#songe
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cheminer-poesie-cressant · 3 days ago
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Ma nuit secrète, mon hôtel des ombres.
Ma nuit luisante, ma chambre d’oubli.
J’armure ma silhouette du parfum de ton passage
et j’avance vers toi au dos de ta compagnie.
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(Dans la portée des ombres, extrait)
© Pierre Cressant
(samedi 22 octobre 2005 - vendredi 24 janvier 2025)
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youtube
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a--z--u--l · 2 years ago
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Quédate en donde te pregunten a ti cómo se llama esa canción.
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katlimeart · 2 months ago
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Mario girls cosplaying as female characters from Happily Ever After: Fairy Tales for Every Child
1 + 2. Olivia
3 - 7. Zoe
8 + 9. Songe
10. Marisol
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au-rythme-de-mes-pensees · 2 years ago
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Loin de tout...
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Loin de la foule envahissante,
Je regarde toutes ces petites maisons en silence...
Et je me sens en paix...
Quelque peu songeuse mais radieuse...
La vie, c'est comme une pluie...
Tantôt ruisselante où débordante d'amour...
Et parfois criante, désolante comme la terre asséchée jusqu'au plus profond de notre âme esseulée...
C'est la triste loi de la vie...
Où peut-être de ce joli paradis que je regarde au loin à l'infini...
Pour apaiser mon esprit...
Car oui, c'est tellement beau de contempler toutes ces petites maisons à travers la nuit...
Que j'aimerais pouvoir me nicher ici toute une vie tel un oiseau de paradis...
Qui aurait besoin de paix et d'harmonie
Pour oublier tous les tracas assourdissants de la vie et retrouver enfin toutes ses jolies mélodies...
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philoursmars · 1 year ago
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Marseille. Le Palais Longchamp abrite deux musées, ici le Muséum d'Histoire Naturelle.
Tatou géant et Fourmilier
Atèle aux joues blanches
Pangolin à queue courte
Nilgaut
Rhinocéros blanc, Porc-épic...
Vache Watusi (je crois), ...
le dernier loup de Marseille (à l'époque; maintenant, ils sont à nouveau dans les calanques...)
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deanwasalwaysbi · 8 days ago
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This is the perfect moment for Vine to do the funniest thing possible
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chilewithcarnage · 10 months ago
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'you still listen to music from 10 years ago 🤨?' bitch if prehistoric humans had audio recording technology id be sat up here listening to grog and unga bunga's greatest hits don't play with me
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omatoxin · 3 months ago
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fish song
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starbuck · 3 months ago
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“…to me” is one of the most powerful disclaimers we have on here… is this character analysis accurate? debatable. but it’s real… to me.
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okthatsgreat · 5 months ago
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just caught myself thinking “nooo i cant post that they’ll think i’m uncool” like brother you are on www.tumblr.com/dashboard
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cheminer-poesie-cressant · 2 years ago
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source : @cheminer-poesie-cressant​
statues au bosquet qui hantent jusqu’à l’ombre de notre avancée, nos êtres de chairs qui deviennent un instant la réponse de leur blancheur froide, passeurs d’un temps éternel qui étreignent nos muscles qui se figent ; les grands parcs sont les domaines idéals des êtres de pierre et c’est toute notre présence qui se reforme au contact de leur réalité
© Pierre Cressant
(mardi 9 mai 2006 - mercredi 22 février 2023)
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hussyknee · 10 days ago
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If I tell you this is a horror dance number it still won't prepare you. That last move was so terrifying even the judge was like "Let go! Let go!" If you told me they're actually possessed I'd believe you.
The music is a remix of the song Mere Dholna from the Bollywood movie Bhool Bhulaiyya, a remake of the classic Malayalam horror-comedy Manichitrathazhu. It's about a young bride that seemingly becomes possessed of Manjulika, a dancer of the ancient royal court whose tragic death has turned her into a vengeful spirit, one who evokes the wrath of the goddess Durga Kali. In the iconic scene that is repeated across remakes, the groom and his family discover his bride dancing in the dead of night in a manic, disassociative fugue, wearing a moth-eaten dancer's costume and a face smeared in kohl, ash and vermilion. She's hallucinating that she's Manjulika dancing carefree for the court with her lover. The upbeat music is deliberately incongruous with the pathos and creepiness of the scene in reality, especially as it crescendos in the bride's head to the moment when the king decapitates Manjulika's beloved in a fit of jealous rage.
This specific number is by the all-male troupe B Unique, performed for the Indian reality talent contest Hunabaarz. It's a modern fusion based on Bharatnatyam that turns up the creep factor by 200% and is basically a showcase of contortionism and synchronicity. One of the most perfectly choreographed and executed dances I have ever seen. Truly incredible!
The group is still taking their work across the world's talent shows. And yes, that guy is hypermobile enough to do that with his neck. XD
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liliotl · 11 months ago
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who can relate
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kiryuing · 9 months ago
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evidently-endless · 9 months ago
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i think we should remind musicians they can absolutely make up little stories for their songs btw. it doesn’t have to be about them at all. you can invent a guy and put him in situations to music. time honoured tradition in fact.
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