#sorry for the long ramble here

[frownyalfred]

Hello! I’m not Jewish and I just learned about Pikuach Nefesh. Being Jewish yourself, I’m guessing you have a lot of thoughts on this and how it relates to Bruce’s no-kill policy. I’d be really interested in hearing them if you want to make a post!

Hey friend!

I absolutely have thoughts, but I must begin with a disclaimer:

My perspective does not cover all Jews, nor is it the authority on what is or isn't Jewish. I grew up Reform/Reconstructionist, in an ethnically Ashkenazi Jewish family, and these are just my thoughts as a Batman blog.

Another important note: different types of Jews hold the halacha (rules/principles) of Judaism to be far more important in their lives. An Orthodox Jew will observe halacha much more strictly than a Reform Jew. Despite what some people will tell you, this doesn't make either of them better. Just different.

Whew, okay. Now that that's out of the way, let's get down to business.

What is Pikuach Nefesh?

In very general terms, Pikuach Nefesh (hard ch sound in the back of your throat) allows Jews to override other religious "rules" or values in the pursuit of preserving or saving a life.

A good example of this is a an Orthodox Jewish person, who, following halacha, will not drive or operate items with electricity during the Sabbath (Shabbat). But what happens if someone has a heart attack and they need to call 911? Pikuach Nefesh would permit them to use electricity, despite it being Shabbat.

If a Jewish person who keeps total kosher is in a situation where they will starve if they do not eat non-kosher food, they are permitted to eat non-kosher food.

Exceptions

There are some notable exceptions to Pikuach Nefesh, which I suspect is what your question is getting at. The threat to an individual's life generally has to be known, urgent, and not abstract.

Murder is another large exception, with some conditions. Generally, the intentional act of killing another person, or injuring them to the point where they might die from their injuries, is not an act that can be permitted by the principle of Pikuach Nefesh.

The slim exceptions to this include highly specific cases of self defense of oneself or another against an aggressor. One may kill to preserve a life in very strict situations, but they cannot murder. There are even times where killing is obligated, such as war.

So how does this relate to Batman/Bruce's no-killing rule?

Okay. So. I've had a lot of discussions with folks about this, and the answer I've learned is: it doesn't. Not really.

Pikuach Nefesh refers to the principle that a Jewish person should preserve life over almost any other rule or halacha. It does, actually, permit Bruce to kill under very specific situations. It does actually forbid him from gravely injuring people and doing so in the name of fighting against abstract threats, which are both things he does in canon.

The last time I wrote about this, I was definitely off about the details of Pikuach Nefesh in regard to Batman. I was corrected and I stand by that correction. I didn't grow up in the Orthodox faith and I don't observe much of their halacha, which is where a lot of religious theory questions arise from. I'm not an expert, and my explanation is only as deep as my own experience.

I think a good way of looking at Pikuach Nefesh is not as a way to define what, if any, killing is acceptable, but rather, what are we obligated to do to save a life?

The more important Jewish principle shaping Batman's ideology (in my opinion)

"Whoever saves one life, saves the world entire."

This is much more of an important focal point for Bruce's Jewish-influenced ideology. The flipside of this quote, from the Talmud, is equally important: "Whoever kills one life, kills the world entire."

Bruce's no-killing rule is famously tied to his parents' deaths during his childhood. In a way, his entire world ended with their murder. He sees his mission to clean up Gotham as a way to prevent that loss from occurring for anyone else.

Saving one person, like he tells Barry in Justice League, is enough. That is a viciously Jewish thought. It is frequently quoted in reference to those who acted in support of Jews during the Holocaust, doing what little they could against a fountain of evil.

Conclusion

In that regard, yes -- Pikuach Nefesh tells us that preserving a life is the most important thing above all else. But Bruce's no-killing rule would swiftly be broken if he followed the principle of Pikuach Nefesh closely, in that he would a) likely have to kill someone in self-defense at some point in his duties and b) it would not allow him to injure or hurt people to the extent that he currently does in canon.

More importantly, Bruce's no-killing rule is a better reflection of the Talmudic quote that "he who saves/kills a life, has saved/killed a world entire."

It is not much of a stretch, in my opinion, to connect Bruce's trauma from losing his parents at young age to his outright refusal to kill later in life. The more interesting question, in my mind, is if the creation of this no-killing rule truly was shaped by Batman's Jewish creators and their view on life and death, especially post Holocaust.

Comics became more widely available during and after WWII and the Holocaust, during which time many -- many -- Jews entered the field as writers and artists. Their influences on the characters we see today are obvious, often intentionally Jewish, but just as often un-intentional.

Was Batman's no-killing rule a product of the post-WWII Jewish comic writers who shaped his character? Was it a coincidence that lined up well with the Talmud, but not necessarily all the conditions of Pikuach Nefesh?

How else does Batman represent, or not represent, the goal of Pikuach Nefesh (the necessity that a person act in the preservation of human life, above almost all else)?

[forgettable-au]

END OF CHAPTER ONE

FORGETTABLE-AU (Page 65-72)

* Time to put this puzzle together.

[BEGINNING] [PREVIOUS] [CONTINUE]

[starcurtain]

Female Guidance in Aventurine's Life

One thing I haven't seen discussed in much depth yet, but which I think is especially interesting, is the consistency of female guidance in Aventurine's life: Every single person who we have seen on screen offering Aventurine assistance or making a positive difference in his life is female (with one exception, yes, I'll get there).

Under the read more cause it's longggg:

Before even diving into his family, let's just get the obvious out of the way: Aventurine is, at least supposedly, blessed by a goddess. The very origin of his good fortune--be it actual blessing or curse--comes from the literal "mother goddess" who watches over him. This is one of the only instances in Star Rail where a god character is specifically given a gender, and Gaiathra is not ever ambiguous. She is the classic female fertility goddess with all the trappings of other famous triple goddess figures of the real world. Aventurine's personal belief in the goddess may be shaky, but he nevertheless continues to treasure his people's faith. Thus, at the core, we can say Aventurine is a character who is guarded by the most quintessential mother figure possible.

