#sounds like a great film
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ladyy--lazarus · 2 months ago
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Claudia Black and Ben Browder being captains of their own ship since 1999.
ComicCon 2009 Wintercon 2019 Wintercon 2023
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art--harridan · 2 months ago
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[Image description: A digital drawing based on Pedro from the film Arrebato. At the bottom of the piece, there's a close-up drawing of Pedro's eyes staring listlessly into the distance, face upturned. The skin around his eyes is red and blotchy. This drawing melds into another drawing of Pedro. He's sitting on a bed and tightly clutching a cluster of grapes close to his face. His mouth is pinching together and a liquid strand falls all, implying that he's eating one. He's looking straight ahead with wide, wild eyes. One of his legs is pulled up in front of him so his arm rests on his knee. To the left, there's a circle that shows Pedro asleep in his bed, bathed in blue light. It looks like a lens, and is coupled with a red light above it, as if a camera. Other circles in the piece are randomly coloured red, specifically Pedro's right eye on the top drawing, one of the grapes in the cluster, and the highlight in his left eye on the bottom drawing. The lineart is a dark blue and alternates between stark shadows and scratchy shading. The background is a bright teal, which contrasts against the more sallow colours used for colouring Pedro.]
Inktober - Day 26 (Camera)
Film - Arrebato (Iván Zuleta, 1979)
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yore-donatsu · 1 year ago
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I'm in my "rewatching old Disney movies while drawing" period, and when it came to watching GMD, I had this skin idea for Ramattra Yeah ! Ramattra like Professor Ratigan ! Although I know that having a Disney-inspired skin will NEVER happen (unless Disney buys Activision-Blizzard... LFMAO 🤣
I'm not sure about his Nemesis form ^^" A "Felicia" version where it would be Felicia's paws Or A "wild Ratigan" version where the big arms are big rat legs with tattered clothes.
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thegirlwholied · 1 year ago
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fellow period-piece swooners, I have a movie rec for you and I am downright flexing my hand about it. and I am sorry, so sorry, that you cannot watch it right now- because I attended the world premiere at TIFF last night and apparently it's still seeking distribution which means unfortunately there are no gifs yet for me to reblog - but this is your notice to keep a weather eye:
the movie is the Widow Clicquot. the plot is champagne!
...not the celebratory spritz and spray of it all, but the dedication and innovation and passion and knowing-your-taste-and-insisting-on-it of getting bubbles to be just the right size and fuck Napoleon's embargos actually...
also, the people expressing opinions about Napoleon are a British cast pretending to be French - which I guess appeals to the piece of my soul that is Les Mis.
it's beautifully filmed in a way I specifically associate with Pride & Prejudice 2005... which makes sense given the director, Thomas Napper, directed the second camera unit on P&P 2005 & Atonement & Anna Karenina & etc. Joe Wright, who directed those, is a producer here (and was on stage last night & I had no idea who he was whoops).
there's a scene of exploding champagne bottles that may haunt me forever the way the floating cotton in North & South 2004 does. that & the vines.
to quote Taylor Swift, "it's giving cinematography."
the Widow Clicquot herself is played by Haley Bennett (who has been in many things I haven't seen...yes I had to imdb Haley while sitting in the row right behind her but) who I have seen before in Music & Lyrics! As Cora Corman! "Way Back Into Love"! & "Buddha's Delight"- I believe in karma (la, la, la)
anyway she's great in this - the Q&A host after called her performance "transcendant", not wrong - she had a SAG-AFTRA waiver to be there, and thankfully because this was very apparently a passion project throw-everything-you-are-into-it role for her. And her post-movie quotes speaking both about the character's passion and her own- "do something that makes you feel like a goddess!"; "do what you love and let it kill you"- made me a fan.
the Widow Clicquot's dead husband? Tom Sturridge, The Sandman himself and playing just as much a dream as Dream (note: I do not promise "dreamy" I promise "dream" which can also have adjectives like "wild" and "fever" applied). You need a good voice when leaning on some voiceover from letters/memory for a character; he sure has it.
but. Sam Riley. aka Mr Darcy from Pride & Prejudice & Zombies, and Maleficent's hot raven (and looks even better in this imho)- his character is Louis Bohne, Veuve Clicquot's wine merchant, and as much as the Widow herself, his character made me go, "I need to read the book" to learn how much was history v fiction there.
the character dynamic was: damn, of course you're cool with your husband's libertine BFF/possibly-lover, you're secure and he's such fun company.... your husband's tragically gone but his friend helps you out & appreciates your true love of the vineyard without overstepping... well. get yourself a friend you can both giggle with over how hot the new foreman is (Leo Suter filling a historical-eye-candy role) ... AND hook up with yourself. you go girl, & bless your hot bisexual heart fictionalized Louis Bohne.
