#standardized base income

[bookmothic-dyke]

Just to clarify for anyone here on my blog of reblogs, shitposting, mental break downs, selfies, and occasional coherent ideas.

Im a socialist.

I think capitalism as it exists and has existed is inherently exploitive, harmful, and stupid.

So like, yeah. That’s it.

Anyways, go unions!

[statisticalcats2]

"zoos are nothing more than revenue-generating organizations designed to keep the turnstiles rotating"

Yeah, you can really tell this by how one of the most common complaints from zoo guests is basically "the zoo cares about the animals too much"

[marklikely]

the results of that "is fanfic a book" poll have shown me one thing and its that this site never graduated past that absolutely insufferable phase in 2013 where everyone acted like every book is the single most sacred thing on earth

[britneyshakespeare]

What do you consider to be "middle class"?

I don't know why I'm waking up to this ask on Christmas morning

[kestrellady]

Just finished Tim Wu's The Attention Merchants (this is the Tim Wu who popularized the idea of Net Neutrality) and I think this one is going to go on the shelf next to Because Internet in terms of understanding why the internet is like it is. The book was published in 2016, so it doesn't cover more recent development, but boy does it predict them.

The book runs through a bunch of cycles of advertising getting out of control, with businesses racing to the lowest common denominator to get more eyeballs, and then the public revolting and removing their attention until advertising comes back in a "nicer" and less intrusive way, only to start the cycle again.

Over and over again, a new technology pops up, someone has the right idea, but is too early in their execution, pushes the envelope too much, and is pushed out by a later competitor, only for that competitor to turn to the strategies that got the originator lambasted for being ethically questionable at best. The passage that really stuck out to me was about an obsolete competitor to AOL:

Later when its chat rooms took off, Prodigy became concerned that the wild, unpoliced forums might discourage advertisers and damage the company's "family friendly" image. They therefore decided to ban profanity and other offensive speech, as well as any chats that reflected negatively on Prodigy's owners or advertisers. Later it banned flame wars (those extended bouts of troll against troll) among members. Eventually, postings even mentioning another member by name were forbidden. By then, every message was being examined for potential infractions.

If that isn't just exactly what happened to so much of the web. Websites were so worried about making sure they could survive on advertising dollars that they were willing to self-police to the detriment of their users, who then largely revolted and took their attention elsewhere. Except that at this point it's happened to so much of the web that there's hardly any "elsewhere" to go, so folks are either getting off the web or building their own places, with varying levels of success.

At the end, Wu briefly talks about the move toward subscribing to services rather than using them for free at the cost of them reselling the user's attention and mentions the phrase I've seen gain a lot of traction in the last few years: "If you're not paying for the product, you are the product." (I'm really curious what he thinks of the current phenomenon of being expected to pay a subscription fee and still being forced to see ads.) He's also brings up the idea of "commercial zoning" for the web, which is just a fascinating concept. The idea that some places on the web or places that you're reaching the web could be zoned "non-commercial" and advertising could be prohibited sounds amazing, though I have no idea how it would work.

Anyway, even though it's almost a decade out of date now, this book is fantastic background on the ongoing conversation on data privacy, the right not to be advertised to, and the future of the web.

[dissociacrip]

i saw that one disability-related post a while ago about dental care but i can't find it again so i'm gonna mention a few things as a (mild to moderately) mentally & physically disabled person, whose teeth hurt when i eat sweet stuff now + i've had a root canal due to a fall + i'm learning to take care of myself, that may or may not help other folks with their dental routine

note: i am not a dentist & this info is mostly what i've gleaned secondhand from dentists, so yeah, i am not an expert in any capacity

water flossers aren't as effective as regular flossing (doing both is actually what's most effective) but they're better than nothing & helpful in cases where coordination problems or other issues might prevent regular flossing technique (i imagine this also depends on the quality of the water flosser)

if you use one of the plastic pre-made floss picks things, rinse the string off in-between each time you use it to floss one side of a tooth, it's tedious but it mimics moving to a new (clean) part of the thread like you do with regular floss

if you get an automatic toothbrush, get one that does circular rotation rather than just vibrating or whatever, as this mimics the tools they use in a dentist's office + imitates the circular motion you're expected to make with a standard toothbrush (which is also hard with coordination issues), i got one that does this pretty cheap from walmart (it's an oral-b but i forgot the specific type) + it automatically times it for you

if you have white spots on your teeth that are uneven with the shade of the rest of the tooth those are potentially white spot lesions due to demineralization; whitening products can make this worse rather than help it, but some products can help with remineralization such as mi paste topical tooth creme, which contains calcium and phosphate (i have yet to try this myself but it seems to get suggested by a lot of dentists, orthodontists, etc. for white spots on teeth & it's also supposed to help with sensitivity and tooth health in general because the white spots are lesions so it's not purely cosmetic!)

it's advised to not rinse your mouth immediately after brushing as this potentially dilutes & reduces the effects of the flouride (if you use fluoride toothpaste), stuff says to wait at least 15 minutes or so

just giving your teeth a quick scrub (even if it's without toothpaste and just water) is better than not brushing your teeth at all

if you have trouble seeing a dentist for financial reasons, try to see if there are income-based or charity dental services in your area, sometimes dental schools also provide low-cost/free dental care

that's all i can think of for now, i wish i had more advice for people who struggle to be able to brush their teeth at all in general but this is all i got unfortunately :(

additionally - you're not bad, useless, gross, or a failure if you struggle to (or can't) maintain oral hygiene; this stuff is much easier for some people than it is to others & those who take it for granted like to forget that, no one deserves to be mocked or looked down on for being disabled & struggling to/not being able to do """basic""" stuff like this!

[najia-cooks]

[ID: A decorative orange ceramic plate with a pyramid of green herbs and sesame seeds, topped with deep red sumac and more sesame seeds. End ID]

زعتر فلسطيني / Za'tar falastinia (Palestinian spice blend)

Za'tar (زَعْتَر; also transliterated "za'atar," "zaatar" and "zatar") is the name of a family of culinary herbs; it is also the name of a group of spice blends made by mixing these herbs with varying amounts of olive oil, sumac, salt, roasted sesame seeds, and other spices. Palestinian versions of za'tar often include caraway, aniseed, and roasted wheat alongside generous portions of sumac and sesame seeds. The resulting blend is bold, zesty, and aromatic, with a hint of floral sourness from the sumac, and notes of licorice and anise.

Za'tar is considered by Palestinians to have particular national, political, and personal importance, and exists as a symbol of both Israeli oppression and Palestinian home-making and resistance. Its major components, olive oil and wild thyme, are targeted by the settler state in large part due to their importance to ecology, identity, and trade in Palestine—settlers burn and raze Palestinian farmers' olive trees by the thousands each year. A 1977 Israeli law forbade the harvesting of wild herbs within its claimed borders, with violators of the law risking fines and confiscation, injury, and even death from shootings or land mines; in 2006, za'tar was further restricted, such that even its possession in the West Bank was met with confiscation and fines.