Now, with the most obvious out of the way:

We know that Aventurine's father died before Aventurine was even born, and therefore he would not have any memories of his father, leaving him to be raised by his mother and sister.

Both women clearly made an enormous and lasting impression on Aventurine; they haunt every single one of his memories of Sigonia and are the key elements of the family Aventurine longs to return to. While he flirts with the concept of death as a way to see his family members again, it was also his mother and sister who instilled in him any sense of self-worth and meaning to his existence, the only things keeping him from giving up on living. His mother believed him to be blessed; his sister insisted to his face that not even the only remaining remnant of their mother had any value in comparison to his life.

It is for his sister that Aventurine first begins expressing a self-sacrificial nature, and from his sister that this self-sacrifice is reinforced when she uses herself as a shield to help him escape massacre at the hands of the Katicans.

It is also from his sister that Aventurine learns many of the deeply meaningful actions he holds onto to the present day, despite having been so far removed from his own culture.

Conversely, every one of Aventurine's early negative experiences on screen appear to have been driven (at least primarily) by men.

Although the Katican tribe of course would have both men and women, the tribal societies on Sigonia appear to be on the fairly traditional side, with Aventurine's mother staying at the camp with her child while his father was the one to go out and hunt for offerings for Gaiathra. This is also supported by Aventurine asking Jade to take him to her "chief" later on. Therefore, it is likely (although of course not guaranteed) that a majority of the Katicans' army was male, and that Aventurine's early experiences with outsiders consisted almost entirely of indiscriminate pillaging and massacre at the hands of what the Avgin viewed as savage, invading warriors. In separate instances, Aventurine was traumatized by these warrior figures three times--first with the loss of his father, then his mother, and then finally his sister.

And even their hope, supposed to come in the form of the "men in black" from the IPC, completely abandoned them, leaving Aventurine once again betrayed by masculine figures that were supposed to be there to protect him. Led by Oswaldo Schneider, another cruel male authority figure, the Marketing Department of the IPC permitted the wholesale slaughter of Aventurine's people--something which we know Aventurine is now aware of.

Then, of course, the next piece of Aventurine's backstory we're given is his male slave master. I don't really need to say anything about this, do I? This man violated Aventurine's human dignity and bodily autonomy, and forced Aventurine's hand in a life or death battle for which Aventurine still punishes himself mentally, even years in the future.

In part to escape the difficulty of his situation and rise to a position where he would have enough resources to--he thought--help his people, Aventurine joins up with the IPC. But when he attempts to make contact with a powerful man in the organization, Diamond, he is instead met by a woman, Jade, who against Aventurine's own expectations determines that she will raise Aventurine up (or use him as a tool, depending on how you currently choose to interpret Jade's motivations), granting him wealth and status beyond his imagination.

(And this line in particular is interesting, because you can take it one of two ways: 1) Aventurine comes from a patriarchal planet that traditionally put men into positions of power [thereby making his own slavery an emasculating act, aligning him further with disenfranchised women]; thus, he is making the assumption that to get anywhere in this organization, he will need to work with a man; or 2) He actually was counting on Jade taking his bet and helping him right from the beginning, because Aventurine perceives women as inherently more likely to protect and aid him than men would be.)

In the end, Jade does exactly as she claims she will, launching Aventurine into a position of power while also closing golden handcuffs around his wrists. She positions herself not only as his supervisor, but as his advocate and ally. She entrusts him with her Cornerstone, a sign of significant faith in his abilities. She even seems to be keenly aware of his bias towards the mother figure, referring to him as "child" in their conversations.

Whether this is genuine or a manipulation tactic can certainly be debated (and I'm not inclined to think at this point that Jade is a genuinely good role model or selflessly supportive person in Aventurine's life), but whatever the case, women are the only people Aventurine even remotely considers to be "in his corner."

We see this even earlier, in Aventurine's call to Topaz. Like with the example of his mother and sister, Aventurine trusts in Topaz's ability implicitly, and considers her above anyone else when it comes to completing the mission in Penacony.

Although of course we don't know if Aventurine has any other friends or allies among the Strategic Investment Department, it seems very likely that Topaz, yet another woman, is the one he is closest with. At the very least, she is the only IPC character (so far) that Aventurine has a complimentary voice line for, one that shows his respect for her talent:

Over and over again, the story aligns Aventurine with female figures in positions of authority, and demonstrates that he is comfortable (although maybe not too comfortable, in the case of Jade) with relying on them and trusting their judgment, just as he did with his mother and sister.

And this pretty much goes off the charts in Penacony, where Aventurine has more involvement with the female cast than virtually any other non-female character (even the Trailblazer!). We set the pattern off right away, with Aventurine immediately being placed into a negotiation situation with Himeko, respecting her role as the Express's leader and working to get himself aligned with the Express by acquiescing to her request for support.

Then there's the fact that Aventurine is the one who finds Robin's body, an event which, although he didn't let it show too much, was almost certainly traumatic for him, given the violent death of his own sister.

Next, twice in Penacony's story, we see Aventurine seek out Sparkle for information. He may not personally like her and her comments may be both racist and dehumanizing, but Aventurine does rely on her--being the only character explicitly seeking her aid, which no one else in Penacony seems to want.

In 2.0...

And in 2.1.

Now, say it with me, guys: Aventurine built an entire portion of his grand plan around the idea that if he looked pathetic enough, a female character would absolutely come and help him. And sure enough, the women come through for him, always! Sparkle gives him the exact last clue he needs to confirm his belief that he could use "Death" to reach the true Penacony, sealing the deal for the rest of his plan.

