#sorry for the small delay!

[wishfulmuses]

" you're being unfair . " // rosy ( @rosecanni ) to fiona ( main verse. ), perhappssss ..

From: (x) Currently accepting!

❝ I'm being unfair? Look who's talking, pinky. That's clearly not your throne. ❞ It was one of those occasional moments where Fiona found Rosy lurking around Castle Acorn in Moebius, the one place that she and Scourge took over awhile ago― which was well known by most. ❝ What are you even doing here, anyway? ❞

[elena-illustration]

get scooped idiot

[scullyphile]

Essentially Exactly the Way It Happened - Chapter 7: He Didn't Bring It

Category: F/M | Fandom: X-Files | Ship: Mulder/Scully (MSR)

Rating: Explicit | Words: 25,363 | Chapters: 7/? | Author: scullyphile

Did someone say there's an update to the Vampire!Scully AU?!

Oh yeah, that was me!

---

Chapter 7 Snippet:

There are several things about Eddie Van Blundht that Scully notices off the bat. First, he’s more concerned about the proper spelling of his name than he is with the fact that he’s been arrested as the main suspect in a serious crime. Second, he shows absolutely no remorse. Third, he doesn’t seem at all surprised to be there. Fourth, he is most definitely a rapist. 

start at the beginning | continue at chapter 7

[a-s-levynn]

"Let me wrap the chains / Addicted to the pain, oh" A Series of Small Offerings - II/9 - day17

[thevioletcaptain]

🙍🏽‍♀️🐷🪷 (i scrolled and picked three random emojis pls enjoy)

“You wanna run that by me one more time?”

On the other end of the line, Patience lets out a long-suffering sigh — as though Dean’s the one making unexpected phone calls at quarter past three in the morning — and says it again. The words don’t make any more sense than they did the first time.

“In fourteen hours and — now seventeen minutes — a pig in Lotus, Illinois is going to die, and unless you save her life, she’s taking everyone in a 50 mile radius with her. And yeah, before you ask me to say it a third time, I am acutely aware of how stupid this sounds.”

“And when you say pig, are we talkin’ Babe, or—?“

“My visions aren’t symbolic, Dean. It’s an actual pig. Her name is Princess.”

“Right. Just… wanted to be sure before we started trailing all the cops in uh, where’d you say? Lotus?”

“Yeah, you wouldn’t find one there anyway. Internet says it’s an unincorporated community — looks like there’s maybe three farms there, total.”

“Looks like?”

“Satellite images,” she says.

“Right. Hey, hold on a sec.”

“‘Kay.”

Rubbing his eyes with the heel of his palm, Dean pushes the rest of the way out of bed and throws on the same jeans he took off two hours ago. Switches out the ratty t-shirt he’d been almost-sleeping in for a fresh one, and yanks on his boots.

For once, he’d been planning on sleeping a solid seven hours. He was going to make maple bacon with blueberry waffles in the morning. Jack was going to help him mix the batter.

Depending on how things shake out with Patience’s vision, he might never be able to enjoy bacon again. Or for a few months, at least.

Fully dressed and heading out into the hall, he puts his phone back to his ear.

“I’m back,” he says, making his way toward the kitchen. He thumps twice on Sam’s door as he passes it, barking out a gruff hunt in response to Sam’s bleary huh? “Please tell me you’ve got some idea of how exactly Peppa’s gettin’ popped so we can try to do something about it.”

“I have no clue.”

“And you didn’t see anything else? Any details at all. A barn, a farmer, anything? Because this is…”

“Impossible. I know. But that’s all I’ve got. The pig just keels over, then bursts in a blinding flash of light, and ten seconds later Illinois has a brand new crater the size of New Jersey.”

“Okay, well — that’s something.”

“What?”

“The light. What color is it?”

“White, mostly,” Patience says, then hums a little to herself. “But… huh, actually, there is a bit of purple. Right in the center. Right before it goes supernova.”

“Purple light usually means witchcraft,” Dean says, approaching the kitchen. He can see the light on; can hear the telltale sound of Cas stirring sugar into coffee. “Maybe the pig is the final ingredient in some kind of magic bomb?”

“Could be,” Patience agrees. “But hey, listen, I gotta try and get a couple more hours sleep — huge test in the morning. But if anything else comes to me I’ll call you, okay?”

