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bomberqueen17 · 5 days

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Liveblogging the Aubreyad: Book 3, HMS Surprise (part 1)

This one, I made notes on my phone while listening to the audiobook, so we shall see how well I distill them.

The series is hitting its stride now as a series, I think. M&C was kind of oneshottish, no real expectation of continuation; Post Captain was the pleased "oh! i get another one? great!" where he then crammed in three books' worth into one, and now HMS S is "ah. this is a series! Settle this plot down, then." pacing-wise.

So we pick up with politicians wrangling over the aftermath of the previous book, which had seemed to end so tidily and on such a happy note. Of course that is not the end-- there's a series now.

So at the end of the previous book, Jack was one of five captains sharing out a prize of some several million pounds, and this would have made him enormously wealthy and guaranteed his marriage. Of course.

In the opening scene of this one we hear that, legally, Spain had not declared war on Britain at the time, so legally, that money is not prize money, so legally, it should just be kept entirely for the government and not distributed to the sailors and officers who actually did the fighting at all, despite that being the well-established custom of the day. Legally, see, they don't have to hand it out, even though the people who designed the mission, and the people who executed the mission, all felt certain that it was a legit prize at the time and acted accordingly.

Stephen's friend Sir Joseph, head of Naval Intelligence, is arguing that of course it should be prize money, for large numbers of very good reasons, not least that he designed the mission with that in mind.

But the new First Lord of the Admiralty is a civilian politician. And he openly mentions Stephen Maturin's name, despite the fact that Sir Joseph had stressed to him that the man is a confidential agent. The First Lord does not catch the hint. And then he asks who the captains are, and remembers that Jack Aubrey's father is an opposition member in Parliament, and immediately Sir Joseph knows that it's over; this is political wrangling now, and this man will make a decision that harms the national interest and the morale of the service and everything else simply because General Aubrey is a politician he does not like.

So there is no prize money. And Jack is not out of debt. And cannot marry Sophie. And, far far far worse, Stephen's name is now exposed to a crowd of non-confidential people of no particular discretion, particularly marked as a secret agent with knowledge of Spanish affairs.

Anyway-- zooming out from that crackerjack first scene, and it is despite how it sounds, it's really well-told political intrigue with a very good layering of easy-to-understand, easy-to-deplore bullshit (and Admiral Harte gets his shitty little nose in there being a massive hypocrite, have no fear) -- the general situation is thus:

Jack, still in the Lively, is in the Med bottling up the French fleet in Toulon, and is engaged to Sophie-- legally, with all kinds of avaricious wrangles from Mrs. Williams, all the terms and conditions he acquiesced to unprotesting, so that Sophie will legally own most of their joint property. Diana has run off to India with Canning; Stephen has been collecting intelligence on them, though mostly it seems for the purpose of hurting himself with it. Stephen is to go to Minorca to do more intelligence stuff despite the fact that his name has been exposed-- the news will not have reached them, Stephen says coolly, declining to cancel the mission.

The Lively has a schoolmaster to oversee the young gentlemen's lessons. (Prior to being a midshipman, a young gentleman will be expected to have served three years of sea time, with the status of First Class Volunteer; many are listed as servants during this time, and many of them do not actually report to the ship during this time-- entering a friend's son on one's books to say he was on a ship long enough that when he joins he can just start as a midshipman with no waste of time is a perfectly accepted kind of little fraud, very common in Jack's social circles. "Young gentleman" as a category seems to include both the volunteers and rated midshipmen. But the Lively has a number of quite young gentlemen actually aboard, including the five-year-old [or, seven. he was five in the previous book but in this book, some weeks later, he is now seven] son of one of the lieutenants, as he came home from a voyage to find his wife dead and no family remaining to care for the child, so the little boy has been onboard ever since. Apparently Babbington may actually have still been a volunteer during some of the events of Master and Commander, but of course this is not consistently represented. I fully support an author doing whatever the hell he wants with timelines, and it is absolutely consistent with the inconsistency of historical records, LOL.)

