#sort of watching for writing reasons

[dykedvonte]

Honestly a sorry from Curly would mean nothing to Anya.

I’m not saying she wouldn’t want to hear it, it’s a hollow vindication. She told him and he couldn’t hear her. He saw it and he couldn’t understand it. They both experienced it and he should apologize that it took that for him to get it. She already knows he’s sorry but what’s the point if neither of them can do anything about it? It’s earnest but at the same time what she wants an apology for is what Curlu can’t apologize for.

He can’t be sorry for what happened to her even if he is. Even if he carries that guilt with him until the day he dies it’s not all his to bare. The most heinous parts aren’t his weight even if he tries to balance it. A part of her bitterness is the fact he can’t be sorry for it all. She can’t just direct it all towards him even if she wants to. She was failed in so many ways by all of them. It hurts with him the most cause he had the power but they all did nothing in the grand scheme of things.

The one person who should apologize would never and could never, it’s not something you can be sorry for. She wants an apology, she needs one but what would it fix?

[crookedfivefingers]

3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ

link to the post I accidentally wound up prattling endlessly about in the tags 💀

[seiwas]

HI MY BELOVED ANGEL!!! i am sending u mattsun + campfire as well as kisses n hugs <33

SAINTTT hello 🥺 thank you for sending a prompty!! 🥹 idt i've ever written mattsun fully before so this is something new!

help me get back into the writing groove! send me a character + any word and i'll write a short blurb about it!

contains: exes, stranded-y situation, feelings are complicated, some expletives

mattsun + campfire

"i told you we should've brought the spare—"

"yeah, let me go back in time for a sec and do just that."

"asshole."

lesson #1: nothing good ever happens when you're stuck in a car with your ex on the way to somewhere remote.

you blame iwaizumi for this one. who the fuck chooses to spend their birthday weekend in the fucking wilderness?

(okay, you don't actually think it's so bad. to be fair, he did plan this a year ago. and it did sound like a good idea. then. at the time. anywhere with the boys was always guaranteed fun―at least, until you and matsukawa broke up.)

"can you pass me the flashlight?" he points at the backpack behind you. when you hand it over, your fingers brush over his as he takes it away from you.

and you hate it, because―

lesson #2: you should never be alone with your ex when you still have feelings for them.

you'd agreed to take two cars to the camping spot: iwaizumi's with oikawa and hanamaki and matsukawa's with you. there was no way you'd fit in one, and hanamaki ultimately decided to ride with iwaizumi because, "you and mattsun have shit to sort out," he'd said.

with night setting and the two-hour headstart they managed to get ahead of you, the best thing you and matsukawa can do is to set up camp temporarily and wait for them to come back for you come sunrise.

you sigh.

leaves crack underneath your feet as you maneuver around your camping space. the light from matsukawa's flashlight tells you where he is, just a bit deeper in the forestry as he looks for wood to help set up the fire.

you unload the car in the meantime, bringing out some snacks and sleeping bags while waiting.

matsukawa eventually comes back with arms full of wood, and you help in whatever way you can, clearing the space and fetching more twigs when needed.

the entire car ride here had been quiet, so it's not surprising that this entire process has been equally as silent. until―

"did you already pull out your tent?" he asks, half of his body disappearing into the trunk of the car.

"huh?" you go closer, "i only brought out the sleeping bags."

then he sighs, ducking out from the trunk with a hand on his hip, "we only have one tent."

"what?"

"makki must have gotten yours with his when he decided to move cars."

his hand runs through his hair, a habit you know well. it lights up all sorts of weird feelings in your tummy

you don't know how to feel―

"i can sleep in the car."

―but you know that you definitely don't want him to do that. all things considered, you were friends first. and you've both been trying to be friends again since the breakup. you wouldn't want to cause him discomfort like that.

so, with a deep breath, you say, "it's okay, we can just share."

"are you sure?" he stares at you.

you nod.

after setting up the tent, you eat a few energy bars and clean up from the day's events. the campfire provides ample enough heat, but with how fast the flames are burning, you're doubtful it'll last the two of you the entire night.

it’s much later on, past midnight, that your doubts are proven right when you and matsukawa are cramped together in a tent made for one. it started to get cold a few minutes ago, and you've found yourself inching closer and closer to the warmth you’ve gotten used to laying against for the past two years.

he's only pretending to be asleep, you know that much, too. the rise and fall of his chest is hardly there; you can see it, how he's holding his breath being this close to you.

"issei," you whisper.

he opens his eyes, eyelids lifting lazily as he meets your stare. the vibration of his hum reverberates to you.

