#source required

[comicglaze]

DC Poster Portfolio: Stanley Artgerm Lau Other Virgin Variants

Compressed on App - 2024x3072 Original (Cropped) - 2937x4475 Original (Uncropped) - 3603x4475

[permafrown]

alright it's time. send me a 🔒 and I'll tell you a character who I WOULD f/o if I locked the fuck in (to their source) and why!

edit: okay well since this breached containment PROSHIP DNI ! You're not welcome here !

[knuckleblaster]

[doomdoomofdoom]

Apparently there's currently discussion in science (humanities in particular) about whether video essays could be accepted as academic writing on par with the academic papers we currently have

I think that's awesome as fuck tbh

[fbfh]

Imagine topping Leo in a chair?

LITERALLY love you for this. riding Leo in a chair is in like your top 5 favorite ways to ride Leo. your faces are so close together and he can feel every intimate rockwing bouncing squeeze of your tight juicy little hole gripping his throbbing cock like a vise. his eyes are so wide and his grip on your soft hips is nearly enough to leave pretty little fingertip bruises polkadotting your thighs (which he's obsessed with) and your hips (which he's also obsessed with) and your ass (are you sensing a pattern here????) and god everything you do drives him crazy but CHRIST the way you hold his face so sweetly in your pretty hands, so innocent and tender while simultaneously milking his cock for all he's got. and he'll give it to you. Leo will let you ride him in that chair that he can't look at after that without going half mast. he'll let you ride him until he's shooting blanks, until both of your cum drips on the floor, mixing in messy creamy beautiful puddles. Leo will throw his head back in pleasure, panting, chest heaving and giving you the best view of his perfect neck that's just begging to be covered in hickeys and bites. Leo will let you ride him in a chair until he passes out. can't walk. pounding down gatorade and liquid iv to try and rehydrate. and he'll thank you for it.

[404sketches]

Wow how random that I happened to end up drawing Garak and Bashir at the same time. What a coincidence!

[thiriumhound]

Headcanon: The reason Connor is so awkward and socially inept is because being that 😀Friendly Coworker😀 is uncomfortable and unnatural for him. His true personality is actually comparatively unpalatable.

[astriiformes]

I have exactly one assignment left this semester (a short, 5-page essay, on a topic that I chose) and I simply cannot muster the motivation to do it

[mono-chrome-me]

[essektheylyss]

Okay here's the thing though. Actual play is not like other narrative forms, because the amount of chance involved in the game play means that the ending, in most scenarios, is not already written, and even when it is, as in EXU: Calamity, how you get there is not yet set in stone.

But notably, what is set in stone, the past, only goes back so far. In theory, character backstory is pre-written, but anyone who has played TTRPGs with an emphasis on story and character will recognize that backstory is a lot more fluid than we might imagine, and certainly more fluid than the history of a real person. As you really begin to play the character, you find the ways the backstory doesn't quite mesh, what needs to be cut or fleshed out, and you can make those edits over time so long as they haven't yet been brought out explicitly in game.

But the farther along you get, the more you have to make explicit, and the less leeway you have (at least without significant, usually clunky, retconning) to change that past to suit the future that you're developing.

At the same time, though, the backstory that does get set into stone over the course of the game is still in many ways virtual, in that it is often, if not exclusively, filtered through the point of view of the character's memory. Even in the flashback sequences of this chapter of Candela Obscura, the emphasis tends to be on how the characters remember it, and what they choose to remember—Sean doesn't know, will never truly know, if the children he killed were monsters or not; Nathaniel doesn't focus in his memory on the fact that he tried to save his brother, he only remembers having failed.

In this sense, there is generally an element of unreliability to backstory. Because it exists in memory (even for the players, who usually have not played out every one of those moments as if they were living it, only having remembered it), it is subject to the fallibility that memory always involves.

This kind of restricted timescale, the entire world contained concretely only within the context of game play, is a mechanical reality and limitation of TTRPGs in general, and much like the laws of physics, it's not really malleable. One could play out certain pieces of backstory, but cannot ever live the entirety of a character's experience, and even then, the larger context of that experience will always exist outside of the world until it is made concrete in the course of the game.

This is the brilliance of Marion's breaking of time. The manipulation takes advantage of the fact that this memory is only a memory, because even as played out between him and Jean in "Flesh and Blood," it is still filtered through how the Marion of the game remembers it, and not a concrete experience.

That ability of the Medium, to manipulate reality and change oneself in the process, as though it had always been this way, is a mechanical acknowledgement of the already slippery flow of time in game play. It is a beautiful mechanical form of retcon that doesn't feel like a cheat or a copout, and it's simultaneously a very clever way of managing the tension between these limitations of form and the common fantasy archetype of diviners and seers.

Using it to then literally rewrite the past, because the details of the past are still fluid until they are explicitly written, is nothing short of poetic.

[cisthoughtcrime]

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[comicglaze]

DC Poster Portfolio: Stanley Artgerm Lau All Super Girl Virgin Variants (2024x3072)

[bogkeep]

making my last stand. i am wrangling the formatting and references

[journey-tothesurface]

Brigid Tenenbaum was the type of autistic kid who read above her age level so often that she talked like a 40-year old accountant at the age of like 8

[daemon-is-perfectly-unhinged]

Otto: Stay out here.

Aemond: I can't stay out here by myself!

Otto: Sure you can!

Aemond: What if someone tries to take me?

Otto: Who would want you?

[pluralhottakes]

Introjects do not have to detach from their source. I’m a fictive and I’m very connected to my source

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