“Yeah, sounds good. And uh— thanks. And good luck.”

“You too.”

The line goes dead just as Dean steps into the kitchen, and Cas looks up at him from the table, where he’s reading an article in one of the Men of Letters’ old issues of The Farmer’s Almanac. He frowns at the sight of the phone in Dean’s hand. Frowns harder still when Dean heads directly for the coffee machine with nothing but a brief brush of a hand over his shoulder.

“Is something wrong?”

“It’s a day ending in Y,” Dean says with a sigh, pouring a cup from the thankfully still-hot jug. “You up for a road trip?”

“Of course. Where are we going?”

"Illinois," Dean tells him, leaning back against the counter as Sam arrives, his hair sticking so far out to one side that Dean suspects it’s generating its own electric charge.

He eyes it over his mug and has the grim thought that all that static electricity might be the thing to light Miss Piggy's fuse. Oblivious to Dean's train of thought, Sam lets out an explosive yawn. Dean bites back the kind of mildly-hysterical laugh that can only come when sleep-deprived and preparing to drive toward impending danger.

"What's in Illinois?" Cas prompts him, and Sam yawns again as he waves a hand for Dean to explain, and Dean takes a long sip of his coffee as he searches for a better way to put it than Patience had managed on her first try.

He's not sure that he succeeds where clarity of substance is concerned, but as far as style goes? He thinks he's nailed it.

“Short version? Royal rescue mission, but the Princess is a pig."

Cas squints at him.

“I think,” he says, looking over at Sam, who is blinking slowly as he tries to parse Dean’s words, “We’re going to need the long version.”

[written for this prompt game] [find me on ao3 as imogenbynight 💚]

[interrogatormentors]

Hey Eridan how yay doin with the whole uhh brain thing?

i havve no idea wwhat youre talkin about

brain things by wwhich i assume you mean my thinkpan

wwhat a load of poppycock

fuckin ludicrous. psii wwould you ensure this one is referred to the appropriate authorities

Your command ha2 already been executed

01110100 01101000 01110010 01101111 01100001 01110100 00100000 01110011 01101100 01101001 01110100 00101100 00100000 01101001 01110100 01110011 00100000 01110100 01110010 01100101 01100001 01110011 01101111 01101110 01101111 01110101 01110011 00100000 01100011 01101111 01101110 01100011 01100101 01110010 01101110 00100000 01100010 01101100 01100101 01100101 01100100 01101001 01101110 01100111 00100000 01101111 01110101 01110100 00100000 01100001 01100111 01100001 01101001 01101110 01110011 01110100 00100000 01110100 01101000 01100101 00100000 01110010 01101111 01100011 01101011 01111001 00100000 01110111 01100001 01101100 01101100 01110011 00100000 01101111 01100110 00100000 01110100 01101000 01100101 00100000 01100011 01100001 01101100 01100011 01101001 01100110 01101001 01100101 01100100 00100000 01110000 01110101 01110011 01101000 01100101 01110010

2o worry no more.

01100010 01110101 01110100 00100000 01110100 01110010 01111001 00100000 01100001 01100111 01100001 01101001 01101110 00101100 00100000 01110100 01110010 01111001 00100000 01100001 01100111 01100001 01101001 01101110 00101100 00100000 01110100 01110010 01111001 00100000 01100001 01100111 01100001 01101001 01101110 00101110

[jules-has-notes]

2020 VoicePlay winter activities — prelude to uncertainty

After they'd wound down the previous year in style, VoicePlay eased into the new year gently, taking their time to plan out a good balance of travel for live shows, music video productions, individual projects, and personal time. But the old adage about the best laid plans was waiting in the wings, ready to upend those plans and test their creativity in new ways.

.

Make some noise

The guys spent the first week of the year relaxing, spending time with family, and working on smaller projects. Geoff recorded a two-part bass singing Q&A that stemmed from his original tutorial video.

J.None met up with other members of the Joyful Noise Choir for a corporate event at a local hotel.

Continuing his quest for social media domination, J also set up a TikTok account. His first post is a bit of silly fun, playing around with a voice modulator and expressing his devotion to Taco Bell.

.

Northward bound

Although they didn't document it on social media as overtly as they had in previous years, the guys do seem to have started their travels together in January with a trip to New York City for the Association of Performing Arts Professionals annual conference. The best evidence is two photos on Instagram.