His plan which also hinged significantly on Black Swan's involvement too, another woman that he views as, if not trustworthy, then at least intelligent and hyper-competent.

Contrast all this, of course, with the treatment Aventurine receives at the hands of Sunday, the lone opposing male character he faces in Penacony.

Sparkle implies that Sunday would humiliate Aventurine in an unmistakably sexual and degrading way, and Sunday himself professes this same desire to see Aventurine humiliated.

Then we're "treated" to the moment in which Sunday uses the Harmony's (or perhaps actually the Order's?) power against Aventurine, in a scene which is supposed to reflect an interrogation but is also, very clearly, another nonconsensual violation of Aventurine's bodily autonomy and dignity by a man. While ostensibly seeking confirmation of the Cornerstone ruse, Sunday instead subjects Aventurine to unnecessary questions about his past on Sigonia, which recall and force Aventurine to re-endure memories of his trauma.

Even if this is what Aventurine prepared himself for and planned to have happen, the pain he experiences is very real, and he suffers both the physical and emotional consequences of Sunday's assault all the way up to his "Death" and possibly even beyond.

(Also, Sunday fans please don't get too up in arms with me for this; I also like Sunday! It's okay for characters to be morally grey!)

I think there's one other interesting example I would bring up here too, and that's Aventurine's conscious decision to weaponize his own masculinity against the Trailblazer. Through the 2.0 and 2.1 Trailblaze missions, Aventurine deliberately acts in an off-putting manner to the Astral Express crew, particularly the Trailblazer, in order to build up to the 2.1 climax where the Trailblazer is supposed to view him as an unrepentant villain and attack him without hesitation.

In order to achieve this uncomfortable, villainous effect, what does Aventurine do? Exactly what other men have done to him.

This is especially apparent if you're playing Stelle because of the ingrained societal taboo of a man entering a woman's personal space without consent, but even as Caelus, it is very clear that Aventurine is leveraging behaviors typically used to show dominance: In a complete 180 to all Aventurine's other body language in the game (normally quite withdrawn, frequently in defensive postures with his arms crossed or hand behind his back, almost always standing several feet away from other people), Aventurine violates the Trailblazer's personal bubble, looming over them (Caelus was sitting in this cutscene, lol), forcing eye contact, and commanding the space while informing them that they will have no choice.

For someone who was hunted, enslaved, had his movements restricted with chains, and due to his own slight stature has very likely been towered over by others who were intentionally asserting their power over him all his life, it is clear that Aventurine associates dominant, typically more masculine-coded physically-imposing behaviors with discomfort and even villainy.

Any girl who has ever had a man loom over her like this will realize very quickly: Aventurine wanted to make himself scary so he made himself act more like a bad man.

(Yes of course I know "not all men." I'm not saying every man behaves in this domineering way or that women cannot be domineering too, obviously, just that Aventurine had a very specific image in mind when constructing a "villainous persona," and the physically controlling tactics most typically used by aggressive men toward women was his immediate go-to.)

But where does that leave Dr. Ratio, the one male character actually on Aventurine's side?

Frankly, I don't want to derail my post about how intensely Hoyo chose to hammer on the message of "Women will protect you" in Aventurine's story with a discussion about a mlm ship, but the take-away here is going to lead in that direction anyway--so yes, Dr. Ratio is the exception.

What is interesting is that he does not come across as an exception at first, and in fact initially appears as another male character being rude and dismissive to Aventurine. Like, there are still people out there calling Ratio an unrepentant racist for this one.

Of course, it's later clarified that this is an act--likely even these insults were scripted specifically to give Sunday's spying ears the "insight" he needed to exploit Aventurine during the interrogation.

But even though it is an act, Aventurine still has noticeable trouble putting his faith in Ratio. He does genuinely doubt him a few times, despite knowing that they are working together to fool the Family.

Even his voice line about Ratio confirms that he doesn't think Ratio particularly cares for him; rather, he thinks Ratio simply tolerates him because he's slightly less unintelligent than those around them.

Ultimately, the entire act with Ratio ends up being a mirror of the real scenarios Aventurine has been experiencing with men his whole life (at least as far as we are shown his life). Men abandon him to fend for himself (unwillingly, like his father, or willingly, like Diamond leaving Aventurine to deal with Penacony alone on the inside). Ratio keeps leaving Aventurine completely alone. Men attempt to humiliate him and violate his boundaries (like Sunday and his slave master). Ratio insults Aventurine's appearance and intelligence repeatedly. Men betray him (like Oswaldo Schneider and his men leaving the Avgin to die). Ratio "betrays" him.

I'm not saying when Aventurine devised the plan for their act, he consciously drew up a list of all the ways men had hurt him in the past and had Ratio re-enact them one by one, but like... that's what happened, whether or not Aventurine intended it.

And okay, the shrinking scene in Dewlight Pavilion was just for fun and probably only slightly fetishy, the devs promise; yes, it was supposed to be a joke! ...But it's also not a mistake that this is yet another instance of a male character in a glaringly metaphorical position of power over Aventurine. Aventurine's tiny in this scene! He's completely vulnerable! He's in a dangerous position and the male character could very much hurt him in this moment.

But Ratio doesn't. (In fact, his line here is supposed to be sarcastic, very ha ha--but also, what is Ratio really saying? "I won't do anything to you without your express consent." What a good guy.)

Virtually everything negative that we see in 2.1 is Ratio doing these things as an act at Aventurine's own request. He doesn't actually disdain Aventurine; his own voiceline about Aventurine reinforces that he sees Aventurine as talented and intelligent.

Whatever you think he was apologizing for in their early scene, he's the only person we're ever shown in-game apologizing to Aventurine at all.

He worked hard to "betray" Aventurine but only as he was instructed to do, and immediately checks in on Aventurine's well-being afterward, even urging him to give up the plan if it becomes too much to handle.

And then, of course, there's the note: "Do stay alive. I wish you the best of luck."