(hottest kiss in cinema off the top of my head is always the Timothy Olyphant & Jennifer Garner first kiss in Catch & Release. But some scenes here flirt with that level, & it was the Widow/Louis scenes for me).
the sound alone made this one worth seeing in theaters; sounds were so well used (maybe when a movie is so much about taste, & you can't convey taste through a screen, you double down on the senses you can) and it was scored by Bryce Dessner from The National (whose brother has been collaborating on Taylor Swift's recent best tunes)-
the Widow's name is Barbe-Nicole and not to make a Champagne Barbie reference but this hit in the spot Barbie also reached for, in a subtle way, with the effortlessly close relationship she has with her maid (Lizzie from Peaky Blinders! thanks imdb, knew I knew that face) and the woman in a man's world of it all - obviously one who created a successful dynasty of champagne and how did I never know how instrumental women have been in creating champagne as we know it, about to jump down a historical rabbit hole here-
+ also. grief. "you don't understand. he wasn't just someone's first love". an early line + the one that stuck with me.
anyway. not to say I think it's a perfect movie (there were a few "wait I need more information" beats that left me feeling like I *need* and not just want to read the book)... and it didn't make me think "this better be up for an Oscar" (One Life, with Johnny Flynn & Anthony Hopkins which I saw Saturday: made me cry & should be)- though I think it could be for sound!... and I don't know if I'd say it's the movie I enjoyed the most (Flora & Son, out Sept 29) or learned the most from (Paul Simon documentary, all 209 minutes of it, probably takes that of the 4 films I saw)-
But it's the one I'm writing this post about. & I'm going to get the book. It made me want a bottle of Veuve Clicquot champagne. & to go to the champagne region. & to see gifs of it on my dash, immediately. & I would read fan fic if there was some- it built the characters and its own movie world enough for that, with enough space left to wonder- and when a movie can do that, it thrills me.
anyway Tumblr, or at least the side I always land on. I think you'd like it. I think it's your kind of movie too. and it's filled with a lot of love from people who clearly loved making it. here's to independent productions and the unions fighting for fair deals to make a living doing what they love, here's to feeling like a goddess, here's to gorgeous period pieces and gif makers of scenes to come, here's to the author in the audience who got to see her book on screen- and the movie star who got it made and all of us still working on making our own art into something that can be seen someday. Here's to the passion of creativity in whatever shape it takes, pour the champagne 🍾🥂
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manda-kat · 10 months ago
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Looking at Wish, I just keep thinking of the people who called Frozen a 'lazy movie' because they used really similar face shapes for Anna, Elsa and their mother.
Look at the ice and snow effects in that movie. Listen to the music. Enjoy the comedy. Remember that it isn't even close to the beauty of Disney's best and yet it still remains a work of art.
Now look at Wish as the monkey's paw curls. Hey- at least they use different face shapes.
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petit-papillion · 10 months ago
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Charles today in Melbourne - karting & meeting little fans | 19 March 2024
📸 leclercsletters
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jimmyspades · 10 months ago
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The season 4 premiere of Boston Legal is like psychological terrorism. Alan being begged to have a baby. Word salad. Sex in an elevator TWICE. Shirley/Denny moment that makes me sob. Infidelity. The arrival of Carl. Guys looking at each others’ dicks. Alan saying his penis has been a bad boy. Carl’s hair. One of the greatest guest appearances on the show by Craig muMs Grant. Alan calls himself fat. He wears a dress just for fun. Big dance number. I feel like I’m being hit with baseball bats the entire episode.
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hotvintagepoll · 1 year ago
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My propaganda for James Garner is the fact that Support Your Local Sheriff (1969) can be streamed for free on YouTube right now and people should watch that. Its about a smooth talkin laid back guy that rolls into a lawless town thats under the thumb of a wealthy family that terrorizes everyone and he decides to take the job of sheriff and take them down. Its also extremely funny
That poll is now closed! Sammy Davis Jr (52.7%) beat James Garner (47.3%). Posting anyway though because I always like a movie rec!