Despite the blanket ban on harvesting wild herbs (none of which are endangered), Arabs are the only ones to be charged and fined for the crime. Samir Naamnih calls the ban an attempt to "starve us out," given that foraging is a major source of food for many Palestinians, and that picking and selling herbs is often the sole form of income for impoverished families. Meanwhile, Israeli farmers have domesticated and farmed za'tar on expropriated Palestinian land, selling it (both the herb and the spice mixture) back to Palestinians, and later marketing it abroad as an "Israeli" blend; they thus profit from the ban on wild harvesting of the herb. This farming model, as well as the double standard regarding harvesting, refer back to an idea that Arabs are a primitive people unfit to own the land, because they did not cultivate or develop it as the settlers did (i.e., did not attempt to recreate a European landscape or European models of agriculture); colonizing and settling the land are cast as justified, and even righteous.

The importance of the ban on foraging goes beyond the economic. Raya Ziada, founder of an acroecology nonprofit based in Ramallah, noted in 2019 that "taking away access to [wild herbs] doesn't just debilitate our economy and compromise what we eat. It's symbolic." Za'tar serves variously as a symbol of Palestinians' connection to the land and to nature; of Israeli colonial dispossession and theft; of the Palestinian home ("It’s a sign of a Palestinian home that has za’tar in it"); and of resistance to the colonial regime, as many Palestinians have continued to forage herbs such as za'tar and akkoub in the decades since the 1977 ban. Resistance to oppression will continue as long as there is oppression.

Palestine Action has called for bail fund donations to aid in their storming, occupying, shutting down, and dismantling of factories and offices owned by Israeli arms manufacturer Elbit Systems. Also contact your representatives in the USA, UK, and Canada.

Ingredients:

Za'tar (Origanum syriacum), 250g once dried (about 4 cups packed)

250g (1 2/3 cup) sesame seeds

170g (3/4 cup) Levantine sumac berries, or ground sumac (Rhus coriaria)

100g (1/2 cup) wheat berries (optional)

2 Tbsp olive oil

1 Tbsp aniseed (optional)

1/2 Tbsp caraway seeds (optional)

Levantine wild thyme (also known as Bible hyssop, Syrian oregano, and Lebanese oregano) may be purchased dried online. You may also be able to find some dried at a halal grocery store, where it will be labelled "زعتر" (za'tar) and "thym," "thyme," or "oregano." Check to make sure that what you're buying is just the herb and not the prepared mixture, which is also called "زعتر." Also ensure that what you're buying is not a product of Israel.

If you don't have access to Levantine thyme, Greek or Turkish oregano are good substitutes.

Wheat berries are the wheat kernel that is ground to produce flour. They may be available sold as "wheat berries" at a speciality health foods store. They may be omitted, or replaced with pre-ground whole wheat flour.

Instructions:

1. Harvest wild thyme and remove the stems from the leaves. Wash the leaves in a large bowl of water and pat dry; leave in a single layer in the sun for four days or so, until brittle. Skip this step if using pre-dried herbs.

2. Crumble leaves by rubbing them between the palms of your hands until they are very fine. Pass through a sieve or flour sifter into a large bowl, re-crumbling any leaves that are too coarse to get through.

Crumbling between the hands is an older method. You may also use a blender or food processor to grind the leaves.

3. Mix the sifted thyme with a drizzle of olive oil and work it between your hands until incorporated.

4. Briefly toast sumac berries, caraway seeds, and aniseed in a dry skillet over medium heat, then grind them to a fine powder in a mortar and pestle or a spice mill.

5. Toast sesame seeds in a dry skillet over medium heat, stirring constantly, until deeply golden brown.

6. (Optional) In a dry skillet on medium-low, toast wheat berries, stirring constantly, until they are deeply golden brown. Grind to a fine powder in a spice mill. If using ground flour, toast on low, stirring constantly, until browned.

Some people in the Levant bring their wheat to a local mill to be ground after toasting, as it produces a finer and more consistent texture.

7. Mix all ingredients together and work between your hands to incorporate.

Store za'tar in an airtight jar at room temperature. Mix with olive oil and use as a dipping sauce with bread.

[the-asexuality-blog]

Just to make my position on the subject of Crab Day clear, since word is going around that the idea came from a highly objectionable person, I’m going to quote rather than reblog @skaldish:

This I agree with. I've seen other posts go around about it, so it wasn't just that one person.

But to make it clear, I'll take the time to explain to people why participating in Crab Day (and financially supporting Tumblr in general) is important:

It's unfortunate, but in this day and age, large websites like this one can't function without an exorbitant amount of income. For other social medias, the bulk of this income comes from Business-to-Business (B2B) transactions, often in the form of selling user data.

The thing y'all need to understand is that wealth is VASTLY different in the B2B economy than it is with B2C (business-to-consumer) economy. In fact, this is a huge reason why we're in an economic crisis...because the US is a nation with two economies, and the power of the dollar is astronomically different between the two of them.

Tech's standard of wealth is based in the B2B economy. Because Tumblr is in the Tech sector, it needs to play according to Tech wealth. Unfortunately, the way you earn Tech wealth is by selling Tech-related B2B products, and for social media websites, that product is user data.

It's a competitive market that sets a new standard of rotten with every transaction. In order to acquire data that's more valuable than your competitor's data, you have to be less ethical about how you source it...and also be willing to cross moral boundaries in regards to who you sell it to.

If Tumblr finds no other way of sourcing income, they have no choice but to participate in this data market or shut down.

However, Tumblr is the home of the secret third thing. In this case, this secret third thing is to work with the community rather than exploit it.

(That's what it looks like to me, anyway. I nether trust nor doubt Tumblr's words; that's not what's winning me over. Instead, I'm curious to know where they plan to go with this, because this is unusual as far as business practices go and I think it would be cool if they're trying to set a more holistic precedent for the social media of the future. I won't be able to see that conclusion if they go bankrupt though.)

So yes, participate in Crab Day. Just because one unpleasant person also condones it doesn't mean it's a bad idea.

[reasonsforhope]

"Illinois will become one of three states to require employers to offer paid time off for any reason after Gov. J.B. Pritzker signed a law on Monday that will take effect next year.

Starting Jan. 1, 2024, Illinois employers must offer workers paid time off based on hours worked, with no need to explain the reason for their absence as long as they provide notice in accordance with reasonable employer standards.

Just Maine and Nevada mandate earned paid time time off and allot employees the freedom to decide how to use it, but Illinois’ law is further reaching, unencumbered by limits based on business size. Similarly structured regulations that require employers to offer paid sick leave exist in 14 states and Washington, D.C., but workers can only use that for health-related reasons.

Illinois employees will accrue one hour of paid leave for every 40 hours worked up to 40 hours total, although the employer may offer more. Employees can start using the time once they have worked for 90 days. Seasonal workers will be exempt, as will federal employees or college students who work non-full-time, temporary jobs for their university.