After this point, it cannot be denied that Ratio is unequivocally on Aventurine's side, wants to help him, and is not doing so out of any sense of self-gain but largely because he is a good person who simply cares about Aventurine's fate. By the end of 2.1, it can no longer be doubted that Ratio is the exception to the "gender rule" of Aventurine's life, which--the story shows us again and again--was that guidance, protection, and care for Aventurine come from women, while men repeatedly represent dismissal, betrayal, or pain.

Ratio is, at least as far as Aventurine's story shows us, the proof that men can be good, that things are not as black and white in Aventurine's life as they might appear, and that--if you do choose to ship him with or see Aventurine as attracted to men--his attraction could be validated (and potentially reciprocated) by a male figure who would not bring additional harm to Aventurine's life. Aventurine makes the final decision to live after seeing Ratio's note--the exception to the rule ultimately proves to be the last piece needed to keep him alive.

But I promised I wasn't going to derail my own post about w o m e n, so let me get to the final point, and the one I really wanted to talk about: Although Ratio gets virtually all the credit for "saving" Aventurine in the fandom, Aventurine was actually saved by, you guessed it, another woman.

Not going to lie, the reason I started this post was specifically because I wanted to talk about how Acheron and Aventurine's dynamic was completely unexpected but actually fits flawlessly with the theme of feminine guidance in Aventurine's story.

Despite the fact that Aventurine made Acheron's life much harder and actively used her as a chip in his grand gamble, she doesn't blame or chastise him for those actions. Although she expresses some incredulity that Aventurine is actually that lucky, she then turns around and congratulations him for his ingenuity, immediately supporting him despite the fact that they don't even truly know each other.

Then it gets even more interesting. Acheron, who frequently hits her companions with deep and sometimes very emotionally fraught questions, asks Aventurine: "Have you never wavered?"

We as players know for a fact that Aventurine is constantly wavering, constantly doubting himself, his luck, and whether he'll even live--or even wants to live--to see tomorrow. But we also know that Aventurine is not forthcoming about those truths, refusing to express them to anyone, even himself. The only way we hear those dark truths is through his "future" self (who by the way, is once again another male figure cutting Aventurine down--of course it's himself but it's also, from the player's perspective, once again reinforcing the message that he isn't going to find safety or kindness in an adult male presence). Aventurine almost constantly deflects and diverts when his emotions or struggles are brought to the fore (unless he's divulging them for the specific purpose of allowing someone else to weaponize them). "I'm fine," he says, like a lying liar who lies.

But he doesn't lie to Acheron.

He chooses to be completely candid with her, to lance open the deepest wound of his life--that he can win and win and win and still have lost everything. The glitz and the glamour has all been stripped away here, at the end of everything, and Aventurine finally feels safe enough to admit that he fears he has absolutely nothing in his life worth living for.

And then, we get this direct parallel: Aventurine looks to Acheron, the woman now before him, for guidance, for explanation, exactly as he looked to his sister in the past.

He needs help, he needs answers, and he is continually seeking that help from the female figures in his life, whose support and kindness echo the lost care of his mother and sister.

"Go where you should be," Acheron tells Aventurine, guiding him across the river of death just as his sister insisted that he flee through the rain toward life.

Look guys, Acheron's even the one who reminds Aventurine to look at Ratio's note in the first place because apparently being an emanator of Nihility gives you x-ray vision, but my girl just gets no credit at all for being Aventurine's real savior, come on now!! Yes, Ratio's note was the final reminder Aventurine needed that someone would be waiting for him on the other side, but Aventurine would never have even gotten to the point of being willing to read that note if Acheron hadn't stepped in and provided him an answer to his question.

She feeds him back his own answer: "Why does life slumber? To rehearse the death for which we are not currently prepared." It is Acheron who reminds Aventurine that giving into the Nihility is pointless, and that rather than simply embracing a meaningless death, it is up to humanity itself to find and make meaning by living. It's this, not Ratio's note, that Aventurine gives as his reason for choosing to go on when asked by his own younger self. It's Acheron's words that finally give Aventurine an answer--why do we live just to die? Because there are people we can still make proud. Because when we go into death, we should do so with our heads held high, having achieved our own sense of purpose in this life.

Ratio gave Aventurine a promise: Someone is waiting for you to come back.

But Acheron gave Aventurine a reason: If life is inherently meaningless, doesn't that just mean you are free to give it meaning yourself?

She saved him, as women have been saving him all his life.

Anyway, this has already been horrendously long, but really what I wanted to say is that I think it is absolutely fascinating how consistent Aventurine's writing is when it comes to portraying where his support comes from and who he seeks guidance from. (Psst, just in case you still haven't figured it out, it's women!) In virtually every instance we are shown, we see the message reinforced that women are Aventurine's greatest allies and role models, while male figures are continually positioned to intentionally or unintentionally let him down and cause him distress.

"But women playing the supporting role to a male character is nothing new, Star, why are you so excited by this?"

Because the role women are playing in Aventurine's life is not the subservient supporter and emotional crutch role that female characters all too often play to male counterparts. None of the women in Penacony or Aventurine's past were there to do the emotional labor for him, to be a trophy or prize, or to cater to his needs. They don't exist solely to help him fulfill his character motivations; they aren't following him around waiting for his next request as their only role in the plot.

Instead, with Aventurine's story, we almost have an inversion of gender roles, where the male character eschews the stereotypical "men are leaders, fighters, and stoic heroes" archetype. Instead, no matter how hard he tries to hide it and keep a stiff upper lip, it is clear from 2.0-2.1's story that Aventurine is a deeply insecure, lonely, and explicitly traumatized survivor of genocide, slavery, and exploitation. Unlike most male characters, who are very rarely portrayed as genuine victims--because come on, shouldn't men be strong enough to fight back? Shouldn't men be able to shrug it off when they are hurt, emotionally or physically? (Of course I'm rolling my eyes here!)--Aventurine is belittled, humiliated, emasculated, and victimized on-screen, roles almost exclusively reserved for women, for whom surviving victimization in fiction is seen as noble.