Layne teased J.None with a carrot-tastic screenshot from a restaurant's menu a few days before the conference, and noted in a comment reply that it was in NYC.

J then struck a pose in his show duds, with the location tagged as Times Square. He didn't post it until mid-February, but a conversation in the comments clarified that it was taken "last month", which also lines up with the timing of APAP.

.

Do you love me?

After the boys got home from NYC, Layne headed to the PattyCake studio to finish up their next project, exploring the possibilities of the men of Disney animated movies using dating apps, set to a playful cover of "10,000 Hours" by Dan + Shay and Justin Bieber.

.

Out and about

When the weekend rolled around, J.None popped over to the Gulf Coast and continued his streak of road races with another 5K at Howard Park in Tarpon Springs.

post-race satisfaction // Paradigm Party Band at the Hard Rock (Notice anyone else you know?)

Then in the middle of the week, J met up with his Paradigm Party Band buddies for another corporate gig at Hard Rock Live.

.

Away we go

The next day, VoicePlay headed north again for their first concert of the year in Maryland, where local a cappella group The Trills opened for them, and some longtime fans had a chance to meet in person.

VoicePlay and The Trills backstage // Leon and Danette in the audience

.

Over the weekend, J.None took part in yet another 5K at nearby Lake Louisa State Park, and achieved a new personal best time.

The next week, he flew home to Virginia for a visit with family and friends, and to perform at a local bar.

.

Talk to me

VoicePlay eased into February with the latest installment of their not-so-secret patron podcast, in which Geoff and J hung out and answered questions.

.

While he was speaking into a microphone, Geoff also recorded himself reading another short story, "An Occurence at Owl Creek Bridge" by Ambrose Bierce. The narration is surreal and unsettling, set in Alabama during the U.S. Civil War, told from the perspective of a dying wealthy Confederate, and was originally published during Reconstruction.

.

For the love

On the day before Valentine's Day, VoicePlay slipped into some comfy, cuddle-worthy outfits and headed to a local venue to film their first music video of the year. The way they crooned their supremely harmonious rendition of Elvis Presley's "Can't Help Falling In Love" is like an audible hug.

.

J spent the rest of the weekend with the Paradigm gang. First they rocked out at an open-air show in Lake Nona, then they celebrated enduring love at a lavish wedding reception.

View this post on Instagram

A post shared by J.None 🧈🎶 🎙📝🎬🎹🎸📽🤣 (@itsjnone)

.

All together now

A couple days later, Geoff, Eli, and J.None headed to their old friend Michael Andrew's studio to record some vocals together, presumably for their upcoming "Warriors" music video.

.

The weekend brought more Paradigm fun for J, as the band trundled over to Tampa for a pirate group's annual Coronation Ball.

View this post on Instagram

A post shared by Paradigm Party Band (@paradigmpartyband)

.

Meanwhile, Layne was working away in the studio, putting the finishing touches on the penultimate episode of The Villains Lair's first season, complete with a certain vindictive lion.

.

Camaraderie and care

That evening, J.None scooted out to Longwood for another showcase show at Jaica Creative Studios. It was hosted by Amanda Jay, who he'd collaborated with the previous summer.

View this post on Instagram

A post shared by J.None 🧈🎶 🎙📝🎬🎹🎸📽🤣 (@itsjnone)

J.None performing his song "Forbearance" at Jaica Studios

.

Back on the home front, Layne was on dad duty. His littlest girl Doris took a spill off her scooter that left her with scrapes and bruises on her face the day before school pictures. So once the boo-boos were tended to and tears were dried, he put his years of accumulated special effects makeup skills to use and marked up his own face to match in solidarity.

.

Ups and downs

On the first Friday in March, VoicePlay started their next round of travel and live performances. Their first stop was just outside Indianapolis, where they had a rousingly good time.

Then they had one day at home before they hopped on their first — and, as it turned out, last — voyage of the year.

.

The cruise that wouldn't end

VoicePlay has performed on many cruise ships over the years. Other than a 6-month contract in their early 4:2:Five days, most of their stints have ranged from a few days to a week. When they boarded the Disney Wonder in early March of 2020, they expected to disembark just two days later and fly back home as usual.

