, and you writhe in his hold. But his hands keep you in place.

"You're seriously telling me,” he slides his fingers up and down your glistening folds, “No one's been here before?"

You squirm below him as a camera zooms in on where Dabi’s eyes are affixed– between your thighs.

“Cause you have the prettiest pussy I've ever seen.” He snickers. “And I've seen a lot.”

His warm, calloused fingers slide up and down your slippery folds, his hot breath fanning over your sex. Then he spreads apart your sweet lips; it makes you shudder in anticipation, and Dabi chuckles.

“I can see you twitching for me.” A finger sinks in, making you arch your back the deeper it goes.

The camera behind him zooms in on your blushing face, and you cover it with trembling hands.

"Nu-uh, no hiding. Look at me." He slaps your clit lightly—making you jolt. "Let us see your pretty face."

You whimper softly, because you've touched yourself before—

—but this just feels so much more intense.

“Dabi—” you choke out, flinching in pleasure when he slides a hand underneath your ass,

raising your hips to have more access to you.

“Relax, baby, I'll take care of you.” A growl tears from his throat, and then he drags his tongue over your gleaming folds, tasting you.

You cry out, your body shuddering. Over and over, Dabi licks you with deep, claiming strokes, using his tongue to explore every bit of you.

“Damn, you taste better than anything I've ever tasted.” He pushes his wet muscle into your core, frantic to have more of you.

“Oh my God. Dabi!” Your toes curl, and your thighs tighten around him. You're both – startled and aroused at his eagerness. Any worries you have are melting away as he drags his tongue over you again and again, making you squirm with need.

A moan escapes your lips– loud, uncontrolled– when his tongue flicks over your folds. When he grazes your little button, you jolt as if you've been stung.

He hums appreciatively and buries his face into your warmth, seeking out that sweet nub. Your body jerks as he moves his tongue over it, repeating the action when he does it again. You give a little wail, and your hands curl into the fabric the longer he teases. He eagerly works that spot, and you cry out with little choked gasps.

As his tongue circles your clitoris, your sensations spiral out of control. You can feel the tension increasing in your body with a growing urgency to be released.

“Dabi,” you pant with every flick of his tongue. But he doesn't respond, does not hear– or pretends not to. He buries his face in your folds, hands holding you down by your hips.

With every quiver that moves through your body, with every shiver of response, every tensing of your muscles, you draw closer to the edge.

You writhe against Dabi, with his face between your thighs, lapping at your juices. All the while, he continues to work your little clit with his tongue in slow, steady strokes.

Suddenly, the feeling that you’re about to cum overwhelms you. Your pussy clenches, dripping with your juices, and your clit is ready to burst.

Your hips jerk against him, and then a release explodes in your mind, your thoughts crashing all around you. You come with a slight scream that morphs into a moan, but Dabi does not stop his ministrations—

—no.

He continues to lick and suck as you come and come and come.

It's too much; you feel like exploding. You’re a moaning mess, fingers slipping between Dabi’s strands, pushing and pulling at his roots unsure if you can take it if he keeps going like that.

Your entire body is on fire. The orgasm continues to surge through you– more intense than anything you’ve experienced by yourself– with Dabi gently sucking and licking at your clit. You are delirious, feel like you are floating with no way to find your path back to earth.

“Dabi, please—” you choke out.

Dabi’s mouth detaches from your overstimulated nub and straightens up, licking your cum’s sweetness off his lips. Crawling on top of you, he gazes into your eyes. “Doll, tell me—what do you want me to do?”

You see his jeans straining from the bulk of his erection and swallow, your body responding with a flood of hormones.

“Please fuck me,” you whisper, thinking in ways you never have before.

You want to beg him to be gentle, but you can’t seem to form the words when you see him unbuckle his belt before unzipping his jeans, his eyes carefully watching your expression as he does. His cock springs to life, and you swallow thickly. It's enormous—and pierced.

You feel a momentary pang of doubt, questioning if that monster will even fit inside you. The previous excitement and adrenaline pumping through your veins gradually turn to panic. Your breathing picks up as you stare at his cock, wide-eyed.

“You look worried,” Dabi says, stroking it with one hand. His raised eyebrows and amused grin tell you he's used to this type of reaction.

“Are you sure…” you nod towards his cock.

“Trust me,” he says. “I’ll make sure you feel good. It’ll be the greatest thing you'll ever experience.”

Your entire body yearns for his touch, and there’s no way you're saying no now. He’s spreading you wide open, hands on your knees, before he moves to hold himself in hand to align his cock with your entrance.

"Do you want me to fuck you?’ Dabi asks as he drags the head of the tip up and down your slit.

“‘S not gonna fit,” you whine with a worried expression.

“Don't be scared,” Dabi says, "I know what I'm doing. So, you'll be a good girl and take it all, right?”

“I'm not sure,” you whisper.

“I know you can...” His eyes stare at you with a desire so intense that you almost feel intimidated.

He’s spreading you wide open, hands on your knees, before he moves one to hold himself and align his cock to your entrance. The pressure between your legs increases as Dabi nudges the pierced tip of his cock against you.

“Get ready,” he whispers.

A mix of a gasp and a cry leaves your lips as Dabi strains against you, feeling like he’s trying to shove a massive pole inside of you. You squeeze your eyes shut as tears gather in your lashes, and Dabi holds back, kissing you, waiting for you to relax.

“Easy,” he says softly, “I’ve got you.”

The softness of his tone relaxes you and the tension in your shoulders lessens. Then, somehow, something gives way, and he enters you. You gasp, your body opening up to accommodate the massive dick that is now sliding inside of you.

"Oh my god—” You throw your head back, hands clawing at his shoulders in a weak attempt to push him away.

“Fuck, you’re so fucking tight,” he hisses, eyebrows furrowing before he hits resistance and then pushes forward.

There’s a sharp pain slicing through your core, and you don't know if it's from the stretch or a tear. Probably both. It hurts, and you squeeze your eyes shut, forcing tears down your cheek. Dabi continues to push his hips forward, only stopping once he’s entirely inside, heavy balls pressed against the crease of your ass. The cameras zoom in on the bulge in your womb, where his dick sits buried deep inside of you. But you don't notice them, your brain too consumed by him filling you up, his whole weight resting against you.

“You ok?” Breathing heavily, he drags his eyes back and forth over your face.

“Gimme a sec.” Your lips press into a thin line as the pain from the stretch slowly turns into a dull throb. After a moment, you nod...

"I'm gonna start moving now," Dabi says— and then does precisely that.

Just as you start to feel your body relaxing, he withdraws, only to plunge himself in again. The sudden shock of the movement is incredible. You feel every ridge, every single thick vein. It feels fantastic, and as he slowly slides back in, you can appreciate every inch of his cock. He starts an even rhythm, rocking inside you gently.

“Shit, just squeezed me so fucking tight,” he moans in response. "I’m warning you, don't make me lose my composure. You don’t want to see me act up.”

Your mind feels detached from your body; you don't hear him, don't even notice the camera zooming in, focusing on how your face scrunches and your lips quiver because of how good he makes you feel.

He grabs you by the waist and brings you closer to him. Raising both legs in the air, he pushes them forward until your body is folded in half.

“Oh—shit—” You choke out, the walls of your sex stretching to accommodate him.

“I’m gonna make you cum,” Dabi is panting hard as he starts driving his cock rapidly in and out of you. “You won't be able to walk for days.”

“I-I can’t—” your jaw slackens as you tighten around his dick again, the ability to form comprehensive answers having left you the moment he breached your walls.

He rams himself deeper while his fingers slip between your strands, guiding your face upward, your mouths colliding in a frantic kiss.

It starts as a slow burn that gradually builds into a white, blistering heat. A feeling begins coursing through you, making you lose control of your body. You tense and arch your back, your head digging back into the pillow, voice caught in your throat. And just when you think you can't take it anymore, all that tension releases, and you cry out loud, a turbulent wave of pleasure hitting you like a storm. All your nerve endings are seemingly set ablaze while Dabi fucks you through your orgasm.

His eyes are wide with wonder, hearing and feeling you come undone around him. The way your eyes are shut tightly in pleasure, your entire body trembling and shaking in ecstasy, is the best thing he's ever seen. It makes his chest swell with pride. Still, it feels like it's not enough, though, and he needs more. He wants to own you, possess you, make you his.

Dabi snaps.

With a suppressed growl, Dabi grabs you by your hips and flips you over onto your stomach. He's not letting you catch your breath before he propels his cock back inside you again. His hand slides from the dip in your spine to the spot between your shoulder blades, pressing down until your face is buried in the sheets. At this angle, he reaches even deeper than before, his piercings rubbing your G-spot just right. Your hands tightly fist the soft duvet with every drive of his hips, knocking the air from your lungs.

Dabi seems delirious, pistoning in and out of you now. Reaching forward, he gathers your hair around his fist, tugging it to keep you in place, forcing your head up from the sheets. You sob out his name, your chin and cheeks covered with your drool and tears.

But Dabi is drowning too deep in pleasure to notice.

"I’m gonna fuck you so hard you’ll never think of anyone but me in your fantasies," Dabi growls while your elbows shake under the pressure of his forceful thrusts.

Slowly, your mind is falling apart with the pleasure pulsing through your body. Dabi starts drilling his big cock into your even faster now. You tremble below him, thighs quivering when you feel another orgasm building up.

“You gonna cum for me again, princess?” Dabi groans, “I can feel your pussy clenching around me.”

You nod, too exhausted to form any words. Dabi tightens his hold on your hip, fingers digging into your plush skin, holding you still.

“I’m gonna cum with you,” he tells you. “I’m gonna fill up your tight hole, gonna breed you so good—fuck!”

"Please—" you whimper pathetically, finding yourself trapped in his lewd promises.

And then you lose it, feeling like the world is disappearing underneath your feet. Pleasure rips through you, leaving you with no strength. It’s an intense tingling pleasure that starts in your core and spreads through your whole body, from your fingertips down to your toes. It's all-consuming and euphoric, your body not knowing what to do with that much sensation at once.

You feel your body falling off a cliff into a pile of tingling ecstasy as you cum again with a broken whimper escaping your lips. The orgasm is even more potent than the last ones, like a massive burst of pleasure; all that tension explodes and shoots up the back of your legs and everywhere else. You moan and shudder, your pussy clamping around his cock.

“That’s it,” Dabi lets out a long, shuddering groan. “Just like that.”

You forget to breathe while Dabi keeps fucking your harder and harder, feral with desire, shoving his cock as deep inside you as he can.

