#sparkstember day 2

[pineapplefulfillseveryneed]

Sparkstember day 2: A Woofer In Tweeter's Clothing ✨

[sparks-polls]

Sparkstember day 2: A Woofer In Tweeter's Clothing

[melaelettrica]

Sparkstember 2024, day 2 - A Woofer in Tweeter's Clothing. "The Louvre," digital collage. I can wax lyrical about this album for ages and it gets embarrassing, so I won't. 😆

[crystalblast]

Sparkstember - A Woofer In Tweeters Clothing

Ranking Sparks songs based on the reaction they get on karaoke night

What can I say, A Woofer In Tweeter's Clothing is one of my favorite albums, but my friends clearly suffer from bad taste. Thankfully that has not and will never stop me or Sparks!!

[seaofreverie]

Sparkstember Day 12: In Outer Space (Cool Places)

Oh boy, it's finally here!! Having been a Sparks fan for nearly a year by that point, I finally got to an album I just straight up don't like! I honestly forgot by then that this was even a possibility. But a world where I can enjoy everything in such a vast catalogue of a favourite band of mine would be too perfect. It would be pretty strange and unsettling even. Not to always make it about my other favourite band whenever I'm talking about the first, but with TMBG also I eventually got to that one studio album release that I just couldn't bring myself to like, no matter what. So I think I discovered a bit of a personal repeating pattern here.

Alright then. My verdict on this album, which already got a pretty mixed response from fans as far as I know, is that it's not very good, or at the very least, it's not for me. Even the songs I like here I mostly like in the sense of, well, this one I could listen to again outside of the album every once in a while, but they're nowhere near being an actual favourite (besides one song, or two, mayyyybe four if I'm feeling particularly generous).

So I think that my main problem here comes down to how the arrangements / instrumentals seem rather empty to me but not in a cool minimalistic way. And, dare I say, they're pretty damn uninteresting - very few elements of suprise or anticipation to be found here. This is the only Sparks album that just... doesn't feel Sparks to me. (And that's coming right after Angst, which might really just be one of the most Sparks-like of Sparks albums in a way). Something is TERRIBLY missing here and a couple catchy melodies and fun synth lines aren't enough to make up for that. It drags on quite a bit and is underwhelming to listen to as a whole. With only a couple moments of change and something more interesting and engaging. It's this sort of situation where I feel like the whole time I'm waiting for some kind of resolution that never happens ultimately. First instance of me putting on a new Sparks album and forcing myself to sit through the whole thing. And last one I hope! (and expect...? well, better not jinx it)

Ok, having said all that... This will be a historical event because I can't finish this post before I have my obligatory listen to the album of the day on its day. So, time for some real time documentation of my changing opinion, or lack thereof. Time to hear IOS in it's entirety for the first time since april!

...Ok, I'm glad that I didn't say all this in vain at least, LOL! Because I'm still underwhelmed! No major change here. Definitely still not something I'm going to return to more often than very occasionally and the "waiting for nothing" effect was very present and real once again. And it just dawned on be, but do most of these songs not have a bridge?? Maybe that could be part of why it all feels pretty predictable! But alright, as per tradition, let's look at some highlights anyway.

Favourite songs (and other highlights):

Cool Places: never felt in any strong way about it but repeated listens made it an enjoyable little ditty over time, lol. One of my first impressions here was how LOW Russell's voice is, this must be the lowest he's ever sung, right?? And oh, quick shoutout to the 21×21 version of it too

All You Ever Think About Is Sex: ok, this one's really cool and exactly what convinced me that the rest of the album would be enjoyable in the same way. Not for me unfortunately!!

Please, Baby, Please: my definitive fav here that I like a whole lot and that for whatever reason doesn't seem to have any of this album's problems that I described earlier. And I'll always be partial towards songs that I can interpret as being aspec-coded, thanks to my predisposition to do that as often as possible

I Wish I Looked A Little Better: very similar case to All You Ever Think About Is Sex

Dance Godammit: it's funny. It's fun to listen to sometimes

[am-rrt]

SPARKSTEMBER 2024 DAY 2 - A WOOFER IN TWEETER'S CLOTHING

i heard somewhere that they're stamping, trampling all upon you...