Meanwhile, the women in Aventurine's life take on the roles traditionally given to male characters. They're both emotionally and physically his protectors. Aventurine's sister gave her life to guard his safety; Acheron ensured he could safely pass beyond the river of Nihility into the Primordial Dreamscape. They give him the tools necessary to succeed where he could not succeed on his own. His plan could never have gotten off the ground without Topaz and Jade entrusting their Cornerstones to him. The knowledge and capabilities of the women around him--not their "feminine charms"--are what allow them to help keep Aventurine on the right path even though he does waver. Even women who disrespect him, like Sparkle, still play a positive role in his life, able to provide him insight gained with their own intellect and talents.

When he has no one to rely on and doesn't know what to do, Aventurine is able to continually turn to the women around him, asking for and receiving not servitude or fawning, but their genuine wisdom and guidance.

tl;dr: If nobody else has him, Aventurine knows this random woman he met two minutes ago on the street will have him, because the women in his life literally never let him down.

(It's just so, so good, and ultimately, it should be very clear why Aventurine's story is as popular with women as it is! A+, Hoyo!)

[nachobsns]

Hello - I was impressed and extremely relieved by what you wrote in the post about the cult mentality of the Left RE Israel and accusations of genocide. You mentioned that you bought into the mindset until recently. If it's all right for me to ask, what was it that helped you break out of it? (Please feel free to delete/ignore if you'd rather not answer!)

thank you!! and no worries about asking— i think i put something in my pinned post about how people are welcome to send asks about this stuff, although my story isn’t super interesting. i fell down the typical online rabbithole, a couple weeks after october 7; i knew what had happened, at least vaguely, but the posts trickling onto my dash were all about the (undeniably tragic) loss of life in gaza, with little to no acknowledgment of the hamas atrocities that had started the war, so my narrative was pretty one-sided from the beginning. it just continued to snowball as the months went on and people became more radicalized, calling into question the reality of the 10/7 attacks and the humanity of all israelis. i never went all the way down the pipeline to full-on endorsing hamas or justifying their attacks, at least on a personal level, thank god, but i would reblog other people’s posts referring to hamas as a “resistance movement” and calls to boycott starbucks and mcdonald’s and condemnation of the “zionist media” etc etc etc. what pulled me out of it wasn’t any one thing— if someone had directly called me on my flawed logic and antisemitic biases while i was in this mindset, i doubt it would have done much, just reinforced my belief that i was on the “right side of history” and zionists were aggressors who couldn’t be reasoned with. it was mostly just passive observance and a slow exposure to other perspectives. i’m pretty sure the first post that led me to question my thinking was an ask on jewish-vents, which popped up on my dash in like, late july. this led me down another rabbithole, first scouring every single post on jewish-vents, then moving on to more popular jewish blogs that i had seen on “zionist blocklists” (applesauce42069, xclowniex, and spacelazarwolf were probably some of the blogs that influenced me the most, though i told myself i was just hate-scrolling at first, lol). i felt incredibly guilty seeing all the harm the movement i was a part of had caused to random jews and israelis just trying to live their lives and i realized how it went against everything i believed about how minority groups should be treated. from there, the aspect of actually undoing my thinking and changing my behavior for the better still took several weeks. denial of jewish indigenity to the levant in the face of tantamount archeological and cultural evidence was the first to go, as well as any ambiguity in my feelings about hamas. after that, it’s mostly been a slow process of redefining the idf’s actions from a “genocide” to a “war.” i still believe that what’s happening in gaza is unconscionable and horrific, and that too many innocent civilians have died, but i also understand how difficult it is to fight against a terrorist group that systematically embeds itself in civilian populations, and that the ratio of militant to civilian deaths is incredibly low compared to most urban warfare. i quietly deleted my old blog in early august— if i had directly engaged in harassment against jews, i likely would have kept it to make amends to the harmed parties and put a face to my actions, but as was, i had just contributed to the larger atmosphere of antisemitism on this site, and i felt uncomfortable knowing that i had a blog full of sentiments that no longer matched my values and beliefs. i decided i would be better if i took my endorsement out of the equation entirely, because when you’re looking through the notes of a post, it obviously doesn’t matter if someone who’s reblogged it no longer agrees with what was said— their notes still count as tacit approval, and i did not want approval of this “activism” attached to my online presence. i still have unwanted kneejerk reactions that crop up sometimes, particularly around the fundraiser posts from people “in gaza”; even though i know logically that they have all the markers of scams, there is still a part of me that really wants to believe i could help.

[meat-fr]

Color Guide for matching Festival Genes + Primal Eyes

Now i want to say this is not meant to be some definitive guide. These are just my attempts at matching colors as closely as i could find with what's available on the color wheel currently. Some of which were quite tricky to find a good match for (or is maybe not even the best use for the gene, looking at you Crystalline...). Will list the colors used for the scries above, but I'll also have some notes for some other similar matches or other color ideas. Overall, this was just a fun little project to work on as the genes released, and maybe some will find some use from it ¯\_(ツ)_/¯

Light: Sanddollar (Flaxen is a very close 2nd, if you want a very slight warmer color. Banana could also pass, but i find it a little too dark compared to the eyes)

Lightning: Robin (This one's tricky since the color IS the lightning rather than the outline, but Robin is bright enough to give the illusion of being white with a matching blue outline. Aqua is a close 2nd, but again is a little to dark in comparison)

Fire: Sunshine (Saffron if you want darker, more orange fire. Marigold if you want a lighter, more yellow fire. Sunshine is the middle ground of these two. All 3 of these match very closely, so up to your personal preference here)