“Oh fuck—” You gasp out, arching your back, fingers twisting against the sheets.

No sooner have the words slipped from your lips that you feel your whole body lock tight again—and then unravel. You forget to breathe as an unending cascade of euphoria detonates deep inside of you. You come undone, shaking uncontrollably as juices gush from your pussy, dripping down Dabis balls, drenching the sheets below.

Dabi groans, his eyes screwing shut, head dropping back. With one final possessive thrust of his hips, he cums, shooting his seed deep inside you. You feel his cock twitch as he moans heavily, eyebrows sewn together. His body is shuddering, his hips hitching while he rides out his orgasm.

You’re faintly aware of your surroundings, buried too deeply in your bliss. Unable to take any more pleasure, you slump backward. Dabi slides his softening cock from you with an obscene wet sound before dropping down onto the bed beside you, taking you with him.

“Fuck…” he breathed out, caressing your skin. “That felt so—”

‘And—cut!’ You hear a voice call, speaking its way into the mush that is your brain, slapping you back to reality.

You open your eyes and look around in shock, having completely forgotten where you are. The lights switch on, almost blindingly bright. People start hustling about the set, and cameras mere inches away from you now pull back into their waiting positions.

“That was perfect,” you hear Tenko say through the noise filling the set now.

Your breath catches in your throat, an unsettling feeling beginning to well inside you. Your heart starts pounding at an increasingly rapid pace while you feel panic stretch its icy fingers up your spine.

You feel a warm hand cradling your face, angling it to the side. It’s Dabi. He places his mouth over yours without further ado.

“You are perfect.” Dabi coos into the kiss, and it happens again— butterflies erupt in your gut, the world around you fading until there's only you and him.

Instinctively, you let go, feeling the tension slowly dissipate and your heart calming down. Dabi smiles as he breaks away from you, and you feel it— a lingering warmth, an unseen connection that spins fragile threads between you both.

A man approaches to help you get out of bed, but Dabi, whose face is still dewy with sweat, moves between you both. He takes the bathrobe from the guy and wraps it around your shivering body before getting dressed himself.

Helping you off the bed, he drapes an arm around your shoulder and leads you past the celebrating crew members from the set until you’re backstage.

Once in the changing room, he closes the door behind him and leans against it.

“That was something…” he muses. “You’re a natural. Would you ever consider doing this again with me?’

You're caught off-guard, his face radiating a tenderness that fills your heart with something joyful. A warmth spreads across your face, your hands gripping the soft belt of your robe as you nip at your lower lip. “I-I don't know.”

“You should,” Dabi kicks off the door frame and saunters over you with a sinful, obscene sway of his hips. His hand finds yours, fingers interlacing in a silent agreement, pulling you into a tight embrace. “Think about it…”

He lets the words hang in the air for a second. When he pulls away, his arms wrap around your neck, lower half still pressed against you as if you’re not a stranger. He looks down at you like the two of you have been dating for years.

“So, I was wondering… what are you doing later on?” Dabi kisses the tip of your nose. “Do you want to grab a bite to eat and get some drinks?”

“Are you asking me out on a date?” A new desire for him grows inside of you. You smile back at him, reaching up to gently play with his dark hair.

“Maybe?” His lips curl into a devious smirk.

“Is this even allowed?” Chest to chest, your heartbeat slowly catches up to his, as if your bodies react simultaneously to each other's warm touch.

“Maybe?” Dabi repeats, his thumb gently brushing along your lips.

When you look into his eyes, a tenderness softens the rough edges of his sharp features. It makes you wonder, he’s been so sweet and caring after everything that happened today– you actually believe he’s a genuinely sincere and nice guy. You feel your heart quiet when you’re with him, as if you have found peace.

“Well…” you consider, “I've just thrown all my morals into the wind. So, might as well go on a date with a pornstar, right?”

“You won't regret it.” Dabis laughs softly. “Even though you might not be able to move after I'm done with you—”

“Is that so…” You are torn between scolding him or laughing because he's so cute. “Ok, big boy, whatever you say.”

#dabi smut #dabi x you #dabi x reader #dabi #dabi todoroki #bnha dabi #mha dabi #dabi my hero academia #touya todoroki #todoroki touya #dabi fanfic #dabi x y/n #mha au #mha smut #bnha smut #dabi x reader smut #dabi x you smut

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keferon · 5 months ago

Text

Chapter 2 of Blurr storyline >:D

“Actually” says Swerve ”I'm an alien.”

“Heh” giggles Blurr ”sorry, my head is all cloudy, I thought you said you were an alien.”

Part one

Holy shit I actually managed to finish it…..Oh. My god.

Under the cut⤵️

Is it stupid to miss someone who doesn't even exist?

Probably yes, but hey, Swerve already has several degrees, might as well get another one. A degree in Stupidity or something. Who cares?

For the first few days after waking up from his coma, he feels like he's going crazy. Everybody has realistic dreams, right? The ones where you can scrutinize every angle, memorize every face and smell and sound. The ones that make you lie still for a while after waking up, grasping at every thing you can. Trying to memorize everyone you meet, imprint them in your head.

Because apart from your mind, they don't exist anywhere else. So that's your only way to keep them.

It never works. Obviously. Details slip away. Impressions fade. Just a couple days, and you won't be able to recall anything but the main events from memory.

Wait, hell, not days. Cycles.

His life is a weird, pathetic, fantastical circus. Earth term. Heh. There are no circuses on Cybertron, haha!

But Swerve remembers. And the word circus, and the smell of asphalt, and rains that were made of water not acid. Remembers the English language. Can speak it fluently, even if you wake him up in the middle of the night.

Remembers his work schedule and remembers which company makes the best details. And Tailgate with his bright blue uniform and Wheeljack with his endless experiments and Swindle with his expensive coat and of course...yeah, no, don't think of Blurr, don't think of Blurr, don't. Don't.

He'd heard about it. Read about it, too. Mechs waking up from comas and doing wild things. Some forgot how to speak at all, some gained a new skill, some lived a whole life while they slept.

Articles tell Swerve, don't worry, what you've experienced isn't unique. The doctor tells Swerve that the same thing has happened to others before you, it will be okay, it will pass.

Swerve isn't sure he wants it to pass.

He's been in a coma for who knows how long. The medic said it was caused by an internal trauma that decided to suddenly get worse. One minute he's recharging , the next he's gone. Internal injuries are insidious.

So it turns out. One day he just disappeared from the world because he was busy slowly dying in his room and no one noticed until a thief tried to sneak in. The only one who came to him was a Mech who wanted to steal his stuff. Huh.

That feels revolting. Swerve liked to think he had enough friends. Or at least enough good connections. Enough those who should have noticed his absence, right?

Apparently not. His shifts at work were reassigned, his contacts never texted him first, his...

His small persona wasn't important enough for anyone to notice his disappearance.

Would his human coworkers notice? Would Tailgate have noticed? Or Jazz? Swindle?

Jazz would have noticed, he was always surprisingly attentive when it came to his friends. And he was friends with just about everybody.

Swindle would probably get upset about the money he'd lost.

It's amazing how much his brain-- wait, no, his processor. How much his processor could create to entertain him. It's a more elaborate world than the most complex series Swerve has ever known. And that scrap had forty-six seasons and fifteen encyclopedias!

People, Earth, a bunch of new languages and rules and all for the sake of the end being like, OOPS! ...it was all a dream. Hilarious. Worst plot twist ever. Swerve hates it when stories go in this direction even more than when they kill off their characters.

In his humble opinion, death is better than the revelation that none of the experiences made sense or had any value. In terms of writing scripts obviously. Haha.

He's busy roaming haphazardly through his own memory. He's looking, comparing, trying to find inconsistencies or things that don't make sense. All the stuff that usually gives away the fact that what happened was a dream.

Most of his memories are occupied by--No. Frag.

Don't think about Blurr, don't think about Blurr, don't think..

He's thinking about Blurr. A lot.

Blurr occupies a surprisingly important role in his comatose dreams.

In the time he spent just looking at him, you could hand-build an entire Mech. Maybe even three. Swerve remembers picking up every bit of merch he could reach with his paycheck. Watching hundreds of videos and buying every new themed drink even if it was a flavor he didn't like.

Then spent a surprising amount of time resenting Blurr for not living up to his fantasies.

Blurr's behavior hadn't helped either, of course, but now, looking back at the past himself Swerve thinks that.. Oh wow. You weren't just annoyed at him. You blamed him for ruining your beautiful fantasy. You were having so much fun entertaining yourself with thoughts of this marvelous image, and he came along and corrupted it. Poisoned the well you drank joy from.

But that's not quite true, Swerve thinks.

Blurr was more complicated than that. But exactly how, he'll never know. All he has are his memories, and those memories are cut short at the most interesting point.

Swerve knows this plot twist. The asshole character that no one loves at the last second turns out to not be what everyone thought, but it's too late.

Oh no, he's not an evil jerk, he's actually traumatized. Oh no, he wasn't bad, he was actually secretly helping everyone. You thought he was awful? Well now you're going to feel awful reading fanfics.

Serevus Spayne didn't actually betray the main character's dad, no no, he was in love with him! Bam. Drama.

Swerve isn't a big fan of this stuff. He likes his characters developed properly. But he can't deny the appeal of a character leaving behind a bunch of questions you thought you knew the answer to.

Uggh.

The doctor was wrong. These thoughts don't go away. These memories don't dull.

Swerve just boils in them, constantly getting stuck in his own head. Sometimes he puts English words into his speech and everyone looks at him strangely. Sometimes he reflexively says some inside joke and no one gets it and he's left standing there with an awkward smile. Because. Guys, you don't understand, if my coworkers were here they'd think it's hilarious. I promise, in my fantasy world, it's funny.

When he gets a job on one of the Autobot ships, he accepts it thinking it might be a good distraction from his thoughts.

When he happens to see Prowl with a tiny human on his shoulder in the corridor of that ship, he thinks he's lost his mind.

The whole thing. The whole load-bearing structure on which his picture of the world has been held suddenly gives a lurch. Living your life in a super realistic dream is wild, but meeting a character from your dream in real life??

Freaking cursed.

Jazz looks puzzled by his reaction, but all Swerve can think about are two things.

One, if Jazz is here, does that mean everything else was real, too???

Two - holy shit, Jazz is tiny.

It never occurred to him. But he didn't really know what size humans were. Well, sure, he could measure it in numbers. But he was among humans himself. And about the same size. He was generally even shorter than most of them.

