#sorry this one got a bit long

[mizgnomer]

Behind the Scenes of The Giggle - Part Fourteen

Excerpt from Benjamin Cook’s article in DWM 599:

In the back garden of a lovely detached house in the Cardiff suburbs – “Not a mansion, but enough to make you go ‘Ooh’,” Russell’s script specifies – David Tennant is giving Bonnie Langford a bear hug. “Welcome back!” he’s saying. “How long’s it been? Thirty-four years?” What a touching moment. “Yeah! And then she sort of blew it,” David tells me later, laughing, “and said, ‘Oh, no, I was here last year!’”

In a timey-wimey twist, today – Friday, 17 June 2022, another scorcher – is Bonnie first time back on Doctor Who since 1987… bar a fleeting cameo in 2022’s The Power of the Doctor. She’s carrying an apple crumble through some patio doors.

And there are the Nobles – Donna, Rose, Sylvia and Shaun – gathered around the garden table, beneath the pergola, about to tuck into pots of curry and cauliflower cheese. (Anything but tuna madras, please.) Sat with them, joining the familial fray at Donna’s new gaff, is the Nobles’ lodger: the Doctor, like we’ve never seen him before. So relaxed. So happy. “He’s not really save-the-world Doctor right now,” Chanya tells David. “This is an off-duty Doctor.” He’s regaling his adopted family with The Eyebrows Story that he’s probably spun a hundred times before. He’s almost at the bit with the Warrior Queen of the Felooth when –

“Am I late?” Enter: Mel, wearing a Reiss dress covered in pink and white flowers. It’s a floral riff of her Time and the Rani ensemble (“They put me in white trousers in a quarry,” winces Bonnie, when I ask her about that ’87 gear. “What the hell was that about??”). “Sorry, the door was open, you don’t mind?”

“Mad Aunty Mel!! I was so happy when I thought of that,” says Russell. “At last she’s got a home, a story, a history. I suppose this house is Donna and Shaun’s, living with mum and grandad, and the Doctor as the strange lodger in the attic. They were promised compensation by UNIT at the end of The Star Beast [after their home was ravaged by Wrarth Warriors].

“Or maybe Bonnie Langford should move into Bannerman Road?” adds Russell, tantalisingly. “I wouldn’t object. MAD AUNTY MEL.”

For Catherine, working with Bonnie must be the equivalent of David partnering with Ncuti? Is there a sense that they’re kindred souls? “Oh I mean,” she says, “I’m just not as deep as that.” She explodes with laughter. “We didn’t even discuss it. I didn’t know she was a companion! I was literally going to David, ‘Bonnie Langford was in Doctor Who?!’”

“Bonnie’s quite unusual, certainly from the old show, in that she was probably better known for other things,” David reasons. “That’s quite rare. This show tends to cling to you.”

“That’s the thing about Doctor Who. You can run, but you can’t hide,” says Catherine. “It’ll get you. It’ll bring you back in the end – happily.”

Catherine has no regrets, then, about returning for these 60th Anniversary Specials? No, not one, she insists. Best of all, Donna finally gets the happy ending she deserves – the delightful fate of Donna Noble. “I think it’s just amazing that Russell has found a way to do that,” says Catherine. “I was convinced he was going to have the Doctor and Donna die in some terrible, spectacular way and everyone would be sobbing. But no. We sit in a garden and eat apple crumble with Bonnie Langford. Ha! Which is so perfect.”

When Catherine read the script for The Giggle, she was “a little bit taken aback, actually, at what happens,” she told us two issues back. Now she explains: “That was when it fell into place for me. I realised, the need to want the monumental was the actor in me. That’s not what Donna wants. Donna doesn’t want the drama. What she wants is to bring the Doctor home and to ground him the way she needed to ground herself. That’s how she saves him. For me that’s Russell’s brilliance, that he sees beyond the showiness.”

Catherine texted Russell after reading the script. “I was like, ‘Oh my God, we sit in a garden having a barbecue,’ and he goes, ‘Yeah, Donna gets the ending she always wanted.’ I thought, of course, that’s what she wants. She wants her best friend. And obviously,” says Catherine, smiling cheerily, “they get the best of both worlds, because there’s a TARDIS in the garden as well.”

“I really like that this is part of the garden,” says David, pointing across the lawn to where his TARDIS is stood. The Doctor’s TARDIS, by the patio windows. For now. (He took Mel to New York last week. And Rose Noble to Mars.)