Arcane: Bubblegum (Matching to the little runes. If you want to match to the eyes themselves, Orchid is the closest match without being too dark in color)

Plague: Vermilion (Berry if you want something less egregiously bright. But i do think Vermilion is technically a closer color match, tho both are very close. If you want a color flipped match, Chartreuse matches the colors pretty well, or Crocodile is you want a similar pallet but less bright (and also has a slight bit more red to it's accents). Bonus color: while it doesn't really match the eyes, Red has a very good Plague-y vibe, if you're a fan of the red+green aesthetic)

Earth: Pumpkin (This one has been the most difficult one to match with all the colors going on with both the eyes and genes. But it leads to a bunch of potential options that just kinda almost match. Ultimately tho there's not really a perfect match for these, just go by your own preference. Ginger matches close for a solid color match. For multi-toned picks, some other good options are Caramel, Peach, Ivory, Seafoam, and Cream. Sadly there's not really any colors that adds more pink secondary tones. (also as an added bonus for these: if you want to match with the geode currency used for the festival: teal, ultramarine, and splash are some good picks)

Ice: Eggplant (Indigo if you want just a very slight more saturation, but ultimately the two are nearly indistinguishable from each other. if you want some really dark blue ice in the same hue, Sapphire works well. If you want a lighter ice color: Sky, Periwinkle, Twilight, and Storm are the closest without going just full on white)

Shadow: Grape (Royal or Violet for a more subdued color, tho i find them a little too bright. The strong highlights on this gene make it tricky to match perfectly, especially when we don't have many darker purples as is. But at the same time, you really can't go too wrong with most of the purple range with this gene, it's just a matter of preference)

Wind: Peridot (Not much to say about this one. This color is incredibly spot on. I guess, if you want something a little darker, Pear matches the darker tips of the eyes)

Water: Cornflower (The whole Lapis-to-Sky range works here, for varying degrees of saturation and brightness, but i think overall Cornflower has the best balance out of all of them? (it looks the closest on adult dragons at least). Idk, this one's really tricky too xP And i am once again painfully reminded that we don't really have any good super vibrant colors in the sky blue range T___T All the closest colors are either too green or too faded. Also as a bonus option: If you want a foamy look, Ice and Pistachio work really well for this)

Nature: Orca (I initially thought Peridot would win this one, but then Orca came out of nowhere. Peridot's still another good option tho, the flowers are just a little more on the green side than the ones on the eyes (but they do match with the actual 'eye' part of the eyes). Also for a bonus color, Pearl also looks really nice paired with nature eyes, even tho it does have a lot of purple in the vines. the leaves and flowers still match really well. And as far as i can find, there's not really a good way to match the vines to the vines of the eyes, since that parts seems to stick to darker colors and browns)

[mattodore]

birthday boy 🎂

[acekindaneat]

do you guys think serizawa has seen reigen somewhere before in passing

reference + another version under cut!

i knowww it's an old redraw thing but i wanted to redraw serizawa in it for so long... here's a version without the vignette

[space--potat0]

Because absolutely no one asked - some thoughts and favourite moments from The Trailer

Henry's face in the paper - looks like he's just said "oh my fucking Christ" i.e. the first time Alex hears him swear!

HENRY CALLED HIM SWEETHEART (sarcastic). LOOK HOW PROUD OF HIMSELF HE IS. meanwhile Alex is just looking at him like 'this better not awaken anything in me'

Is that Shaan in the background??

Henry's camera smile vs his genuine smile mY HEART

Is this Henry's face after seeing Alex kiss Nora at midnight? My poor baby he looks so sad

'it was at this moment he realised he fucked up'

And finally more happy!Henry because my anxious neurotic sweetheart deserves only soft kind things

[artandbrimstone]

First things first 

!!!! Riptide 115 spoilers !!!!!

And if im wrong about anything i am sorry :( also this might be nothing but i need to say this somewhere

Chip and his lack of control over his own fate is so interesting to me. The guy who tells gillion tidestrider “I didn’t believe in destiny before i met you” is somehow, out of the three of them, the one who is seemingly following a predetermined path set out for him. 

Gillion, whilst being the chosen one, struggles with this identity and was exiled, which may be in his destiny but was clearly not intended by the elders. 

Jay has her prophecy (type thing I know its not exactly a prophecy) but it has no clear path for her specifically to follow.

Chip, however, was destined to end up back at the hole in the sea, but barely remembers actually being there in the first place, and yet when he does return to the black sea, there is a message from Rose from a decade prior knowing not only that he would return, but that he would be there looking for them after their disappearance. (i dont have the brainpower to go into how insane that message makes me so just know i think about it at least once a day). Even chips search for arlin, which was originally his own, was used against him and taken advantage of by Niklaus (with whatever the fuck he is planning im not smart enough to figure that out im just insane) making what was originally a goal into an “incessant urge to not only find the other members but also do what you [chip] were told and return to the hole in the sea”.

Not only that, there is also the compass, which is further twisting and intensifying chips desire to find arlin and return to the hole in the sea (niklaus also told chip to stop using the compass but yknow) so not even his desires, his main motivations that have led him to where he is now, arent truly his own. ( interestingly despite rose knowing he would go back to the black sea, still urges him to leave behind the legacy of the black rose pirates and do something greater) 

Even his death he had no part in, no crucial mistake, nothing he could have done differently to avoid it, he was simply chosen and made an example of for the sake of making a point of how fucked they were against captain widow, yet again a pawn in something he had no control over.