Unfortunately for them, they were at sea when the Western Hemisphere started to take the pandemic seriously and went into lockdown. Ports closed before them in Colombia and Mexico, preventing any passengers from leaving the ship. What was supposed to be a four-day trip ended up taking twelve. They were finally able to disembark at the end of the full journey in San Diego. And, boy howdy, were they relieved.

View this post on Instagram

A post shared by Geoff Castellucci (@geophr3y)

Layne — maintaining his aversion to oceanic travel — had been comparatively safe at home, working on a new video project with Thomas Sanders and the PattyCake gang. He was happy to welcome his bandmates home at long last.

Layne also finished up VoicePlay's "Warriors" music video, which they'd filmed before the others had set sail, and released it the day after they finally arrived back in the Sunshine State.

.

The new abnormal

Like the rest of the world, VoicePlay and their extended network of collaborators had to make some big adjustments to their work and home lives during the early days of the pandemic. All of the concerts they had scheduled for the coming months were cancelled. Music videos already in the planning stages were completely reimagined or postponed indefinitely, and new content was formulated to take their place.

The parents among them needed to work around their kids' agendas even more than usual. As so many people do when faced with significant life changes beyond their control, Earl gave in to the urge to change his hair. (He also started a TikTok account, though he hasn't posted much since.)

View this post on Instagram

A post shared by EArl Elkins (@earlzshore)

.

This is how we do it

Knowing that many of their fans are young and might more readily take advice from their favorite baddie, PattyCake worked with their resident Evil Queen to issue a proclamation regarding safety measures folks should take during the pandemic.

.

Since his bass singing Q&A videos had gone well, and commenters had additional questions about other aspects of music production, Geoff put together a fun overview of his a cappella arrangement methods with some cameos from Kathy, Eli, and his kitty friend.

.

The end, for now

PattyCake finished the month by releasing the season finale of The Villains Lair. Due to the challenges of coordinating the schedules of such a large cast, they had actually started filming it the previous summer.

Knowing how the first part of the story was going to end so far in advance meant that Layne and Tony already had plans for the second season in progress, but they cautioned that the reality of safety restrictions made their future filming schedule a bit unknowable for the time being.

.

The ensuing months and years would continue to bring big changes for VoicePlay and those in their circles. Some have been sad, some have been joyous, and others have provided new opportunities for growth, both personally and professionally. But all of that will be chronicled in its own time.

[bleach-smashorpass]

Stats for characters P through R!

Sixth round of stats! There are 14 characters in the P - R group. Shinigami make up the majority with 6, followed by Quincy with 5, Arrancar with 2 and Hollow with 1.

👍 Most Smashable Characters.

SHINIGAMI: Rangiku Matsumoto with a 93.1% smash rate across 1011 votes (940 Smashed / 71 Passed) — also the Overall winner of this group.

QUINCY: Ryūken Ishida with a 75.5% smash rate across 522 votes (392 Smashed / 131 Passed)

ARRANCAR: Rudbornn Chelute with a 24.7% smash rate across 251 votes (63 Smashed / 188 Passed)

👎 Least Smashable Characters.

SHINIGAMI: Rikū Togakushi with a 60.4% pass rate across 225 votes (90 Smashed / 135 Passed)

QUINCY: PePe Waccabrada with a 96.4% pass rate across 251 votes (10 Smashed / 241 Passed) — also the Overall loser of this group.

ARRANCAR: Pesche Guatiche with an 80% pass rate across 250 votes (50 Smashed / 200 Passed)

The singular Hollow was Runuganga with a 95.8% pass rate across 260 votes (10 Smashed / 250 Passed)

The Unohana battle was fairly even! For this purpose, Retsu had an 80.2% smash rate across 631 votes (505 Smashed / 126 Passed) while Yachiru had an 80.9% smash rate across 691 votes (560 Smashed / 131 Passed) — the conclusion here is it doesn't matter if she's playing nice or covered in blood, y'all love her.

[batwynn]

Mini Shop Drop!

This is your last chance to get Patreon Sticker Club overstock Halloween stickers at a super discount! All orders made today (within the USA) should arrive before Halloween! And your chance to own the one and only Lil Beasty Charm! 💀

After this, the next drop will be in November for December holidays.

(As always, my Patreon's Sticker Club is the first stop for new stickers every month and new charms every few months.)