-------------------------------------

For other posts in this set, please see the #whoBtsGiggle tag. The full episode list is [ here ]

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[chloesimaginationthings]

FNAF movie Mike meets Jeremy Fitzgerald

[joshdonnas]

DONNA MOSS AND JOSH LYMAN Holy Night (season 4, episode 11) The West Wing

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[surreal-duck]

master artist and his number one fan

guy who is being so normal about the new additions to their profiles. i think abt midoris initial infatuation with his art slowly developing into appreciating yuzuru himself as a person and idol to the point he worries about how he sees him (ex: a bit of home party and in workplace survival rules) sometimes thats a lie i think about it a lot. and yuzuru learning to enjoy art just for the sake of drawing!! seeing the lets try diy story where he doesnt even refute drawing on midoris desk and was only worried that his doodles might cover up the mascot design compared to how discouraged he usually would be in earlier ! stories. everything to me i adore their dynamic if that wasnt obvious by *gestures to basically everything*

and happy pride month 🏳‍🌈

[iztea]

i think one of my biggest pet peeves is when you're trying to explain or delve deeper into a topic that's *a bit* more complex or challenging with someone and they immediately cut you off and resort to making jokes about their head hurting or dumbing it down to a cartoonish level for,,, comedic effect i guess

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[broareweabouttoviberightnow]

Darry's in the kitchen, makin' dinner again since Soda is banned from the stove for the foreseeable future. What compelled the kid to dump half a shaker of pepper into spaghetti, Darry will never know. But he doesn't mind, really. He's got one of their ma's old cookbooks on the counter and is piece mailin' together a casserole both Steve and Two-Bit had raved over last month.

Dallas sits at the table, arms folded and scowlin' hard. Darry had to chase him into the kitchen five separate times before he managed to set the table without driftin' back to the TV to watch a western. Darry's sure they've all seen it three times.

If I go back into that kitchen and those places still aren't set you're gonna be sittin' in there until I'm well 'n done cookin'. Dallas had immediately jumped back up and vanished through the door but Darry was followin' though. Maybe he was a tough hood everywhere else, but inside the Curtis home, he was just another one of Darry's rowdy kid brothers.

To his credit, he hadn't put up too much of a fuss so when he started leanin' to see the movie through the door Darry pretended he didn't notice. He only cleared his throat warningly when he started reachin' fallin' out of his chair levels of tilitin'. Every time Dallas would straighten back up and shoot Darry his meanest glare, proppin' his elbows on the table 'n pickin' at the peelin' paint.

At some point, Pony detangled himself from Soda on the couch and disappeared down the hall, returnin' with a notebook to sit across from Dallas. He glanced up at Darry before he plopped down 'n Darry nodded his approval. Sometimes he'd make them sit alone when they were in trouble, specifically Soda and Two since they were Darry's most rambunctious. Pony would distract Soda but him 'n Dallas enjoyed just sittin' in the quiet. It reminded Darry of how Johnny 'n Pony had been. His heart gives a sharp little ache and he shakes the thought from his head.

Greif had an odd way of sneakin' up on him.

Pony picks up his pencil and Dallas nearly falls out of his chair for how hard he's leanin'. Darry doesn't bother clearin' his throat, just knocks him up the back of his head gently and Dallas scowls hard and leans back.

He's not sure how much time passes, not very long. He finishes the casserole and slides it into the oven to cook. He sighs, listens to Two and Steve as they wrestle in the living room, waitin' to see if they'll knock it off themselves before they break somethin' or not. Apparently, the sigh he lets out it enough for Soda to kick them both in the ribs and they reluctantly separate.

Since Dallas has put up the minimal amount of huffin' 'n moanin' he opts to release him until dinner. Before he can open his mouth he catches a glimpse of a sketch Pony has his nose an inch away from. He's got his brow all furrowed and he's bitin' his lip hard enough to leave marks like he always does when he's focused.

"Holy shit, kiddo." He hadn't meant to comment but even just the edge of the portrait he's workin' on is an utter work of art. Pony jerks up and slams the notebook closed. He always was oddly shy about his work. Darry doesn't push it, he doesn't want Pony to feel like he's pryin'.