"it's cold."

for a moment, your stomach drops at the thought that he could ignore you; how it would make perfect sense for him to. you broke up with him after all, and he doesn't owe you anything, much less favors as intimate as this one.

but he closes the already dwindling gap between you, wrapping an arm around your waist as he pulls you closer. it's near, far too near for exes to be―noses touching and all.

"warmer?" his voice comes out hoarser through the whisper.

you nod, your head shifting up and down—which, truly, is where you ultimately fuck up. you feel it, a little chapped but still pliant against your lips.

in your carelessness, you accidentally brush your lips against his, the sensation alone surprising you enough to inch your head back as you mutter your apologies.

"sorry? really?" he asks, eyes half-lidded still as he chuckles.

his question settles into the small space you're in.

your vision trails from his eyes, down to the slope of his nose, until it lands on his lips again. a little split like you've always known, but still your favorite. still the only lips you want against yours.

when you lean in again, you know you're fucked, because―

lesson #3: the number one rule is that exes shouldn't kiss each other anymore.

[fellamarsh]

another thing i've been trying to do recently is read more self-published stuff. "but fell," you say, "you're a self-published author. surely you've been reading self-published stuff all along" and then i laugh for so long in response we both become uncomfortable.

see, the fear (which has for a long time been killing my mind) that i'll read other self-published stuff and find out that it's so much better than mine that i might as well stop writing forever kept me from doing that basically ever. i have a hard time not unfavorably comparing my work to others and had convinced myself i was being smart by withholding an avenue of de-motivation (reader: i was not being smart). it also doesn't help that i'm pretty low income and have a hard time spending money on books i haven't already read, and that self-published stuff isn't always available at the library---but really a lot of it was just me being a coward. which i'm working on. i could talk about how this particular cowardice is Very Silly, but i think enough has been said about it on writeblr and in the Writing Space in general that i don't feel the need to (though i will if anyone wants me to).

instead, i wanna talk about the self-published things i have read in the past few months and ask about the self-published things you love!

so: what happened was i got real sick, and while i was real sick i (naturally) read over 200,000 words of ace attorney fan fiction in the span of a few days. eventually i got bored of it (and also maybe annoyed at how people were characterizing some of my guys), but i still wanted to read something gay and romantic and nice, something i knew was gonna end happily, which isn't my typical fare.

now you may be saying (having gotten over all the uncomfortable laughter from earlier) "fell, you write gay romance. what do you mean that's not your typical fare?" listen. until a couple months ago i hadn't read a cut and dry romance novel since before i finished college. for context: i graduated in 2015. i know it doesn't make sense. i'm a guy who doesn't make sense.

but in this case it worked to my advantage. not the not making sense thing, but the not having read Published Romance in 1000 years thing. I didn't know where to start. I was very skeptical of everything the library had Available Now in the Gay Fantasy Romance category. what if it was all bad and also not good?

and then i scrolled past the familiar cover of our very own @ashen-crest's A Rival Most Vial.

now this was comfortable territory! this was a novel by a very nice writeblr person whose posts i enjoy! i already loosely knew the plot, i was familiar with the characters, i knew the names of things like rosemond street and the griffin's claw and that ambrose had blue hair and that at the end of it all there would definitely be Boyfriends. i didn't have to worry that this would be bad! i only had to worry that it would be really good!

but i wasn't worried about that, because i was officially Not Writing at the time, and because why the hell hadn't i read this book yet Ash literally emailed me some very kind words last year when my cat died??

Y'all, I devoured ARMV. If you haven't read it yet---especially if cozy fantasy is more your thing than it is mine---you should check it out Immediately. It was fun! It was heartwarming! It was sweet and earnest and confident! I was delighted to find it was occasionally hot! Ambrose and Eli snuggled up into my sick exhausted heart and found a permanent little place there. (Especially Ambrose. I have such a thing for Stiff Guys who Kind of Suck for Tragic Backstory Reasons and are So So Lonely They Don't Even Realize It. gawd)

(And a very small part of my brain spent the whole time wondering why I had been so afraid to really engage with the work my community is doing. The community that I'm in. The one I'm a part of. Why?! Maybe more on that later.)

But from there the curse was broken! I immediately devoured @stjohnstarling's What Manner of Man in a similar sort of frenzy (and hooooly shit guys am I excited for the expanded, finalized version to come out at the end of next month!) and started digging into @lurinatftbn's The Flower that Bloomed Nowhere (which I can already tell is going to be an All Time Favorite).