[bubbleteasing]

Blood under the bridge chapter 6 is finally here…

[futureflipflop]

i hopew the me of tonight and tomorrow can finish writing 8k words because i spent over an hour editing pictures and i wanna play minecraft ughhh

[pepperpixel]

Some art of Tori from @misfitmccoward ‘s Naruto fic Plasticity! Because!! It’s such a good fucking fic…! I had to do fanart for it!! honestly after I first read it I was so fucking hype about it that I was almost like ���omg.. I have to do an animatic or something for this. it’s SO GOOD” but. My ability to do animatics has kinda flushed down the drain recently ghghg- But! Still!! I had to at least draw some fanart for it…!

[chaosduckies]

AGHHHH

Of course something has to happen the day I was going to post the new chapter… WHY IS A BAKERY SO BUSY ON WEEKENDS??!! (I work at a bakery Btw)

I’m sorry for the delay, but I’m going to do some last minute edits and I WILL post it no matter what happens. Again, so sorry for the delay TwT

[a-s-levynn]

"I'll tear the fibre from the filament / I'll be the limit of your light again" A Series of Small Offerings - II/7 - day15

[longagoitwastuesday]

So so indebted to u for posting those lovely illustrations from Cyrano <333 & even more so for yr tags!! I'm completely in love w yr analysis, please feel free to ramble as long as u wish! Browsing through yr Cyrano de Bergerac tag has given me glimpses of so many adaptations & translations I'd never heard of before! I'll be watching the Solès version next, which I have only discovered today through u ^_^ As for translations, have u read many/all of them? I've only encountered the Renauld & Burgess translations in the wild, & I was curious to hear yr translation thoughts that they might guide my decision on which one I buy first (not necessarily Renauld or Burgess ofc). Have a splendid day & sorry for the likespam! 💙

Sorry for the delay. Don't mind the likespam, I'm glad you enjoyed my tags about Cyrano, and that they could contribute a bit to a further appreciation of the play. I loved it a lot, I got obsessed with it for months. It's always nice to know other people deeply love too that which is loved haha I hope you enjoy the Solès version, it may well be my favourite one!

About translations, I'm touched you're asking me, but I don't really know whether mine is the best opinion to ask. I have read... four or five English translations iirc, the ones I could find online, and I do (and especially did, back when I was reading them) have a lot of opinions about them. However, nor English nor French are my first languages (they are third and fourth respectively, so not even close). I just read and compare translations because that's one of my favourite things to do.

The fact is that no translation is perfect, of course. I barely remember Renauld's, but I think it was quite literal; that's good for understanding the basics of the text, concepts and characters, but form is subject, and there's always something that escapes too literal translations. Thomas and Guillemard's if I recall correctly is similar to Hooker's in cadence. It had some beautiful fragments, some I preferred over Hooker's, but overall I think to recall I liked Hooker's more. If memory serves, Hooker's was the most traditionally poetic and beautiful in my opinion. Burgess' is a whole different thing, with its perks and drawbacks.

Something noticeable in the other translations is that they are too... "epic". They do well the poetic, sorrowful, grief stricken, crushed by regrets aspects of Cyrano and the play in general, but they fall quite short in the funny and even pathetic aspects, and that too is key in Cyrano, both character and play. Given the characteristics of both languages, following the cadence of the French too literally, with those long verses, makes an English version sound far too solemn at times when the French text isn't. Thus Burgess changes the very cadence of the text, adapting it more to the English language. This translation is the one that best sets the different moods in the play, and as I said before form is subject, and that too is key: after all, the poetic aspect of Cyrano is as much true as his angry facet and his goofy one. If Cyrano isn't funny he isn't Cyrano, just as he wouldn't be Cyrano without his devotion to Roxane or his insecurities; Cyrano is who he is precisely because he has all these facets, because one side covers the other, because one trait is born from another, because one facet is used as weapon to protect the others, like a game of mirrors and smoke. We see them at different points through the play, often converging. Burgess' enhances that. He plays with the language itself in form and musicality, with words and absences, with truths masking other truths, with things stated but untold, much like Cyrano does. And the stage directions, poetic and with literary value in their own right in a way that reminded me of Valle Inclán and Oscar Wilde, interact with the text at times in an almost metatextual dimension that enhances that bond Cyrano has with words, giving them a sort of liminal air and strengthening that constant in the play: that words both conceal and unveil Cyrano, that in words he hides and words give him away.

