#sorry for the wall of tags as thoughts

[aingeal98]

Ultimately the resolution of Jason and Cass fights comes down to the fact that while he has his own ideals that don't mesh with the bats, Jason can be flexible. DC skipped the whole reconciliation with the family but while he's willing to kill it's generally a means to an end to him, not the whole entire point unless you're talking about Joker. Meanwhile for Cass the question of killing vs not killing is dead serious to her which means any time they're working together and things start going off track it's like:

Jason: Look if we kill this guy we send a message to his boss which makes it easier for us to negotiate with him from a position of power and I just think that-

Cass, snatching one of his guns and pointing it at her own head: Go on, pull the trigger. Kill him. Kill me. Go tell Batman that you let his daughter die to make a negotiation easier. He already let you die so no problem right? You think we should die? You think our life only worthwhile as part of a plan, just because we're killers? Are we doomed? Are we rotten to the core with no hope of redemption? Go on then, kill us and kill part of your soul alongside it. You clearly don't care for it so why are you even trying? Kill yourself along with us, come on Jason let's all just die right?

Jason, slowly backing away: I think you may be projecting a tiny bit so just. Calm down before I call the suicide hotline please.

Cass, slowly lowering the gun and knocking the random henchman unconscious: Yeah that's what I thought, fucking pussy.

Jason: Mm yeah you know what I hate you actually. Fuck this mission I'll just shoot you right now if you're going to be this annoying about it.

Jason, explaining things later to Dick: So I just kept shooting at her until I ran out of bullets and we both calmed down enough to call a truce. We tracked the guy down and didn't kill anyone but I did blow up the batplane just as a last minute screw you. Is she always this uh... intense?

Dick: Yeah, one time I broke up with Barbara and she threw me out a window. She's just like that.

[soy-bean-factory]

had some thoughts about certain characters having halos with specific looks to them, so i drew it.

//explanation(?) in the tags if your curious vv

[alumints]

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[spoopup]

UM. heres this. my hand hurts

[system-architect]

i desperately wish gw2 had more food-centric lore. i think about asura food more than is probably particularly reasonable. they're sort of implied to like molecular gastronomy in the lvl500 chef quests which is fitting and makes sense, but surely not every asura is eating bespoke Pea Spheres day in and day out right? i think my favorite angle on them is a sort of 50s-80s american-esque food style where there's a huge emphasis on things being Convenient and Scientific, so you'd get a lot of absolute slop tv dinners and canned items that have labels boasting how they were nutritionally fortified and contained your day's complete vitamin intakes and so on. a lot of jellied things. i do also fully believe they would have + eat soylent.

[theoldkyokodied]

And here it is, my macdennis brainworms compressed into a playlist, for anyone who wants to ingest them <3

[capricioussun]

🌻 for Edge?

🌻 (sunflower) - What’s something your character has grown out of? Did it happen gradually or was it a drastic change? What caused this shift?

When Edge was little, he was actually entirely nonverbal! I always like to imagine most Papyri are quiet when very young, and took a while before their first words, but few to the same degree.

Id say it was both gradual and drastic, as he started offering a few sparse words to Red when he was around 6-9, but once they were on their own, there was more pressure to "act normal", so he wound up forcing himself to verbally communicate more frequently than he would've chosen.

Whiiich also sort of answers the next part! It was mostly pressure from "the outside world" (the rest of the underground). Pretty much anything can be perceived as a weakness, and since "quiet" reads more as "shy" for a child/teen, Red discouraged Edge from communicating predominantly in Hands.

[dearmizumi]

I felt sad

[than487]

threw hands (attacked on AF) with @ourobororos ... committed atrocious crimes on this idiot (attempted new art things)... luv ur au design pookie

[maulfucker]

a handful of oc concepts

[mqqqteor]

he hesitates. swallows down the building bile. locks eyes with a fading woman who will never be.

he hopes...

he hopes she exists. somewhere out there. gods know not here, but... somewhere. somewhere else. in some other universe, maybe. in pretty clothes, in a pretty face, in some other name. without the burden of 'cloud strife'.

he hopes shes happy.

