#sorry. this is my gospel

[oldbutchdanielcraig]

housewife crowley moodboard

[just-null]

What would the clones get their darling for the holidays? 🤔 Zoha included 🙏

Happy late holidays to those who celebrate!

Sekido— gifts you practical gifts you'd use to improve your daily life. from tool sharpeners to fluffy pillows. If he sees you use it often, he'll get it. you'd be stupid not to use his gift and spoils you a little bit by getting something you've mentioned wanting in the past or sweets.

Karaku— gifts the most extravagant and expensive things he can find. He lost himself halfway and started getting stuff that caught his eye since you'd probably wanna share with him cause you love him so much!!! Half the items are completely useless to you.. but they look cool!!

Urogi— probably gifts you his stray feathers, a lump of very fresh meat, sharp jagged jewels, and a crumpled up yellow flower. Something that'd remind you of him because he's sure that'd make you the happiest, just like he'd be ecstatic to get something that reminds him of you.

Aizetsu— has the simplest gift, but the most sentimental. He probably gathered as much info as he could about how your brain works from stalking you and used all of that to get you the perfect gift. It'll definitely give you some type of nostalgia and make you tear up.

Zohakuten— genuinely gives a thoughtful gift. It's the best out of all of them, practical and fun, not to mention he modified it to make suit your specific tastes! ..but before you can have it, you have to survive a ride on his wood dragon where he berates your skill, or lack thereof, while purposely making it hell to stay on. He catches you when you fall off.

((they're all 1000% handmade and stolen))

og template

[bugprinz]

in a perfect world he'd be my butch

[frownyalfred]

"you're ruining this fandom by posting [headcanon/fic idea]!"

yeah okay. sure. I'm the big bad wolf leading away innocent fans into my den of fanon and OOCness. by posting my silly little fanfic, I am absolutely doing real, actual harm to people online. and I have a...responsibility to....not do that? like, what? do people actually read what they're typing on here?

[punksalmon]

the laws of nature might be against them but in my mind's eye buck and eddie are already on their third baby. they WILL find that uterus.

[diskoelizjum]

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[yumedoca]

"It's a rumic world!!"

Day 7 of @rumicworldweek - Happy Birthday Rumiko Takahashi!! 🎉

Sadly, no art for today since it seems I've hit an artblock after drawing for almost an entire week 😭, but to be fair everything drawn for this week was for sensei's birthday after all. I wanted to draw art for Mermaid Saga, One Pound Gospel and Rumic Theatre, but unfortunately there's only seven days in a week (though I have drawn art for Mermaid Saga like a week earlier and I have drawn an art for one of the Rumic Theatre stories months ago. Sorry One Pound Gospel, eventually!!) And plus, when it comes to topic of Rumiko Takahashi and her works, I decided to talk about it rather than draw...

Rumiko Takahashi... Honestly, all her works mean a lot to me. Each have it's own reasons, reasons why they're more than just mere stories to me. I guess it's mainly because of how good of a storyteller she is. Here's a little tidbit from her which may show why:

And boy, does it make me feel exactly how she wants it to. She knows what the reader looks forward to and she delivers just that while having fun. The amount of love and passion in her works in insane and the little details put to the story and characters are exactly what I love about her tales. Then there's the amount variety when it comes to her stories which I think is the most obvious when you pick up just one volume of the rumic theatre, one moment you're reading a hijinks story about a boy who just want to deliver newspapers but keeps getting interrupted by invaders and half- fishmen and the next moment you'll be reading a horror where this high school kid who knows archery is trying save his girlfriend from being murdered by his yandere cousin.

Honestly, just the amount of one shots she have is enough to prove how much as well as the number of chapters her serializations have is enough to show how much dedication and passion RT has for manga and this dedication is just what makes their quality so good. Urusei Yatsura makes me laugh and reminds me to have fun and enjoy life. Maison Ikkoku taught me about growing up. Mermaid Saga is a spine-chilling story which talks about the price of greed. Ranma 1/2 brings about the topic of familial love besides the romance itself. I've only watched the OVA for One Pound Gospel, but what intrigues me the most is the fact that the main pairing is a boxer and a nun, it's like the strangest pairing you could make but Kosaku and Sister Angela make it work and let's just say I love these kind of strange pairings, lol. Inuyasha talks about letting go from the past while still keeping the important within you. Kyoukai no RINNE is quite nostalgic to me as someone who grew up in a family who's very keen on saving money and a lot of moments make me laugh because I've been similar situations and it's nice to look back on them. And finally, MAO is the series I'm currently growing up with.

I know Rumiko Takahashi will never see this but.. Thank you so much for everything, your characters and stories managed to lift my spirits in the darkest of times and remind me that everything will eventually be okay. I know I'm not the only one who thinks this and all of what I've said is why I love Rumiko Takahashi and her stories.... ♥

I'm glad that I was able to participate in this year's Rumic World Week. Thanks to everyone who's liked and reblogged my posts and I hope everyone reading this has a great day ahead!! 🌹

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[aparticularbandit]

Responding to this post as a separate post because I want to respond to something that I think is beyond the scope/intention of the original post (and honestly the scope/intention of the response in the linked post) but that, like.