But not all is good, at all. Unlike Hooker, Burgess reads to me as not entirely understanding every facet of the characters, and as if he didn't even like the play all that much, as if he had a bit of a disdainful attitude towards it, and found it too mushy. Which I can understand, but then why do you translate it? In my opinion the Burgess' translation does well bending English to transmit the different moods the French text does, and does pretty well understanding the more solemn, cool, funny, angry, poetic aspects of Cyrano, but less so his devotion, vulnerability, insecurities and his pathetism. It doesn't seem to get Roxane at all, how similar she is to Cyrano, nor why she has so many admirers. It does a very poor job at understanding Christian and his value, and writes him off as stupid imo. While I enjoyed the language aspect of the Burgess translation, I remember being quite angry at certain points reading it because of what it did to the characters and some changes he introduces. I think he did something very questionable with Le Bret and Castel-Jaloux, and I remember being incensed because of Roxane at times (for instance, she doesn't go to Arras in his version, which is a key scene to show just how much fire Roxane has, and that establishes several parallels with Cyrano, in attitude and words, but even in act since she does a bit what Cyrano later does with the nuns in the last act), and being very angry at several choices about Christian too. While not explicitly stated, I think the McAvoy production and the musical both follow this translation, because they too introduce these changes, and they make Christian as a character, and to an extent the entire play, not make sense.

For instance, once such change is that Christian is afraid that Roxane will be cultured (McAvoy's version has that infamous "shit"/"fuck" that I detest), when in the original French it's literally the opposite. He is not afraid she will be cultured, he is afraid she won't, because he does love and appreciate and admires those aspects of her, as he appreciates and admires them in Cyrano. That's key! Just as Cyrano longs to have what Christian has, Christian wants the same! That words escape him doesn't mean he doesn't understand or appreciate them. The dynamics make no sense without this aspect, and Burgess (and the productions that directly or indirectly follow him) constantly erases this core trait of Christian.

Another key moment of Christian Burgess butchers is the scene in Arras in which Christian discovers the truth. Burgess writes their discussion masterfully in form, it's both funny and poignant, but it falls short in concept: when Cyrano tells him the whole discussion about who does Roxane love and what will happen, what they'll do, is academic because they're both going to die, Christian states that dying is his role now. This destroys entirely the thing with Christian wanting Roxane to have the right to know, and the freedom to choose, or to refuse them both. As much as Cyrano proclaims his love for truth and not mincing words even in the face of authority, Cyrano is constantly drunk on lies and mirages, masks and metaphors. It's Christian who wants it all to end, the one who wants real things, the one who wants to risk his own happiness for the chance of his friend's, as well as for the woman he loves to stop living in a lie. That is a very interesting aspect of Christian, and another aspect in which he is written as both paralleling and contrasting Cyrano. It's interesting from a moral perspective and how that works with the characters, but it's also interesting from a conceptual point of view, both in text and metatextually: what they hold most dear, what they most want, what most fulfills them, what they most fear, their different approaches to life, but also metatextually another instance of that tears/blood motif and its ramifications constant through the whole text. Erasing that climatic decision and making him just simply suicidal erases those aspects of Christian and his place in the Christian/Cyrano/Roxane dynamic, all for plain superficial angst, that perhaps hits more in the moment, but holds less meaning.

Being more literal, and more solemn, Hooker's translation (or any of the others, but Hooker's seems to love the characters and understand them) doesn't make these conceptual mistakes. Now, would I not recommend reading Burgess' translation? I can't also say that. I had a lot of fun reading it, despite the occasional anger and indignation haha Would I recommend buying it? I recommend you give an eye to it first, if you're tempted and can initially only buy one.

You can read Burgess' translation entirely in archive.com. You can also find online the complete translations of Renauld, Hooker and Thomas and Guillemard. I also found a fifth one, iirc, but I can't recall it right now (I could give a look). You could read them before choosing, or read your favourite scenes and fragments in the different translations, and choose the one in which you like them better. That's often what I do.

Edit: I've checked to make sure and Roxane does appear in Arras in the translation. It's in the introduction in which it is stated that she doesn't appear in the production for which the translation was made. The conceptualisation of Roxane I criticise and that in my opinion is constant through the text does stay, though.

[kp-alice]

small update: i'm slightly behind on the next kinktober fic so instead of today it will have to come out tomorrow (its almost midnight where i am)

thank you for your patience and understanding and see you tomorrow!!!!