#sorry for bad english (and maybe for this post)

[raven-at-the-writing-desk]

I've been trying to focus on thinking about things I enjoy about the idea of the TWST anime. And regarding overblots, I think an anime version would really help illustrate (even more) how terrifying the process is. I really like how the manga shows Riddle's OB, and I love anime as a medium, so I'm pretty hyped to see how it will be conveyed in it.

I really hope they accentuate the horror of it- I'm aware that they might not go all in w the horror like I would personally like, but the thought still excites me. What kind of music will they play? Will the animation change like it does in some animes when the characters are distressed (wobbly lines, glitchy effects)...? What sort of directions will the voice actors get? I mean, they already voiced the game, but anime gives them more room to do voice stuff. I'm really hyped for this aspect tbh...

And I'm also excited for the possibility of dubs, since I'm quite a fan of the whole dubbing world. (I know some ppl have their fears about this last possibility, but in my case even if it turns out to not be so good, I think we could still have a good time w something like that. Plus I've seen some popular eng dub actors hyped about the anime and wanting to be casted for certain characters)

I also wanted to apologize for my previous ask ᕙ⁠(⁠⇀⁠‸⁠↼⁠‶⁠)⁠ᕗ I already did so in the comments, but I felt bad about doomposting on your inbox. My mind's first reaction is usually to see the negative first and become anxious, and it's something I'm working on, but it sometimes goes out of hand. But now that a bit has passed, and specially thanks to your advice, I can sit down and try to focus on the things that excite me rather than the ones that scare me. Sure, building too much expectation could backfire at the end— but as you said, we have little to no information at this point. So I think focusing on the things I'd like to see is a better usage of my time. If they turn out to disappoint me... That's something I'll worry about next year, I'll suppose. I'm still a bit anxious and scared, but there's also lots of things I'm hyped for. I'll try to take your advice and focus on those. 🫂 Sorry if my previous negativity made you uncomfortable.

[Referencing this news! Asker’s prior post here.]

I’ve seen a lot of fans speculating that the OB transformation sequences will resemble magical girl ones! While that’s a fun idea, I do feel like it makes more sense for the anime to portray OB as something scary and all-consuming, similar to how it is depicted at the end of animated dorm commercials and in the manga. For the characters experiencing them, it’s not meant to be glamorous… All that agony, the dripping ink leaking out of their orifices and dripping like blood. Overblot looks incredibly horrific, and I think that should come through in the animation—whether they change the usual style for these segments or keep it the same.

I think the anime would reuse (or maybe do remastered versions of?) the Twst soundtrack for a lot of the show. The compositions are already there, so might as well. Maybe experiencing the anime will help to make the music more memorable, since it seems the game soundtrack alone isn’t doing it for some fans.

No clue about the JP voice cast; I did see some people worrying that they could replace the game’s voice cast for the anime, but as I’ve mentioned already, that’s an unfounded claim. If the usual VAs are there, surely they won’t just reuse the already recorded lines from the game?? 😂 I’d think they’d at least have to rerecord those based on how the script and its scenes are laid out, plus additional dialogue to fill in the gaps (such as new scenes).

No confirmation of an English (or other language) dubs yet either! (Again, this is another topic related to the anime that sparks worry, but I must stress that it’s pointless to get into a tizzy about something that isn’t concrete yet.) But yes, I’ve already seen English VAs expressing interest in certain characters; Daman Mills wants to audition for Malleus, Alejandro Saab has made it known he has Twst on his radar and wants to voice Leona, etc. (The latter has done Twst dorm leader impressions for fun before; I think Mr. Saab could make for a decent Leona or even Malleus!)

Don't worry about the previous ask ^^ I think it's better that we discuss these things with one another rather than post or tweet into the void and allow those negative feelings to fester. If you want to view it in a different way, think of it like the OB boys actually getting therapy/finding someone to confide in instead of being allowed to stew in their own emotions and risking OB a second time. Sometimes all it takes is that gentle nudge or a reminder to step back and take a deep breath. When we let our emotions get the best of us, we end up thinking and acting in irrational ways, and then that can lead to people--whether yourself or others--getting hurt.

[hiso03]

what makes you ship halbarry, mine is the amount of symbolism and moments they manifest about them being compatible with each other and even the main lore knows theybare one😭😭

sometimes I wonder why these two aren't together yet since they are basically soulmates 😭😭

This is probably the question I have been waiting for the most and for which I have to have the longest possible answer. I will try not to go too far, but I will also try not to miss any points that I consider important.

I think I can start by saying that I love their dynamic, I've always liked it. To start Barry is a more serious guy, shy and introverted, always thinking about some situation and planning. And Hal is more outgoing, noisy and confident, he NEVER plans and is too impulsive.

They are opposing poles, not radically opposed as with other characters in the league, but they remain opposing enough to provide contrast to the relationship. There's also the fact that the two of them are fully aware of those differences, and even though they don't like some at all, they've never tried to change anything between them. Even when people constantly point out how different they are and how no one understands how they are friends. (Even they can't understand how they're so close if they don't resemble each other at all)

(Personally this panel is one of my favorites, as I love how Hal immediately jumps up to Barry's tastes, making it clear that while he doesn't like to do the same things Barry does, he doesn't find it as bad or boring as some might think.)

In general, the series of “The brave and the bold” I like because it allows you to take a close look at their relationship and give us lots of interactions of them, allows us to see a little more of their real character and their friendship.

There is also the fact that in that series they constantly show how well they know each other Hal and Barry manage to combine their skills to help each other. They always take advantage of each other's ability to resolve conflicts, and even when they fight or argue, they resolve them quickly. Another of my favorite numbers is the last volume of the series, when Barry falls into a terrible and painful depression and Hal is the only one who supports him.

Literally Hal tries to have some stability in his life to let Barry stay with him, helps him like Barry has always helped him and says one of the phrases I love the most.

“The poor man needs something to hold on to, so he will stay with me, maybe our friendship will be a comfort to him, he will always be able to count on that until the day we die.”

In this same comic is where Barry tries to sacrifice himself and Hal stops him, to that I add that in a previous issue we also show that one of Hal's biggest fears is losing Barry. The thought of seeing him die or get hurt is something that scares him.

Hal's not afraid to die, he's afraid that Barry will die and it's his fault, that I can't save him. And that point added to everything that's going on with Parallax and Crisis on Infinite Earths feels like a stab for both of them.

It's fucking tragic.

Generally in many moments of Hal as Parallax or The Wraith, Hal talks about Barry, continues to talk about how amazing he was as a person and a hero, talks about how he remains his best friend even though Barry is still dead. (That reminds me a lot of when I'm with my friends and some of them start talking about their boyfriends even though they're not there and we didn't talk about them originally)

And when they both revive, Barry constantly lets him know that everything that happened with Parallax wasn't him and tries to support him, try to be there for him for as long as he couldn't help him when his friend needed him the most.

We also have the fact that Barry has canonically been a blue lantern, and well, hope and willpower isn't exactly two opposing poles, on the contrary, it's likely that both entities are reciprocal forces. That they stick together and support each other, just like Hal and Barry do.

I also like to think that they had a somewhat similar childhood.

Both lost a father or mother, and that led to the loss of the rest of their family and childhood, they had to grow up faster than the other children, became more independent, and soon discovered that the world was cruel and unjust.

Although we also have other universes like:

The universe of Injustice where the two of them continue to support each other and remain together despite the mess that is around them, and there is even a panel where Hal as a yellow lantern is going to rescue Barry after Constantine abducted him.

Or we also have the fact that red and green in the chromatic circle are two opposite or complementary colors that are usually used when you want to create a harmony on a visual level. That is, from the choice of colors we can know perfectly well that they are opposite poles, but they complement each other so well that it creates a visual harmony when you see them together. (For some reason Christmas usually uses these two colors as its main ones).

There's also the fact that Hal and Barry met before the league was formed, and even when they met Batman and Superman, Hal wanted him and Barry to work it out on their own. (Barry refused because someone has to put prudence on their duo)

And we have the fact that in the story of how they met, Hal calls it his “first date”. (Let's pretend he didn't say that when he and Barry weren't literally on what looked like a date, where they went to dinner at a restaurant where there was live jazz music and Hal actually had a good time sitting on Barry's cell phone).

(Hal hates jazz, but he's still there with Barry at a dinner party while putting up with music he doesn't really like. That's pretty.)

I think it was also in this comic where Hal lets Barry use his ring to get you both out of there.

There's also universe 36 where we have two variants of Green Lantern and Flash that canonically speaking are couple. It is worth remembering that the two of them did not stay together, since in an event they participated in, the Flash of their universe dies. (It seems there can't be a crisis without a sprinter dying) Luckily at DC Pride they made the green lantern of their land look for their Flash, and they revived and were happy.

(They're supposed to be neither Hal nor Barry, but the truth, their designs and even their names feel like very inspired by them, so I scored it as a little extra point although I don't know if you can consider it).

We have DC vampires that although in that universe, Hal kills Barry because they won't let him turn him into a vampire because he would end up killing everybody. Hal finally gives us that line where he admits that he REALLY wanted to conquer the world with Barry, which kind of fuels his tragic gay romance.

Anyway, I would like to go longer, but I can't find some panels that I was looking for to explain me more, plus I feel that this is already long enough and meaningless to make it clear that I love them both. I just want to add that I think probably the thing I like most about them is that they both admire each other. Both their heroic parts and their civilian parts, and I think that's very sweet and nice, added to the fact that they're always there trying to support each other or show off parts of their personality that you can't appreciate with all their friends to the same extent. I like that they always have symbolism and like many times in the comics it refers to some moments that they have lived together. This makes me have the theory in my head that maybe some cartoonists and writers also like them in a sense beyond friendship, but since NOBODY dares to take the leap of faith and make them canon, they let us drop some crumbs so as not to lose faith.

(If anyone got here, thank you so much for reading all this even though it doesn't make much sense in some parts, I apologize for that and make up for it with some panels of them two)

[tamiisnthere]

Probably nobody will care about my ramblings, but...

I'm honestly emotionally attached to Altaïr so deeply that I don't crush on any other character anymore, only him.

When I think of the angst scenario with him, it makes me want to cry.

When I think of the sweet and lovely scenarios with him, I cry, but this time with joy.

He is not only my moral support, but also my conscience and best friend. Whenever I'm playing a video game or watching something, I always imagine that he's with me.

And when I sleep, I hug my blanket, imaging him cuddling with me while sleeping.

It hurts me he's not real because I want to talk to him, hug him, cuddle him, kiss him and comfort me when I'm at my worst emotional breakdowns.

I've been crushing on him for 4 years now and it's not stopping anytime soon. However, a thought recently occurred to me: what would it be like if I met him in person (not as my persona, but irl me)? Surely he would see me as just a random civilian, maybe as a burden like those beggars in the game.

I would understand and wouldn't mind that he would never be interested in me (unlike my persona, which would be the end of the world for her lol). We could have at least been friends at most, that would be nice too.

I don't know why, but since day one I'm always waiting for someone who is going to insult me about why I'm shipping with him and that I should find someone in real life or even probably need therapy. But I've lost hope of finding love irl, cause very few dudes would be like my Alty + I'm very shy, weird and boring outsider/loser...

[itsatorchwoodthing]

im bringing back my theory that Cyberwoman was shot that way on purpose and how brilliant it is ( and how it gets shit on only because of the awful costume choice)

i find that the weird shaky camera and the zooms were some sort of a narrative device and artistic choice (even tho one can argue, not well done) that helps you understand how disconnected ianto is feeling from the team and how much his life is shaking - the whole episode IS from ianto’s point of view, his feelings and his way of seeing the team, its supposed to put you in his mind

[carpathiians]

the thing about javier. at some point I think he really just couldn't live with himself. at some point he had to get rid of everything that reminded him of the past and maybe he stopped caring about his appearance as much because it seemed to have no point anymore maybe he was simply too tired maybe he felt he didn't deserve to be like that anymore ... maybe he felt he didn't deserve to pretend to be the man he thought he was.

[lanternmice]

uh u h uh, woe wife be upon ye???

RUBS EYES. HI . OH MY GOD I LOVE THIS SO MUCH THANK YOU I FEEL LIKE I COULD DIE. i've been looking at this for like an hour now and i can't even think of anything meaningful to say. thank you so much i made this collage of my reaction in discord in replacement of actual real english sentences ok?

[cheezshark]

My favourite oc's/characters!

Angel and Victor!

+ Bonus

[drpepqer]

I want someone that loves me like Rodion loves Gregor

[trust-and-jump]

Okay, so

I wrote a scene of my fanfic and I really liked it AND I'd like to translate it to English properly but my English is not the best, so I'll just describe the situation in it:

It's a Reverse Robins AU but for this scene it doesn't really matter, considering the fact that after all things that changed, including different roles for every batkid in the family, Jason still died. Because I just want some immortal!Jason (i mean the thing where he is very much able to die but he wakes up some time after) appreciation, okay? I mean, there are some things in comics that KINDA prove that (mostly the thing at the end of the Under The Red Hood arc, I'm pretty sure many people saw that theory). And, well. Things go the same as canon went once (annual #25 of Batman and some parts about Talia taking care of Jason in the Red Hood: The Lost Days) until after the Lazarus Pit.

You know how Ra's got reeeaaaally upset after That Thing with the Lazarus Pit? He didn't kill her but boy he was really intimidating. Probably because he was fresh out of the Pit.

Soon after he sends people after Jason Todd. And in my AU days later he has to deal with some urgent League business far away himself, suspecting that Talia set this up to let Jason escape the League assasins. Is he right? Is he wrong? Who knows.

Anyways,

We know that Jason was in some motel and got the news that Joker is still alive and as always goes in and out of Arkham like he owns the place. And we also know that in Lost Days after that he leaves all the trackers Talia put on him behind and runs away, trying to get to Gotham (and kill Bruce with that bomb under the Batmobile).

The thing is, in my AU he doesn't get far away before the League men catch him and bring him back to the League. Oops.

Ra's still isn't there but Talia knows that it won't take too long and she fears that as soon as Ra's gets the news of Jason being caught he'll order to eliminate him. You know, because of the stuff he told Talia about Jason being havoc or desease or something. You probably remember better than me, if you read the Lost Days.

But again, that's not the point.

The point is, that Talia (in my AU) for certain reasons actually suspects Jason being able to ressurect again. There is only one way to find out - to kill Jason. It would also keep her father's interest long enough to set Jason free once she's ready.

Jason, by the way, trusts her, even though he shouldn't and even though he doesn't remember most of the time being... unwell before the Pit.

So he doesn't expect her poisoning him with a f TEA.

The scene I wrote and can't translate good enough is about what happened right after, where Jason wakes up (and i really forgot here that i wanted to make him universal glitch again so he would wake up always after 6 months BUT I WANTED THIS SCENE TO HAPPEN SO BADLY), trying to pull himself together, and after an hourS long brooding and existential crisis he finally walks to the room next to this one (which is some sort of morgue or the infirmary, he isn't sure) just to see Talia, calm as ever, slitting there, cleaning her blade, relaxed, and he should be furious, but she just says, still looking at the blade, "Regrets are for fools". And you know, I did some decent Talia description in this dialogue but it's all in Russian and I'm a little sad.

But the thing is, Jason, knowing her, realises that she's lying to herself - and he answers after a minute of sudden muteness that if she wasn't sorry she wouldn't say something like that in the place where no soul would accuse her of anything.

And - her shoulders drop a little and she, like, relaxes. And THEN he realises that oh shit, it was her twisted and stupid way to say Sorry. And he knows he should be angry, because she poisoned him, killed him, and now she's sorry?? But he doesn't get angry, he is a little amused by this little exchange and bone-tired, but he's not angry even a little.

After that there are few more kinda cool things i wrote in Russian and then he tries to get warm and kinda just wants to rest and to look as empty as he feels and to curl in the corner under some blanket, so Talia delicately leaves the room and lets him grieve himself.

And the last line of the scene is Jason remembering what she said him once, long time ago,

"Don't show your own weakness and always aim for your enemy's one." Врушка.

Врушка basically means "little liar" and can be used as affectionate word.

So. I don't know why but i just wanted to write it. Still wish I had some person who could help me translate things in the cool way. But whatever.

[firebirdsdaughter]

As the daughter of a history major…

… Where the hell are so many americans on tumblr going to school???

I just saw a post about how ‘it’s taught in america that the pilgrims were Good and fleeing religious intolerance but they were actually Bad’ which first off, you cannot make those distinctions bc freaking everyone was up to kill anyone who didn’t agree in those days, but also… People claiming to be american claiming that they were definitely taught exactly that??

Maybe… If you never took a history class past elementary school, I guess. Or maybe you were in Florida (oh, gods, get my mother started on people killing each other in Florida).

Bc, resident American here, albeit one in Massachusetts, and… No. We’re not taught that. You get a romanticised version in early grades maybe, but the higher you go, you get taught that the most Puritans had different religious beliefs than the standard in England, so they took the opportunity to ship off to the colonies. There’s no victimisation, it’s just straight facts. And that usually, that was the category of people shipped off to the colonies—criminals, religious differences, poor people… Like no one in their right mind wanted to go off into the ‘wilderness.’ They did it bc they hated being where they were, and England was all too happy to get rid of them. Hell, they were also completely unprepared and many of them died on the way over. Like that shot went super bad for so many reasons.

I’m not going to claim I remember every detail I was taught, and I had a bit of a deeper knowledge bc my mother is, again, a history major w/ an interest in American history bc it is whacky), and I do remember the ‘founding’ being a little simplified, but I also distinctly remember going into higher grades and having teachers outright explain ‘what you were told as kids was a very simplified version, let’s talk about it in more detail.’ We weren’t taught that there were ‘good’ or ‘bad’ guys, we were taught that these people had a difference in belief and that for that reason, they ended up shipped off to the colonies. We talked about the conflicts, the damage, the ugly bits.

I think people claiming to have been taught a sanitised version either didn’t take many history classes, didn’t pay attention, or don’t remember much of what they were taught (which no judgement here, I barely remember). Or maybe they’re just trying to sound Cool on the internet? I can’t know. But I remain baffled by certain myths about the us that alleged Americans come out of the woodwork to claim are true when… Your experiences are not universal???