I want to respond to it because it's been churning in my head.

Specifically the idea of the Protestant Work Ethic and trying to earn your way into heaven.

Because that's the very antithesis of what the Gospel is.

Over and over, it is made very clear that you cannot earn your way into heaven. (Titus 3:5 and Ephesians 2:8-9 are the ones that come immediately to mind, but there are more than that. (I also like - Romans 4 and the entire discussion about it being faith and not works and especially Romans 4:4-8.)) Literally one of the entire points is that you are stuck in your sin and you cannot get out and no matter what you do, you cannot earn your way in, but God loves you and chose you and wants you, so He paid your debt Himself (Jesus) and is giving you His righteousness - His perfection - because He was the only one who could earn His way in.

God is for you, not against you.

Are there things you should be doing? Yes. (Ephesians 2:10 talks about that, too.) But, like. It's not to earn your way in. It's out of love and gratefulness to the One who got you out of your horrible predicament? And then on top of that, made you a co-heir with Him?

Because it's...He paid for you to get in and then also you got adopted as a child of God? And someone described it once as good works after that being like when a child makes a drawing for their dad and their dad hangs it on the fridge? It's not to earn anything; it's because you love Him, too?

So, like - I want to know where the Protestant Work Ethic went wrong. Why so many people think it's about earning their way when it isn't that at all.

It's a gift. It was always a gift.

[graph100]

recently reblogged a post about transfemme thinking self ugly and i feel like i should share w yall my wisdom.

for the past year or so i have started disassociating facial features with what "gender" i think they are "more suit for", as in what is masculine or feminine.

what i typically do is whenever i go out in public, or even at school with teachers or with friends, assume as if they are presenting "opposite gender" as what they seem to be

slowly you will realize that all features of the face can occur with anybody, regardless of their sex. this really helped out with my dysphoria because all of the "masculine" features i had werent limited to "men" or amab people or whatever group.

i also noticed that a lot of times we might find features on old people or fat people "ugly" (or at first view i saw it as such) but i began to realize that those features are just commonly associated with the opposite sex/gender and therefore we find them "ugly"

also, seeing someone who wears makeup a lot without makeup will really make you see how similar "male" and "female" faces are, although i dont usually wear makeup so maybe you get used to it after a while.

also i dont have like a trick anyone could do but once i saw someone of the opposite sex (i presume) who looked exactly like me, so like literally everytime i look in the mirror and think "im so masculine i hate my masculine face" i have seen actual proof against it.

this wont like eliminate your dysphoria, but hopefully you stop seeing yourself as an ugly tranny freak but instead as an ugly person of your gender

i know thats not the happiest ending, but in reality, theres not much of a difference between people. of course female sex will have greater chance of certain aspects than male sex and vice versa, but there will always be women with broad shoulders, rectangular build, large noses, and balding hair and there will always be curvy men with soft faces "weird" amount of breast, and "dainty" figure, transgender or not

oh and i cant forget!!! nonbinary people like exist too!!! disassociating masculine or feminine quality completely upends your idea of "androgyny" (and hopefully will steer it away from afab with short hair and much makeup)

[michaelectras]

listen okay i hate babies ever after as much as anyone i hate the heteroification of gay couples i hate the 'destiel are jack's dads' dynamic i hate it all. however. i do think midam are the exception and hear me out i think theyre the exception because staying home raising kids and general housewifing would be an IDEAL outcome for michael. and i've said it before like the whole 'he can basically do whatever he was doing in heaven but on a smaller less destructive scale and he has someone who actually loves and supports him while doing so' thing would probably be good for him but i also think he'd be absolutely thrilled at. 'hehehe adam will go out and have a little job and earn little paychecks and i'll be here in our little house making little meals for our little kids' it's like playing dolls for him like he could go out and do whatever but no he wants to colour code their daughters' linen cabinets instead and make hidden veggie pasta sauce. it's so low stakes compared to what he had to think about before but also similar enough in terms of micromanage-yness that it's theraputic. michael's happily ever after is becoming one of those 'packing lunch for my 12 kids' people on tiktok except there's no thinly-veiled burnout or resentment because he only really holds resentment towards his dad's kids (i.e. the other angels) for existing. not adam's! it's also great for everyone else because he's nerfed beyond all measure and won't destroy the world because child three has a cello recital on friday and it'd make her sad if he blew the universe up before then

[just-null]

what’s your favorite clone and why? 😼

I gotta be that guy and say I really like them all. i loVE EACH ARCHETYPE THEY KINDA RESEMBLE

Sekido [in my head] has a mean exterior SO loud it makes you forget he's working with the others to actively protect the main body and has faith in their abilities. He gets annoyed at his younger counterparts cause he knows they're not using their full potential... I also really like how he's both very proper and improper, like a thug in a meeting or something... so cool.... Also, him taking the leader role and everyone going with it has big bro vibes.. oldest bro vibes.

cult leader loves tsundere guys.