Dallas, however, doesn't share Darry's values of privacy. He watches as Steve disappears into his room without askin' 'n thinks maybe none of them do. He rolls his eyes again. Dallas, suddenly payin' attention again, reaches over 'n snatches the notebook out of Pony's hands, openin' it to the page Pony had been workin' in. Whatever smart shit he'd been about to say dies in his throat.

"Holy fuck, Pony." The sketch is nearly finished, clearly set from Pony's view of the kitchen, Dallas framed neatly in the middle, scowlin'. It's so accurate it could have been a photo, one of a spread of Dallas. In all of them, his eyes are bright and angry or dull and aggitated. He's either scowlin' or frownin'. In one particular sketch he's barin' his teeth so his silver one shines lime he does when hes truly hacked off. Darry looks between Dallas 'n the drawin' Pony's just added, notin' how he had lovingly managed to capture the singular fair freckle on Dallas' throat, the way his hair curled against the back of his neck, the set of his eyes as he peered through the door.

When Darry looks back at his kid brother Pony is bright red. Darry snaps out of it first and realizes both he 'n Dallas are just starin' at him.

"Pony, that's amazin'. Really, honey." Pony looks down at the table, still clearly embarrassed.

"It's just a sketch." He scuffs his toe on the tile and runs his hand up his neck in a way Darry knows he picked up from him. "It's not done, yet." Pony wasn't particularly good with praise. He looks up at Dallas who's still just starin' at the page. Dallas runs a finger along the high bones of his face recreated in lead.

"Is... is that how you-"

"Sorry! It's really not that good. I just like to... I dunno... I like to sketch you when you're angry. You just look tuff when you're scowlin' 'n all. That's all. It's not done." He finishes lamely, the flush creepin' down his neck when Dallas doesn't say anythin' else. The silence hangs for a long moment.

"I didn't know I looked like that. When I was mad 'n all." Dallas finally says. He runs a finger over his drawn brow as if he could smooth out the furrow. He shakes his head hard. "Sorry kid, that's tuff as hell. It's a real good drawin'."

Pony ducks his head again 'n Dallas runs the back of his hand over his eyes. "Do you... mind if I keep it?" Pony's eyes go all wide like he wasn't expectin' the question.

"Uh, yeah. Sure. It's you after all." Dallas rips the drawin' carefully out of the book and folds it gently in half, gettin' up and vanishin' down the hall to the room he shares with Pony 'n Soda. He ruffles Pony's hair as he passes, gently squeezin' his shoulder.

The second Dallas is gone Pony drops his forehead to the table. "D'you think I upset him?" Darry presses a kiss to his hair and pats him on the back softly.

"Nah, kiddo. I don't think he's upset." But Darry isn't sure exactly how to read that boy. Not nearly as well as he can read the rest of them. "He just needs a minute."

Dinner is a subdued affair despite Soda and Two's best efforts. As Darry expected, both Two and Steve nearly go to blows over the final servin' 'n only back down once Darry promises to make it again next week. Dallas says next to nothin' which makes Pony squirm around every thirty seconds.

When Two's finished lickin' the bowl, Darry shoos them all out, unsurprised to find Dallas silently startin' to collect up the plates and dump them into the sink. He wasn't like his brother's in that regard. When the other's wanted Darry's attention they would simply ask for it. Dallas refused to bruise his ego. He'd find an excuse to catch Darry as he ran to the grocery store or mowed the lawn or did the dishes. Darry didn't mind waitin' for him to decide to say whatever was on his mind.

"I didn't know the kid saw me as such an... angry person." He dumped another armful of dishes and silently picked up the dish towel as Darry started washin'.

Darry hmm-ed vaguely and handed Dallas a plate. He knew the kid wouldn't listen to him if he denied it, despite knowin' better.

"Pony just likes to capture people's emotions. You remember that time he drew Soda after he'd fallen and broken his wrist? Soda had nearly lost his damn mind at how pathetic he looked in that. He might've jumped Pony if it hadn't been such a good drawin'." Darry chuckles lightly but Dallas just gives a weak smile 'n returns the plate to the cabinet.

"Maybe... yeah." Between the two of them, the sink is empty in fifteen minutes and Dallas disappears down the hall to take a shower. He had a late night chore to run at Buck's, somethin' to do with an upcomin' pony race they had comin' up.