And now I want to ask you what your favorite self-published books are so that I can read them, too, but I think I will in another post that doesn't dedicate so much space to talking about my various and sundry Issues and isn't Terminally Long

[yujeong]

Something that's rarely brought up, if at all, when it comes to the VegasPete sex scene is how Pete had Vegas be a literal weight on his body during it, and how that could potentially be used as a form of restraint besides typical bondage post-canon.

[diathadevil]

Do you ever think about how Fakir, after him and Ahiru finally broke everything that kept the town of Goldkröne in the ghostly hands of its writer, after they finally have some air of peace over the town finally being able to live in its intended early 2000s environment, that Fakir still feels at times like it's not real and that for a while he fears that if he closes his eyes it'll be back in Drosselmeyer's control. Like it just doesn't feel real to him during that first year of calm, until he feels the dull pain on his recovering hand injury and Ahiru who follows him without a pendant anywhere to be found.

He doesn't feel it's real, the calm finality of this town, but he makes sure to feel the scar on his hand. And he makes sure to hold the little duck and realize that she is who she has always been. Him and the town are finally living peacefully.

[dsntwrk]

help me i've gotten so deep into the steddie rabbit hole i haven't gotten this stuck on something since destiel

this really isn't good for my health

THESE ARE THE FICS THAT I SUBSCRIBED TO / LIKED READING (I'VE BASICALLY READ 1/5 WORTH OF STEDDIE FICS COMPARED TO DESTIEL FICS - I GOT INTO DESTIEL 4 YRS AGO, I ONLY STARTED READING STEDDIE FICS SOME TIME LAST MONTH WTF)

tbf, i have taken breaks from destiel to read other fandoms/fics so, ig the timing works out? if you think about it?

[iris-drawing-stuff]

Sometimes I just get the most nonsensical crossover ideas.

Doki Doki Literature Club! Milgram Edition

Does this make sense? No.

Was it fun to draw? Yes!

And that's what's important!

[autumnoakes]

hyperfixations really will have you imagining a 2 hour video essay on some white guy video game character huh 😪

[the-busy-ghost]

Me normally: Let people love what they love

Me, after a Test Match Special commentator expresses their belief that the new All Creatures Great and Small is somehow "better" than the 1978 version: This is pure insanity and TMS can no longer be trusted on anything, how can they even be trusted to know about cricket, do they have no TASTE

[noahtally-famous]

funny how this fic started off as an "unserious" idea (not cracky, more so i didn't take it that seriously, it was basically so i could rotate certain characters from my head into a google doc), i didn't expect to care abt it as much as i do now like i have a basic chapter layout for half of the set chapter count, specific scenes prewritten, a planning doc with around five pages thus far, the basics (title, summary, etc), random scenes for it spinning around in my head, and a bit of chapter one and three pages of chapter four written 😭

and i started properly thinking stuff for and working on this fic like...two days ago

it was not supposed to be This Serious hfjkdhf

[bearenjoyers]

sorry im just thinking about bcs but like. why not add a few smaller scenes of gus interacting with his own men? why does it seem like, in comparison, mike is almost immediately elevated to a higher status than those two in bcs purely because we actually get to see him having normal conversations with gus? like i understand they might not keep the plot moving as well because of the fact obviously if victor is currently doing something it’s because gus told him to etc. but for the most part all of the smaller interactions gus does have with those two ends up being in a somewhat high stress situation where it feels very tense between everyone. and it’s just like damn! is it always like that?? why do those two even care that much about their jobs if their boss is a bit of a dick? etc. i think even an additional scene or two with those guys (either alone or the both of them) talking with gus in a more normal situation could’ve both added a bit more depth into how gus treats his employees (we got a lot with how he treats lyle and co., but not a whole lot with the illegal side of things), how comfortable vic and tyrus feel around him in a calmer setting, and exactly why they both feel the need to be as loyal as they are to the guy.

and also on the other side of this i don't think it'd hurt to maybe elaborate on their pay just a bit..? i'm not saying to randomly put a number out into the atmosphere but i just mean some smaller things like. do they buy nicer things for themselves? what's their housing situation? what's their car situation? are the escalade / yukon their own vehicles or does gus just use those two for business situations? do they use them when they're doing their own stuff off the clock or do they have their own cars? etc. that can also help with understanding their motivations a bit. don't get me wrong i don't think they should be visibly rich or something because that's not what gus would want but just smaller things! cause it's easy to write their loyalty off as Well they probably get paid super well, which i'm sure is true, but if they don't show a single hint of that then what's the point. even something as simple as giving tyrus a nice watch, or maybe victor having a nicer looking gun, etc. something small like that. because as it stands right now the average 41 year old viewer who watched the show once only knows and will only ever know victor and tyrus as those two guys in the background who do random stuff for gus with no clear motivation. just the personification of "On it boss (salute emoji)". and to be honest this is true for a whole lot of fans who do watch the show multiple times and enjoy thinking about it more in depth, because on screen we barely have anything about the two.