Anyway-- Jack also actually went to sea as a volunteer very young, and the ship he was on did not have a competent schoolmaster, so he has suffered his entire life from not a very good education. He is sitting in on the young gentlemen's lessons ostensibly because he is concerned for them and wants to ensure they learn what they must, but in practice, he is taking advantage of this opportunity to get a proper thorough grounding in his own education, belatedly, and is thereby unlocking a real true love of mathematics, heretofore only instinctively guessed-at.

The Lively has seen long prior service in the South Pacific, and as such has a number of Asian crew members aboard. (So we do now see the word Chinaman occur, which unlike Indiaman does refer to humans, but is used as a neutral descriptor; I will nevertheless henceforth be avoiding its use, though to be fair I think it only occurs once in the book anyway.) Jack is pleased with the Chinese and Malayan crewmen, largely, as they all are unfailingly polite and have a number of useful skills, and are excellent seamen. But he finds out during an elaborate cutting-out expedition that many of them had formerly been pirates; they slaughter their opponents with absolutely stunning efficiency in a quite practiced manner despite how little combat the Lively itself has seen.

They make for Minorca to pick up Stephen but he does not make the rendezvous. Another Catalan man appears, and says Stephen has been taken, and is being tortured by the French in Port Mahon. Jack knows the city. With the Catalans, he sets up a rescue mission, and frees the prisoners, burns the house (coincidentally, the house where Captain and Molly Harte used to live), and rescues Stephen, who has had all his fingernails pulled out and has been stretched on a rack. (Touchingly, he has hallucinated Jack coming in to rescue him before, and so when it truly happens, is surprisingly calm, mistaking it for another hallucination.) It is a taut little action, badass as fuck. The officers of the Lively are disappointed when Jack won't take them, but this is not an official sanctioned expedition and there will be no glory, no report, no credit, no advancement of career-- it is simply a pragmatic necessity, and he wants only people who know the ground (his own people, Killick and Bonden) plus enough to pad out the numbers to make it work, so he takes those of the Chinese and Malay pirates who choose to volunteer, since this is just the ticket for them. (All of them volunteer.)

(A side note. The Catalan who helps them is named Joan. The audiobook narrator pronounces this Catalan man's name, which in Spanish would be Juan, and is pronounced the same, as the English woman's name Joan. Come on Simon. I believed in you.)

They get Stephen and get out, and we resume the tale in England with Stephen staying at an inn in Portsmouth. The Lively has been handed back over to her real captain, Hammond, at Gibraltar.

Jack is immediately arrested for debt as he tries to get the invalid Stephen into a carriage to go from Portsmouth to London, so off he goes to a sponging-house, hero or no; he goes quietly and resignedly. Sir Joseph Blaine is shocked to hear that heroic Jack is imprisoned; he had arranged for at least a consolation, an ex gratia payment, for the captains who were denied prize rights over the Spanish treasure, but it comes out that the agent has been slow in paying it out, and Jack is helpless without it. Blaine resolves to see it settled, at least, and does-- Jack is released. At least provisionally; there are other debts.

Sir Joseph, in his gratitude for Stephen's rescue, gets Jack another ship-- HMS Surprise, on an errand to carry an emissary to Kampong. It's a good long mission in a lovely ship (in which Jack served as a midshipman long ago), and he hopes it will give Jack's affairs time to settle.

Stephen turns to Bonden, asking him to write a letter for him, since his hands are so injured, and it comes out abruptly that Bonden is illiterate.

'Bonden,' cried Stephen, 'take pen and ink, and write -' 'Write, sir?' cried Bonden. 'Yes. Sit square to your paper, and write: Landsdowne Crescent - Barret Bonden, are you brought by the lee?' 'Why, yes, sir; that I am - fair broached-to. Though I can read pretty quick, if in broad print; I can make out a watch-bill.' 'Never mind. I shall show you the way of it when we are at sea, however: it is no great matter - look at the fools who write all day long - but it is useful, by land. You can ride a horse, sure?' 'Which I have rid a horse, sir; and three or four times, too, when ashore.'