And then, when they do finally reach the hole in the sea, chip is led by the compass (THE FUCKIGN COMPASSSSS) and (im getting into insane territory here) has strange parallels to captain rose. He is separated from his crew (namely the only other black rose pirate, drey), made a deal with niklaus regarding the hole in the sea has the hole in his chest (idc if its not there in canon its there to me) however what is he met with? “Welcome home”. Now what does that mean? I dont fuckign know but it makes me very insane and this is long enough already so i hope you enjoyed my incoherent chip just roll with it ramble :D

[forgettable-au]

I love it when you guys like all of my posts but sometimes you'll get to the veryyy old stuff and it's so embarrassing cause my art looked SO different and also THE STORY WAS SOO DIFFERENT (I retconned lot of stuff at some point)

But also I'm so glad this comic is finally being posted and seeing old posts getting attention reminds me of how much I've progressed ♡ so that's nice

Still embarrassing ...

But very nice♡ glad to see new people finding this au everyday

[turtleblogatlast]

[ cw: death mention / family death mention / ]

Mhmm I sure love thinking of the reality where we did get more time to really know Karai and her dynamics with the bros. Losing her hit hard in the finale, but it would’ve hit much, much harder had we known Karai longer and really saw her relationships develop with everyone.

I especially would have been interested in her dynamic with Leo, as past iterations often have the two of them clash in ideals and the like while still sharing many characteristics. Two sides of the same coin, and all that. Her specifically being the bros’ Gram-Gram also adds a whole new dynamic as well.

Imagine how interesting it would be, to have Karai start off on Leo’s side for once, showing wholly just how alike the two are at their cores and bonding as family without the worry of betrayal or animosity that other iterations suffer through, only to have Karai die anyway. Their parting hug and the desperate look of horror Leo wears later on would have hit that much harder, I feel.

[a-chaotically-small-lunta]

Is it possible to enjoy g/t without it being a kink? /genq

100% yes. Many people in the g/t community like it without it being sexual or kinky in the slightest. In fact that’s why (at least on tumblr) there is a clear split between the kinky side and the soft side (aka Macro/micro for kinky stuff and g/t for non-kinky stuff)

But anyways; yes you can enjoy g/t without it being a kink. Most people use it as a coping mechanism and a comfort thought. Like for those who like the idea of being tiny, it’s the idea of being so small that the world’s problems can’t reach you, hidden away from prying eyes and crazy ideas. For those who like being giant it’s about being seen about being strong enough to fight the world and protect those they love. Size-shifters basically shift between the two, usually based on their mood. Although these aren’t the only reasons people like being Giant/tiny, there are many more but i just wanted to give a basic idea and I guess some psychology. Heck, Some like seeing things from a new perspective, a sense of adventure in something we see everyday. Then there’s also the mini collectors and also the enjoyment of “here’s a tiny object but BIG” (I mean giant cards? Hell yes I’m playing with those!!)

Lots of people are into it non-sexually. Cause there are so many aspects to g/t than just sex. There’s the trust building (and in some stories breaking) which, at least I believe, is one of the most essential parts to g/t; the trust. Trusting someone so big to not hurt you and trusting a tiny to not run away. There’s also the comforting stuff; like being hugged by someone so large that you just get all the stress and worries squeezed out of you with so much care so that you don’t actually pop. Having someone so small put all their effort into just hugging you and it’s not much but they’re doing everything they can to show how much they care. There’s the initial interaction where each party is frozen in time, and neither knows how to act, with their minds racing “what now?” Type thoughts run through their minds. There’s stories simply put into a g/t setting like fairies. There’s so much and there are so many scenarios out there that don’t involve g/t as a kink (Me and many others have shared these scenarios) Theres so much and there are many movies centered around g/t (like The Borrowers and the BFG) most of which are made for kids.

Heck I was into g/t as a kid (I just didn’t know what it was called) I grew up watching the 1997 movie The Borrowers and Honey, I shrunk the kids. I rewatched those so many times. I was fascinated by seeing the world from the tiny perspective. Seeing normal day things huge, it just sparked my young mind. I would daydream about it whenever I could (mostly school and church but still) The idea of being small or interacting with someone huge OR being big or interacting with someone small; it just made me all giddy. It made me smile and it might’ve been a coping mechanism but i genuinely enjoyed the stories too. I read the entire borrowers series in one month cause I was that into it. As a kid I didn’t even know it was a kink or could be, I just enjoyed it for what it was.

So yeah, you can definitely enjoy g/t without it being a kink. As they say, there’s always 2 sides to the giant quarter.

If you or anyone else out there, has any more questions about g/t, don’t be scared to ask! I’ll try my best to answer questions about it.

[moeblob]

Happy Birthday to Ferdinand von Aegir!

I actually made 33 emotes, affectionately known as Aegirglyphics to some, for my own personal use on discord. However, I figure why not share some of them! They're free to use for discord servers/icons/pfps or whatever. However, my only request is Do NOT use them as subscriber emotes on Twitch. You can make them free follower emotes but you are not to make them locked behind a paywall.

[a2zillustration]

The desire to draw these two again but without the motivation to make something more than one of these little charts (oops)

Thank you Valc0 for making the sheet!

[ponchizs]

I’m in love with how they are giving so many subtle hints about Alhaitham and Kaveh’s relationship and how important it is to Alhaitham, despite the way they always seem to be bickering.

Throughout the 3.2 archon quest Alhaitham tells us that the reason why he is so interested in helping Sumeru is because he doesn’t want his daily life to change. After that Kaveh starts being mentioned very frequently by him or we hear other people in the akademiya complain about how they daily argue.

Then, of course, we meet them both arguing with each other in the House of Daena, which was quite the argument. We also know many of their casual interactions and how they go to the café/bar frequently together. Furthermore, Alhaitham pays all of Kaveh’s bills (something no one would do for someone they don't care for).

And now, during Alhaitham’s quest, their tones were so soft (At least in JP and CN) and also domestic. Kaveh seems to worry a lot about Alhaitham and exchanges glances with him, which made me melt inside. I also love how Alhaitham is constantly smiling while bickering with kaveh. Remember, we dont see him smiling like this that often. Which means he really enjoys it. I really liked how after the second time Kaveh asked him if he is okay, he replied with a tease about the painting Kaveh had mentioned before. Also smiling.