If Jazz is so small, he can't imagine how tiny Tailgate would be. Or--

He can feel his spark freeze. In fact, he can almost hear the sound of a string breaking in his processor. Does that mean Blurr is real too? Real and just as tiny and currently dead? Because Swerve was there but was too convinced it was all just a dream to help?

He's going to get sick.

He needs to talk to Jazz right now.

____________

Swerve taps his fingers nervously on the countertop. Come on. You're good at talking. Talking is your greatest skill. All you have to do is tell someone else about your comatose hallucinations and hope they don't think you're crazy.

They're sitting at a table at the bar. More specifically Swerve and Prowl are sitting at the table, and Jazz is sitting right on the table. (God he's so small).

“So uh. I got injured a while back and...uh...well, it got worse, turned out important systems were affected and I kind of. I was in a coma. For a really long time.”

Jazz frowns

“Oh. I’m sorry to hear that.”

He speaks in a mildly wonky Common, Swerve notes to himself. He waves his servo a little too cheerfully in response.

“'Ay it's no big deal really. I saw a whole other world while I was asleep and like. See, I thought it was just my fantasies, but it seemed very real and...”

Swerve mentally crosses his fingers.

“And it was about this planet called Earth and about people who were building their own inanimate huge robots to fight huge aliens and their boss wanted to launch Mechs into space, so he picked the best of the pilots named Jazz and sent him on this test mission and...”

Jazz looks at him with huge eyes before switching to English in surprise.

“Mech, what the hell?”

“...And we lost him...” finishes Swerve with a sad smile.

Before thinking for a bit, and adding.

“I'm going to show you a trick I can do.”

And then projects his holoform onto the table in front of him.

This. It's weird. Not in a way that would tilt it in the direction of unnatural. More like walking around in his comfy indoor pajamas right in the middle of the street. Being human is familiar to him, but being human amongst huge Cybertronians? Strange. And a little creepy.

Prowl looks confused.

Jazz looks absolutely frantic.

“SWERVE????”

Swerve doesn't even manage to respond, only to smile in relief before Jazz rakes him into his arms. In his holoform, Jazz feels right again. He's taller than Swerve and oh boy, he's alive and unharmed. To think everyone thought he was dead, staying up nights trying to find what was left of him, and he was on the other side of the universe the whole time?

Swerve chuckles into Jazz's shoulder. Then picks him up and spins him around a couple times just because he needs something to get his energy out. Man, it's nice to hug people. Warm and soft, eight out of ten.

Jazz pulls away but still stays standing very close. Swerve can literally see the happy stars in his eyes.

“Dude, I'm not complaining but what...how???? You just kinda..."

Swerve laughs and twitches his eyebrows playfully.

“I still speak English, you don't have to torture yourself with Common.”

“Oh thank fuck.” Jazz throws his hands up dramatically “you're my favorite person right now.”

There is a polite click of the vocalizer resetting above their heads.

“I” Prowl says “very glad you two are happy but I'd like some explanation”

Swerve presses his head into his shoulders guiltily. Prowl has the unique ability to always sound like you've done something wrong in front of him.

Although Jazz doesn't seem to feel the same way?

“Short version - I sleepwalked my holoform to another planet.”

He pauses dramatically.

“The long version is...”

Jazz raises his hand

“What's a holoform?”

Swerve sighs.

“It's a holographic avatar that I can project using a holomatter generator. Sort of like a remote controlled game character.”

Jazz whistles impressed. And then immediately turns back to Prowl

“Have you been able to do that all this time too?“

Prowl hums

“I can create an avatar, but it takes a lot of practice to make it at least believable. And to fully perceive the world through it takes even more. It's a whole new technology. What Swerve does is essentially an art form. Sophisticated and impressively detailed may I add.”

Swerve shrugs shyly. He's still using the holoform to stand on the table next to Jazz. Looking up to speak to Prowl isn't exactly comfortable, but Jazz definitely looks like he's been missing the human presence. Swerve isn't human, but he might as well be.

“Thank you. Yes! Uh. Anyway, it seems while I was in a coma my processor projected my avatar onto Earth and I...let's just say I lived there for a while.”

Jazz laughs

“Dude. So you're telling me you were basically sleepwalking the whole time?”

“ I was.”

Prowl frowns.

“But the range limit of the holomatter generator is only four hundred miles...”

“.... I had a lot of practice...”

Jazz claps his hands.

“You learned a whole other language! Got an ID!. You had a job!!!”

“I got carried away,” Swerve admits.

Jazz scratches the back of his head, still looking very amused

“How many degrees did you get? Haha wait no, I have a better question, did you pass your driver's license?”

“Two. And I failed my driver's exam.”

“Dude you are literally a car without a driver's license!” collapses Jazz on the table with laughter.

Swerve blows the hair out of his face

“Says you who retook the physical several times. You couldn't pass the "being human" exam.”

Jazz just wheezes incoherently in response. Prowl looks alarmed.

“Don't worry, that's him getting excited. So...where have I been...”

Swerve nervously shoves his hands into his pockets

“...Do either of you two know where Earth is?”

Prowl twitches his door wings

“No. Since Jazz was teleported we don't have much clues.”

Swerve grimaces. Scrap. Of course nothing's going to be that easy. He's also been, like,....teleported.

He stands there for a couple minutes and just feels fifteen different emotions rise up in his head at once. A crooked, unsteady smile creeps across his face.

He's thinking.

Oh hell, yeah! I knew it wasn't a dream!

Then he remembers the mess he left behind.

Oh, no, it wasn't a dream.

Jazz puts a hand on his shoulder.

“Swer... Swerve? Dude, are you okay?”

“Ah frag..” Swerve says weakly ”it wasn't a dream.”

Jazz looks...puzzled.

“Is that bad?”

Swerve remembers his friends. Remembers the Mecha program. Remembers fire and smoke and screams and rumbling and crackling flames. Ashes flying through the air and the smell of burnt wires. He remembers blood and debris and...

“It's...complicated.”

This wasn't just a stupid plot twist he'd dreamed up because he'd watched too many shows. This wasn't a hallucination or a disembodied fantasy that just happened to linger in his head. This was real. His friends exist out there somewhere. His work and his collections and his little apartment...

And Blurr. Was real. Or still is? Swerve doesn't know. Blurr wasn't a product of his imagination. He was real and what he did was real and Swerve left him there alone, bleeding and trapped in rubble and tiny and...

Hahahahah oh fUCK.

He doesn't like this plot. It's too much. Too much to handle, too complicated, too ambiguous.

It's also probably too late.

But he can't leave it like this, right? Blurr went into the damn burning building just because of the possibility that there might be someone alive in there.

And Swerve doesn't even have to go through the flames. He has to look. He has to try at least.

Jazz glares at him with a worried look on his face

“ That expression you have...”

Swerve puts the smile back on his face.

“I need to get to Earth.”

___________________

Swerve is not an idiot.

Or maybe more accurately an idiot, but with several degrees.

He's well aware that finding Earth in space with only a description of it is impossible. Which leaves him with two options.

Ask the Quintessons. Or look for it himself.

The first sounds like death. The second like coma. Swerve has exquisite enough taste to know which is better.

He just needs to do some preliminary reserch.....

Jazz, now back inside his Mech looks doubtful.

“You're not going to die suddenly and for no reason, are you?”

Swerve laughs.

“Pfffff what, no of course not, would I kill myself hah. No no, look I'll just put myself in stasis for a bit. Send myself to Earth. And try to figure out where it is from there. Get the coordinates. If I'm lucky, I can see what Space Bridge the local Quintessons use. All you'll have to do is wake me up after a while.”

“It's not harmful?”

Swerve makes an uncertain gesture with his hand...servo.

“If I have enough fuel. And an additional connection to an external generator.”

Jazz tilts his head

“ Why are you so eager to get to Earth? Don't get me wrong, I miss it too and want to go back, but.”

Swerve bites his knuckles.

“ I have some unfinished business?”

“Pshhhh you sound like a ghost.”

Swerve only laughs in response.

_______________

Concentration is tricky.

Swerve tries to think about Earth. And not to think about the fact that he doesn't know where it is. If he's already been there once, he might as well go there again yes? In theory? Perhaps?

Except for the possibility that his sleepwalking just takes him to random planets. That would be very inconvenient. It would be a whole new level of lost

Shit. No. Earth. Think Earth.

What's he even gonna do when he gets there? How far away is it? Swerve is very talented with his holomatter generator, but if it's really far away... maybe he should reset some settings.

He mentally starts going through his options. Does he need tangibility? Probably not. Come to think of it, it would only make him more vulnerable and take a lot of energy. Yeah, the tangibility has to go. What else? Touch, too. Sight and hearing should stay, that's not even a question, but colors and textures are not really necessary.

The amount of detail and picture quality can be reduced as well. His holoform will become colorless and grainy and will probably ripple with static, but he'll survive it.

After he finishes making changes to his holoform he thinks about his old stuff left in his house. Then about the posters. Then reminds himself that he needs to focus on the goal or he'll never find Blurr and...oh FUCK his phone! Where was his phone when he disappeared? Was it found?? There were so many personal things on that phone, he's hoping the phone was burned under the rubble. Either that or the arriving investigators will find his browser history and he'll go into another coma from pure embarrassment.

He blinks dazedly when he realizes he has loads of rocks in front of his eyes. Oh..Did he screw up? Did he end up on the wrong planet? Is it a cave or--

Then he notices the odd shape of the “rocks” and. Oh, no. It's not a cave. It's charred concrete debris.

This is the place where he was last.

He hastily looks around. Anxiety creeps up the back of his neck, makes him feel like something slippery and cold is crawling over his skin. There is nothing but ruins all around.

Blurr is not here. The place where his Mech was lying is empty.

Which means he was at least found and dragged out. Dead or alive.

Swerve's bites his knuckles. Okay.

All right.

He's got things to do.

_______________

He's trying to stay out of sight. Which isn't hard, considering he's just a hologram. At first, he just sneaks around in the quiet areas. Then proceeds to do a facepalm and start teleporting. Think, Swerve. Did you read all those comic books for nothing? Superheroes who couldn't really use their superpowers creatively always annoyed him. And he does, in fact, have a superpower. Gotta get creative, right?

He stops and looks at himself again. His holoform is going static and is a dull white color. He thinks for a bit, and then shrinks himself. Thinks some more, and makes himself almost transparent. There's no way he could pass as a normal human right now, so he'd better just do his best to avoid being seen by anyone.