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gwensy · 8 months ago
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gonna be annoying in the tags
#i have never understood the character = actor thing#like genuinely i dont fucking get it at all#if anything i think it both discredits the actors effort and the people that actually created the medias efforts#actors very rarely have anything to do with the characters creation nor do they have anything to do with a character outside of portraying#them like tbh i feel like its a massive insult to the work that goes into acting and writing#plus i just dont really care for actors personally#but thats just a me thing#idk!!! charlie cox does not equal matt murdock he had nothing to do with creating matt murdock#or like cillian murphy as jonathan crane#i dont like jonathan crane because he looks like cillian murphy i just like jonathan crane#like yeah he did a great job with acting in the trilogy and portrayed him great#but cillian murphy doesnt have any of the traits i like in jonathan crane idgaf about that guy aside from like two roles hes done#i dont know man#i just feel like itd be shitty to put months or years into the creation of media#into method acting and portraying these characters with the help of writers and directors#just for characters to not be acknowledged as seperate from their actors#idk. like jonathan crane is played by cillian murphy they have the same face whatever#but that is in no way shape or form the same guy at ALLLLL#idk. also fucks with fandom portrayals of characters#i.e booktok white women projecting poorly written smut onto every middle aged man ever#like you dont look at animated media and equate that character to their VA why would you do it for live action shit#you dont look at writers work and equate their characters to themselves#uuugggggghhhhh#plus i think the film idustry in general tends to give actors too much credit for the creation of media#not to say actors do nothing because they definetly do im interested in acting myself#but brother they r not the ones that direct and write and edit and sound mix and all this other shit#skyler posting#soigh#anyways
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mariocki · 1 year ago
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A young Roger Delgado works to expose an otherworldly conspiracy, as newspaper columnist Hugh Conrad in Quatermass II: The Coming (1.4, BBC, 1955)
#fave spotting#roger delgado#the master#quatermass#doctor who#classic doctor who#delgado!master#quatermass ii#quatermass 2#images are rough i know‚ but that reflects the quality of the material to a degree#that we have complete copies of Quatermass II is a small miracle and to be celebrated#but as a bbc series from 1955 it is understandably in rather poor form as regards picture and sound quality#at least compared to contemporaneous shows from itc or america (largely shot on film)#anyway. what a delight to see young Rog! he's only in this one episode (although he can be seen briefly in the recap at the start of ep 5#and thus sometimes is credited with both) but he's playing a great character‚ a fleet street wonder that Quatermass brings in to try#and spread word about the conspiracy at the heart of the series. it allows Rog to play quite a different figure to the villains and foreign#dignitaries that became his stock in trade later on; he's a wily‚ astute but sceptical figure‚ who wants proof of Quatermass' claims and as#such is exposed to the alien horrors at work (allowing SPOILER for some very good 'battling possession' acting that leads into a truly#great cliffhanger). the serial almost feels like it has a guest of the week‚ with a significant character turning up for one ep only in#most installments‚ including Rupert Davies in the previous episode‚ but i think it's just the way the serial was formatted (and it's not#like Delgado or even Davies were particularly well known actors at this point in their careers)#still it's been fun to revisit. highly recommended for fans of dark and doomy sci fi horror
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pinkeoni · 2 years ago
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I personally am BOTH Team Barbie and Team Oppenheimer. I have stubs a-list and am gonna do a double feature on the release day
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july-19th-club · 8 days ago
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the wind. the ants. five seconds and im excited . television baby
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art--harridan · 3 months ago
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[Image description: A digital drawing of a shot from the film La semana del asesino. It shows three hands holding a pair of binoculars. The hands belong to the characters Marcos and Néstor, although it is unclear which hand belongs to who, as they are indiscernible from one another in size and colour. One hand cups the bottom, and two hold onto either side. You can see the beginning of both of their shoulders, with Marcos' shoulder on the right and Néstor's on the left. There is a vague suggestion of a room in the background, with panelling and curtains. The lineart is a dark blue, and has very pronounced shadows. The colours for each element do not have any shading or lighting outside of this, except for the gleam on the binoculars. The colour scheme is desaturated and cold, mostly comprising of blues with small sections of yellows or even orange (for the binoculars' strap).]
Inktober - Day 5 (Binoculars)
Film - La semana del asesino (Eloy de la Iglesia, 1972)
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fidgetspringer · 11 months ago
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Just had a lady with two Whippets film me while I took a detour to give us enough space to pass comfortably.
Idk how to feel about that.
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deklo · 11 months ago
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haha ok. all of us strangers was really good :/ and sad and i have nothing else to say
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