Darry see's Dallas out, extractin' a promise to go straight there 'n back, checkin' to make sure he had his blade though he almost certainly didn't need to. He shoos Two out of his armchair and collapses down, only half payin' attention to whatever's on.

"Darry?" Pony was still bein' more uncharacteristically quiet than usual.

"Yeah, kiddo?"

"Can I go to bed early?" Darry turns his head to get a good look at the kid. He doesn't think Pony has ever asked to bed early a day in his life. Usually, he was the one fit to be tied every night when Darry tried to get them all to bed.

"Sure honey, all ok?" Pony nods his head and Darry crooks a finger. When he's close enough Darry presses a kiss to his forehead. Pony doesn't fight it and leans into Darry's shoulder for a moment.

"Yeah, I'm fine. G'night Darry."

"Night, kiddo."

It doesn't take long for the rest of the gang to decide they're tired. Soda crashes on the sofa against Steve's shoulder and Steve hauls him up and dumps him in bed. Two promised his ma he'd go home and Steve swears he'll be fine at his. Darry reluctantly doesn't put up a fight. He drops kisses to both their heads and reminds them the door is always unlocked.

Once the house is nearly empty he straightens up the few things out of place and drags himself to his room for the night. He's a heavy sleeper and he's exhausted enough to fall asleep right there in the hall but his body won't let him even dream of passin' out before all his brothers are home where they're supposed to be.

He counts on Dallas bein' back in an hour give or take and flips on the bedside light. He cracks the book on the nightstand Ponyboy recommended to him months ago. Pony had read it in one afternoon but Darry was draggin' through it five minutes here 'n there when he had the time.

Half an hour later he hears the door to Pony, Dallas, 'n Soda's room creak open but doesn't think much of it. He hears light steps pad down the hall 'n correctly assumes it to be Pony. Seconds later the door opens 'n closes again.

By the alarm clock beside the bed, it's another forty-five minutes before Dallas comes in. The walls are paper thin, so he can distinctly hear Dally kick his shoes off at the door and continue into the kitchen. He pauses there oddly long but Darry doesn't get up to interrupt.

It takes another ten minutes for Darry to hear the kid in the hall. He sniffs hard and Darry recognizes the sound of him rubbin' the back of his sleeve across his face. It breaks his heart but he leaves him be. Of all of them Dallas was the most fiercely protective over his ego and privacy. If it were anyone else, Darry wouldn't let that stop him from comfortin' him. But he knew the kid would get him if he needed it. He figured Dallas could see the light under the door 'n would know Darry was awake if he decided to come in.

Darry waits another fifteen minutes before he gets up to check on them. When he eases open the door Soda is sprawled out in one bed and Dallas is wrapped tightly around Pony in the other. Darry smiles fondly and goes to shut the door before he catches the paper clutched in Dallas' hand.

Darry slinks quietly across the floor to get a better look. He recognizes Pony's careful, controlled pencil markin'. The drawin' is one of his favorite Polaroids of Dallas, his smile wide and uncontrolled. Darry remembers the exact moment it was taken, his hair blown back from his forehead as Soda had taken a turn far too fast for Darry's likin'. Dallas had howled and stuck his whole head out the window and grinned.

Darry smiles fondly at the memory and catches the corner where Pony's written a note in his neat, loopy hand writin'.

I don't see you as angry. I see you as Dallas. My brother. (who just happens to look tuff when he scowls)

[aihaloos]

Tempted to write a replaced au twst fic where Yuu (or alternatively, I'll use my Yuu, Riyuu, who is basically who I'm writing this for) used to be the cutest girl around, the cheery one who's always around everyone, the one you can't seem to dislike even if your crush falls for her because she earnestly says sorry (even though it's not her fault) and will always help you out if you need her back in her old school. But one day, a new girl comes around and her whole reputation got destroyed. She helps the new girl adjust, tells her all the rumours and introduces her to all the popular kids. But the girl ends up backstabbing her, telling the popular girls rumours about how she intentionally plays up the act to steal their crushes to her, and lies to the boys, telling them she's just playing with their hearts and that she's a horrible person.

