#steven kaplan

[punkbarnes2]

Hi, it's been a while, huh?

Sorry for the lack of attention around here lately, I hope you guys okay, watching Agatha inspired me to do a crossover that I've wanted to do for a long time, our Steve and Bucky as Hulkling and Wiccan, There are some final touches yet to come, but I was too anxious to show you

xoxo

[zetastreasurevault]

As much as I loved Agatha All along (I'm still not over it) I can't wait for what if s3 (mainly because I'm desperate for any mention/ sighting of Natasha or Wanda)

[evangelineshifts]

watched agatha all along finally (i usually wait for episodes to rack up so i can binge) and finished moon knight and am now watching Loki- BASICALLY im catching up with the marvel i missed and i’m not saying i’m feeling the urge to switch drs but it is reminding that i have certain feeling of familiarity which is odd cause they’re the ones i’ve never shifted to them before. same thing happens with my Legacies DR. when i think of Hope the sense of longing is actually capable to rip through the fabric of space and time i fear.

anywho might try to find some loki fics cause Mr. Hiddleston always eats down in this role. also how rare are Layla (moon knight) fics cause that woman is so yummy delish

[giveamadeuschohisownmovie]

(If you’re wondering where “What If…?” is, I excluded it because that show’s concept is solely about alternate scenarios. So it’d be redundant to put on this poll)

[marsischilling]

So, for my own sanity, I am headcanoning that when Billy’s soul entered William’s body, the two mixed and made Billy Kaplan/Maximoff/Teen we’ve been following. Further down the line, he may remember all of William Kaplan’s life, but he’s still a mix of the two

[paintsplash1712]

Don’t know what it is but I LOVE the cliche of the half-human-half-other trying to figure out their place in the world due to society’s or fate’s expectations of them.

I always end up gravitating towards them.

(Points if they’re the child of a hero and villain too)

[dadsinsuits]

Robert Steven Kaplan

[carloskaplan]

Alfred Stevens: Consolo (A visita de pésame), 1857

[katesattic]

Jurassic Bark is number one for me. I can’t even watch the clips shown because it hits me so hard. I remember them saying on the episode’s commentary that they originally planned for it to be Fry’s mum but thought that would be too dark. And I think I would have been more equipped to handle the latter.

And I know they tries to soften it in Bender’s Big Score where a version of Fry (Lars) stays in the past. But the damage is done.

NEW VIDEO: “7 Times Cartoons Randomly DESTROYED Us” 😭 WARNING: I will be crying a lot in this video. https://youtu.be/fbVcpyAeD1k

[csuitebitches]

2024 reading list

The $100 StartUp

The E-Myth Revisited 

The Four Steps to the Epiphany

Hooked

The Checklist Manifesto

The Lean Startup

Creativity Inc. 

Who - smart and street

Rationality: What It Is, Why It Seems Scarce, Why It Matters by Steven Pinker

The School of Life: An Emotional Education by Alain de Botton

Rapport: The Four Ways to Read People by Emily and Laurence Alison

Mistakes Were Made (but Not by Me) Third Edition: Why We Justify Foolish Beliefs, Bad Decisions, and Hurtful Acts by Carol Tavris

Upstream: How to Solve Problems Before They Happen by Dan Heath

Prisoners of Geography by Tim Marshall

The Revenge of Geography by Robert D. Kaplan

The World: A Brief Introduction by Richard 

The Quest by Daniel Yergin

Who Rules the World? by Noam Chomsky

Day of Empire by Amy Chua

India’s China Challenge by Ananth Krishnan

How to Stage a Coup – Rory Cormac – 2022

Secret History of the Five Eyes (2022) – Richard Kerbaj

Xi: A Study in Power (2022) – Kerry Brown

The India Way by S. Jaishankar

Michael Lewis: Going Infinite: The Rise and Fall of a New Tycoon

David Rubenstein: How to Invest: Masters on the Craft

Elon Musk by Isaacson, Walter

The Man Who Knew - Sebastian Mallaby

Blood and Oil - Bradley Hope, Justin Scheck

Brazillionaires - Alex Cuadros

Empire Of Pain- Patrick Radden Keefe

The Match King - Frank Partnoy

McMafia - Misha Glenny

[avelera]

Still thinking about the post that scoffs at the idea of Stede being a Dom because he demands respect and then has to rather pathetically add, "... Please?" to the end as if that's proof that the desire (which can lead eventually to the capability) to be dominant and authoritative isn't there.