Pritzker signed the bill Monday in downtown Chicago, saying: “Too many people can't afford to miss even a day's pay ... together we continue to build a state that truly serves as a beacon for families, and businesses, and good paying jobs.”

Proponents say paid leave is key to making sure workers, especially low-income workers who are more vulnerable, are able to take time off when needed without fear of reprisal from an employer.

Bill sponsor Rep. Jehan Gordon-Booth, a Peoria Democrat, said the bill is the product of years of negotiations with businesses and labor groups.

“Everyone deserves the ability to take time off,” she said in a statement. “Whether it’s to deal with the illness of a family member, or take a step back for your mental health, enshrining paid leave rights is a step forward for our state."

“This is about bringing dignity to all workers," she said at the signing."

-via ABC News, 3/13/23

[djuvlipen]

Hey

I know there are many, many things happening in the world right now and there is only so much time, energy and money people can invest in social justice but with the advance of fascism in Europe - 84 fascists from 12 different countries were elected to the European Parliament this year - and with the news of a 15yo Romani teenager dying during a police confrontation in England last week, I have compiled a list of different human rights organizations dedicated to helping Romani people in Europe.

Please donate if you can!

💙❤️💚🦔💙❤️💚🦔💙❤️💚🦔💙❤️💚🦔💙❤️💚🦔💙❤️

🇪🇺 Roma Education Fund

The Roma Education Fund (REF) is an international foundation established in 2005 and dedicated to closing the gap in educational outcomes between Roma and non-Roma. With an active and growing network of representative offices across Central, Eastern, South Eastern Europe and Turkey, REF provides grants and scholarships to entities and individuals who share its belief in quality, inclusive education and desegregated schools and classrooms. The Roma Education Fund is active in countries such as: Hungary, Montenegro, Romania, Serbia, Slovakia, Switzerland, Albania, Croatia, North Macedonia, Turkey, Bulgaria, Bosnia and Herzegovina, Kosovo and Russia.

🇪🇺 European Roma Grassroots Organization (ERGO)

ERGO Network mobilizes and connects grassroots, national and international organisations and individuals who share a set of core values to create the courage, capacity and  opportunities to combat antigypsyism and Roma poverty; strengthen Roma civil society participation in decision-making at grassroots, national and European level and commit governments and European institutions to effective social inclusion and anti-discrimination policies, standards and funds for Roma.

🇪🇺 European Roma Rights Center (ERRC)

The ERRC is the largest transnational Romani rights organization in Europe. They provide judicial and financial help to Romani people facing poverty, police brutality and racist violence all across Europe

🇷🇴 Resource Center for Roma Communities Foundation (RCRC)

The operational activity of RCRC includes training programs, consultancy and comprehensive community development in Roma communities. The grantmaking activity of RCRC has involved managing grants and scholarship programs, including the administration of the European Union’s and EAA grants programs focused on health, vocational training, small infrastructure and income generating activities.

🇨🇿 Cesta Von

Cesta von (This Way Out) organization is based in Slovakia. Their Omama program works with the very youngest Romani children in particular. Their aim is a big and important one – extricating the inhabitants of the segregated settlements from the vicious circle of intergenerational poverty. The program targets the development of the intellect, motor skills and social skills in an attempt to increase the chances of children from socially excluded localities at living better adult lives. One of the main conditions for choosing the Omamas is that they must be Romani women who know the excluded locality well (source).

🇪🇸 La Fundación Secretariado Gitano (FSG)

The FSG develops all kinds of actions that contribute to achieving the full citizenship of Roma persons, improving their living conditions, promoting equal treatment and preventing all forms of discrimination, as well as promoting the recognition of the cultural identity of the Roma community.

🇪🇸 La Asociación Nacional Presencia Gitana

Presencia Gitana is dedicated to confronting and correcting negative opinions about Spanish Romani people. They promote all kinds of initiatives and projects to ensure that Spanish Romani people's basic needs and fundamental rights are met and guaranteed, work to promoting Romani culture and advocate for the providing of historical reparation for Spanish Romani people.

🇫🇷 ANGVC

The ANGVC (association nationale gens du voyage citoyens) is a French Romani-led organization whose goal is to fight anti-Romani racism and to improve the living conditions of French Romani people and travellers. They provide judicial help to Romani people victims of environmental racism and police brutality, organize workshops to raise awareness about anti-Romani racism and are now leading a project dedicated to educate people about the Romani genocide, which still hasn't been recognized by France.

🇬🇧 Roma Support Group

The Roma Support Group offers free advice for Roma communities on financial inclusion, debt, welfare benefits and housing. They promote Romani arts and culture, fight for the improvement of mental health within the Romani community and helps Romani people victims of racism.

🇬🇧 Romano Lav

Romano Lav is a grassroots Roma community organisation based in Govanhill, Glasgow. They organize youth-led events including artistic and cultural performances, workshops, exhibitions and educational events.

🇬🇧 Luton Roma Trust

The Luton Roma Trust provides advice to British Romani people about housing, employment and education, helps them find jobs and accessing healthcare.

💙❤️💚🦔💙❤️💚🦔💙❤️💚🦔💙❤️💚🦔💙❤️💚🦔💙❤️

[fursasaida]

Hi! Just wanted to ask. How can I give my students assignments that are chat-gpt proof? Or that they won't just copy the answer without at least doing some editing?

Hi! So, I don't think anything is ChatGPT-proof. You fundamentally cannot stop people from using it to take a shortcut. You can't even stop them from copying the answer without editing it. However, I think you can work with this reality. So, you can do three things:

Don't be a cop about it.

If you make your objective "stop the children from using the thing to cheat," you are focusing on the wrong thing. You will be constantly scrutinizing every submission with suspicion, you will be accusing people of cheating--and some of them will not have cheated, and they will remember this forever--and you will be aiming at enforcement (which is trying to hold back the sea) instead of on inviting and supporting learning whenever and wherever possible. (I'll come back to this under item 2.)

Regarding why enforcement is holding back the sea: It is fundamentally rational for them to do this. We, who "love learning" (i.e. are good at what our academic system sees as learning, for various reasons have built our lives around that, happen to enjoy these activities), see everything they might cheat themselves of by doing it, because we know what we got out of doing this type of work. Many students, however--especially at the kind of school I teach at--are there to get the piece of paper that might, if they're lucky, allow them access to a relatively livable and stable income. The things that are wrong with this fact are structural and nothing to do with students' failings as people, or (tfuh) laziness, or whatever. We cannot make this not true (we can certainly try to push against it in certain ways, but that only goes so far). More pragmatically, chatgpt and similar are going to keep getting better, and detecting them is going to get harder, and your relationships with your students will be further and further damaged as you are forced to hound them more, suspect them more, falsely accuse more people, while also looking like an idiot because plenty of them will get away with it. A productive classroom requires trust. The trust goes both ways. Being a cop about this will destroy it in both directions.