[linagram]

"love conquers all, isn't that so?"

deco i am here once again begging you to stop making songs that fit my ocs so well they're done with their covers THEY'RE DONE THEY CAN'T SING ANYMORE DECO

[someearthlingnamedearthling]

we were playing in the sand, and you found a little band, you GO DOWN JUST LIKE BUDDY HOLLY

[greenticklerdreams]

Me: Okay, but I literally can't say mean things about someone I like. I like them. I DON'T think they're pathetic or a dirty little slut or anything like that. Why would I call them that when I don't actually think that??? How do other people even -

Also Me: Wait a fucking second (rips the mask off)

My ASD: 😶

Also Me: Goddammit I should've KNOWN

[iwanttorundirectlyintothesun]

okay i need to know if anyone else has been devastated by a creature having different defining features in dungeon meshi than like childhood stories

bc i adore this series (i am showing So Much restraint not reading the manga and watching it with my family as it comes out) but the kelpie my beloved

her hooves were not backwards and its killing me (kelpies were the closest i got to being a horse girl as a kid)

the seaweed is very nice and accurate (i say this as if ive seen a kelpie (not the dog) in real life) relating to the stories where the kelpie is made of seaweed or the shifter stories where it becomes a handsome young man with an unsettling amount of seaweed or sand in his hair

and the tail is a very cool nod towards it being a sea (limnistic? is that a word? relating to rivers and lakes) creature but the defining traits are that shes got backwards hooves and shes probably sticky when you pat her

like ik itd probably be hard to animate backwards hooves but aaaaa (expression of misapplied and disproportionate injustice and disappointment)

look at how fancy they are (((right picture from ben-the-hyena here on tumblr they did a whole series of drawings of mythological horses as carousels and its so pretty))) (image on the left is described as a nykur which to my knowledge is a similar icelandic water spirit )

((also vaguely disappointed she didnt try to get the others on her back to show off her cool elongation abilities for maximum snack collection but thats not the point i was trying to focus on here))

[sforzesco]

You talked about Crassus not getting his wealth in "traditional" manner, and it made me think of Plutarch taking about how Sulla's wealth was also viewed with suspicion because his father actually left him nothing so becoming wealthy was a subversion of his inheritance. I'm just ... having thoughts.

IT'S SO FUN there's such a specific kind of wound that digs into both of them happening there, Sulla's wealth is a mark of suspicion the way that Crassus' wealth is a permanent stain

it's not to the same degree, but there is something almost thematic about Crassus being brought up in a modest household and Sulla having lived in cheap lodgings (or to continue the almost: the way that there is a specific kind of familial absence in the early narratives of their respective biographies). the ways that they both gained wealth and power taking unconventional turns (whether the suspicion is warranted or not), even by the rapidly unraveling standards of the time.

it's not a perfect comparison!! but in a way it's poetic to me?? recognition in a reflection that doesn't line up so instead it's unbearable and grating. Sulla was the only Roman who could hold Crassus to the floor, and Crassus got up anyway. they both crawled up the Roman political ladder, ruthless in achieving their goals. its the mortifying ordeal of being known enough and not vibing with it.

A Year of One’s Own: Dating the Praetorship of Marcus Crassus, Martin Stone

like, Sulla knew Crassus well enough to know how to hurt him, and boy that sure feels like something.

Plutarch, Crassus, trans. Warner.

ANYWAY, I'm getting off topic. oh my god I have gotten so far off the original topic of this ask.

to wrap it up: something something Sulla keeping the company of actors and such, and this text comparing Crassus to an actor about to enter the stage of politics once more, Sulla's role in freezing Crassus out of the traditional avenues of political power.

A Life in Pieces, Plutarch, Crassus 12.1-16-8, James T Chlup

Many Things Are Weird About The Main Cast Of The Last Generations Of The Roman Republic. lots of subversions and transgressions happening all over the place.

heughghh to finish this off, I've been thinking about this a lot while I write other things, but uhhhh my thoughts are Not Particularly Coherent. I've been reading lately on the Rizal-Bonifacio relationship and what it means to conflict with someone who is partially responsible for making you what you are—

Decimation: Myth, Discipline, and Death in the Roman Republic, Michael J. Taylor

—and it's bleeding into all the other filing cabinets in my mind.