[apollosopera]

Sparkstember day 2! i really like how this one turned out, i tried a lot of new techniques with it.

[ron-do-i-get-to-sing-my-way]

SPARKSTEMBER Day 2

A Woofer in Tweeters Clothing is one of my favourite Sparks album titles (second only to Grat Sax).

[alabamyright]

Sparkstember Day 10+ 11 (because i forgot to post whomp yesterday)

made 2 illustrations for angst in my pants since it’s one of my top 5 albums by sparks

[pineapplefulfillseveryneed]

Sparkstember day 2: A Woofer In Tweeter's Clothing

Moon Over Kentucky (21x21, 2008)

[nedison]

Sparkstember Day 2: 'Underground'

Once I dreamed I was on a basement tape Took in just one take Oh Lord, we gained our world distribution by relevant means Jazz folk-rock fusion appealed to the teens Why don't ya please go with me underground? Where love is free and super-groups can be found.

[bawnjourno]

David by Michelangelo // "The Louvre" by Sparks

Sparkstember Day 2: A Woofer In Tweeter's Clothing

[sparks-polls]

Sparkstember day 1: Halfnelson

[therebloger22]

Sparkstember Day 1: Halfnelson

I quote the intro of Biology 2 all the time

[seaofreverie]

Sparkstember Day 2: A Woofer In Tweeter's Clothing (The Louvre)

Another very solid album! I think I've heard some say that it's not really that good besides a couple standouts, but I must respectfully disagree!! More down-to-earth and less of a bag of delightfully mismatched oddities than its predecessor, yes, but that still doesn't really diminish its value in my eyes. Yeah, it doesn't really have many low points for me but it also definitely does have those couple of total classics that totally stand out (and interestingly, I realized while writing down my favourite songs that I could consider every single one on the first half of the album a favourite. Not that the second half is necessarily worse... but still interesting to actually have it spelled out and visible like that and be able to think about it). And all in all Woofer definitely continues with a very similar kind of feeling and imagery as the previous release so I'm definitely a big fan of that aspect! I really like this album a whole bunch and revisit it a lot. Just making it clear here... just in case... that yes, I do like it, even if I don't have that many specific things to sing praise about this time, maybe? Or at least not as loudly. Who knows!

But ok, there actually IS another very important thing I can't forget to mention about Woofer. Because this is THE impressive Russell vocal moments album for me, or maybe more appropriately, Russell making sounds that are both impressive and intriguing in nature. That defintely makes it stand out even among all the other early 70s albums (which also have their own fair share of such moments of course). But I'll say more on those specific moments below.

And also, continuing the topic of seasons associations here too (for as long as I remember to inculde these here, I might forget about it pretty quickly however, maybe it's just that with some later albums the associations aren't as pronounced and important! Yeah, it could be that), this album is totally autumny to me, a sunny and warm sort of autumn but when most of the leaves have already fallen down. For once it's not the exact moment when I started listening to it that becomes the associatied season, huh? But even then, I can still hear some elements of late winter / very early spring here as well.

Favourite songs (and other highlights):

Girl From Germany (this is just THE sound of the summer kind of song for me, it just makes me instantly happy. Which I guess is kind of funny considering its subject matter but that's just how it is with Sparks and I think we all got used to that at this point)

Beaver O'Lindy (!!!!! no explanation needed, right)

Nothing Is Sacred (suuuuuper underrated, I especially love Russell's entire... whatever is going on at the end here, it's one of my favourite moments on the entire album)

Here Comes Bob (this is silly but at first whenever I heard this song I always pictured the character Bob from Animal Crossing going on a little stroll so that definitely makes it funnier)

Moon Over Kentucky (another timeless CLASSIC. I don't even know what to say about it, it's just so good. And has plenty of those vocal moments too for sure)

Batteries Not Included (not... really a favourite but I still wanted to give it a mention, because I think there's something very cool and unique about it, even besides being sort of a funny little... ugh, I hate to use this word but, novelty?? song (I can't find a better word for this that doesn't come af sort of derogatory but I hope you can see what I mean with this haha)). Oh, and of course it's the first on the list of "short intro" type of Sparks songs, which I always find quite great and memorable whenever they show up over the following years.

[coveredinstrawberries]

Sparkstember Day 2