So the first thing you have to do is really, truly accept that some of them are going to use it and you are not always going to know when they do. And when I say accept this, I mean you actually need to be ok with it. I find it helps to remember that the fact that a bot can produce writing to a standard that makes teachers worry means we have been teaching people to be shitty writers. I don't know that so much is lost if we devalue the 5-paragraph SAT essay and its brethren.

So the reason my policy is to say it's ok to use chatgpt or similar as long as you tell me so and give me some thinking about what you got from using it is that a) I am dropping the charade that we don't all know what's going on and thereby making it (pedagogical term) chill; b) I am modeling/suggesting that if you use it, it's a good idea to be critical about what it tells you (which I desperately want everyone to know in general, not just my students in a classroom); c) I am providing an invitation to learn from using chatgpt, rather than avoid learning by using it. Plenty of them won't take me up on that. That's fine (see item 3 below).

So ok, we have at least established the goal of coming at it from acceptance. Then what do you do at that point?

Think about what is unique to your class and your students and build assignments around that.

Assignments, of course, don't have to be simply "what did Author mean by Term" or "list the significant thingies." A prof I used to TA under gave students the option of interviewing a family member or friend about their experiences with public housing in the week we taught public housing. Someone I know who teaches a college biology class has an illustration-based assignment to draw in the artsier students who are in her class against their will. I used to have an extra-credit question that asked them to pick anything in the city that they thought might be some kind of clue about the past in that place, do some research about it, and tell me what they found out and how. (And that's how I learned how Canal St. got its name! Learning something you didn't know from a student's work is one of the greatest feelings there is.) One prompt I intend to use in this class will be something to the effect of, "Do you own anything--a t-shirt, a mug, a phone case--that has the outline of your city, state, or country on it? Why? How did you get it, and what does having this item with this symbol on it mean to you? Whether you personally have one or not, why do you think so many people own items like this?" (This is for political geography week, if anyone's wondering.)

These are all things that target students' personal interests and capabilities, the environments they live in, and their relationships within their communities. Chatgpt can fake that stuff, but not very well. My advisor intends to use prompts that refer directly to things he said in class or conversations that were had in class, rather than to a given reading, in hopes that that will also make it harder for chatgpt to fake well because it won't have the context. The more your class is designed around the specific institution you teach at and student body you serve, the easier that is to do. (Obviously, how possible that is is going to vary based on what you're teaching. When I taught Urban Studies using the city we all lived in as the example all through the semester, it was so easy to make everything very tailored to the students I had in that class that semester. That's not the same--or it doesn't work the same way--if you're teaching Shakespeare. But I know someone who performs monologues from the plays in class and has his students direct him and give him notes as a way of drawing them into the speech and its niceties of meaning. Chatgpt is never going to know what stage directions were given in that room. There are possibilities.) This is all, I guess, a long way of saying that you'll have a better time constructing assignments chatgpt will be bad at if you view your class as a particular situation, occurring only once (these people, this year), which is a situation that has the purpose of encouraging thought--rather than as an information-transfer mechanism. Of course information transfer happens, but that is not what I and my students are doing together here.

Now, they absolutely can plug this type of prompt into chatgpt. I've tried it myself. I asked it to give me a personal essay about the political geography prompt and a critical personal essay about the same thing. (I recommend doing this with your own prospective assignments! See what they'd get and whether it's something you'd grade highly. If it is, then change either the goal of the assignment or at least the prompt.) Both of them were decent if you are grading the miserable 5-paragraph essay. Both of them were garbage if you are looking for evidence of a person turning their attention for the first time to something they have taken for granted all their lives. Chatgpt has neither personality nor experiences, so it makes incredibly vague, general statements in the first person that are dull as dishwater and simply do not engage with what the prompt is really asking for. I already graded on "tell me what you think of this/how this relates to your life" in addition to "did you understand the reading," because what I care about is whether they're thinking. So students absolutely can and will plug that prompt into chatgpt and simply c/p the output. They just won't get high marks for it.

If they're fine with not getting high marks, then okay. For a lot of them this is an elective they're taking essentially at random to get that piece of paper; I'm not gonna knock the hustle, and (see item 1) I couldn't stop them if I wanted to. What I can do is try to make class time engaging, build relationships with them that make them feel good about telling me their thoughts, and present them with a variety of assignments that create opportunities for different strengths, points of interest, and ways into the material, in hopes of hooking as many different people in as many different ways as I can.

This brings me back to what I said about inviting learning. Because I have never yet in my life taught a course that was for people majoring in the subject, I long ago accepted that I cannot get everyone to engage with every concept, subject, or idea (or even most of them). All I can do is invite them to get interested in the thing at hand in every class, in every assignment, in every choice of reading, in every question I ask them. How frequently each person accepts these invitations (and which ones) is going to vary hugely. But I also accept that people often need to be invited more than once, and even if they don't want to go through the door I'm holding open for them right now, the fact that they were invited this time might make it more likely for them to go through it the next time it comes up, or the time after that. I'll never know what will come of all of these invitations, and that's great, actually. I don't want to make them care about everything I care about, or know everything I know. All I want is to offer them new ways to be curious.

Therefore: if they use chatgpt to refuse an invitation this week, fine. That would probably have happened anyway in a lot of cases even without chatgpt. But, just as before, I can snag some of those people's attention on one part of this module in class tomorrow. Some of them I'll get next time with a different type of assignment. Some of them I'll hook for a moment with a joke. I don't take the times that doesn't happen as failures. But the times that it does are all wins that are not diminished by the times it doesn't.

Actually try to think of ways to use chatgpt to promote learning.

I DREAM of the day I'm teaching something where it makes sense to have students edit an AI-written text. Editing is an incredible way to get better at writing. I could generate one in class and we could do it all together. I could give them a prompt, ask them to feed it into chatgpt, and ask them to turn in both what they got and some notes on how they think it could be better. I could give them a pretty traditional "In Text, Author says Thing. What did Author mean by that?" prompt, have them get an answer from chatgpt, and then ask them to fact-check it. Etc. All of these get them thinking about written communication and, incidentally, demonstrate the tool's limitations.

I'm sure there are and will be tons of much more creative ideas for how to incorporate chatgpt rather than fight it. (Once upon a time, the idea of letting students use calculators in math class was also scandalous to many teachers.) I have some geography-specific ideas for how to use image generation as well. When it comes specifically to teaching, I think it's a waste of time for us to be handwringing instead of applying ourselves to this question. I am well aware of the political and ethical problems with chatgpt, and that's something to discuss with, probably, more advanced students in a seminar setting. But we won't (per item 1) get very far simply insisting that Thing Bad and Thing Stupid. So how do we use it to invite learning? That's the question I'm interested in.