Yuu ends up alone and excluded, being seen as "annoying" and only having a few close friends who doesn't really interact with her in public in fear of their reputation being ruined. She ends up miserable at school, and wishes to not go anymore. But one day comes a saving grace, she gets whisked by a mysterious black carriage into Twisted Wonderland, or more specifically, Night Raven College. She doesn't mind working if it meant she doesn't have to deal with her old school, there was still 1 and a half years left of school and she doesn't want to deal with all ghe group projects to be assigned that will inevitably end with everyone not wanting to team up with her. Plus, as annoying Grim is, he's like the animal friend all of the anime and storybook protagonists she knows has, and she doesn't mind him too much.

Some things did change after she and Grim got officially enrolled, but she had no problem adapting to the social expectations of the world, part time jobs with Sam -- and occasionally the canteen -- paid enough to get her tools for cooking basic but delicious food, and new friends without the weight of her past helped her get settled comfortably.

The existence of Overblots stunned her for a bit, but a peek into Riddle and Leona's memories helped her understand the concept, even if just a little. However, things began to change eerily simlarly to her old school when a new girl comes, also in a similar position to her, getting transported to a new, unfamilliar world, and seemingly hailing from a similar world to the Earth she knows. She warmly welcomes her, eager to finally befriend another girl, but it seems that the girl does not share the same enthusiasm.

The girl only barely responds to Yuu's attempts at forming a friendship, and always seems to talk her in a condescending way, and often dismisses her, and especially so whenever there are any boys around.

Yuu will not deny any statements claiming she's an attention seeker or that she plays up her sweet innocent girl act, but she knows to never, ever sacrifice a bystander for it. But if someone insists on war with her... well that's another, different story. She's learnt her lesson of being overly optimistic, and she will not make the same mistake twice. She will not let her make her life a living hell more than it already is with Crowley's irresponsibleness.

Aaand thus begins the story. Or well, however you wanna continue it. I'm honestly in favour of most Housewardens (Kalim, Vil, and Idia in particular. I'll put my reasoning in a few paragraphs down) Adeuce, Tweels, and Ortho for team Yuu. Why?

Well, first of all, Adeuce. This is mostly because the duo is like. with Yuu since Day 1, as much of a bitch as Ace is, I think those two are the most likely to trust and know Yuu well enough to not believe the lies R (< Replacer) tells. Especially Deuce, he doesn't want to betray a friend he knew for quite a while, that would not be very honor student-like of him!! And she helped him out in a lot of situations too! He doesn't want to hurt you after all the trouble you go through to help him, and also knowing how horrible your living conditions are. Ace would most likely give in to peer pressure if the student body is overwhelmingly in favour of R, but as of now, he maybe enjoys your company just a bit more than R. Just a bit, promise.

Tweels I feel like is self-explanatory. Those two are perceptive as fuck istg it scares me. Jade especially. I feel like the two would just toy with R for a bit despite her facade and lies before dropping her after she bothers them for attention and favours one too many times.

(Ortho ties in with Idia so I'll explain him in Idia's paragraph)

Kalim is actually very emotionally intelligent. He can come off annoying and stupid, but from all the scenes I see of him, he's actually really good at dealing with people. Have you seen how he deals with the Scarabia residents after Jamil's OB??? The way he phrases his sentences?? He didn't force or even plead with them to forgive Jamil, he simply asks them to wait before making permanent judgements, and I think he's gonna be uncomfy with how condescendingly R talks to Yuu, and even if he's used to people going after him for money, I feel like R mostly eyeing him for money and how she "secretly" sighs in annoyance everytime she goes out of the party for a "bathroom break" will only solidify his dislike/discomfort, even if he doesn't show it.

Vil is also kind of self-explanatory if you read into his character and not just the shell the official English localization makes for him. (I could rant for hours about how the official tl portrays his character istg. He's hardworking and he actually didn't attempt to poison Neige out of pure jealousy, he did it because he felt like all his efforts to be beautiful will never be able to surpass Neige, who, in his eyes, always seemed to be innocent and naturally beautiful. He feels like the villain in Neige's story. He feels like he is reduced to what he often plays as, a snobbish, overconfident villain obsessed with overthrowing the hero. And because of it, it became a twisted self-fulfilling prophecy, pushing him to, in a fit of despair, be that same villain everyone sees him as.) I really don't think he will take well to R's condescension to Yuu, who genuinely wants to befriend R. (I actually have a whole thing in my head where Yuu and Vil occasionally have sleepovers where they do skincare together after the whole VDC thing happened. I feel like this is also a "vent sesh" of sorts for the both of them, just to air out their grievances without much seriousness, and I think Yuu would admit to wanting a fellow girl in the school that she could befriend, since no matter what, being the only girl can be exhausting.) Ik Vil's not a girl but he is such a girls' girl istg.