At the risk of repeating the absolutely stunningly obvious over something that was probably a joke, the reason Stede being bad at Dom stuff like dominance and authority is only further proof that it's a desire of his, albeit one he has to work at making into a reality, is because this is a comedy.

One of my favorite points made in Steven Kaplan's "The Hidden Tools of Comedy" is, to paraphrase, that comedy is about failure. Specifically, a failure of possessing all the tools to achieve what we desire.

Which is to say, we all have goals in life. In a drama, people tend to have the tools they need to achieve their goals. Whereas in a comedy, they lack them.

And I don't just mean things like, "In a drama, a character has a goal to save the world and also has the tools (or gains the tools) to achieve this goal." I mean really basic stuff.

Stuff like, "In a drama, a character's goal is to have an amazing first kiss with the love of their life. They have all the tools necessary: mutual attraction, skill at kissing, good breath. The tools they need to have an amazing first kiss are there, in their possession."

Whereas in a comedy, these tools are not guaranteed. A really common comedy beat might be, say, wanting to kiss the love of your life and being stressed out because you just had a garlic-y meal and your breath smells bad. Or the protagonist just isn't very good at kissing and it's messy and embarrassing. Or they lean in for the perfect kiss only to realize to their horror that the attraction isn't mutual.

Comedy is about taking away the tools to make a story go perfectly or smoothly. That's why comedy is often used as a tool to make stories more realistic, because in the real world, we don't always have the perfect minty-fresh breath and kissing technique to knock our crush's socks off with that first kiss. We are often inadequate and uncertain and prone to foolish mistakes.

Now, keep in mind though, that comedy is as much an elevated, often abstract style as drama is. We're only mimicking real life. So while comedy drags our heroes from the heavens of dramatic, anguished perfection back down to earth, comedy is also exaggerating the number of tools we might have missing at any one point. But we've all been there, a little, with not having the tools at our disposal to make the moment as perfect as we imagine in our heads. But by the same token, we've had weighty, dramatic moments that aren't comedic. First kisses that went great.

So, to bring this back to Stede and Ed - OFMD is a comedy.

Stede wants to be authoritative and respected as a fearsome pirate captain (of his own stripe) but, because he lacks the tools like the easy command with which Ed governs his ship, he has to tack on a pathetic, "Please?" to his demands for respect. But the desire is there. The desire is real and presumably he will gain skill at achieving what he wants, to be respected, so that he is able to command respect at a suitably dramatic moment or at least in the right dramatic company like that of Ed, who has always respected and indeed put Stede on a pedestal. For most of S1, just about everyone who meets Stede thinks he's a bumbling fool, but not Ed. Even at Stede's most bumbling and pathetic, Ed was always impressed by his audacity. They've always clicked they've always been comfortable together when it's just the two of them and the nerves go away.

And I think, far more than being impressed by some guy with natural viciousness or authority managing to command respect as a pirate captain, we've seen time and again that Ed is actually more likely to be impressed by someone like Stede who tries, like a total lunatic, to command respect while having literally none of those natural tools in his favor. Where everyone else saw someone pathetic for doing that, Ed has always seen the absolute balls it takes for Stede to leave everything he knew behind to try to live a pirate's life, while still marching to his own tune.

[burningexeter]

Let me give this show some attention since why not.

Here's a fairly solid amount of all the different kinds of media that I think both can fit well in and could share the same universe as Bede Blake & Robert Butler's Creeped Out, which you can both read and see below for yourself:

First off, here's the episodes from both seasons that are all set in the same universe as each other in this "Verse" —

Season 1

— Slapstick, Trolled, A Boy Called Red, Kindlesticks, Shed No Fear and Side Show 1 & 2

Season 2

— Itchy, The Many Place, The Unfortunate Five, No Filter, The Takedown & Splinta Claws

Eight downer endings and four good endings.

Second, now here's the actual universe —

• Dan Angel & Billy Brown's R.L. Stine's The Haunting Hour: The Series

— Every episode of the entire series except Red Eye, Poof De Fromage, Bad Egg, Mrs. Worthington and Lotsa Luck

• Jeff Kline's Transformers Prime & Transformers Prime Beast Hunters: Predacons Rising

• Dan Mandel & Chris Pearson's Dan Vs.