Finally, because tangential to your question: I think there's nothing wrong with bringing back more in-class writing and even oral exams (along with take-home assignments that appeal to strengths and interests other than expository writing as mentioned above). These assessments play to different strengths than written take-homes. For some students, that means they'll be harder or scarier; by the same token, for other students they'll be easier and more confidence-building. (Plus, "being able to think on your feet" is also a very good ~real-world skill~ to teach.) In the spirit of trying to offer as many ways in as possible, I think that kind of diversification in assignments is a perfectly good idea.

[weirdmarioenemies]

Name: Bowling Pin

Debut: Bowling

Yeah, Bowling! It's the pin, from Bowling! Bowling is a game, so it is fair game for this blog. And the pins are Weird Enemies! The whole point of Bowling is to Defeat as many pins as possible. You are taught to HATE them! It's messed up. I will teach you to love them.

When anthropomorphizing a bowling pin, are you on Team Face On Tip or Team Face On Base? I think both have their merits. Tip is good for if you want to give it a humanoid impression, like it could walk up to you and shake your hand. Hug you. Even... kiss you?! Base, however, is more of a creature, which I imagine waddling around on a bunch of legs or tentacles emerging from the bottom. It would hobble up to you and ask you, "Gleep gwanorb?" Answer carefully, or it might aim its Space Ray Gun at you! In the base design, the tip of the pin could be an antenna, or it could be read as a long-haired creature that tied its hair up in a tall bun!

You know something messed up? There are more types of bowling pins! No one ever told me that! The classic one we all default to is the Ten-pin, but there are two others! We'll get to them. Biologically, a Ten-pin must abide to the specific standards set by the United States Bowling Congress, adopted by World Bowling. They MUST be 15 inches (380 mm) tall, 4.75 inches (121 mm) wide at their widest point, and weigh 3 pounds and 8 ounces (1.6 kg), give or take 2 ounces (.057 kg). Wow! These would be some unrealistic standards to live up to, if these were not chunks of carved and coated wood produced specifically to match up to these measurements.

The reason the different pins are pictured with different balls is that they are used in different variations of the game! Candlepin is pretty self-explanatory. It's shaped like a candle. But Duckpin? That looks like a smaller, cuter, more marketable Ten-pin. What's its deal?

My first thought was, it's called a Duckpin because it looks like a duck! It has the one red line like the ring around a male mallard's neck, and it is rather shaped like a duck as seen from the front, overall! How cute! In reality, they are called Duckpins because the way they scatter when hit reminded a duck hunter of a scattering duck flock. Always comes back to violence with poor little Bowling Pin. They have it so rough! They could really use a friend, who's always there to pick them up when they're down.

Name: Pinsetter

Debut: Bowling

Pinsetter is just the sort of friend a Bowling Pin needs! No matter how many times Pin is knocked down, Pinsetter will be there to pick it up and put it back in its deserving spot. If any mean ol' stray Bowling Balls try to land a cheap hit, Pinsetter's sweep bar will block them. Play fair, you bully ball! Pinsetter's job used to be done by human Pin Boys, but there can still be a human in the mix, making sure the machine is clean, and unjamming it if need be. I can only assume this beautiful relationship between human and machine is just like that of horse and rider.

The more I think about it, though, is Pinsetter really helping? It's just putting the pins back in harm's way every single time, facilitating their unending torment. It blocks incoming balls, but only briefly, allowing them to crash through the pins as soon as they're all reset. Why does it do this? Who does it work for? Who is sending all these balls?!

...It's Pinsetter.

Pinsetter does not only set the pins. It detects the score, encouraging players to hit as many pins as possible. It returns the balls, giving them the weapons to do so. Humans think they're playing a game, but Pinsetter is playing them all! It controls the whole operation, driven by nothing but pin bloodlust! Maybe Bowling Ball has been misunderstood, another tortured soul, an unwilling pawn in Pinsetter's twisted game!

Bowling Pins are beautiful creatures. They belong in the wild, or with trustworthy, knowledgeable caretakers. To bowlers, they are an Enemy. To me, they are a Friend.

[robbie-wallis]

I need to vent about Watcher, endure it if you can

Relax, this isn't a parasocial thing, but it is a long ass post, which suits me as a long ass human.

I need an outlet to discuss the terrible business decision Watcher has made by announcing their plan to leave YouTube, and this long-forgotten Tumblr account reached from its grave to grab at my ankle.

If you didn't see their video, good for you. It's extremely cringe-worthy in its sentimentality and editing, with blurry shots, pensive pauses and obligatory sad piano.

But at least there's no f'ing Ukulele.

Although, I think we might get the Ukulele in a few months.

Even though anyone who reads this is probably familiar with what the "Ghoul Boys" have done, I feel as though I need to add a little history.

WATCHER HISTORY

You can skip this part if you've been obsessively following the shenanigans, this is for the noobs who were never a "shaniac" or a "boogara".

Shane Madej and Ryan Bergara used to work at Buzzfeed. They hosted the successful Buzzfeed Unsolved shows. In 2019 they followed in the footsteps of the Try Guys and Safia Nygaaard and left Buzzfeed to create their own YouTube channel named "Watcher".

They brought along Steven Lim, another Buzzfeed person who is most known for the "Worth It" series. This series followed Lim and his friend/s spending obscene amounts of money on obscenely overpriced and indulgent products.

Think of it as being similar to the $100 V's $10,000 Sidemen content, only without the self-awareness and British "bad lads" humor.

Notably, even the Sidemen seem to have cut back on those adventures, perhaps understanding how bad it looks when so many people are struggling to pay their essential bills.

Steven became the CEO of Watcher while Shane and Ryan continued to create and present for the new channel.

They were wildly successful by YouTube standards. At the time of their self-spanking on Friday they were close to achieving 3 million subscribers, in just 4 years, based on basically only 2 cornerstone shows. If Social Blade is still a reasonably trusted source in everything but estimating income, they were gaining thousands of new subscribers every week.

Their most successful shows were Ghost Files, Puppet History, Too Many Spirits and Mystery Files.

Ghost Files is the only one of these shows which requires heavy investment, travel, a large crew and impressive production costs. These videos are shot on-location and require a lot of work. The rest are basically Good Mythical Morning style, just the two hosts and their banter.

Aside from Ghost Files, their content could be created with 3 cameras, 2 lapel mics and a good editor.

They were massively successful, solely because of Ryan and Shane.

THE DEMISE

So, what did they do on Friday 19th April? They decided to announce the launch of their own subscription platform.

Not a Patreon for extra content, behind-the-scenes, audience interaction etc, (they already had a Patreon with 6,000 paying subscribers earning them at least $50k a month), but a bespoke streaming platform which looks like a clone of Netflix.

The cost is $5.99 a month, or $60 a year.

Comparable to Netflix.

And by that I mean the price is comparable to Netflix while the content is comparable to a 4 year old YouTube channel.

Don't get me wrong, their production quality is incredible. The quantity, however, is not.

From the end of May viewers will have to pay to be a subscriber on their own platform in order to watch their shows.