He looks around thoughtfully. Hmm. Even if he's going to be absolutely tiny, he needs to make sure no one sees him, otherwise the whole base will think the Quintessons are now spying on them through holograms or something.

Breaking the rules feels...it's exciting.

All his ..human life here he hadn't thought about it, but if he threw away the rules he was used to about what people could or couldn't do...

He looks up in a sudden rush of sly genius. All people look under their feet when they walk, but how many look up? And how many of them notice the barely visible tiny holoform hiding just behind the blinding lamps?

The answer is probably none.

Swerve projects himself onto the ceiling and mentally pats himself on the shoulder for his impressive intellectual accomplishments. A creativity degree should definitely be a thing.

A degree in spying on the Quintessons' ships wouldn't hurt him either.

Fortunately sneaking onto their ship turns out not to be that difficult. Swerve makes himself absurdly tiny and hides in the darkest corners that no one would ever think to look into. Why hasn't anyone thought of using holoforms for spying before? Could he be the first to think of it? He doesn't know, but he mentally decides to patent the idea.

Finding the Space Bridge is surprisingly easy. The local Quintesson fleet is clearly used to being the dominant force in space. And that's generally logical. Even if humanity collects a mountain of money from somewhere to throw a dozen Mechs into space - there will be thousands of monsters waiting for them. In such a situation, you don't have to hide, the guards are enough.

Well done, well done, don't hide, Swerve thinks, copying the coordinates and address of the space bridge to himself. You have absolutely nothing to fear here, he thinks, so stay where you are and don't move. Please and thank you.

Once the coordinates are obtained, he... has some freedom to explore. And he uses it for probably the most boring-sounding thing in the world. He returns to his usual workplace.

It’s simple. As damning as the Mecha program was, Swerve loved his job in it. He loved his position in the assembly shop. And he missed his friends.

He quickly teleports through several rooms, continuing to hide close to the lamps. Tailgate is here. Alive and unharmed. Wheeljack is too, though his face has some scars added to it. It's great to see them again, even if he can't talk to them right now. No one will probably react well to a grainy unexplainable hologram. He's just glad to know they're okay and honestly, the last thing he needs is paranoid Onslaught installing extra signal jammers.

It takes time to find Blurr. Partly because Swerve is terrified of what he might find if he started looking. So he goes to check the death lists first, and only after flipping through and re-reading them three times does he finally exhale in relief.

Blurr's name isn't there.

So his smug, shiny ass must be around here somewhere.

He checks the hangar. Flips through the Mech launch logs and feels an uncomfortable knot begin to form in his chest. Blurr's Mech has never been repaired or launched even once since the incident. Its plating has been replaced with new, well polished, and put in a prominent place where anyone who wants to can take a picture of it. But all the internal systems are destroyed. This machine hasn't been used for anything other than being a beautiful exhibit.

That's...something's wrong.

He checks offices and schedules as well as eavesdropping on a few conversations and ends up secretly following Swindle, who is arguing loudly with someone on the phone. He says something about deals and how he doesn't need anyone meddling in his business. Then he talks about how he's got everything under control and the person on the phone is “a dumbass who's making drama out of nothing” and that “he doesn't need anyone's handouts". Then he sighs and says, “you know how celebs are. Dumb and dramatic. You can't take their words literally.”

Then drops the call and for a couple seconds looks like he's just had a large bill taken right out of his hand. Curses again, but in a quieter voice. Leafs through his contacts and stops at the one signed 'free ice'.

“Blurr? Where are you? Wha...ah, no wait. No, the advertising agency called. No, liste...Can you shut up for one second?Where are you?

Uh-huh....... Uh-huh.Okay.

Give me half an hour...okay, yeah.”

This is it, Swerve thinks.

He shrinks himself further and teleports under the collar of Swindle's coat.

He wants to take a look. Just. Just a peek. Make sure everything's all right. Then he can go about his original mission in peace. He watches Swindle get in his car and drive off somewhere. Swerve doesn't recognize this part of town. The houses here are much nicer than where he lived. The streets are cleaner.

He tucks himself further under the coat collar. He's not going to be a stalker or anything, but he's worried and he doesn't have time to wait for Blurr himself to show up for work. Just one little look and that's it.

Swindle's car stops outside a beautiful, shiny hospital. Swerve nervously tries to bite his knuckles, but remembers he's disabled touch in his holoform. Shit? Shit.

Shit. Shit. Shit. Shit. Shi

Blurr looks like a mangled corpse.

Okay, not really. His left side that faces the door to the hospital room looks like a mangled corpse and that's the first thing that catches Swerve's eye when he's inside.

Blurr is pale and thin and his hands are covered in bandages. The left side of his face has been turned into an absolute ugly nightmare. A piece of his ear is missing. In the place of the left eye is a creepy empty hole.

Suddenly Swerve realizes why Blurr didn't show up for work. You can't even show him to his coworkers like that, not just to the public.

Blurr turns his head and the spell breaks. His lips stretch into a cocky smile.

“'Got bored without me Swindle?”

Swindle doesn't show the slightest emotion at the gruesome sight. He casually pulls a chair over to the hospital bed and sits down.

“Shockwave is trying to sneak a new project into the program. And he's slowly swaying investors to his side, using you as an excuse. Tells everyone you're a poor martyr he can save if only he's given the green light from above.”

Blurr wrinkles his nose.

“Not that he's wrong. The doctors say I need to pick a new career because with this...” he jerks his head to the left implying his damaged half, ” neither racing nor piloting is an option for me anymore. I'm out of your project.”

Then he stops talking for a few seconds and raises an eyebrow curiously.

“You wouldn't have come here in person just to say that. Why are you really here?”

Swindle adjusts his glasses

“Have I ever told you why I made the contract with you?”

“Because you like money” Blurr says without hesitation.

Swindle lets out a quiet chuckle.

“Fair point. But money wasn't my only priority.”

He pauses for a second. Gets up. Draws the curtains in the room. Checks to make sure no one is outside the door.

Goes back to his seat.

“You didn't see what the Mecha project was like before. Brutality and absolute disregard for human rights multiplied by a thousand. People were desperate and no one cared to maintain any decency.”

He raises his hand when Blurr rushes to say something.

“No no, listen to me. If you think things are bad now, you're right. But it used to be much. Much, much worse.”

Swindle sighs and adjusts his glasses again

“Vortex was taken as a boy. He wasn't even out of high school when they shoved him into the lab. Me and Onslaught were pulled right out of the college exams. The others were no better, although they were usually a little older. My point is that it was allowed. It's what the superiors could do and no one told them no.”

Blurr tilts his head and gets a little all turned around to see Swindle better with his right eye.

“But you... found a way to change that, didn't you?

Swindle rubs the bridge of his nose

“I have no power over my own superiors. But Onslaught and I have come up with a plan. Look. I'll put it in simple terms for you. Above me is my boss, and above him is another boss, and so on but at the very end of that chain are people from the government. The investors. So we figured out a way to cut through the chain of command and influence them directly. Make them worry about us. It's a kind of social shield. Onslaught is a genius.”

Blurr blinks.

“Why are you telling me all this.”

Swindle takes off his hat and just. Crumples it in his hands. The back of his head shows numerous scars and the glint of tiny metal implants barely visible behind his hair.

“You're that shield right now, Blurr. You can't leave.”

Blurr's eye widens

“Is that why you insisted on ‘befriending’ me with all those bullshitters?”

“I needed to make sure that in their minds we weren't just a military unit. To keep them thinking that we're as human as they are. So I gave Project Mecha a face.” He tugs on the hat again, “Your face.”

Blurr runs his fingers through his hair

“Shockwave can't do whatever he wants cause...because of me his efforts would risk going public and people wouldn't like it and it would ruin the reputation of our investors-and-they'd-cut-off-his-funding.”

Swindle puts his hat back on.

“Exactly.’ That's why he's being so persistent right now. He knows you're vulnerable and he wants to capitalize on the opportunity. Make you part of his new project and tell the world about it. Make publicity his weapon, too.”

The lamp above them flickers faintly. Blurr takes a breath. Long and tired and exhausted and. a bit doomed.

Swindle puts a hand on his shoulder.

“Please. Don't leave. At least not now. And don't let Shockwave get to you. That would open the way for him to get to the rest of the pilots you represent.”

They just. Sit in silence for a while. Blurr quickly taps a finger on his knee. A rapid tap-tap-tap-tap-tap-tap-tap-tap-tap-tap.

Swindle moves his hand away and gets up from his chair.

“There's a press conference coming up. I need you to be there. I've told everyone who needs to know that the problem is exaggerated and you're fine but they need to see you.”

Blurr smiles sourly.

“My lawyer is going to charge you such a handsome sum for that stunt.”

Swindle laughs, but his cardboard advertising smile doesn't reach his eyes.

“We’ll see about that. Seriously though. I need you there.”

Blurr bites his lip.

“I..don’t know...”

Swerve...doesn't know what to think of that.

Blurr shows up for the press conference. Late, but he makes it. Just as Shockwave is presenting his new project in his amazingly well-pitched voice. Blurr swings the door open and waltzes lazily inside, skillfully pretending not to notice the many cameras and eyes instantly directed at him.

Swerve, whose memory is still fresh thinks for a second that no, no this can't be the same person. Past Blurr looked like a wreck. Past Blurr was tense and tired and hunched over. Present Blurr couldn't look more alive. His shoulders are squared proudly, there's that cheerful springiness and grace in his stride. He moves with ease and confidence. Smoothly.

The left side of his face is neatly covered with fresh white bandages. Carefully, without leaving the even the slightest gap through which his injury could be seen. His hands are hidden under a fancy jacket. He smiles wide and bright and squints playfully toward the table.

The very embodiment of nonchalance. The few pilots sitting in the audience roll their eyes.

Swindle breathes out a barely perceptible sigh of relief. Swerve, once again using Swindle's collar as a tactical cover, can't help but let out a silent triumphant laugh. Maybe slightly more nervous than he is supposed to be.

Blurr sends Swindle a sly, sharp smile and even knowing it wasn't meant for him, Swerve feels his cheeks heat up.

Ah, damn it.

Swerve breaks the rules. He tells himself that peeking is fraught with consequences when it comes to military organizations, but he can't stop himself from being curious. And from worry, too.

And now that he knows where to look, he sees things he'd rather not see.

Blurr ... is crumbling.

Swerve doesn't know all the details and consequences, but that incident did leave a mark.

But every time Swindle calls him and says “I need you at some place in two hours” he gets up and assembles himself into a human being. Like a goddamn puzzle. Tapes and covers the burned half of his face. Covers up the bruises and hides the stitches. Fixes his hair and sets off on shaky legs to pretend he's fine.