• Dan Cross & David Hoge's Pair Of Kings

• Amy Heckerling's Fast Times At Ridgemont High & Clueless (1995)

• David Mirkin's Romy and Michele's High School Reunion

• Lloyd Goldfine's Teenage Mutant Ninja Turtles (2003)

• Steven Spielberg's Amazing Stories

— Every episode of the entire series except Guilt Trip and Family Dog

• Michael Lehmann's Heathers (1988)

• Stephen Herek's Don't Tell Mom The Babysitter's Dead (1991)

• Darren Stein's Jawbreaker (1999)

• Harry Elfont & Deborah Kaplan's Josie and the Pussycats (2001)

• Roberto Aguirre-Sarcasa's Chilling Adventures Of Sabrina (Netflix)

• Alfred Gough & Miles Millar's Wednesday (Netflix)

• Edgar Wright's Don't (Fake Trailer)

• Rob Zombie's Werewolf Women Of The S.S. (Fake Trailer)

• Eli Roth's Thanksgiving (Fake Trailer & 2023 film)

• Neil Gaiman's Good Omens (TV Series)

• Matthew Vaughn's Kingsman: The Secret Service

• Joel Schumacher's The Lost Boys (1987)

• Stephen Chow's Shaolin Soccer

• New Line Cinema's Critters (1 & 2)

• Joe Dante's The 'Burbs (1988)

• Gil Kenan's A Boy Called Christmas (2021)

and

• Michael Dougherty's Trick r Treat & Krampus

[motherofplatypus]

Bisan Owda is a journalist in Gaza that keeps updating about the barbaric genocide actions that israel committed with weapons supplied mainly by US, all the while living through that genocide itself.

Over 30k+ has been killed, and over 15k+ of those are children and babies.

The celebs and artists who wanted to rescind Bisan's nomination are as follow:

Ari Ingel, Executive Director, Creative Community for Peace

David Renzer, Former Chairman/CEO Universal Music Publishing Group, CCFP Chairman & Co-Founder

Steve Schnur, Worldwide Executive & Music President, Electronic Arts, CCFP Co-Founder

Rakefet Abergel, Actor/Director, Cyclamen Films

Orly Adelson, Former President of ITV Studios, America

Marty Adelstein, CEO, Tomorrow Studios

Anne-Marie Asner, Co-Founder, Animation Israel

Jeff Astrof, TV Producer/Showrunner, Other Shoe Productions

Michael Auerbach, Partner, Jackoway Austen Tyerman Wertheimer Mandelbaum Morris Bernstein Trattner Auerbach Hynick Jaime LeVine Sample & Klein

Dean Bahat, Attorney, Ziffren Brittenham

Andrea Ballas, VP Comms, CBS

Jackie Barrie, A&R Manager, Nvak Collective

Richard Baskind, Partner & Head of Music, Simons Muirhead & Burton

Aton Ben-Horin, Executive VP of Global A&R, Atlantic Records Group

Steven Bensusan, President, Blue Note Entertainment Group

Adam Berkowitz, Founder and President, Lenore Entertainment Group

Sharon Bialy, Casting Director, Bialy/Thomas & Associates

Josh Binder, Co-Founder and Partner, Rothenberg Mohr & Binder, LLP

Neil Blair, Founding Partner, The Blair Partnership

Selma Blair, Actress, Author, Advocate, Sainted Productions

Rebecca Blumberg, SVP Ad Sales, Paramount

Evan Bogart, Songwriter & CEO, Seeker Music

Benjamin Budde, CEO, Budde Group GmbH

Bruce Burger, Producer, RebbeSoul

David Byrnes, Attorney, Ziffren Brittenham

Civia Caroline, Social Impact Consultant, CLiC Impact

Pamela Charbit, Director of A&R, Warner Music Group

Emmanuelle Chriqui, Actor, Yellow Ray Entertainment

Leanne Coronel, Talent Manager, The Coronel Group

Raye Cosbert, Managing Director, Metropolis Musi

Paul Craig, Ceo, Nostromo Management

Doug Davis, NATAS Member, 2x Emmy winner, The Davis Firm

Rebecca De Mornay, Actor

Jamie Denbo, Co-Executive Producer, Grey’s Anatomy, ABC/Disney

Josh Deutsch, Chairman/CEO, Premier Music Group

Avi Diamond, Director, Film/TV Sync, Warner Music Canada

Craig Dorfman, President and Owner, Frontline MGMT

Rachel Douglas, Manager, Range Media Partners

David Draiman, Frontman, Disturbed

Jeremy Drysdale, Screenwriter, bigbamboo

Craig Emanuel, Ryan Murphy Productions

Hannah Epstein, Agent, CAA

Rami “Kosha dillz” Even-Esh, Rapper/Comic/Actor

Lindsay Fabes, Actor

Ron Fair, Record Producer & CEO, Faircraft Inc.