They'll still be posting their trailers on YouTube, and the first episodes of new shows, but to watch it all you'll have to pay up or miss out.

Edited to add: Variety originally reported the Watcher crew were planning to remove all their existing content from YouTube to monetize it on their own platform. It's since been confirmed they will not be removing their old content. Fans are undecided whether this was a back-track after the announcement or a misunderstanding by Variety. You be the judge.

Of course, they're entitled to do this. They are creating a product and you can either enjoy it or not. No one is entitled to see it, for free, whenever they like.

Why did they do this?

Half of the sombre video gushes about their "humble beginnings" as "struggling young guys in a big harsh world", which comes across as extremely self-indulgent and ego-stroking.

A quarter of it explains how insanely successful they've been on YouTube and how this is all thanks to the fans who stuck with them after Buzzfeed, how it's allowed them to hire 25 people, how it's given them the freedom to create what they enjoy making and what the viewers want to see, and - most importantly - how it's allowed them to increase production quality on Ghost Files.

The final quarter of the video explains that this isn't good enough, the quality isn't high enough, the finish not glossy enough, it's not "TV caliber" enough! They want more, they need more, you have to give them more, mostly (apparently) because their CEO Steven Lim wants to bring back his show where he flies around the world with his bestie sipping Champagne and eating gold-leaf-covered lobster.

In short, they want more money to make even bigger things, even though their audience never asked for that.

WHY IT WILL NOT WORK

Oh my goodness, this is going to be a ride so strap in.

I'm not a YouTube creator so there are a lot of things I do not know. Having said that, I know a little about business.

This ain't Buzzfeed, y'all

Watcher became successful because of Ryan and Shane. It was their friendship, their personalities, and the content we loved to watch featuring them at Buzzfeed, that brought us along for the ride.

The audience they poached from Buzzfeed is there for them and Ghost Files. It's not there for Steven Lim and "Worth It". His show worked under the Buzzfeed umbrella only because they had numerous sub-categories in that community to support it.

The Try Guys left and created their own channel from their Buzzfeed fans.

Safia Nygaard left and created her own channel from her Buzzfeed fans.

Shane and Ryan left and created Watcher from their Buzzfeed fans.

Steven Lim left and became the CEO of Watcher. He didn't take his audience with him.

The audience of Watcher is not the audience of "watch me fly around the word with my pal and spend $100K on hand-reared, Whiskey marinaded, diamond-encrusted Kobe steak".

And... IN THIS ECONOMY?

Steven chose to become a CEO instead of a presenter. He's missed the opportunity to take that Buzzfeed audience with him.

This is made clear by the Watcher channel itself. Their "man eats food" content rarely breaks 500K views while their Ghost Files breaks 2 million consistently.

If a million of their viewers followed them from Buzzfeed to Watcher, the other 2 million have joined them since, based almost entirely on their spoopy content.

Not only did they base their channel on this genre and format, they have distilled their audience further ever since the creation of their channel and no matter how hard they try to diversify into "man eats food" it's just not working.

This ain't Netflix, y'all

As mentioned, the $5.99 charge is comparable to Netflix and just about every other streaming platform. Only Watcher can't give you even 5% of what a competing platform can offer for that price.

Other platforms also tailor their content and their pricing based on geographical location and localized economics.

You're paying far less than $5.99 a month if you live in an economy where the median household income is $300 a month. YouTube has a global audience. Their subscribers don't all live in a stable economy where $5.99 is considered disposable income.

We don't know the numbers, but I would guess only 60% of their subscribers are based in the USA, Canada, and the UK.

Even for those who do live in a stable economy, their audience is predominantly young adults and students. Most young adults are currently facing the reality that they will possibly never own their own home, they're living day-to-day trying to budget.

They've instantly priced-out a large % of their audience.

I confidently predict that diehard fans who can't see anything wrong with this will sign up for $5.99 a month, binge watch for a couple of weeks, realize there's no new spoopy content and cancel.

They'll come back when a full season of Ghost Files has arrived, pay again, binge it and leave.

Steven Lim thinks they're gonna get $5.99 a month, every month, from thousands of subscribers. In reality they're going to get maybe $12 a year, from people signing up to binge watch what they want, then leaving.

This will then decline naturally as attention wanes during the months where there is no spoopy.

This ain't good marketing, y'all

They're going to be posting "trailers and season pilots" on YouTube.

Sure, I bet YouTube is gonna be totes okay with a channel doing nothing but trying to hijack traffic for an external site.

Posting nothing but trailers and season premiers will mean maybe one full video per month during busy seasons. That's not enough to remain relevant for the algorithm.

If 80% of those posts are also just trailers saying "leave YouTube and come here", the channel will be smacked down quicker than a crypto scam using an AI generated Elongated Muskrat.

Their channel was growing steadily, but that was with full content regularly posted. When the schedule drops off, and when most of it is considered spammy by YouTube, it's going to collapse like a flan in a cupboard.

A streaming platform needs a constant flow of new subscribers just to replace the gradual drop-off (maybe ask Rooster Teeth about that). When your global audience at YouTube is gone, where are those new subscribers coming from?

The platform is also an additional overhead. It's going to cost thousands a month to keep the servers going.

This ain't good financial management, y'all

I don't know if they've already spent hundreds of thousands of $s on Lim's "men eat food" gamble, but I suspect they have.

I know they have spent hundreds of thousands of $s on a new season of Ghost Files, flying to the UK to host live events while filming those episodes.

This means they've over-extended their finances just at the moment where they've cratered their opportunities to see a return on investment.

Just that, on its own, is enough to destroy a production company.

They do not need 25 employees any more than I need an editor and proof-reader for this long ass post.

They do not need a production studio in Hollywood any more than I needed an office to write this.

They do not need to spend tens of thousands of $s on glossy graphics that appear on screen for maybe 4 seconds in one episode any more than I needed to add screengrabs to this painfully long essay.

By leaving YouTube they've lost:

Adsense revenue (which might not be much on a per-video basis but adds up with a back catalogue over years of productions)

Sponsorship deals, which allegedly contributes almost 50% of their annual revenue.

Merch sales, which is about to crash if the only people they can promote merch to are already paying per month in their smaller ecosystem.

Patreon. Why would someone pay $5.99 twice, for the same or less content?

And they've abandoned all of this for maybe a few thousand people who will probably end up paying just $12 a year when a new spoopy season arrives for them to binge.

I'm no Will Hunting, but no matter how hard I try to make the numbers work they just don't, and I don't need Robin Williams to tell me it's not my fault.

This ain't nice, y'all

Some of you are feeling like Ned's wife right now, and some of you will have no idea what that's in reference to.

Most of you will hate that I made that reference more than you hated the SNL skit.

I get it.

Maybe the worst part about all of his, from a viewer's perspective, is the dismissive nature of their sign-off.