He smiles so bright and carefree, laughs so sweet and beautiful that no one would ever think that even standing up sometimes hurts.

And continues to act like a jerk of course.

The only difference is that this time Swerve mentally gives him the presumption of innocence before he starts judging.

Blurr does a lot of things that seem rude. He also does a lot of things that are actually rude and figuring them out without resorting to alien superpowers would be nearly impossible.

When the pilots see Blurr sitting right on the table while negotiating with investors, they roll their eyes and make comments about his terrible manners. Or when he stops showing up for even the most basic, rudimentary training.

Or when he develops that stupid habit of leaning his elbows on people standing next to him.

It's the model behavior of a rich, spoiled brat.

It's also an inconspicuous way to stay upright.

Employees say “that dumbass has never heard of personal space.”

Investors say, “I think he likes me.”

Blurr leans on Swindle's shoulder and through a charming smile says “Don't move or I'm gonna fall.”

Swindle also keeping up the smile discreetly holds him back, pretending it's a friendly half hug.

Swerve feels like yelling at both of them, but he's not sure what for exactly. For one thing, Blurr in his condition is very VERY VERY contraindicated to even get out of bed, let alone participate in social activities.

On the other hand, without Blurr, everything is going down the pit.

Without Blurr, all the government sees are dry reports and spreadsheets. Without him, all the high command has is numbers and a sense of impunity. Swerve is sickened by how easily people tend to forget that numbers represent other people.

Most pilots are able to draw a parallel between deteriorating working conditions and Blurr's sudden fondness for staying home instead of working. But they think the rich jerk got scared and ran away. Considering the way Blurr has always behaved at work - Swerve can't even judge them too much for it. They assume Shockwave getting more freedom is the cause of Blurr's absence, not the result.

Blurr's influence only becomes noticeable when it slowly starts to fade away. It's like switching from expensive tea to a cheaper one. The awful flavor only becomes noticeable in contrast.

Blurr doesn't lead the development of new technologies or go out to fight in the field. He doesn't make plans and reports, he doesn't participate in drills, he doesn't cover anyone's back in battle.

But he's the one who puts his hand on the government's shoulders when they're about to sign the next piece of paper. He's the one they have to look in the eye before they have a pen in their hands and a document authorizing Shockwave to stick more needles in people's brains.

It makes a difference. Small one. But still.

It turns a disembodied imaginary “combat units” into a tangible person.

From “do you want to accelerate the combat training of new soldiers” to “are you willing to tell the living, breathing guy standing in front of you that shoving poison under his skin is an idea you approve of.”

More importantly (And Swerve actually admires Swindle for this) Will you be able to explain anything to your families later on, when this same guy is on TV all over the country saying that's what you did to him?

There have been two fronts here all this time, Swerve realizes.

While the pilots were protecting people from monsters wearing teeth and armor, Blurr was protecting the pilots themselves from monsters wearing ties and lab coats.

After another conference, Shockwave stops Blurr in the hallway.

“Good show.”

Blurr laughs. Soundly and proudly.

“Thanks darling~ Sorry I interrupted you. Your speech sounded like something important, but I don't really know much about nerd stuff.”

Swerve, hiding on the ceiling again, snorts.

Shockwave doesn't move. Doesn't give any indication at all if he's offended or upset or whatever.

“It must have been hard getting here with your injuries.”

Blurr shrugs and lazily turns his head around distracted.

“It's just a few bruises here and there. Not the end of the world.”

Shockwave nods slowly. His voice and posture and all, Swerve thinks, looking very uncomfortable.

“Of course it isn't. But hardly good for your career.”

Blurr freezes.

No, Swerve thinks. Shit. No, don't listen to him, don't listen to him, don't listen to him, don't

“Your brilliant achievements have always been a source of admiration to me” continues Shockwave “it would be a pity to lose them.”

Blurr makes an indifferent face and tucks his hands into his pockets.

“Like I said. Not the end of the world.”

Swerve imagines choking Shockwave. Dropping a lamp on his head. Maybe jumping on top of him himself. Shut up, he thinks. Shut up, shut up, stop fucking talking.

Shockwave with a nice, slow gesture pulls out a notebook from somewhere and flips a couple pages.

“Multiple burns, cracked ribs, poisoning from carbon monoxide and combustion products of toxic chemicals...”

Blurr visibly shivers and looks away.

“...loss of vision on one side...” Shockwave continues reading, ”and partial hearing loss. Finally, the impact of neural link malfunctions. And this, if I'm not mistaken, is on top of the already existing memory problems?”

Shockwave takes a step closer. Not fast enough to make it look threatening, but enough to hover.

“It may not be the end of the world, but it is the end of you.”

He writes a set of numbers on the same page, tears it off, and hands it to Blurr.

“You are broken. I can fix you.”

Blurr frowns, but takes the piece of paper.

“That fixing would involve giving you consent to mess around with my head, wouldn't it? It's brave of you to think I'd go for that.”

Shockwave tucks the notepad into his pocket.

“I can assure you, neither I nor anyone else is interested in your brain. I just want to give you back what you're truly valued for.”

Blurr flinches.

“I don't need your help.”

“ If you say so,” Shockwave agrees easily. Nods, slowly and smoothly. Then starts to walk away “But you do need your fame.”

...

“By the way, you might want to wipe the blood off.”

Blurr waits until Shockwave's back disappears around the corner, then quickly pulls a tissue from his pocket and brings it up to his nose.

____________________________

Swerve wakes up looking up at the ceiling of his room. The high, metal ceiling, of a metal room on a metal spaceship.

Holy shit...

Jazz pokes him gently on the forearm

“Are you alive? You've been gone for like quite a while...Did it work?”

“Hey Jazz” frowns Swerve “what do you know about Blurr?”

Jazz laughs

“What are you fanboying over him again? Still??? Dude's smug and arrogant. Good boss though. I was hired to perform at his parties before I became a pilot.”

Swerve sits up and rubs the back of his head.

“Ah...”

“So it worked?”

“Wha...ah! Yes! Yes, it worked! I managed to get the number and codes from the space bridge the Quints used on you. We just need to find another space bridge and we'll have a pretty much direct route to Earth...well. Or rather, to the Quint ship that's located near Earth. You get the idea.”

Jazz rubs his hands together happily.

“I'll take it.”

Swerve jumps to the floor and heads to grab an energon cube. Man, these holoform exercises are burning energy like crazy.

He stares at his metal hands like an idiot for a couple minutes. Just...Contemplates how non-human they are.

He has eight fingers again instead of the human ten. Huh.

Prowl downloads the information he's gotten and immediately runs off to plan a route to the nearest working space bridge and for a while Swerve is just.

Left to himself.

He tries not to think about Blurr. What would he even say to him? Hey, look, I'm sorry I accidentally set you up, see, I'm actually an alien who was sleepwalking and thought you were fictional, surely this won't affect our non-existent strictly professional working relationship? Nah, screw that. If he's going to sound crazy, he needs to at least come up with a good presentation for his insanity.

....

Is it weird to think humans are beautiful if you're not human? If you're kind of human, but only in your soul and only half human?

He looks at Jazz and Prowl.

“You two get along really well.”

Jazz chuckles, sitting on Prowl's shoulder.

“Right now, yes. But we got on each other's nerves quite a bit when we first met.”

Swerve looks up at Jazz's chattering legs from his height and thinks. This is working somehow.

On the other hand, Jazz is the exception rather than the rule. He's friendly with everyone, he's easy to get along with, he's the soul of any company and most importantly, he was a little too much into robots before he discovered they could be alive. If anyone could find common ground with the Cybertronians, it would definitely be Jazz.

_____________________

”Are you a ghost?”

Swerve shrieks in fear and gets covered in static. He hadn't planned on talking. He hadn't planned on being noticed at all. Blurr was supposed to be asleep! And Swerve just wanted to close the curtains and leave, because there's some noisy party going on outside and bright illuminations are very bad for a patient already suffering from neural connection withdrawal.

He freezes in place like that dude from Jurassic Park. Like if he's still enough, he won't be noticed. Oh, or was that from another movie?

“I'm just uh” he awkwardly reaches up and closes the curtains “Lights. Bad for...you...now.”

Blurr chuckles. It sounds suspiciously joyful. His whole posture and facial expression. He looks very relaxed for someone who had a ghost materialize into the room out of thin air.

Swerve traces the line of the IV with his gaze. Oops, that looks like painkillers.

“Yes I am. Uh. A ghost watching the curtains. And now the curtains are fine, so I guess I'd better go?”

Blurr squints amusedly.

“You can walk through walls?”

“Uh, I can teleport into the next room?”

He backs up his words by making himself disappear and reappear in another corner of the room.

“Cool!” says Blurr cheerfully.

Swerve is involuntarily infected by his mood and makes a couple dramatic bows as if he were some kind of magician.

“ Show me more?”

“Hehehe okay eh” Swerve spreads his arms like he's presenting something and then makes himself the size of a soda bottle and teleports to the edge of Blurr's bed “Ta daaaa~”

“Wooooo look at you, you're like an action figure~”

Blurr immediately makes an attempt to touch him, but fails to reach and drops his hand back on the blanket.

Swerve chuckles and steps closer. It's funny to see the usually incredibly agile Blurr struggling with something so simple and ridiculous.

“They really drugged you huh?”

“It's not the drugs” snorts Blurr ”...it's my eye.”

He raises his hand once more and hesitantly pulls it towards Swerve until it bumps into his hair

“... depths Per…percen.. ah, shit. I can't tell how far away things are.”

Swerve just. Lets Blurr fidget at himself, while starting to feel really bad at the same time.

"If you can't tell how far things are, how are you going to drive?

Race???”

He must have a plan right? Something? Let’s-prove-Shockwave-wrong tactic???

Blurr drops his hands back on the blanket

“I won't.”

He freezes when the all too close fireworks rumble outside the window. Then points to his head.

“With this. I can't drive, I can barely walk at all, and I look like horror movie material. Pathetic heeh.”

Swerve sits down quietly cross-legged on the blanket.

“Well...at least you're alive....”

Blurr shakes his head.

“If I had died, it would have been epic. You know? Dharm...dramatic! It would be big news and everyone would be talking about what a hero I was or...or something...”

“...”

“Swindle would be so angry, but he'd figure out a way to make money out of it. He'd make a commercial about how people should be heroes. I'd be remn..remembered for being cool and brave and stuff.”