Bonden takes the message on foot, and goes and fetches Sophie and Pullings, Sophie to write the letter from Stephen to Jack, and Pullings to carry it. This allows them to arrange for Sophie to come along to the rendezvous, so that she can see and speak to Jack briefly without her mother's knowledge. Jack had tried to release her from the engagement when his renewed troubles with debt became apparent, but she wished to refuse, but could not speak to him directly about it, so this is their chance.

She sneaks out at night and goes in the coach with Stephen, and there gets a half an hour (well, forty-five minutes; Stephen with the timepiece is soft-hearted) of conversation with Jack before they must part ways, her to go home and sneak back in to her house, Stephen and Jack to go on to the Surprise, waiting in Plymouth.

The Surprise makes her way off around the world, saddled with a moderately ineffectual but amiable first lieutenant named Hervey who has influential friends, and a second lieutenant named Nicolls who is inoffensive if clearly suffering from major depression, but with Tom Pullings as the third lieutenant, competent and familiar. They are becalmed awhile, and Jack teaches Stephen to swim-- badly, but at all, which is an accomplishment.

'Did you see me?' [Stephen] cried as Jack came nearer. 'I swam the entire length: four hundred and twenty strokes without a pause!' 'Well done,' said Jack, swinging himself into the boat with an easy roll. 'Well done indeed.' Each stroke must have propelled Stephen a little less than three inches, for the Surprise was only a twenty-eight gun ship, a sixth-rate of 579 tons - the kind so harshly called a jackass frigate by those not belonging to her. 'Should you like to come aboard? Let me give you a hand.'

Some of the men get scurvy. They run short of supplies and are down to eating rats, which they euphemistically term "millers" out of absurd delicacy. Stephen has pet rats, he is feeding them madder as an experiment.

They find St. Paul's Rocks, where Stephen begs to be put ashore for a moment to study the birds. Jack declines, as it is Sunday and one cannot ask the men to work on Sunday, but the second lieutenant Nicolls volunteers to take him over in the little rowboat for a few hours.

A sudden squall damages the ship and washes poor depressed Nicolls away, along with the little boat; Stephen survives, but is stranded, and the Surprise driven away by the wind. Some undefined time later (two days?), Babbington comes in the barge with Bonden and others rowing double-banked in a great hurry straight into the eye of the wind where the ship herself could not come, certain the Doctor must be dead but hoping against hope to find him. They do, alive, and bring him back to the ship.

Stephen claims that the extreme heat on the shelter-less rock has worked miracles on his torture-twisted tendons.

'I wish you joy of your rescue, Doctor,' said Mr Atkins, the only man aboard who was not pleased to see the barge return: Stephen was attached to the mission in an artfully vague capacity, and the envoy's instructions required him to seek Dr Maturin's advice; Mr Atkins's advice or indeed presence was nowhere mentioned and he was consumed with jealousy. 'May I fetch you a towel or some other garment?'- with a look at Stephen's scrofulous shrunken belly. 'You are very officious, sir; but this is the garment in which I shall appear before God; I find it answers pretty well. It may be termed my birthday suit.' 'That has choked the bugger off,' said Pullings to Babbington, just above his breath, out of a motionless face. 'That is one in his bleeding eye.'

During Stephen's absence, however, he finds that someone has stolen his rats, and he is furious.

Babbington is given an acting promotion to lieutenant to replace Nicolls. His perfect delight in this is marred only by his guilt at having, along with the rest of the larboard midshipmen's berth, eaten Stephen's rats, and he blubberingly confesses. Stephen revenges himself only mildly for this offense.

Jack wished to avoid putting ashore in Brazil, to avoid official delays, but Stephen suggests they just find a village and buy green stuff there, which works. Stephen of course has to go ashore. He promises not to return with any vampires, but in the event comes back with a three-toed sloth, which does not like Jack. Jack wins it over by giving it grog, in time-honored sailor fashion. Stephen discovers this and is indignant, leading to possibly the funniest line in this book:

Stephen looked sharply round, saw the decanter, smelt to the sloth, and cried, 'Jack, you have debauched my sloth.'