They didn't mention the Patreon members once, not one single time in the whole video. It's like they consider the Patreon "too YouTube". They're the deformed cousin locked in the attic. They're the relative who wasn't invited to the wedding because they can't afford a Tom Ford suit. They're the colleague who isn't invited to the staff night out because they only work in accounting and no one has anything in common with Janice anyway.

These are diehard fans who were actually paying them extra to support them and enjoy a little bonus behind the scenes, and the boys didn't even consider them worthy of an utterance.

They also finished with "If you don't follow us and pay up it's been real, peace out". I'm paraphrasing, but that's basically what it was.

They spent so much of the video saying how awesome and great it was that the fans and YouTube got them to this point, but they didn't thank their Patreon members, and they ended with a blunt suggestion that if you don't follow them and pay more then you're not a real fan anyway and they don't really need you.

"Thanks for getting us here, sucks to be you, bye now!"

You made them wealthy, you helped them hire 25 people, you helped them increase production value to "TV caliber" even though you didn't ask for that, but your job is done and now you're superfluous. Only the real fans are wanted.

In the words of the great George Carlin - "It's a big club, and you ain't in it".

They're okay losing the vast majority of the people who got them here if a few thousand of those are comfortable enough to be able to pay $60 a year for a YouTube channel.

Can it get worse? Sure!

We've had a weekend to enjoy the constant heat of this bonfire and it's predictably worsened with each hour of silence from the company and its employees.

The fact that they haven't back-tracked, despite almost unanimous agreement that this is badder than the baddest thing that could happen to their company, suggests they're okay with it.

Consensus seems to be that they knew it would be this bad, and they're cool. They predicted 90% of people would scream "Boo to you good sirs! Boo indeed!" and they could still survive on the 10% who don't see a problem here.

The lack of response reinforces the narrative that they're totally fine with discarding almost their entire audience if they can just squeeze the cash they need out of whoever is left.

This ain't fixable, y'all (maybe)

Note: I don't want this to be mean, but it's going to sound a little bitchy no matter how I try to say it.

If they'd brought out the Ukulele on Saturday, or even teased Ukulele's on their socials before putting out a video on Sunday, they probably could have survived this with much hand-wringing and a little groveling.

But now I think they've grilled this Kobe steak for far too long.

They've lost 100K subscribers, and counting. The venom among Patreon members is allegedly worse than the public comments section under the video, which is startling. Dozens of YouTubers are torching them harder than a $100 crème brûlée.

People are scraping their channel content in case it's nuked.

Shane "eat the rich" Madej's sentiments over the last few years look disingenuous, to say the least. To shamelessly steal someone else's comment: "Imagine being all 'eat the rich' right before throwing yourself on the plate". He's silent while his McMansion burns down, at his own hands. "Why not!?" indeed.

Steven "I drive a Tesla" Lim's socials now make him look like a tech-bro try-hard and his use of words like "early adopter" and "soft launch" in the video only compound the belief that this was all his brainchild. He is the CEO, and that comes with responsibility and the associated blame. You can't steer the ship into the Bermuda Triangle and then disappear without looking like the bad guy.

Okay, you can disappear, but that convoluted metaphor is a mystery for someone else to solve.

Ryan "TV caliber" Bergara now sounds like an elitist who thinks YouTube is "too pedestrian" for his big plans, not big enough to meet his artistic vision. You see, he's more James Cameron, while YouTube is more like your student film club. He's grown beyond this pesky platform with billions of daily hits offering exponential growth with almost zero financial risk.

Even if they released a video today admitting they messed up big time it's still going to be hard to get the taste of this Ghost Pepper Warhead out of the collective mouth of their viewers.

This hasn't just burned their shared brand, it's singed their individual reputations among an audience upon which their careers rely.

What they should have done, on Saturday, is release a video (Ukulele or no) confessing their error. They should have announced their new platform will instead just be a bigger and better Patreon, with early access to everything, behind-the-scenes content, extra features, audience interaction etc.

They should have reversed to make clear their YouTube channel will stay the priority, their main source of revenue, but that you could get more on their own platform if you want it.

And, maybe, over time, people will pay for that. If they grow their channel to 6 million subscribers in the next 4 years there will be a couple hundred thousand of them willing and able to pay $5.99 a month for 8 years of shows, 8 years of behind the scenes content, 8 years of community involvement and regular early access to new episodes.

Maybe then they could try out their "privileged guys eat expensive food in expensive places" show and see how it does? Maybe a majority of people won't be living on the cusp of poverty by then and it won't look as tone-deaf as a 13 year old YouTuber trying to cover Jeff Buckley's "Hallelujah"? Maybe then they could hire another 50 people and make Bergara's "TV caliber" (I still don't know exactly what that means) game shows and reboots?

The clock has been ticking since they hit that "publish" button on their career ending video, but that clock is about to count down to zero and silence will permeate throughout their previously lively community.

That 1980s basement set needed someone crying in the corner, right?

The problem is, their own platform is not a terrible idea. Really, it's not the worst thing they could do. The badness came in the timing, the switch, the middle finger and the f you. They could have released this as an extra, their own Patreon alternative, waited, developed it over time into something sustainable and established.

They could still try to do that and hope this dark chapter is forgotten.

Maybe I'm wrong? Maybe Lim is a financial genius with more skill than the management of Rooster Teeth and their corporate parent company combined? Maybe this gamble will be wildly successful despite all streaming services down-sizing or just going bankrupt? Maybe they won't be back on YouTube in 3-6 months begging for views after having to lay off 20 of their employees?

I know this... if I were one of those 25 employees blind faith would not be enough to stop me from looking for another job.

I suppose this will, for now, remain... a mystery.

EDIT:

I'm not writing another essay about this, but I'm glad to see they've backtracked and made the right choice to use WatcherTV as any sane creator would - to host early access and exclusive content in addition to their YouTube channel.

Over time, while promoting it in every video, building up that trust and fan base, it can be a secure and long-term financial bonus helping them to expand their business incrementally as finances allow.

Why this wasn't the plan all along is anyone's guess. Gambling everything on this was never the sane decision.

I still think they need to scale back on costs. I still think the food content is not currently a viable source of income while being a serious drain on resources. I still think they need to stop hiring all their friends and they need to hire one person who doesn't have personal relationships with everyone there and can make the tough business decisions.

No one likes firing people, it's ten times worse when it's a friend. But this is a reality of business and just wishing it wasn't so isn't going to make it go away. It would be awesome if we could all run a business where we can hire all our friends and family, never have to rely on any outside funding, make whatever we want, make a great living in one of the most expensive cities in the world and continue to grow.

That's just not the reality.

Their apology was genuine, in my opinion. I just hope they can work out the right financial balance.