Like I’m happy to criticise the education system, bc excuse me while I cry about not being able to hold a conversation in Spanish, but like. Unless you were in a very particular environment (I went to public school, btw)… No, you weren’t taught that shit. There’s parts missing, sure, but they did not, at least not beyond elementary, try to claim the ‘Pilgrims’ were blameless. I remember being taught that life was harsh and short, and people bitter and stubborn. I don’t doubt that the words ‘fleeing religious intolerance’ might’ve been used, bc technically, yes, they were. But I am also intolerant of trolls, and mosquitos. That’s a statement, it has no bearing on what kind of people either group was.

[mygnolia]

to weave my love ⭒ n. riki

⭒ SYNOPSIS -› Riki is good at many things- dancing, making fun of his friends, playing it cool (debatable.), Hell- he’s even good at saving people from falling buildings without getting whiplash. But the things he’s bad at? Well, it’s asking you out to prom, and trying to balance the shared assignment he has with you…while being Spider-man.

⭒ PAIR -› spiderman!nishimura riki x fem-pres!reader

⭒ GENRE -› fluff, banter, action ⭒ TROPES -› classmates to lovers, idiots to lovers ⭒ WC -› 17k (i’m sorry idk why either.)

⭒ INCLUDES -› SPOILERS FOR GREAT GATSBY, cursing, non-graphic injuries (reader discretion advised), yes i made the patching up with first aid kit trope SUE ME!! takes place in a busy city similar to new york never specified, reader is rich, jake and heeseung are seniors and riki’s a junior, is riki stupid? yes… jake reveals stuff because he is also a little silly, reader wears a red dress!

⭒ GREAT GATSBY -› basically jay gatsby has this weird amt of money but no one rlly knows how he got it (nefarious reasons) and hes been in love with this girl daisy for five years but then she got married to tom buchanan but he gets rich so he can get the house across from her and wistfully watch her and he pines after her like CRAZY but he dies at the end

⭒ REN SAYS...special huge fat kiss to thena @sensitively-taken you will be in the will when im a millionaire THANK YOU for helping me with so much of this I WUV U AND I WLL BE WAITING FOR UR HUENING FIC!!! | LIBRARY

NISHIMURA RIKI MIGHT DIE FROM PRE-ADULTHOOD STRESS, IF THAT’S EVEN A THING.

What exactly does Riki have to worry about as a seventeen-year-old junior in high school? Right now, his most daunting responsibility is catching up on the chapters of The Great Gatsby because the only thing Riki’s actually read from the novel is that the main character shares a name with his best friend and senior, Park Jay. His second most daunting responsibility is handling the fact that with the new seating chart in his Literature class, it means he’s sitting next to the object of his very subtle affections, you. 

See, the problem with having a crush on you is that Nishimura Riki’s committed to thinking that you’re way out of his league, and unfortunately, the boy believes that almost too well. Not only are you minted beyond his wildest dreams (having seen your posts on social media), but you’re hardworking, helpful, and dedicated to your role as student body treasurer. He’s already understood that you’d never go for a guy like him. Maybe someone more like Park Sunghoon, whose parents’ salary matches yours. If Riki lived in a rural estate with generational wealth, handling the whole ‘Spider-Man’ thing might be a bit easier for him, considering he wouldn’t have to try so hard in school. It might even change the fact that Riki dealt with some alleyway criminals last night and is currently catching up on lost sleep, as your English Literature teacher goes on and on about a project on the book you’re reading. 

In class, and even sometimes outside of the classroom, your small tendency to not pay attention to your surroundings has landed you in some awkward situations—like now. 

“I don’t really tell anyone this, but I hate Daisy.” And instead of getting a response, you glance over to see Nishimura Riki slumped on the desk. Without trying to make preconceptions about what could land him in a situation like this, you poke his arm, stifling a smile at how his eyes widen when you’ve caught him rubbing the very obvious sleep from his eye. 

“Sorry,” he whispers, still fighting the post-nap grogginess, “Did I miss anything?” 

(Nope.)

Shaking your head, you return your attention to your teacher as he continues to answer questions. The second Mr. Yoo assigned a report, you wanted to die even more considering the work you had to do on top of the impending due dates. But for it to be partnered? And for you to get seated and paired with the one boy who's known for not caring about school? Maybe things are a little stacked against you, but there has to be a reason why Riki’s somehow still passing all his classes…right?

Considering it’s the last assignment about the book, you’re glad that you already read it so many times to know what you want to put into words. And in retrospect, answering a few open-ended questions about it can’t be that hard—the hardest part would be getting your partner to stay awake in class. 

A small tap at your side makes you turn to face Riki, who you see has frantically written a page full of notes about the project in the past three minutes and how he can succeed. “Can you go over the first part? Sorry…I was…y’know.” 

“It’s a partner project. And we’re partners.” You wince at the awkward wording. 

Great! Riki was caught sleeping and that was your first impression of him for your paired assignment? Riki feels so stupid in front of you right now—in front of your meticulous notes with annotations and proper highlighting. He wants to curl up into a ball when he sees you glance over at his haphazard attempt to look like he was paying attention when, in truth, he was trying to remember the dream he had just ten minutes prior. When you offer him a small smile and nod, leaning over with your notebook in hand, he sighs in relief, thanking whoever it was that let him get away with his naps without the consequence of irritating you afterwards. 

The bell rings when Mr. Yoo stops talking, and you pause, startled by the sound. Instead of leaving, however, you pack your bag and shuffle to his side of his desk, continuing to parrot details about your report in hopes that it all makes sense. You need to make sure he knows what he’s doing. 

“I think one of the questions he mentioned was like ‘Is Gatsby a good person?’ and do you remember how in Chapter Eight…” The rest gets zoned out and forgotten in the boy’s head, because he in fact does not know what happened in Chapter Eight. He doesn’t know what happened…in any part of the book. But he agrees anyway, pretending like he understands what scene you’re trying to explain. What he notices is how thorough and dedicated you are towards ensuring he comprehends what you’re explaining, and although it could be because you don’t want him to fail you both, he chooses to believe you’re doing it because you tolerate him. 

You’re so engrossed in covering all the little details and telling him random tidbits regarding the book that you don’t realize your feet have made it all the way to the cafeteria. “But here, let me get your number. I’ll totally explain more over text.” 

Riki is definitely not freaking out when he silently grabs his phone and hands it to you with the contact page, staring a little longer than necessary at the cute smiley face you added to your name. “Thanks,” he mumbles, forcibly tearing his eyes away from the ten digits of your number, “For helping me with this, too.”

“Of course! The Great Gatsby is a fun read for me. A little hard to read sometimes because of some of the characters, but still easy to understand.” And Nishimura RIki realizes that he has to do well. He’ll read the book five times over if it means gaining your approval. 

Jake notices something a little different about the tuft of black and blonde hair when his friend walks in. The first thing is that he’s actually here, and that you’re next to him, smiling. The boy rubs his eye to make sure he’s not dreaming somehow, but when he looks up again, you’re waving goodbye and joining your friends across the room. 

“Did you get hit with something while fighting a villain that makes you more bold? I feel like I just saw you and ____ talking,” Jake starts when Riki finally joins him with his lunch. 

Riki laughs, shoving Jake’s head out of embarrassment and opening his chips. “It’s just school. Got some project in English and she says we’re partnered.” He looks over at his friend chuckling, rolling his eyes at how Jake pokes at his side and wiggles his eyebrows. 

“I better hear you two are dating by next week.” 

“Who’s dating by next week?” Heeseung places his bag of food in front of them and takes a seat, opening the fast food he got last period and stuffing a fry in his mouth. 

“Riki and ____. Let me have one,” Jake answers, reaching inside the bag. 

Heeseung looks over at his junior curiously. “You asked her out?” And the two older students hear a groan from the boy in question. 

“Me and ____ aren’t anything, for your information.” He prods at the vegetables on his tray and takes a bite before a look of displeasure washes over his face. “You’re both way too excited for two guys who do not have girlfriends.” 

“Hey! You know the girl I’m always fighting with is the reason why I’m single. I have to focus on studying to do well in school to do better than her.” Heeseung’s whining falls on deaf ears as Riki smiles victoriously, seeing how defensive the former got. 

Jake offers him a shrug of defeat. “I got nothing.”

The three of them fall into normal conversation and Riki finally explains everything that happened during English.  “So you’re telling me your plan to ask ____ out went down from 18 months to 6?” And with a nod from the younger, they both groan once more. Heeseung exclaims, “We’re both going to graduate, dumbass. Make the plan go down to like…two months? Please?” 

Jake cuts in before Riki has a chance to respond. “Make it one and a half, so we can see you with a prom date before leaving forever.” 

“You act as if you’re going to die after graduation. It’s like you’re begging to be a super senior.” 

And they’re silenced immediately. 

“Do you think the guy I was with earlier hates me?” you ask on the other side of the room. Minjeong stares at you blankly, waiting for your explanation. “I don’t know if you saw when I walked in but I was talking to this really tall guy with blonde hair and black tips. He seemed really out of it, like he kept staring at me and nodding. I think I scared him off by talking about the book too much.” 

Sunghoon, who is also listening in, opens his neatly packed lunchbox and begins mixing his noodles. “I think you did scare him off, ____.”

“Not helping,” Minjeong interjects, “Just talk to him more and maybe he’ll warm up to you. You two sit together in class anyways, so hopefully he’ll talk more?” 

“I know him,” Sunghoon comments, “Well, sort of. I’m friends with Jake who’s friends with Riki, and it seems like all that boy does is sleep.” 

“Maybe he’s really good at subconscious in-class comprehension?” you try, taking a bite of your sandwich. “I just hope it doesn’t interfere too much with treasurer stuff.” 

NISHIMURA RIKI MIGHT DIE IF HE SWINGS INTO ANOTHER WALL AT 100MPH LIKE HOW HE ALMOST DID TONIGHT.

All he’s had on his mind since school ended till now is how he should probably text you, if he really discarded the slimy acid monster from last week properly, and when the prom theme is going to be released, but there’s something amiss that confuses his spidey-senses and makes Riki much more alert. 

He snaps out of whatever train of thought he had before, focusing on the situation at hand and looking around to follow his instinct. Riki cautiously plants himself on the side of a random apartment building to get a sense of what's going on. A tingle of some sort of in the air permeates the material of his suit and leaves him shivering from the cold. 

He doesn't like it one bit. 

Moving to the side of the building to the top, the boy finally catches a glimpse of something when he gets a decent view of the city and highway systems. Riki knows something’s wrong with the bridge the closer he gets. He zips from one side of the tall, metal tower to the other, crawling down on all fours making sure he isn’t caught. He feels the electric feeling once more, only amplified. It runs up his spine and he wants to slap it, almost like a frantic, summertime bug. The air around him is charged with something he has never recognized before. With a puzzled expression under his mask, Riki continues to investigate the surrounding area. 

Riki finds a lone figure with some sort of attachment to his left arm, like a long glove made out of metal. The bulkiness of it seems to have no impact on his body as the man fiddles with the contraption, and the boy watches with bated breath as the machine fizzes and spurts with electricity. It begins to glow as power concentrates on his plated palm and the superhero sees it for the first time. It’s like a fizz, like a match striking at fire only to produce a quick burst of friction, but it almost feels liquid when he watches the person play with the flickering blue ball of electricity. It dances in the dark in a hauntingly beautiful way, with bolts jutting out from the metal as it spurts and buzzes with a life-like manner. 

A spark. 

“Hey, what the hell do you think you’re doing?” The sound of Riki’s voice from the end of the bridge causes the stranger to look up with wide eyes. Although Riki fully expects it to simply enhance strength or block damage, the immediate strike of blue that flies straight towards him is anything but defensive. With a yelp, he jumps away, this time refusing to show himself. 

What the hell was that?

He knows he should go back down there to change things and get the person and the metal pieces away before it escalates, but when he goes back down to watch, it's ten times worse. The bright blue illuminates the scarred face of the villain as he’s picked up the metal arm–but this time, it’s no longer clunky and sparking, but fused into his arm. 

Riki’s face pales at the sudden change before his body acts on its own and he shoots out a web to stop the man. 

The villain is shocked by the intrusion, but quickly yanks free from the webbing and flicks another bolt of electricity, one that flies much faster now that the metal flows into the arm instead of simply resting on the skin. It’s unlike something Riki has ever seen, something that is so controlled in motion and yet so erratic in nature, and it instills a deathly fear when it grazes his arm he hisses in pain. The sharp feeling springs Riki into action as he jumps away. He’s lucky another bolt isn’t sent his way, seeing how the villain’s too busy marveling at the power of his new gadget.

“You know that fucking hurts, right?” He yells out, cupping his wound. “Maybe leave the gadgets to the kids!”

The man scoffs. “It better have hurt. I sacrificed half my body for this to work.”

“But why?” All Riki wants is answers. Some sort of explanation.

The man charges up yet another bolt, almost like a laser gun is built into the machine. “Less talking, more running, Spiderman.” 

That scared the shit out of him. 

The boy doesn’t have time to think as he jumps out from the dark tunnel to the bridge and up the metal towers—he hates having to fight with people right below. The villain follows in pursuit, almost crumbling the metal with his engineered arm as he hoists himself quickly. Riki continues to jump between the structure to avoid the flashes, trying to get out and apprehend the man as quickly as possible. When he reaches the top, however, he feels death is near as he glances down at the villain below who’s quickly gaining on him. He shoots out webs to slow him temporarily, letting himself fall and swing from the side of the tower to escape. 

What he doesn’t see on the way across the bridge is the flash that misses his cheek and hits his thigh instead. It burns, and mid-air, Riki gives the wound a quick assessment before he lands on the metal, immediately forcing his body to climb. While dealing with his wound, he fails to notice the villain swinging from the bridge support lines to meet him. 

He needs to end this fast before he becomes burnt toast.

Riki doesn’t often rely on instinct to carry him, but he can tell that the villain he’s facing isn’t just a criminal. 

“Land another hit, would you?” he tries to say, his voice strained from the pain in his arm and leg. It doesn’t do much to deter the man in front of him as the arm continues to destroy and bend the metal on the way up. “What are you going to do now, Sparky?”

The man says nothing, charging energy into his metal glove again before aiming and focusing on the target: him. 

Riki jumps off, not able to properly land his web in the right spot as he goes from one section of the bridge to the other. The man behind him looks enraged at the boy’s attempt to escape—so much so that he reaches out with his normal hand to try to grasp the suit when Spider-Man swings past him. Instead of the feeling of fabric, the villain feels sticky spider fluid on his fingers. Riki shoots out a web, one that curls around the villain’s wrist and drags him off the tower. Instead of being able to launch him into the surrounding waters, the man slips from the poorly shot-out webs and falls from mid air into the sea of frantic cars, including one semi truck that collides directly with his arm. In the air, the boy winces when he hears honks and shouts from the impact, hoping it’s the last time he’ll have to witness it.

With his gaze trained on the falling figure, the weakly attached web breaks, and Riki all of a sudden starts falling down as well. He curls up defensively before bracing for impact, curling into himself when he feels the metal dent and the truck driver scream from outside of the parked vehicle, the body of the villain right in front of it. 

Riki staggers, holding onto his arm and thigh the best he can before getting up. With wobbly steps and a small jump, he lands near the unconscious man, whose metal arm is cracked and fizzling—something that Riki knows is bound to leave more scars. 

“Call the police. I’ll get rid of the pieces.” Although Riki wants to figure out who the criminal is and make sure he’s properly apprehended, the gashes in the boy's limbs leave him winded and exhausted. With hot metal scraps bound together by webbing in his hands, Riki swings out and dumps it somewhere rural, trying his best to cover the pieces with the pounding headache that 

Riki revisits the secluded spot under the bridge, looking for clues to the man’s identity, and his expression falls when he notices a lanyard dangling near a trash can. 

His name, his position, and the company. FLiGHT Corp. The company name caught the boy’s eye, and he pockets the item before leaving. 

It seemed like he was a normal research scientist, but Riki’s recollection of the scars and tattered skin leaves him retracting his last thought. He heard something about the failure of a time travel machine at FLiGHT, and if the mass of the incident was anything to go by, he was in the center of it. 

No matter how many times Riki tries to get it out of his head, on the way home, all he can think about is the inexperience he displayed and the lack of response he gave Riki during the whole time. But Riki can’t bring himself to really take away someone’s life—and maybe for that, he’s a horrible superhero. 

He knows he should stop the man before it's too late, and especially with how many self-proclaimed villains there have been, it's not easy to see so many innocent people ruin their lives chasing a power that inevitably consumes them. He knows it’ll only get worse if he lets them run free.

And while the superhero has never been fully honest with himself, there are many times where Riki hates his role as Spider-Man, and wishes that he was just some teenage boy who didn't have the lives of others in his palm. He wishes he didn't have to sacrifice so much to stay behind a mask—and he wonders deep down if there’s anyone else who felt the same. 

His swings lead him across the city above hundreds of lives he has to protect, and he tries to find some semblance of peace. He thinks about how he has his homework due despite having just risked his life, he thinks about how your project is going—and about you. 

In the night under the stars, Nishimura Riki wishes for something just a bit normal. He wishes a good night for himself, but also for you, wherever you could be.

NISHIMURA RIKI MIGHT DIE FROM TRYING TO READ THIS BOOK IN ONE NIGHT.

The Great Gatsby is exactly like how you described it; a little hard to get through but fun with the plot’s eccentric characters. He’s pretty sure he could’ve just used a detailed SparkNotes explanation for the book, but having a crush can make someone do weird things. And in Nishimura Riki’s case, his infatuation has got him reading a novel about morally-skewed characters and rich society to impress you. 

When you come into class barely on time, Riki gives you a confused look when you sit down, but doesn’t comment on it any further. Instead, he takes out his book and tries to act like his eyes weren’t closing shut from exhaustion by the time Daisy was finally confessing how she loved Gatsby. 

The moment Mr. Yoo stops talking, however, Riki isn’t asleep—much to your surprise. He has his book out, pages filled with sticky notes and a whole section of his notebook dedicated to characters (written in bright red to keep him awake) and their traits. 