Fireworks can be heard from the street again. Swerve notices that there is a thin slit between the closed curtains through which a slim, flickering strip of multicolored light streams into the room.

Blurr frowns and leans back against the pillow, looking up at the ceiling.

“I've turned into a boring wreck. My records will be beaten, my career forgotten , and all the guys from work will remember me as a brat. In a--in a--in a way, it's worse than death. Shockwave's right.”

Swerve isn't sure what exactly would be an acceptable gesture of comfort, so he kind of just. Places his hand on the blanket covering Blurr's lap.

“Hey, don't say that. I think what you're doing is great.”

“Liar” smiles Blurr crookedly ”You hated me. I saw your posters collection.”

Oh shit. The ones he ripped off the walls and destroyed in a fit of fan frustration? He didn't even hide them, just shoved them in the back corner. Aw, man...

Swerve folds his arms awkwardly across his chest.

“I can be mad at you and think you're cool at the same time. I'm a multitasker.”

“You're a very specific kind of ghost.” says Blurr. Then, apparently inspired by the painkillers, decides to drop the conversational equivalent of an atomic bomb on Swerve's head “You died because of me?”

Swerve stiffens.

“I...Wwhat?”

“You know.” he makes a gesture with his hand that's ..unclear what it's supposed to mean. “You were working there with everyone else, and then there was that fire and I was sure I saw you down there under the rubble.”

He's silent for a couple seconds before he hesitantly continues

“And then no one could find you so most assumed you either burned or ran away. And now you're here with all your weird ghost stuff, so you must be dead.”

Swerve has.No idea what to think about it. And what to say? He's been so busy blaming himself for Blurr getting hurt that it hasn't occurred to him to think about what it looks like from Blurr's own perspective.

“Actually” says Swerve ”I'm an alien.”

“Heh” giggles Blurr ”sorry, my head’s all cloudy, I thought you said you were an alien.”

Swerve wants to run around and bang his head against the wall.

Instead, he gets up from the hospital bed. Carefully.

“You're high. I'm not going to explain things to you while you're high, you won't understand or remember them. Go back to sleep. It's the middle of the night.”

“You'll tell me later?”

Swerve hums quietly and pulls the curtains all the way closed.

“If future, sober Blurr would want my company.”

---------------

Jazz looks at him. Very intensely.

“Are you going to tell me who this mystery person you keep coming back to Earth for?”

Swerve snorts.

“What makes you think it's anyone in particular?”

“You're right, you're right~” raises his hands in surrender Jazz “So are you going to tell your friend the whole thing?”

Swerve crosses his ..metal arms over his metal chest.

“Is it that big of a deal? He thinks I'm a ghost or something.”

Being a ghost...somehow better, he thinks. If you're a ghost, it kind of automatically implies you're human. Or was a human.

“Sooner or later, he'll put the facts together~” says Jazz in a chant.

Swerve laughs.

“That's unlikely. He's got a pretty bad memory.”

_______________

His plans to stay out of anyone's sight combust with a dramatic pop the next time he projects himself to Earth. He doesn't plan to interfere, he doesn't even plan to linger. He just wants to see what's going on.

He actually just quietly sneaks into the hospital to make sure nothing's happened to Blurr since last time, but when he finally finds him then...oh shit, is that Pharma in the same room with him??? This can't be good.

They don't speak, but Pharma has clearly locked his eyes on Blurr and starts making his way towards him with the relentlessness of a industrial metal press.

Swerve does some rough math in his head. If he briefly gives his holoform back its detail and voice, will that be enough to fry his processor? He's not sure.

Pharma gives a believable impression of a shark getting close. The staff, as if sensing something untoward is about to happen, leaves the room in a hurry.

Blurr looks indifferent, but Swerve's attention is drawn to the way he squints tensely. Man, the lamps are too bright in here.

Pharma smiles sweetly and reaches out for a handshake

“Mind some company?”

Swerve's mental processes fly out the window. Oh no no. Not Pharma. Not in his fucking fanfic. He quickly changes his work clothes into a slightly more business-like looking shirt. Thinks for just a moment and adds a cap to his head to blend in more strongly with the attendants and hide his face to an extent. And then projects himself around the nearest unoccupied corner and runs out of behind it looking as anxious as he feels.

“Blurr!!! Sir, there you are!!! I've been looking everywhere for you!”

Pharma wants to say something, but Swerve doesn't even let him start. He stands in front of Blurr separating him and Farma expressively waves his hands trying to keep his head down.

“The guys you were talking about didn't bring the new hydraulics! It's a disaster, we'll have to use the one on the old models!”

Blurr, to his surprise, backs up his act almost instantly

“Really? But I thought there was nothing to take from the old models?”

“That's exactly the point! I got the paperwork this morning and...oh those assholes are going to screw it up if you don't step in as soon as possible!”

Pharma tilts his head

“Can it wait? We were actually talking here!”

Oh no, thinks Swerve I'll show you who's talking.

“Sir, no offense but this is a matter of extreme urgency. Are you implying that the safety of your patients is not important?”

“What do you mea...”

“Old faulty hydraulics, that's what you want?” raises an eyebrow in horror Blurr.

“No I'm just...”

“I had a better opinion of you, to be honest.”

“I...” opens his mouth Pharma “...WHAT...?”

Swerve shakes his head.

“And I thought his profession was to help people, can you imagine?”

“Wh..”

Blurr rolls his eye.

“Any idiot can get an important position these days.”

“Wait..”

“Tell me about it. Especially doctors.”

Pharma looks like he's about to start pulling the hair out of his head.

“Can at least one of you shut up??”

Swerve adjusts his cap in a businesslike manner

“Sir, I understand you're a bit detached from reality spending so much time in your department, but you need to take better care of your reputation.”

He raises his eyebrows knowingly

“Wouldn't want the rumors about you to turn out to be true. You know what I mean?”

Pharma doesn't even answer anymore. Pharma just looks like a discarded fish.

“…..Wha....there's rumors?”

“Of course” shrugs Swerve ”Ask Norman, he usually knows everything about everyone. And about your interesting tricks with safety, too.”

He leans in conspiratorially, effectively pulling all of Farma's attention to himself

“So if I were you, I'd stay out of any more things you don't understand.”

Pharma wants to say something. Swerve can tell by the look in his eyes. Pharma tries to come up with a witty and context-appropriate response, but this whole conversation has no more context than a typical episode of Teletubbies.

“Where does this Norman guy work?” finally finds the ground beneath his feet Pharma

Swerve shrugs.

“Block C, if he hasn't been transferred yet. He's already been fined several times for spreading harmful information you know? The guy can't keep a secret.”

Pharma throws his hands up angrily and storms away. Probably looking for context. Or revenge.

A quiet cough sounds behind Swerve's back.

“So. Should I be worried about Norman's health?”

Swerve feels the hair on the back of his neck shiver and slowly turns to face Blurr while still looking somewhere on the floor.

“Uh...only if you're concerned about the fate of fictional characters. I made up Norman's wife, she'll be upset if he gets fired for gossiping.”

Blurr chuckles. Then goes silent. Then, after a couple seconds, starts laughing again. That's a good look for him, Swerve thinks. It's not like Blurr's usual velvet-smooth laugh that he uses at social events. It's more like a quick, jerky giggle, and in Swerve's subjective opinion, it's pretty damn cute. He can't help but grin.

Blurr snorts one last time, cutting off the laughter.

Then he reaches out his hand to him.

Swerve reaches back, expecting a handshake, but Blurr ignores his hand and instead goes for his cap and lifts it by the brim.

Swerve, not expecting this, freezes with his hand outstretched.

Blurr freezes as well, still holding the cap in his hand and looking...like he's rethinking his life. A little.

Ugh, and how to explain it all to him....

“Uh...you...uh...probably don't remember me. I...it's...”

Blurr shifts his gaze from Swerve to the cap in his hand. Then back to Swerve.

“You're real???”

Swerve awkwardly waves his hands in front of him

“Ah not.., not really. Do you know why Pharma was looking for you in the first place? He doesn't work with patients anymore, he's been reassigned to the research department, right?”

Blurr shrugs.

“Last time I saw him, he said I might have implant rejection in the third ..uh..what? stage? or something? I think he's trying to get me in for a checkup.”

Swerve twitches.

“Third??? How are you still standing???”

He then quickly reaches up with both hands to Blurr's head and tilts it so he can see his face better. Using one thumb, he pulls his lower eyelid slightly and mentally catalogs. Temperature normal, pupil normal, eyes are steady, no darkening or trace of blood on the eyelid. Implants? He puts both palms up and gently feels the places behind Blurr's ears. No signs of rejection or malfunction.

“No no no” sighs Swerve ”You're fine, it's only stage two. I mean, second sucks too, migraines and all, but you just need to rest and no bright lights and...” he finally notices his hands are still on Blurr's head and pulls them back as fast as if he's been burned ”I MEAN I'm uh...sorry, I didn't mean to, I...”

Blurr laughs quietly.

“I'm glad you're back.”

_____________________

He wakes up in his quarters and can feel his face burning.

When he goes out to get the energon, Jazz throws him a look.

“Is something wrong? You're all kinda...shaky.”

“Hhhhhhuuuuuuuuuuuu” imitates signs of life Swerve “Say, doesn't it bother you that Prowl isn't human?”

Jazz smiles

“ Oh, I went crazy when I found out. But we figured it out.”

“Like...on a scale from ‘bad grade in school’ to ‘an asteroid is coming to Earth’ how crazy was it?”

“Worried about what your human friends will think?”

Swerve swings back and forth on his heels

“Pfffffffffffffffffffffffffffffff. Whatnooooo, no of course not. I'd be worried if I planned on telling them at all.”

Jazz frowns

“No offense, but keeping secrets isn't your strong suit.”

“Haha” Swerve waves his servo “ Watch me.”