Idia... this mostly ties into Ortho and The STYX Incident, but like,, I think we can all agree on this one,, Idia is smart and capital V Very pessimistic. Would you rather trust the girl you've known for a while, who saw your memories, who helped you in awkward social situations when she can and is besties with your brother or some random new girl who trash talks said girl behind her back? The former, right? Plus, even if Yuu did only hang out with him and his brother because she likes to secretly laugh at him behind his back, there's mo guarantee R wouldn't do the same, given his experience. And he would rather have someone who actively helps him and his brother out than someone who wouldn't.

I didn't put Malleus in because of how canon him actually treats Yuu. I feel like the fandom kind of put on rose-tinted glasses on with his character, and kind of ignored some things like, idk... him just leaving them to fend for themselves homeless during Octavinelle... maybe he thought Crowley would offer them a place to stay but like... I'm still bothered by how didn't atleast offer a spare room in Diasomnia. He's a housewarden goddamnit. He's not as distant or scary as the rumours say but like. still rubbed me the wrong way.

Anyways I don't think my attention span will let me write it to completion so if anyone likes this and wants to write it feel free. Pls tag me if you do tho. I would love to read it :3

[peace-hunter]

I can imagine all The primes trying to figure out how the heck this ghost thing works.

They’re fighting over who gets to spend one on one time with Optimus, they collectively forget they all can just manifest themselves at any time at the same time. Listen all wisdom goes out the window during the argument of who gets to bond with their baby brother for the day.

Meanwhile Prima is just chilling with his baby brother the most out of all of them, he pulls the I’m the oldest card a lot at the beginning or the he’s mine :) I called dibs (T-cog) :).

Optimus is just begging them to be quiet lmao.

it's really not as intuitive as one would expect! manifesting comes pretty easy to them, it's everything else that causes them trouble lol

and see that's exactly why zeta made a schedule but these heathens keep ignoring it-

and the thing about one on one time is that even if only one of them is manifesting, they and OP will have an audience of twelve anyway most of the time because while they can retreat into the matrix and give them some privacy... it's honestly kind of boring lmao

also while manifesting themselves to OP isn't nearly as draining as doing it to others or channeling, it's still not effortless. they gotta keep focus to keep their form visible to him and it also requires a bit of energy to keep up. mind you, it's not that bad of an energy drain and they could easily keep it up for hours if they wanted to, but it's not as simple as simply speaking to him from inside the matrix.

not prima tho. he can manifest to OP pretty effortlessly and it barely takes anything out of both of them. and the longer times goes on, the stronger their bond becomes to the point they kinda suspect that even if OP lost the matrix, there's a chance prima could still remain with him in some way. they're not eager to try it out tho lol

"Optimus is just begging them to be quiet lmao." sometimes yeah! that's just how it is with family, especially with thirteen people that literally cannot talk to anyone but each other and him lol

but even at their most annoying he's glad to have them around. just the thought of having to face everything that comes with being a Prime on his own is honestly a little bit terrifying and he's always grateful to have people he can lean on for things he doesn't dare to burden his friends and the people that rely on him with.

(and also... he's kinda relieved he doesn't get much chance to be alone with his own thoughts. the times when he wishes he could have five minutes to himself without someone piping up from inside his chest are far outnumbered by the times the absence of Dee would've crushed him if there hadn't been always someone at his side trying their best (sometimes clumsy, sometimes heavy-handed, but always kind) to make him feel better.)

[beaulesbian]

Rings of Power 2.06 || Where is He?

└ "Did you not hear that? Outside. Sounded like a siege alarm."

(+ bonus: when the manipulation was successful)

[chipthekeeper]

ANDOR credits + concept art

[ask-moon-and-pebbs]

Hello guys! Whats it like being giant supercomputer AI? Do you feel really big all the time?

[dailyplanes]

✈️ Daily Plane #28 - 16/06/2024

Green Dot #1

Time taken: 8 hours

Requested by: N/A

ID: An Airbus A320 flying over heavy clouds away from the viewer in a sunset scene. The Airbus is using the livery from aviation youtuber Green Dot Aviation.

[sapphymayeyeplease]

art trade with @orbeater!