“I got it.” It’s the first thing he says when you two are left to do in-class work. It’s ominous, and maybe a little too enthusiastic in a high school literature class for a boy who doesn’t even care that much for school, but you’ll accept it with open arms if it means you get a helping hand on your project. 

“Continue,” you tell him slowly, leaning back in your chair to listen to him. And you don’t know why, but a small part of you thinks that the boy who sleeps every period the book was discussed wouldn’t have much to say or contribute to such an open-ended prompt, but life is full of surprises. 

What you fail to notice is how Riki is nervous and his stomach does at least twenty flips before he swallows dryly and starts rambling in hopes to impress you and redeem himself from his embarrassing slumber a few days ago. 

“So you know how our prompt is based on one character and basically all their actions?” he asks, and you nod, absentmindedly thumbing a sheet in your journal. “I’m thinking we should talk about Jay Gatsby because so much is revealed to us about him that we might as well use it to our advantage. Y’know, talking about how the theme of exploitation and secrets is veiled under Gatsby’s desire for Daisy.”

“You don’t think Gatsby’s a good character?” Riki wants to tell you that Gatsby is more relatable than good or bad, but he shakes his head. 

“I mean, not really.” He feels like with those four words, he’s completely changed the trajectory of his relationship with you from a positive slope to completely downhill—and a wave of panic washes over him. “Should I? I mean, I could see him as more redeemable if you gave me examp-“

You wave your hand to quell his worries. “To be honest, I don’t like him either. But he’s an interesting main character to write about, so I think we should go with your idea.” 

To win your approval feels like he’s won at least three fights against a villain in a row without getting any bad injuries—it feels good. And for the rest of the period, you are able to finish a detailed outline of your work for the next few weeks, mapping out sections for each other, and he even gets to see a part of prom planning on a word document you had open. He considers your shared productivity a win when he packs up and bids you goodbye before leaving for lunch. 

One wave doesn’t catch Riki’s attention from across the room. Not even two, or three calls of his name could get Nishimura Riki out of his thoughts, and Jake frowns before moving up in the lunch line. 

“Something’s caught your eye again.” Jake feigns innocence and sighs dramatically as he places the food down next to Riki’s plate. “Could it possibly be our school treasurer?” Jake laughs, leaning over to catch a glimpse of what’s got his friend so entranced and non-responsive.

Riki scrunches his nose, annoyed, but never breaking his gaze from where you’re sitting. “We talked in class–like, a lot,” is all he says, paying his friend no mind. “She’s genuinely so understanding.”

“God, I don’t think you can be any more down bad for her than you are right now.” Jake picks at his food, and despite his concentration directed towards the olives on his pizza, he’s able to dodge the flying loaded nacho that goes his way, even if he wasn’t the one with superpowers.

“Can you shut up?” Riki grumbles, laying his head on his arms as he notices you smile and point to something. “I just got pummeled into a semi truck last week. Let me have this before I die tomorrow.” 

“Very grim,” his friend notes, ruffling the younger’s hair, “I think this is exactly what all of those mental health assemblies that we get are for.” And Riki basically tunes him out, too tired to fight and too used to the teasing remarks to come up with anything useful in response. 

Riki sits up a bit, letting his head rest on his propped elbow as he looks at the school food and touches another nacho gingerly. “Y’know, I read the book for English so she wouldn’t think I’m an idiot.” 

His friend snickers, successfully pulling out yet another sliced olive from the cheese, much to the disgust of Riki. “She probably already thinks you’re an idiot.” 

The superhero debates throwing another cheesy nacho in Jake's face, before deciding to eat it instead. “Don’t say that asshole! You make it seem like I have no chance with her.” 

Jake shoots him an exasperated look that makes Riki break eye contact. “That’s because you don’t.” 

“I’ll prove to her that I’m worth her time.” Riki says somewhat wistfully, still stealing glances from a few tables away. “Maybe I’ll ask her out to prom, show up in my suit. Do that cheesy upside down kiss shit people say Spiderman does.” When his friend raises an eyebrow at him, Riki shrugs. “I will! Well-maybe not the Spider-Man thing, but prom definitely.” 

Jake continues to look at him unconvinced as he takes a bite out of a slice of pizza with mangled cheese. “You barely talk to her in class and you think you can ask her out to prom as Nishimura Riki?” And the younger grins, eyes still stuck on how your eyes crinkle and how your shoulders shake with laughter. 

“Yup.” And his fate is sealed, just like that.

“What’s your project about, anyways? Didn’t you tell me last night that she gave you her number? Must be pretty serious if she wants to text you.” Riki furrows his eyebrows and shakes his head. 

“It’s just tying the theme of the book to one character and writing about how they show it. So we did the theme of money and Gatsby, because it’s easy and mentioned so many times.” 

Jake gawks. “You must really like her,”

“I was planning to read it regardless of who I was partnered with.” 

“Okay- that’s debatable.” There goes another one of Riki’s nachos.

“Gross.” 

He thinks things are going pretty well for you two. The report is being written and your quotes are basically finding themselves, so Riki should give himself a pat on the back for pitching the initial idea for how to go about your assignment. Maybe reading the whole book offered him a few useful pointers, and he goes to sleep that night satisfied with your progress. Maybe Heeseung and Jake were right—maybe he could finally ask you out by prom. 

NISHIMURA RIKI MIGHT DIE TRYING TO SAVE THE CITY FROM YET ANOTHER MONSTER TERRORIZING THE STREETS.

He wakes up the next morning, not expecting his alarm to alert his senses to danger. It rings in his head and makes him feel delirious, trying to shake sleep off as he looks out the window for any visible sign of what's wrong. If he could hear the danger in his head then that meant someone could be hurt, and he could go to school without a few hours of sleep if he worked fast enough, right? 

Riki slips into his suit without much thought and goes to crack his window open, only to look back at his clock and read the horrific time of 6:23AM. 

Who the hell picks a fight with a teenager at this ungodly time? 

Then, he shoots from his wrists, once, twice, and suddenly, he's off, covering more ground through the air in just three seconds than he ever could while walking or running for minutes on end.

The source of his tingling spidey-sense is some large metal centipede creature that was setting off car alarms in a neighborhood near the market. Thankfully, no one was really awake to be caught in the crossfire, but he has to figure out how the hell he's going to catch that thing in...he checks his watch…twenty minutes? 

Hopefully, his instinct will help him win this time—again. 

The web he shoots out does nothing to stop the monster, and considering how it connected them both, the threads only drag the superhero to the edge of the building he was initially watching from. With some yelling and pulling, he finally detaches, and realizes that the odd sizzling feeling in his bonds must be from the same source as a few days ago; Spark. 

He had this gut feeling that a villain as strong as him wouldn’t have been destroyed so easily, but his wounds were so deep and the blood loss so bad from a few nights ago that he couldn’t have truly dumped him in the ocean without fainting or suffering something permanent, and although Riki hoped things in the universe would work itself out, the presence of the giant fifty foot insect alone is proof that things were not in his favor. 

He jumps off the building onto another, working quickly as he strings up a few webs between the houses as a wall for the monster, watching it slide and knock over cars in its wild pursuit. The monster spends a few seconds breaking down the wall of webbing and climbing over it, the many legs easily breaking through. As the superhero jumps across buildings and keeps track of the centipede’s movement, he has no idea why it isn’t going for him, and that makes his job much harder without the attention of the monster. One glance at the direction the centipede is headed in sets off another ding in Riki’s head—but this time, it finally clicks why the centipede is headed away from the boy. 

It’s attracted to the power plant. 

Riki immediately jumps and swings off of a lamp post, using the momentum of gravity and the force of his swing to propel him faster than the slithering creature. Squinting, he holds out his fist and points his pointer and pinky out, following the movement of the centipede as he aims. 

Bam. 

He sends clusters of silky white threads down precisely at the first pair of legs to pin it down. The webs stop the creature momentarily, and Riki doesn’t have time to watch how the body shrinks up and fizzes out with blue shocks as it tries to wiggle loose and malfunctions. This fight would be over soon, and the boy smiles when he jumps down to shoot more webs to apprehend the centipede. It wiggles and sends electricity out through parts of its body, trying to pry itself out. He expects it to simply be a robot of sorts following a mission considering its avoidant behavior, but as he approaches the tail, the monster suddenly swings at Riki, and its mass and speed is incomparable to the boy’s reaction speed. 

Riki lands into a tree and someone’s garage, feeling the crumbling wall falling all over him and the sudden pain blooming in his lower back. 

This fight will, in fact, not be over soon. 

With his superhuman abilities, Riki grabs onto the metal of the car beside him to hoist himself up, coughing from the dust, and jumping over the rubble to see how quickly the centipede creature can get out, without regard for his current state. The sound and rumble of the giant monster is all he needs to know that the traps are effective, but not at the previous capacity. 

The plan is simple: apprehend the legs and crush the head, where Riki assumes the decision-making and programming is taking place. But the monster’s angry and erratic actions throw a wrench in his plan. Its legs move faster, digging into the cement and leaving ruin in its wake as it continues down the road. While both the villain and superhero are fast, the distance between the power plant is finite—and only grows smaller and smaller.  

Although Riki can feel the bruises coming, he runs and swings, hearing the wind in his ears as he catches up to the centipede in no time. He tries the same tactics again–aim, shoot, stick, all the while keeping his distance. Although the monster’s body spans incredibly long, and should carry an immense amount of weight, the way it snaps at Riki’s flying body and sends shockwaves through his core leaves him shivering as his body slams into the ground, coughing. It hurts all over, and it feels like there’s weight on his eyes when he tries to open them and get up. His head is spinning as he staggers onto his knees, clutching his chest as he watches the centipede shrivel and crackle. 

It seems like the voltage produced is a double-ended sword, one that burns up the centipede body as much as it deals damage, and with the way the mutant creeps towards the electricity of the plant, Riki gets the feeling there’s a magnetic pull that forces the mutant to continue to crawl even against its instinct to stop. 

Despite his waning strength, however, Riki knows better than to half finish the job like last time. He creates a net from experience, weaving together the thickest and most durable threads to trap the entirety of the slowly approaching creature. It seems to crawl slowly up the makeshift barrier, knocking its head against the white and spreading the bright blue waves of its energy throughout. The boy watches as the thin white mass absorbs all of it and clings to the creature. It works, finally, after his attempts to nullify its movements, and he knows that despite the ache in his every step, the almost mummified centipede that hangs between several roofs for all the neighbors to gawk at is his sure sign of victory. 

All he remembers is hearing a familiar call of his hero name before his legs give out and his head hits Jake’s chest. 

Holy fucking shit is the first thing Riki thinks when he wakes up. 

He’s not out of his tattered suit and he feels grimy all over, but his body has done wonders in reducing the otherwise fatal injuries he got. No human body should be able to withstand two energy-filled blasts, but his suit and superhuman healing are of greater help than ever in alleviating the damage from his wounds. 

He knows why he’s in his bed with bandages thrown over his open wounds. He knows that every time something like this happens, it’s Jake who shoos away the concerned civilians, telling them he’s a medic. Jake is not a medic—rather, he’s a seventeen year-old boy who knows about his friend’s double life and with all the times he’s saved Riki, someone might as well dub him the greatest medic of all time. 

The clock on his bedside table has only served as a bearer of bad news. He looks over to see how it’s practically midday, and he’s missed yet another day of school from fighting crime. He’s in no condition to get up or get his bag, seeing how his hair is frizzy and his cheek has a cut that would warrant questioning. It seems only fair that he stays absent, and before he falls back asleep, he only prays you aren’t too mad at him for leaving the seat next to you empty.

But you aren’t mad, just worried. The soreness in his muscles doesn’t go away though, and he groans when he sits up in his bed, with bandages around his arms and an ice pack discarded next to him. 

He’s most definitely not coming to school like this. 

While you bore holes into the clock hanging off the wall, that doesn’t speed up the time. Two minutes pass, then another minute. As your classmates find their partners and begin discussing, you notice how the room gets louder with the due date looming near. It’s the first time you’re alone without the familiar boy beside you, and something hangs low in your chest when you put in a pair of earphones and open your laptop. 

Riki’s absence should have no effect on you. After all, you’re both just high school students who’ve talked once or twice, and yet you still look over at the empty chair. Staring doesn’t make Riki appear, though, and you return to your edits. It feels empty without his insight, or without him asking you to help him with a passage. Riki was your solution to all things boring. If he wasn’t doing his work, then you two were laughing at something on his phone. And if you agreed to both do something other than the report, then you could ask for an extra opinion when deciding prom details. There was something freeing about working with him that attracted you. Riki knew how to lighten the mood on days that weren’t so good for you, but he also worked hard and let loose at the same time. There was a perfect balance in Riki’s life that you aspired to have; it was a good mix of playful, dedicated, and fun all in the same vein. 

The words blend together on your screen. Jay Gatsby this, Tom Buchanan that, it all looks monotonous the more you keep trying to read and comprehend what exactly you’re talking about. 

Before class is dismissed, Mr. Yoo steps to the front of the classroom to gather everyone’s attention. He introduces your new novel for the next month, explaining yet another large assignment associated with the text. 

Truth be told, you don’t pay attention to any of it. 

The only thing you remember to do is to grab extra copies of the printed graphic organizers, as you get out of your seat and rush out when class ends in pursuit of one specific boy. 

“Sim Jaeyun!” The call of his name diverts Jake’s attention from his phone to your waving arm as you weave through the students and finally reach him. 

“You can just call me Jake,” he explains, “what’s up?” 

You begin to reach into your backpack, trying to feel for your folder, and pull out a few sheets. “These are for Riki.” 

Jake cheers internally for his friend who’s busy recovering at home. “What, you got a crush on him or something?” 

He tries to play it cool by teasing you, but the smile you bite back leaves the boy questioning if there really is anything going on. Jake knows better than to tell you anything about Riki’s feelings, and opts to instead grab the papers and to thank you for looking out for his friend. 

“Is Riki okay?” You have to know, just to make sure he’ll be here tomorrow to cure your boredom. 

What Jake says is much different than the nonchalant wave and half grin he gives you. “He’s just bedridden.” 

“That’s pretty serious! Did he come down with anything?” He seemed fine yesterday, so what’s the catch?

He blurts, “He just got badly hurt.” 

Immediately, Jake knows he’s fucked up. 

Your confusion and silence answers him far more than words ever could–he basically hears the gears turning slowly in your head.

Jake weakly defends, “His parents had a fight with him because he hit his head or something. He’ll be fine by tomorrow. Just bedridden from sadness, y’know?” 

The look you give him is unconvinced, but when Heeseung pats him on the shoulder and waves to you, the boy realizes that maybe staying quiet would’ve been the better decision. 

“I’ll see you later, ____.” And he’s off, waving half-heartedly and dragging a very confused Heeseung out of the cafeteria. 

NISHIMURA RIKI MIGHT DIE TRYING TO WAKE YOU UP AS GENTLY AS HE CAN.

Ever since March started and flowers began to bloom, your energy seemed to do the opposite, dwindling until Riki catches you mirroring his frequent in-class action: sleeping. And it worries him beyond belief, because you’re not the type to fall asleep like… ever. However, Riki does not have the heart to wake you up, even if it’s with a little nudge that you probably barely feel with how light he taps. It breaks his heart to have to ask you to review what he has done, because the bell is about to ring and the teacher might just send you to detention if he catches you off-task. 

The allergies always make Mr. Yoo irritable, and Riki knows not to get on his nerves. 

Your eyes flutter open to the pokes and prodding from none other than Nishimura Riki, who gazes at you softly when you adjust to the bright classroom setting once more. 

Panic settles in. “Wait- how long was I sleeping for?” 

He shrugs and scrunches his nose, not giving you an answer as he finishes scribbling something in his notebook. 

“Oh my god, I’m so sorry.” Your hand squeezes into a fist at the frustration that you’ve let your partner down. 

And yet, Riki seems to be unfazed, frowning when he sees you stressing out. “Don’t ever sweat the little things, yeah? If there’s anything you ever need to talk about–trust me, I know what it’s like to have a lot of pressure on your shoulders.”

Smiling at him, you respond with, “Thank you, really.” 

Being treasurer is daunting in the spring. It’s full of requests, forms, and small tasks that leave you spent by the end of the day. “But,” you glance at the clock to see just how much time is left, “how’d you know?” 

He motions to your open computer with a now dark screen. “I saw your document pulled up. ____’s tasks or else she will be kicked out of student government,” he taunts, snickering when your eyes grow wide with embarrassment and you lightly nudge his shin with your foot in warning. 

“It’s not polite to snoop,” and although you say that, you catch something in your peripheral vision. It’s a few drawings of a figure and gadget drawn, shaded from rigid shapes with small descriptions pointing to different places. You weren’t sure what was more surprising; how good the drawings were, or the subject of his imagination. 

Weird. Inherently, there was nothing wrong with Riki drawing a villain, and you chalked it up to him being creative. Nothing more, nothing less. 

He puts his hands up in surrender at your last comment, his grin showing anything but. Just one look at the boy makes you realize that everything you’ve just thought about is foolish. 

There’s no way he’d have time to be a villain and a student. With one final thought, you let your raging thoughts rest and focus on the present; him. You’ve seen his hair messy, especially after his naps, but when Riki tries to style it like how he did today, you pay more attention to the streaks of blonde and how he often hides behind his bangs and scrunches his nose. It’s cute. He’s cute.

The truth is, you enjoy being around him like this, joking around and never worrying too much about your responsibilities and expectations. It’s refreshing. Being around Riki gives you the feeling that things will be okay in the end. 

You snap out of your thoughts to see that his desk is empty, while your’s hasn’t changed one bit.

“You’re going to sell prom tickets now, right?” He makes small talk before leaving for lunch, closing the notebook you were suspiciously eying before slipping it into his bag. 

“Yup,” you answer, popping the ‘p,’ “I’ll see you later,” and you two part ways.

All the long lines and constant distribution of change doesn’t allow much wiggle room for you to daydream. As time goes on, the ticket-selling line grows smaller and smaller, but the only thing you truly care about is eating the lunch your parents packed you. Your sandwich is probably sad and soggy now that there are only a few minutes of lunch left. When you finally sign off one last time after triple checking the forms are all correct, you let out a sigh, leaning back and finally getting a break. 