Sharon Farber, Composer, Score by Score Music

Danny Federman, Owner, Maccabi Tel Aviv Basketball Club

Eric Feig, Attorney and TV Academy Member, Feig/Finkel

Patti Felker, Attorney, Felker Toczek Suddleson McGinnis Ryan LLP

Ken Fermaglich, Partner, United Talent Agency

Ross “Remedy” Filler, Artist

Shalom Fisch, President, MediaKidz Research & Consulting

David Fishof, CEO, RRFC Films, LLC

Siri Garber, Publicist, Platform

David Gardner, President, Artists First

Barbara Garshman, CEO, Garshman Productions LLC

Gary Gersh

Gary Ginsberg, Senior VP, SoftBank Group Corp.

Brian Ralston, Composer/Producer, Studio 74 Music, LLC

David Glick, Founder & CEO, Edge Group

Zusha Goldin, Celebrity Photographer, Zusha Goldin

Michael Goldwasser, President, Easy Star Records

Andrew Gould, President, Music Publishing

Scott Greenberg, Partner, LBI

Steven Greenberg, Founder and President, S-Curve Records

Daniel Grindlinger, Writer

Ronnie Harris, Partner, Harris & Trotter

Michael Hirschhorn, Manager, Streaming and Sales, Atlantic Records

Linda Edell Howard, Attorney, Novick Law

Rich Ingram, Artist/Creator

Neil Jacobson, Former President, Geffen Records, Founder & CEO of Hallwood Media

Michael Kaplan, Writer/Producer

Sam Katz, Music Manager, Homebase MGMT, LLC

Zach Katz, CEO & Co-Founder, Fixated

Ketura Kestin, Film Producer, Serendipity Productions

Amanda Kogan, Manager, Aaron Kogan Management

Keetgi Kogan Steinberg, Writer/Producer/Showrunner

Jason Kozel, Creative Executive, Range Media Partners

Rick Krim, CEO, Krim Music + Media

Evan Lamberg, President, North America, Universal Music Publishing Group

Sherry Lansing, Former CEO, Paramount Pictures

Colin Lester OBE, Founder/Chairman, JEM Music Group

Sean Liebowitz, Agent

Koura Linda, Founder & CEO, Space Dream Productions

Marci Liroff, Intimacy Coordinator/Casting Director

Cory Litwin, Managing Partner, Range Media Partners

David Lonner, CEO, The David Lonner Company

Ben Maddahi, President, Unrestricted Publishing & Mgmt

Gabriel Mann, Composer

Deborah Marcus, Executive, CAA Foundation

Susan Markheim, Full Stop Mgt., The Azoff Company

Amanda Markowitz, Actor/Producer, SAG/AFTRA & PGA

Orly Marley, President, Tuff Gong Worldwide

Devra Maza, Screenwriter

Debra Messing, Actor/Producer

Hilary Michael, Agent and Partner, WME

Beth Milstein, Writer

Jennifer Morrow, Actor, CAA

Patrick Moss, Writer, Moroccan Boychik

Robert Munic, Writer/Showrunner, Pull The Pin Productions, Inc.