#maccadam #tf mecha universe #blurr #Swerve #mecha writing #mecha kef writing #mecha bs writing #if you saw any mistakes - no you didn’t #it’s six am I need to go to bed but I wanted to post it before my brain shuts down completely #mecha pilot jazz au #jazzprowl #jazzprowl happens on the background lol #Swindle #two nano seconds of Vortex #Shockwave #Pharma

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batmanisagatewaydrug · 11 months ago

Note

So I’m a minor (16 to be specific) and I frequently watch and read stuff with explicit sexual or 18+ content in it. I live in an extremely conservative Christian household and things like explicit fanfic are pretty much the only option I have for learning about sex that isn’t abstinence only. I do feel bad about it, especially when I see adults online say stuff like “oh i watched lots of inappropriate things as a teen that i really shouldn’t have” and it makes me feel like I’m ruining myself in a way that I won’t realize until I’m an adult? Right now I don’t see what the big deal is but i get the feeling that when i’m 24 or something I’ll wake up one day and be ashamed of this for some reason i’m not mature enough to know yet. Should I just stop and wait until I’m 18 to continue or what?

hi anon,

okay. I'm gonna hit you with something:

turning 18 does not actually change the way you feel about porn or sex or anything. the difference between being seventeen and 364 days and being 18 is nonexistent. there's not a magical switch that changes you as a person; that comes from lived experience. if you're 18 and your experience is still that porn and smut and what have you i something that you should feel bad about, it's still going to feel that way and a birthday won't change that.

look, the whole notion of "I saw [x] that I shouldn't have when I was young" is like. okay. so you saw something that was a little mature for you that you didn't quite get? awesome. did you die? no. most people's hangups about sexuality don't come from seeing a rogue titty when they were a teenager, they come from the culture that person was raised in that made seeing a rogue titty feel like something to be ashamed of instead of a completely natural part of life.

story time! when I teach my 4th-6th grade OWL classes (Our Whole Lives, great human development program) I always start by holding a meeting with the kids' parents. I've been doing this for seven years, and every time without fail some of the parents will recall seeing porn for the first time as a kid. these guys were kids when printed porn magazines were still a thing, so they were discovering them in all kinds of places - the bedrooms of their parents or their friends' parents, at bus stops, in the woods, once even stowed in some farm equipment. and they remember it feeling illicit and exciting, sure, and possibly making them confused or even horny for the first time in their young lives, but like... that's it. none of these people are irreparably damaged by seeing porn. in fact, they've grown up to be the kind of people who go out of their way to make sure their young kids are enrolled in a queer-friendly, body-positive, diversity-embracing sex ed class to counter stereotypes and misinformation they might receive elsewhere.

looking at things that arouse you is morally neutral. it can be a great way to help you learn about what turns you on, and even if it's not the best source of factual, realistic depictions of sex, it can still help you discover things - hell, I only figured out what the clitoris was by reading Young Justice fanfic (shout out Snaibsel).

you can't ruin yourself, at any age, with the media you like to consume. what makes you uncomfortable and anxious is the attitude you've been taught to have about that media, which is something that has to be actively unlearned, because it's certainly not going to just disappear on its own when you become a legal adult.

tl;dr obviously no one is making you watch porn and you shouldn't if it makes you uncomfortable, but if you drop it right now and come back when you're 18 don't expect to feel any different if you haven't done any more unpacking re: the conservative Christianity of it all.

#sex edventures 2024

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thankskenpenders · 3 months ago

Text

Thoughts on two specific areas of the writing in Sonic X Shadow Generations

The best new 3D Sonic game in over a decade (or even two, depending on who you ask) dropped late last year. And I didn't write anything about it! Sometimes life happens. Well, I've finally sat down to finish Shadow Generations, and by now everyone has already been singing its praises for three months. This is the rare instance where the entire Sonic fandom, and even mainstream reviewers, are in agreement on something. The level design is the best it's been in a long, long time and the cool factor is off the charts, embracing Sonic's peak cringe era in an incredibly confident way. It's great. If you're even reading this post, you probably don't need me to tell you that. So I won't!

No, what I'm really interested in here is the writing. Because this is me we're talking about. But I actually don't want to talk about the main narrative of Shadow Generations, which is really solid little story about Black Doom trying to mold Shadow into his perfect soldier. No, I'd like to zero in on two other aspects of the writing here: the revisions made to Sonic Generations, and Gerald Robotnik's unlockable journal.

The updated Sonic Generations script

The new package mostly presents Sonic Generations how you remember it. There are some tweaks, but it's not a major overhaul. Graphically, I don't think the game has been touched much, if at all. I certainly can't notice any difference without a side-by-side comparison, despite playing it on a PS5. The most notable update is that the game's script has been rewritten by Ian Flynn.

Naturally, this caught my attention. Generations always had a nothingburger story, so with Ian rewriting Pontac and Graff's lame dialogue there was nowhere to go but up. (I don't like to pin the blame for those games' stories entirely on them, as a ton of it was dictated to them by Sonic Team, but, well, I don't think they're very good dialogue writers.) But it's less a complete rewrite and more like Ian was brought on as a script doctor for some minor touch ups here and there. Many lines of dialogue are completely identical to how they were originally written in 2011, and many others only have slight wording changes. Ian was clearly not allowed to request additional scenes or extend the ones that already existed. He has to match the original beat for beat so that they can reuse 99% of the cutscene animations. Don't expect it to be a whole new experience compared to the original.

Still, I think the new script is an improvement, albeit a minor one. Various things have been tweaked to maintain characterization consistency. Cream calls Sonic "Mr. Sonic" instead of just "Sonic." Instead of calling Sonic "buddy," Rouge uses the pet name "Blue," like she tends to do in things like the IDW comics. Espio doesn't have to remind you in the dialogue that he's a ninja, and he no longer has a line making it sound like he has some kind of soul reading power. I also like that Modern Sonic now actually has responses to what his friends say when he rescues them, rather than being silent like Classic Sonic. They won't blow you away, but they make Sonic feel a little more engaged with everything.

In general, the altered dialogue just seems tighter to me, and some of the more childish or trite wording of Pontac and Graff's script has been altered. Here, let's actually make a direct comparison, just because this stuff is interesting to me as a writer. Here's a couple lines from after the Egg Dragoon fight late in the game, in the original script:

Modern Eggman: Ooooh... I can't believe this! I was supposed to beat you this time. Modern Sonic: Aw, I'm sorry! I didn't get that memo. I beat you every time! [Turns to Classic Sonic] No, seriously, we beat this guy every time. It's like it's our job or something!

This is a simple exchange. Eggman is mad that he lost. Sonic is unflappably confident because he always beats Eggman, and he explains this to his younger self. But the wording here isn't particularly good. Eggman's simple and direct wording makes him come off like a little kid who's mad because his older brother beat him at Mario Kart, rather than a mad scientist who just had his plans foiled. It's making light of the situation.

And I've never liked Sonic saying "It's like it's our job or something!" That doesn't feel like a thing Sonic would say, it feels like a thing an outside observer would say about Sonic. This is a frequent problem with so-called "MCU dialogue," where quips meant to echo the commentary of a casual, somewhat disinterested audience are inserted into the story itself so that the writers can be like "See? We get it. We're genre-savvy, too!" It also just reminds me of bad Sonic Boom: Rise of Lyric lines like "Rings! It's like they're made for me!"

And then here's Ian's rewrite:

Modern Eggman: I recalibrated everything! This was supposed to be my time! Modern Sonic: Oh, please, keep dreamin', Egg-head. I beat you every time. [Turns to Classic Sonic] No, seriously, we beat him every time. Our score card's flawless.

Eggman's still mad about his defeat, but the line "I recalibrated everything!" makes it more specific. He put all this work into the engineering side of his latest scheme and got tunnel vision, thinking if he got his creations just right there'd be no way he could lose. "This was supposed to be my time!" also turns it into a time travel pun, which is a bonus. He's still pitching a fit over losing, but it feels more like Eggman pitching a fit, rather than sounding childish.

And then instead of saying that beating Eggman is "like his job or something," Sonic says he's got a flawless score card against Eggman. He doesn't take Eggman seriously as a threat—at least, not to his face. He acts like it's all a game. But he conveys this in a way that feels truer to the character, rather than feeling like the words of a real world observer poking fun at the tropes of the Sonic series.

Is this amazing, A+ dialogue that blows me away? No. Again, it's not a completely different scene from the one we already had. Ian had to fit the beats of what was already there. He couldn't go all out and write an all new story confirming his longstanding headcanon that the Time Eater is a remnant of Solaris or whatever. But the wording here makes the existing story land a little better and feel truer to the characters in subtle ways.

But to me, the main change is that the Sonics and Tailses seem to have a more solid understanding of what's going on with the timeline and the Time Eater, compared to how idiotic they sometimes seemed in the original game. Which is good! No more standing outside Green Hill and wondering why it seems so familiar. Thank god. As part of this, yes, there are a few more references to past games in the dialogue, like Sonic briefly being confused about the fact that they're time traveling without the Time Stones, or South Island and Westside Island being acknowledged as the normal locations of Green Hill and Chemical Plant. Yes, ha ha, insert joke about how Ian loves references here. Look, it's Sonic fucking Generations. It's a game built entirely out of nostalgic references. Just own it! And, again, in this instance Sonic and Tails come off as less stupid when they make it clear that they do, in fact, remember their adventures from presumably less than a year ago in-universe.

Eggman, too, seems to have a better understanding of the powers he's toying with. Where in the original vesion his focus was simply on going back in time to undo his previous defeats and he seemed kind of oblivious to how much the Time Eater was actually fucking up the universe, here Eggman says he wants to use the Time Eater to give himself complete control over the entire timeline. Eggman also makes way fewer references to his own failures and shortcomings. Of course he won't admit that Sonic has defeated him time and time again. To him, he's never truly lost—Sonic just keeps delaying the inevitable total victory for the Eggman Empire.

So, yes. The new Sonic Generations script is better. It won't blow anyone away, but it's better than it was. It's been elevated from "kinda lame" to "fine." No, if you really wanna see Ian flex his ability to breathe new life into old Sonic stories, look no further than...

Gerald Robotnik's Journal

Hoo boy.

The story of what happened aboard the ARK has always been... a bit confusing, to say the least. Fans with encyclopedic knowledge of the script for every route of Shadow '05 may disagree, but it's the truth. We've had all the pieces to understand the story for a long time now, but that info was given to us out of order by a pair of unreliable narrators—Gerald, who became a vengeful lunatic shortly before his death, and Shadow, who was subjected to multiple rounds of amnesia and altered memories. Some of the ambiguity left by Sonic Adventure 2 was cleared up in Shadow '05, but that game also retconned in a bunch of new elements to Shadow's backstory (aliens!) that lead to further confusion. Not to mention the fact that that game had multiple routes and only revealed the truth about Shadow if you sat on the ultimate final boss battle for WAY longer than the fight would normally last. Or the fact that Sonic X made its own tweaks in its telling of the story. Or the fact that none of these things ever had the best English translations. I can't blame anyone who hasn't played those games in two decades for not remembering the truth about these characters and getting some details mixed up.