[tainbocuailnge]

I was asked my thoughts on arts defenders elsewhere so I'm reorganising those into a Post here

arts protectors' base traits are 3 block, defender bulk with slightly lower def but a bit of res and guard level atk, and they deal arts damage while their skills are active. with those traits alone you have to be actively trying to make a bad arts protector, a durable 3 block melee unit with arts damage will always be useful. but when you look at what arts protectors do beyond their traits, and thus what features one might expect from a future 6* arts protector, we have

nearly all of their skills prioritise damage over survivability, and what defensive buffs their skills do have tend to be for hp or res rather than def. as I'll go into later their damage is notably high especially combined with their other functionality

all of them are able to hit multiple enemies at once in some way through their skills. asbestos has splash damage on s2, dur-nar hits all blocked enemies with s2, shalem hits all blocked enemies with s1 and 6 random enemies in range with s2, and czerny hits all enemies in an area around him at the end of s2

all of them except dur-nar also extend their range in some way with their s2, and can hit air within that extended range.

all of them want to draw ranged and/or arts damage, and they turn this incoming damage into some kind of resource. czerny reflects arts damage through his talent, and gets taunt and increased atk for every hit he takes while s2 is active. asbestos gets a whole 3sp every time she's hit by a normal arts attack (I saw a cool clear of her abusing this to tank manfred with near permanent s1 uptime once). shalem and dur-nar don't do this as obviously, but they still have defensive recovery skills that make it beneficial to have ranged enemies target them

I think the problem with making a 6* arts protector, and the reason we don't have one yet despite how long the subclass has existed, is that if you want to combine these features into a new unit that does something both unique and in line with what the other arts protectors are doing, you're going to inevitably end up blowing every other defender currently in the game out of the water. you're going to make a 6* defender that has high damage, deals multitarget arts damage, can extend their range, can hit air, and likely draws aggro and/or converts damage taken into more outgoing damage, all for 26 dp before potentials. this defender is going to fuck your mother while they're at it.

none of the current defenders hit all of those boxes, and several of the most popular and powerful ones are popular and powerful because they hit several of those boxes. horn has long range splash damage and her s2 has an arts component (and is the only way she's able to deal splash damage up close). penance has a reflect talent, multitarget arts damage on s2, and taunt on s3. jessica can hit air, extend her range, deal a burst of splash damage, and has a chance to get sp when her shield is hit. you can see similar overlap between what arts protectors do and what juggernauts and sentinels and fortress defenders are doing in lower rarities. juggernauts are good at dealing with crowds up close by themselves and turn incoming damage into outgoing damage, sentinels have extended ranges that hit air and often do some kind of enhanced sp cycling, and fortress defenders are great against crowds at range but less so up close.

and not only is this 6* arts defender going to have more functionality than any other vaguely comparable defender, they're also going to be outdamaging penance s2 at the bare minimum or it'll be really embarrassing. dur-nar has the highest dps of all 4* defenders by far. asbestos dps is a bit on the lower end by current standards but she had the highest among 5* defenders in her release era, much higher than liskarm (her competitor as defender with multitarget arts damage + sp battery + anti-air) and without the self-stun drawback. shalem s1 and czerny s2 have onskill dps a little lower than ashlock and firewhistle, but it's arts and they can use it up close. shalem s2 has higher dps than all of them on single target.

it is known to those who watch nicheknights that damage is notably lacking among 5* defenders but not 6* defenders, so to have a comparable relative performance this 6* arts protector has to be cracked as hell in order to actually be representative of arts protectors. arts protectors aren't the only defenders with arts damage but by design they're by far the best at it on top of doing a bunch of other shit, and since we already have several 6* defenders who are good at the things that arts protectors typically do, the actual 6* arts protector either has to outdo all of those or not release at all

[theabstruseone]

Okay, so to explain why this is absolutely hilarious: Victoria 3 is a Paradox Interactive grand strategy game vaguely similar to Crusader Kings but instead of medieval dynastic politics, the gameplay in Victoria is based on economic management. This is the third in the series for this franchise and just released recently.

And players are complaining because Capitalism can't compete with Communism.

Because it seems that under Capitalism, all the money goes to the Capitalists while the Workers don't get paid enough so have little buying power to stimulate the economy. Meanwhile in Communism, worker communes ensure that the workers are well-paid, giving them much more buying power which translates into a faster-growing economy and a much higher standard of living.

And rather than take the message, players are complaining that Communism is unrealistically overpowered.

[hrhmimieucliffe]

⚠️⚠️Another Mimi Rant Incoming (ik, not again) ⚠️⚠️

Love and Deepspace.

I love the game. I've met so many kind and wonderful people within this fandom. But no fandom is without its problems.

If you know me, you know what my page is all about and how I advocate for the inclusion of more Black women in different fandom spaces and consumable media. We are often either forgotten about, used as comedic relief, stereotypes, or as an antagonist who is loud, bitter, has an attitude, etc.

Cool, fine, whatever, over it.

But one thing I will address is the fact that some people in the LADS fandom seem to have forgotten one major thing about the game. Pertaining to the MC.

SHE IS FULLY CUSTOMIZABLE AND DOES NOT HAVE A CANON APPEARANCE.

Yes, I'm aware the devs use a 'base' look for her on some of the cards and in the previews of new battle mechanics/ five-star kindled scenes. But they're not how she canonically looks. She looks that way because Infold is an eastern based company with certain beauty standards, cool, not asking you to suddenly change her. I'm cool with that.

But people in the FANDOM seem to be forgetting that you can customize her yourself. Into an OC or a self insert, it doesn't matter.

So if you know this, why is it that people with a tan or dark MC receive hate and harassment for making fanart of their self-insert MCs who look like the real them with the MLs?

Why is it that as non pale/fair skinned women, we are expected to always sit back and relate to a pale MC who has a personality that usually doesn't match some of us, either? If we can bear it for our entire lives, why is it a problem when we get a *small crumb* of inclusiveness in making the MC customizable to shape her how we want, it's not a problem until someone actually makes fanart of their MC with an ML and that MC is not the same pale/fair-skinned one?

How is that fair? It's like some people deliberately ignore it or are part of the problem. Especially those who make excuses like

"Oh, but they're not a western based company." I know that. Which is why I'm not aiming this rant at Infold themselves.

"Oh, don't bring politics into the game". First of all, how is the existence of dark or tan people politics? It's not "politics" when it involves someone who is part of the usual beauty standard, is it? Second of all, Infold themselves practically brought those said "politics" in by having tan/dark skinned options into the game in the first place.

Do you all see what I'm getting at, here?

This all came about because I'm part of (both) LADS subs on Reddit, and someone recently made a post about how they were attacked on Tiktok by LADS "fans" for her MC being dark in some *FANART* she made of her MC (based on herself) with her favourite ML.

Why can't we just have peace as women who don't conform to the outdated beauty standards? Why does it matter so much if MC is customizable?

What, do people think that as dark or Black women, we're not allowed to have certain interests? We're not allowed to like certain characters, games, movies, shows, etc? Why?

Wake UP and start calling it out when you see it!! You can't claim not to be a part of the "bad part" when you sit back and let it happen which makes those people get comfortable doing it.

Rant over. Have a nice day girls.