Karaku [in my head] is the thrill seeker type who's more than willing to be the most annoying man around for the sake of his entertainment and living in the moment. He plays around rather than disposing of someone immediately like a fucking psychopath. Even if late, he knows when to get serious and when to tone down his antics. he still gets fucked over by playing with his opponents too much.. I like that he's not stupid, he's reckless. mega "cool big bro" aura.

cult leader loves shameless guys.

Urogi [in my head] is obnoxious and loud, boastful even especially when he's either screeching or talking, never entirely silent. While he does fight on his own, he'd drop everything if given an order and try his best to comply. also a troublemaker... like a younger bro who never really has responsibilities but does them when told so he can go back to doing wtv he was doing before. Like he's just there to have a good time. He's also not stupid, just excitable, then he gets cocky, then gets his shit rocked.

cult leader loves arrogant himbo guys.

Aizetsu [in my mind] is extremely sassy and gives passive aggressive vibes and prefers to deal with conflict swiftly because it's bothersome and makes him upset. He might look cute and weak, but he's scary. While he's sensitive, he's no pushover and will also cut pretty deep. He's definitely the younger brother who's trying to constantly get out of trouble by seeming like the angel.... It's also interesting because he never sugarcoats his words. He twists them in a way that makes him sound helpful and you, pitiful.

cult leader loves cute manipulative guys.

Zohakuten [in my mind] is a little hater who's most protective of everyone but, more importantly, the main body. He sees himself as a decent guy going against injustice for a man who's just trying to survive. Like a little bro who's stubbornly wrong about something he doesn't fully grasp. Also he's just so hilarious?? it was not necessary at all to insult your opponents looks then tell tanjiro to get over it cause the dead weren't relevant to him. How can someone so disrespectful come in a small package..

cult leader loves the brat trope.

Urami is pretty similar to hantengu, imo, just angrier 😔😔 not many opinions, but I do find it amusing to imagine he's very passionate 24/7

[genericb34ns]

Hello there witnesses of this abomination

[guruguruguruguru]

(for the request thing) trans bito...

i'm plagued by visions (click 4 quality)

[cinderflower]

the concept of miq/malenia drives me insane bc it directly appeals to everything that drew me to princes but amps it up to 1000

a character (2 in their case) born into a title that dictates they take over the existing rule dominating the land after lifetimes of that rule devastating the people of the land

said character(s) suffering from an affliction as a direct result of that inheritance that inadvertently places them in a position to see the faults of it rather than the good in it

egregiously toxic codependent siblings who forsake everything in service of the other and in opposition to their inheritance

political drama and schemes!!

but for miq/malenia, especially miquella, the lengths to which they go?? the implications of the lore???

malenia, who was born cursed with decay, cursed by an outer god that rotted her body in a way that the golden order was helpless to stop, who by all means should have been considered a lost cause and an affront to the Greater Will and Golden Order, and yet still perseveres and learns to fight and becomes (one of) the most fearsome warrior(s) in the lands between for miquella

malenia, who is doomed to spread the scarlet rot to those around her except, (speculatively) miquella who helps her find not a cure but at least a way to halt the rot

malenia, who goes to war during the shattering in miquella's name, who is placed in an impossible battle far from the haligtree who chooses to unleash the horrors she's known her entire life and doom an entire region to suffer the same fate because she has never and will never know defeat so long as she still has options, so long as she fights as miquella's blade even if it brings her one step closer to blooming as the true goddess of rot and dooming herself in the process

miquella, who was born cursed to stagnate but by all means was given so many other gifts that would have allowed him to thrive within the system the Golden Order had established, who instead casts it aside when it's too limited, too lacking to be able to help malenia

miquella, who from a very young age (implied in the lore) not only masters what the Golden Order has to offer but then is forced to seek beyond it, and when there are no other answers to be found elsewhere, invents/discovers a solution which also places him at odds with the Golden Order

miquella, who in time rebels against the meddling of all the Outer Gods - and (presumably) also the Greater Will which acts in a similar capacity - because he has seen first hand the devastation they are capable of, the horrors they inflicted upon the person closest to him, who would never be able to take such action alone in his condition but can because he has malenia as his blade at his command

with princes the Romance in their actions is in the conscious decision to be passive, to simply allow the world to take its natural course, finding comfort with each other

with the twins the Romance is in the opposite, it is in the conscious decision of rebellion, in the wrathful rejection and deconstruction of the fate they were born into no matter the cost, in seizing control over their own lives to build something new together in the mentality of no cost too great where the other is concerned

[ndostairlyrium]

[about last reblog] I didn't want to spoil plot points on op tags by rambling about chess but

The castling thing (arrocco in italian) is very interesting because in chess you do that on purpose, mostly at the very beginning (like, to use that move both of the pieces have to be untouched until that moment). It's intentional and nothing about the beginning of the game was intentional. You can say it's the narration that put the players (pieces) there and made that move to make the story go, which is interesting but also

The most interesting part for me is that we're looking at an artificial castling too, one that can happen later in the game, and it's planned. Like, you need to have a vision to perform it. Which is what happened at the end, this time intentionally

...now I wonder if there's a callback to the chess game Solas and Bull played back in DAI somewhere