Lisa Nupoff, Manager, iminmusic management

Scott Packman, Founder and Managing Member, SSP Partners LLC

Mark Pinkus, President, Rhino Records

Jonah Platt, Actor/Producer

Wendy Plaut, SVP Music & Celebrity Talent, Paramount Global

Jessica Poter, Writer, Gustavo Anibal Productions

Golan Ramraz, Writer/Producer, EGX Film Factory

Bruce Resnikof

Frederic Richter, Producer, Writer & Researcher

Wendy Robbins, Executive Producer, Creators Inc

Dan Rosen, President, Warner Music Australasia

Rick Rosen, Co-Founder, Endeavor, WME

Aaron Rosenberg, Partner, Myman Greenspan Fox Rosenberg Mobasser Younger & Light

Gregg Rossen, Screenwriter

Michael Rotenberg, CEO, 3 Arts Entertainment

Joshua Rothstein, CEO/Founder, Ice Cream For Dinner

Haim Saban, Chairman and CEO, Saban Capital Group

Glenn Sanders, Writer/Director/Creative Director, Masonry Creative

Ayelet Schiffman, SVP Head of Promotions, Island Records

Paul Schindler, Senior Partner, Greenberg Traurig LLC

Jordan Schur, CEO and Chairman, Mimran Schur Pictures and Suretone Entertainment

Adam Schwartz, Writer

Sam Schwartz, Partner, Gorfaine/Schwartz Agency

Jay Schweid, Founder/CEO, ephelants/Village

Adam Segal, President, The 2050 Group

Ben Silverman, Chairman and Co-CEO, Propagate Content

Ralph Simon, Chairman & Chief Executive Officer, Mobilium Global Limited

Tamar Simon, Owner/CEO, Mean Streets Management

Martin Singer, Attorney, Lavely and Singer

Halle Stanford, President of Television, The Jim Henson Company

Mimi Steinberg, Writer/Producer

Jonathan Steinsapir, Partner, Kinsella Holley Iser Kump Steinsapir

Gary Stiffelman, Founder, GSS Law

Traci Symanski, CEO, Co-Star Entertainment

Aaron Symonds, Film Composer

Fernando Szew, President, Fox Entertainment

Tal Tavin, Actor

Adam Taylor, President, APM Music

Michael Testa, Casting Director, Michael Testa Casting

Fred Toczek, Partner, Felker Toczek Suddleson Abramson McGinnis Ryan LLP

Eric Tuchman, Writer/Producer, MGM-TV

Noa Vinshtok, Streaming, Range Media Partners

Joshua Washington, International Recording Artist, JoDavi Music LLC

Avi Weider, Filmmaker, Loop Filmworks

Jon Weinbach, President, Skydance Sports

Nola Weinstein, Tech Executive

Ilana Wernick, Writer/Producer, Fox

Modi Wiczyk, Co-Founder, MRC

Evan Winiker, Managing Partner, Range Music

Seth Yanklewitz, Casting Director, Yanklewitz Pollack Casting

Sharon Tal Yguado, Founder & CEO, Astrid Entertainment

Ky Zaretsky, Manager, Range Media Partners

David Zedeck, Global Co-Head of Music

[Sources: here, here, and here]

[unofskylanderspages]

Listed below are the credited voice cast members for Skylanders: Spyro's Adventure:

Josh Keaton as Spyro

Daniel Hagen as Master Eon

Sumalee Montano as Cali

Patrick Warburton as Flynn

Michael Yurchak as Hugo

Kevin Michael Richardson as Stump Smash

Freddie Winston as Additional Skylander voices (uncredited)

Steven Blum as Auric/Additional Voices

Laura Bailey as Persephone

Chris Cox as Glumshanks

Anthony Hansen as Wendel

Richard Steven Horvitz as Kaos

James Haron as Fargus

Dave Wittenberg as Hektore

Other Additional voices: Jeff Bergman, Fred Tatasciore, Keith Silverstein, Dave Wittenberg, David Lodge, Liam O'Brien, Jen Olson, Thomas Bromhead, Salli Saffioti, Cam Clarke, Kathryn Cressida, Hunter Davis, Roger Jackson, Neil Kaplan, John Kassir, André Sogliuzzo, Keith Szarabajka, Lani Minella, David Markus, Bruce Lanoil, Hope Levy, Lloyd Sherr, Courtenay Taylor, Amanda Wyatt

[doamarierose-honoka]

Pratt teases his future in the Marvel and DC worlds.

Over the years, Chris Pratt has lent his talents to a wide array of projects, from Parks and Recreation to The Super Mario Bros Movie to the Jurassic World series. Following the release of last year's Guardians of the Galaxy Vol. 3, which ended with a title card teasing that his character of Peter Quill / Star-Lord will return, fans have wondered if another Marvel Cinematic Universe appearance will be on the horizon. Additionally, with Guardians writer-director James Gunn now co-leading DC Studios, there have also been plenty of theories suggesting that Pratt could follow him to this new franchise. While speaking to ComicBook about his work on The Garfield Movie, Pratt argued that either option is equally likely, and that he could very well end up appearing in both superhero sagas.

"Well, it probably make more sense that I would be Star Lord again," Pratt said in our interview, which you can check out above. "But anything is possible, and especially with James over at DC. Maybe there's something that would be right over there. Maybe both. How about both? Let's do both. I think it's 100% both."

Is Chris Pratt Joining the DCU?

Gunn has already teased that a number of Guardians of the Galaxy cast members could end up joining the DCU, although no roles have been cast thus far. One popular fan theory has been that Pratt might play Michael Carter / Booster Gold, who is set to get his own exclusive Max series. In a 2023 interview with Rolling Stone, Pratt addressed that possibility, and admitted that he would be open to it in the right circumstances.