Then, it hits you that you’re not even sure if the boy you’re fawning over is attending the biggest event of the year, and you feel stupid for forgetting to ask. 

-

Yesterday was a rookie’s mistake–today, you’d make sure you get an answer from him.

“Are you going to prom, Riki?” is the first thing you ask when he sits down, grabbing his book and laptop with a little too much enthusiasm. 

“I’m thinking about it.” Yeah, whatever confidence he had when convincing himself he’d ask you out isn’t serving him well at this moment. Quite frankly, Riki feels lame as ever trying to be nonchalant around you. “You?” 

“I’d have to set up, so I would be there, yes. But whether or not I have a date is another story.” You smile to lighten the mood, but Riki watches you and nods, focusing back on signing into his laptop and getting his notes for the new book you’re reading. 

“Well, you’re not the only single one here.” And he wants to reprimand himself for saying something without thinking. “If someone asked, would you say yes?”

You think about it carefully, really because you don’t have anyone in mind when it comes to prom if Riki’s not planning on going. “It’d have to be someone I know—someone I talk to somewhat regularly. I’d be nice to be with someone who doesn’t make it awkward.”

Nishimura Riki might die from over-thinking if he keeps on wondering whether or not he fits that description to a tee.

RIKI'S TO-DO LIST BEFORE PROM

☐  talk to ____ regularly 

☐  don't make it awkward 

☐  be..cute? 

The boy decides that his superhuman responsibilities might be easier to complete than any of those three things. 

He switches the subject to stop his head from hurting too much. “Did you finish the report?” 

You still, and Riki’s question reminds you of the report looming over your head. In your defense, you two hadn’t brought it up much in the past week, and he didn’t seem to worry over how much of your time was spent emailing teachers or making spreadsheets. Although caught off guard, you’re quick to respond with, “What did we have to finish? I thought we were done since last week, but if there’s anything else-” 

“Sorry,” he rushes out, biting his lip, “I meant, if you finished reading it.” And the answer is no, you haven’t read it since your last edit on it three days ago. 

Within a few clicks, you find the document and scroll to the bottom, seeing the small note that Riki left that said ‘let me know how it looks.’ It’s sweet to know he thought about your input as much as you did his. 

“While some can agree that Gatsby’s rise into high society was sketchy, Gatsby still retains the same reserved character from years ago, and doesn’t manipulate others into success or use his money for nefarious purposes. It’s not like he changed after his wealth, and it could be argued Gatsby loved Daisy until his last breath and was willing to die as long as she was happy, emphasizing the theme of sacrifice. 

So, is Jay Gatsby a good person? The question targets the morality of a character who many can empathize with. Those who are charmed by his overwhelming love for Daisy would say that he’s committed textbook crimes, but focus more on the intent behind it. To pine after someone from a distance isn’t easy, but to pursue her after years of separation is even harder. It’s universally agreed, however, that love as a driving force doesn’t nullify what he’s done to others and the dirty schemes he’s enacted to gain the power he has. Therefore, Gatsby makes for an interesting main character, and highlights just how twisted a system around money can be.” 

The last page is–for the most part–his writing, and your admiration for him grows when you finish reading and scroll to hit your Works Cited page.

“It’s good,” you tell him wholeheartedly, “Didn’t think you had it in you.” 

Riki cracks a smile at your light teasing, soaking up your praise. 

“Now you know.” He shrugs. And he can only hope that you like him as much as you like his literary skills. 

NISHIMURA RIKI MIGHT DIE WHEN HE COMES TO THE REALIZATION THAT HE IS EXACTLY LIKE JAY GATSBY,JUST WITHOUT THE MONEY—DESPERATE FOR THE GIRL OF HIS DREAMS, DYING YOUNG, AND A FRAUD HIDING BEHIND SECRETS.

Nevermind the last one, he has to hide when he has an identity to protect as the city’s only superhero, but Riki feels his heart sink to his heels when he read a few weeks ago how much Gatsby simply adores Daisy. When Gatsby died, he scoffed, closing the book with a sudden disinterest. If he were the male lead, he wouldn’t have been laying in a pool for target practice. Maybe being a superhero teaches you how to avoid being easy bait for all your enemies, or maybe Gatsby was too carried away with love to think straight. 

Fighting crime gives you insurmountable experience with sneaking around, but it wasn’t something he could just teach to anyone. When he gets this horrible gut feeling that something’s happened to you, he just knew something was wrong. He might not be easy to catch, but for anyone else? Definitely.  

For everyone else, prom was a month away, but for you, it was three weeks of talking to your advisor and president, arguing with your other board members, and sitting behind that damn money box for another five days to sell tickets. For you, it was realizing that you were supposed to buy streamers and balloons yesterday on your way home from school. It was the thinly veiled disappointment in your board member’s texts when they told you they were at a loss for words. ‘I’m sorry, and I know you’re busy, but how could you forget? Prom is so important for all of us. What if they don’t have what you need anymore?’ It all repeated in your head as you bit your lip in frustration and slipped on the first pair of shoes you could find. Although it was dark and dangerous, you could care less if it meant avoiding the passive aggressive comments you’d get tomorrow during your meeting.

There it is again: that little tendency to not pay attention to your surroundings. 

You yelp when you feel someone grabbing your wrist and pulling you in, muffling your screams as he pulls you along. To see him on the news was worrying, but to see Spark in person with your life on the line is even worse. 

Tears spring to your eyes as you struggle against the metal to no avail, and you curse every previous moment you spent worrying about balloons rather than your safety.

Spark suddenly stops, shoving you against the wall before his hand grabs a brick with his metal arm, beginning to climb. “Don’t let go.” And you don’t think twice before holding on.

The city view would be beautiful if you weren’t hearing your heartbeat in your ears or if you weren’t dangling from the railing of some company building, trying to wiggle yourself free of the rope around your wrists. 

Spark speaks up, drumming his fingers on the railing next to you. “You wouldn’t happen to know where your friendly neighborhood Spider-Man is, would you?” And you furrow your eyebrows, genuinely questioning for a moment if he really knew how the superhero operated. 

A voice from across the street puts a temporary hold on your thoughts, and you glance up to see a flash of blue and red soaring through the air, followed by a groan and a beam of light next to you. Seeing Spark’s powers right in front of you spurs you into action, yanking at the rope and trying to take tiny steps away from where they were fighting.

“From what I’m seeing, you wanted to hold someone hostage because you’re not feeling too good, huh?” Spider-Man shouts as he shoots out webs and blocks hits. You shake your head in partial disbelief of how unserious he is, but also how unbelievable all of this seems. “You tried to take a potion or something? I’m going to tell you this now, but these usually don’t work.” 

Riki’s assumption is right, and considering how Spark now has a leg and arm from metal instead of just the arm, the procedure for the additional limb couldn’t have been easy. The superhero still proceeds with caution, making sure to pay attention to anything new as he dodges and fights back. 

The villain immediately gets back up, stumbling for a moment before he regains his stance and runs towards the boy. You hear the clanging of fist hitting metal from their fight, and considering the difference in height and build, you’d expect Spider-Man to be easily flung to the side, but he holds his weight in battle. 

Riki aims for around the left shoulder, where an abundance of stitches cover the skin and fuse the metal into muscle. He lands a hit, and almost another one, before a punch to the side knocks him from his momentum. The boy wheezes when his back makes instant contact with the ground, rolling and getting up before Spark has time to shoot. 

He notices how quickly the gadget generates electricity now. Before, the beams took longer, and were easily predictable, but now, it glows bright for a moment before it fires directly in Riki’s path. The boy dodges the first, but the second one almost hits the top of his head before he ducks and creates distance. 

From the roof-top, Riki scans his surroundings before making the split-second decision to jump. 

He swings to the other side of the building, keeping you in his peripheral vision as he works on apprehending the villain in front of him. They spring into yet another fist fight, with Riki’s agility easily letting him avoid punches and land precise hits to make the previous injuries even worse. 

You think Spider-Man has the upper hand in this, seeing as how none of Spark’s punches seem to slow down the superhero, but you hear something loud before you can register it. 

You figure out what happened after Riki stumbles and suffers a blow to the stomach, sending him tumbling to the edge of the building. Spark knew that Spider-Man was avoiding his left arm—he knew that one wrong move paired with the tungsten material would have a lasting effect on the superhero’s fist. 

Riki coughs from the impact before his spidey-sense rings, pulling him back into battle as he runs as fast as his body can take him. 

You. He still needs to save you. 

With renewed vigor, he continues to avoid the flying sparks as he ducks between structures and uses the terrain to his advantage. He can tell, though, that the villain is slowing down. The shots are less accurate–a telltale sign that the enhancer Spark tried is working against him. 

Between all of the chaos, Riki finally lands a proper web, yanking as hard as he can to pull Spark to the ground. He stumbles, grasping at thin silk before Riki lets go on his side. The villain’s balance is off, giving the boy an advantage as he closes the distance, hopping over a thrown slab of metal and landing a solid kick into Spark’s ribcage. As he stays down, Riki continues to aim for muscle and flesh, his head spinning as he packs punch after punch to keep the villain apprehended. 

Spark’s body–curled into itself to absorb the hits the best that he can– hides the growing blue flash that he’s slowly charging up with his remaining power. The moment it escapes from under his abdomen, Riki directs his efforts towards avoiding the electric glimmer. The villain rolls over, his body tattered from the consistent injuries, and he fires what seems like an intense bullet of energy. It zips by the boy’s cheek, cutting the mask and leaving blood to run down in its wake. Time slows down as the superhero tries to process the unlocked speed of the burst, and Spark loses focus marveling at his new abilities. Never before had either of them seen power so concentrated, and it inflicts both fear and excitement. 

He lifts his arm, the other holding it up for support, and Spider-Man notices the fizzle of bright blue. Riki’s about to jump out of the way, preparing for yet another high-speed bullet, but before Spark fires, something clicks. The arm doesn’t directly point to Riki–but it skews off to the right.

Except, he’s no longer aiming for Riki in the split second that the boy blinks. He’s suddenly aiming at you, where your hands are tied to the railing and your feet are dangling from the bent metal that holds you precariously over the edge, leaving a fifty foot drop in its wake. When you see the blue energy in the villain’s palm growing slowly bigger, you pull at the rope desperately with zero regard to the tender rawness of your wrists. 

In your attempt to somehow break the rope, your cry of fear snaps Spider-Man into action. 

Riki pushes his sore body to jump as quick as he can, leaping across the rooftop to the building over. He easily avoids the metal railing, grabbing onto your arm as he yanks hard on the rope, the force of it separating a piece of metal from the railing. He immediately jumps, sending out a web to swing him back up. It all happens in a flash–first, you were bound to the edge about to fall to your death, and all of a sudden, you’re tightly pressed against Spider-Man’s chest with your bound wrists still attached to the metal. Shutting your eyes, you trust Spider-Man entirely, closing your eyes to avoid seeing just how far up you were. Wind rushes in your ears and leaves your stomach fluttering with butterflies until the superhero sets you down on a secluded rooftop. 

“Please,” he begs, “don’t leave. I’ll be right back.” 

You’d be a fool to do anything but wait. 

Riki checks on you one last time before diving down, springing himself back up with another web. The damage from the blasts is recognizable even from far away, and yet, he notices the reflective shine of a metal arm on the edge of the building before Spark lets go. 

To Riki, Spark is dead after dropping from a fall having taken that much damage, but he hears no impact. Making haste, the boy fails to find any figure no matter how hard he looks, but Spark’s laboratory has to be here somewhere. The badge from a week ago was stuck on Riki’s mind, and he could only imagine the reasons why he pursued this life. Was he recreating something? If he needs to power some sort of machine, then the heart of the city is a perfect place to harness the electricity for any large scale project. As much as he wants to dedicate the rest of the night to searching the city for some sort of clue, the fact that you’re still stranded on that rooftop after having just experienced a life-changing event blares like an alarm in his mind. 

He quickly leaves, returning to where you’re seated.

Without the fear of falling to your death from earlier, you were able to focus on undoing the knots from the rope. Red scratch marks and irritation bloom on your wrist, and the reality of it all happening still hasn’t settled in. Despite not being harmed once, the fear and incessant pounding of your heart overwhelms your senses, and it leaves you heaving with confusion. 

A pair of footsteps only become apparent as Riki walks closer, taking a seat beside you and letting out a large sigh. He stares at the stars silently as if he doesn’t have a cut on his cheek and bruises waiting to paint his skin purple–as if he isn’t hiding his true self under a facade. 

“You’re not hurt, are you?” You shake your head, grateful that Spider-Man was the reason you got away without a real injury.

“Thank you, really, for saving me. I don’t know how you manage to do it.” 

Riki chuckles under the mask. “Eh, you get used to it,” you hear Spider-Man say. “You fight a couple bad guys, get over a fear of heights and eventually you get the hang of things.” 

Scoffing, you gently rub at your wrists to ease the redness. “Easy for you to say. I haven’t been taught a crash course on how to avoid being supervillain bait just yet.” 

“Maybe you should learn it sometime,” Riki responds absentmindedly, “someone like you shouldn’t have been out so late doing whatever it could’ve been.” 

Sighing, your mind drifts off to think about the balloons and streamers that are not in your hand. “I had stuff for my upcoming events.” 

He knew about all of it when you’d explain your cryptic reminders and notes on your computer, but he still feigns curiosity. “What upcoming events?” 

“Just prom,” and he hears just how strained it makes you. 

Riki tilts his head in faux confusion. “What do you have to do for prom?” 

He notices how you immediately slump, as if the mere mention of prom deflates your happiness. “It’s only a few weeks away, and I was supposed to get decorations for our venue yesterday. I just wanted to slip out before my parents noticed.” 

Despite the fabric over his eyes, Riki’s expression shifts from surprise to pity when he understands your stakes. “You still need to be careful. Is your student council strict?” 

“Not strict necessarily, but judgemental–I ran for the position because I thought I could help my school raise funds and find more opportunities, but it just feels like no one truly wants to try anything new.” You wave it off as if it’s not that important, as if it isn’t the reason why you find yourself stressed so often. “I just don’t want to disappoint or give people something to talk about.” 

Despite not being involved with school the same way you are, the boy next to you resonates with the fear you currently face. The fear of letting people down was a large part of why Riki continued to put on that mask and step into the most dangerous situation of his life; he never wanted to sit down to hear the news that Spider-Man quit. 

So he keeps doing his job, even if some days are harder and some fights aren’t worth winning–just like what you do. 

“Yeah, I get that,” he tries to console, “You must be doing a lot for everyone around you, and I’m sure a lot of people appreciate what you’ve done. Don’t beat yourself up too much, yeah? You’ll always have me.” He smiles, but he knows you don’t see it. You’re looking at the stars, trying to calm your mind and return to your life before everything happened. 

You glance over at Spider-Man, wondering if he’ll truly be around for you when you need it. “If I need to talk to you, should I step out of my house past 8PM again?” 

Riki chuckles, watching clouds slowly dim the moon’s glow in their path. “If I’m not fighting crime, I’ll show up at a moment’s notice.” 

There’s no way he means it, but you grin, feeling a lot of the pressure and stress of earlier slowly wash away. After all, nothing happened to you–Spider-Man made sure of it. Maybe things really were going to be okay. 

“Let’s get you home, yeah? Don’t you have stuff to do anyways?” 

You shrug, nothing really coming to mind. As you get up, you remember having to run a plagiarism check on your work, and how Riki told you to text him when you got home after your student government meeting. 

Riki. Spark. Spider-Man. 

“Wait,” you tell Spider-Man, sitting back down on the cement, “I need to talk to you about something else, too.” 

“It’s not like my dinner’s getting cold,” the superhero mumbles quiet enough that you can’t hear. 

“There’s this guy,” you start, paying no mind to how dirty your clothes are getting when you cross your legs. 

Spider-Man scoffs, looking off into the distance, and it makes you believe he has to be your age or older. “You have a crush on him, or something?” And a whole tidal wave of deja vu hits you in the chest. 

‘He must be badly hurt’ isn’t just something people say. People don’t just draw insanely detailed drawings of Spark’s arm and machines without notes to follow unless they knew. People wouldn't just randomly miss school without any impending signs. You’re sure of it–the tired naps in class, the random drawings of superheroes and superhumans alike, or how awkward he could act–it all makes sense.

Your classmate, aka Nishimura Riki, aka the guy who you’ve questioned if you had a crush on for the past few days, might be a villain. 

The swirling feeling of trepidation in your stomach leaves three words running around your head. 

What. The. Fuck. 

Although you tried so hard to stop thinking about it, Jake’s comment from before rubbed you the wrong way. It was sometime last week where you couldn't get your mind off of the implications of his words, but that feeling was brushed underneath your responsibilities. 

Until now. 

“Yeah, there’s this guy,” you breathe, feeling your chest constrict, “Nishimura Riki. I think he’s Spark.” 

His blood runs cold. 

“You think this…why?” 

You take a deep breath, trying to organize all your thoughts. “Well, first, it was his friend, Jake. He said that Riki was badly hurt, and I was really confused at first, but tried to let it go.” 

Riki was going to strangle his best friend. 

“And then, I was looking at him in class, right? And keep in mind, he’s pretty cute, and we sit next to each other, so I just noticed how good his hair looked that day, but his notebook was out, and I saw all these drawings of Spark. Like, the arms, the metal things, even the projectiles! Who would know the ins and outs of that thing if it wasn’t Spark himself?”

He didn’t know what to think about first; the fact that you gushed about him for the first time, or if he should even tell you that Spider-Man would know those things, too. 

“And sometimes, I notice he’s a little awkward around me. I can’t explain it. It’s like he’s paying attention to me. That must’ve been why he captured me.” He wants to laugh at how damn close you are to figuring it out, but in reality, nothing is funny about the situation. 

Nishimura Riki is actually listening to this, right now, as Spider-Man–not Spark. The awkwardness, though? It was his crush on you, and was not superhuman related in the slightest.  

“I don’t know,” he attempts to divert, pretending to focus, “I saw a badge for FLiGHT. You know the company that’s been making time traveling machines? I saw a glimpse of his name and face. It’s not that guy you mentioned.” 