and to be clear i'm not trying to say we should have an episode just for them or something like no i understand they're side characters. i understand we don't need all that. and i understand this is also primarily Jimmy's show. but it's not like these two are on the same level as like, arlo or paige and kevin etc. these guys have been around since brba. victor was literally introduced in the same episode gus was. and they are a huge part of gus's story, especially in brba. s4 wouldn't have been what it was without victor and tyrus. and in bcs, ignacio's situation wouldn't have been the same if it weren't for victor and tyrus as well. and i just personally believe that if their goal with gus in bcs was to go back and elaborate on how everything came to be and show what he was like a few years younger, they could've dragged victor and tyrus into that. and i think his character would've benefited from taking that extra step with those two.

[icewindandboringhorror]

I know multiple of these are likely important to people, but I'm asking in terms of like - which of these do you tend to focus on the MOST, enjoy the most, that is most essential for you to actually care about the media, etc.?

(For example: someone finding "Relatability" most important would likely not enjoy a show much if they have trouble empathizing with the characters/relating to it, even if it were good otherwise. Or, someone might be able to overlook bad acting and ugly costumes, as long as the Character Dynamics are fun to them, because they value that more than Aesthetics- while for others, bad costumes would be a dealbreaker.)

Also feel free to reblog and explain your answer or more information in the tags- I've always been curious about people's relationships to media, how they conceptualize it/what they get out of it, how some people value some parts more than others, how that informs their overall taste and genres they may be more inclined towards, etc. :0c

[jadespadegames]

(Random H*zbin Hotel writing quality ramble incoming)

I remember sitting down and watching H*zbin Hotel when S1 came out just to see what all the fuss was about and it was honestly... just quite mediocre. It wasn't as horrible as I expected and it had my attention for the most part, but it also didn't have much going for it in the end. Which is a shame, because I think it had potential. (I can't exactly judge on the humor. Humor is subjective and H*zbin's sorta grew on me by the end, but more often than not it just ruined for me what could've been a decent moment. There are plenty of songs that should've been enjoyable, but I just could not get past their jarring lyrics...)

For such a simple premise, the writers kept focusing on the wrong things and the worldbuilding was surprisingly poor. I don't know much of the lore that was revealed outside of what I saw in the pilot and show, I have also not seen H*lluva Boss, and I really don't think I should have to do any of those things in order to understand how the world functions in H*zbin.

The concept of "a demon princess tries to redeem the souls of sinners in hell for their second chance at heaven" is clearly meant for a slice-of-life story... but for some reason they made it a mostly plot-driven story that shoved its most important characters off to the side. It's baffling how not once do the hotel guests mention what sins they committed in life. In fact, we don't learn anything about their lives before they died! Shouldn't the first step to making us care about their redemption be to have them address the (presumable) reasons they ended up in hell? Or do the sinners actually not remember their human lives at all? Because it's also not really explained why almost all of them chose to go by these super ridiculous names in Hell...

The most laughable example of the characters being sidelined was the episode where the hotel guests, who have all been butting heads for several episodes and making Charlie's task of redeeming them impossible, suddenly become close after an event that occurs OFF-SCREEN. You would think the crux of this episode would focus on this event in question, since this entire time we have been waiting for these characters to finally start putting aside their differences and get to know each other. Their character developments are clearly meant to be the emotional cores of the story. But instead, most of the episode just focuses on the frustrating build-up to this event... and then we don't even get to see them actually forming their new bonds on-screen. They don't bother showing us this emotional pay-off and instead just go "okay yeah so they're friends now".

Because I guess focusing on lame overdone sex jokes was more important?

[quasi-normalcy]

.

[supermarine-silvally]

🌹🌹🌹

From a different random chapter of And I'll Surrender (Myself to You) (yeah, I don't write in order lol) --

“You really want me to partake in your idiot contest?” She sucked in a breath. “Fine. But only because Pops is condoning this for whatever reason.”

“Great!” He grinned, trying his utter damnedest not to jump up and do an excited fist pump in the air. “You’re the best, Yara!”

“Oi, don’t let it go to your head, fireboy!” she called out after him. 

For every 🌹I'll post a line of a WIP!