"If James thought I was right for it, then you know that I would have to consider it," Pratt explained at the time.

What Is The Garfield Movie About?

In The Garfield Movie, Garfield (voiced by Pratt), the world-famous, Monday-hating, lasagna-loving indoor cat, is about to have a wild outdoor adventure! After an unexpected reunion with his long-lost father – scruffy street cat Vic (voiced by Samuel L. Jackson) – Garfield and his canine friend Odie are forced from their perfectly pampered life into joining Vic in a hilarious, high-stakes heist. In addition to Pratt, The Garfield Movie features a star-studded voice cast that includes Samuel L. Jackson, Hannah Waddingham, Ving Rhames, Nicholas Hoult, Cecily Strong, Harvey Guillén, Brett Goldstein, and Bowen Yang.

The Garfield Movie is directed by Mark Dindal (The Emperor's New Groove), from a screenplay by Paul A. Kaplan & Mark Torgove (Raising Hope) and David Reynolds (Finding Nemo). Producers on the film include John Cohen, Broderick Johnson, Andrew A. Kosove, Steven P. Wegner, Craig Sost, Namit Malhotra, and Crosby Clyse.

[i-watch-too-many-movies]

50 Favorite First Viewings of 2023

All the Beauty and the Bloodshed (2022) (dir. Laura Potras)

Sweet Smell of Success (1957) (dir. Alexander Mackendrick)

Trouble in Paradise (1932) (dir. Ernst Lubistch)

Sex, Lies, and Videotape (1989) (dir. Steven Soderbergh)

Life is Sweet (1990) (dir. Mike Leigh)

Demonlover (2002) (dir. Olivier Assayas)

Le bonheur (1965) (dir. Agnès Varda)

The Age of Innocence (1993) (dir. Martin Scorsese)

Somewhere (2010) (dir. Sofia Coppola)

The Red Shoes (1948) (dir. Michael Powell & Emeric Pressburger)

Menace II Society (1993) (dir. Albert & Allen Hughes)

Sunset Boulevard (1950) (dir. Billy Wilder)

Arsenic and Old Lace (1944) (dir. Frank Capra)

Aftersun (2022) (dir. Charlotte Wells)

Decision to Leave (2022) (dir. Park Chan-wook)

Design for Living (1933) (dir. Ernst Lubistch)

Kamikaze Hearts (1986) (dir. Juliet Bashore)

12 Angry Men (1957) (dir. Sidney Lumet)

Tetsuo: The Iron Man (1989) (dir. Shinya Tsukamoto)

The Hitch-Hiker (1953) (dir. Ida Lupino)

Transit (2018) (dir. Christian Petzold)

Basic Instinct (1992) (dir. Paul Verhoeven)

The Hustler (1961) (dir. Robert Rossen)

Miami Vice (2006) (dir. Michael Mann)

M (1931) (dir. Fritz Lang)

Freaks (1932) (dir. Tod Browning)

Showgirls (1995) (dir. Paul Verhoeven)

Mädchen in Uniform (1931) (dir. Leontine Sagan)

Marie Antoinette (2006) (dir. Sofia Coppola)

The Castle of Cagliostro (1979) (dir. Hayao Miyazaki)

Thirst (2009) (dir. Park Chan-wook)

The Player (1992) (dir. Robert Altman)

Wolf's Hole (1987) (dir. Verà Chytilová)

Yes, Madam! (1985) (dir. Corey Yuen)

The Assassination of Jesse James by the Coward Robert Ford (2007) (dir. Andrew Dominik)

Children of Hiroshima (1952) (dir. Kaneto Shindo)

I Walked with a Zombie (1943) (dir. Jacques Tourner)

Toni Erdmann (2016) (dir. Maren Ade)

Cries and Whispers (1972) (dir. Ingmar Bergman)

Within Our Gates (1920) (dir. Oscar Micheaux)

8 1/2 (dir. Federico Fellini)

Encounters of the Spooky Kind (1980) (dir. Sammo Hung)

Josie and the Pussycats (2001) (dir. Deborah Kaplan & Harry Elfont)

Easy Rider (1969) (dir. Dennis Hopper)

The Prestige (2006) (dir. Christopher Nolan)

Shallow Grave (1994) (dir. Danny Boyle)

New York, New York (1977) (dir. Martin Scorsese)

The Exorcist III (1990) (dir. William Peter Blatty)

Blow-Up (1966) (dir. Michelangelo Antonioni)

Mean Streets (1973) (dir. Martin Scorsese)