You raise an eyebrow. “And you haven’t gotten him caught?” 

“Villains aren’t easy to find, y’know. It’s not like playground hide and seek,” Riki defends, crossing his arms. 

You shrink in your spot, feeling sheepish for questioning a superhero so bluntly. 

“Plus,” he continues, “Spark has never had a hostage. Wouldn’t it be pretty mean of that friend of yours to kidnap a girl from his class?” 

“Yeah—that makes sense. Thank god,” you breathe, closing your eyes momentarily. “Then what do you suspect all that evidence leads to? Maybe he’s a secret agent?” 

“I think,” Riki continues to keep up his clueless facade, “Your friend might just be clumsy. Or creative. I mean, maybe he went through a break-up?” Nice one, Riki. 

You shake your head. “No, there’s no way he has a girlfriend. You’d think I like guys who are taken?” Scoffing lightly, you then remembered that Spider-Man really would have no idea who any of you are. 

He shrugs and stands up stretching before motioning for you to follow him. “I have no idea what you high school kids do. Come on, let’s get you home.” 

As you hug him tight, the cold air whips around your body and leaves goosebumps in their wake. You barely open your eyes from the fear of seeing yourself inches from hitting a building or up in the air. Spider-Man only yells his confirmation after asking how to get you home, finally placing you on the ground outside of your large gate. 

“Thank you for saving me tonight.”

“Anytime. Figure things out with that friend of yours, and don’t go out late, okay?” You nod and take his words to heart. 

“Goodnight, Spiderman.” 

—-

Nishimura might die. One, because he has this horrible guilty feeling in his stomach, and two, because of a villain. 

Yesterday, he ignored the salmon and rice bowl that waited for him back at home, choosing to follow the coordinates he saved on his phone after he took you home. It led him to a seemingly harmless auto-shop, with an arrow on his GPS pointing to a garage that was shut down completely with nails and blocked with boxes. The exterior pointed to it being abandoned, but Riki suddenly saw some light coming from a makeshift above.

The boy scaled the wall as quietly as possible, glancing into the source of the whirring. He caught small glimpses of something–metal, glowing, blue. 

Or at least, for a few seconds it was on until the power went out. 

The voice that complained from inside the room sounded identical to the man Riki fought. Spark grumbled, turning on a flashlight and quickly waving it around. Riki ducked from the window and held his breath, waiting for the man to suspect something. 

Nothing. 

One lightbulb slowly flickered back on, and then the other dingy light followed. The space was cramped with the metal equipment in the middle, resembling what Riki had seen in the news. 

He was right–it was the same time travel portal that was ruined from a few months ago. 

Spider-Man continued to observe the man as he worked and drilled, plugging certain wires or pausing momentarily to read from a journal. To anyone, it’d seem peaceful, like some sort of renovation project. But in reality, it was so much more than that. 

Riki searched for any sort of information about the machine, trying to see what exactly was left to do until his gaze landed on something. 

There was some sort of date on a bright pink sticky-note, and Riki’s eyes widened when he finally comprehends it. 

The machine was scheduled to be completed tomorrow. 

-

A street lamp next to Riki dies out—which was a clear sign that something was powering up. From the dark, he hears the metal from the same place as last night moving again, and he knows that Spark has left. His presence sends anyone down the street and immediately running, leaving the area for only them two. 

Riki finally sees the completed metal build. Half of his body is wrapped in or replaced with metal parts as he sets down the metal portal, beginning to push it in the direction of the power plant. 

A truck or car would make things much easier, but whatever.

Riki wants to cry from fear and run away. He wants to leave and pretend he never saw anything from last night. 

He’s going to die fighting Spark and he will quite literally a) never finish highschool and get that stupid diploma, b) finish explaining how Gatsby is not a good person and is naturally selfish, and c) he’s never going to tell you how he’s had a small crush on you ever since he saw your cute campaign video as to why you should vote y/n l/n for student body treasurer last spring. 

“You sure that thing works?” Riki asks, jumping into action as he sends webs to immobilize the machine. 

“You’re annoying, you know that?” Spark sends a projectile in the superhero’s direction, hitting the wall behind him instead as Riki jumps out of the way.

With another duck mid-air and the roof of a flying car dangerously close to his nose, Riki thanks the dance practice he does for his flexibility as he shoots another web and swings away. 

Spark is uncontrollable by now, sucking the light from street lamps and fizzing wires in his wake. He has no idea how he’s supposed to get in contact with the villain like before. The body of his suit fizzes with bright electricity that sizzles and pops. It illuminates Spark’s figure, making him easy to spot, but not so easy to defeat. It’s an overload of power, causing the voltage to escape between the joints and gaps of the metal pieces in his suit. And Riki can feel it; the air is heightened and so are the stakes of this fight—and with how the man that stands in front of him looks upgraded and menacing, he knows only one person can make it out of this fight alive. 

“You injected the city’s ‘Gas and Electric’ into your system or what?” Riki calls out, making light of the situation. If he’s being honest with himself, he’s scared out of his wits seeing the six foot figure with blue and white shooting from every crack, looking like a nightmare to touch.

Riki avoids a few more angrily thrown objects, using the momentum of his jump from the side of the building to zip from the top of a yellow fire hydrant to go from one side of the street to the other. “You’re slow!” He taunts, tucking in his legs to avoid a shot of electricity directed at him. 

The screech of metal from the nearby hydrant can be heard as the top flings off, making Riki lose his anchor/ Before he can process it, instead of smoothly landing on the building, he crashes into it faster than expected, groaning when his back makes contact with the glass and he tumbles into the living room of someone’s apartment. 

“Fuck,” he curses, fighting his aching limbs to get up once more. 

And the solution hits him. Literally. 

When he steps out and quickly attaches a web to the top of the building, he’s met on the way up with a splash of water from the hydrant to his face, and Riki splutters as he wipes his mask, regaining focus as he lands on the concrete and hides behind the ledge. 

Water. If he can get it in contact with Spark and pour enough water on the right spot, the excess of electricity blazing from his mechanical body should work against him. 

“Too scared? You should know better than to run away.” The superhero rolls his eyes, crawling away silently to avoid being seen by Spark. Riki does his best to look around for something, and finds a black flower pot in the corner, using a web to grab it before he scales the side of the building and runs away while Spark is distracted as the villain also climbs the wall to face him there. But when Spark climbs the ledge and scans the premise, Riki is nowhere to be seen. 

Instead, Riki swings across the street and fills the pot with water, heaving the extra weight as he shouts out from the sudden pain in his side. He stumbles on the pavement, crying out from the injury as the pot falls with his whole plan. 

Maybe this is where Spider-Man dies. 

He sucks in a deep breath before rolling from his back onto his knees, ignoring the wound to pick up the flower pot. The hydrant still shoots out water, and the superhero rushes towards it, causing Spark to follow. He narrowly avoids another shot from behind him, reaching the yellow hydrant before dropping the pot on the ground. Spark is th 

While Spark has always been intelligent, Riki could tell that the man didn’t fear the water, believing he’d be invincible to the elements now that his suit was perfected. There was something off, Riki could tell, and he would make sure to use it to his advantage. Spark was uncontrolled, and his powers drastically decreased the more he used them. There’s no way his body isn’t in overdrive with how recklessly he’s been letting himself get hurt. 

Riki uses a web to get himself on higher ground instead of fighting, waiting for the supervillain to follow. If he could get Spark off the edge and fall into the growing puddle of water, it should slow him down. 

Spark scoffs. “Run away, then. Like you always have.” Riki hears the wall crumbling under the villain as he climbs within seconds, immediately preparing to fight when he makes it onto the rooftop. But Spider-Man was also prepared, jumping from his crouched hiding position and attempting to catch Spark off guard. 

All he can focus on now is pushing him off. There’s no way it’d be easy, considering he had to focus on his touching any of the electricity off of his suit. Riki delivers a kick to Spark in the ribcage near his heart, where he’s fused metal into flesh. The villain coughs before taking a step back, his metal arm reaching for Riki’s outstretched leg. He grabs it, twisting with anger before the boy meets the ground in a violent throw. Not only is the slam greater because of the enhanced strength, but the power seeps into Riki’s skin, leaving it hot from the energy radiating off of his palm. 

The boy groans, flipping to his side to avoid a fatal hit to the chest. He reaches for Spark’s normal arm, swinging the villain’s body away with as force as he could to create distance between them. 

Riki has been in enough fights to simply know when to run, even if he doesn’t know what’s coming. He could feel the tingle of the charge as it powered up, and with its energy so unrestrained and its user so unstable, the large attempt to hit Riki sends the villain stumbling back from the force. The more Spark uses his powers, the more likely he’s going to end up dead. 

“Your skin can handle that anymore!” he shouts, getting ready to swing himself closer as a plan manifests itself in his head. “You’ll die like this!” 

Spark seems to know that too as he wipes his mouth and recovers from Riki’s attacks. 

“You think I care?” He shouts, desperately pressing his wounds to stop the bleeding. “You think I have anything else for myself?” The vulnerability of his character shines through as he clutches his bleeding wound without regenerative powers to help. “You think I didn’t know that when I did it to myself--what they did to me?” 

Riki doesn’t respond, grimacing as he continues hand-to-hand combat. Although he takes a solid punch to his jaw that’s forming a deep purple bruise, he manages to trip Spark onto the ground.

The man stumbles back from the head injury, the pounding from earlier not letting him to think straight. Riki doesn’t try to injure him anymore, but he instead blocks an incoming punch and tries to force Spark towards the edge. 

The villain barely notices how much space there is left, and the boy lunges with full force. They tackle each other into the ground, and Riki gets off after apprehending him once more. 

The city's a mess, and Spider-Man’s eyes want to shut down so badly, but he takes a few steps in Spark’s direction, pushing him off the side of the building as quickly as he can. Riki hears the thud before he peeks over the edge, seeing the water erode all of the engineering from the machinery. He slowly descends from the rooftop. 

“You were in the accident, huh?” Riki shouts on top of the plethora of sounds. Pain, buzzing electricity, splashes of water as he lands next to Spark; it all echoes in his ears as he pours the water from the pot on Spark’s body. “Why did you try it? Why did you want to go back so bad?”

“If I could go back,” Spark coughs, trying to get away from the large pool of water, “I could’ve prevented the accident from taking the lives of the people around me. I could’ve saved them.” 

Spider-Man understands loss, and he understands the regret that comes with failure. He understands how the man in front of him feels after having everything taken away from him, but his emotions could never justify his actions. 

“You know you can’t change things,” Riki responds, “You tried your best, Spark.” It’s the last thing Riki tells the villain before his body slumps and police sirens grow louder and louder. It’s the last thing that he continues to think about, even if the medic quickly assesses the severity of his wounds. 

“I’m fine- really,” he pushes away the hands of a concerned woman as she holds a roll of bandages. “There’s something else I need to do.” 

Riki knew he had to tell you about this–he couldn’t just let you confide in him about..well, him, without your knowledge. And Riki wasn’t morally perfect, but he knew an explanation would be the only way to fix things.

Your house looks different when jumping over the fence instead of standing in front of it. When he realizes he has no idea what room belongs to you, he racks his brain, suddenly remembering how yours was the only one with a gray balcony over the pool. And so he climbs, slipping from the exhaustion creeping into his body. 

You’ll understand after he explains everything, right? 

“____, a little help?” And what the fuck is Nishmura Riki doing outside of your door? You go to investigate the muffled sound, inching towards the curtains and pulling them back to expect him there. When you hear a half yelp and a hissing sound that follows right after, without a person anywhere in sight, your heart drops to its stomach. 

Do not say it’s true. 

“Riki, where the fuck are you?” you ask, traversing out when you don’t see him anywhere across the glass. 

“Down here.” You run in the direction of the voice, and your eyes grow comically large and you gasp, staring down at the sight before you. 

“Holy shit.” 

There Nishimura Riki is, with his mask half burned off his face and his blonde and black hair messy and matted to his forehead with sweat. The suit is ripped in multiple locations with gashes and purple replacing the healthy skin underneath. His face is in more of a grimace, as he holds onto the web with both hands and one foot planted on the stone of your balcony—read; the bottom of your balcony. 

“A little help?” And you see his sheepish emotion through the tattered fabric, embarrassed after you had to find him in such a compromising situation. “I’m a little worn out and I think my webs are getting weaker.”

You’re a little frustrated with him for being out so publicly, but more scared and worried for his condition. Your gaze narrows on the mask, tattered and covered with scratches, but clearly visible. It was Spider-Man’s mask. The material gives way to a familiar face, and your mind almost blocks you from putting the pieces together. It’s impossible, almost horrifying to think of the implications of what it means to wear the blue and red suit. 

Instead of being the villain, Riki is, in fact, the savior.

The harsh truth is that your classmate, who you spent the last month working on a project with and suspected was a villain, is the same superhero that went out and risked his life every night fighting crime. It’s jarring to see him like this, breathing heavy and straining against the stone of the balcony, and his cough snaps you out of it. “What the fuck do I do?” 

Riki tries to put his hand up in surrender and shuts his eyes at your harsh tone. “Okay, okay, I get-“ and he cuts himself off with a yelp as his footing slips. 

He holds out his hand, and you immediately bend over the smooth railing to grab it, leaning back on the heels of your feet to help him up the most that you can. You’re filled with confusion when the boy hobbles over the cool surface of the balcony and lets his head rest on the stone, not saying much as he catches his breath. You watch the rise and fall of his chest and how his right arm goes to nurse the left side of his ribcage, wincing and sucking in a pained breath as he assesses the smear of red on his fingers. 

Sitting there with your mouth agape, you’re not really sure what to think about first; to check if RIki’s alright, to think about how your city’s greatest superhero is your English project partner, to yell at him for going to your house instead of his house to fix himself up, or to think about how good his side profile looks in the moonlight. Maybe you should’ve just been relieved that the boy you started to like wasn’t a fear-inducing villain.

“Okay, first of all, we need to have a huge talk. But I’m not a medic Riki- I’m going into accounting for fuck’s sake.” He hears the amount of curses flying from your lips as you ramble, and sees how stressed you look watching him sit against your railing. 

“I don’t know how to help you. And also,” you lower your voice and scoot closer, looking around at the large property to really make sure no one’s listening. “you’re Spider-Man?” 

The information all hitting you at once is worse than when your history teacher told you your essay was horrible. At least then, in her office, you could process everything. But here? You’re about to faint. 

“I’m pretty cool, huh?” And of course Nishimura Riki says such a thing, taking deep breaths as he shallowly presses on the blossoming bruises on his skin and wipes the sweat from his brow. 

“Pretty fucking stupid is what it is, Riki.” You cross your arms and try to take a look at where he’s been hurt, hoping that at least he has some sort of regeneration ability that helps him heal much quicker—because there’s no way he could deal with all of this on top of school. 

“I have my reasons,” he says, his voice quiet. 

You pause. “For being Spider-Man?” 

“No,” he shakes his head. “For coming here.”

“What could possibly make you want to come over to my house instead of the nearest hospital? What’s that important to you?”

“I really want to ask you to prom.” 

You simply stare at him, surprised. 

“You came to my house, even though you’re like, a punch away from passing out, to ask me out? And you couldn’t have, I don’t know, asked me anytime during the classes we have together?”

Riki somehow finds it in himself to frown and shrink from your angry piercing gaze. “I can’t because talking to you makes me nervous–so yeah, I’m sorry I’m half conscious on your balcony in my suit instead of at your door with a poster.” 

You’re conflicted, your mind still reeling from the recent discovery and your flood of emotions. Ever since you questioned his identity on top of your feelings for him, you had a hard time really knowing if you could like Riki if he turned out to be a villain, so to know that he proved both of your theories wrong leaves you quiet as you think. If possible, the color in the boy’s face drains even more when you go back inside, but the door stays open, and he thinks he hasn’t ruined things after all. You emerge with a bottle of isopropyl alcohol, a bowl of warm water, and a pristine white towel. 

“I’m not mad about that, you idiot,” you reprimand him, setting everything down as you examine the cuts on his face. You squeeze the towel and start to dab at his skin, avoiding the cuts as you clean it. “Who does this for you if not me?” 

“Jake.” 

“Seems like a pretty good friend.” Riki nods in response. 

 “I’m sorry,” he sighs, sitting up to properly address you, even if you weren’t able to meet his gaze. 

“For what?”

“For putting this on you–all of it. Not just the whole Spider-Man thing.” He knew he’d have to tell you at some point, or else it’d eat him up inside to know he kept all of it from you. 

“Look at you, saving me mid-air and talking to me as if you didn’t know who I was.”

You notice a flash of regret through his wince as you clean up a cut with antiseptic. “I meant it when I told you I knew what it was like to have a lot of pressure.”

“Guess I wasn’t so far off, then. If we never talked, would you have told me?” Riki shakes his head, and the simple motion leaves you somehow disappointed. 

“How do you ever tell anyone you’re…y’know, Spider-Man?” Even if it’s a hypothetical, you shrug, not being able to answer.

“How’d Jake find out?” 

Riki chuckles and hisses at the same time before trying to remember. “I think I just kicked his window in after a nasty poison got hold of me. He was a little too excited to have Spider-Man on his bedroom floor, and less excited to know it was me. I’m not really supposed to tell anyone, though.”

“Then why’d you tell me? You could’ve just gone back to your friends.” 

“I felt guilty–I know, I know, it sounds stupid. I’d definitely get my identity revealed at this rate.” You shake your head. 

“Not stupid. Keep going.” 

“I didn’t care that you suspected me, or if anyone else did, because I knew it was never true. But I felt so bad knowing you were sharing to me how you felt without even knowing it was me who was listening–like I was holding something from you.” 

You admire his honesty, and when you look at his furrowed brows and his lip that he’s been gnawing from worry, you can’t even imagine what he’s had to hide and do for this. In a way, you look up to him more, for trying his best even if he’s gotten all odds stacked against him. Riki’s commendable in your eyes–he always had been, ever since you woke him up in class. 