But most importantly, something I see no one talking about: the moment when Alhaitham was explaining why he resigned from being the Grand Sage to being the scribe again and he tells us that “It’s important to keep your priorities straight”, the camera points at Kaveh.

I know this game will probably never have any canon ship because they need to make everyone happy, but we do get hints like this from time to time and I think this was one of them.

After all, why would they bother to add all of those scenes with Kaveh when the quests had already concluded, if not for showing us how is what is Alhaitham’s daily life he wants to protect that much? We saw how happy he is, how eager he was to get home and go have dinner with Kaveh. We also see how Kaveh had been waiting for him as well.

I’d like to know more about their relationship, even if it ends up not being romantic (though how do you explain that face Kaveh made when paimon asked if they are friends).

[snzluv3r]

i feel like the worst person in the world for this thought, but i am SO excited for it to get cold enough for my neighbor’s flowers to die…and i think these self obs from today help me explain exactly why.

cw for descriptions of allergic sneezing + mess

i feel horrible for wishing death on this little old man’s plants, but his garden is full of an entire rainbow of multiple different flowers that have made me sneeze every single day i’ve walked passed them since april.

even on the good days when i manage to hold back an immediate sneezing fit, they still make my eyes water and my nose run, forcing me to try (and fail, almost always fail) to balance sniffling back the mess and trying not to sneeze long enough to make it inside my own place, which is not only a race against the clock but a race against nature itself imo.

i felt especially silly and embarrassing today as i fought against what felt like two different seasons of allergic affliction. it was as if my melodramatic nose couldn’t pick just one allergen to contend with, let alone to publicly humiliate me with—so, even as friday brought with it a merciful conclusion to a long work week of fall allergies, i ended up breathless and sneezy once more, my nose caught off guard after passing by these brightly colored remnants of spring and summer. the comforting, crisp chill and damp smell in the air of the incoming autumn had almost made me forget about the flowers and their threat to my already sensitive nose, until their bright colors caught my eye, in stark contrast with the grey evening sky.

i tried so hard not to inhale until i was past the stretch of flower-garden-allergy-torture, but somehow i forgot that sniffling is a form of inhaling, and the strong, floral scented air managed to hit me even through the double-layered protection of my mask and my existing mild congestion. i don’t think i even got to fully sniffle before my eyes were filling with allergic tears and my breath was hitching, the tickle too deep in my nose to hold back.

like all my allergic sneezes, especially the ones that start when my nose is already drippy and sniffly and dramatically irritated, these were bound to be wet, and there was no time to even pull down my mask, let alone scramble for my travel pack of tissues. in a panic i tried to stifle, which only made everything so much worse and only actually worked for about three poorly stifled sneezes before the first desperate, unrestrained sneeze ripped through me. obviously it didn’t have far to go, given the mask still hugging my face and caging my mouth and nose, but there was no way i was taking off the mask now. the damage was done, and i couldn’t risk the embarrassment of anyone seeing me like this.

not when the more i sneezed, the more mess i could feel run down my chin, completely coating the lower half of my face and inside of my mask. feeling the spray of each sneeze against my mask only made my embarrassment about yet another public sneezing fit worse, my ears and cheeks reddening even more than my nose. i tried stifling again but realized it was pointless, resigning myself to walking as fast as i could while remaining upright as my body snapped forward with harsh, uncontrollable allergic sneezes. my only solace was the slight muffle the (now drenched) mask provided, keeping my head down and towards my chest as i sneezed and shuffled my feet clumsily along the sidewalk. i only ended up having to stop my awkward, sneezy speed-walking once in the remaining two blocks home, for a rogue rapid fit that came so fast, all i could do was stop in my tracks to sneeze over and over again into my mask, my chin tucked into my chest as i instinctively held my elbow up as if to cover the fit despite the mask.

by the time i got into my apartment i had sneezed probably 35 times into my mask and the mess trapped inside was clinging awkwardly to my ever flaring nostrils, making the still unsatisfied itch even more unbearable. it felt almost like purposeful torture, as if the sensation of the mask’s now cool, damp fabric against the existing need to sneeze had become someone who was lightly tickling my nose with a feather, playfully torturing my glistening nostrils as they twitched. my nose was so unbelievably itchy and impossible to ignore in those last few steps to my apartment that i couldn’t help but try to rub my nose against my chest as i fumbled with my keys to unlock the front door. it didn’t even register with me that i was doing it until i had the door open and realized how ineffective of a handsfree nose rubbing method that had been, my desperate attempt at relief only bothering my nose more.

i didn’t even get the door all the way closed behind me before i was sneezing again, my walk up the stairs made difficult by more sudden rapid-fire sneezes, but i was determined to make it all the way home before i lost complete control. even though i was virtually alone, i still had no intention of taking off the mask until i was truly alone and behind a closed, preferably locked door—the thought of anyone seeing how much of a mess i was behind the mask was unbearable, somehow even more embarrassing than all the actual public sneezing itself. it couldn’t have taken me more than seconds to unlock my apartment door, the final destination and end to this nightmare, but it felt agonizingly long as i sneezed in rapid sets of 3s that felt like they echoed up and down the stairs. literally all i could think about was ripping the mask off, finally freeing my nose of the sort of self-inducing allergic torture chamber my mask had become and burying my mouth and nose into about a dozen tissues at once to have the fit of my life (or at least this week 🤣),

i truly applaud this man for not only keeping these flowers alive but THRIVING to the point they’re still pollinating, even as the temperatures drop and leaves fall in the same backyard, but i can’t deny that i daydream about the day i don’t have to try to hold my breath as i walk down that block…

so yeah, i guess in the nicest and gentlest way possible, i can’t wait for this man’s flowers to die (or be moved to some nice imaginary greenhouse in a land far away)