What we needed was something to piece together all of the info we have into one coherent backstory, told in chronological order. And thanks to Shadow Generations, we have that, in the form of an official journal tying together what we knew from Sonic Adventure 2, Shadow '05, and Sonic Battle into the tragic tale of Gerald's rise and fall.

Ian Flynn was the perfect man for the job here as the guy who started his career by tidying up the mess that was the first 159 issues if Archie Sonic. This is what he excels at: taking disparate bits of weird Sonic lore from multiple different sources, boiling them down to their most interesting elements, and connecting it together in a way that will make the audience see the dramatic potential he's always known was there. Rather than feeling like a cynical exercise in franchise building, going back and explaining things that never needed explaining so that people can add more bullet points to the wiki, he puts a new spin on things that retroactively enriches those past stories. The story here means something to the characters involved and gives us a better understanding of them as people, rather than as plot devices to motivate Shadow.

(And, of course, Ian didn't do this journal alone. He wrote the story, but I also have to give a huge shout out to Evan Stanley, who made the final product. All of her handwritten journal entries, sketches, and "photos" included throughout. The physical damage done to the journal over the course of 50 tumultuous years, passing from Gerald to Eggman to a certain special someone at GUN. The way Gerald's handwriting gets less and less legible as his mental state declines. So much love was put into what could have been a mere text dump in a menu, and it really elevates it to the next level. Congrats on officially getting hired by Sega, Evan, you've sure as hell earned it!)

The main idea the journal conveys is that Gerald was under a lot of pressure from a lot of different parties—GUN, the President, his colleagues aboard the ARK, Black Doom, even his own family—and boy did it get to him. The known incidents aboard the ARK mentioned in previous games are put together here to form a story where everything slowly spirals out of control as Gerald keeps compromising his morals to further his research, thinking he'll eventually find some way out of all this because he's a genius. I won't recap that whole story here (if you haven't already played the game and read the journal entries, I would highly recommend at least reading it on the Sonic wiki), but I'd like to highlight my favorite elements of the story, as Ian tells it here.

1) The Eclipse Cannon

Here's something that never quite made sense in Sonic Adventure 2: why does the ARK have a laser that can blow up the Earth built into it? It was supposed to be a peaceful research colony. Sure, Gerald went crazy and swore revenge on the Earth, but, like... when did he have an opportunity to go back up to the ARK and modify it? Did he have someone else do it? How? The ARK was raided by GUN and shut down! And then they arrested him, held him in prison for an unclear period of time, and executed him by firing squad when he was no longer useful! It doesn't add up. Shadow 'the Hedgehog '05 would give its own answer by introducing the Black Arms and saying that the Eclipse Cannon was always supposed to be a secret trump card against the Black Comet. But, like... we know that's kind of a bullshit answer, right? You don't need enough power to blow up a whole planet just to destroy a comet.

Well, the new journal retains what we already knew, but it paints a much more complete picture.

See, long before Gerald ever made a Faustian bargain with Black Doom, he had already made one with an even greater evil: the military. GUN gave Gerald much of the funding for the ARK, Gerald's personal utopian research station in space, but it didn't take long for GUN to start pressuring him to design them weapons. Gerald tried to get GUN off his back by personally contacting the President of the United Federation, and the President gave him an alternative: how about, instead, you just use your genius brain to figure out the secret to immortality for us, so our soldiers can be immortal? Gerald was initially sickened by the notion and found it completely absurd, like chasing a shadow... but given no other option, the sarcastically named Project Shadow soon began in earnest. (Maria would later put a more positive spin on the name after Shadow's awakening, pointing out that a Shadow can show us the direction of the light, like she says in the game itself.)

Of course, this search for the ultimate life form didn't go very well, and without any results on that front GUN kept hounding him for weapons. Gerald would throw them a bone here and there to get them off his back. His research on Chaos resulted in the Artifical Chaos prototypes, which he worried would be used for warfare but could at least theoretically be used for search and rescue missions in floods, in his mind. But that wasn't enough. So he gave them Chaos Drives to power their mechs. And that still wasn't enough. He's got Emerl. He'll give them Emerl. They're not impressed by Emerl. They'll shut the whole ARK down if Gerald doesn't give them something big.

Fine! GUN wants something big? Gerald builds a huge fucking laser cannon into the ARK. However, as a middle finger to GUN, Gerald makes it so powerful that it would destroy the Earth if it was ever fired at any target on its surface. In other words, GUN now has their ultimate weapon of mass destruction, fulfilling his contract, but they can never actually use it. Oh, the delicious irony. (And also Shadow will blow up the Black Comet with it in 50 years yada yada yada.) Is this perhaps extremely shortsighted and naive of Gerald, to believe that such a weapon would never actually be used just because of the risk? Of course. But hey, that's Gerald for you. And I love this as an answer.

(Also, this, uh, kinda echoes something from real life! Remember the bit in Oppenheimer where he says all nuclear war will become unthinkable, and Edward Teller responds "until somebody builds a bigger bomb"? Yeah, Teller went on to conceptualize a superweapon codenamed Project Sundial that would have been able to kill all life on the planet, as the ultimate deterrent for war. This was never made for obvious reasons, but hey, there's a basis for this sort of thinking outside of heightened sci-fi! There's a whole Kurzgesagt video about this if you're interested.)

2) The Biolizard

The Biolizard is, of course, brought up as the initial failed prototype of the ultimate life form, from before Gerald met Black Doom. We don't really learn all that much about it that we didn't already know, but I just love the way it's framed in the story.

As you can see above, we actually get to see a picture of Maria holding up the cute little salamander that would end up mutating into the Biolizard through Gerald's experiments. (Researchers want to figure out how to replicate salamanders' regenerative abilities for humans in real life, too, so this was a natural starting point for the project.) And then, after it grows to a monstrous size and goes out of control, Gerald has to lock it away in an unused sector of the ARK. He needs to keep the poor thing alive for his research into harnessing Chaos Energy, building life support systems directly into it, but he doesn't have the heart to tell Maria what happened. So it just becomes this first dark secret weighing on his conscience. The Biolizard becomes Gerald's Tell-Tale Heart beating beneath the floorboards of the ARK. I love that.

3) Lost Impact was the breaking point for the ARK

Remember the level Lost Impact in Shadow '05? The flashback level on the hero path where Shadow is running around fighting Artificial Chaos enemies on the ARK 50 years ago? Yeah, that wasn't just a random incident. That was important, as we now know due to its placement on the timeline.

See, Emerl's rampage aboard the ARK that was chronicled in Sonic Battle and Dark Beginnings set off a domino effect. Emerl riled up the Artificial Chaos, causing Gerald to lose control of them. They became violent, and so Shadow had to stop them, as depicted in Lost Impact. The thing is, that incident sent an SOS signal to GUN telling them that shit was going down on the ARK. Gerald didsn't fully understand the trouble he was in and assumed that he'd simply be reprimanded by the higher ups, or maybe face legal action. But, well... the next time he heard from GUN, armed troopers were raiding the ARK.

So Lost Impact was the straw that broke the camel's back. I just really like that detail.

4) Maria

And, of course, there's Maria herself. Maria has often been more of a symbol than a character, this perfect embodiment of everything that's good and pure in this world who gets killed to motivate Shadow and Gerald's revenge plots. But I really like the wrinkles this journal adds to her and Gerald's story, and their relationship. This is the most fleshed out they've ever felt.

For one, the journal leans into the idea of Maria's intellectual potential. The rest of the Robotnik family is all geniuses, after all, and she was proving to be a really bright kid. She excelled in her studies on the ARK, and she even helped design Shadow's jet skates and inhibitor rings. When Maria died, the world didn't just lose a symbolic personification of purity. She genuinely could have been a hugely influential scientist who did so much good for the world. That's what Gerald wanted for her. But we'll never know, because GUN killed her.

Speaking of her family, their presence isn't just mentioned for the sake of fleshing out the Robotnik family tree. It's mentioned that as Gerald struggled to find a cure for Maria's illness through his genetic research, he faced mounting pressure from his family. They didn't want Maria to be up on the ARK forever. They wanted Gerald to hurry up and find a damn cure, or otherwise just send her back home to Earth so she could be with her family again. She'd been up on the ARK for so long that Gerald's coworkers started thinking that she had been born up there. Eventually she gains a baby sister on Earth who she's never met. A rift forms between Gerald's two sons, and he's unable to really deal with it because he's so consumed by his work. There's this sense that the family is falling apart, and that everyone is dreading the possibility that Gerald will never find a cure and that Maria will just spend her final years up in space and die far away from her family, because Gerald just couldn't let go. If that happens, it'll break the whole family. But he can't stop now. So he just keeps working. Curing Maria is the only way to win his family back, in his eyes. It can't all be for nothing.

But my favorite detail regarding Maria is this one paragraph:

Maria is growing into a lovely young woman. It breaks my heart that someone as bright and energetic as her is diminished by disease. There are no visible effects, and I've caught my fellow researchers muttering to each other, doubting her illness. It is infuriating. I find all my reason and restraint vanishes when she's slighted.

This is SUCH a great addition to the story! It's always been true that Maria doesn't really seem all that ill, just looking at her in cutscenes. With this one little comment, Ian flips that issue on its head and turns it into a story about invisible disability. She doesn't act like she's in chronic pain, so she must not be, everyone thinks. And this really, really gets to Gerald, as does the pressure from his family. He's dedicating his whole LIFE to saving her, and they think she's faking it?! It's such a small addition, never referenced elsewhere in the journal, but it adds so much flavor to the story, as does the implied family drama. It grounds Gerald and Maria and makes them feel more like real human beings, rather than being pure archetypes. It's just enough info to let my imagination run wild filling in the blanks.

You also get the feeling that Maria being such a walking ray of sunshine was the only real source of joy Gerald had left in his life before Shadow was awakened, and the only thing keeping him from snapping under pressure sooner. All this stuff just keeps piling on, everything's spiraling out of control, but at least Maria is keeping her chin up, right? It makes so much sense that losing her would make him go off the deep end when it's framed like this.

It's just... man, I never thought I'd care so much about Gerald and Maria. But that's the Ian Flynn touch. After years of less than stellar Sonic writing that seemed to be embarrassed of itself, I'm so happy to have new games coming out that fully embrace the history of the series like this, making its world feel so rich and real instead of just serving as an excuse for a string of platforming levels. I don't even like Shadow '05, but I'll be damned if Ian and the rest of Sonic Team didn't make something amazing by "yes, and"-ing Shadow's cringe past here. Sonic has truly reached levels of "we're so back" never thought possible.

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