“I like those things about you, Riki. That you’re honest with yourself and the people around you as much as you can be, and you try to help others when you can. I’m glad we got to know each other more this past month.” Talking to him feels different than talking to Spider-Man from a few days ago; it feels raw, like you’re not just confessing something to a brick wall anymore. If none of this ever happened, you doubt you’d get the chance to tell Riki any of this properly. 

The boy stays silent, taking deep breaths while processing what you’ve told him. “I’m glad I could help you out.” 

You furrow your eyebrows. “I hope you know I don’t like you because you help me out. I like you because you’re attractive, and because you’re genuine,” you blurt. 

Riki laughs despite his ribcage hurting everytime he does so. Riki nods and mumbles a ‘thank you,’ also glad to truly get to know you. While his crush was more of an infatuation with your hard work and amiability, the past few weeks really opened his eyes to who you were. You never wanted to disappoint, and even if your recklessness left you in some dire situations, Riki could see how much effort you really put into things. 

There wasn’t anything else he needed to tell you–you were smart enough to see how much he cared about you.    

You’re so close, your lips glossy with lip balm as you watch him carefully. You hear and see it all; the heavy, labored breathing from his body healing itself rapidly, and the way his hand is full of rough cuts and calluses as his fingers intertwine with yours. But your eyes catch a glimpse of his mask tossed to the side, the blue shining in the corner of your eyes as you’re reminded of who he is right now, and what role you play. You are still ____ ____, but he’s a superhero.

It makes you momentarily forget whose suit you're peeling away, whose skin you're cleaning. It reminds you that he’s just the boy in your English class that you fell for. “What does that make us?”

“Prom-goers,” he answers with a slight nod. 

You smile, wiping a cut before placing the towel back into the bowl for the last time and getting up. “We can be prom-goers, yeah.” 

You’re not sure if you’re ready for anything, and you’re thankful that he understands that, too. As much as it warmed your heart to see him again and hear his confessions, the blaring truth still hangs over your head. You grab his mask, finally looking at him before handing it back and grabbing your things. His secret identity wasn’t something you could just ignore. 

“Go home, Spider-Man,” you turn your back on him, and time slows when you falter before sparing him one more look. “I want you as Riki, not like this.” 

MAYBE NISHIMURA RIKI DOESN'T NEED TO DIE–OR ALMOST DIE–ANYMORE. 

He went home that night with his scars somewhat cleaned and his bruises miraculous healing on their own, and even if slipping through the window left him clutching his side in pain, Riki silently jumped up to celebrate his multiple victories before slipping out of his suit and finally getting some rest. 

Riki’s scared of how he’s affected your relationship. He’s worried you’ll avoid him in the halls, and he’s worried you’d never want to see him again after putting you through all of it. As much as he'd understand how upset you'd be towards him, he hopes he did the right thing by telling you.

But you see him on your way to English, and you call his name. His eyes search for yours in the crowds, and you two see each other before you crush him in a hug. 

Riki isn’t sure how to feel at first, but eventually wraps his arms around you as relief settles in his stomach. 

“Thank you for saving me, Spider-Man,” you whisper, loud enough for only him to hear. 

He smiles at you, ruffling your hair as you go to English together. “Anytime, ____.” 

NEVERMIND, NISHIMURA RIKI MIGHT DIE WHEN HE SEES YOU IN YOUR RED PROM DRESS.

But first, he has to try something out. 

He curses to himself when silently zipping from a tree outside your family property to the top of your house, staring past the ledge two and luxurious stories to your well decorated porch light and door. He just prays that Google Maps is  right about how secluded the area is, so no one can see him pacing around your rooftop, with flowers elegantly wrapped in his hand (courtesy of your mother’s sleek envelope from a few days ago). 

“Fuck it,” he says to himself, shooting a web and dangling himself down. Riki’s upside down figure watches swirled window frames and meticulously designed accents as he descends, and he wonders what kind of shady business your parents could’ve done to afford something so grand. 

He faces your door—hanging down instead of rightside up, but he’s still here on time like he promised. 

The door opens at 6:00PM like he instructed you to, but what he didn’t tell you what to do was shriek and slam the door. On his nose. With a loud yelp, Riki clutches his nose, rubbing the spot you hit and trying to apply pressure to alleviate the pain. 

When the door slowly creaks open again, you face with the image of Nishimura Riki, aka your boyfriend, aka your English partner, aka Spider-Man, curled upside down in the fetal position as he cradles the sore spot on his face and swings slightly from the breeze. 

“You scared me, dumbass! How was I supposed to know it was you? It was so hard to see!” 

Although muffled, Riki’s able to mumble, “You have a porch light for this reason, _____,” and a jab at his stomach from you follows his sarcastic remark. Finally, his nose feels better, and he straightens out to finally look at you. 

Pretty, pretty, pretty, and the boy wonders how you look even more stunning with a glittering red dress and perfectly done make-up. “I like the red,” he says, trying not to freak out over your beauty. “Reminds me of a certain neighborhood superhero.” 

“I have some blue spider earrings to match.” With a beautiful smile, you turn to show him the little accent, and it melts his heart. “Are you okay, though?”

“I’m fine. I should’ve probably put more thought into that.” 

You snicker, sliding into your heels and closing the door behind you. 

“One of us is better at romantic gestures, it seems.” It warrants a scoff, and Riki brings a gloved hand to poke at your forehead teasingly.

“Let me have a do-over, then?” And the way your lips curl up into a bright smile leaves him quiet and in awe. 

“What, were you going to kiss me? Very original, Spider-Man.” With the way the fabric shifts over his features, you can tell he’s pouting. 

“I thought girls liked this.” 

You shrug, pretending you aren’t swept off his feet by the effort he’s put in. Taking a step in his direction, your hands reach up to gently pull the mask over his chin, ears, and then his nose. 

Whispering quietly, you ask, “You’ve kissed other girls upside down?” 

Riki’s quick to shake his head. “You’re the only girl I’d withstand a head rush for.” And god, you just can’t stop yourself from grinning at his sweet, genuine words.

You lean in, placing a small kiss on his nose as a silent apology. Then, you close your eyes and lean into him once more, feeling his hands carefully holding the side of your head and his lips on yours. Your kiss with Riki is saccharine and slow, making you pull away when the urge to beam at him is too much. Your cheeks definitely hurt by how romantic he’s being, and you can’t resist kissing him once more.

“I’m not gonna lie,” he starts, finally letting himself down, “It feels weird.” 

“You ruined the moment.” And he really didn’t, but you enjoy his subtle reactions to your light digs at him. 

“Whatever.” Riki laughs. “Stay here, I’ll be right back.” 

You nod, sitting down on the porch and dragging a manicured nail over your lips with the ghost of his affections, thinking about how you literally just kissed Spider-Man. 

Riki comes back, dusting off his suit and smoothing out the wrinkles, with a large bouquet of red roses and one blue one snuck in there. Your lips stretch into a grin and you accept the bouquet, keeping a mental note to read the card in there.

“You never cease to amaze me, Riki.” It’s the last thing you mutter to the air before you loop your arms around his neck, urging him to lean down as you kiss him once more—this time rightside up, but still as sickly saccharine as the one before it. Your heart is fuzzy with fondness and your eyes glitter with adoration. 

“So, which kiss was better?” he asks when you pull away, a little breathless and dizzy.

You swat his arm and walk past the gates, seeing the sleek limo waiting by the curb. “I don’t know, Spider-Man. Maybe show up in your suit and we’ll try it again.” 

REBLOGS AND FEEDBACK ARE ALWAYS APPRECIATED AND ALWAYS READ!

RIKI FIC DONE!!!! ngl y/n u were right there how did u not know riki was spiderman but whatever idc she's a hard worker not smart LMFOAOAO. my first ever action fic so i hope you enjoy! also i hate the ‘oh he pined after her for 4 years she liked him for 2 months’ bs because I WAS IN IT. and it sucks so i tried to deviate from it :)

꣑ৎ permanent fic taglist (TAGGED IN TEASERS, FICS, HEADCANNONS, DRABBLES, ETC.): @dimplewonie @minleeeknow @heeheesang @mintpjzroll @llvrhee @firstclassjaylee @in-somnias-world @rairaiblog @suneng @mavlogist @sensitively-taken @sumzysworld @simpjay @moons-v @riksaes @txtari @jungwonscatcus @tya0 @sasfransisco @woorcve @shypen @pinkriki @rikisluv @saranghaohoshi @lilifiedeans @wonmyheart @k1ttyluvr @nikisgfff @ramenoil @laurradoesloveu @lvcky-g1rl-syndr0me @ikeulims @missychiefs1404 @qwonyoung23 @yangjungwonnie @onementally-unstabel-kid @microwvdstrawb3rri3s @blooqz @anormieee hi permies hope u enjoy! kith

[cryptfile]

✶ nuclear seasons, [ soldier boy x reader ]

summary — he was friend’s with your mom. friend is a understatement cause when he appears in the middle of the night looking for revenge in your little apartment in the suburbs, you know he’s far from being nice.

warnings — +18 minors dni, smut, dead dove do not eat, we have a last name (also a mother!), kind of porn without plot? but not really cause it HAS one okay, we call it 50/50, fem!reader using she/her pronouns, p in v, masturbation ( m! receiving but blink and you miss it), dirty talk, age gap, choking, degradation, spitting (i'm sorry), fingering, mentions of injury, cancer (not you tho), tons of tension.

side notes — i’m never experiencing the post ovulation clarity lmao, that being said english is not my first language so sorry for any mistakes, also i’m a whore for jensen ackles, and i stand for what i like proudly. // 5k+

Nightshade is a hero.

You're proud of your mother since you were pretty young. The hero that fought against Vought to death during the time Payback was active, America’s Troublemaker that you only knew as Stella Nightshade, a blonde woman that talked with the death during her golden years.

Maybe it’s your mother the one that pushed you to fight crime, to pursue the bad guys and look out for the victims that can’t stand for themselves, so even when you don’t inherit much from Stella’s gifts, you joined the CIA as soon as you can so you can do something that matters.

You’re the best in your class, work your ass off to be taken serious, to be more than the look of disappointment you receive when people ask, once again, if you have any powers like your mother and you have to admit — In pure shame, that you didn’t born as a superhero but a baby who cried loudly when is too hungry.

But as years pass you make a name for yourself, one that even if differs from Stella’s job has the same noble reasons behind. You also realize you were too naive growing up, believing in heroes that don’t deserve to be called that way.

The country has made a mistake on making superhumans so openly, and it’s clear that got out of control now, backfiring as they got so much power it’s almost impossible to take accountant of any of them.

You’ve worked along Grace Mallory from the shadows, and even when Stella would not be so proud of you for helping get his kind out of the streets, the justice is enough to feed you and keep you warm on a cold night.

You like it that way. You know Grace has a team for it, a legal army of supe-haters as you called them, yet, you prefer to stay in the dark, not let your personal life get involved cause one slip and you can lose it all— Even when you don’t have nothing at all. You like to have an outside life from work, it’s the sane thing to have, so when the CIA Deputy Director asks you about joining the infamous Boys, you politely decline assuring the woman you’ve been more helpful from the outside.

What would Stella Nightshade would say? Now that you’ve grown older and you don’t look at her the same way you used to when you encounter her files and read about your mother. You know she has done wrong, yet with the years, you don't imagine Soldier Boy himself was going to seek for revenge first thing he does when he wakes up, his plan including your mother even when she was long time dead before he even appeared in the picture.

That night especially you let your guard down. It's been a rough couple of weeks back in work, so when the night comes you're a victim of the stress, victim of your bosses and the people that surrounded you. You pour a glass of wine for yourself, light a cigarette even when you haven't smoked in years, and turn on the TV to see something else rather than the face of Homelander in every single channel you've been tuning lately.

It's a weapon. When you leave for a warm shower and start filling the bathtub, you're not aware of what that night was really going to be for you. Oblivious as you stand naked in the middle of the bathroom, holding the glass of wine between your fingers before entering the warm current that relaxed your muscles.

It seems tension is your worst enemy, makes your muscles feel like stone as you got in the water, the cigarette that hangs from your dry lips splashing with tiny droplets of perfumed water as the silence filled the air. It's what you needed, at least ten minutes with your brain shutting off completely, the pleasure you haven't experienced in forever by being so compromised with work.

It's a much-needed break. The smoke that leaves the room by the almost-closed window, the taste of wine still lingering in your lips as you sip another taste of the crimson liquor you love. You don't happen to notice when he's breaking in your apartment, silent and deadly as you were protected by a door closed and a white curtain.

You don't happen to hear him too. The music coming our from your phone is loud enough to silence the knocks on your door at first before breaking the wood, you're too deep in the still water that smelled like roses and vanilla, to even pay attention to what was going on outside the warmth of the four walls that surrounded you.

There's vapor coming out of the water and you find comfort in closing your eyes, in letting the blow of the smoke travel through your throat before suspending itself in the air, flowing as you drank.

In your defense, you haven't been like that in ages.

It's been a long time since you last fill the tub and have a relaxing session with yourself, so it makes sense you are enjoying it a little bit too much, too much cause when the invader is making a lot of noise when stepping into your property, you still enjoy the taste of the alcohol on your lips.

The ashes fall to the ceramic floor outside the tub and you should blame the CIA to make you so tense to the point it leads you to more problems than you ever had. In the dark room of your apartment, it's Soldier Boy the one who's going through any drawer he comes across, the ones closed, the ones hidden, any slit he can find, any clue that can trace your mother back to his personal vendetta.

He's oblivious to Stella's death and her daughter, so when the former superhero hears the noise in the bathroom he's fully convinced it's your mother the one who's behind that door, that she's the one who's going to tell him the truth, if she also sold him to the russians as well in the process.

He's decided also on killing her. She must need it after all that time getting older, closer to death more than ever.

Of course it's an unpleasant surprise when you can see the bathroom door opening when you're sure you left the front door closed and lock with at least two bolts to prevent anyone from getting inside, it makes you jump in the spot, quickly covering yourself from the new stranger that enters your bathroom.

"Stella?" he asks, it's the last room that the hero needs to check for himself.

You spot the green fabric of his suit immediately as you pressed your chest against the cold surface of the tub, and when the invader notices you're naked, he doesn't look away as any person with a hint of respect would do, but instead, continue on checking you out as you try to cover yourself in the water tinted in a nonexistent transparent color red.

You can feel his gaze as soon as you recognize him too, as you happen to notice that face from your mother's pictures, the propaganda in the TV when he did almost every commercial back when you were a kid. It's a shock, and dressed in his damn suit, you don't know why an old superhero is there standing beneath the yellowish bulbs of the light your bathroom happens to have.

Your cheeks adopt this pink color as you panic, grabbing the cup of wine to throw the liquid in the floor, breaking it against the marble walls just to shatter the glass in pieces, a weapon of defense as you lifted up against him.

"You're not Stella."

Soldier Boy looks amused: it's funny that you think you'd be able to kill him with shattered glass, yet he lets you keep thinking that way when he's enjoying the view.

Is he to blame? He just got out from this giant cooking oven back with the communists and he hasn't got his way with a lady since what seems are centuries, so when he spots you in the tub he simply cannot contain himself from peaking around. You should be in what? Not more than your 20's? Soft-looking skin that asked to be marked with his hands, by the force of his lips crashing in your flesh.

The thought is compelling, you're looking all feisty with the glass in your hand, threatening him and speaking something Soldier Boy cannot catch at first — Shit, he doesn't even notice the blood in your hand that's dripping all over your small rug in the floor, the power women like yourself seemed to have now and weirdly enough, a huge turn on.

"Get the fuck out!" you scream in an authority voice, the same you use back at work when you're mad, when you're usually holding a gun in defense more than a piece of broken glass "Stella is not fucking here!"

It takes a few more words to actually get him out of there, and as he closes the door behind him you finally stand to grab a towel covering from the currents of wind, trying, really hard, to think about anything else more that the fact that Soldier Boy has entered your house and your bathroom in the worst moment, far from what you were last updated with.

To be honest, it almost gave you a heart attack, leaving the bathroom to find your home torn apart, the drawers open and all the papers you've meticulously kept in place being all over the place as Ben stands awkwardly holding a shield in the middle of your living room.

"Fucking hell" you're cursing under your breath as you gathered some important things you cannot leave on the floor even when you're still wet from the shower, expelling this nice aroma that mixed the roses and the vanilla together with your personal scent — Weirdly enough, a fucking show to the hero that's already rock-hard from the peak he had of you from before.

You don't really notice it at first, too busy being mad as you let the papers you gathered on top of the table. You lose the shame you got left as the wet drops of the shower leave a trace in the floor — And as usual, you clearly don't notice it, but Ben does when the water is running down your back, and you're barking something about calling someone called Grace, holding onto a white tower with your dear life.

"Where is Stella Nightshade, sweetheart?" he speaks out loud cause he don't understand anything you say, really fighting to be nice with you like it would give him an opportunity to get under your skin.

"My mother's dead," you stand there without knowing what to say after. You know he and your mother were close, but you don't imagine he was going to actually go find her teammate when he recently woke up in a different country. "She died years ago dude, i'm sorry."

The information gathers in his head as you take a clean oversized shirt from the laundry basket covering with it as you throw the towel to the floor, Red Hot Chili Peppers it says, but he thinks it's a place in Italy more than a band like he isn't troubled already by the fact you were Stella's daughter, the person who thought was her only friend back in the time now dead.

"Does anyone know you're here?" your mind is drifting back to work again as you wondered if anyone knew he was going to break into your apartment and choose not to send any help — "Ben."

You've read his file. Hell, to be honest you've read every single file in Payback, so it's no surprise you know his name, but to the hero, it seems to be amusing when you call him by his real name, his mind fueled in a different direction as he notices you're not wearing any underwear beneath the shirt you're choosing to wear, one whose fabric's barely covering your tights.

"What do you mean dead?" he asks, furrowing his brows "It's not been so long."

"She got cancer three years ago" you explain with a sad tone, even when you disagree with Stella, it pains you to remember what sickness made out of her, consuming her from the inside at a cruel pace.

"Motherfucker," he states clearly angry, and you cannot help but look at him with a weird face, searching for the phone you left in the sofa to call any-fucking-body in the office that could send a damn army to get you: Didn't the Boys have everything under control? That's what you're told anyway, then why the fuck is the subject of matter cursing in your little messy apartment? — "Bitch just got away with it before I could do anything, isn't it? What a fucking shame."