The dignitaries aboard are annoying and take up an enormous amount of space, including Jack's entire great cabin, so that he must room with Stephen in a smaller space. The envoy himself, a Mr. Stanhope, is dignified and kind (though a bit remote: "Once he had established that Jack and Hervey were connected with families he knew, he treated them as human beings; all the others as dogs - but as good, quite intelligent dogs in a dog-loving community"), but his head secretary, Mr. Atkins, is an officious, self-important, tale-bearing busybody universally loathed onboard.

Stephen teaches Bonden to read and write. They have their lessons up in the top, for privacy-- Bonden is not keen to be mocked on his scholarly habits, and hides the book when the midshipman Callow comes up to deliver a message. Stephen doesn't notice this.

They get, finally, to the high latitudes, where there is a huge blow, though Stephen is consoled by finally seeing the albatross. The dignitaries complain that the ship leaks and demand better accomodations. Stephen refuses to pass the message and tells the officious secretary to go tell Jack himself. The man declines to do this, as Jack is currently lashed to the wheel in the driving rain working like hell round the clock with all hands to keep the ship from broaching-to and foundering, and indeed shortly after winds up clinging for his life to a broken mast in the front of the ship trying like hell to keep the sea from overwhelming them. Surprise is damaged internally, her timbers strained, and they have to limp the rest of the way. Not a single rat is left in the ship, the stores are dangerously low.

I wasn't going to do this but I'm going to divide this. I swear I'll get better at making these short. I'm kind of doing a... rehabilitative exercise on my ability to write, here. Coming up is part two, Bombay! With critical updates on How Many Indiamen Tom Pullings Has Been In! And you'll never guess who gets the clap!

#liveblogging the aubreyad #tom pullings #jack aubrey #stephen maturin #patrick o'brian #spoilers for all the book plots #book report #i need to institute word limits #i don't have the capacity to mentally organize myself #but i'm working on it

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dazais-guardian-angel · 1 year

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Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

#bungou stray dogs #meta #bsd season 5 #bsd s5 spoilers #alternatively titled 'when you copium so hard out of stewing in your denial anger and grief that it becomes reality'#is it still copium if there's strong evidence for it? idk #i DON'T know what i'll do if the stuff in this finale ends up being canon :))) make no mistake about that #but until the very moment the schrödinger's cat box is opened and i am forced to acknowledge it with my own two eyes in chapter 111/110.5 #i am choosing to stay calm and rational and look at things with a sound mind... and acknowledge all the signs that are there #of which there are so many #Asagiri is a troll. he has always been a troll and this is more evident than ever lately #and he would know that everyone who watched the finale would take it at face value #never expecting it to go completely differently in the manga #and he's so much smarter than what was in that finale. he would never write those things. i would stake my life on it.#i don't care how many flaws BSD does have that i do acknowledge; he is a good writer in so many ways and he is so much better than /that/#i could fill an entire BOOK (ha ha) with all of the reasons why this finale does not work. seriously it is a never-ending can of worms #of ooc characterizations and plot holes and abandoned threads and straight up CONTRADICTIONS with what has been stated before in the arc #with fukuchi's motivations and presentation; with things that were happening in meursault; just.... so much illogical shit in general #THE MACHINE HEALED THEIR WOUNDS??? ARE YOU FOR REAL????#*sigh* but i said i wasn't gonna rant alskdjgfkdls #tbh though the only REAL thing i need to know that the finale was anime only was what the youtuber i watch pointed out:#that Bram magically regenerated all his clothes. because if it were Asagiri Bram would be naked from the shoulders down fjdkslsaskd #...anyway. This theory is real and true. I am manifesting it into existence 🙏🙏🙏#Asagiri my man...... you have never let me down yet in all the years I've known your series. Please don't let me down now.#I'm trusting in you more than ever right now...... and your ability to blow all our minds in the best possible way #(guys i'm really really really scared deep down; please hold me hahaha ahahahahaaaa- *cries*)#this would the coolest thing in the history of ever though if it happened though. I am SO EXCITED FOR THE POSSIBILITY!!!!!#ASAGIRI YOU SICK AND TWISTED MF; HOW DARE YOU MAKE ME BEG FOR MY FAVES TO SUFFER JUST SO THAT THIS BAD WRITING DOESN'T BECOME REALITY!!!!!!#he knows exactly what he's doing *SCREAMS* :))))))))

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