"Pardon me?" it catches you by surprise at first, but it hits you soon after. Soldier Boy is not there to say hello to your mother or ask for her help, but instead, he's there to get revenge and actually kill Stella by his own matters.

Fuck. Of course is something new, something that makes you feel cold all sudden, your wet hair making you visible shake as you became aware of his plans.

"You know them. You know the people from the lab" it's more of a fact than a question, letting the words feel salty in his own mouth. "The ones that let me get away."

He's quickly to gather the pieces too, not as dumb as you think he is as the puzzle is finally coming up together in his head, and it's all it takes for him to take a step closer to you, cutting that space you've created since you kicked him out of the bathroom — He's angry now.

The red globe on his hand is now holding you by the throat, applying enough pressure to cut the air flow going to your lungs almost completely, his fingertips warm against your bare skin as he holds you in front of his figure, pushing you against the cold wall.

You usually would enjoy such activities, yet in the context you are trapped in right now, you began to choke, your own hands trying to push his grip back even when he’s too strong, not even flinching when you’re squirming, gasping for some air as your face became red, tears gathering in your eyes as he let you breathe for a couple of seconds when he senses you’re too close to black out.

“Talk little Nightshade” he says in a low voice. “Or else i’m breaking your pretty neck.”

“I work for the CIA!” You explain quickly as your breathing became more labored by the seconds. “Not for the people who let you out! I promise!”

He’s going to kill you. You can see the determination in his eyes, that predator look he happens to have.

What you don’t know, somehow, is that he’s going fucking insane. Your smell coming up to his nose to make him shiver, the sight of you in an oversized shirt that barely covers your shape is more than enough to push his buttons, to make him forgot about any killing he was allegedly so concentrated in fulfill, the sight of you almost crying messing with his brain.

Little Nightshade is a fucking tease.

His eyes follow your expression, the hand that gripped your neck and choke you harshly now pressing enough to only suppress the air flow in a more enjoyable way, the tension quickly shifting from dying to pleasure all over again as he kept you in place so easily.

It’s impossible to move, to do anything more than be pressed against a cold wall. Your mother has once again lied to you and you notice the relationship she painted with Soldier Boy was more of a movie in her head than reality itself. Makes you gulp in response when you stare at his expression, the face of a trained killer as you knew, fucking knew, a bit more of force in your neck and it would snap without any difficulty.

“I don’t work with them” you assure once again, maybe it’s your survivor skills hitting when you repeat it in a low voice, catching on your breath when he lets go allowing you to fill your lungs with air just enough before pressing that very spot again, the one that actually turns you on. “Fuck’s sake.”

Is that how you end? On your lame apartment?

The next is a weird thing, cause in the blink of an eye he’s close to your face planting his own body next to yours and you’re shivering at the feeling, his armor pressed against your chest as he left the shield he was holding on the floor.

The metal is pressed against your skin covered by the thin cotton of Red Hot Chili Peppers shirt, and he is so close, so close you froze there, no longer fighting his tight grip but mesmerized by his damn face, the same you watched on TV when you were a kid, the handsome man you happen to severely crush on in secret, just because you don’t want Stella to know or she will give you a long talk about how he is her age.

But he is, handsome as fuck, and now being so close to his face you can say it with all confidence. His beard is shaved perfectly and he smells incredibly good even for someone who has spent time locked away without any kind of hygiene, his green suit protecting him from the cold air that was getting through the opened window.

“Who are you?” he asks, scanning your face with a curious look as he wanted to know what expression you would have when you know why he's there in the first place — “What do you know about Stella Nightshade, your mother, selling me out?”

Fuck. So that's why he's there. You know she did it. And it's impossible for you to lie when he's making you so nervous, away from any weapon, any form of defense as you left the glass in the bathroom sink when you notice large gash on your hand, and your silence makes nothing more than leave him fuming. If he was angry before, he now reaches a higher level as his grip turns more violent now that he knows you know what he meant, why he's there claiming to talk with your death mother out of nothing.

"Call her then. Use your powers" he demands dryly, and you're shaking at this point cause it's more shame added to the long pile, the bathroom already being a humiliation by itself. "Fucking call her."

You squirm beneath his grabbing, when he's pushing you harder against the concrete wall and you can just feel him from under the suit, hard cock pressing against your belly, green in your vision as he towers over you. He knows what he's doing, and even when you try to be disgusted by it, you find yourself enjoying his closeness, how he's pinning you with no effort at all, hands on your throat while he demanded an answer.

"I can't call her" you admit in a low voice, cheeks now red as the embarrassment crept upon your face — "I don't have my mother's power."

Soldier Boy seems to not believe you for a mere second, after that you can feel the blade of the knife pressing against your skin, a threat that now becomes more real as you can feel the cold metal stomach. One swift movement and you'd be stabbed without a second thought.

It's sick how much you enjoy it when you are squirming against him, goosebumps in the zone he threats to destroy.

A force pull his lips upwards in a smile, unable to pay attention to nothing else but the sound you made without even realizing it. "You like that, huh little Nightshade?"

It seems to be a joke for him, bitting your inner cheek to prevent you from saying something stupid, from letting out a moan in response to all the sudden desire.

Despite all conditions you stay silent, holding his gaze like it's a game you're not going to lose. He didn't respond either, trapped in a second that seemed longer than the usual when time stopped around you, eyes looking like he can surpass the old fabric of the white shirt you choose to wear.

It's the tension what makes you mad. You're so into getting people like him, that your ego is bruised now that you notice you are actually attracted to all of that, to the way he's pressing you against the concrete, how all falls into place when he's pushing himself against you, invading any private space you could require.

He's kissing you soon after. Ben crumbles against the tension as the hand on your throat demands a kiss now, pulling you closer to his face without any warning nor concern as he crash his lips against yours in a rough kiss. You try to push him away in response even when you don't want to; see, it's hard to even admit you have interest in Soldier Boy in any other way more than the professional, but when he's bitting your lower lip you're letting your defense down: When is the last time you've been kissed like that?

You remind yourself you're tired from work, that the CIA has done nothing for you more than fuck your over and over even to this point, losing sight of one of the most important heroes of the word, and it's making you encourage to let go just for a mere hour.

"Lookin' so good takin' a bath" he says, and the sound of his deep voice is enough to send an electric wave through your spine, like he’s talking to himself as the hand on your hip is now tracing the curves of your body, taunting you from over the shirt he now learns to love. His beard is now scraping against your skin and you can feel his lips going down, tracing an invisible path to the crook of your neck as his hand is no longer choking you.

Jesus. Was that even happening or was that your imagination? Did you feel asleep on the bathtub? Maybe it’s a reflection as you are close to drowning, your brain doing that happy thoughts shit. You’re tilting your head to the side just to give him more space to work with and you’re just letting it be, enjoying how he’s sucking and nibling on your skin to leave a red mark behind, all teeth and no fucking control as he uses a good amount of force to make you moan in the process, the pain enough to remember who’s really on charge.

Ben forgets about asking any more questions, he’s too busy when his hand are taking decisions by themselves as they slide under your shirt, body still cold from the bath you just took, water still drying in your flesh when he’s like he usually is — An invader.

His hands are big and they’re capable of holding your whole tummy as he caress the soft skin that seems to expel a warm sensation, how it leaves goosebumps in any place he touches. You remember you’re basically at his mercy now that his hands roam with all liberty under your shirt, the look he gave you in the bathroom mistaken you for Stella, his eyes looking at any exposed skin he could look at.

“What the fuck,” you try to say under your breath, to keep on this facade you have of a composed person, one that won’t give in to be manhandled “What the fuck do you think you are you doing?”

“Well, i’m not seeing any complains” The blade cuts through the cotton leaving a large hole you know you won’t be able to sew after yet he’s right: There are no complains, nothing but eager that makes him go further as the seconds passed “In fact, can see that you’re pretty much enjoying it, Doll.”

You hate the nickname, that old man way of speaking when he’s squeezing one of your breasts with more force you can even handle, cursing at how easy it seems to be for him, how he wants to see you simply destroyed.

“You’re loving this isn’t?” he ask all sudden, studying you with his hazel eyes — “You love being a good whore f’me? My little Nightshade.”

He’s hard under the suit, covered in a green material you don’t know how to call as your hand searches for him, crave for him, convincing that it's what you must do as you trace the invisible lines his muscles made.

Soldier Boy’s messy, much like an animal when he’s groaning beneath your touch, his own body seeking for yours as your fingers grew bolder, demanding for a deeper contact — “Careful there sweetheart, i’m still fresh out of the oven. May be a little rusty."

You laugh at his words cause you know what he means, yet your hands work by themselves as you barely even touch him from over the suit, the hard feeling of his cock against your palm, hips buckling against your hand seconds after seeking for you, eyes shut for a couple of seconds.

“M’being careful” you say, catching yourself stealing a look at his reaction, taking your time on pleasuring him , gulping as he experiences the torture of your touch “Taking it slow for an old man.”

“Old man, huh? Now you're talking” He teases, and the sound of his laugh just fucks you up. Maybe it has to be with the fact he’s placing two fingers in front of your lips while looking at you, swollen pink lips he’s so fixated for a second, or it’s because he is, indeed, way older than you are — “Spit.”

It’s not a command, but it sounds like one as you’re unable to disobey, quickly spitting in his hand as you can visibly see the traces of saliva leaving a wet residue in your chin, one Ben looks at it for a good amount of time: How is something like saliva is so damn erotic? He doesn’t know it, but it’s enough to send him into a spiral.

He’s strong you think, cause he’s a superhero. He’s Soldier Boy by any meaning, so it’s not a big effort to hold you in his arms and lift you in the air as you let out a gasp of surprise, spanking your ass as one of his hands separates your legs for him, holding one up as you stand in the other.

“Relax, 'got you, doll” he says, your back against the wall as he kept a bruising grip in your hip, holding you in place so you don’t have to keep your balance — “Fuck you smell so damn good.”

The roses and vanilla aroma lingers on your skin as you finally understand what he's doing now, his hand close to your cunt as he taunts you, torturing you like you did so eagerly before, his personal pet as his digits get lost in your entrance now, your folds spilled with juice he can physically feel in his fingertips, your arousal's so nice against the palm of his hand he cannot help but kiss you, a feverish desire taking over his actions, the lewd sound his fingers made when he finally pushes his digits inside of you, velvety walls welcoming him as they seemed to squeeze him already — He has made such a good job on turning you on, it’s impossible to not react when he’s finally touching you, pumping into you in a constant pace.

“Jesus fucking Christ,” he says, the look on your face is enough to make his cock twitch in his pants in response, imagination running wild as he thinks about that very same feeling in a much deeper way, how you’d look now stretched out, crying just like you did when he choked you asking for information — “Such a nice cunt, so wet f’me.”

He's looking at you, holding the image in his mind forever: Pink pussy displayed for him, white t-shirt rising over your chest, lifting your leg over his arm as his muscles flexed by the force he's using to fuck you deliberately, your lips parted as you ask for more in between erratic moans as his fingers curved inside you so he can hit that nice place he can reach with no effort at all, that one spot thats makes you moan louder.

"Ah-fuck" you let out. Ben's all about touching you for what it seems an eternity, thumb grazing against your clit when he's plainly torturing you, testing how much patience you have left now that he has full control of you.

"Don't cum," he demands, your heartbeats are louder by the seconds as he lifts you slightly, lips attacking your neck before the words escape from his mouth "Need you to come undone in my cock first."

He's leaving marks, marks you don't remember how to hide but don't bother you at all, touching you as he pleases you, taking all the time in the world cause it seems like the night belongs to him — Getting started as you shake your head in an improvised yes.

Yes. The thought is pure electricity, the sudden need to please him as you shake your head once again.

“Please Ben,” you don’t recognize what you’ve become now. “Please let me cum in your cock.”

"Go on doll, put on a show f'me" the supe says with a grin you cannot resist. "Bend and show me that lovely ass."

It’s all it takes. His fingers are now away from you, but you’re now facing the wall as you obey, bending until your cheek is pressed against the concrete and you can hear how he’s now unzipping his pants, the green fabric of his suit now to the side.

You look at him from over your shoulder, bitting the your lower lip as you check him out, his slightly curved dick pointing upwards, precum already leaking out.

“Like what you’re seeing or what?”

“Yeah, but there’s no fucking way.”

You’re feeding on his ego now, but you can’t help it when his size is far from what you consider it’s common — “Common’ doll. You can hadle it.”

You gulp in response cause you know you’re more than eager to try, just the sight of his own hand holding his lenght as he strokes himself making you drool in response. Fuck. It transforms in a need now. When he positions himself beneath you and he’s spitting down to that very place where he’s pushing against your hole, saliva coating his cock before just letting the tip inside.

Lubricated, he pushes a bit more and it feels just damn right. Even when it begans to hurt as he’s thick enough to force himself inside you.

Benjamin knows you’re in pain so he waits a second before shoving his cock inside one more time. You need some time as he stretches you out, clenching your teeth while he works.

"You're doing it s'good" he praises, hand massaging your back as he prevents himself from fucking you at his liking, “Takin' me like a champ."

"God" you let out a sharp moan moments after, crying when you felt the pain more than anything else — "Can't-"

"No doll" he hums as he pulls slightly more. “You can do this” he forces himself in until he's finally balls deep inside your cunt, letting you adjust to his size as he can feel fucking everything. Your blood flow, your velvety walls that squeeze him unused to someone as big as he was, your face distorted in what seems an intense mix of pain and pure, devastating pleasure — "Atta girl."

Strikes like lighting.

Soldier Boy's bitting your shoulder-blade as he waits, waits for it to switch into pleasure, to become intoxicating to the point you cannot longer remember your own name.

"Please move," you ask sooner than he thinks, and when he moves, you can feel it in your belly, melting your fucking brain as he repeated the process again, burying his cock as deep as he could go without any previous warning — "Ah, just like that, please-"

"Do you like how my cock is stretching you out now?" Ben's voice is way deeper than what usually is as he laughs, grunting behind you as one of his hands reach a fistful of your hair, grabbing it with force to pull your head backwards "Good girl, keep huggin' my cock."

You're drunk on the feeling, on the vibrations his voice sends every time he's saying something dirty for you, when he laughs victim of the pleasure.

"Gonna' keep you as my personal slut," he thinks out loud, pushing you against the wall every time he fucks you, using his other hand to spread one of your ass cheeks to the side so he can hit it harder. "Use you as my fucking pet so I can cum on your pretty face whenever I want."

He's moaning, your body’s sweaty as he pulls your hair without caring, not concentrated on the pain it produces as his hips continue on collide against you.

"Would you like that, little Nightshade?" he asks then in a low voice, his thumb pressing against your asshole as he fucks you harder now that you're used to his size. "Could get used to this pretty cunt. Promise to keep my cock whore nice and full."

It doesn't take long. Soldier Boy's moans are now filling the room as his pace becomes faster, slurred words between his erratic breathing when the hand on your hair comes up to finally grab you by the neck, like he can read your mind cause it's exactly what you need to get there, to experience by first hand a set of crashing waves that were getting more and more intense on your stomach.

You're close to the edge. He can smell it in the air when the sound of your skin slapping against his is loud enough to be all you can hear, mixing with the lovely moans you produce when he’s pounding into you with no mercy, fingers pressing the side of your neck with enough force you’re running out of breathe.

It’s messy, violent and you love it, love how he’s ruining you all sudden, fucking you up from the inside, making your vision turning dizzy in response. You’re immersed in the haze he’s driven you into before admiting:

“God i’m so fucking close.”

“Cum on my cock,” it sounds like he’s begging you to do it, fingers finding their way to your swollen clit to move against the sensitive flesh “Come on doll, leave me full of you.”

He’s making you move now, hands now controlling your hips as you take him as his liking, mere seconds until you’re finally crumbling, violently shaking as you finally reach your peak. He keeps on fucking you through your high, long enough so he’s pulling out all of sudden, stroking his lenght over you as his cum finally lands on your back leaving you convered with his load.

Fucking hell.

When you’re coming down from your orgasm shame seems to hit you hard, however for Ben is not enough when he’s kneeling on the floor, eyes on the mess his cock made out of you.

“Wanna go again, little Nightshade?” he asks curiously, and the question makes you laugh in response, forgetting about formalities and the trouble it meant you were intimate with Soldier Boy out of all the supes in the world.

“Hm,” you seem to think about it for a second, his breathing close to your wet pussy as he’s still wearing his clothes in contrast of you being so exposed — “But you’re keeping the suit on.”

He don’t have any complains when he’s the one pressing his face against your wet folds.

Funny thing is now when you’re forced to join the Boys days after that very encounter — A bad joke when you’re now babysitting Soldier Boy himself.

“Been missing you s’much little Nightshade” he admits after a couple of minutes alone in the filthy motel “Thinking about how cute you are, how you felt taking my cock so nicely in your living room.”

“Fuck off, Ben.”

“We’ll be quick” he promises “That stupid assholes back there wont even notice.”

You seem to think about it for a second before lifting your middle finger in response — “I said fuck off, Ben.”

For now, it’s enough for him that you’re thinking about it.

my masterlist

[ganondoodle]

another addition, again i dont agree with every single bit but its still a good video

(like the part about the sky, i find it almost as disappointing as the underground- almost bc i love the udnerground as a concept so im even more frustrated with how underused it actually is; i also dont think the constructs are that much of a good enemy addition bc they are really like .. mechanical bokblins; i also found minerus entire "dungeon", boss and ability to be pretty boring- theres also a longer intermission with just .. a pause? but the video goes on to talk about story after that- then talks alot about the voice acting .. the english one of course bc i guess people never try any other setting- espeically when you dont like a voice performance .. why wouldnt you try one of a different language, anyway, i skip through those clips bc i just ... cant listen to them, every single one is mediocre to bad and idk why bc in so many english films its not like that..)

this next one is much longer and more like a guy narrating over their gameplay and what they thought at that time- its less well structured but found it neat to listen to anyway (the chapters on the video only go halfway for some reason so the part labeled -puzzles- isnt all about puzzles actually and stretches to the far end and talks about alot of stuff)

but theres some weird things they mention like ... ganondorf being "clearly" the one from oot ...? which isnt true at all? and more stuff thats just kinda wrong (like the garden of time is not skyloft ... or the shiekah hating the sonau bc in botw the barbarian set called them "barbaric" when the shiekah didnt even exist in that way during that time, at least in what we know of the very long ago past of totk .. which isnt much tbh, and also its a pretty clear retcon with no actual significance imo, i dont get where they got the idea from that the shiekah called them that bc im pretty sure the armor set is the only lore we really had about them and the armor descriptions arent written by the shiekah .. are they? ... anyway, theres little weird things but overall found it ok to have on in the background)

so im not sure if anyones interested, but, i went through quite a bunch of totk critiques by people who were also very disappointed with it and thought id share my favorite videos i found (granted, i only really wachted those that youtube recommened and its mostly .. white men... things like the orientalism problem are not mentioned at all for example, maybe ill update this post if i find any more diverse voices)

i dont agree with every single point and also dont know most of the channels (aside from the big zelda theory guys) so i judged solely by what they mentioned in those videos and the quality of it (like the audio .. bc i cant listen to bad audio)

in no particular order, also they talk about or use footage of the literal ending stuff so if you arent done with the game yet, better leave these for now

(the following one is a podcast thing by multiple zelda theory guys, there some stuff you can skip at the start thats just kidna random things, but the video is marked with chapters)

(theres some mention of some things not making sense, like the sonau only being two, and ithink thats kinda bc the english translation was weirdly vague about that, in the german version its much more directly said that they all died out and only rauru and mineru were left of them;

also mentions of how unfitting it is to call the enigma stones "secret"stones in english might come from a similar thing; in german they where called "Mysterienstein" which would be translated as mystic/mysterious/enigma- stone

just wanted to mention that since the vast majority are gonna play it in english only and the stuff online is also dominated by english)

[preeetzeeels]

Heyaaa! Me again-

First of all: English is not my first language and I'm still learning. If there're misspelled words and bad using of grammar, I'm really sorry :((

Anyways.. Toby doodles!

I also loved this design... nothing more to say.

I made a Jeff the killer before but he looked like that anime version and NO. That phase is gone (lol)

He looks good ngl.

Ofc! Sally Time!

Maybe next time I'll post her complete design :D

And Jack trying to help Toby find his goggles. (Not gonna work)

Full pic!

[notanactressyayy]

—𝐲𝐨𝐮'𝐯𝐞 𝐛𝐞𝐞𝐧 𝐦𝐲 𝐦𝐮𝐬𝐞 𝐟𝐨𝐫 𝐚 𝐥𝐨𝐧𝐠 𝐭𝐢𝐦𝐞, 𝐲𝐨𝐮 𝐠𝐮𝐢𝐝𝐞 𝐦𝐞 𝐭𝐡𝐫𝐨𝐮𝐠𝐡 𝐞𝐯𝐞𝐫𝐲 𝐝𝐚𝐫𝐤 𝐧𝐢𝐠𝐡𝐭—

pairing . Natasha Romanoff x fem! reader

summary . she needs you, in multiple ways — she's just scared to ask for it.

warnings . smut — I am NOT responsible for the content you consume — thigh riding, scissoring, fingering, vulnerable sex (because yes), taking care of Nat because she deserves it.

notes . English is not my first language, I'm brazilian, so I apologize for any grammar mistakes. this is probably the first fic I ever post so hi hi!!!

(I'm sorry if this is bad, I literally wrote that in a waiting room, completely in a rush.)

divider credits: @cafekitsune ^^

You didn't know exactly why the TV was on. You weren't interested on the show, and Natasha wasn't even looking at it. Her eyes looked down as she fidgeted with her fingers. You could tell she was anxious, that something was bothering her.

You just never expected that this was something to do with you — no, you didn't do anything wrong. It was her.

Natasha and you met years ago, and had been in a situationship for a while now. You weren't friends, but somehow, you couldn't recall the time you started dating (because it never existed). Friends with benefits was too clich��, and maybe not enough to describe what you actually had with her.

To begin with it, you met Natasha when she was still an Avenger. You were never part of the team, but they treated you as if you were. You were close to everyone, but specially Natasha. There was a reason she had let that happen, since according to her, she was in New York to be a hero, and not to have friends.

Friends.

The moment the russian started to blush whenever Thor teased her about how close she was to you or when you simply stared at her for a few seconds or more was when she realized that she made a mistake. A good one, she hoped. In a heartbeat, she was telling you her story.

You listened — just, listened. Your hand went to brush her hair behind her ear whenever she looked down, and the sparkle of pride in your eyes was not something she could miss. You didn't pity her. You didn't try to bring up a justification for what she went through, or to bring up a solution to fix her. You were proud of her for who she became, and were there for her whenever she didn't want to be that person for a while.

It was with that trust in you that she found herself wanting, craving even, something more. She's human, wether she like it or not. She can't deny her feelings or urges, not even the most dangerous spy can.

So her walls broke when you said you were going with her to Norway after the Avengers split.

Natasha shifted a little in the couch, the blankets around her getting all crumpled as she took a deep breath, trying to calm herself down. Your focus went from the soft patting of the raindrops in the window to the woman next to you, as you frowned a bit.

"Nat?" you called, leaning your side against the backrest of the couch and looking at her. "What's wrong?"

She turned to you, a little startled, but tried to shake it off with a small grin. "Oh, it's nothing. It's just a little hot in here."

"We're in Norway," you laughed, giving her that goddamn smile of yours. "And.. it's raining."

"The..." she shook her head, failing miserably to come up with an excuse. "The blankets are making me hot."

"Mhm, are they?" you raised an eyebrow, and pulled the blankets off you both, and letting half of them fall to the floor. "Better?"

Natasha shivered, but nodded nonetheless. You saw she was unquiet, and that this looked a little more serious than the normal.

"Natasha."

"Yeah?"

"What is going on?" you repeated your question, scooting closer to her and placing your hand above hers — just to make things worse.

Natasha almost whined at your action, which made you pull your hand back and frown even more. "I'm sorry,"

"No, it's not your fault." she shook her head. "It's mine."

"Then tell me." you smiled softly, lifting her head up to meet your eyes with your pointer finger. The sight of her green orbs was something you maybe never saw before.

"I..." she mumbled, clearing her throat. She then grabbed your hand and held your wrist gently, not sure of what to do next. "I don't know."

"It's okay," you whispered, bringing her hand up and placing a kiss on it. You had no problem with being affectionate and she didn't mind either, but today, it was different.

"Y/n". Natasha whispered back, looking into your eyes and getting lost in them. She was clearly unsure of what to do, and how to express what she was feeling. So she brought your hand up and placed your palm above her heart. Faster than the speed of light.

"Hey..." you cooed, tilting your head as you felt the aggressive beating against your hand. "You... are you, scared of something?"

"No." she quickly shook her head. She wasn't having any negative emotions right now. "I'm not anxious, I'm not scared.. I'm just.."

"Just what?"

The fact she was not having an anxious episode or a panic attack made you slightly relaxed, but not completely — then you realized, the touches you were giving her made her sensitive. She was needy.

The Red Room turned her into a closed person, and that didn't completely vanish when she was with you — it was like there was a bug in her system that had to be fixed, soon. She couldn't be totally open, but not completely closed.

You smiled at the thought, and leaned in closer, inches away from her face, which made her breathing uneven. "Tell me what you need, Nat."

"I..." she took a deep inhale and placed her hand on your cheek, pulling you into an unexpected kiss — a desperate one.

She kissed you frantically, her movements with urgency as she placed her hands behind your neck, trying to pull you close. You couldn't say you expected this, but it wasn't unwelcomed either.

Your hands went to her waist as she shyly crawled onto your lap, her legs hooking around your hips as she pulled away for air, her forehead against yours.

"I'm sorry, I'm sorry, I'm sorry..." she breathed, feeling her eyes start to burn with unleashed tears.

"You have absolutely nothing to apologize for." you murmured, arms gently wrapping around her as she straddled you. "It's okay, let's not rush things. Let's take deep breaths, mhm?"

The fact you wanted her to calm down before anything almost calmed her down instantly, but she breathed with you, then leaned her head on yours, her cheek on your hair.

"I just need something," she whispered, more calmly now. "I—I think I need you."

"And I'm here," you turned your head to press a kiss on her temple, caressing her back. The redhead melted.

Natasha leaned down to kiss your lips again, but not with urgency. She sighed softly against your lips, her hands moving to hold your face, and yours, to hold her waist. It didn't take long for her to start moving slowly — she shifted, instead of straddling your lap, her legs were around your thigh. Your eyes opened, and you broke the kiss to look at her.

"Nat, my love," you whispered. "Are you sure of this?"

"Please." she uttered back, closing her eyes and gripping your shoulders. "I know you'd ever hurt me.. you would never disrespect me, you would stop if I asked you to. Right... right?"

You smiled sadly, realizing she was trying to reassure herself, and not actually ask you this. "Yes, yes, Natasha. I want to take care of you. I want to see you, beyond that shell they turned you in. I want you to feel comfortable enough with me to ask for this, and this is such a big step for you."

She sighed in relief, hearing the honesty in your voice. She nodded, clearing her throat. She leaned down, hiding her face on the crook of her neck and pressing small, gentle kisses on it. Then her hips started to slowly move, and the tiniest bit of friction made her gasp. "Y/n..."

"Shh," you held her hips, guiding her through her own pace. The little high waisted shorts she wore rolled up, so surprisingly thick that you could feel her wetness. "That's great, Natty. Move yourself for me, like this."

Natasha whined at your words, starting to grind against you slightly faster. The clothes were starting to feel uncomfortable, as she felt the need of you seeing her. She grabbed your hands, and slowly moved them underneath her blouse.

You did what she wanted, grazing your fingernails against her skin and slowly massaging her flesh, resulting in a soft moan of hers. "Take it off." You looked at her with a questioning look, even if you had an idea of what she was asking for. "Undress me, Y/n."

Given her permission, you smoothly lifted her blouse and pulled it over her head, letting it fall to the floor. She stopped her movements briefly, just so you could slide her shorts and panties down her thighs, her heat now in contact with your leg making you groan.

She felt your hands moving up to unclasp her bra and smirked softly, holding her arms out so you could take down the straps. That woman was surely breathtaking, her body, her marks, her scars, her voice, her everything.

"Natty," you uttered, pressing kisses in the valley between her breasts and moving up, to her ear. "There's so much I wanna do with you..."

Natasha closed her eyes, your touch making her shiver again, as she began to fastly grind her pussy against your thigh. "Please." she quickly removed your shirt and soon enough, you both were completely naked.

The feeling of skin against hers, the human touch that she never felt when getting off with a strap while thinking of you was unbelievable, a touch that she knew that wouldn't hurt her. It was so good, so different from the men she seduced when a spy, so different from the men that touched her in the Red Room.

"My pretty girl," you hissed, throwing your leg above hers and starting to grind yourself with her. "So beautiful, and all mine."

"Yes," she panted, burying her face in your neck again as her nails lightly scratched your back. "Y/n, please."

"You're coming with me." you sweetly commanded. Natasha started to whisper things in Russian that you couldn't really understand, but you took it as a sign that she was close.

Soon enough, Natasha's legs started to shake and her moans on your ear got slightly louder, you both coming together, her juices mixing with yours. She didn't stop, though. You gasped, looking up at her. She still needed more.

"Touch me." Natasha growled, grabbing your hand and moving it close to her cunt. She was starting to feel confident, and you liked it.

You didn't think twice before burying your middle and pointer fingers on her hole, using your thumb to slowly rub circles on her clit, biting your lip at the sight of her back arched. All for you.

"God, Y/n," she moaned, using her own hands to squeeze her breasts and circle her hard nipples. "Yes, just like that."

"You like it like this?" you asked, shoving one more finger inside her, her moans getting louder. She slowly started to lift herself from your fingers, just to lower her hips again, riding your fingers. "You're gonna come for me again?"

"Yes!" she nodded frantically, her breaths coming in little gasps for air. She gripped your shoulders tightly, throwing her head back and orgasming again. It took a while for her to calm down, and you didn't waste time before gently taking her and laying her down on the couch, spreading her legs and pressing soft kisses on her inner thighs, licking her juices and making her squirm around.

"Y/n," she murmured quietly, reaching her arms out.

"Oh, baby." you pulled Nat into an embrace, holding her close to your chest and caressing her hair, running your fingers through her red locks. "It's alright."

Natasha whimpered, wanting to hide herself in your arms and never come out again. She closed her eyes and laid her head on your chest, arms circling your waist.

The talk about this could wait. The silence was comfortable enough for now.

[doomdoomofdoom]

Hi yes I have a lot of thoughts on this take and I would like to share them. It's gonna be a lengthy post and none of it is meant as a personal attack or critique. People have different tastes. The OP was asking for the impact Nimona had on different queer people. This is one of those impacts. It's not my (or anyone elses) place to police that.

That being said, I have unfortunately spent the better part of a year absorbing every tidbit of this movie and I am now making this everyone elses problem

Starting with the petty stuff I will not talk about, because it's subjective: Both the voice acting by Chloë Grace Moretz and the Writing may have won an Annie Award respectively, but if what they do is not your jam, it's not your jam. Same with the art style. No point in fighting over taste. I could make some petty extrapolation that refusing to remember or look up the name of a central character or voice actor shows a refusal to engage with the material, but even if I personally find it off-putting, it's not a fair point of critique. For all I know, this could be a bit.

Cool? Cool. Let's talk substance:

The Background:

This is the only category where I can straight up refute points, because this is factual stuff. I don't think this is obligatory for anyone to know - I certainly didn't when I watched the movie - but I do think it puts some things into perspective.

'Nimona' the movie is based on a comic by ND Stevenson from a good while ago. Stevenson has since come out as transmasculine and remarked that the comic contained many of his unaddressed feelings about his gender. The story and artstyle strongly deviate from the original comic. Adaptation-wise, from what I know, it's basically an entirely new story within the original framework with substantial changes to the characters as well. I believe I read somewhere that the goal was to create a story that would still reinforce the core messages and themes of the original, but adapted to today and influenced by ND Stevenson's own identity developing. The movie did go through production hell. Big time. Originally developed by Blue Sky Studios (subsidiary of Fox), the movie ran into issues when Disney bought and dissolved the studio. Previous to its cancellation, the movie already faced scrutiny for including a gay couple, and had to fight with Disney in particular for any inclusion of intimacy between Ballister and Ambrosius. By the time it was cancelled, the movie was mostly finished.

Quick Tangent on that: A lot of people claim Disney did not want this movie to get made. This isn't true. Disney held the rights to the Nimona movie. They could have simply kept them forever, preventing the movie from ever seeing the light of day. Instead, they agreed to sell the rights to Annapurna Pictures, who finished and released the movie.

Annapurna as a production company (supposedly) focuses on giving directors the opportunity and freedom to create the movie they want, without conforming to Hollywood Standards. As such, they encouraged the production to double down on the parts that were previously stifled or discouraged under Disney and Fox. This is why the movie gets to be this queer.

Given the amount of fight that the producers, writers, directors, and crew altogether had to put in to get to this point of explicit depiction of a gay couple and queer themes overall, I find the accusation of Rainbow Capitalism incredibly misplaced.

The Content:

Obviously interpretation can differ between people, but there's a few things in this post that, in my opinion, missed the mark.

First and foremost, reading this movie as copaganda is baffling to me. This movie is dedicated to calling out the propaganda behind law enforcement, both internally and externally. In 'Nimona's world, being a cop (called "knight") is a divine birthright. Before the events of the movie, all cops are descendants of a few select bloodlines. They are the chosen ones, tasked with protecting the kingdom and its people. This gets reinforced over and over into both citizens and the cops themselves. They are the only ones capable of protecting everyone from the very black and white threat of "monsters". (Interestingly, the movie leaves it open whether there have been any monsters in recent years.) They're also frequently used in ad campaigns. And then Ballister, the first and only cop chosen by merit rather than heritage, whose darker skin tone is not a coincidence, gets framed for treason. He meets a monster. He discovers that the person in charge of law enforcement (the "Director") is behind the Queen's Assassination. Ballister's worldview should shatter. But he still believes in the law enforcement institution (it's literally called The Institute, it's not subtle) and thinks that he can set this right by removing the Director from power. He doesn't even want to make his discovery public. And he gets called out on this. "You think this ends with the director? You should be questioning everything right now!" is what Nimona tells him, I believe. During the movie, Ballister is also repeatedly subjected to classism (which is a stand-in for racism) from his cop colleagues, and literal police brutality once he is a wanted criminal. The Institute is shown to be fundamentally prejudiced, violent, and incompetent. It's the literal antagonistic force of the movie. I'm aware that there is a copaganda subgenre, in which our hero cop must evade arrest by the police department because he's being framed. But those work on entirely different levels. These are not the same thing.

I could write another paragraph about whether Goldenloin counts as "estranged" but I think that's more of a semantics argument than anything. He is a supermodel tho

It's also not directly confirmed whether Ballister is reinstated as a cop in the epilogue, but I personally lean towards 'yes' based on his shirt. The institute still exists. The Status Quo hasn't been miraculously flipped overnight. The wall is now open, and the cannons have been removed, but the wall itself still stands. Cops still patrol the streets, and even if they play ball with the kids, they're still cops. And personally, I think that's a good thing to put in your movie. Change, even if brought by a giant trans phoenix exploding a fascist, is never instantaneous. We don't really have enough information on how the kingdom develops from here to endorse or condemn its path. It's something I would love to see explored if there's ever a continuation of the story. But we can tell that society has taken a step in the right direction. And I think that's more realistic than a sudden utopia.

I really don't know how the movie could've been any more clear on its core message, on the pain and anger caused by ostracization, the importance of recognizing and accepting others as they are, and the indictment of an oppressive system built on hatred and exclusion. Without sacrificing its immersion or turning preachy, at least.

I am currently writing a paper about the way that the Nimona Movie affected queer people. I was hoping that you could comment or reblog with your experience watching Nimona. Thanks so much!